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letters2fiction · 3 months

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Welcome to Letters2fiction!

The concept here is to send in a question or a letter request, and you’ll get a response from your fictional character of choice, from the list below. Please stick to the list I’ve made, but of course, you can ask if there’s some other characters I write for, I don’t always remember all the shows, movies or books I’ve consumed over the years and I’m sure I’m missing a lot 😅

Status: New Characters added - Thursday March 21st, 2024

TV SERIES

A Discovery of Witches:

Matthew Clairmont

Baldwin Montclair

Gallowglass de Clermont

Marcus Whitmore

Philippe de Clermont

Jack Blackfriars

Sarah Bishop

Emily Mather

Diana Bishop

Ysabeau de Clermont

Miriam Shepard

Phoebe Taylor

Gerbert D’Aurillac

Peter Knox

Father Andrew Hubbard

Benjamin Fuchs

Satu Järvinen

Meridiana

Law and Order:

Rafael Barba

Sonny Carisi

Joe Velasco

Mike Duarte

Terry Bruno

Peter Stone

Hasim Khaldun

Nick Amaro NEW!

Mike Dodds

Grace Muncy

Kat Tamin

Toni Churlish

Amanda Rollins

Olivia Benson

Rita Calhoun

Casey Novak

Melinda Warner

George Huang

Sam Maroun

Nolan Price

Jamie Whelan

Bobby Reyes

Jet Slootmaekers

Ayanna Bell

Jack McCoy

Elliot Stabler

One Chicago:

Jay Halstead (Could also be Will if you want)

Antonio Dawson

Adam Ruzek

Greg "Mouse" Gerwitz

Dante Torres

Vanessa Rojas

Kevin Atwater

Sean Roman

Matt Casey

Kelly Severide

Joe Cruz

Sylvie Brett

Blake Gallo

Christopher Hermann

"Mouch"

Otis

Violet Mikami

Evan Hawkins

Mayans MC:

Angel Reyes

Miguel

Bishop

Coco

Nestor

911 verse:

Athena Grant

Bobby Nash

Henrietta "Hen" Wilson

Evan "Buck" Buckley

Eddie Diaz

Howie "Chimney" Han

Ravi Panikkar

T.K. Strand

Owen Strand

Carlos Reyes

Marjan Marwani

Paul Strickland

Tommy Vega

Judson "Judd" Ryder

Grace Ryder

Nancy Gillian

Mateo Chavez

The Rookie:

Lucy Chen

Tim Bradford

Celina Juarez

Aaron Thorsen

Nyla Harper

Angela Lopez

Wesley Evers

BBC Sherlock:

Greg Lestrade

Mycroft Holmes

Sherlock Holmes

Moriarty

Molly

Bridgerton:

Anthony Bridgerton

Benedict Bridgerton

Simon Basset

Daphne Bridgerton

Eloise Bridgerton

Kate Sharma

Edwina Sharma

Marina Thompson/Crane

Outlander:

Jamie Fraser

Claire Beauchamp Randall Fraser

Frank Randall

Black Jack Randall

Brianna Fraser

Roger MacKenzie

Fergus Fraser

Marsali Fraser

Jenny Fraser Murray

Ian Murray Sr.

Ian Fraser Murray

Murtagh Mackenzie

Call The Midwife:

Shelagh Turner / Sister Bernadette

Dr. Patrick Turner

Nurse Trixie Franklin

Nurse Phyllis Crane

Lucille Anderson

Nurse Barbara Gilbert

Chummy

Sister Hilda

Miss Higgins

PC Peter Noakes

Reverend Tom Hereward NEW!

Narcos:

Horacio Carrillo

Peaky Blinders:

Tommy Shelby

Downton Abbey:

Robert Crawley, Earl of Grantham

Cora Crawley, Countess of Grantham

Lady Mary Crawley

Lady Edith Crawley

Lady Sybil Crawley

Violet Crawley, Dowager Countess of Grantham

Isobel Crawley

Matthew Crawley

Lady Rose MacClare

Lady Rosamund Painswick

Henry Talbot

Tom Branson

Mr. Charles Carson

Mrs. Hughes / Elsie May Carson

John Bates

Anna Bates

Daisy Mason

Thomas Barrow

Joseph Molesley

Land Girl:

Connie Carter

Reverend Henry Jameson (Gwilym Lee's version)

Midsomer Murder:

DCI Tom Barnaby

Joyce Barnaby

Dr. George Bullard

DCI John Barnaby

Sarah Barnaby

DS Ben Jones

DS Jamie Winter

Sgt. Gavin Troy

Fleur Perkins

WPC Gail Stephens

Kate Wilding

DS Charlie Nelson

Sergeant Dan Scott

NEW! Once Upon A Time

Regina / The Evil Queen

Mary Margaret Blanchard / Snow White

David Nolan / Prince Charming

Emma Swan

Killian Jones / Captain Hook

Mr. Gold / Rumplestiltskin

Neal Cassidy / Baelfire

Peter Pan

Sheriff Graham Humbert / The Huntsman

Jefferson / The Mad Hatter

Belle

Robin of Locksley / Robin Hood

Will Scarlet

Zelena / Wicked Witch

Alice (Once in Wonderland)

Cyrus (Once in Wonderland)

Jafar (Once in Wonderland)

Gideon

Tiger Lily

Naveen

Tiana

Granny

Ariel

Prince Eric

Aladdin

Jasmine

Dr. Jekyll and Mr. Hyde

Hercules

Megara

Tinker Bell

Merida

Red Riding Hood

Mulan

Aurora / Sleeping Beauty

Prince Phillip

Cinderella

Prince Thomas

NEW! The Vampire Diaries / The Originals

Stefan Salvatore

Damon Salvatore

Caroline Forbes

Elena Gilbert

Bonnie Bennett

Enzo St. John

Niklaus Mikaelson

Elijah Mikaelson

Kol Mikaelson

Rebekah Mikaelson

Freya Mikaelson

Finn Mikaelson

Mikael

Esther

Marcel Gerard

Davina Claire

MOVIES

The Pirates of the Caribbean:

Captain Jack Sparrow

Barbossa

Will Turner

Elizabeth Swann

James Norrington

Kingsman:

Merlin

Harry Hart

Eggsy Unwin

James Spencer / Lancelot

Alastair / Percival

Roxy Morton / Lancelot

Maximillian Morton / The Shepherd

Orlando Oxford

Jack Daniels / Whiskey

Gin

BOOKS

Dreamland Billionaire series - Lauren Asher:

Declan

Callahan

Rowan

Iris

Alana

Zahra

Dirty Air series - Lauren Asher:

Noah

Liam

Jax

Santiago

Maya

Sophie

Elena

Chloe

Ladies in Stem - Ali Hazelwood books:

Olive

Adam

Bee

Levi

Elsie

Jack

Mara

Liam

Sadie

Erik

Hannah

Ian

Fourth Wing - Rebecca Yarros:

Xaden Riorson

Dain Aetos

Jack Barlowe

Rhiannan Matthias

Violet Sorrengail

Mira Sorrengail

Lillith Sorrengail

Bodhi Durran

Liam Mairi

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reasonably-annoyed-fog · 1 year

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they totally strike me as that kind of couple who have been together for so long they just call each other by bizarre pet names, but my personal explanation to why Phillip calls Blanc by his last name is that when they first met they had no idea it would turn romantic so they would of course call each other by their last names but then when things did turn romantic Phillip kind of missed the right moment to switch from “Blanc” to “Benoit”. Maybe they were flirting and Blanc said something charming and called him “Phillip” for the first time and Phillip kind of fumbled, as Hugh Grant characters tend to do, and then he tried to be cool about it like "Anyways Blanc would you like to get out of here for some. Drinks? Gay drinks? Perhaps even gay dinner?” And he had to keep doing that to save face and now he’s stuck calling his husband by his last name forever to avoid loving mockery

#Glass Onion #Phillip #I like to think Benoit was so enamoured by Phillips willingness to Commit To The Bit for the rest of time that he had to put a ring on it

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justanoasisimagines · 14 days

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List of Fandoms/Characters I write for...

justanoasisrandomFollow

6m ago

List of Fandom's and characters I'm willing to write for...

House of the Dragon ❀Criston Cole ❀Aemond Targaryen ❀Aegon II Targaryen ❀Harwin Strong

Game of Thrones ❀Sandor Clegane ❀ Tormund Giantsbane ❀Podrick Payne ❀Jon Snow ❀Robb Stark ❀Theon Grejoy ❀Jorah Mormont ❀Samwell Tarly ❀Gendry Waters ❀Tyrion Lannister ❀Jaime Lannister ❀Oberyn Martell ❀Ramsay Bolton ❀Viserys Targaryen ❀Khal Drago ❀Daario Naharis ❀Dickon Tarly ❀Koner

The Walking Dead ❀Rick Grimes ❀Shane Walsh ❀Merle Dixon ❀Daryl Dixon ❀Glenn Rhee ❀Jerry ❀Negan ❀Milton Mamet ❀Ceasar Martinez ❀Siddiq ❀Abraham Ford ❀Eugene Porter ❀Noah ❀Theodore "T-Dog" Douglas ❀Beta ❀Alden ❀Simon ❀Benjamin ❀Phillip "The Governor' Blake ❀Dante

Fear the Walking Dead ❀Troy Otto ❀Jake Otto ❀John Dorie ❀Nick Clark

Mayans MC ❀Ezekiel Reyes ❀Angel Reyes ❀Neron "Creeper" Vargas ❀Johnny "Coco" Cruz ❀Nestor Oceteva ❀Hank Loza ❀Gilberto "Gilly" Lopez ❀Bishop Losa ❀Che "Taza" Romero

Sons of Anarchy ❀Jax Teller ❀Harry "Opie" Winston ❀Juan "Juice" Ortiz ❀Alexander "Tig" Tragger ❀David Hale ❀Chibs Telford ❀Bobby Muson ❀Happy Lowman ❀Herman Kozik

Marvel ❀Steve Rogers ❀Bucky Barnes ❀Sam Wilson ❀Joaquin Torres ❀Baron Helmut Zemo ❀Tony Stark ❀Bruce Banner ❀Clint Barton ❀Thor ❀Loki ❀Pietro Maximoff ❀James "Rhodey" Rhodes ❀John Walker ❀Eddie Brock ❀Erik Killmonger ❀Charlies Xavier ❀Druig ❀Ikaris ❀Hank Mccoy ❀Frank Castle ❀Billy Russo ❀Danny Rand ❀Matthew Murdock ❀Kraven the Hunter ❀Dane Whitman ❀Wade Wilson ❀Pior "Colussus" Rasputin

DC ❀Adrian Chase ❀Clark Kent ❀Arthur Curry ❀Hank Hall ❀Leonard Snart ❀The Joker (Heath Ledgeer) ❀Victor Zsasz (Gotham) ❀Oswald Cobblepot (Gotham) ❀Edward Nygma (Gotham) ❀Harvey Bullock ❀Christopher "Peacemaker" Smith ❀Jerome Valeska ❀Mick Rory ❀George "Digger"Harkness ❀Ciso Ramon ❀Ray Palmer ❀Bruce Wayne ❀Chato Santanna ❀Rick Flag ❀Alfred Pennyworth

Stranger things ❀Eddie Munson ❀Steve Harrington ❀Jim Hopper ❀Dr Alexie

Vikings ❀Ivar the boneless ❀Rollo ❀Ragnar Lothbrok ❀Ubbe ❀Sigurd ❀Bjorn Ironside ❀Halfdan the black ❀Harald Finehair ❀Aethelred ❀Aethelstan ❀Alfred

Bridgerton ❀Prince Fredrich ❀Anthony Bridgerton ❀Benedict Bridgerton ❀Colin Bridgerton

The Witcher ❀Jaskier ❀Eskel ❀Geralt of Rivia ❀Lambert

Top Gun ❀Robert "Bob" Floyd ❀Jake "Hangman" Seresin ❀Bradley "Rooster" Bradshaw

Shadow Hunters ❀Raphael Santiago ❀Simon Lewis

Fast and Furious ❀Deckard Shaw ❀Han Lue ❀Jakob Toretto ❀Dante Reyes ❀Aimes ❀Owen Shaw

Zoo ❀Mitch Morgan ❀Jackon Oz

Twilight ❀Carlise Cullen ❀Charlie Swan ❀Sam Uley ❀Garrett

Ewan Mitchell Characters ❀Tom Bennett ❀Micheal Gavey ❀Billy Washington

Joseph Quinn Characters ❀Tom Grant ❀Billy Knight

Henry Cavil Characters ❀Napleon Solo ❀Captain Syverson ❀Charles Brandon ❀Walter Marshall ❀Gus March Phillips ❀Sherlock Holmes

Chris Evans Characters ❀Ari Levinson ❀Hugh Ransom Drysdale ❀Loyd Hansen ❀Andy Barber

Primeval ❀Connor Temple

Law and Order - SVU ❀Rafael Barba

Criminal Minds ❀Spencer Reid ❀Derek Morgan ❀Luke Alverez

9-1-1 ❀Evan "Buck" Buckley ❀Eddie Diaz ❀Albert Han ❀Howard "Chimney" Han

Station 19 ❀Dean Miller ❀Jack Gibson

Chicago PD ❀Kevin Atwater

Call of Duty ❀Simon "Ghost" Riley ❀Captain John Price ❀Alex Keller ❀John "Soap" McTavish ❀Koing ❀Phillip Graves ❀Nikolai ❀Kyle "Gaz Garrick ❀Alejandro Vargas ❀Rudolfo "Rudy" Parra ❀Vladimir Makarov

Grimm ❀Nick Burkhadt ❀Monroe ❀Captain Sean Renard

Beauty and the Beast ❀The Beast ❀Gaston

Shameless ❀Lip Gallagher ❀Kevin Ball

Black Sails ❀Long John Silver ❀Charles Vane ❀Jack Rackham ❀Captain James flint

The Night Agent ❀Peter Sutherland

Harry Potter; ❀Remus Lupin ❀Sirius Black ❀James Potter ❀Oliver Wood ❀Percy Weasley ❀Charlie Weasley ❀Fred Weasley ❀George Weasley ❀Bill Weasley ❀Viktor Krum ❀Neville Longbottom ❀Cedric Diggory ❀Severus Snape ❀Cormac Mclaggen

Fantastic Beasts and where to find them ❀Thesus Scamander ❀Newt Scamander

Vampire Diaries ❀Damon Salvatore ❀Stefan Salvatore ❀Enzo St John

The Originals ❀Niklaus Mikealson ❀Elijah Mikealson ❀Kol Mikealson

Maze Runner ❀Gally

Greys Anatomy ❀George O'Malley

The Mummy ❀Rick O'Connell ❀Ardeth Bay

Once Upon a time ❀Killian Jones ❀David Nolan ❀August Wayne Booth ❀Neal "Bealfire" Cassidy ❀Rumplestiltskin ��Sheriff Graham Humbert ❀Jefferson

The Musketeers (BBC) ❀Porthos ❀Aramis ❀Athos ❀D'Artagnan

The Last Of Us ❀ Tommy Miller ❀Joel Miller

Fargo ❀Gator Tillman

Sebastian Stan Characters ❀Nick Fowler ❀Lee Bodecker ❀Mickey

Lewis Pullman Characters ❀Rhett Abbott

American Gods ❀Mad Sweeney

Scream ❀Dewey Riley ❀Billy Loomis ❀Stu Matcher

Shadow and Bone ❀Matthias Helvar ❀Kaz Brekker ❀Jesper Fahey ❀Nikolai Lantsov

Reacher ❀Jack Reacher

Bullet Train ❀Tangerine

Percy Jackson ❀Poseidon ❀Hepheastus ❀Aries ❀Hades

The Last Kingdom ❀Osferth ❀Finnan ❀Sihtric ❀Ulthred

AEW ❀Maxwell Jacob Friendman ❀Wardlow ❀Eddie Kingston ❀Orange Cassidy ❀Chuck Taylor ❀Trent Berretta ❀Cash Wheeler ❀Luchasarus ❀Hook ❀Kenny Omega ❀Daniel Garcia ❀Will Osprey

WWE ❀Damien Priest ❀Grayson Waller ❀Sheamus ❀Otis

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superangsty · 3 years

Note

bridget jones’s diary

send me a Hugh Grant film and I'll tell you why he was gay in it

okay I'm gonna talk about Bridget Jones AND The Edge of Reason since obviously he's playing the same character.. also might I just say how very iconic of them in Bridget Jones' Baby it was to just say "daniel cleaver? nah he's dead" and then never mention him again.

anyway okay first of all I like when he says "aw fuck me I love Keats" and I like when he calls Michelangelo a poof and I like that Bridget's gay friend calls him cute and also the fact that when he and Bridget were fucking I'm 100% certain she pegged him at least once.

Anyway so like he's definitely bisexual bc in the second film he mentions sleeping with two separate men (though admittedly one of those was meant as a transphobic joke and another as a 'haha all public school boys fuck each other' joke but lets just GO WITH IT okay??). Also in the first film when he and Colin Firth's eyes meet across a crowded room,, I know it's meant to be hatred bc of Cleaver fucking Darcy's wife but that was a Charged Moment and I've been waiting literally my entire life for them to just make a rom com starring the two of them not as romantic rivals but as romantic Leads like i know they're both old and crusty now and Hugh Grant only plays slimy characters these days but I am begging. I am Begging.

I don't have anything more to say but I have two unrelated notes to make about the Bridget Jones films:

Sally Phillips is literally the Only character in the entire film. the Only One except maybe for Colin Firth's bald spot

In the second film when that girl's like 'actually im a lesbian and in love with you' and she kisses Bridget: Bridget was CLEARLY into it and I think she should've just got together with her instead of agreeing to marry Darcy bc quite frankly He Is A Tory and they're broken up by the third film anyway.

#also can we just talk about the fact that im 22 years old and ive watched this film like three times #AND YET ive only just now realised it's a pride and prejudice adaptation?#hugh grant #bridget jones

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oscopelabs · 7 years

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‘O.C. and Stiggs’ And The Utterly Unreleasable, Mind-Roasting Summer Of Robert Altman by Keith Phipps

[This month, Musings pays homage to Produced and Abandoned: The Best Films You’ve Never Seen, a review anthology from the National Society of Film Critics that championed studio orphans from the ‘70s and ‘80s. In the days before the Internet, young cinephiles like myself relied on reference books and anthologies to lead us to film we might not have discovered otherwise. Released in 1990, Produced and Abandoned was a foundational piece of work, introducing me to such wonders as Cutter’s Way, Lost in America, High Tide, Choose Me, Housekeeping, and Fat City. (You can find the full list of entries here.) Over the next four weeks, Musings will offer its own selection of tarnished gems, in the hope they’ll get a second look. Or, more likely, a first. —Scott Tobias, editor.]

Robert Altman was happiest working in the shadows. That’s true of his relationship with Hollywood—where he never fit in, except as the town’s designated maverick—but also true of his relationship with other movies. Altman always had a lot to say about his craft, even if he tended to treat interviews as opportunities to reiterate points he made many times. One talking point he returned to, including when I spoke to him in 2000, is the notion that influence could work backwards. “The directors who’ve probably had the most influence on me,” he said, “were probably names I don’t even know, because I looked at a film that was really bad and I would say, ‘Hmm, I’m never going to do that.’ That’s probably the most direct positive influence on the work I do. I don’t even know who those directors are.”

When talking about Altman, it’s always worth talking about what he was trying not to do as much as what he hoped to accomplish. M*A*S*H can be seen as a war film determined to show viewers what other films would not, from the bloody mess left after battles end to the long stretches of wartime boredom to the sometimes ugly sides of the lifesaving heroes. McCabe and Mrs. Miller is a Western without heroes. The Long Goodbye lets a noir play out in the sunny, counterculture-filled ‘70s Los Angeles.

All of which sort of explains how Altman came to direct the teen comedy O.C. and Stiggs—but only sort of. Shot in 1983—while films like Screwballs, Private School, and Losin’ It rolled out in multiplexes across America—it should have been released to catch the wave of raunchy teen comedies stirred by National Lampoon’s Animal House in 1978 and made into a tsunami by Bob Clark’s Porky’s three years later. But Altman was far from on board with the T&A-filled spirit of the times. When approached by producer Peter Newman, he recalled thinking, in an interview conducted for the film’s DVD release, “This isn’t my kind of film. I don’t know how to do these kinds of films.’ But that was a time when these teenage films were kind of in…mode. And I hated them. I just hated them. And I thought, here’s a chance to do a satire on something that I feel strongly about.” “I went after it,” he added, in a telling choice of phrase, “in that matter.”

He at least had slightly more prestigious source material from which to draw, if only slightly. Though the film doesn’t bear the National Lampoon name, its title characters, a pair of prank-happy Arizona teens, come from the magazine’s pages. Created by Lampoon writers Ted Mann and Tod Carroll, Oliver “Out Of Control” Ogilvie and Mark Stiggs became favorite recurring characters in the Lampoon’s last gasp of relevance in the early ’80s. Their stories also embodied the changes to the magazine’s spirit in the Reagan era, when the always freewheeling publication started punching down far more often than it punched up. Two children of privilege, the O.C. and Stiggs of its pages enjoy an adolescence filled with excess, abuse, and casual racism and misogyny. Their adventures climaxed with the novella-length “The Utterly Monstrous, Mind-Roasting Summer of O.C. and Stiggs,” which took up the entirety of the Lampoon’s 1982 issue.

It also provided the backbone to Altman’s film, courtesy of a screenplay credited to Mann and Donald Cantrell. In Hunter Stephenson’s extensive history/appreciation of the film, Mann notes that Carroll worked on the script but took his name off the movie. Altman then reworked the script and allowed it to drift further from the original vision thanks to a typically improvisation-friendly set. Really, he had no choice. Altman was never known for being overly respectful of screenplays, but O.C. and Stiggs plays as if he’s compelled to actively work against the source material while still following the outline of the plot. There’s a brutal wit to Mann and Carroll’s stories*, but the teenage nihilism at their core is hard to square with Altman’s sensibility, which could be unsparing of human behavior while still maintaining an underlying respect for human decency.

As such, Wino Bob, the boys’ “Negro derelict” friend, is given all the dignity a character named Wino Bob can hope to have, thanks to a heartfelt performance from Melvin Van Peebles. The heroes’ attempt to shame a pair of teachers in a gay relationship becomes the occasion for one of the teachers to say he doesn’t care. And the film’s central conflict between O.C. and Stiggs’ and the Schwab family, a grotesque suburban clan that’s grown rich from insurance sales, becomes a battle between haves and have-nots, with O.C. now motivated to exact revenge on the Schwabs thanks to the cancellation of his grandfather’s (Ray Walston) health insurance, a development that will send O.C. off to live with relatives in Arkansas at the end of the summer unless something can be done. What emerged looks more like an Altman movie than, say, Fraternity Vacation, but it’s a strange beast nonetheless, a Brundlefly-like hybrid that’s not really equipped to live in any known movie habitat. There’s too much overlapping dialogue and restless camerawork, to say nothing of the virtual absence of nudity, for Porky’s fans, too many outrageous pranks for the arthouse.

That might explain why MGM didn’t know what to do with the movie, shelving it after disastrous screenings in 1984, which came and went without a release. So did 1985. And 1986. And though the film apparently played some theaters in 1987, it didn’t reach New York until 1988, when it appeared at Film Forum as part of a Dennis Hopper retrospective. Most viewers who encountered it did so on VHS in the late ‘80s, when it already looked like a lost film from a bygone time, the T&A comedies of the early ‘80s having given way to the more sympathetic efforts of another Lampoon alum, John Hughes. (If nothing else, Jon Cryer, who plays the much-tormented Randall Schwab, already looked noticeably younger in his feature debut by the time saw the light of day.)

Yet while O.C. and Stiggs will deservedly never be mentioned near the top of any Altman ranking of the director’s film (or, if we’re being honest, too close to the middle), there’s nothing else quite like it. Both Daniel H. Jenkins and Neil Barry (O.C. and Stiggs, respectively) make for appealing leads, embodying their characters’ screw-it-all, question everything, respect nothing teenage attitude without making them seem heartless. (That spirit in two lines: “I want you to call me Stiggs. It sounds more ridiculous.”) And for every obvious flaw, there’s some compensating element. A big wedding set piece doesn’t really go anywhere, but it does feature a charming dance sequence between Jenkins and Cynthia Nixon (both of whom would stay in Altman’s orbit for a while). The comedy falls flat in the action finale, but it does feature a bizarre, self-parodying performance from Dennis Hopper as a Vietnam vet for whom the war never ended. Some sections drag, but Altman throws in a winning concert scene from King Sunny Ade. Also featured: Jane Curtin as an inventive alcoholic mom for whom every object can double as a place to hide booze, a supremely chill Martin Mull, Bob Uecker, and a cameo from Hal Phillip Walker (Thomas Hal Phillips), the third-party candidate whose cryptic proclamations filled the background of Nashville.

It’s a film that time has only made more intriguing, thanks to its unmistakable Altman-ness, its undeniable eighties-ness, and the uneasy alliance the film forces between the two. Altman “went after” the ‘80s teen movie, and though the genre barely noticed his attack, the resulting film remains a disjointed but spirited critique of Reagan-era values and a salute to the teen spirit of subversion, even if that subversion took the form of driving around in a suped-up car with monster truck tires on it just to annoy the squares.

The film first came to my attention, years after its release, via my friend Todd Hanson, a gifted writer for The Onion whose pop culture enthusiasms had a way of getting passed from co-worker to co-worker. When I got the chance to speak to Altman, I knew I had to devote at least a few of my previous 20-minute slot to what had by then become an office-wide obsession. “I was attacking the teen mentality of the audience,” he said, “and I just was a little too… Nobody got it.”

Looking back, it might be that not enough tried. At that low ebb of Altman’s commercial fortunes—post-Popeye, pre-Player—he’d become too easy to take for granted and an odd, flawed, but undeniably one-of-a-kind film could be dismissed as just another ‘80s misstep. Maybe it seemed like we’d have Altman movies forever, and the era in which studios might somehow find themselves funding impossible-to-define oddities that doubled as single-finger salutes to the bad taste of their intended audience would never end.

* In an odd case of two geniuses drawing inspiration from an unlikely source, Mann and Carroll’s stories also inspired D.R. and Quinch, an early writing effort from comics great Alan Moore.

#robert altman #o.c. and stiggs #popeye #the player #the onion #national lampoon's animal house #screwballs #private school #losin' it #fraternity vacation #porky's #musings #oscilloscope laboratories

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latesthollywoodnews · 4 years

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The Love Actually Scene Hugh Grant Actually Hated Filming

Jeremy Brown - Latest News - My Hollywood News

The Love Actually Scene Hugh Grant Actually Hated Filming, New Hollywood Celebrities 2018.

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know more about all Coming Soon Celebrities, New Hollywood Celebrities 2017, The Love Actually Scene Hugh Grant Actually Hated Filming.

Hollywood Celebrities Latest Story Emily Blunt News Celebrity & Marvel Studios, LLC (originally known as Marvel Films from 1993 to 1996) is an American motion picture studio based at The Walt Hollywood Studios in Burbank, California and is a subsidiary of Walt Hollywood Studios, itself a wholly owned division of The Walt Hollywood Company, with film producer Kevin Feige serving as president. Previously, the studio was a subsidiary of Marvel Entertainment until The Walt Hollywood Company reorganized the companies in August 2015.

Who married Sleeping Beauty?

Prince Phillip tells his father that he has met a young woman in the forest and that he will marry her, against his father’s will. Unbeknownst to Hubert, this young woman is Aurora under the disguise of “Briar Rose”, the fake identity the fairies have given her to protect her from Maleficent.

What does Mulan’s name mean?

In the original poem, the heroine’s name is “Mulan.” According to the Chinese- English dictionary, the name means “lily magnolia.” Mulan is often given a last name, “Hua,” which means “flower.” The Chinese pinyin spelling of the name is “Hua Mu-Lan.”

What is Hollywoodland Resort?

Enjoy even more Hollywood magic on select attractions in one of the parks before it opens with Extra Magic Hour—available each morning to Guests of the 3 Hotels of the Hollywoodland Resort! Valid theme park admission required.

Okay, imagine you’ve just been elected British Prime Minister… how do you celebrate this once-in-a-lifetime victory? The answer is simple: You absolutely must dance to The Pointer Sisters’ 1984 hit “Jump (For My Love),” just like Hugh Grant’s character in the 2003 comedy Love Actually. This isn’t up for debate… and you’re going to love it.

But actually, Grant didn’t particularly love filming that particular scene. Not even a little bit. And in the new BBC documentary Hugh Grant: A Life On Screen, he reveals exactly what he thought about the proposed dance scene when he first heard about it. Take it away, Hugh Grant:

“I certainly dreaded filming it and [director Richard Curtis] kept saying, ‘Don’t you think we’d better rehearse the dancing scene’ and I’d say, ‘Uh yes I’ve just gotta learn some lines… my ankle hurts today.’ So it was never rehearsed.”

In the documentary, Grant describes his predicament like this:

“Imagine, you’re a grumpy 40-year-old Englishman, it’s seven in the morning, you’re stone-cold sober and it’s like, ‘Okay Hugh if you’d just like to freak out now.’ It was absolute hell.”

Think he’s joking? He’s not. Director Richard Curtis even confirms the story:

“We left it to the final day but as always he’d actually really rehearsed and had three or four little jokes up his sleeve and [he] turned out, from his dirty behavior in discos across London, to be quite good at dancing.”

At the time, Hugh Grant wasn’t exactly shy about expressing his displeasure about the scene: In fact, it sounds like pretty much everyone on set knew he was dreading his mandatory twerk-out. In the same BBC documentary, actor Colin Firth says:

“I do remember him making a terrible fuss about the dance.”

And much like the rest of us, Firth sounds pleased that Grant ultimately came around and gave the dance his all. Firth even admits,

“I think it’s the highlight of the film for a lot of people.”

So why did Hugh Grant hate the idea of the scene so much? As he explained to People in January 2018:

“Well, I could see that it might work, but I never understood it technically.”

He goes on to reveal,

“I kept saying to Richard, ‘Okay look, I got the radio on in my bedroom and I’m dancing, fine, but then I start to dance through the whole 10 Downing Street. Where’s the music coming from and how does it cut off at the end?”

According to Grant, Curtis just replied,

“Oh, don’t worry about it, it’s just a film world.”

Meanwhile, Curtis says Grant’s apprehensions evaporated once he actually started dancing… although his performance proved rather problematic from an editing standpoint. Curtis says Grant wasn’t just dancing in the scene he also ended up singing to the music, karaoke style. In 2017, the director told The Daily Beast:

“[Grant] didn’t like the song it was originally a Jackson 5 song, but we couldn’t get it so he was hugely unhappy about it. We didn’t shoot it until the final day and it went so well that when we edited it, it had gone too well, and he was singing along with the words. When you edit a dance sequence like that, it’s going to be a third of the length, and the bit he’s singing the words to isn’t going to be the bit of that moment, so it was incredibly hard to edit.”

It sounds like Grant has come to ultimately appreciate the scene. In a 2018 interview with People, he acknowledged that:

“People do like it. I’m proud of the fact I did it without any stimulants.”

These days, it seems like everyone fondly remembers Hugh Grant’s bold booty-shake. Unsurprisingly, that scene was spoofed in Love Actually’s 15-minute, so-called sequel… which aired as a Red Nose Day charity special in 2017. How did Richard Curtis manage to write such a thing? As he explained to The New York Times:

“I tried to think about what was the most memorable thing in each story [… like] Hugh Grant as the prime minister doing a dodgy dance and giving a speech […].”

In the mini-sequel, Grant dances to Drake’s “Hotline Bling” but with considerably less grace this time around. In fact, he ends up rolling down the stairs and evidently hurts himself in the process. Hey, that’s what you get for turning your back on The Pointer Sisters.

Watch the video for more about The Love Actually Scene Hugh Grant Actually Hated Filming!

#HughGrant #LoveActually #LoveActually2

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Some of Hollywood’s animated family films have drawn fire for being accused of having sexual references hidden in them, among them The Little Mermaid (1989), Aladdin (1992), and The Lion King (1994). Instances of sexual material hidden in some versions of The Rescuers (1977) and Who Framed Roger Rabbit (1988) resulted in recalls and modifications of the films to remove such content. New Hollywood Princess Celebrities, The Love Actually Scene Hugh Grant Actually Hated Filming.

https://www.myhollywoodnews.com/the-love-actually-scene-hugh-grant-actually-hated-filming/

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michaelfallcon · 4 years

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This New Barista Competition Movie Can’t Possibly Be Real…Can It?

In what can only be described as art imitating life imitating art imitating life, a new movie about barista competitions is about to be released. It’s called Higher Grounds. We are mostly sure it’s real, but not completely sure.

It all began with a screengrab from Reddit sent to us via text by a longtime Sprudge scooper. It was an invite to an advanced private screening of the “coffee-infused comedy.”

“Is this real?” asked the accompanying message. We didn’t know, but we went ahead and made this kind of troll-y Instagram post about it anyway. (We love the barista competitions. We joke because we love.)

View this post on Instagram

this movie sounds great but everyone knows there’s no cash prize

A post shared by Sprudge (@sprudge) on Nov 12, 2019 at 3:51pm PST

As per the invite, which is in a very small font and looks frankly unprofessional, the synopsis of Higher Grounds is as follows:

Coffee aficionado Jo (Kate Nash, GLOW) is doing her best to stay afloat running her own coffee shop alongside a band of unpredictable colleagues, but nothing seems to be going her way. She can make a latte better than anyone, but her customers have trouble getting past one thing: her coffee shop is vegan. Drowning in debt and with everything on the line, Jo and her team of misfits gear up as the underdogs for the World Barista Championships, where she’ll face her “full fat full cream” archrival Rudy (Toby Sebastian, Game of Thrones). Jo will finally have a chance to prove herself in the dairy-dominated world of coffee, and, most importantly, win the big cash prize.

The case also includes Saoirse-Monica Jackson of Derry Girls, Hugh Dennis and Jenny Rainsford of Fleabag, and VEEP’s Sally Phillips (you know her as Finnish Prime Minister Minna Häkkinen) playing what we can only hope is a Nordic character loosely based on either Koppi’s Anne Lunell, or longtime WBC judge Sonja Bjork Grant.

Beyond this screen grab, sourced from Reddit, there’s no real information about the movie anywhere on the internet. No IMDB page, no website, and not a single link or piece of information associated with the film from any of the cast or crew. There is no mention of it on the website for the Arclight Theatre in Pasadena, where the screening is supposedly taking place tonight (perhaps because it is a private screening). But in a Kenya AA juicy twist, the Arclight has confirmed a private screening tonight at that time at that location for an “untitled” film. Could this be Higher Grounds?

Assuming this feature is real, we have a few nits we’d like to pick. First and foremost, there is no “big cash prize” in barista competitions. WBC winners can certainly go on to earn good money on the consultant and brand ambassador circuit, but not in form of a competition purse. That’s just Hollywood hokum. The other weird plot point of the movie revolves around alternative milks, which of course, aren’t allowed (stupidly, we might add).

Flawed though the fundamental elements of the plot may be, we still very much want Higher Grounds to be a real motion picture. Sally Phillips is a treasure, and seeing her in any coffee competition-related role would be an absolute dream. Add in the bank teller guy from Fleabag a guy who got GoT, and you’ve got a picture worth seeing, if in fact it’s real.

Here’s one thing I can say for sure, and you can hold me to this: if this movie exists, Sprudge will host a public screening. If that means I personally have to come out of pocket to get this film screened at a local indie theatre then so be it.

If you have any information on Higher Grounds or are Sally Phillips, please PLEASE contact Sprudge immediately. This movie might be real, it might not, but our interest is incredibly real, and that counts for something.

Zac Cadwalader is the managing editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

The post This New Barista Competition Movie Can’t Possibly Be Real…Can It? appeared first on Sprudge.

This New Barista Competition Movie Can’t Possibly Be Real…Can It? published first on https://medium.com/@LinLinCoffee

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shebreathesslowly · 4 years

Text

This New Barista Competition Movie Can’t Possibly Be Real…Can It?

It all began with a screengrab from Reddit sent to us via text by a longtime Sprudge scooper. It was an invite to an advanced private screening of the “coffee-infused comedy.”

View this post on Instagram

this movie sounds great but everyone knows there’s no cash prize

A post shared by Sprudge (@sprudge) on Nov 12, 2019 at 3:51pm PST

As per the invite, which is in a very small font and looks frankly unprofessional, the synopsis of Higher Grounds is as follows:

Zac Cadwalader is the managing editor at Sprudge Media Network and a staff writer based in Dallas. Read more Zac Cadwalader on Sprudge.

The post This New Barista Competition Movie Can’t Possibly Be Real…Can It? appeared first on Sprudge.

from Sprudge https://ift.tt/2OehSGq

#Sprudge

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icedteaandoldlace · 6 years

Text

So last night I dreamed that I was watching Struck by Lightning, but in this version it was mixed with A Series of Unfortunate Events.

Carson was still the protagonist, and he remained exactly the same, but there was no grandmother character, and instead he had two sisters (one two years older than him and the other an infant--essentially Violet and Sunny, but they had different names). The movie opened with the whole family being shown as close and happy, and just having a chill night hanging out together at home, and then the phone rang, and the dad (played by Hugh Grant) left the room to answer it. The person calling was from a shady, top secret organization that he used to be a part of (VFD, but an even more mafia-like version of it). He had apparently run away from the organization and gone into hiding years ago, before any of the kids were born (possibly before he met his wife?), but now they've finally tracked him down, and they're out for revenge, because no one is allowed to leave the VFD, and anyone who does instantly becomes branded an enemy and a target. So now with his cover blown, Mr. Phillips panics, and instead of explaining the situation to his family and taking measures to protect them, he just runs away again, abandoning his family and leaving them all at risk with no warning.

So Mrs. Phillips of course reacts by drowning her sorrows in alcohol and prescription pills, and the would-be Violet takes on the responsibility of taking care of both her mom and little sister while Carson finishes high school. And every day when Carson comes home from school, he takes over looking after the family while Violet goes to work. This is incredibly frustrating for Carson for several, obvious reasons, one of which being that Violet is his best friend as well as his sister, and not only does he rarely get to see her anymore because of their conflicting schedules, but, while she is able to look at their family’s situation from a more pragmatic and functional point of view, he gets the brunt of the emotional side effects of being walked out on and having adult responsibilities heaped onto him, and that disconnect between them makes him feel like he’s going through all this alone.

Meanwhile, he's still trying to start a literary magazine and get into Northwestern, and on top of that, he now also has to deal with shady people hanging around trying to find his dad.

When Carson and his dad eventually have dinner together (because April's storyline is still the same and she doesn't know Mr. Phillips also has two daughters), he’s justifiably angry with him for leaving. And he just gets angrier when he learns the real reason his dad left, and when he sees that he doesn’t even really seem that sorry about it, since Mr. Phillips’ own self-preservation takes priority over ensuring his family’s safety (this guy’s kind of a mash-up of canon Neal Phillips and Aunt Josephine). So Carson does what his dad should have done, and puts all his energy toward protecting his family and stopping the VFD, with help from Violet and a handful of former VFD members they managed to rally.

So more shit happens--some SBL related, some ASOUE related. The Phillips’ house burns down at some point, because of course it does, and Carson uses his journalistic and blackmail skills to try to take the VFD down, all the while still masterminding Clovergate. He still ends up getting killed by lightning, but it happens in the middle of the movie, and it was orchestrated by the VFD (because they have Thanos on their side and he can use his metal glove or whatever it is to control the weather, and idk what he's even doing here because I've never watched an Avengers movie in my life and I’m pretty sure that's not even how his glove works, but whatever, there are no rules in my unconscious mind).

Violet witnesses Carson’s untimely death, and is devastated. And from that point on, she takes over as the film’s protagonist. Now it’s up to Violet to try to save the family, which is difficult, because Carson knew more about the VFD than she did, and he died before he could tell her everything he knew. And Mr. Phillips isn’t being of any help, Mrs. Phillips won’t sober up or take the situation seriously, most everyone else Violet goes to for help won’t take it seriously, either, the VFD rebels are seriously outnumbered and about ready to admit defeat, and the baby can’t even walk yet so Violet has to carry her everywhere.

The dream shifted into something else before I could see how the movie ended, but it was wild, fam.

Another interesting thing about it was that there was a lot of red. Like, you know how SBL and ASOUE both have blue and gray tints to the screen throughout? This movie's was more orange, like a war or apocalypse movie, and most of the characters wore colors with red in them (lots of orange and reddish brown, and Violet alternated between scarlet and pink), so Carson stood out in every scene he was in because he was the only person on the screen wearing blue.

#A Series of Unfortunate Events #Struck by Lightning #dream #long post #after that it turned into a farmer!Kurtbastian West Side Story-esque musical about Kurt hiding Sebastian in his barn #the dreams I get when I'm exhausted and/or sick are always very complex

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londontheatre · 7 years

Link

Tom and Danielle – Grease

Grease is the word! Full casting is announced for the hit 70s musical, which returns this year for a UK tour. Casting for the tour includes Tom Parker (The Wanted) who makes his musical theatre debut playing Danny Zuko, Danielle Hope (Over the Rainbow winner) who plays Sandy, Louisa Lytton (Strictly Come Dancing, EastEnders) who plays Rizzo and Darren Day* (Celebrity Big Brother) who returns to Grease to play Teen Angel seventeen years after playing Danny in the West End.

Completing the cast are Tom Senior as Kenickie, Michael Cortez as Sonny, Oliver Jacobson as Roger, Ryan Heenan as Doody, Callum Evans as Eugene, Lauren Atkins as Marty, Rosanna Harris as Jan, Rhiannon Chesterman as Frenchy, Gabriella Williams as Patty and Ailsa Davidson as Lynch. The ensemble includes Charlotte Coggin, Anthony Hughes, Alessia McDermott, Natasha Mould, Anna Murray, George Olney, Rory Phelan and Grant Thresh.

Since opening on Broadway in 1972 and the smash hit movie starring John Travolta and Olivia Netown-John, Grease’s place has been firmly established in the cultural Hall of Fame, having seduced the hearts of millions with its back-to-back sizzling tunes. It’s the original high-school musical featuring everyone’s favourite characters- Sandy, Danny, the groovy T Birds, the sassy Pink Ladies and the whole gang at Rydell High – and all the unforgettable songs from the hit movie including You’re The One That I Want, Grease Is The Word, Summer Nights, Hopelessly Devoted to You, Sandy, Greased Lightnin’ and many more.

Voted the “No 1 Greatest Musical”**, Grease has proved that a musical love story, bursting with denim, cheerleaders, slick hairstyles, rock’n’roll, 1950’s pop culture and an irresistible mix of teenage angst and young romance is timeless and universal. Grease is the ultimate feel-good, pick-me-up musical – an electrifying extravaganza, packed with fun, energy and vibrant physicality. The show is guaranteed to thrill audiences and leave everyone hand-jiving the night away with “A-wop-bop-a-loo-bop, a wop-bam-boom!”

This award-winning production originally opened in the West End in 1993 where it enjoyed a hugely successful run of 6 years at the Dominion and Cambridge Theatres. The show has since toured throughout the world playing to sell-out audiences and breaking box office records everywhere, having been seen by over 12 million people in the UK alone.

Tom Parker has amassed worldwide success with his band The Wanted, achieving two UK number 1s and 9 top 10 singles as well as 4 Billboard 100 singles, with Glad You Came placing in the top 5 and selling over 900,000 records. The band have had three platinum albums, two sold out arena tours, and 3 million singles sold in America. Tom is also a winner of BBC Radio 1’s Teen Choice Award and US People’s Choice Award with The Wanted.

Danielle Hope made her professional debut as Dorothy in The Wizard of Oz at the London Palladium, after capturing the hearts of the country and winning the BBC’s smash hit Over The Rainbow having competed against over 9,000 girls. She went on to star as Eponine in the West End production of Les Miserables(Queen’s Theatre) – a role to which she most recently returned, Cathy in The Last Five Years (Greenwich Theatre & Warren Theatre, Brighton), Narrator in Joseph and the Amazing Technicolor Dreamcoat (National Tour) and Maria Rainer in The Sound of Music (National Tour).

Louisa Lytton trained at the Sylvia Young Theatre School and secured her first professional role as the innocent schoolgirl Ruby Allen in EastEnders. Following this Louisa joined The Bill, playing the inexperienced and shy police officer Beth Green. She has since enjoyed a host of varied roles, from parts in the internationally successful American Pie franchise, to the British Shakespeare Company’s productions of both A Midsummer Night’s Dream and Much Ado About Nothing. Most recently she has appeared in the new prime-time ITV comedy drama The Edge of Heaven, filmed a thriller due to be released in Oct 2017 called Fractured, appeared in the Canadian period drama Murdoch Mysteries and starred in the touring production of Swap!. Aside from acting, Louisa reached the quarter-finals in the fourth series of Strictly Come Dancing, and subsequently toured the country as part of the sold-out Strictly Come Dancing arena tour. She also represented the UK in the 2008 Eurovision Dance Contest. Louisa recently took park in Channel 4’s The Jump.

Darren Day made his stage debut playing Joseph in Joseph and the Amazing Technicolour Dreamcoat in the West End and on tour internationally establishing him as a star of the stage. His many other leading West End credits include Don in Summer Holiday and Tony in Copacabana. On tour he has played the title role in Alfie, Billy Bigelow in Carousel, Pip in Great Expectations, Jesus in Godspell, Frank N. Furter in The Rocky Horror Show, Cornelius Hackle in Hello Dolly and Khashoggi in We Will Rock You. Darren is also a recognised recording artist and a prominent face on television both as an actor and presenter. His television credits include Holby City, Crime Stories, Doctors, The Bill, Mile High, Harry Hill’s Extreme Soap and French and Saunders. He is also known for his role as Hollyoaks bad-guy Danny Houston and won the hearts of viewers when he became a finalist in the 2016 series of Celebrity Big Brother.

Written by Jim Jacobs and Warren Casey, directed by David Gilmore (Daisy Pulls It Off, Happy Days, Song & Dance, Footloose) and choreographed by Arlene Phillips (Starlight Express, Saturday Night Fever, Flashdance The Musical & BBC’s Strictly Come Dancing), designed by Terry Parsons, with costumes by Andreane Neofitou. Grease is presented by Paul Nicholas and David Ian.

TOUR DETAILS Palace Theatre, Manchester 10 March – 25 March 2017 Website: www.atgtickets.com Box Office: 0844 871 3019

New Theatre, Oxford 28 March – 1 April 2017 Website: www.atgtickets.com Box Office: 0844 871 3020

Liverpool Empire, Liverpool 3 April – 8 April 2017 Website: www.atgtickets.com Box Office: 0844 871 3017

Cliffs Pavilion, Southend-on-Sea 11 April – 15 April 2017 Website: http://ift.tt/1MwTxRZ Box Office: 01702 351135

New Wimbledon Theatre, Wimbledon 24 April – 29 April 2017 Website: www.atgtickets.com Box Office: 0844 871 7646

Sunderland Empire, Sunderland 1 May – 6 May 2017 Website: www.atgtickets.com Box Office: 0844 871 3022

King’s Theatre, Glasgow 9 May – 20 May 2017 Website: www.atgtickets.com Box Office: 0844 871 7648

Regent Theatre, Stoke-on-Trent 22 May – 27 May 2017 Website: www.atgtickets.com Box Office: 0844 871 7649

Birmingham Hippodrome, Birmingham 29 May – 3 June 2017 Website: http://ift.tt/14iJTzX Box Office: 0844 338 5000

Bristol Hippodrome, Bristol 5 June – 10 June 2017 Website: www.atgtickets.com Box Office: 0844 871 3012

Mayflower Theatre, Southampton 27 June – 8 July 2017 Website: www.mayflower.org.uk Box Office: 02380 711811

New Victoria Theatre, Woking 10 July – 15 July 2017 Website: www.atgtickets.com Box Office: 0844 871 7645

Wales Millennium Centre, Cardiff 17 July – 29 July 2017 Website: www.wmc.org.uk Box Office: 029 2063 6464

Bord Gáis Energey Theatre, Dublin 1 August – 12 August 2017 Website: http://ift.tt/RbxcU5 Box Office: +353 (1) 677 7999

Venue Cymru, Llandudno 14 August – 19 August 2017 Website: www.venuecymru.co.uk Box Office: 01492 872000

Princess Theatre, Torquay 21 August – 26 August 2017 Website: www.atgtickets.com Box Office: 0844 871 3023

Milton Keynes Theatre, Milton Keynes 28 August – 2 September 2017 Website: www.atgtickets.com Box Office: 0844 871 7652

Edinburgh Playhouse, Edinburgh 11 September – 16 September 2017 Website: www.atgtickets.com Box Office: 0844 871 3014

Regent Theatre, Ipswich 2 October – 7 October 2017 Website: http://ift.tt/2jpVQ5j Box Office: 01473 433100

His Majesty’s Theatre, Aberdeen 13 November – 18 November 2017 Website: http://ift.tt/1jmKzrs Box Office: 01224 641 122

Orchard Theatre, Dartford 21 November – 25 November 2017 Website: http://ift.tt/2g26dbf Box Office: 01322 220 000

Grand Theatre, Wolverhampton 27 November – 2 December 2017 Website: http://ift.tt/13yobvr Box Office: 01902 429 212

Further tour dates to be announced. *Darren will be playing all venues up until 29 April 2017. ** (100 Greatest Musicals, Channel 4)

http://ift.tt/2jpZHiW LondonTheatre1.com

#IFTTT #LondonTheatre1.com

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