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#honestly a shit post
exhausted-archivist · 7 months
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Got a big question, if you could choose only one....
And I do mean only one. Your other parent isn't their spouse, known lover, ect. You are just picking one. Feel free to tell why in the tags/comments, but like be civil with each other.
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rivetgoth · 2 months
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It's honestly crazy that discussion around testosterone HRT skews so much towards the beginning stages of it (to the point that you have dozens of guys thinking their transition is "failed" if they don't pass by like a year in lol) and what the initial changes of the first couple of months to years look like, like the classic laundry list of those early basic changes like bottom growth, voice drop, etc, when IMO literally none of that compares remotely to the depth and intensity of the long term total masculinization you start to experience like 3-5+ years in.
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fiercedaddy · 5 months
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2023 is almost over, this year has been crazy but honestly it has taught me alot and showed me shit that i love and hate, this year was the year i finally came out to my parents and told them who i actually wanted to be, i've lost friends and met a few people, have some that don't communicate with me, got one back this year that's trying to be a better person
life is hard and so much stuff has happened this year but i'm not going to get into that much detail, i tend to stay off the news not wanting to face reality but genuinely one day i will have too.
thank you everyone who has communicated with me on tumblr!, you guy's are awesome 🥹, when the new year is here hopefully i can try and do new things, post more, do more. i just hope i won't be as tired 🩵
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cj-kenobi · 1 month
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otter-wan says it's time for BIG yawn and commander cuddles
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poorly-drawn-mdzs · 24 days
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Reasons to play In Stars and Time: Canon Pronoun Warfare.
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kalims · 1 month
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⊹ㅤattractive things they do | heartslabyul
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parts. heartslabyul, savanaclaw, octavinelle, scarabia, pomefiore, ignihyde, diasomnia
characters. riddle, trey, cater, ace, and deuce.
content. gender neutral reader as always
note. fun fact: was scrolling thru my really, really old drafts and saw this. so I decided to just finish it cause why not. (this been rotting there for like a year and a half lmao)
I have about, 14 in my to do list haha. im doing them at random but trying to squeeze in writing at the crack of the night
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perhaps he isn't aware of what he's doing exactly but riddle nods every once in a while during a conversation with you. that alone wouldn't have striken something in you if he wasn't intent on looking in your eyes every, damn, time! when you started to notice whatever habit it was it honestly got you skipping words mid sentence. eye to eye contact was something he thought was basic etiquette, hence his lack of care about it. there's something nice about his undivided attention focused, and probably soaking up whatever you had to say. if that wasn't enough him remembering every single thing you mention to him definitely did the trick..
everything, coughs. if i had to narrow it down probably the fact that trey quite literally looms over your shoulder to take a look at whatever you're doing. it doesn't matter whether you're tall, if you're sitting down that's what he's doing. if you had a penny you'd bet that he knows exactly what he's doing from the small smirk he does right after you jolt. you could smell his cologne, his skin over yours and you don't know if you want to screech into the void or throw yourself out of the window. you're as still as a statue, refusing to look up at him or else you're gonna get more down bad than you already are.
some might have contrary opinions but we all love an affectionate guy who isn't afraid to show it. caters just the type to bound up to you and attach himself like a magnet or something. it's funny cause you could be talking to your friends or something and he just bounds up behind you and encases you in a hug. sometimes when he's the one in a conversation he's pulling you over like he needs an emotional support item. literally whenever you're in reach, he's putting his arms to good use. you will not escape I guess.
for someone who claims to be a major hater to certain things considered weird in his book, affection included. ace does it a lot. he somehow always gravitates towards you, it doesn't matter if deuce is walking beside you he's gonna literally bump the guy away with his shoulder (one time into a bush.) a thing he likes to do though, is an arm over your shoulders like you're buddy buddies, which you technically are. just kinda out of character for a guy like him to pull you close so suddenly—and he's semi-aware of it.
looks away really fast when he gets flustered. it's really obvious that you got him, with whatever you've done. a cute thing deuce has done is laying face down in his desk at record speed just because you managed to make him embarrassed, in a good way! if you peeked through the gap under him you'd see his red face. if he can't hide his face from you, as in you keep tryna peek at it when he looks away he's literally just gonna use his hands to cover it. (although his likely response is to just sputter some excuse and dip.)
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solarpunkani · 1 year
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You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.
Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?
When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.
'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.
Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.
So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.
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chromaclopse · 7 months
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id in alt! toxic yuri?? problematic women???? for me????????
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frodo-a-gogo · 2 months
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One Time
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mercymaker · 30 days
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me, coming to this website every single day: don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look-
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groovyfrog420 · 2 months
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I think they'd get along
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Shadow Milk seems like he'd enjoy sharing some tea (methaphorical and literal) with Cherry Blossom. The stories he tells her might be a bit biased and warped, but she's supportive either way!
next part
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potato-dragons · 2 years
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You know... I really thought I was crazy about how ROP's costumes look so shitty until I came across pic below of this character and saw she's actually wearing a long-sleeved shirt underneath her chestplate with the exact same gold scale design printed on.
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Remember folks, the budget of this show is half a billion dollars compared to Peter's Jackson Lord of the Rings 250 million budget released twenty years ago and still looking beautiful.
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scourge-sympathiser · 6 months
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SCOURGE SUNDAY 010/???
classic
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piglinmyfeet · 4 months
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Sometimes tiktok isn't so bad
I've just seen a group of people place a photo of Joel Smallishbeans Minecraft skin in front of a candle, surrounded by what I assume to be a shot each, all shout "For goodness sake" take a presumed shot as a way to manifest joel on hermitcraft
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marley-manson · 3 months
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the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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questionthewitness · 8 months
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you are made of pain and grief and regret and love. that is all you are, and all you have ever been, and all you ever will be.
or, tim wright, a brief synopsis.
gut punch, everybody's worried about owen | entry #20 | entry #15 | clarice lispector | entry #64 | entry #72 | entry #74 | unknown | entry #66 | the worm king's lullaby, richard siken | entry #83 | entry #80 | c. c. aurel | entry #83 | entry #84 | bitter water, the oh hellos | entry #17 | entry #84 | if my body could speak, bylthe baird | entry #86 | marian keyes | entry #87 | firstfullmoon, tumblr | entry #87
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