Peacock Au Part 1
Okay so Big Huge credit to @stealingyourbones for letting me do my own take on their amazing eldritch Danny idea!!!! This started out as me just doing a drawing but then I ended up with a whole DPxDC fic that I'll be posting the part two for at some point!!! Anyway, here's the vague designs:
And here's the part one of the fic under the cut!!! :D
(Edit: Part 2 is Here!!)
There’s a Lazarus Pit forming underneath Gotham. Normally, this would not concern John Constantine at all, because it’s Gotham, therefore Bat territory therefore not his problem, and honestly he has his own things to worry about. Unfortunately for him, however, the infamous Dark Knight has somehow gotten it into his head that he can do something about it and, Hell, he’d said it would be a ‘big favour’, which meant the man really must be desperate; had to have been in the first place, he supposed, to have even bothered with John in the first place.
Still, he’d almost kind of forgotten what a huge mess any kind of favour for Batman could be, and thus, he now holds possession of a book that is probably going to get him killed.
Whether the actual book itself wants to kill him is up for debate, but Constantine has read the contents of this particular Book of Summonings and nothing in here seems remotely safe. He’s absolutely going to be hiding this away somewhere deep in the archives of the archives of the Justice League watchtower with an incredibly pointed ‘DO NOT TOUCH’ on it once he’s done with this, but for now, it’s the only thing he’s got in the way of sorting out this Pit problem.
There’s an entity that exists, this book claims, that keeps the balance between realms. ‘Closes doors’, apparently, and the doors the pages depict certainly look like a Lazarus Pit. This is brilliant news, obviously, but the book doesn’t describe the entity itself at all beyond that; barely any of the other entries are as vague as this, and that plus some of the frankly bizarre sigils he’s having to draw to summon the damn thing are giving him no comfort. The only remotely comforting thing about it is that the ritual doesn’t require any blood- which either means the entity is benign, or it wants something more valuable than blood.
…Okay, maybe not that comforting, actually.
But, before he can consider that maybe this wasn’t his best idea and backing out would be for the best, the sigils flare with light, and Constantine squints to keep track of the way they activate, desperate for any indication of what he’s managed to summon with that stupid book.
His feet feel feathery against the ground, like they’re barely tethered by gravity and just waiting to float away, and perhaps the seeming lack of atmosphere is fitting with how dust like stars lift from the summoning circle, bringing with them intercepting layers of purple-blue-pink-white, galaxies and nebulae being peeled off the floor. It comes with a sound- something whistling, almost. Seeming hollow, between a shriek and a bell ringing, or maybe more musical than that. It seems to change every moment he tries to focus on it, as if it’s something his ears can’t really hear but his brain is desperate to process, painful to try.
And then, the entity begins to form.
Unnoticeably at first, a white glow drifts forming in the centre. It congeals as Constantine’s gaze finally fixates on it, layers forming like jellyfish trails, or flowers, or peacock feathers with runic circles at the tips, fading smaller and smaller as they reach the centre, and a thing akin to a body unfolds into view at the front, a centrepiece. A child’s image of a shadow in opalescence, a strange curving feature where a neck might be, and searing-green spots of varying sizes scattered along the space where cheeks and eyes could’ve been, fading up and down across the lower-half of the ‘face’ and into the ‘hair’. He barely understands what he’s looking at, but maybe that’s the point.
The sound of a thunderstorm rings across the room, and the curve of the neck unfolds, and it’s an eye, and the tips of a thousand twisted, cosmic peacock feathers become eyes as well, if they weren’t always. They move, wavering, either lashing or flickering from visibility.
“And what is this?” The voice is a kaleidoscope, echoing off and from every corner of the room, and when they speak, infinite eyes become infinite mouths, too many teeth barely contained by the edges of what seem vaguely like frostbitten lips. To have something even remotely human suddenly etch itself onto the entity is somehow worse than the parts he can’t comprehend. “Who are you, to have summoned me, and seem so afraid?”
Constantine wishes, maybe for the first time, that it hadn’t been an obligation to do this alone; he’s never wanted Batman or one of the Light members with him more than now. It’s a difficult thing, almost impossible, to shake off the speechlessness. It’s a wonder that it’s possible at all, with how the room seems to have been twisted into a vacuum. “I was told you could- you could help with the pits?”
“The pits. There are many pits.”
God, this is creepy. “The Lazarus pits to, uh, to be specific. There’s a huge one cropping up under Gotham that’s not supposed to be there, and the local- I mean, the locals are getting antsy about it. …I heard you can take care of them.”
“I can smell its blood between the gaps of atmosphere, encircling. You, whose soul is bound in so many directions, who may be pulled apart like meat in time- can you sense it? Does it draw you?” John doesn’t know how this- this thing knows that, but he’s scared asking will invoke some kind of consequence, and more and more he’s wondering why the Hell he decided to do Batman this favour. He feels exposed.
“Uh… no, I don’t think so. But can you fix it?”
“Yes.”
“…Will you fix it?”
The chill is getting to him. Goosebumps are running across his arms like a livewire, and he’s never doing anyone a favour ever again. The entity makes an approximation of a hum, his ears shriek with whale song and stars, and after a pause, everything switching up and down on itself, the peacock eyes form into huge, reaching hands. For a second, Constantine’s whole body freezes with terror, because he’s petrified the thing’s going to grab him, but then the arms tumble phasing into the ground, and the green spots on their ‘face’ flare with a supernova glow and they make another piercing noise, chiming or trilling.
A long moment later, the hands slowly return to the entity’s back, and fade into the peacock feathers or jellyfish bells or whatever they were before, blinking at him. “It is gone.”
“Uh… cheers?”
“It will not return, but this place shall see its dead for some time. Try not to look.”
This is maybe the worst day of Constantine’s life. “Can I- uh, yeah, great advice. ‘Appreciate it. But, can I ask just, y’know, what you are? Or not.”
“That is up to you.” They say, and though the eyes that appear briefly between sentences bely or reveal no expression, it feels scrutinising. “What is it that closes doors? Is it alive?”
He hates riddles. He hates riddles and he hates cosmic horrors and he hates eldritch entities and he hates Batman for getting him to agree to this horrible favour. He wants to go back to the House of Mystery and pass out for long enough that this whole thing becomes a dream. “Fair enough! Forget I asked- cheers for sorting out that pit, though. Uh, don’t suppose you’ll just let me go on my way or anything now.”
“I know of your Bat.”
Oh dear. Constantine’s stomach sinks like a shipwreck into the Mariana Trench, but the entity moves on like they’d never even said it. “I will recede, and find you in time, perhaps both. You will know when I am coming, and I will find my recompense.”
And just like that, their whole form shimmers into clouds and pearls and smoke and mirrors, and they fade back into the runes that summoned them like tap water down the drain. The galaxies they’d formulated within the confines of the room fold back in on themselves and turn to whispers and then nothing, but the feeling persists on his skin long after weight has settled back onto his bones. He hadn’t known a thing like that existed until now. He doesn’t know what it can do, doesn’t know how all-encompassing it truly is.
And he owes it a favour.
Crap.
2K notes
·
View notes
Steve's kindness is, like all self-taught one, a mirage of borrowed expressions, a collage of habits picked from people he loved, a bit stilled but eager and well-meaning, sometimes a bit chopped at the sides, a growing want to let the good feelings out in front of the right people.
Eddie liked to sometimes watch him and find all the signs of other people in him, try to match them up to right people.
He would watch and think - this is Nancy's stubbornness to never give up on people and Dustin's loyalty, he would see him trying to give advice to Dustin and see Johnathan's akward pep-talks to Will. The way he would always try to have snacks for the kids screamed both Joyce's and Mrs. Henderson motherly kindness. His willingness to sit in silence, a steady presence, when somebody needed it shined with Will's warmth. How he fights for the people he cares about, letting his meaness be a defense for them all, a barier and a shield similar to Max's snark.
And whenever he found himself to be the matching person? It made him feel loved, so fucking loved and seen that he would choke on it.
Eddie sometimes would make a game out of it, to found the matching puzzle whenever Steve's kindness shone (and it was a lot of the time). It was always someone from the party and he would always find himself with a strange fond warmth whenever he realized who it was. And usually he was good at it, it wasn't really hard when he loved and knew all those people too
There were exceptions though. The first one was Robin and it wasn't for the lack of Eddie's knowledge and love for her and moreso because of the whole RobinandSteve being always so SteveandRobin, never really separate. Whatever was Steve's was also Robin's, their clothes, habits or sometimes even their smiles shone in the same way. They were mismatched in a funny melted together sort of way, his kindness was her and hers was his and it was hard to difference between the two when even they didn't know where one ended and the other began, they traded traits like they traded clothes, wore them bright pink socks with yellow soft sweater, a joke to cheer you up with a soft you can tell me anything in the same breath.
He didn't really knew whose kindness it was the innate one that must have been deep within Steve before he let it shine or Robin's. He didn't think it would really matter anyway, they would trade it between themselves like shiny cards anyway.
The other one was a smile. An unique one, one that Eddie swore he saw somewhere before and that lacked the freckles and a missing teeth except noone in the party had these two traits, at least not as Eddie knew them and he could never find that one puzzle. It was boyish and full of mischief, usually with a starry reflection in Steve's eyes.
The last one was a lift in his tone, the way he would make his voice honey-like sweet when he tells Robin her new haircut suits her or El's new shirt brought out her eyes. The intonation always made Eddie think of bubble gum and sugared summers.
He couldn't place the last two to nobody. At least not until Steve told him about Tommy Hagan and Carol Perkins.
Obviously Eddie knew about them, but Stevie didn't talk about how they are. But how they used to be.
"Sweet." he said while passing the joint they shared laying on Eddie's bed, pressed from shoulders to their ankles. "Carol used to be sweet, warm with the naive love only kids hold" Steve's eyes were looking out the window of Eddie's room, as if he could see the young version of them just outside playing childlish games. "and Tommy used to be wild. But not like bad wild, more like he was always chasing trouble, adventure. Like kids do."
And Eddie couldn't see it, not with how the world twisted them into different people, cruel. More cold, all sharp teeth and autumn's rain.
Except he could, he could in Steve's special smile and the sound of his voice, he could see it and he could see the love that Steve Harrington had for them.
"They're douchebags now," he said when Eddie voiced it out loud "but I did loved them once, sometimes I feel like I've never stopped, they just... Grew out of my love, grew into something I couldn't."
It should be strange, to love something someone isn't anymore, but to Eddie it just spoke of the way Steve Harrington threw himself into love, how he never really stopped loving and caring. It was admirable, it was so lovable and it was so Steve-like. Earnest in the sweetest way.
It made sense that Steve Harrington would love people even through his expression of it.
345 notes
·
View notes
cw/tw. gif(s), child neglect, depiction of starvation & frostbite, suicidal thoughts
꧁
𝐆𝐥𝐚𝐜𝐢𝐞𝐬 𝐀𝐫𝐝𝐞𝐚𝐭 𝐂𝐡𝐚𝐩𝐭𝐞𝐫: 𝐀𝐜𝐭 𝐈𝐈
Candour of Light and Shadows
Quest Started
I still think
Some people were born a shadow.
"ーHappy birthday, sweetheart!"
"Thanks, mama!"
"May Lady Tsaritsa bless my little snowflake so he grows up big and healthy... And may She protect you from all dangers and surround you with love and happiness!"
"..... Mama, what about-"
"Hold on, darling."
Every year, instead of burning candles, I burn the memories of you.
Every year, instead of huddling in front of a warm fireplace, I relive the memories of the icy grave you call home.
Every year....
I wonder.
Why didn't you just di̴̖̊ë̷̻͙́̒̿̆ that day?
Why did the gods pity you when your own blood couldn't care less?
Why you? Why me? Why us?
I dare not defy the fate bestowed upon me. This is the role we were bestowed with. The second option. The second best. The supporting role.
The shadow.
....
But maybe....
........
Just... maybe.
.............
Maybe all this time, I've been tricking myself, thinking I was undeserving. Of the spotlight. Of the warm fireplace. Of..... a home.
“....”
“Wha....?”
“Happy birthday, Cov!!”
“My my, did we catch you off-guard so much you were about to unsheathe your sword?”
“Ah... I'm..... sorry.......”
“It's fine, it's fine. More importantly, do you like chocolate cakes? I had no idea what kind of cake you'd like but since you love hot chocolate and cookies, I thought you'd like themー”
“......”
“Cov?”
“...........”
“Thank you.”
Maybe one day, I'll be able to feel truly worthy of this.
......
I guess…. Just for today, I can be the light.
𝐆𝐥𝐚𝐜𝐢𝐞𝐬 𝐀𝐫𝐝𝐞𝐚𝐭 𝐂𝐡𝐚𝐩𝐭𝐞𝐫: 𝐀𝐜𝐭 𝐈𝐈 𝐂𝐨𝐦𝐩𝐥𝐞𝐭𝐞
Candour of Light and Shadows
Quest Completed
[ To be continued(?) ]
48 notes
·
View notes
Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0
(additional pictures/info under the readmore)
-
Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...
Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.
The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.
I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.
The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol
Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.
Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.
Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .
Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).
The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).
Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.
-
I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.
Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol
94 notes
·
View notes