All great works must begin with a sacrifice. He who believes in eternal life must accept those things in which it is necessary that his deeds be so. For, as a rule, he must give in order that his actions and his own will may be justified. The more we think of this act of sacrifice, the more we find ourselves in our great folly, which is the temptation and the sacrifice of the blind.
please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
I was talking to the guy with the rifle on the island in disco elysium and he was talking about the past and getting deep into it and suddenly there's a whole screen effect and I was thinking about how it was really cool but no it just happened that my entire screen just decided to die right there and then
The most fundamental thing a state can do is border and defence, to the point if you don't, you do not have a state. You might end up as a protectorate, if you are lucky.
After this, it's regulating trade. In this, regulate means facilitate
Trusted currency, weights and measures, ports, roads, trains, aerodromes, etc.
While you need defence to even have a state, if you want it to flourish, you need trust and trade. And this is something that most modern societies have forgotten.
This chart is pretty similar for most modern countries. Health, social security(2x), and things important enough to label as "other" make up the majority of the budget.
Defence is 4.8%.
Transport is 3.8%.
Public safety and order is 3.8%.
Housing and community amenities is 1.8%.
And we're surprised that our infrastructure is never good enough.
This is why you pay 20-30% income tax, plus sales tax, VAT tax, gas tax, environmental fees, tv licence, property tax, city services tax, inheritance tax, you won't notice one more tax, tax.
*Spidey and the Sinister Six having their usual fight*
Doc Ock, landing a hit: You’re getting slow Spider-Man! Age finally catching up to you?
Spider-Man: You wish! I haven’t even hit my 30s! From those costumes I can already tell I failed to save you guys from those midlife crises! Sorry by the way.
Vulture: Watch it wallcr- wait… Did you just say your not in your thirties yet?
Spider-Man: Surprised that this spiders so young and spry? Well-
Electro: Dude I’ve been fighting you for at least 5 fucking years! How old even are you?
Shocker, joking cause he’s the only one who picked up no grown adult acts likes Spidey: Don’t swear in-front of the boy you don’t want him to pick it up.
Rhino: Christ! You’re tellin me I almost crushed some 12-year-olds skull all those years ago?
Spider-Man, regretting his quipping: I was not that young! Like just starting freshman year but-
Sandman, horrified as he’s the only one with a kid and dad instincts(as of my iteration): I could’ve killed a kid…
Shocker, genuinely curious: Are you even old enough to drink? Cruel to kill a man who ain’t had his first drink yet.
Electro: Please tell us you’re at least over 25 as of this fight. Hell, I’ll take over 21!
Spider-Man:….
Sandman, realizing just how young he really is: Oh my god.
Spider-Man: My birthday’s coming up soon so I guess it counts?
Doc Ock, exacerbated: It. Does. Not!
Vulture: What would your mother think if she knew her son was out here risking his life telling poorly constructed jokes?
Spider-Man, offended cause it quips slap: 1. My jokes are great 2. She and my dad are dead so-
Sandman, hysterical cause holy shit he almost killed a kid orphan: OH MY GOD!
What if Pokemon & Animal crossing had a crossover game?! #6 Made in Blender with ACNL Assets. outfit design #1 is by @anipeitz
and the kimono is from ACNH + this artist on pixiv:
https://www.pixiv.net/en/artworks/43898960