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#god their music's so good
tinsin · 2 years
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Getting on my soapbox for raw lyrics
Here's some good ones off Broken Bride, the rock opera by indie/alt rock band Ludo: "With a blast like the sun, his lips are unwrapped from the barrel of his gun." - "Save Our City" "There's a time to pray, and there's a time to fight. Anything can be a weapon if you're holding it right." - "Save Our City" "The airbag held you til the engine slept, at home your pillow cooled while the willows wept." - "Broken Bride Part II" "I flip the circuits on, I've got dragons of my own." - "Broken Bride Part III" "I'm terrified to think you might be real." - "Broken Bride Part IV"
Also please listen to Broken Bride by Ludo and also You're Awful, I Love You by Ludo and also Prepare the Preparations by Ludo.
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pants-lint · 1 year
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Just had a Thought and now I'm curious. What's you guy's strangest comfort media? It doesn't have to be strange as in like creepy/fucked up/whatever, it can just be smthn a lil odd.
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ryllen · 2 months
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oplishin · 1 month
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seth's smile as he looks up at rock and the crowd chants for cody is very very good
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lotuslate · 10 months
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My submission for @noxetlux-zine 🌞
My idea for celestial beings Wangxian was Apollo!LWJ and Hermes!WWX, check out my twitter for the full nsfw piece 🌝
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dear-ao3 · 6 months
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something entirely batshit about forcing a 25 year old cd player and a spectacularly scratched cd that your neighbors band made in 2005 into submission and having an absolutely epic childhood moment
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kristsune · 2 months
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I've been excited to hear from Mr. Bonzo since we first heard about him during the ARG, and goodness me, I was not disappointed. I just had to put a little post together for him. And of course, I cannot post this without mentioning the supremely excellent music and sound design.
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lululeighsworld · 28 days
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it was literally their moment and they just let us watch
(if you need me i'll be marinating in this for the foreseeable future)
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milkbreadtoast · 1 year
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Scenes that still shake me to my core more than 10 years later.... god the voice acting in this scene is so good.
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samglyph · 2 months
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I truly believe Will Wood is an incredible musician and songwriter and is one of the top lyricists in the last decade both in and outside of the genres that he chooses to play in with absolutely zero irony. I also believe that you can only fully understand that if you’ve either had a pet die before listening to his music or you have a history of drug abuse and mental health crises. Or you’re trans.
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otsanda · 8 months
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So @sayuri-of-the-valley and I were talking about the music in Good Omens 2 and particularly the similarities and differences in the music that happens 'Before the Beginning' (that's the song title) and at The Kiss (that's not the song title) and I have accidentally developed Theories and had Thoughts, so I’m gonna share them in case anyone else wants to weigh in.
First of all, the general musical structure is similar. They are both dramatic moments that start quietly, grow to a powerful crescendo at the Big Moment, and then resolve more quietly again, but with subtle changes that make them feel very different. Without actually going through and checking it, they sound to be at roughly the same tempo (around 140 BPM) and comparable time signatures.
Now, I'm treating these two dramatic moments and the surrounding music as two songs, although in the soundtrack the music surrounding The Kiss is actually divided into two songs itself: I Forgive You and Don't Bother, so that's. Fine. I'm normal about that. I'm sure dividing that in half doesn't Mean Anything at all. I'm NORMAL about it!!! Ah... anyways.
The instrumentation for both Before the Beginning and The Kiss is also very similar. Both songs start with orchestral winds and strings and add a powerful choral part (on the same pure round vowel sound, no less!) on the big crescendo. Both add orchestral chimes (bells) for that epic religious feel. Both the nebula creation and the kiss were a revelation. Something like a religious experience.
And then both songs resolve featuring wind and strings again, among other instruments. The "after" part of both songs also features more pitched percussion (harp, maybe a celesta, glockenspiel, possibly a dulcimer or some other fun, ethereal pitched percussion in Before the Beginning, but interestingly a piano in Don't Bother). Ouch. That hurts.
Now, to me: the piano is possibly representing the nightingale, Crowley and Aziraphale's love of Earth and humanity, whereas the glockenspiel and etc. may be more representative of heaven. Just a guess. I would have to do more careful listening for a more solid theory.
I don’t have perfect pitch so it’s hard to tell without getting out my instruments or transcribing the piece, but I’m willing to bet ‘I Forgive You’ is in the relative minor key to Before the Beginning’s mostly major key (I *think* ‘Before the Beginning’ might be mostly in the key of C major and ‘I Forgive You’ in A minor, but I could be wrong). Regardless, the former is major and the latter is more minor, but otherwise a lot of the chord structures, especially at the big moment, sound very similar.
More on instrumentation: ‘Before the Beginning’ uses more (ethereal?) flutes in the wind sections and The Kiss uses more reed-based, (earthy?) winds like clarinet, bassoon, oboe, etc. Different feel, but the same kind of structure. Both moments heavily feature a big string section for the nice full orchestral sound.
Before the Beginning has a lot going on musically before the crescendo and it intentionally feels kind of chaotic and unformed bc each instrument family is doing something a little different, building anticipation, etc. and then at the big crescendo, they all come together. Very powerful. Then after the crescendo, we get a subtle, playful reprise/variation of the Good Omens Main Theme. The strings and the winds are no longer entirely together at this point. They’re sort of playing off one another, leaving space. Having a conversation.
By comparison, in ‘I Forgive You’ the wind/strings start off playing together, in a sad version of unison before the crescendo (they both knew the conversation they were having wasn’t going to end well but they fundamentally *understand* one another now; they’ve been talking for millions of years). And AFTER the crescendo of The Kiss, the song ‘Don’t Bother’ DROPS the majority of the string section and gives the melody to a solo violin (alone!!!!). Even worse (better) the strings and the woodwinds and pitched percussion are no longer playing together. This time, they aren’t even having a conversation. They’re musically doing a separate lines. It feels extremely lonely (because it is). The violin is very exposed. The piano is very exposed. Even the chorus sounds exposed (smaller group of singers?). This ALSO includes a reprise/variation on the main GO theme, but instead of being playful it’s extremely sad (as though you didn't notice). The rest of the orchestra is still there, providing background, but it's not the same.
The Biggest Decision (the song after Don't Bother) has a lot more of those ethereally coded instruments again. Harp, pitched percussion. Full string section. Angelic chorus. Aziraphale is making the hardest/worst decision to return to heaven.
And to round it out, once we get to "The End?" we are back to piano. Our duo is separated. Now in place of the solo violin we have solo cello and piano. Gutting. We get notes of the ethereal celesta (I think). The piano keeps us grounded, but cello is a big focus. We also get more of that haunting chorus and violin runs. And then we end with solo piano playing the same 5-note run three times. Alone. After every other instrument has dropped out. Very lonely.
Just for fun, (and to end on a slightly more positive note), I went back and listened to the ox rib music as well, which was surprisingly consistent with some of my theories from up above and also not on the soundtrack so although I'm sure it has a name, I certainly don't know it.
In the ox rib section, there are more instruments before the first big moment (when Aziraphale tries the food) that are going back and forth. Again it sounds to me like they’re having a conversation… tempting and being tempted. Winds and strings (strings are tremoloing like at the kiss for that sweet, sweet tension), but also brass instruments. We have some more ethereal sounding pitched percussion, especially *before* he tries the food but afterwards it... switches to piano! Like I said: Earth!!!
The choir is on a different vowel altogether for this part (more aggressive and ominous, a taller Ah instead of a round Oh/Aw like the first two musical moments). The choir is also much more rhythmic. Again, increasing tension. And, of course, after he tries the food the music supports the tension of the scene by gradually building, getting louder and bigger after the key moment has already passed. It's super interesting that Aziraphale trying the food is actually quite quiet, but the music grows quickly afterwards. Sort of the inverse of how the other two scenes play out musically! Fascinating!!
Anyways, let me know what you think I got wrong and what I missed and if I thought something was a celesta when it was actually a glockenspiel or something. I am thrilled and devastated by this incredible music.
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tunguszka20 · 2 months
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Okay so I was watching @anniflamma's God Games animatic (the Hera one) for probably the 100th time, and I paused at one point for whatever reason, and I noticed a little detail.
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This is when Athena says "Never once has he cheated on his wife", and I see the cocky expression on her face, like she knows that she won with that... BUT if you look at her hand, you can see she's like... Squeezing her upper arm a little?
Now I know basically nothing about art or how you portray stuff so excuse me if I'm wrong somewhere, but I think this might be like... Athena being a little nervous or something? Maybe? I'm not sure, but I really wanted to share this little... discovery.
These animatics are So. Freaking. Good.
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stinkyfartgirl · 9 days
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George Harrison in LET IT BE (2024)
can't wait to watch the misery again but this time in 4K <3
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mackerel1522 · 2 months
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oh my gosh you need to look at this
this is pure ✨gold✨
youtube
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kveom · 4 months
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dokyeom at gda 2024 ✨
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awkwardenby · 8 months
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went from “I wanna run away to the forest forever” to “I wanna make cool patches and crafts for queer and punk people”
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