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#helping out a questioning person
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can i be a lesbian who uses he/him pronouns? my reasoning for this is:
i am afab, i like girls, and i do not want to medically transition. i cannot even wear a binder and stuff as I’d like to for a good many years until i’m out of my parents house. i don’t use labels for my gender but if i did have to label my gender identity it would be something like genderfluid and agender. i dont feel like i have a gender but i fluctuate between feeling like i want to present masculine and use he/him, like i wanna present adroynous and use they/them, like i wanna present as feminine and use she/her. but i feel masc presenting and comfy w/ he/him most of the time. however, i’m only out to like two people, and both of them, while queer or a good ally, still see me as a girl bc i go the same girls school as them, cant present as masc, etc. and it’s obviously the same everywhere else - society, friends, family, treat me like a girl, even if i’m not one. i grew up as girl, i feel like - i only started feeling like i wanted to use he/him and present as masc in my late teens. and i like girls! i love girls. and my love for girls and for women is so shaped my the fact that i spent most of my life as a girl (feeling like one, that is), so shaped my the fact that society and friends and family perceive me as a girl even tho i’m not. that’s why calling myself straight would feel…. wrong, at least to me, you know? bc. yeah. i do wanna present as masc and use he/him pronouns most of the time. but i’m never really gonna be seen as a boy by most people. i wasn’t a boy for most of my life. and my love for girls and women is shaped so much by those two things that i feel comfortable with the term lesbian, while simultaneously wanting to be addressed by he/him pronouns. so, like….. it feels so awful, i feel like such a terrible person. bc i’be spent so long fighting myself out and now that i finally feel like i’m comfy with my identity i don’t actually feel comfortable at all, i feel like i’m hurting women, or i’m stupid. i just saw a post the other day that said smth like ‘while every1 can identify as they wish it bothers me that he/him ppl use the term lesbian, as women need a term solely for women who like women’ which, like. i feel terrible about. women have been through so much already for all of history, there’s a reason l comes before g in the acronym, and i don’t wanna stomp on them and all the progress they’ve made, i don’t want to be a bad person…. But at the same time, oh god, after years of trying to figure myself out, i finally feel like i have. and i’m happy with that fact, really happy. but i’m also so angry at myself bc i don’t wanna harm the community by using a label that maybe doesn’t belong to me…? is it ok for me to use the term lesbian and he/him pronouns, or should i just… not? idkkk😭
Of course you can man fuck yeah!!!!!! You can do whatever you want forever of course you can be a he/him lesbian!!!!!!
You’re not a terrible person, you’re not stupid, and you’re not hurting anyone. A lot of lesbians have complex relationships with gender and aren’t just Cis Women. You can be a masc lesbian, be agender and genderfluid, and use he/him!! The Queer Police aren’t gonna break your door down homie do what feels comfortable with your identity!!
There’s a long history of he/him lesbians and you’re not hurting anyone. If you wanna use he/him, use he/him.
The foundation of the queer community is to allow people to express themselves, be happy and comfortable in who they are. You’re not harming anyone in the least—you are what this community is all about. Be who you are, and if who you are is a lesbian who wants to use he/him, go ahead!!!!
Sending love, and I hope I could help you out <3
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poorly-drawn-mdzs · 6 months
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ORV is about enduring the horrors in real time.
(for @everyonesfavoritebastard)
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monstermoviedean · 2 years
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i saw a post today where someone stated that they often can't tell real information from misinformation online. i am not here to make fun of that person. that being said, the ability to figure out if information is real or not is a critical skill for everyone who uses the internet. you need to be able to do that on your own. it's great if you can get help or if people will tell you what's real and what's not, but you also need to be able to do it by yourself. simple, easy tips under the cut.
the most common style of misinformation i see on tumblr is the fake news headline. it's an image or multiple images of a headline and sometimes an attached story. easy tips to discovering whether this is real or not:
is there a link in the post? click it and see where it goes. no link? possibly fake, possibly the poster just didn't include it.
google the full headline, not just key words. even better, google the headline with the full headline in quotes so you get exact matches. can't find a match? probably fake.
is there a clear url/website attached to the headline? if so, go to the website and search for the headline. can't find a match? probably fake.
is there an author? google them. see if they're real. see if the subject of the article matches the stuff they usually write about. see if they have social media where they may have posted the headline. can't find an author, or they seem way off-track? probably fake.
if it's an image of a tweet, look up the person's twitter handle. can't find the tweet? possibly fake. it could also be a real tweet with the text or date edited.
is there a date? a story written in 2002 may have very different ramifications than a story written in 2022. it depends on the subject, but some subjects change rapidly and even a 5-year-old story may be out of date. see if you can find anything recent. if not, it may be fake or out of context.
go to google news and do a quick scan. this is going to work better for headlines that are about world news, but it's still worth a try. google news also allows you to search stories and limit by date. see if you can find a matching headline. if you can't, it may be fake or old news.
general tips:
don't trust social media. just don't. please. people can and will say literally anything they want. anything you read on social media that has real-world implications, you should fact-check.
you may think it's overkill, but google everything. even things you're mostly sure of. reading more headlines and more news can help you get better at discerning between real and fake headlines.
every source of information is biased in some way. try to seek out less biased sources. look up the bias media chart (here's a link) and use it to find sources that do less biased and more original reporting.
think about bias as you're reading. who is the author writing for? why are they writing? what do they want the audience to feel? what facts are they choosing to include or omit? how might the presentation of the facts change if someone with a different perspective was writing?
there are also websites dedicated to fact-checking. this works best for major world news, but try snopes or factcheck. the rand corporation has a huge list of tools for rooting out disinformation as well.
there's nothing wrong with asking for help, but if you genuinely cannot figure out if something is real or not on your own, and you give up trying to figure it out without help, you run the risk of believing and even spreading misinformation. some misinformation is essentially harmless (a celebrity's favorite color, for example). some misinformation is incredibly dangerous. please please PLEASE check your facts. it is quick and easy and worth it.
if you need more help, let me know.
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canisalbus · 6 months
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As a longtime (2015ish) follower of yours, its been fun watching you become... more tender? toward Machete. back in the day it was angst angst angst, and i loved it! but you cant know darkness without light and vice verse. Youve been a massive inspiration the whole time btw. Its nice to see not-anthro!Machete again too
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Porcelain Steve - Part 6
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
Even though he's expecting company, Eddie still jumps and yelps when his front door flies open without so much as a knock, revealing Dustin and Will.
"I know I said to let yourselves in, but a warning knock would have been nice," Eddie shoots them a glare, not bothering to stand from the couch where he'd been pretending to watch whatever terrible daytime movie was playing.
"Sorry," Will apologizes sheepishly while Dustin just laughs.
"Which of your moms dropped you off? If it's Claudia, I'm filing a complaint about how you were raised."
"Har har," Dustin says, swinging his backpack off and knelling down to unzip and dig into it. "We biked here."
"Lucky you, then. The complaint will wait."
Dustin wrestles a blanket from his backpack. Unwrapping it reveals Steve, hair rumpled but otherwise unharmed. "Alright. Delivered safely. We gotta go meet El and Mike now but we'll see you on Saturday, right?"
Eddie sets Steve on the couch, angled towards the TV. "Yeah. I get the feeling if I don't show for the barbeque that Joyce will show up here and drag me there by my ear."
"She would," Will confirms with an easy shrug. The boys turn to leave before Will exclaims, "Oh! Almost forgot!" before digging into his pocket for something, turning around to give it to Eddie.
"What?"
"El and Steve spoke again. He had a lot of things to say. I spent a good portion of the last three days writing down everything as El repeated it to me. This is your letter," he says, having successfully pulled out what looked to be a folded piece of paper out of his pocket.
"Oh," Eddie takes it, and realizes it's not just one folded piece of paper, but three. "Wow."
"Seems you are Steve's second favorite," Dustin grins at him from the doorway.
"You are first, I assume?"
"No. Robin is. She got five pages."
That tracks, actually. Eddie's not surprised Robin got the most pages.
Soon enough, the boys are off and Eddie returns to the couch, pulling his legs up to sit crisscross. "Alright, Stevie, let's see what you have to say."
He unfolds the pages completely and is met with Will's now familiar penmanship scrawled across the sheets of wide rule paper that has clearly been ripped from a composition notebook. He's seen Will's handwriting plenty over this last year, quickly scribbling notes during DnD sessions and on the little item cards Will makes himself to hand out when he DMs.
Will's handwriting isn't always the neatest, but this looks like Will took time, wanted his writing to be legible. Flipping through the papers he sees it is two pages, front and back, of a letter, and the third page is a list of questions in a different, neater handwriting. He gets the feeling that Will probably didn't paraphrase anything. How many people got letters? How much of Will and El's time was devoted to doing just this?
Eddie feels emotional over this, misty-eyed and a lump in his throat, and he hasn't even read the damn letter yet.
"Shit, Stevie, do you even realize how loved you are?" Eddie asks out loud, turning to look at Porcelain Steve like he might answer him this time. Blank hazel eyes stare forward. Eddie shakes his head, to clear away his thoughts, and gets to reading. Not out loud, because he doesn't want Steve to hear how wet his voice will sound.
Eddie,
I guess the first thing I want to say is thank you. I was kind of freaking out when I first woke up like this. It was calming, that day on the lawn, after Robin and Nancy found me. You were so chill and just chatted my ear off like you would have if I were, like, there. I mean, there there and not like, doll-there, if you get what I mean.
Shit, man, being stuck like this would have been a hell of a lot worse without you, I'm certain. Everyone's been great, of course, and, like, no offense meant, Will and El, but you act most normal. Helps me feel, well, I don't know how, exactly. Describing emotions is not something I'm like, good at. Robin's great, too, but she catastrophizes, you know? And since I can't speak back, she can get herself pretty worked up about this and I hate that. Hate that I can't do anything to help her.
Shit. This isn't your issue. Don't include that. No, wait, do. Sorry, El. (It is here, off in the margin, that Will has added 'I wrote everything word for word. Enjoy the asides to El and me.) Hanging out with you helps her, I think. She seems less anxious on days we spend with you. So, I guess, I also want to thank you for that. For being there for Robin when I can't.
Eddie has to pause there because he had no idea. Robin has been a grounding force for him this whole time. He had no idea he was doing the same for her. She never said, or let on... well, that was probably her goal and now Steve's spilled the beans.
This is getting easier to say, even if I still don't know how to feel about the other two people who are going to be privy to everything said, or I guess from your end, written here. (Here, Will has transcribed a conversation they seemed to have had in the middle of writing this up.) Oh. He means us. - El Yes. Don't worry Steve, we'll do our best to forget everything you've said once it's written down. - Will Steve laughed and says thanks. - El I appreciate that but- well, being honest there's some things I want to say but I don't want anyone else to hear. Those conversations are better left face to face, anyway. So, uhh, what else did I want to say?
Oh! Yeah, I told Robin she could drive around the Bimmer, so she can have a car while I'm- so she doesn't have to bike everywhere but knowing her she probably won't take me up on that offer. Maybe you can talk her into it? Or, maybe she'll be willing to drive your van around and you can take the bimmer.
"Jesus, Stevie, can't you just be okay with existing?" Eddie says it under his breath and tenses instantly. For a moment, he forgot that Steve was right there on the couch with him, could hear him. Now he has to explain himself because Steve's already heard, and without the context of how Eddie really means those words, they can sound judgmental. "Shit. Sorry. I just read the part about your car and, dude, you just don't know how to not try and be helpful, huh? I bet it's destroying you on the inside that you can't do anything. But Steve, you gotta know, we don't care about you because you're useful."
Steve, of course, can't reply, so Eddie goes back to the letter.
Uh, what else was there? Oh! Yeah! I don't get migraines here. Or, in this body? Or, whatever it is. I haven't had one since this happened. Also, no hearing issues. Though I find myself wishing to be completely deaf sometimes. I get that Max can listen to Kate Bush for a week straight, but I'd like a little variety. God, what I wouldn't give to listen to the Top 40 again. Don't say anything, Munson. I can already see your judgmental face at my music taste. Unlike you, I have the ability to like multiple types of music. The Top 40 AND that one song from, uhh, shit. Might not have migraines or hearing issues at the moment, but the memory is still as it was. Which means it is shit. That one song by that metal band where their name sounds like it's metal? You know who I mean. (In the margin, Will has just written five little question marks in a row ?????)
"The band you were thinking of, it's Metallica," Eddie says.
Not important. But, uh, the reason for telling you this. I was hoping you might smuggle me to a show the next time your band plays at the Hideout? Last time I tried to go it was too loud and gave me a migraine, you remember, but I think that I could listen to your whole show like this. We might as well take advantage of the perks of this shit situation, right? So, uh, I wouldn't mind if you did that. Or, like, had Robin or someone else bring me. Whichever.
Actually, wait, I lied, I do care which way. I've already had them pen down Robin's letter, so you'll have to pass this on, but I want Robin to take me. So, I can also watch the show, not just listen. That was the part I liked most, when I went last time, before I had to leave. Wait. Scratch that. Ask Argyle. Other than you, he seems like the only person willing to be caught holding me in public, mostly because I don't think he even knows how to be embarrassed. Jesus that was such a weird sentence to say. Holding me in public. Such a weird thing to experience, too.
Uh, anyway, I think that's it for now. Thanks for everything, Eddie.
"I think you're handling this loss of bodily autonomy rather well, Steve. This letter is a lot more positive than the one I would have written if our roles were reversed," Eddie says with a sigh. He can't help but wonder what Steve would have said in this letter if it hadn't had to be filtered through two teenagers first.
He looks to the last page, the list of questions, and is surprised to see that, mixed in with questions about which sports team is winning (he is not going to watch Sportsball for Steve. There has to be a line drawn somewhere and this is it. He will ask Wayne about it later and hate the glee he sees in his uncle's eyes because now he's going to have to pretend to like sports for the unforeseeable future) and for honest updates about their friends are questions about Eddie's campaign that he's rambled on about since Steve can't escape. Steve wants spoilers, wants to know what Eddie has planned.
Steve has actually been listening. He'd been operating on the assumption Steve just tunes him out when he gets going, unable to stop his brain to mouth filter when it comes to talking about Dungeons and Dragons and his current campaign.
"I'm at your list of questions now. I can't answer anything about sports, and don't think I'm unaware of how you asked me and not Lucas. I see what you are doing and I'm not going to fall for it. So, your first non-sportsball question here; How is Dustin doing, really? Well, that's a whole thing but overall, okay."
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designernishiki · 9 months
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it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now
#I think on another level he was sorta saying like ‘hey kiryu. you’re making it extremely clear that you don’t trust me and my intentions#and I’ve been trying to show you- over and over again- that I’d do just about anything for you and your safety#but I can’t just let my mask fall off in front of everyone- I need to keep up the unpredictable morally grey wildcard act for both my sake#AND yours. because disguising my helping you as crazy random violent outbursts and weird stalker behavior#is the only way I CAN help you. do you think it would go over well with shimano or literally anyone else if I was outright helping you out#of the kindness of my heart and fondness for you? stop being so fucking dense and look past the crazy wacky nonsense for a second and#maybe you’ll realize that all I do at the end of the day- really- is help you and put my own life and reputation on the line for you.#I am an honest guy when it comes to my real values and when I told you I wouldn’t let anyone kill you unelss it was myself- I meant it.#I’ve taken a knife and a bullet for you now. can you REALLY not see through the act yet? am I REALLY that unpredictable when you think about#it?’#that was a longer explanation than i intended but. it was difficult to put into words#I basically feel like it could be read as him implying kiryu shouldn’t backstab the people who put themselves on the line to help him#and/or pointing out that he’s never actually done kiryu dirty and has stuck to his word protecting him in the ways he can#trying to say yeah all this is a crazy act and all but when it comes down to it you Can trust me#it really makes sense when you think about it that he’d have to help kiryu/show affection towards kiryu in unpredictable convoluted ways#at that point in time because. I mean. there’s a reason he was the only person who showed up to welcome kiryu when he got out of prison#and that’s because A) he sticks to his word and his loyalty to people he cares about and B) no one else had the balls or the batshit insane#mask to wear to ward off anyone asking real questions like majima did. because ANYONE associating themselves with the supposed#patriarch-killer was a HUGE NO-NO at the time. someone important showing up for kiryu and welcoming him back outright could’ve caused#all-out warfare probably. except majima. because majima was dedicated and smart enough to use his widely-feared wildcard persona#(that everyone tended to view as incapable of having any Real agenda to worry about) to his And kiryu’s advantage#does that make sense??? I feel like it makes a lot of sense if you get it to click in your head#kazumaji#majima#kiryu#yakuza#kiwami 1#yk1#rambling
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moonandris · 1 month
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gracebethartacc · 3 months
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soooo I had a lore idea earlier that ties into the rewrite really well,,,,,,
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Poor unfortunate souls am I right :)
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pepperpixel · 1 year
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More powerpuff girls art!! I actually drew all of these probably at least a month ago? But I just kept getting sidetracked and never got around to finishing em up and posting em. Here they are now tho!
#powerpuff girls#the powerpuff girls#ppg#powerpunk girls#cuz berserk is in one of these#ppg berserk#ppg blossom#ppg buttercup#ppg bubbles#doodles#drew all of these mostly just to practice drawing the girls! and I think they all turned out p nice!#drew blossom and buttercup arguing here. I actually kinda think my buttercups mellowed out a lot w age?#but.. blossom is still. an expert at getting into arguments ghgh#u kno the big sis personality type in animal crossing? my ver of buttercup is basically that#just like. cool relaxed older sibling vibes.. reliable#shes help either of her sisters bury a body no questions asked. the body probably deserved it!#was probably being an asshole to them. like! she’s just got their backs 100% of the time#(bubbles and blossom would probably also help either of there sisters bury a body. but w blossom there would DEF be questions.#straight up interrogations. and she’s put up a fuss about it. but she’d still do it!#and bubbles would do it less in like a ‘im shouldering this burden w u yeah’ kinda way#and more in like a ‘hell yeah lol let’s bury a body!!!’ kinda way ghgh-)#ps. following buttercup being older sister-core. I think blossom would be more like the middle child. and bubbles like the youngest!#…not in terms of actual age. cuz they were all made at the same time#but in terms of energies.. vibes… family dynamics.. u get what im saying ghgh-#but anyway!!! yeah! pls enjoy powerpuff girls art.. now that I’ve posted it I can finally keep playing totk ghgh-
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transmascutena · 4 months
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these lines hit different when you read utena as transmasc
#i mean the first one is really awful regardless.#pretty sure i read somewhere that the words akio uses means something along the lines of 'you really should remain a child'#as opposed to 'you really should remain the gender that you are.' which speaks to his whole thing about keeping these kids from growing up#and there's So Much in anthy's line even without hypothetical misgendering#anyway the au where utena has already transitioned by the time he gets to ohtori is really good#and i of course have lots of headcanons about post-ohtori utena and gender#but i've been thinking about one where he's actively questioning while he's there and is not out to anyone.#and i guess not a lot would really change but akio's attempt at making utena more feminine would have a whole other layer of awful to it#and unfortunately i think in this scenario the first person he would come out to would be akio. which is so sad#like maybe it could be anthy but idk. i think it would be something he'd be apprehensive to be open about with her#(in the show utena does tend to be more vulnerable with akio than with anthy. at least the vulnerability with him comes first.#he's her go-to person for advice in the black rose arc and utena doesn't really begin opening up to anthy like that until the third arc)#maybe i should write something for this au. i can see it so clearly.#utena talking about his confusing gender feelings in one of those black rose scenes in the planetarium#and akio doing that thing where he sounds supportive and helpful but absolutely isn't.#that fake sympathy that's actually really patronizing and condescending and dismissive but subtly enough that utena doesn't realize it#and THEN the contrast when utena finally talks to anthy about it and she empathises by talking about her own confusing gender feelings#(transfem anthy realness !!!!!)#oh wow i did not mean to write so much in the tags#revolutionary girl utena#utena tenjou#my posts
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I feel a bit ridiculous/awkward asking this but I have to know because I'm unsure- are those signs I could be non binary or are these just normal/me overthinking things?
- I don't think I feel dysphoria but it makes me very happy when my button-up falls in a way that makes it seem I am flat chested
- I feel like my secondary sex attributes should just not be there. Not like they are wrong per see or they don't fit me or make me unconformable but like i'd like it better if they weren't there ?
- I love neopronouns for me (Fae/Faer) but I don't care about the adjectives or else. In English, I like when people use masculine-leaning words on me (dapper/handsome) but in my native language French, it feels weird when I don't add the feminine mark to words because they feel naked without the -e.
I don't know my gender, except that I am 1) not a boy 2) not a demi-girl 3) not agender 4)not genderqueer. Which like ? Feels super specific in what I'm not and yet nothing on what I am but I'm getting off topic- sorry for the long ask this is really stressing me out
Hey!! Don’t worry about it mate Im here to help out!! There’s no need to apologise Im happy to listen and reply
That could count as gender euphoria! It could mean you just like having a flat chest, or it could be related to gender.
Dysphoria doesn’t necessarily mean extreme hatred of your body—it can manifest as apathy and discomfort in a lot of more indirect, subtle ways.
I’d suggest giving this a read: https://wearequeer-andwearehere.tumblr.com/post/668447098141802497/to-everyone-questioning-if-theyre-transhave
Honestly, here’s my advice. Stop worry about like, what gender you are. Stressing out over little details and labels is just gonna make you more stressed.
Just. Do what makes you happy. If binding/wearing button downs makes you happy, do it! If using certain pronouns makes you happy, go ahead! The pieces will fall into place eventually, but for now, just do what feels Right. There’s no pressure to go on HRT or change your name Tomorrow or like, ever.
Just go with what feels right, explore and try new things, see what feels good for you and what doesn’t. You come first, then the labels, not the other way ‘round.
Hope I could help out! Sending love <3 Feel free to send me any other asks!
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aroaceleovaldez · 1 year
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Every description about Nico (especially the canon ones) describing him as “cold” can personally fight me. Nico is jaded, yes, and often closed-off and sometimes stand-offish and defensive but he is not "cold”. He cares SO SO SO MUCH about EVERYONE. He loves and cares with his entire heart constantly and that is a core part of his character. He doesn’t often make public shows of his affection but he takes care to be kind when it matters and doesn’t hide that he does care (usually, the only exception really being him being in the closet, but even then he only hid his crush specifically and not the fact that Percy is important to him). He fine with hugging his friends in front of a crowd and will sit with strangers at a campfire just so they’re not alone. I mean, heck, he’s an extrovert! We know this! He actively seeks out people and gets lonely very quickly and easily! If he can’t talk to living people he will chat with the dead! That’s how much he thrives on being social!
The only time Nico has ever been actively “cold” was the couple of months between TTC and BoTL when he was actively mourning Bianca. Nico is not “cold.” He loves so much and he does show it, just in his own way.
#pjo#riordanverse#nico di angelo#analysis#brought to you by: I saw a blurb for TSATS that said something like ''Will melted through Nico's icy heart/cold exterior''#and it made me want to tear something apart with my teeth because of how Blatantly Incorrect that is#like that is a disservice to both their characters.#a.) Will did not ''fix'' Nico or ''change'' him or anything. He is just a source of joy in Nico's life#TOA even explicitly acknowledges that them dating did not ''fix'' Nico and that Nico is actively getting outside help for his trauma/etc#and b.) Nico is not cold!!! He has never been a cold person!!! there's a reason ''emo'' is short for ''emotional!''#Nico's character is ENTIRELY DRIVEN BY LOVE AND CARE FOR OTHER PEOPLE#yes he's jaded but he's only jaded in a way of being afraid of letting people into his life because he's afraid to lose them#not that it stops him because it sure does keep happening anyways because SURPRISE. HE LOVES TOO MUCH.#HE LITERALLY CANNOT HELP HIMSELF HE LOVES PEOPLE SO STRONGLY AND SO DEEPLY HE CANNOT STAY JADED ABOUT IT#he just keeps going ''Okay *THIS* time I won't let this person into my life to risk heartbreak- AW FUCK I'VE DONE IT AGAIN''#SO MUCH of his character is entirely driven by ''I care about people. I dont want them to suffer what i have suffered or suffer at all''#like really the only times we ever see Nico being actively angry/snappy at people#is like a.) He is either actively being majorly hurt or has just recently been majorly hurt (Bianca's death. Being outed. etc)#b.) Someone is hurting others is going to bring harm to others (Calling out his dad in TLO. Killing Bryce)#or c.) Someone is doubting or calling into question his lived experiences (Basically any scene where people say he's pushing people away)#other than that Nico actually tends to give people way more lenience than necessary. he will put up with a LOT#and he won't even call people out on it or hold a grudge about it (i see you alleged Nico's fatal flaw. you're wrong)#unless it's like. something A Lot Of People Do Often (ex: push him away/exclude him/etc)#at which point he might be like. mildly upset about it but not much more then that. which is just a normal measured response.#anyways Nico's not cold he's just autistic
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deoidesign · 9 months
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Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?
Thank you so much!
To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.
It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!
(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)
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What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!
However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)
So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)
1: Separate study from application
I believe this is beneficial for a few reasons:
If the goal of every piece is learning, it can become frustrating, overwhelming, and boring
It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time
Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time
Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!
I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.
When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!
2: Let yourself do the things that feel "easy" or like "cheating"
This one is simpler: nothing in art is easy.
If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!
The only cheating in art is theft. If you're not stealing, then it's allowed!
My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.
But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)
Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!
I hope this helps!
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idkanameatall · 1 year
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THE ADVENTURE ZONE FANDOM SURVEY
Hi hello there! I am running a survey to see what popular headcannons/characters/ships/opinions/just-alot-of-stuff are in the TAZ fandom!
The survey should take between 5-20 minutes to take, its a bit long, but all questions are skip-able. You're free to go in as much detail as you wish, or not at all!
The survey will be run from 25/04/2023 to 02/05/2023. The results should be released a few days after the survey ends.
The results, and all additional information/updates/questions on the survey will be in the #tazsurvey2023 tag on my blog!
SURVEY LINK: https://forms.gle/5MsTMcgGUr9LuRYF6
REBLOGS ARE HUGELY APPRECIATED! I rely on them a lot to spread the survey and get more accurate results!
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Noccoro but is Spider looking murderous at any person who tries to talk to Neteyam when they see they are spending sometime togheter.
He already can't be with him 24/7, let him have this moments with the other.
Apart from thar, he's a chill guy i swear.
Lol, he just really hates being interrupted.
Nah, I'm standing by that Spider is a pushover most of the time. He's just fully oblivious and also doesn't respect his own time and boundaries, and never thinks that anyone is setting aside time for him. I think, and not to get like, psychologically dark or anything, but I think Spider is the type of character to never realize that someone might want to spend time with him. I don't think he's ever consciously sad about it or anything, I just think it really never occurs to him that time with him would be more important than something else.
He's like "Oh, did you need something?? How can we help- Neteyam, stop that and come over and help." And Neteyam is throwing down the candles he was lighting and rose petals he was setting out, enraged, about to kill whatever person has come to ask something.
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hii 📓
Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.
They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.
The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.
Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.
It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.
They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.
Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.
The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.
And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.
Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.
They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.
And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.
She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.
Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.
One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.
It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.
The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.
It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.
The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.
Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.
The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.
This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.
Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.
She is bad at it.
So fucking bad at it.
But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.
In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.
And oh. They could recognize each other after all.
She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.
Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.
But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—
Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.
Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.
They never make it out the back.
Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.
Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.
She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.
See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.
She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.
The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.
At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.
The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.
Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.
For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.
And as it turns out, her brothers monsters were real all along.
There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.
It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.
They run.
Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.
Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?
The fight goes bad.
Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.
She chucks her shoe at him. The finger goes flying.
Then the monster eats it instead.
Tsumiki: :o
Yuuji: :o
Megumi: fuck
Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.
Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.
Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.
Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant
Gojo: :o go on
Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away
Gojo: *gasp* what no
Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—
Megumi, really trying to have a moment here: we can both hear you
And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”
Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.
Itadori: she hit me in the face with her shoe like five minutes ago
Tsumiki: see???
Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.
And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”
He really didn’t know that Megumi had a sister he wanted to stay with.
And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?
Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.
Gojo:
Megumi:
Tsumiki, softly: dude
There’s more after they make it to jujutsu high but this is already really long so we leave it here
#ask games#jjk#jujutsu kaisen#continuing my streak of becoming obsessed with minor background characters#other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows#nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way#itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing#about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but#when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be#violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads#with a major clan over an outcast member it’s another to do it for their most sacred technique#he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably#be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child#he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from#he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all#since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met#tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost#potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo#of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him
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