"and historians said they were bestest of friends" they were. they were both aro/ace and in a qpr
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Whenever someone includes Malevolent on their “queer podcast” lists I feel like laughing. Malevolent is the equivalent of the lonely cis allo straight guy at a pride parade. He didn’t come to support anyone. He doesn’t even know how he got there. He was just walking down the street and got pulled into the fray by excited subtext enjoyers.
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I really truly don't get this whole bucktommy and buddy rivalry.. I mean I love buddie and I really like bucktommy and don't understand the problem of liking and rooting for both. yeah, at the same time. what happened, everyone forgot about multishipping? why can't two ships coexist in peace??
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honestly RE: censorship has produced some very appealing queer coded relationships, I think part of the problem is that like. Straight relationships often don't compel me, yeah? And part of it is that I frankly, don't believe a fair amount of these characters are in love. The art contains social conventions so you'll assume they're in love. And if you're unaware of it and buy into those conventions, you never notice a problem (unless they're using the conventions that give female characters no depth. People today are somewhat more aware of that). There's a level of laziness to the way so many straight relationships are written.
Many queer censored relationships can't engage those assumptions because straight people don't understand something is gay until it's bedazzled in rainbow rhinestones, and even then some of them have doubts, so (usually) an artist must put effort in to make you think there's something there. There (usually) must be legitimate connection. And because they're censored, they continually cannot rely on anything too lazy to keep interest. They also can't try to deliver payoff that isn't ready (because they're rarely allowed to deliver payoff, if ever). They can't squash the appeal of a relationship by not knowing how to write these characters in a steady relationship to the point where you hate it.
You basically end up getting a (sometimes years long) build of potential and genuine connections, without a satisfying resolution- which sucks, but it also can be very compelling. The inability to say I love you outright means the characters must say it in other ways that tend to be more emotionally impactful- such as holding out a human heart to each other, selfless and hopeless sacrifices, pulling you out of hell, etc. You could argue these moments are an example of "showing not telling" even.
But as we move into more mainstream queer art I feel like some people are starting to use the same conventions I find so lazy and boring in depicting straight relationships. Because it's a Gay Piece of Media you know there will probably be a gay relationship, so you do come in with assumptions that the creators can play off of more efficiently than otherwise. You can miss at establishing the connection. You can rush the payoff. You can write the chase well but fail in writing the domestic. You can tell me these characters are in love without me buying in and believing it because you didn't really give me much to believe in.
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if everyone keeps going 'why arent they more gay?' about class of '07 i'm going to explode.
the show is set in 2017, the year that marriage equality was publicly debated and then eventually voted in it and it was a ROUGH year.
also, they went to CATHOLIC SCHOOL!!! I might just be speaking for myself here, but I wouldnt be getting into a relationship with any of the girls I went to school with if i was stuck on the campus with them, like a non zero amount of the student leadership were young libs (australian conservative party's youth branch).
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leah clearly being bisexual and fatin stating that she loves HER (clearly implied to be leah) the way shelby loves toni is. in fact. the opposite of what queerbaiting is. just because queer characters might not end up in a relationship doesnt make them magically unqueer. viewing media thru the lens of shipping has just rotted everyones brains.
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I’m gonna say it. I’m gonna say it, and y’all are gonna be normal about it.
I don’t understand why the people behind Good Omens decided to make a universe where homophobia and transphobia doesn’t exist, while ALSO unnecessarily writing in Aziraphale facing fatphobic bigotry multiple times.
Why do only skinny queer people get an escapist story where they’re not being reminded of their own oppression?
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i saw a video abt how queer infighting has to stop and they mentioned polyamory and for a blissful moment i thought someone was actually advocating for polyam people for once and commenting on how generally shitty the rest of the queer community can be to them
but no, they just started whining about polyam ppl forcing their lifestyle™ on them 😌 of course 😌
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sorry I will not shut up about this show But. I just. wanted to mention how fucking cool it is that ok ko has a major bi character in it (a bi man at that) that has important on-screen romantic relationships portrayed with both a female partner and a male partner and neither is considered less legitimate than the other. his orientation isnt pointlessly called into question or suggested to have been faked or changed for ending up with a man when he was previously with a woman. It’s just natural, and so one doubts that he was once romantically interested in/involved with carol just because he ended up with boxman. and I think that is very cool and something I feel like I super rarely see with bi characters– when bi characters are represented I feel like it’s pretty common to only have them shown romantically involved with one gender or another and it’s more of a side note that they also like people outside that gender, or they’re portrayed as “confused” or god forbid suggesting their feelings for someone weren’t really real because they ended up with someone of another gender (not to be confused with comp het; in that case the individual isn’t bi and that’s different). And so having a children/family show that has two solidly bi characters first of all, and one who’s a grown adult who’s had established relationships with two genders on screen is just honestly really cool and I appreciate that so much
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I might not have the eloquent words right now but god do I fucking love Our Flag Means Death s2’s MULTIPLE portrayals of polyamorous relationships !!
like. and even explicit differences between monogamous and non relationships ie Lucius and Pete vs Zhang Yi Sao and Olu and Jim and Archie vs the fully connected triangle of Ed and Stede and Izzy
I really love how hard this season is leaning into really exploring and developing relationships of all kinds, and I love watching it all unfold
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