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coffeexxcigarettes · 1 month

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Bargaining

No!

Let me return to the earth!

Rip away my limbs!

Let me give away my voice,

Rip it from my lips.

Let me take the place,

You have carved with that name.

Let me smear MY blood

I'll play your stupid game.

I'll do anything,

I swear.

I promise,

On my life.

I can't continue-

You have to understand.

We can make a deal!

I know we can!

Just please.

Anything.

Don't take her from me.

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tuiyla · 11 months

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more so than the fact I only have so many BtVS and Angel episodes left what freaks me out is that I have, like, 7 episodes of Faith left. Then again, 7 whole episodes! But then again, by god she better have a lot more than just one scene in all of them.

#can you tell that i'm Not Ready to see faith again #btvs lb #ats lb #faith lehane #i can't lose her #are the comics any good? do i want to get into angel & faith?

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spacedace · 4 months

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DPxDC snippet/prompt:

“John.”

Zantanna’s voice had that cadence to it. Faintly strangled. Forcibly calm. Her rising blood pressure and rapidly approaching limit for his special brand of excitement evident in every single letter of his name.

Felt like old times.

“Z.” He said, smoke curling out of his mouth and billowing towards the dreary grey sky above. The one nice thing about Gotham, it had the same gloomy dark ambience of ol’ London town. “Long time no see. How’s show biz been treating you?”

He saw the faintest of twitches at the corner of her eye. Could almost hear her counting to ten in her head. He smiled at her winningly, leaning back against the damp bricks of the alleyway as he waited. More smoke drifted upward from beside him in time with a bored sigh. Patience was running out on all sides it seemed.

“That’s a child.”

“Sharp as ever.” He said, taking another drag. He nudged the child in question beside him gently with his elbow, glancing down with a sly grin. “See this is why the Justice League pay her the big bucks. Nothing gets past our Zantanna Zatara.”

He got a cloud of smoke blown directly in his face for that, little shit.

“John.”

“Z.”

“Why do you have a child? Why is the child smoking?”

“Long story.” He said with a wave of his hand.

“I learned it from watching him.” The kid said, with the same cadence as that old American commercial. All dramatic and overwrought emotion. The gremlin swooned against John's side in an imitation of collapse, hand holding the lit bifter coming up to their forhead to really sell the melodrama. He nudged his ghostly companion off, grinning at Zantanna’s slipping patience as he did.

“Don’t worry about it. Kid's fine.”

“A child wandering around with you in a dark ally in Gotham smoking cigarettes is fine?”

“I mean, I’m already dead. And short. It’s not like smoking is gonna be able to do any worse to me.”

#dpxdc #dpxdc prompt #john constantine #zantanna zatara #dani phantom #danielle phantom #elle phantom #danny fenton #i wrote this with Elle in mind since I have an entire Paper Moon AU brewing in my head with her & John #but it absolutely could be danny instead #zantanna is already so done with all of this #she's having flashbacks of John smoking in the corner with baby Jason Todd when the kid was still Robin and Bruce losing his shit about it #she wants to say not her circus not her monkeys *so badly*#but very unfortunately John and his bullshit probably is her deranged little monkey in her very on fire circus #and now he's got a feral dead kid following him around this can't be good

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hedgehog-moss · 9 months

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These days Poldine gets to go out for a little walk every day at apéritif time, because she's a good llama who doesn't bother my guests (too much) (she does ask for baby carrots and kisses) and she always returns to her pasture without a fuss. It's become a nice little summer evening ritual.

And it happened several times that Pampérigouste didn't see me open the gate for her daughter, and, when she realised Poldine was out, became genuinely puzzled as to how her prim and proper kid found a way out that she hadn't.

Pampelune would be allowed to go out too, but most of the time she's content to stay in the pasture with Pirlouit; it's only Pampe who (once she realises her daughter can't possibly have escaped on her own and I must have facilitated it) is like

#crawling along #i occasionally let all the llamas out but in this case i halter pampy and/or poldine #and keep pirlouit in the pasture and pandolf in the house #pampe tries to flee but once she realises she can't lead other animals down the path of evil she often loses interest #and comes back #''you guys are no fun''#the strategy only has a 75% chance of success. it's a gamble. sometimes pampe leaves on her own #''i don't even care i'll have an adventure all by myself then. it'll be JUST AS FUN''#but you can tell her heart's not in it

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mayasaura · 1 year

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I think the best possible time travel fic would be to slingshot Harrow from the end of Harrow the Ninth back to the beginning of Gideon the Ninth. Highest hilarity potential, highest angst potential, highest pining potential

Things Harrow knows now that she didn't before:

Who Alecto was

The names of God and his lyctors

The secret of lyctorhood

That the lyctor trials are a death trap

Gideon could be easily persuaded to die for her

Gideon dying for her is the worst thing possible

She would do almost anything to prevent Gideon from dying

Gideon's sword is haunted by a very angry and oddly familiar-looking woman who bears a remarkable resemblance to Gideon

Things Harrow still doesn't know:

What Alecto is

Gideon's parentage

Jackshit about BOE

Mercy and Augustine are both traitors

Things Harrow knew then and still knows now:

Gideon—this Gideon here and now—hates her

She owes a debt of two hundred lives and a future to the Ninth

The survival of the Ninth depends on her becoming a lyctor

#like. what does she DO??#Gideon isn't going to listen to her without some MAJOR legwork to win her trust #she doesn't even know how she did it last time and she can't afford to wait until canaan house to replicate the successful scenarios #should she even bring Gideon with her this time?#what are her alternatives?#let Gideon go to join the Cohort and die gloriously for the empire?#leave her here on the Ninth alone with Crux who wants her dead and has killed before?#should she even go herself?#stupid question she owes it to Pent and Quinn and the Sixth and everyone who risked their souls for her #most of all tho #I really really wanna make pre-canaan house Gideon have to deal with Harrow in her 'first flower of my House' 'saving the last dance' era #like. harrow basically got snatched by a pod-person who cares about strangers and looks at Gideon like a dream she expects to dissolve #gideon would lose her MIND #the locked tomb #gideon nav #harrow nonagesimus #harrowhark nonagesimus #gideon the ninth #harrow the ninth #htn spoilers #time travel #peggy sue fic #op

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not-so-mundane-after-all · 18 days

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I am literally the last person to even entertain the idea of Hunter dying (denial is strong with this one) but if there comes a moment when they have to separate and Hunter gives Omega this look

knowing it could very well be the last time he sees her? When he pushes her into Crosshair's arms, telling her she needs to go but she refuses, telling him she wants to stay with him, like in this scene?

Best believe it will be my funeral.

#I don't want to lose him #I can't lose him #OMEGA CAN'T LOSE HIM #filoni I am begging you don't do this to us #let that man get his wish #let him give his daughter the life she deserves and watch her grow up #the bad batch #star wars the bad batch #the bad batch season 3 #the bad bad spoilers #tbb hunter #tbb omega #tbb crosshair #hunter and omega

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chirpsythismorning · 3 months

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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

#byler #st analysis #pocketgate #lettergate #i'm aware this is a hot (big brain) take #but i'm like 76% sure mike understood will in the van scene #also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder #also #mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part #i think he thought that if he did break up with her she wouldn't need him at all anymore #or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that #this is why he struggled so much with being honest #it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer #it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants #the heart not being true to himself jumpstarted the apocalypse #everyone act surprised #byler getting jonathan’d in s5 can be something so personal #no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way #only to see it for herself #maybe then Nancy would try to talk to Mike about how he’s feeling #idk I could genuinely see byler just getting byler’d individually #but it’s clear at this point Jonathan is extremely suspicious #honestly all I think it would take is him having intel about their previous fights #if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…

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aithusarosekiller · 2 months

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Reg's nickname for Sirius is 'Ris' pass it on

He's been using it since they were like 5

But normally doesn't use it around other people bc he's an angry little shit and doesn't want anyone else to start using it too (anyone meaning James ofc)

He also uses it when he wants to guilt trip him into doing something or to get his attention when he isn't listening

#source: me calling my sister Tills when I want her to do smth bc I'm too lazy #sirius black #regulus black #they're arguing and he just goes 'ris stop' and he instantly goes quiet #it's such a cute nickname tho icl #I call him that too #bc I can and you can't stop me #the black brothers #black brothers #marauders era #mwpp #marauders headcanon #someone calls him that after Reg dies and he loses his shit

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the-nysh · 10 months

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Oh sweet! Looks like Trimax vol4's when Vash actually starts calling Meryl by name on a regular basis

As before--for context, he'd typically used the more distant, but still respectful 'insurance-san' to refer to the girls, but Trigun vol2 (right before Fifth Moon) was the first time he ever said her name so seriously, which was a very Big Deal to her, and their last exchange for 2 years.

That upon their hospital reunion scene in Trimax vol3, genuinely happy and relieved but still awkwardly not quite knowing what to say to each other after all this time, she bonks him for trying his 'old' way of address--denied! No more of that please; say her name!

So aha, here in Trimax vol4, after Zazie captures Meryl as a 'weakness' to bait him and things get personal...there it is. Now he's quite direct and no-nonsense about it! Surprising Milly and shocking even his opponents (in a 'whoa wtf, he behaves nothing like Knives!' kind of way by jumping out of a window for her) with his immediate 'cut the bullshit; I don't care about your games, I'm only here for Meryl; give her back' >:[ attitude!

(For reference, Milly generally calls Meryl 'sempai' while Wolfwood calls everybody nicknames, referring to the girls by their big/small heights. So Vash asserting a First Name basis for her is pretty significant.)

And just to check if Vash continues using her name, on his Important Mission to find her, even all alone, no matter what (Trimax vol5 spoilers)...

Oh yes he does. (Face to face now.) She's that important to him.

#trigun #trigunbookclub #vashmeryl #commentary #first name basis is pretty Important in japanese so yup i was keeping track for the When #stampede vash basically always used her name from the beginning #but once meryl gets captured then aha trimax vash is personally confronted with how much he can't afford to lose her

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coquelicoq · 1 month

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as a huge unreliable narrator enjoyer i love the fact that the raven tower is narrated by someone who cannot lie. so the narration is not unreliable, and any kind of uncertainty is always couched in "here is a story i have heard" or "i imagine", but it scratches the same itch as unreliable narration because the evidentiality of the narration is still so central, just in the opposite way. stories that don't care about where the narrator is getting their information or what biases are present in the way that information is shared with us are on one end of a spectrum, and stories that do care about those things are on the other end, and the raven tower is firmly situated alongside the unreliably narrated stories even though the whole point is that the narrator is as motivated as it is possible to be to never say something that is untrue. and it's fascinating to see how ann leckie manages to build suspense and subvert expectations without really at any point deliberately misleading the reader. every time i reread one of her books, the bouncing of the dvd screensaver in my brain gets a little more frenetic. how does she do what she does. ann leckie what is your secret.

#this post is spoiler-free btw. the narrator is very upfront about the fact that it can't lie and says this very early in the story #i'm only like 40% through my reread and i don't remember any details of what happens but i'm already losing it #and the fact that it's first-person second-person narration...completely undivorceable from the conceit of the book #might write a different post about that but probably only after i finish rereading #i finally got my sister to agree to read it and she's like 'i read the first fifteen pages! i like the style'#and i'm barely restraining myself from being like girl please read another fifty pages and get back to me #if you are not frothing at the mouth by page 100 then your money back. guaranteed.#my sister loves semantics like the linguistic subfield of semantics so i've been begging her to read this for so many years...#like i KNOW she will love it when that stuff starts becoming apparent. which is remarkably early in the book #hrrrrhughghrhrrgh i want to talk about it so bad #the raven tower #ann leckie #my posts #unreliable narrators #or not!!! actually!!!#storytelling #semantics

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