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#genuinely i just let some of my friends loose with some of the characters as long as they don't step on my toes with my lore
rhapsoddity · 1 month
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Are BigB and Martyn (aka, life series members who aren't in HC or ESMP) in the VSAU?
theyre not in the VSau! however i don't see why they cant be "canon" to the au!
seeing as hermitcraft, dsmp, legacy, even jacksepticeyes minecraft series(?) are in universe, life series might as well be thrown in too!
any smps other than empires and a handful of hermits arent relevant to the plot of VSau, but as long as they don't impede on my main plot I'm happy for them to be canon :3
(Emerald isles (jacksepticeye) content is made/controlled by @pixeldraws22art )
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doobea · 6 months
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✰⋆⁺★ FUZZY BRAIN ─ CHOSO KAMO
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synopsis: Choso spends the evening learning about the effects of alcohol, talking about his life goals, and gets his first kiss - all in that order.
contents: canon universe, manga spoilers + character death mentioned in passing, gn!reader, pov kinda switches back and forth w internal thoughts, sfw, fluff, hurt/comfort, slight suggestiveness, first kiss + making out, friends to lovers, choso gets drunk in this and is a bit shy and awkward + learning how to be a regular half human/half curse - y'know the whole deal word count: 1.3K a/n: if hes not underneath my christmas tree by Dec 25th then idk what to do
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Choso quickly learns that alcohol brings out a side of him that he's not proud of. He's not careful with his words, not careful with his actions, and not careful with his emotions. That's why, he's glad that he's currently drunk out of his mind around you.
"I..." his voice starts wavering, head groveling against your kitchen counter as he fails to find grip around the glass of whiskey. "I don't think I deserve anyone..."
Oh no. Internally, Choso feels himself cringe but he knows he can't stop now. The oversharing has begun.
"I'm still trying to figure out how to properly live as a human," he feels himself choking on incoming tears as he thinks back to Yuki's last words. He pauses to control his breathing, only continuing when he feels the warmth from your hands rubbing the back of his shoulders. "I can't forgive myself for what I've done and I don't expect anyone else to do the same."
"Hey," you gently call out his name and brush away some of the matted strands sticking against his forehead. Choso is positive that he's sweating up a storm by how hot he feels thanks to the alcohol. "I don't think you really knew what you were fighting for. You were manipulated, used, and then tossed aside by your own father. It's shitty how everything happened but you're doing the right thing now."
Choso hears your words, appreciates them dearly to his heart, but he's too wasted to actually say anything coherent back. He hums absentmindedly and says what he thinks is a 'thanks'.
You take a cautious peek at the man and smile. His scar pop out so much more when the rest of his cheeks are red, you find it hypnotizing and a bit adorable. Mostly adorable. Whatever. You're both drunk.
"Let's pretend that you're not a century old half-curse for a second," you continue after a minute of silence from counting his lashes, losing count, and restarting about five times. "What would you like to be now?"
Choso blinks, finally raising his head up from the counter and gives you a teary look. "I don't feel like a curse when I'm around you," and then, he quickly adds on, "or Yuuji, or the others."
You laugh at his answer before sliding your body out of the barstool, stopping only when half of your body is on the floor and the upper half is leaning against his legs for support.
You hear Choso calling out your name anxiously. "...Are you okay? Should I get someone—"
"You're making me melt," you crane your head up and you're not sure if this is from the drinks, the dim lighting from the shitty lightbulbs in the ceiling, or if Choso has always just been so pretty. You feel like you could drown in his eyes with how much tender and vulnerability he's allowing out. You bump your head against his legs, giggling and letting the alcohol take over. "You're so genuinely sweet and self-sacrificing, I think you deserve the world."
Choso begins to chuckle in return, although not as enthusiastically. He feels the need to have some control or else he'll really set himself loose. "I appreciate you, too."
You raise two thumbs up. "Back to the game – what would you be doing?"
Choso thinks about it way too hard. Maybe it’s the alcohol already making his brain go foggy. He sips some whiskey again, but his motions sluggish and messy that he ends up spilling some of it all over his face, making you howl with laughter as he rushes to wash his face.
That makes him feel slightly better. Not too drunk. Not too warm.
You're still on the floor, laughing. Choso finds some confidence and nudges you with his foot and, instead of sitting back down on the barstool, he joins you on the floor.
"I would probably own a coffee shop," Choso muses. "The ones with cats roaming around. I've seen a few from the movies that Yuuji showed me."
"Ooh, somehow that fits you!" You're giggling even more now. Just the image of him, a big grungy man with a kitten themed apron tied around his waist, is almost enough to make you swoon. Almost. "Can I be the barista that doesn't actually do any of the work and spends all their time hanging out with the cats?"
Choso smiles amusingly. "Only if you're okay with me joining in."
He’s redder now, and Choso knows this is the alcohol. He would never be this bold with you, or with anyone really. You get up on your knees and, before Choso asks you where you're going, you hover over him, caging him between your limbs.
"I want us to have senior cats," you're leaning in and, wow, he feels his brain short circuiting right now. "And I want the cafe to be by the ocean."
"Isn't this supposed to be my dream?"
"Hey, it can be both of our dreams too!"
Yeah, you're both super drunk.
A grin spreads across your face as you lift up one hand and begin stroking Choso’s cheek with gentleness. Choso shivers a little. He’s not sure how to react, because he’s frozen, staring up at his beautiful—beautiful?—friend who's currently on top of him looking down to his eyes like he’s the most precious thing ever, and Choso feels like dying a little. He’s also a bit short of breath. He’s a bit short of everything right now.
You're giggling again. You're so close, the mix of your perfume and the alcohol tickles Choso's nostrils, and he's trying so hard to resist the urge to pull you down and kiss you.
Luckily, you've read his mind and finally lean in, capturing his lips. And it’s all so familiar and strange at the same time, as if doing anything with you is as easy as breathing to him. Choso immediately finds himself kissing back. He hesitantly brings his hands up and finds home around your waist, relishing in how soft your body feels and how your lips are now easily his favorite thing in the whole world. You break away from him and begin peppering kisses across his jawline, down to his neck, his shoulders—
Choso's dead right now, but he also feels alive, and he feels like floating, and god he is so drunk right now.
He chokes out your name, and it’s all he can say. No other words come out. He just hopes your name is a good sign to let him know how wrecked he is right now.
He mutters your name over and over again, getting you to laugh against his neck, and Choso is feeling a mix of ‘this is too much’ and feeling like he needs more. You get back up, giving him one more kiss – slow and gentle – and then pull away.
You lend him a hand, and smiling softly as you pull him on his feet, quick to hold him against you when he’s too drunk to move. "Hey, are you feeling better now?"
And Choso just nods because he can’t trust himself to speak.
"Perfect," you grin and throw one of his limp arms over your shoulders. "Let's get you to bed then."
"You're... You're staying here, right?" he asks before he can stop himself.
"Cho, you're in my apartment!"
Right, duh.
He doesn’t really focus on the journey to your bedroom, since he's too hyperaware on how close your bodies are and how he still really wants to kiss you, but he won’t.
Somehow, you manage to pull him into your bed. It's nice, smells just like you, and the throbbing and warmth in his body starts to calm down just a little.
"Y’know, Cho," you begin, yawning. "We can do this anytime you feel overwhelmed."
Choso frowns. "Talking?"
"Kissing."
Choso is dead.
Officially dead.
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© 2023 DOOBEA. do not copy any of my writing and translate/repost.
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walpu · 2 months
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Hi, it’s me again!! >_<
When I tell you I gobbled that headcannon post up, I went down on two knees and howled /hj
Anyways, do you think you can do some headcannons on Aventurine with Bodyguard! Reader if you have the time? But this time, with a twist :3
See, reader does care for Aven, you truly do, but before that, you were tasked by Everflame mansion and by Duke inferno himself to kill Aventurine. But you can’t bring yourself to, no, not when you’ve fallen head over heels for him.
When reader does become Aven’s bodyguard, you maintain that serious, no nonsense demeanor, but if he looks closely enough, he’ll see the lovestruck puppy hiding under the hardened shell that they’ve put on.
But the guilt catches up. One day, at least a few months after reader’s betrayal to Duke Inferno, you catch sight of an assassin sent to finish the job they couldn’t do. And so, the secret is finally revealed.
Personally, I think Aventurine would be betrayed, like very, how could he not be? He’s always kept people at an arm’s length away, and when he finally lets you in his walls, and starts falling for thier charm, this secret of yours comes out. He fires you almost immediately, but the way he stares after you with misty eyes doesn’t go unnoticed.
The next months were absolute hell. Reader found a new job as a barista, and is quite enjoying the quaint and simply life it provides, even if you do miss Aventuirne. He’s probably still seething at you, right?.
Wrong. Because you’ve gone MIA, Aventurine been scouring all over the place, trying so hard to find you. He’s loosing sleep, forgetting to eat, all things that you would chide him about. Aeons, he misses you so much.
And when he does find you, he’s overjoyed, and when the two finally reunite, the first thing you do is to apologize deceiving him. But he forgave your silly ass a long time ago, why else would he have spent the last months trying to find you?
Long story short, it’s a happy ending, Aventurine couldn’t be more grateful he has you to be his bodyguard, his closest confidant, and most importantly, his lover <33
I’m so sorry if I went on a ramble, but this idea’s been plaguing me so bad I literally can’t focus on anything else 😭😭
I'VE BEEN LOOKING FORWAR TO WRITIG FOR THIS REQUEST SINCE THE MOMENT I SAW IT I ADORE YOUR BODYGUARD!READER x AVEN SERIES btw thank you for sharing the c.ai bot
I feel like the only thing I do with each post is apologize for taking so long but right now I like from work trip to work trip so I'm actually really really sorry this madness should end soon 😭😭😭😭 Hope you'll enjoy this post, it was my goal to finish it before version 2.1
bodyguard/assassin!reader x Aventurine
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characters - Aventurine notes- gn!reader, angst, hurt/comfort, pining, no beta
It was not a fast prosses for the both of to form a genuine connection. Moreover, you know goddamn well you shouldn't get attached to him.
And at first it seems easy, like yeah another rich playboy, no big deal, you've delt with people like him before, right? Right??????????????
Yeah until suddenly he's not just a rich playboy.
The more you notice how deeply lonely and unhappy he is, the more your heart softens towards him. And the more your heart softens, the more he relaxes around you, seeing behind your cold exterior.
He's not used to people caring about him. And yes, of course he knows it's your job but still, for a man who never had a real friend before, he surely can appreciate having someone who not only won't leave him but also will listen to him and look after him.
And the part about you being paid to do it? Oh well. It's the same guy who offers you to use him as you wish and who's greeting line is "I can play a role of a friend :)"
Mf is FRIENDLESS, LONELY and PATHETIC /affectionally
He'll take what he can get okay.
But goddamn. Don't think he doesn't notice how you started going out of your ways to take care of him. How you make him eat, tend to his small injuries ("my, my, you're my bodyguard, not a doctor. perhaps someone wants a raise, hm?~"), how you drag him out of casino or his office when it's too late.
It drives him crazy. It's not beneficial for you, right? The w h y.
He won't ask. Instead he will watch and slowly fold.
You are probably suffering tho lol. You should just kill him already, you've had so many opportunities to end him. Instead you spoon feed him soup because he claims he has a hangover after a night in the casino. And this little brat looks so smug about it too!!!!
Sometimes he feels like it's too good to be true: you being here, taking care of him, looking after him. The line between professional relationship, friendship and... something more is way too blurry already, and he knows it's dangerous but it just feels so good. Too good.
Duke inferno gets tired eventually. He sends someone to remind you of your mission. To remind you who you really work for.
Well, the duke receives a warning of his own. The dead body of his little messenger.
You know, of course, that the Everflame mansion thugs are not easily intimidated. They will be back. So you better warn Aventurine and tell him everything.
You can't keep lying to him, can you?
Well. It's surprisingly not as easy as you thought. After all, even if they will send someone, you'll just protect Aven like you always do, right? He doesn't have to know. Not about your past, not about your original mission. He keeps his secrets too, so why can't you?
You know goddamn well why tho. You know and yet you still can't bring yourself to tell him the truth.
It goes on like that for several months and Aventurine notices that something is clearly off, something is bothering his darling protector. He tries to pry, to tease, to cling, to pester you. Something to make you open up. Or, at least, get distracted. He can't help but feel anxious. Why are you suddenly so reversed? Do you want to leave his side? Does he not pay you enough? Does he bother you too much? It eats him alive while he tries to mask it by pestering you even more. As if to test you. As if to make sure that it's not the case.
All the hell breaks loose one day when you discover that Duke inferno has sent another assassin to finish the job.
I you spare the details but yeah, your secret was unraveled. And it wasn't pretty at all.
You have never seen emotions so vivid on Aven's face. Part of you always wanted to see him more vulnerable, more open with you. But not like this. Not this look of utter betrayal.
He collects himself quick enough, hiding behind the mask of mock disappointment.
"Hm, well, I recall mentioning that treachery is just another tool of the trade. But it seems like our little deal is not paying off for me anymore" he says with a cold chuckle, shaking his head a little. "After all, you have very little to offer outside of your dog-like loyalty. But seems like this dog bit both hands that fed it".
You were expecting him to call for your arrest but instead he just fires you. It hurts nevertheless.
What hurts even more is that look he gives you when you part ways. It's like his pretty eyes are even more lifeless now.
At first he feels this overwhelming emptiness. It truly feels like the fate is mocking him. One time, just one time, he allowed himself to relax around someone. Just this one time, with this one person who took care of him, who listened to him, who looked out for him. And this person was supposed to kill him.
Then his stupid brain finds another way to torture him. He keeps thinking about the way you have always protected him, the way you took the hit even during the last attack, when Duke Inferno's new assassin tried to get to him. You were ready to leave your past life behind to stay by his side, weren't you?
As soon as he realizes it he goes frantic. Of course he tries to find you asap but of course someone as competent as you would be able to disappear without a trace in no time. You were an assassin, after all. A skilled one too, since he never even suspected you.
This connection the two of you had, this realization that you really cared enough to betray your client, all of this makes him realize that he needs you so, so much. He needs to feel this care again, he need to look at you again, to know that you're here by his side.
He misses you so much. Your nagging, your reassurance, your touch. He's like an addict who felt what it feels like to love and beloved in return for the first time and now he can't live without it.
He doesn't eat or sleep properly, his head plagued by the thoughts about you. What if you forgot all about him? What if you're wounded? Where are you even? His fingers itch to trace your face and your scars.
He thinks about how you would scold him for not taking proper care of himself and it makes him miss you even more.
Aven finds you after a few months. It was honestly a coincidence, one of his subordinates saw you in the coffee shop you were working at.
He though that finding you will calm him down but seeing you from afar, looking somewhat peaceful and cozy, having a regular job... it's too much. And what if you really don't need him anymore? Maybe you never did? After all, he's painfully aware that he probably needs you much more than you need him.
And yet, he decides to take this risk. He's a gambler, after all.
"Somehow I'm not surprised you're good even at that. How come you have never made me coffee before, hm?"
You literally freeze on the spot after hearing this familiar voice next to you.
When you finally get to talk, you can see he's really trying to look calm and collected but how can he? His hands are shaky and his voice cracks. It breaks your heart.
He doesn't even let you finish your apology, pressing a finger to your lips.
"Hush, darling. All is forgiven. In fact, I even have an interesting proposal. I'm can be a generous man after all".
He can't fool you. Not with this shaky soft voice. And he knows it as well.
Please hug that fool and kiss him. Swear that you won't ever leave him again. Swear that you want to be by his side. As his bodyguard, as his friend, as something more. So much more. That's all he really need to feel like he's at home.
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linmeiwei · 4 months
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Do you really think Darcy and Elizabeth would be happy together? It's one thing to not care if an insufferable aunt doesn't like your bride, but it's very different when friends and peers start treating him like an idiot for marrying an unimportant and "tolerable" country girl. Also when he realizes that Georgiana will not be getting the same suitors that he would expect.
That's why I think their marriage is not going to be all that. Don't get me wrong, I don't believe Darcy would start being cruel or disrespectful to Elizabeth like Mr Bennet was to his wife. But to continue happily married? I don't think so.
Oh I strongly disagree! I think Darcy and Elizabeth would be extremely happy in marriage.
As to the social consequences of his marrying a tolerable country girl, I'm not convinced that they would be so dire. The Bennets' ruin was averted through Lydia's marriage, I'm not sure it would be talked about much in the wider world. More to the point, he has a powerful family in whose interest it would be, once the Darcy/Elizabeth marriage happened, to make sure Elizabeth was accepted in all the right circles. They'd likely ensure that Lady C didn't do or say anything to spoil the family's standing. We know from some hints in the novel itself that, once push comes to shove, even those who don't like Elizabeth and may know something of the Wickham fiasco, are too afraid to lose the privilege of friendship with Darcy to continue being a nuisance about it (e.g. Caroline Bingley).
We also know that Elizabeth isn't really only tolerable. She's charming, attractive and clever. I genuinely think that she'd actually make quite a hit once let loose in Darcy's world.
Finally, there's Darcy himself. I'm conscious that people interpret his character very differently to me (e.g. they think he's shy or anxious or on the spectrum) so this is very much my interpretation but… going by some of the descriptions we have of his character, he just doesn't seem like the sort of guy to let himself be swayed much by popular opinion. E.g. in this bit, which takes place in Netherfield, when Darcy and Bingley discuss each other's character traits (paraphrasing):
Darcy: When you told Mrs. Bennet this morning, that if you ever resolved on quitting Netherfield you should be gone in five minutes, you meant it to be a sort of panegyric, of compliment to yourself […] but I am by no means convinced that you would be gone with such celerity. Your conduct would be quite as dependent on chance as that of any man I know; and if, as you were mounting your horse, a friend were to say, ‘Bingley, you had better stay till next week,’ you would probably do it—you would probably not go—and, at another word, might stay a month.
Elizabeth: You have only proved by this that Mr. Bingley did not do justice to his own disposition. You have shown him off now much more than he did himself.
Bingley: I am afraid you are giving it a turn which that gentleman did by no means intend; for he would certainly think the better of me if, under such a circumstance, I were to give a flat denial, and ride off as fast as I could.
In another conversation, he says himself that "[his] feelings are not puffed about with every attempt to move them."
He's just not a volatile sort of guy. He knows his own mind, he knows Elizabeth's merits, and (for all his faults) he's the sort of strong type A that would see it as his responsibiltiy to captain his ship out of any storm rather than abandon it or feel annoyed with it for having got into a storm.
I honestly struggle trying to imagine any set of events that would be at all likely, in which these two were anything other than deeply in love, delighted in each other’s company and devoted to one another.
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missycolorful · 6 months
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The scene with q!Forever and q!Philza at Global spawn in Pugatory is something that will always kinda sit in the back of my head. Because it truly, truly solidifies the strength in their dynamic, and neither of them will probably realize it lol. Hello, I'm here to be insane about q!philever, so buckle up
Like everyone else, q!Phil was dealing with a lot in Purgatory. He began to lose trust in close friends. He wasn't sure he'd even be able to save his children. While trying to uphold his morality and not kill except in self-defense, he was very much walking a fine, jittery line. All while trying to keep his team organized and motivated. Aside from kind of losing his mind like the others, there was no clear indication that Phil's composure was dangling by a loose thread.
But then he's allowed a moment of peace to exchange information with another team. It's just him and Forever. No kills planned, nothing. Just two people allowed to talk about the absurd situation they've been thrown into. A moment to really take everything in.
During the conversation, Forever doesn't hold judgement toward Phil or anyone else due to the event, even when he comments on Philza's kill on Rivers. Even when Phil tries to justify his actions, Forever doesn't hold it against him. It's hard to say exactly how important this is to what happens next, but I feel like it means something here.
It's when q!Forever says that once they leave Global Spawn, that they become "enemies" again, this is when q!Philza breaks. And I think this moment has been glossed over by many (I want more fan art, dammit >:T) cause it doesn't feel big on the surface. It's not like cc!Philza genuinely sounds heartbroken, his cries sound... a little exaggerated/dramatic, you know? What he cries about isn't anything groundbreaking, it's what many of them feel ("I don't want to be here." "I don't want to kill my friends."), even though Phil fans can sense a deeper meaning here. And after Forever briefly consoles Philza ("Everything is going to be good. This is what we need to go through."), Phil, like a flick of a switch, is right back to his composed, level-headed self. It was like that moment never even happened.
But it did, and it drives me crazy that he did it in front of Forever. cc!Phil made that conscious choice to have his character lose composure, his character that he and his fans knows is an emotionally constipated motherfucker. And the reason it drives me nuts is because how the fuck did we get here?
I can imagine this scenario with lots of characters, and it never plays out like this (i.e. with Tubbo, he'd likely just keep it all in. Et cetra.). I don't see him letting himself be this vulnerable around most others. Hell, before this, I never would've imagined he'd do this in front of Forever, either.
But the more I think about it, it kinda makes sense.
Phil and Forever's relationship is a funny one. Early on, Phil wouldn't trust Forever with a toothpick. He'd never be emotionally open with him. Forever even held a bit of animosity toward Philza after Phil'a final rejection. But that rocky start is honestly a huge part of why it is as strong as it is now. Cause, well, the strength of any relationship comes from accepting all parts of a person. Flaws and all.
Some characters hold Philza up on a pedestal (i.e. q!Missa). They don't really see his flaws. They don't think about his ugly sides. They just see a pillar of a man who is always willing to help, who can do anything and everything, who keeps composed and lighthearted and level-headed in any scenario. q!Forever was kinda like this, at one point.
But Forever realizes that isn't the case eventually. Because Phil's not great at dealing with emotional situations, and Forever learns that the hard way. Phil's not good at talking about feelings, he can be blunt and a bit harsh, because he's a pragmatic sort of guy. But it takes a softer, gentle approach to reject someone, and Phil wasn't ready for that. So, in retaliation to the hurt Phil caused him, Forever had a conflicted relationship with him. It didn't last long, but I digress. This brief shift in their relationship was for the better. By not placing him on this pedestal anymore, Forever began to see Philza in a different light. One that didn't cast Brunim in its shadow.
With Philza, Phil saw Forever at, arguably, his worst in the beginning. Obsessive, threatening, clutching onto a pipe dream with no regard for Phil's feelings. But over time, Phil got to see the much more real sides of Forever. When Tallulah lost her first life, when Forever made NINHO. He saw a passionate and intelligent side to this guy who was obsessed with him, and he respected that person. And with this recognition, he offered his trust to Forever, such as giving one of his presidential votes to Forever.
Both of their perspectives for the other changed throughout the first few months, and I believe they gained some level of appreciation between them because of that. They share this newfound respect and trust. And that is the core to their new relationship. Consistently, Forever and Phil have given each other open and mutual respect and trust. Never is either of these things taken for granted, abused, or manipulated in any way.
When Forever is hooked on the happy pills, he subconsciously seeks out Philza's help, which Phil offers with ease. Before Forever goes to the Nether, Phil expresses his worry and wants to help. But he doesn't push, because he respects Forever's agency, and trusts that Forever is doing what he thinks is best. (also during this scene, when Forever gave him access to the warpstone in that secret part of his base, only Forever and Richas had access to it beforehand, which feels like a big moment according to his fans, so! :D). So when Forever returns to the Nether, while he doesn't believe Fit and Pierre when they say they tried to save him, he absolutely, 100% believes in Philza.
Because he knows Philza by now, and Philza knows Forever. Maybe not on equal levels, but still. After merely a few months, they've slowly begun to understand each other a bit more. So I guess it's only natural that they'd be more open around each other.
I'd even argue that this isn't the first time Philza lets down his walls around Forever. It just didn't happen when Forever was awake.
I wouldn't say that Phil talking to Forever while he was in a coma is the same level of vulnerability as the scene in Purgatory. Because Phil wasn't totally direct with his feelings, he sort of deflected (the story, banging the pots and pans, calling him an idiot, etc). Hell, even when he is expresses how he feels, he's not entirely direct: "We just really care about you. We wanna see you come back. You're making us worry." Like, of course everyone cares, but to say this as we when it's just the two of you obviously feels like a moment of vulnerability but not wanting to admit to it. Cause, hey, under different circumstances, he absolutely would've committed to visiting Forever in the hospital every day. Still, his very open worry did give off a sense that his walls were crumbling.
So with all of this, if Philza can meet with someone alone in practical hell, and that someone, a person he openly trusts and cares about, can look him in the eye and say "I don't judge you" on the things he's has done, maybe that allowed the floodgates to open for a bit. Maybe once Forever said they'd be enemies outside those doors, the situation hit Phil like a truck, and he just couldn't keep it in anymore. And maybe knowing it was just the two of them, Phil knew he could be a person around Forever, not a leader or a mentor or a force to be reckoned with. And Phil really needs someone on equal footing with him like this. He needs someone he can feel safe around. So for him to find this in Forever, of all people, even if it's just for this moment, is extremely important to me.
The way their relationship has progressed, perhaps it would've been simply a matter of time for Philza to be open with Forever. I dunno when Phil will be quite so open around Forever again, but I do say when with a fair enough of certainty (or I could be wrong and I'm simply talking straight outta my ass but who knows). Because to have this moment with Forever was intentional, even if it feels like a blink and you miss moment. It may have been under a minute, it may not feel important to other viewers. BUT to me, it genuinely says so much about their relationship, how far they have come, and where they are now.
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poppy-metal · 6 months
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okay but if mafia!jordan exists What is their breaking point where you feel dumb and demeaned but something Happens that threatens you/your safety and they lose their mind and oopsie maybe they actually care about you
heheheheh cracks my knuckles.
dk how many words this is but a little more than a drabble so under a cut.
also warning the word r*pe is mentioned ( not executed) - this is a mafia au so dark shit should be pretty obvious.
you probably get lost one night, like you manage to slip past your constant gaurds while you're out because you've never really been out - you just wanna explore a little. the threat of being recognized and hurt doesn't even register to you.
n jordan has kept a leash on you but its a pretty loose one, trying not to care about you - trying not to fall. thinking it means they're giving up a part of themselves if they do. that's why they're mean to you. but they let you go out - with gaurds - because they're not a fucking dictator. when they come back though, panicked and worried because you were there one moment and then gone the next jordan feels a sense of panic they've never felt before. and not because losing you would look bad on them, genuine fear chills their blood. worse case scenario running through their head - you've been kidnapped, you're tied up and drugged in the back of some guys car rn, you're already dead, you've been sold to sex trafficking ring, just the thought of you being touched makes them grip their gun and empty the clip in the gaurds heads - just for letting it happen.
they call you - again and again and again. (your phone is dead and you forgot to charge it.) jordan has their staff and their close friends and anyone else they can call out looking for you while they pace back and forth, hands gripping at their dark hair, yanking it out of style, making it erratic and messy. biting their nails, kicking their desk. blood pumping faster than it ever has before. they think about never seeing you again, or of seeing your corpse and they wanna be sick. they think of your sweet smile and how you find things every day to be chipper about even when jordan has been a dick to you. god, they want to put a bullet in their own skull. thinking of you being alone and frightened. they're supposed to protect you, goddammit.
cut to you strolling through the doors to jordans study three hours later - buzzing with contentment because you'd gone to the new mall that opened! "jordy!" you call, bumbling into the open door, not catching the serious atmosphere because you're looking down at the bags in your arms. "you know that new mall that opened i told you about the other day? i went! and i got you something-"
when jordan hears your sweet voice they stop dead in the middle of the room. just kinda staring at you in slack jawed amazement. alive and well and back at home, your home together, where you should be, with a flush to your cheeks from the cold weather and a smile on your lips. alive and not dead. not hurt.
you're cut off from speaking with an oompth as jordan strides across the room and crushes you to them, one hand coming up to cup the back of your head, the other around your waist. your face immediately fits against the crook of their neck and your body kinda melts on instinct. you drop the bags to the floor and return the embrace immediately, you dont know why its happening, but the soldid warmth of jordan all around you makes you liquid. when your arms tentatively wrap around their waist, you feel jordan shudder against you, their grip becoming almost painful.
"jordan?" you ask softly. you're not complaining but this is certainly out of character.
they pull back, and its like their eyes cant skan over you fast enough - in their mind they're checking for injuries. but you look okay.
"fuck." they say and it echoes through the room. more emotion packed into that one curse than they've ever showed toward you. they run a hand down their jaw, "fuck."
you blink, noticing the tension now. glancing around the room. it just registers now who the mansion was empty when you came home. usually someone would have been there to greet you, take your bags.
"where is everyone? why is it so quiet?"
jordans hand starts to shake and they have to shake it out, flex their fingers so they dont - they dont know. strangle you? grab you and kiss the fuck out of you?
"you went to the mall." they say it slowly and deliberately.
you nod enthusiasticlly.
jordan breathes out very slowly, chest expanding.
"you ditched your gaurds."
ah.
"they were hovering!" you pout, "I know they're supposed to, but i didn't want two hulking men following me into -" here you squirm a little, getting flustered. jordan is staring blankly at you. "following me into the uh, feminine stores. it was just for a few hours though! I'll apologize to them-"
"they're dead."
"what?"
"i shot them."
"jordan-" you gasp, stomach dropping. guilt filling your lungs. tears sting your eyes immediately. "but - i didn't mean -"
"do you know what happens to mafia wives when another family finds them alone." jordans looking at their hands now, rolling a ring around their finger. their birth stone. they dont wait for you to reply, "they get shot if they're lucky - but that's usually not the case. waste of good blackmail. usually its beatings - rape is most definite. cut off limbs to send to her husband or her father as a threat or a gloat. sometimes they keep them alive, sex traffikers aren't picky after all. most of the time though, the rest of what's left gets dumped in the ocean."
a hand comes up to cover your mouth, shaking. you knew it was a dangerous idea, but. you didn't think - you didn't feel under threat. and now people are dead because of you? your bottom lip trembles. you dont know what to say.
you think jordan might really kill you, with the way they're talking, so when they reach out and tip your chin up, you flinch a little.
you're shocked to find fire in jordans eyes. every other time jordan has been pissed at you - its been ice.
"you made me -" their jaw works. "you worried the hell out of me today. do you understand what i was thinking? what could have happened to you... shit."
their grip tightens to the point of pain and tears fill your eyes again, but not from that. from your own guilt.
"im sorry," you whisper. "i didn't mean to."
"that can't fucking happen again."
you nod, a bobble head. but their gaze hardens and you squeak when their hand slides from your jaw to wrap around your delicate throat. they back you up against the wall. their eyes still blazing, two dark coals glaring down at you with so much passion you feel your cunt pulse between your legs. you can't help it.
"no. not a fucking nod, mouse. that shits not happening a second time - or I'll fucking be the one to kill you. do you understand?"
you tremble. gasp when you feel their rings dig into your skin.
"words. use them."
"yes," you eek out, wondering whats wrong with you that you're getting wetter. "yes i understand, jordan. im sorry."
their eyes flick to the bags at their feet. "go upstairs." they let you go, but dont step back. "I'll deal with you later. i have about twenty fucking phone calls to make."
you squeeze by them, gulping when your hard nipples brush against their chest. running upstairs like theres a flame under your ass. little do you know, your ass WILL be flaming later, but for a different reason.
when you're gone jordan visibly slumps in relief. putting their head in their hands for a second to calm the fuck down, to quell the desire to go upstairs after you and beat your ass with a belt for worrying them so fucking much. they dont trust themselves right now to not break you.
oh. you'll be punished. but if today has taught them anything, its that they want you in one piece.
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adhdmeds · 6 months
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How It Started W/ CSM Characters [Gender Neutral]
This is my first x reader fanfiction, so please give me plenty of criticism. You can also request certain scenarios. I hope you enjoy :) Makima:
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Makima is not a devil who cares for love. She finds the idea of love to be below her, a human concept that doesn’t concern her.
You two are coworkers at the Public Safety office in Tokyo. She’s a superior and you’re a new hire, ready to prove yourself
At first, she pays you no attention unless it’s to give you orders. Whatever kind of worker you are, lazy, hardworking, enthusiastic, etc., whatever it is, it slowly catches her attention.
At first, the idea of you becoming a lingering thought to her vexes her. She’s an important person who has to run a government organization, she has no reason to get interested in anyone, even in a platonic sense
But she can’t help it, something about you stays with her until the end of the day. This can’t persist, as she has plans for Chainsaw Man and the world. With all the devils of hell to deal with, one measly human can’t distract her
She “accidentally” let some devils loose in the Tokyo district and sent you and your team to go and fix the situation.
Despite all the odds stacked against you, you survive and this does it, Makima then can’t help but think of you CONSTANTLY.
Slowly but surely her schemes pivot from Chainsaw Man and eradicating devils to getting you to be just as infatuated with her as she is with you
Maybe she could make some use of you as well
Kobeni:
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Poor ‘Beni, there’s no way in hell that she has the confidence to ask you out. It’s all on you, champ
For Kobeni, you will definitely need to be coworkers for you two to become close. She has to work constantly in order to please her abusive family.
You guys are assigned to patrol the city on day and that is how you two meet.
During that patrol, you strike up conversations with Kobeni, who, despite her nervous appearance, cheerfully reciprocates.
You don’t mind her nervousness, in fact, you find it quite endearing, leading you to slowly fall for her
After that patrol, you two exchange contact information to stay in touch outside of work.
This is where she will progressively open up to you about her family problems and the difficulties that she has to go through and, to her surprise, you listen and try to help her on an emotional level
No one really cared about her emotionally so she didn’t know what to do, she felt a bit overwhelmed
You being there for her and being a genuinely kind person to her is what makes her slowly grow attached to you and what makes you fall for her even harder.
You ask her to go out to eat or to watch a movie. You stop short of calling it a “date” just in case
You both have a great time
She doesn’t admit it out loud, but she would definitely agree to a few more dates
Asa:
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You’re a student who transferred to Fourth East High School. You introduce yourself to the class.
Asa doesn’t think much of you at first, you’re just another student after all.
It isn’t until you are seated next to Asa that she finally pays you any attention
You start trying to talk to her outside of class to her initial displeasure, she’s an incredibly emotionally avoidant person.
This goes on for a little bit until the Bucky situation, Yoru taking over her body, and Asa losing her best friend Yuko.
After that, she starts to appreciate you coming up to her constantly.
These past two weeks have been miserable for her and you taking time out of your day to bug talk to her has cheered her up ever so slightly
Yoru wants to take advantage of this newfound friendship to make a powerful weapon to kill Chainsaw Man
Of course, Asa can’t let that happen, you are one of the only people talking to her at the moment and she can’t let you be taken away from her
This feeling of friendship slowly changes, she looks forward to school just at the thought of seeing you again
Asa decides that she must act and so she asks you out on a date and to her surprise, you agree!
Things are looking up for Asa! She has someone who she can be close with and maybe more than friends!
Maybe Yoru can leave this relationship alone, right?
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idkwhatimdoingbutslay · 9 months
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… I can’t imagine that we actually watched the same show. Like I REALLY AISNSOSNWKMEJDND
hold on I’m gonna need to calm down.
Let me just make a list of why I disagree and at least organize my anger. Long post incoming.
Vander was friends and had a deal with Grayson. The sheriff. Idk what else to even add to that
Caitlyn is more than a cop and Arcane isn’t copaganda. Genuinely don’t know what kind of progress some of these people are looking for. Real allies are a necessity for real progress.
SILCO IS A CLASS TRAITOR. HE FUNNELLED DRUGS INTO THE UNDERCITY AND PUT POOR KIDS IN FACTORIES FOR THAT DRUG FOR PROFIT!!! HE PAID THE ENFORCERS TO LET HIM DO IT WITHOUT CONSEQUENCE
Vi is not as much as an activist as you would like to believe
WHY IS EKKO NEVER EVER BROUGHT UP IN THESE CONVERSATIONS????
Silco was not good for the Undercity
Silco was not a great guy. Ekko had to build an entire separate hidden community for the people he hurt and stepped on for his own benefit
Caitlyn is ignorant and naive. That’s ok. That’s what character development is for.
Loving imperfect characters like Silco and Jinx then hating characters like Vi and Caitlyn is peak media illiteracy to me
FOR THE LAST TIME: VI DIDNT ABANDON POWDER!!!!! Silco literally wanted Vi DEAD for trying to stop him from killing Vander??? How could you possibly say silco was there for jinx when Vi refused to be???? SHE WAS IN PRISON BECAUSE OF HIM???
Silco’s manipulation is working wonders on y’all
Embracing all the outrage without at all looking out for the people harmed by bigotry is not activism
SILCO IS A CLASS TRAITOR x929282929394
Caitlyn was the first person in years to show Vi kindness and care. She listened and stuck by her and took care of her after Vi was locked up for years and beat up by cops (i wonder what led her to be thrown in there?). Cait being a cop stopped being a point of contention once Vi recognized her naivety and genuineness.
NUANCE NUANCE NUANCE. ITS NEVER EVER BLACK AND WHITE
The only way I can see Vi touching ‘class traitor’ in season one was the shimmer raid. Guess who the hell put those kids in there in the first place.
Just hanging out with Caitlyn isn’t being a class traitor if Vander’s allowed to be friends with Grayson.
Critical thinking is very necessary for watching shows like Arcane
What the hell did Silco really do for the Undercity???? What changed over the 7(ish) years he was basically in power of the place? All I’ve heard was he made the air cleaner, which would be great except for, you know, shimmer and the child factory workers
Jinx is unwell and feeding into it like this in a fully serious manor would not help Arcane as a show at all
What do you want Arcane’s message as a full show to be? ‘Screw cops’? That’s a little boring and unproductive isn’t it?
CAN WE TALK ABOUT EKKO AND HIS IMPACT PLEASE???? x9382728283
Caitlyn is trying to make Piltover and Zaun a better place. Is that not allowed? Am I missing something?
Caitlyn and Vi’s arcs have only just started. Season one is basically fully set up except for characters like silco and Jinx. This is far from the end.
Genuinely think Vander would appreciate Vi for being friends (using this term loosely because they are in love) with Caitlyn considering he was the one who was opposed to war and Vi wasn’t.
Silco should NOT be your idea of Undercity independence and respect. He oppressed the Undercity the same way the Council and the Enforcers did. He helped no one but himself, his team (barely) and Jinx.
You’re allowed to like and dislike any character you want but pretending like Silco is better for the Undercity than others is just so ridiculous to me. Everyone is of course completely allowed to like Silco, but we can’t pretend like he’s this stand up guy. If you have to pretend like he was, maybe you don’t like him as much as you think.
“Because Cait’s pretty” is also incredibly incorrect. Go check point #14.
Vi never stopped loving and caring for Powder. Powder’s mental health issues were amplified and utilized by Silco because he couldn’t even heal himself.
If all of your opinions of Caitlyn and Vi start and end with “cops suck” and “class traitor” then you genuinely don’t respect Arcane as a show enough to show you nuance.
The misinterpretation of characters is just so … it’s like you go out of your way to love and/or hate characters no matter how much they show you who you are.
Your closed mindedness is clouding your judgement and making you out to seem like you don’t actually want the Undercity’s triumph, you want Silco and Jinx’s, even if it means ruining the Undercity. And that would be fine because father/daughter evil duo but trying to say you’re all for this duo because you want what’s better for the Undercity when they continue to hurt it is simply not correct and very harmful (to fictional characters in a fictional universe 😭)
Only being able to understand how Silco and Jinx were oppressed and therefore should be able to not just destroy Piltover but also Zaun is not the eat you think it is
Why is Viktor never called a class traitor? I think he's great (I also think Silco and Jinx are wonderfully written) but we hardly saw him in the Undercity/ interact with people from the Undercity plus he killed someone (Sky) from there (accidentally)
EDIT TO ADD ANOTHER POINT: Caitlyn has shown little to NO malicious intent and has no real negative impacts other than Jinx’s attachment issues and insecurities being amplified by her mere existence. Again, this is her story and development. Throughout the season she is exposed to reality and recognizes her and her peers/ families wrongs. I have no idea what you want from this character. Should Piltover just be gotten rid of in the story? Then what? Should Caitlyn have just never gotten involved and continued to embrace her privilege? Should she have left Vi in prison and stay ignorant?
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deathmetalangel · 1 year
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Hi!
A friend of mine (aka that-kid-FromThePlayground) told me that you write for Steven Universe characters amazingly! So I'm here to request smth if that's okay ^^
What about platonic headcanons for Rose Quartz, Pearl, Rubi, Saphire and Garnet (sepparetly if it's possible) with an early teenager fem!pink pearl!reader (in between 11 and 14) who was abused by her owner and the gems didn't know that.
And one day she just breaks something and by seing the gem's disapointed or mad face she just breaks and falls to her knees asking for forgivenes and to not be punished in a very scared tone of voice.
(Yeah, my friend and I love angst as you can see '^^, mostly because it's our coping mecanism, and feel free to delete or ignore this ask if you're tired of angsty request)
GLIMPSES OF HER PAST (GEMS X F!READER/PLATONIC)
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warnings: ptsd, mentions of abuse, i kinda filled this with my mommy issues (meh kinda but not really), mentions of “death”
reader was a gem they found poofed and trapped in some artifact and steven (or rose) freed her so now she lives with the gems, however she still hasn’t mentioned her past
sorry about the wait! i was just tying up some loose ends :/ but i’m back and better than ever hahaha
ROSE QUARTZ
- rose never pried into y/n’s past much she understood that as a pearl she was most likely unable to speak of her past owner as well
- so seeing her cowering on her knees in front of her just wrecked her
- as a diamond she was used to gems kneeling before her begging for their gems to be spared, but this was just on another level
- rose wasn’t even mad about it which is what surprised her the most
- while tears fall down y/n’s face rose just gently pulls her into a hug
- “shh. it’s okay. i won’t let anything happen to you, i promise.”
- rose had an inking about the true horrors of y/n’s last. she’d never speak to her about them in fear of upsetting the young gem
- however rose would protect her with everything she had
PEARL
- the shattering sound had interrupted her very long winded rant about sword technique
- when her head whipped around to see y/n she is quickly alerted before she even gets the chance to scold the gem
- y/n was shaking in her place before dropping to her knees and begging pearl for forgiveness
- pearl freezes not exactly knowing what to do
- “y/n, it’s just a vase.”
- when she hears her beg not to get shattered she stops in her tracks
- pearl lowers herself to the crying gems level and softens her face
- “i’m not mad. i promise. you’re okay y/n. everything is okay.”
- she almost wanted to cry seeing how genuinely terrified y/n was
- helps y/n clean up while gently reprimanding and comforting her
RUBY
- hotheaded as ever the shattering of glass caught ruby’s attention
- “just perfect! another thing i have to clean up!”
- she was already angry from a bad mission so her snapping was just her blowing off steam
- ruby quickly shuts up when she notices her crying softly
- y/n holds her gem defensively while begging not to get shattered
- ruby quickly burns out and starts to apologize
- “wha-what? no! i would never do that. i’m so sorry y/n. i was just overreacting!”
- tries her best to get y/n to calm down and it eventually works
- “geez kid what happened to you.”
SAPPHIRE
- despite how stoic she normally is y/n was still terrified of the gems still face
- the moment the vase breaks and sapphire turns around y/n immediately starts to panic
- breaks down in front of sapphire begging her not to get mad at her
- sapphire recoils slightly not seeing her react like that
- “y/n i had already foreseen it. it was an accident. i know that.”
- her reassurance does little for the gem who lets up on her crying only slightly
- sapphire tries to handle it as best she can without showing how worried she really was
- “i promise i’d never hurt you y/n. no one here would, but can you please tell me what happened to you before we found you?”
GARNET
- to say garnet didn't already for see the entire thing happening would be a lie
- yet she still couldn’t exactly find the right path to choose
- it wasn’t until the shattering of glass caught her attention
- y/n was already freaking out before she even said anything
- fat tears start to roll down her face as she begins to cry for mercy
- garnet simply walks forward and places her hand in her shoulder which freaks her out more and she cries harder
- “it is okay y/n. it was an inevitable, and mostly my mistake for not preventing it. please try and calm down.”
- garnet sits down on the floor with the crying gem and gently takes her hands
- “y/n please relax. you’re okay, i would never hurt you. and if you ever assumed i would i’m sorry for giving you that impression. just take a moment to breathe. i’m with you.”
- the motherly presence and love garnet had for the girl was so obvious and it did help her calm down
- garnet goes to get donuts with her :3
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rabbiitte · 9 months
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Character analysis #1
Between Control, Chaos and Evolution: Uncovering the Depths of Mew's Essence.
I am convinced that the fandom is now divided between:
Those who think that Mew is a manipulative villain and hate him for it.
Those who think that Mew is the cliché of the naive and inexperienced boy and hate him for it.
Those who recognize that Mew is a complex character (neither completely bad nor completely good) and appreciate him for it.
If EP4 has taught us anything, it's that Mew isn't as manipulative as everyone thought. And, in an effort to continue to hate on the character (maybe because Ray is in love with him and that intervenes in SandRay's relationship or because they hate the actor, not sure), people start labeling Mew as "naive", " cliché”, “flat” or “boring”. I've even seen people saying they don't like Mew because they know someone like him in real life and they don't like that person, but I've also seen people genuinely confused because they still can't understand Mew or his actions. In my opinion, there's nothing further from reality than saying that Mew is a "flat" or "boring" character. And, no, we don't just appreciate the fact that he's good at setting boundaries, he's also obsessed with the idea of control and he's full of contradictions (like all human beings). So, let's dive into Mew's mind by analysing his complexities, control quirks, emotional balancing acts and his relationship with other characters.
Let's start by addressing some of the topics that are usually associated with Mew. These topics are part of the general consensus about the character but no one has bothered to explain them from scratch.
1. Unraveling Mew: Control and a Glimpse into OCPD.
As many people noticed, the need for control is inherent in Mew's personality. One of the first pieces of information about Mew is that he's frequently "dragged" to the bar. Still, he's the one who decides when he and his friends leave. Therefore, we can conclude that Mew isn't "dragged" against his will but he himself is the one who allows this to happen. In the kitchen scene, Mew claims that he knew Top's true intentions and that's why he allowed him into his apartment. A few minutes later, he tells Top that he can't have sex with him.
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The idea of control is not only associated with controlling situations (Mew allows himself to be dragged to the bar but he decides when to leave, he allows Top into his apartment but he decides when to stop him) but also to control himself. We can see Mew's self-control and determination in two situations: when he's the only one of his friends who doesn't drink alcohol at the bar and when he agrees to sleep with Top without having sex with him. The reasons are clear: Mew doesn't drink alcohol because he doesn't want to loose control. Mew doesn't have sex with Top (because he's demisexual and) because he thinks he needs to know more about the subject to feel ready. In order to change that, he goes to the library and buys a sex related book.
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Mew doesn't do anything he doesn't want to and he doesn't participate in situations where he doesn't feel in control. For example, in Mew and Ray's call scene in EP1, when Ray starts questioning his friend about why he's with Top, Mew shows who's in control of the situation and (in a very obvious way) avoids answering his questions. Mew establishes the boundaries and, to make them clearer, he's the one who ends the call leaving Ray talking alone.
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In close relationship with Ray, Mew's determination and need for control translate into responsibility for his friends and acquaintances, that's why he may be perceived as a “mother figure” so to speak. Mew is very good at fulfilling this role because it fits perfectly with his personality. He's loving, responsible and strict (the pics represent these characteristics in the same order). Therefore, it's no coincidence that Mew attracts people with mommy or daddy issues (like Top, Ray and maybe Boston).
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Mew's need for control can easily pass for a high sense of responsibility but can also be caused by the presence of a personality disorder like the Obsessive Compulsive Personality Disorder (OCPD). What is the difference between Obsessive Compulsive Personality Disorder and Obsessive Compulsive Disorder (OCD)? You can read more about OCPD and OCD here but, meanwhile, I will provide a brief definition and differentiation of the two disorders.
OCPD involves a generalised pattern of perfectionism, orderliness, and control in an individual's personality. People with OCPD tend to be extremely meticulous, focused on rules and details, and have an excessive need to control their environment. This disorder is more related to enduring personality traits and is considered ego-syntonic, which means that the person usually sees these traits as desirable and consistent with their identity.
OCD is characterized by the presence of obsessions (intrusive and distressing thoughts) and compulsions (repetitive behaviour performed to relieve anxiety associated with the obsessions). People with OCD recognize that their obsessions and compulsions are irrational, which makes them ego-dystonic, that is, contrary to their own will.
Some of the features that suggest Mew might have OCPD are:
Extreme need for perfection and control over his environment and interpersonal relationships: Mew keeps his environment tidy and clutter free. His house is always immaculate, with no objects out of place. At the same time, Mew shows a strong need to control in his relationships. He sets clear and rigid boundaries as to when and how to move forward in his relationships.
Obsessive fixation on rules, lists, and details that are minor: Mew has a list of the characteristics of his ideal boyfriend in which he sets rigid criteria. Mew's insistence that his boyfriend-to-be meet all the characteristics on his list could suggest a perfectionist tendency.
Intimacy avoidance and reduced emotional expression: Mew puts up emotional barriers in his relationships, such as when he tells Top he doesn't want to have sex with him to avoid getting too emotionally involved. He also sets boundaries with his friends, such as when he tells Ray that he won't always be there to save him in drunken situations. Mew tends to avoid showing his true emotions, especially in situations where he feels vulnerable. That's why he can give the impression of being detached or cold.
Difficulty empathizing with others and/or maintaining intimate relationships: Mew shows a lack of empathy with Ray when he makes him feel bad about having problems with alcohol, for example. The lack of empathy can impact directly in Mew's relationships.
Rigidity and inflexibility with regards to morals, ethics, values: Mew's perception is very inflexible. Either you're like Boston (promiscuous) or you're not. If you're not like Boston you don't have one-night stands. You “loose” your virginity only if there's penetration, the other doesn't count. Also, no sex until boyfriends.
Extreme dedication to work: since Mew doesn't have a job, this can be related to his academic life. Mew is a very dedicated and responsible student.
2. Balancing Acts: boundaries and manipulation.
Mew is, definitely, the one in control in his relationship with Top (although there's a constant dispute over who maintains control and the monopoly of power, generating a fluctuating power dynamic). This is much more obvious in Top and Mew's date after the public proposition, in which Mew tries to regain the control he lost (decision-making power) with his words and with his body language. Note how Mew was cornered by Top at first but everything he said pushed Top away. At some point, they were at the same distance but Mew didn't stop until he cornered Top physically and verbally. Power dynamics generate a constant fight and, in this case, it can also be perceived as a physical fight to manage the spaces that corner the other person.
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In the dance scene (EP1), Mew dances while looking straight ahead almost all the time, even though he sees Top next to him at one moment. He only faces Top when he takes his hand. And, in the cuddling scene (EP1), he turns to his side of the bed and expects Top to hug him first. Mew knows exactly what to do to obtain the expected and desired reaction, this satisfies his need for control and provides a sense of comfort and security.
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Mew satisfies his need for control through two mechanisms: Establishing barriers and influencing people (which is nothing more than a form of emotional manipulation, but we'll talk about that in a moment).
Communicating boundaries with clarity and conviction is a healthy practice which can help someone feel more comfortable and avoid anxiety. It makes people feel in control because it guarantees that there won't be any threatening stimuli in the environment. Mew sets boundaries all the time. For example, when he tells Ray that he won't help him every time he's drunk, when he tells Ray that if he wants to remain his friend he shouldn't kiss him or think about him romantically anymore or when he tells Top that he doesn't feel comfortable having sex with him.
To subtly influence people to act the way you want or AKA emotional manipulation, it's the unhealthy way to have control. It decreases anxiety because it helps to avoid threatening stimuli from the environment but, needless to say, it's unethical. The best example of this is the scene where Mew and Top discuss drug use. A healthy way to stay in control would be something like this: "Top, I'm not comfortable with you using drugs. Let's end our relationship, at least until you quit drugs because of your own decision”. But this is not what happened. The unhealthy way to maintain control is what actually happened: "Top, I don't like you doing drugs. My future boyfriend shouldn't be an addict. However, it's your life and do whatever you want”. See the difference? Not yet? In Top and Mew's date (EP2) something similar happened but without manipulation. Mew told Top that he wasn't his ideal type, Top asked him what the characteristics of his ideal type were but Mew didn't answer. This is because he knew it could influence Top to act differently, to act the way he wanted to.
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There's a fine line between open communication and emotional manipulation and it's a matter of perception to choose which of these two situations is actually occurring in this scene. I think it'll also depend on whether you think Mew has an ulterior motive to convince Top or if he's selfless. If you're guided by the idea that Mew only wants the perfect boyfriend and not Top, you probably think he manipulated him because of his desire of perfection. If you're guided by the idea that Mew appreciates Top and cares about his safety, you probably think he didn't manipulate him. But I think it's very obvious that Mew subtly influenced Top's decision and maybe it was intended.
Because of the recent discussions about "Mew is so naïve if he thinks Top is going to stop consuming in exchange for sex. Why did he came up with that idea? So disappointing”, I feel with the necessity to say that Mew never suggested the rewards. Top suggested the rewards in both cases (the cookie scene and the the drug use scene). Mew accepted but, even so, he established clear boundaries (also, because Mew dealt with Ray, he knows that an addict isn't easy to deal with and things aren't resolved so easily). Mew is still inflexible. Again, the need for control is inherent in Mew's personality.
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I know this isn't about Top but let's address this topic quickly. Why does Top feel he's owed rewards when he does something right (keep in mind that Top would stop consuming as a favor to Mew, not for himself)? This emotional blackmail comes from a place of deep insecurity, as you can imagine. Top is constantly looking for proof that he's doing things well and that he's appreciated. Instead of communicating honestly and trusting that he's loved and valued, Top constantly seeks validation. It's like a way to win affection and avoid being abandoned in the short term (very influenced by his abandonment issues rooted in his trauma, if you ask me). Similar to animals or babies, after getting a reward, they will expect to get rewards every time they do something right as a sign of satisfaction from the owners or guardians.
3. The Paradox of Mew: Superiority, Insecurity, and Evolution.
“Superiority complex” is a psychological term that describes an exaggerated attitude or belief that one is superior or better than others in certain aspects, abilities, or characteristics. Often, it manifests itself through condescending, arrogant, or contemptuous attitudes toward others.
Some of the features that suggest Mew might have a superiority complex are:
Condescending attitude: The first time we see signs of a superiority complex on Mew's part is in EP1, when Mew tells Top that “he isn't like Boston". In the Mew language, not being like Boston means not being promiscuous and not having one-night stands. Mew's condescending attitude indicates that he believes himself superior to Boston because he's someone "pure" or someone with "values." Mew also shows traits of condescence when dealing with Ray, this time believing himself superior due to his ability to self-control (something Ray doesn't possess).
Lack of empathy: related to the previous point. We already talked about this in section number one.
Constant comparison: With the purpose of emphasizing one's own superiority. Mew compares himself to Boston and also compares himself to Top's exes (beginning of EP2), as he thinks that he's the one that will break the three-month rule.
Self-image defense: Mew vigorously protect his self-image from any perceived threat. There are several examples of this. For example, (in EP1) when Cheum says that Mew finally got a boyfriend, Mew corrects her by telling her that it's not true and that he didn't even have sex with Top (this is a threat to his self-image of purity). In EP3 Mew, again, stresses that he isn't Top's boyfriend after the public statement (it would be against Mew's values to date someone who didn't give him the option to refuse, this is a threat to his self-image of control).
According to the doctor and psychotherapist Alfred Adler in his theories about psychological complexes, the superiority complex is “an unconscious neurological mechanism, in which the individual tries to compensate for his feelings of inferiority, highlighting those qualities in which he excels". This is consistent with the new facet we started to see from Mew in EP4. Mew starts to ask some questions that should be asked at the beginning of a relationship and not three months later. At the same time, he begins to feel insecure and threatened by Beam.
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Mew starts to show his vulnerability and insecurities. Insecurities caused by what once gave him an exaggerated sense of superiority: his “naivety”/“purity” and lack of experience. The bookstore scene (EP1) is also an example of this, as Mew actively seeks to change that "naivety" or "lack of experience (what made him proud and “increased his value") through reading and learning. However, Mew was always inexperienced compared to Top, why does he feel insecure after three months of relationship? Simply because Mew is starting to be emotionally invested in his relationship with Top. Remember, Mew already warned us about how he lost self-control once he fell in love (EP1).
Instead of the superiority complex disappearing, it may become more complex and ambiguous. Mew might be struggling internally with his insecurities and his desire to maintain his image of superiority, while also feeling more vulnerable and anxious because he's falling in love. This could manifest itself in contradictory behaviours and an evolving perception of self while trying to maintain control.
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I suppose my position regarding Mew has been clear, but yes, I think he's an extremely interesting and complex character. I could go on for hours talking about him and analysing every detail of his personality. This was supposed to be an analysis of EP4 but I didn't want to take a lot of things for granted. Tell me if you want me to talk about any other specific topic!
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sasukesgucciflops · 9 months
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Here I am back on my John Marston BS.
I pointed this out before ab how ppl loved calling John “watered down” but I’m also seeing people forget that he was also put on a very high fucking pedestal and had no idea how to handle it. In other words; he was the gifted kid who got burnt out after everyone expected everything from him. John never expected to be seen as such. He actually preferred to not be held to such a degree. I’m sick and tired of people feeding into the “John’s a golden boy” “John’s a piece of shit” narrative. Clearly these people have only seen RDR2 and have no clue about everything in RDR1 and yes I’m giving an attitude so y’all better catch it.
Here’s my John Marston character analysis and this is only about one aspect of him. (Wait until you see every other aspect bc I’ve literally dissected this man like a frog oops)
He never fucking asked for it. In fact, he didn’t expect jack shit from anybody. If anything, people used him. People used him up. You see it plainly in rdr1, he’s being used to hunt down his old partners. To find his old partners he’s gotta ask the sheriff, what does the sheriff do? He uses him to handle some lowlife gangs around the county. The sheriff ACCIDENTALLY—not even voluntarily—reveals someone that ends up somewhat helping him out. West Dickens—and what does he do? Uses him. Seth? Uses him. Travels over to another country, what do they do? USE HIM!
Okay, so rdr2—if you couldn’t get the picture already—John was one of Dutch’s MAIN PAWNS. That man raised John to USE HIM. John was young and had lots of energy and he was gullible enough to let Dutch do whatever with his naivety. The most fucked up thing about all of it, not only about how (almost) everyone saw him as a pawn, not as a genuine friend, saw him only for his uses;
John didn’t care. He knew he was being used but he didn’t care. Yes it bothers him and again he’s fully aware he’s being ran around in circles by all these people; it doesn’t matter. He sees himself as someone who is replaceable. He’s expendable. It’s whatever. He was always made to think this and perhaps he knew that it was his fate to be all used up and thrown out like it was nothing. And that’s what ended up happening.
No, he wasn’t a perfect father. He SHOULDVE done much much better about that. Just for that I let anti’s breathe a little because in Jack’s younger years, hell no John wasn’t a good father! John was in denial, busy trying to live up to his dreams of being someone he isn’t. On that note, John slowly realized that Abigail and Jack were probably the only ones that didn’t see him as a pawn; they just wanted him to be present and that causes him to do a 180. To him, it was worth dying for them. Maybe he felt as if he owed them a debt that could never be repayed—it’s almost like he expresses this to Jack a dozen different times. “I’m sorry, Son. I’m not going anywhere.” And “I know I wasn’t around a lot for you but I’m trying to make up for that”. He becomes viscerally aware of the damage of his absence (as he should) and it becomes something he fears he’ll never get to make up for.
Abigail never wanted to use him. She just wanted HIM. Jack—OF COURSE never wanted to use him, he wanted a FATHER. Honorable mention, but Arthur never saw him as a pawn either. In fact, he was well aware of how John was being treated, even mentioning it to him canonically, along the lines of, and I’m loosely quoting this, “At first you’ll be a prize pony until you become a work horse”. These people become so important to John—among others such as Bonnie, Charles, Sadie, even Uncle—because they never tried to use. him. John was more than expendable to them, he was worth something to them and for that he loved them and felt as if he would owe them for eternity.
I truly can’t believe some of y’all completely miss that whole point because it’s written EVERYWHERE it’s literally how John’s story goes and we experience it with him. His story is so fucking tragic and yes, while Arthur was the prime example of “having a doomed narrative from the start”, people don’t talk about how John is literally in the same boat. That man was always doomed, by his friends, the people he would try to call family—he was raised all the way up just to be put down…. THAT’S the story of John fucking Marston.
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the-puppet-bracket · 6 months
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Spamton propaganda:
"You know someone had to do it.
This guy's whole thing is not wanting to be a puppet anymore, but uh-oh-spaghetti-o! Dude now has physical puppet strings!"
"Making a [SPECIL] deal by placing his [#1 SALE SYSTEM] into a [CLASSIC!] body, Spamton believed he could be more than [HYPERLINK BLOCKED]. But the strings told him otherwise. He lunged at Kris in [LIMITED TIME OFFER], trying with all his [50% OFF!] to be more than a puppet."
"Spam email bot who was exposed to something that drove him mad and he spent the whole rest of his existence trying to cut his strings, only to die (maybe?) when he finally manages it."
"He is the most tortured dumpster man alive. Also, not literally a puppet, but metaphorically!!! There's some mysterious outside force controlling him and limiting what he can say and god, he desperately wants to break free, trying to kill the protagonist (his only friend in years) for the chance of ""being let loose from his strings"". In his secret boss battle, he thinks he'll be free after getting a new body but he isn't, as his new powerful body has literal strings attached. You fight him, because he thinks your soul (long story) will gain him access to freedom. During the pacifist route of the battle, you cut his strings until there's one more left, he's ecstatic, being able to break free from the narrative of the confines of the game. He decides to break his own last string, and he falls to the ground into pieces. It turns out he relied on the strings after so long, and couldn't recover without them. Afterwards, he's deshevaled, hung up by vines in the dark basement that resemble his old strings and he says ""It seems after all I couldn't be anything more than a simple puppet."" This ties back to how Kris, the protagonist of the game is feeling the effects of being controlled by the player and really shows the core focus of the game and it's characters. And that's why I entered him into this poll!
Also he is genuinely so fucking hilarious bro just play Deltarune already what the fuck are you doing the chapters that are out rn are free dawg (play Undertale first though, it's like ten bucks or something you'll be fine)"
"Spamton best blorbo. Very good blorbo. Exquisite blorbo even. He's sad and adhd and insane and weird and I love him and you should too. Pipis"
"he spamt"
"[[NUMBER ONE RATED SALESMAN 1997]]"
"he's living in a goddamn garbage can. let the big shot win. it'll be funny. does he deserve it? that is up to viewer discretion. but he is our beloved tumblr sillyman and as such we need to pay him respect in some manner. <3
(iirc spamton is a puppet? probably. oh well if he doesn't count ignore this i'm not read up on
my deltarune)"
"frankly i'd be surprised if he's not one of the most submitted. anyway his whole Deal is about being a puppet and having other things control him and so he seeks to regain that control through either manipulating the player into murdering half the city or to take the red soul and use it to become a god. yet in his super powerful NEO form he still has strings attached to him (that he won't even notice if he succeeded in the player manipulation thing) and in either case he ultimately becomes an item you use just for stats. guy really isn't a fan of puppetteers"
"you propably knew this was coming lol
Tumblr's favorite awful little puppet desperately fighting to get rid of his strings
the pinocchio references are strong in this one
HA HA HA ... THIS POWER IS
FREEDOM.
I WON'T HAVE TO BE JUST A PUPPET ANY MORE!!!!
...
OR... so... I... thought.
WHAT ARE THESE STRINGS!? WHY AM I NOT [BIG] ENOUGH!? It's still DARK... SO DARK!"
"Tries to become a real boy, ends up as another puppet look guy. He's shady, he's a scammer, he's got cringefail swag and I love him"
"He's just a little fucked-up little guy"
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waroferas · 3 months
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which is ur favorite loz game + why is it hyrule warriors
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OH BOYYY !!! LET ME TELL YOU
HONESTLY. link and linkle make up the most of my enjoyment .
hw link has somewhat of a unique arc, being cocky and overconfident to a degree that becomes a genuine flaw with a whooole story beat dedicated to it ! meanwhile linkle is just so so funny and so so fun . i love her and her side story to bits
in general a lot of characters that I Also like are in there (midna, fi, tetra, other characters of that sort) and the story is loose enough that i can just have fun playing dolls basically.
i actually do not like the gameplay at all LOLLL . it is boring to me . sorry real hw truthers. if i had to choose a game i acutally like for gameplay/story i really enjoyed majora's mask despite my complaining to my darling friends. some of those mask quests left me in awe and the fierce deity mask made the final boss SO FUNNN albeit very short. left on a really really good note so i am biased LOL
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popculturebuffet · 4 months
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Transformers More than Meets the Eye Retrospective: Intermission: Robots in Disguise Season 1 Retrospective (Patreon Review for Brotoman.EXE)
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Hello all you happy people and welcome back to my More than Meets the Eye retrospective. Kinda. For those of you just joining us for the past two years i've been doing a retrospective of the Transformers comic More than Meets the Eye, one of my faviorite comics ever. While it is as a patreon review i've been more than happy to and in december we hit the end of season 1.
So now.. we're in a weird in between place, as season 1 for MTMTE is over.. but we still have a big crossover event left. And to judge said event fairly.... I realzied I had to go back and re-read Robots in Disguise to properly gage said event.
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Yeah i've never been a huge fan of the 2012 comic Robots in Disguise. See I first read RiD AFTER More than Meets the Eye, having loved what I could read of MTMTE and wanting more. This... wasn't the right mindset in hindsight as the two works are completely diffrent beasts: MTMTE is about a found family of disfunctional robots trying to move on from war, making quips, and dealing with their trauma. It is a LOT of things I love in fiction: a bunch of misfits who don't really fit into the society their a part of, clever jokes, spectacular world building, and minor characters given their day in the sun. It feels at times like the book was made for me, down to repadeatly homaging one of my faviorite covers of all time. It was easy to love it and it only grows as I dig into it.
RID in contrast.. is an attempt at a morally grey prestige drama that on paper is about the sacrifices and compromises the autobtos make trying to rebuild cybertron, and in practice is about a weak willed useless jackass, his jackbooted best friend, a well meaning non combatant who means well but also is judgey as fuck, and Starscream, who easily outmanuvers them because a sock full of quarters with googly eyes on it could out manuver them. Wheeljack and Blur are also there and they are delightful but not used nearly enough . I gave the book an honest chance and was badly disapointed, and I gave it a second chance despite utterly dreading this.. and was once again disapointed. RiD is just not very good.
Now i'll give some caveats: the book DOES get better in season 2, with a fresh cast and premise that work decently. It's not on MTMTE"s level.. but I respect writer John Barber and IDW for seeing what they fucked up and course correcting. Barber's work isn't my forte, but the guy isn't terrible an does have his fans for a reason, I just prefer More than Meets the Eye and Windblade more, with Windblade being a second, much more succesful stab at IDW doing an intrigue on cybertron book, one i'll defintely cover at some point. It helps Windblade got most of the standouts from this book as supporting cast, but it's genuinely good and worth your time. None of this makes season 1 GOOD, by any stretch, but I wanted to get it out of the way that YES the series gets better. But you can also largely skip season 1 or read the wiki without loosing much for either RiD Season 2 or Windblade.
That being said.. Season 1 is a mess. It wasn't that pleasant to re read despite it's bright spots and it took a while to get through, an utter chore to slog through this one. One of the only bright sides is it taught me I CAN review a whole series in one post again.. just probably in smaller doses than my last attempt with new teen titans, which was great but just about killed me. So other series I dislike like All New All Diffrent X-Men, Dan Slott's fantastic four or Jason Aaron's avengers are now more within my grasp to actually tear apart at some point.
For now though let's focus on THIS disapointing series, see why it is and also talk a lot about how much this version of Bumblbee sucks and this version of Starscream fucking slaps.
Do You Have Any Clue What Happens Now?
Like more than Meets the Eye, Robots in Disguise kicks off with the Death of Optimus Prime, a one shot setting up both series and dealing with the aftermath of Chaos, the big event that ended the previous era of IDW and allowed a soft reset for this one.
So as a quick recap since it's been a long time since I tackled this issue: The War is Over. At long lost the Autobots defeated the evil forces of the decpitcons after all of them were combined by an elder god into one giant deciptigod and Megatron disappeared after hyjacking it.
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The problem is what comes next which is a great hook and part of what makes MTMTE works: the war is over.. but unlike most transformers stories that get to end the war, we see what happens now everyones free.
The Autobots take command.. but it's not going wella s Optimus Prime finds out: the planet has reverted to a primal state and thousands of civlians, dubbed nails by the autobots and something the nails aren't fond of, have arrived and the vast majority of them want the Autobots to fuck off their planet.
The Nails.. are one of the biggest wasted opportunities of Robots in Disguise. The IDEA is good: a bunch of bots who either fled one of the two sides or managed to opt out entirely return and aren't happy with the planet or military leadership. It's a concept with a lot of depth as on the one hand the autobots have a point
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While the Nails had every right to nope out of a war they were tired of, the Autobots fought long hard and lost a lot to get to this point and blaming them for something that's objectively not their fault, the planet going bonkers, isn't remotely fair. On the other.. the nails have every right ot want the planet back and to want a part in it, and to want leadership that isn't just the autobots.
The problem is the conflict is handeled with the subtley of a sledgehammer and thus BOTH sides come off as assholes: The Autobots make up an embarassing faction name for them, push them around and Prowl goes into a creepy tirade about how this isn't "Their" planet and they didn't fight in the war and later sics the deciptcons on them afte rthey agree to get explosives put in their brains.
The Nails Meanwhile spend the start of the sreies, especially the death of optimus prime bitching at the autobots, treating them as facists, and treating them all like they were complicit in the senates corruption, which only gets more galling after season 1 of MTMTE as most were fully against it.. they just couldn't do anything about it. Neither could you guys. It dosen't help they HANG OPTIMUS PRIME IN EFFIGY for the crime of STAYING AROUND ON A PLANET HE JUST SAVED.
The lack of nuance makes me just.. not care about most of both sides: The Autobots come off like their trying to consolidate power and remain in charge because they feel owed it, while the Nails blame them for everything. We COULD have had a good story abotu trying to perserve the past while acknowldging it's flaws and making a better present, but instead it's just the nails either whining or making entirely valid points that the autobots, mostly prowl, try to police brutality away because they can't accept they shoudlnt' be running things.
In the middle of all this Perciptor examines the matrix and finds a map, with Drift seeing it as a map to the mythical knights of cybertron and wanting to go on a quest to find it. Rodimus agrees, while Bee wants them to stay here and be miserable dammit because he is. While on paper Rodimus is running away from his problems in practice.. he defintely is but makes a valid point: Why SHOULD he stay on a planet that doesn't want him. And when Ultra Magnus joins with them, he makes a valid point: finding the knights could find something to fix cybertron. While Rodimus' hopes finding the knights will fix everything is a pipe dream, those are Rodders faviorite kind, their not wrong to want to find a solution that isn't just "Try and make this work" and forcing people who genuinely dont' WANT to help you to do what you say isn't healthy. This isn't a war for all time: it's just a disagremeent about what you want to do now your free of the war.
Optimus ends their squabble by giving them each half the matrix and fucking off, deciding to shed his former mane and his planet. The Lost Light leave despite Bumblebee's bitch crying.. and then seemingly blow up.
And this is where RiD begins, our cast is barely holding Cybertron together, aren't adressing their problem and now they assume the lost light is dead. So what does this add up to?
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Okay TECHNICALLY this isn't true: Bumblebee sets up a state funeral for the bots, which is Starscream's first big platform to worm his way into high command, and Wheeljack brings him up once... but really you could take this subplot out and replace the big shindig with something else and nothing would change.
In contrast the messy takeoff... is VITAL to More Than Meets The Eye: the explosion it causes sends a good chunk of lost lighters to the planet bellow, brings skids on board when they investigate the planet, and brings the sparkeater on board to set those up for much later. And that's not even getting into how the opening arc of season 2 follows up on it, which i'll save for when we get there. Here.. they just sorta assume their friends are dead, don't bother investigating or thinking that MAYBE a ship with a quantum engine did some weird shit. It's to the point that when Optimus is told during his sub plot, his response... is to not remotely buy Rodimus could be killed that easy and assume they'll find them eventually. Which.. they do.
There's also just.. legistics. I know this is a pair of comics about giant robots, science isn't strictly followed nor should it be. But if the lost light exploded.. there would be debris. And they HAVE plenty of ships. Someone could investigate. If the Nails think the autobots REALLY commited this sort of execution, as their said to outright suspect including their rep in the main cast metalhawk, then .. why would NONE of the thousands of bots with functioning space ships look into it. Or the deciptcons once their brain explode chips are turned off. It feels like an excuse to just have the two not interact.. which they already had being out of range and with Blaster spending the season getting coms up and running again.
Anyways the series proper mostly follows Autobot high command as they try to run this planet/prevent anyone else from doing so. Like the lost light exploision this is a possibly intresting hook... that's utterly bungled. They do do things with it.. but they don't do them well. And the best way to get into that is with the characters starting with their supreme leader
Bumblebee: He's Tried Nothing and He's All Out of Ideas
The idea of Bumblebee being forced to take charge of the autobots is a great one. Tranformers has gone to this well three times i'm aware of, and it's a concept worth exploring taking what's essentially the team's kid brother and forcing him to take the throne and see if he can make it.
IDW's last attempt before this wasn't great, with Bee making a deal with the goverment that backfired horribly, and generally acomplishing nothing. So trying AGAIN.. was a smart move. It was worth a second try.
Unfortunately... Barber entirely bungled that second attempt. Bumblebee is TECHNICALLY leader of cybertron.. but really dosen't try to lead. He lets prowl do whatever he wants and whatever prowl wants is usually some form of police brutality, he argues with metal hawk but tends not to have an argument other than "the autobots aren't all bad mkay" or "All decipticons deciptisuck", and he overworks poor sweet Wheeljack, fostering all their super science shit on him and being mad when the guy is doing work of his own. It's VERY transparent in every scene he's in Bumblebee wants peace with the Nails not because it's the right thing.. but simply so the autobots can hold onto the planet. While the Nails are often written as overreacting assholes, as the book goes on they mellow out and most of their actions are entirely... justifable. Their horrified Prowl put bombs in the decipticons brains, they don't want police brutality, they want to actually elect a leader.
Every move Bee makes is to keep himself in charge despite not having a single fucking idea what he's doing. I could buy him as a leader if he tried.. leading: Tried finding homes for the Nails, making actual negotations with the decpticons, send out a party to go tame the primal planet so they can expand iacon , actually hammer out a government. There's a LOT to building a whole new world after a war, it's the reason Hamilton got an entire, incredibly gripping act out of all the nation building. But instead RiD just ignores the intresting idea of rebuilding cybertron's goverment and how it governs itself from scratch and just focuses on Bee whining or various things that happen for the plot. And by doing so it makes Bumblbee and those loyal to him come off like power grabbing assholes who care more about being appricated for fighting the war and less about making a better world to live in or even making the world LIVEABLE.
What makes this so galling though is how the narrative treats bee: characters talk about his "great vision" failed or say he might win the election. That last part is Prowl/Bombshell playing Bee, more on that in a minute, but most of the cast talks his ass up when really he's just a guy way in over his head, which could be intresting to explore.. but they just.. DON'T. Instead we just follow a bland dithering jackass as he fucks up till eventually someone smarter, with more charisma and an actual plan takes his place. But before we can get to them.. let's talk about the most punchable face in Autobot high command
Fuck Prowl
Yeah I tried to make a clever title here, I really did.. but most attempts lead to a storm of profanity as I genuinely detest this version of Prowl. And as a reminder like bumblebee it's JUST the IDW comics version. Animated Prowl slaps. Prowl's G1 deisgn is great. I'm sure there are other prowls who don't suck all joy out of a page when they show up or are the poster boy for why we need police reform despite doing a police on a whole other planet. I"d like to meet them. But this prowl is one of my least faviorite characters in fiction. In fact I can't bleivei I didn't add him to my jjall before now.
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Welcome Home Prick!
Now I will give one caveat to this character: Part of the problem is the multitude of writers: James Roberts, who wanted Prowl for his cast, wrote prowl as a giant asshole who could never let the war go and got two people killed with his overlord scheme. Nick Roche wrote prowl as a scheming asshole who paranoidly plots. And tha'ts not even getting into his asshole characterization in books BEFORE this era.
John Barber.. dosen't walk either of these back, but wants Prowl to be a complex symapthetic figure, someone who is a calculating draconian asshole.. but who was driven there by his betryal by spike in the previous ongoing, and who badly WANTS to do the right thing. The problem is rather than make prowl a layered intresting character.. he instead comes off as an asshat who constantly tries to justify the horrible shit he does as "for the greater good"
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It's not helped that Prowl's first scenes in this era leave a truly terrible first impression: The first things we see from prowl are
Him bitching about the nails and being absolutely LIVID at their suggestion the autobots leave the planet, not because it's a stupid unfair suggestion, but because he feels OWED the planet and was also once nearly one himself.
Conscripting the Decipticons into his own private army he uses to try and supress a riot from the Nails, instead making it ten times worse and only not getting anyone killed because Optimus steps in.
In MTMTE, trying to convince Chromedome to stay so he can use his ex boyfriend to do mnemosurgery, something Chromedome VERY much dosen't want to do, mocking his current boyfriend and then flipping a table like a petulant teenager when Chromedome walks out on his ass.
Using Arcee as his own personal hit squad , having her assitnate ratbat then trying to act like he didn't ask her to do that.
It's.. nigh impossible to come back form all of that and Prowl really dosen't. He spends the season brainwashed by Bombshell, in part thanks to trying to blackmail Chromedome and forgetting "oh yeah he can do mind things to me".. and NO ONE notices. He's horrified by that fact, but it's VERY telling that the only action of his that was hintingly out of character.. was telling bumblebee he could win the election. GENUINELY supporting his friend instead of trying to talk over him... is something that was a HINT he was brainwashed and the only thing people felt off. Said brainwashing also feels like it came out of nowhere, with not the slightest hint, and feels like a way to soft reset the character... which then fails as he spends season 2 once again out of his head... and once again in a way that isn't remotely out of character. I don't blame prowl for what he did under bombshell for most of the sries, he was brainwashed. But it's DAMMING that he did enough in ONE VOLUME before being hypnotized to earn my ire. More than Meets the Eye dosen't HELP nad IS a diffrent writer.. but even under Barber he's just the worst and I don't look forward to seeing more of him during Dark Cybertron and beyond. I DO look forward to seeing him hurled off a cliff.
All Hail Starscream:
Taking a break from pure, unyielding rage for a second, let's talk about something the book does right. I may be giving John Barber a LOT of crap this review.. but I can't deny he writes the best Starscream. There are other great starscreams from the hilarously over the top unsubtle 84 version, to the compitent but still hilarously shady animated verison and i'm sure i'll only find more as I watch more shows. Starscream rocks. But this one takes all that and asks a question: What happens when you take Starscream out of war and put him where his lying and scheming are an asset and his bad past is a non factor if he can lie hard enough: Politics.
While the autobots drown post war, trying to find their place.. Star scream swims like a majestic dolphin. Granted he's a Majestic Dolphin who still gets shit on a lot as it's starscream and everyone knows not to trust him and he has to work hard for his schemes for the most part... but he's still FAR more at home here than he ever was trying to usurp megatron. With the Decpticons, might made right: Megatron was on top because he was a great tactician, sure, but he was also capable of kicking anyone's ass who dared defy him, and had a death squad just for making a gruesome example out of anyone who betrays or tries to leave the cause. While Starscream was strong he couldn't muslce out megs or the various destructive douchebags he hired.
In contrast on Cybertron post war... he simply has to outthink and outspeak his opponents, who even if they weren't mostly fuck ups, still aren't really public speakers. Starscream first weasles his way into command with a few simple moves: He goes to the autobots in good faith, which they rightfully don't buy, tells them about a planned false flag attack by ratbat.. then once he's foiled, steps onto the stage at the funeral the attack was taking place at and boldly offer shimself as a formerish decipticon representive. While Bee never trusts the guy, for good damn reason, from that point on it simply dosen't matter: he's in the room where it happens. And often.. he's somehow the voice of reason. He's always got an angle... but it dosen't change the fact he's right or he gives Metalhawk someone to back him up. Not only that some of the bonds he forms are genuine. Metalhawk genuinely warms up to screamer and Wheeljack is the only one to try and make amends, to the point that after my boy gets horribly injured, Starscream makes sure he's getting healed and genuinely feels bad the poor guy got hurt.
On top of that once the media is restored for iacon, Starscream plays to the cameras, with his biggest play since stepping on stage coming in the annual: The Autobots find a titan in the desert while looking for lost comrades, trying to keep starscream out of it as Bee is deathly aware finding them would be some very easy bipartisan points for Screamer. Screamer shows up anyway... and when Prowl's croney keeps a gun traind on him and metalhawk, Screamer easily turns the situation on them: He invites a TON of Nails to watch and essentially make it so if he gets shot, it's over for the autobots, then goes down himself. It's here he gets a stroke of pure luck: The titan they've found... deems Starscream as some kind of chosen one. This isn't necessarily a good thing long term... but it does mean a lot especailly to the religious. Now normally this would mean nothing or months of trying to find proof.. but because Screamer's crowd crawled down to witness the titan once it was safe.. they all heard it.
At this point.. Starscream's basically won. The only genuine compettion he'd have in an open election is metalhawk, but either way the Autobots have basically lost control and all that's left is to wait for the elections. Sadly for Screamer he soon has a no good very bad day as Megatron comes back and Starscream spends the next arc as a hostage after going to rant at his former boss, with Megatron not remotely interested in compromise.
That said Starscream has survivied being humilaited plenty and while the Autobots are autobusy dealing with Megatron and the decpeticons, not to mention prowl combining with devestator, Starscream reminds us who he is: He kills Metalhawk, later being genuinely regretful.. but acknowledging Metalhawk was, genuinely, the only thing in his way. He was the only oponent in his rise to power left: Megatron was dealt with, the autobots had shot themselves in the foot 87 times, he feels terrible about what he did.. but killing Metalhawk looses him a friend and someone who belivied in him.. but gains him a Martyr. In the aftermath Screamer basically declares himself LEADER OF THE DECPTEICONS.. ER CYBERTRON, everyone backs him and he gets rid of most of his major opposition by casting out anyone who won't revoke their faction. A few autobots like Blurr stay behind... but msot of the cast we know are cast into the wildnerness and it's their own damn fault.
We get one last issue with Screamer , a spotlight that shows this job will be hard as while speeching got him INTO the job, he has to solve actual problems. Three Monologues is the best issue of season 1 as Starscream rants at megatron in stasis, reflects to Metalhawk's corpse and genuinely opens up to an injured in stasis wheeljack. Not only that Starscream also gets his own starscream, Beast Wars Faviorite rattrap. I'm mixed on this version of him: the character is very well written, being a slimy weasel whose looking for an angle and who gets rid of a local altruist for star scream by framing the guy. It creates an intresting relationship too as Starscream recognizes the behavior of his own.. and takes Rattrap into his administration. As Screamer perfectly puts it the guy Rattrap framed.. was a liablity. He liked star scream, genuinely belivied in the titans... but as Starscream brilliantly puts it altrusim.. is unpredictable. Rattrap on the other hand is who Screamer used to be before he became god emperor of cybertron starscream the first: he can not only deal with that, but it gives him a minon.
Before we leave Screamer I also just want to say.. I fucking love that he put on the crown from transformers the movie. I've always loed that he just... had to have a little crown for himself and that even if this version is less of a joke, he's still starscream enough to need a crown. It's also a striking visual in this context: Starscream is in control of cybertron. Primus help us.
Metalhawk: Don't Let him Be Misunderstood
For any longtime fans of this series or MTMTE, this section is probably going to be controversial but on second read.. I didn't hate Metalhawk. He's still obnoxious at first, he is the one saying "oh well you should piss off the planet you just fought hard to save from a giant Decipticon monster god man". It's easy to hate him as he's constantly telling our heroes they shoudl fuck off.
Yet on reread.. him doing that is WHY he's entertaining. See when I first read the books it was a few years ago. When I can't remember, my memory catches a lot of things but some things are lost to the enternal bog that is the back of my head, but it was before 2020.. and thus before George Floyd's untimely murder. As a result a lot of what the autobots do read diffrentlY: what they did ALWAYS came off as awful: even when the protestors are slamming the doors down, sending out jackbooted thugs is NEVER a good look, and the way Prowl talks about nails and treats them as second class citzens for simply wanting a voice is ... all kinds of chilling. Prowl sees himself as a police officer, and he certainly is.. but the worst kind, the kind most are who will gladly do shady shit to persue what they think is justice and oppress civlians because their "above them. "
So while said realizations about policing and the various police beatings of innocnet protestors made Prowl somehow even worse.. they made Metalhawk better as a LOT of what he's asking.. comes off more resonable. His wanting the decpticons free was kinda bonkers to me when i first raed it.. but now I entirely get that maybe putting bombs in defeated enemy combatants is you know.. a war crime. If you really want to put decitpcons who are dangerous away.. use a jail. Give them a trial. It's not great but putting them int what's basically a gheto that also oused to be a gun is horrible.
Metalhawk simply wants a voice and change for his people. He grows out of throwing the autobots out, being far more willing to work with them than they are with him and making plenty of valid points. He evolves as a character from a whiny asshole who disrpescts the autobots to seeing them as fuckups.. but ones who, prowl aside, are GENUINELY trying, with Bee planning to basically let Metalhawk takeover after the big fight at the end of season 1 before Starscream put some holes in that plan and also metalhawk. He's often the only person speaking up for a bunch of people who greatly outnumber the people in charge yet have to listen to thir bullshit, something that's become more and mor erelevant as congress fucks up more and more . It's hard to boo him when he's right: the autobots probably SHOUDLN'T be running the planet. They shoudln't leave, but they shoudln't be in charge. They shoudlnt be using deciptcons as easy soldiers and shoudln't keep the bombs in their heads now their vastly outnumbered. He's the voice of reason in a calvlcade of jackasses and a schemeing asshole. He's still annoying at times.. but it's really hard to hate a guy who grows out of his most annoying traits and ends the comic betrayed by the most obvious cantidate, something he only didn't see coming.. because he genuinely thought his friend had changed.
Wheeljack and the Rest: Robots in Disguise has a large cast, but most of the best players are off to the side, Starscream excluded. So let's talk about them.
My easy faviorite is one I wish Roberts had gotten like he wanted, the man the myth, Wheeljack. now I like Wheeljack in general due to his design, a nice faceplate, a unique head, it helps him stand out among the standard faces most autobots have.
Wheeljack seems to be one of the few Autobots genuinely trying for a better tommorow: he tries to make peace with starscream, and is frequently working on other projects before bee yells at him for not being avaliable to put out all his fires. He's kind, considerate and also a genuius, getting a nice moment in the sun when he sneaks into a decipticon ship and fidns out their up to some shit, then escapes the horde. I mean Metalhawk DOES save him in the end, but the fact he did most of this himself and gets both of them out himself is impressive. Wheeljack sadly just dosen't appear a ton and ends the season getting his head crushed by megatron. He does come back during season 2 and quickly becomes besties with Windblade, something we'll get to eventually, so good for him.
Blurr is a close third in the characters I like and is the only one of the autobots to really explore the ideas MTMTE was, the idea of "what do you do with your life next". Blurr does help out at first but his mounting frustration with prowl leads to him noping out, only helping out to try and find Ironhide. He decides to open a bar, much like Swerve , and his is a nicely diffrent joint: while Swerves is basically the cheers of transformer,s a place to forget your worries, hang with pals and get into hyjinks, Macadams, a regular location in most transformers place is that.. but also a melting pot, as Blurr soon makes a bunch of former decepticon friends including Sky Byte, a nail who has a great outfit, with him gladly defending his patrons with his good buddy jazz, whose barely in this comic for some reason despite, as always, being fucking great.
Next up is Ironhide. Ironhide does get a pretty meaty roll, as his recent ressurection has convinced him he's immortal and he's getting flashes of a possible future.. .one where the autobots are gon by cybertron thrives. Naturally everyone assumes he needs help instead of you know.. remembering that they followed the matrix for so long because it had robot magic or the giant stygian being made out of a dark god and 80 decepticons they just fought a month ago. What i'm saying is "I can see the fuuuuuuttttttreeee" isn't that farfetched at this point. So Ironhide goes to explore the wilderness with my boys the dinobots who sadly are all kinda douchey here.. but they still kick plenty of ass. The group disappears for a while after a signal drives my dino boys mad... but naturally they show up just in time to be the calvary in the finale. Ironhide is great.. they just don't really focus on him and I wish they did. Same with the dinobots.
Finally out of the ones who actually do stuff we have Arcee. Arcee... is a lot to unpack despite her short screentime. If you'll recall, and if you don't i'm so sorry for reminding you, Simon Furman's approach to the most prominent female transformer.. was to make it so she was FORCED to become female by a mad scientest, a tonedeaf, transphobic take brought about because Simon Furman hates the very idea Cybertronians have a concept of gender.. despite writing male prounouns into this continuity, thus showing they do just .. all male.
So how did Barber tackle this transphobic mess Simon Furman had saddled him and other writers with?
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Yeah he just straight up ignored tha tpart for the first 21 issues. Arcee does mention killing Jhiaxus, the mad scientest in question, again, and again and again, but otherwise as far as RiD is concerned, Arcee is just an autobot who was tortured a lot by Jihaxius and who Prowl uses as his hit squad. She gleefully agrees to this... but it's clear she has no real sense of purpose. She DOES get a well done spotlight issue after the Autobots are cast out, with her wondering if the endless violence is worth it and deciding to join the autobots, wether they want her or not. It's a BETTER characterizfation than Furman's, a person with clear trauma trying to find out "what now"... but that big black cloud of "I done a transphobia because I hate them girl robots" hangs over it. It's an elephant in the room no one wants to talk about. I don't FULLY fault barber for it as IDW could've wanted him not to and it was a subject that would need a through, out in the open exploration. IDW was clearly willing as they supported Chromedome and Rewind and would continue to support out and out queerness in this franchise, Barber just wasn't ready yet and thus kept Arcee out of focus. He'd TRY to deal with this later at least but it's still super uncomfortable for now.
Decepticon wise.. they don't really get to do much till the season finale of sorts: they mostly stand around in a gun barrel and plot. Ratbat, one of my faviorite casettes of Soundwaves, is very prominent, trying to weasle his way into power early on.. but then Prowl goes and kills him and i'm sad. Soundwave , my boy, does fuck all till the build up to dark cybertron while Shockwave is in the shadows preparing said event , mostly done in optimus primes subplot. It's a real waste too as having more deciptcons actually try to reform or at least integrate into society would be neat, instead their just mostly canon fodder after a whil ewith a subplot about one seeing what prowl did going nowhere.
So speaking of Prime
The Thrilling Tales of Orion Pax
I haven't mentiond it till now but RiD has it's own isolated subplot ala the scavengers, just one that only lasts this season. Optimus left after the one shot and while he calls himself orion pax as does this segment... i'm just calling him Optimus like everyone else: Optimus goes on his own thrilling space adventures with his crew of Garnak, an ork like alien, Wheelie, who met garnak while stuck on a planet where time was constantly in flux and is still traumatized from it and Hardhead, a minor character turned Optimus buddy.
The trio had captured Jhiaxus, the mad science guy but got some criptic info. Jhiaxus quickly breaks free and while Optimus intended to just soft retire, he can't deny the danger he or his apprentice turned master Shockwave presents, and thus teams up with this motely crew. The adventures are only across three issue but each is fun, the characterrs ar eintresting if underdevleoped and i'ts neat to see Optimus like this: Grappling with his past, unsure of his future, and unwilling to be Optimus again despite everything pulling him toward it. His characterization also takes a nice turn as he was a minor prick in the return of optimus, calling the circle of light a cult. Douchebags yes, cult no.
There's really.. not much to say here anyalis wwise: these adventures are well done and I wish they were the main focus, and clearly Barber agreed as Optimus takes over next season, if sadly not bringin most of these guys with him.
THey are vital for the build up to Dark Cybertron, with Jhiaxus and his goons being Shockwaves main minons and hinting at his mission.. which Shockwave happily outlines in a spotlight later.. well happy isn't an emotion he experinces but he still outlines it: He's been seeding 13 powerful ores, tying in previous things like super energon and such, and the final and 13th one.. is ressurection, bringing people back under his control. His plans feel vauge in theis build up, but involve jhiaxus taking a titan right to cybertron, the ores, and beating up soundwave, with Prime persuing.
The only complaint I really have is the art, which isn't bad, it's just dark, cold , and muted, and not really my forte, working better to represent the dark universe during the crossover. It's not bad it's just hard to make out the visuals at times is all.
So with that we have one last bit of pre-crossover buisnes sto attend to
THe Old Man's Back Again
I did mention Megatron came back right? Because he did. And since he has a big roll to play in the crossover and in MTMTE season 2, let's talk about where Megs has been. Megs was left half dead after becoming a giant pile of decpticons, coming back towards the end of season 1, having what's essnetially the season finale early and the rest of the issues are spotlights dealing with the aftermath.
Bumblebee's reaction is exactly what you'd expect
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I mean it's not unwaranted: it's megatron. He was a walking death machine and a brilliant strategist. It's not wrong to expect that even shambling and half dead he's plotting something.. because that's EXACTLY what he was doing. Bee DOES decide to spare him for a trial after being talked into it, but reluctantly and with Megatron guarded to hell. Unfortuantely.. the person in charge of his security is prowl who has a bit of a brain bug at the moment, having taken out omega supreme.
Yeah turns out a LOT of the seasons events were Megatron
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The field driving people into rages was him, bombshell was working for megs the whole time, and Shockwave was working with him.. if only till it was convient enough to bail and go work on his own scheme. It's a MILD stretch and I wish it'd been se tup better.. but like Starscream it's hard NOT to enjoy Meg's presence: he brings a genuine threat and meanace, pinning our heroess to the wall and barely being beaten. He's not as layered as he was about to become... but he's still a clever villian who scoffs at Starscream's bitch crying, not WANTING a compromised cybertron but an empire. He ends up loosing but barely does, having still caused a ton of damage and left enough of a gaping woom for Screamer to take the crown. While this Megs is pretty simplistic, he still serves as a good foundation for what's next: a man who genuinely THINKS he's doing the right thing and that peace really is possible if you throw away those pesky civil liberties and his plan and near victory underline HOW dangeorus he is, why the lost light needs to nerf him to put him on board... and why Cybertron will BADLY need his help in the mess to come.
So that was Robots in Disguise and this review.. was difficult to say the least. It's not a great book but it has flecks of greatness in it and later seasons of this side of transformers and other series would pick up on that
Next Time in March: DARK CYBERTRON BEGINS. Bumlbee and the Bumblefucks try to protect a cyberton that hates and fears them, Rodimus goes into a stygian hole in space time, and Shockwave's plan hopefully makes sense.
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moonlightdancer26 · 1 year
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I know that you have very different opinions on Severus Snape but I would just like to ask you – why do you like him in the first place? I myself aren't very fond of James Potter but hating on him and liking Snape is kind of hypocritical if you ask me.
It's very confusing that you preach that James Potter was a bully and a horrible person who deserved to die when his crimes were a million times less than Severus's. He was a bully and a sexual assaulter and I hundred percent agree to that claim. But Snape was pathetic, an internalized racist, a murderer, and someone who thought taking his anger out on little kids instead of getting a wife and leaving the poor things alone was more adequate.
And no, I will not just leave these claims like this without proof of them like other anonymous asks like to do which is totally annoying. 
Pathetic: 
Even after calling Lily a mudblood and hearing her out in fifth year about why she couldn't be friends with him anymore, he continued to join the Death Eaters. Instead of proving to Lily that he could change and fight for her, he joined the Death Eaters and only actually regretted his decision when Lily died because of his mistake. James at least changed, or Lily wouldn't have married him otherwise. We know he did since his "ego deflated" and he became a better man for Lily. Snape didn't realize that until his love was taken away from him and probably never would have unless Lily died.
Racist: 
He called Lily a mud blood word when the only thing she did was try to help him in front of, like, a hundred kids who must have been her friends. He chose to embarrass the only person who cared for him and decided to go there, too. If someone nowadays called their friend the N-Word and refused to take it back in public, all hell would break loose. But most of you hate muggle borns, too, right? Or do you guys just not like Lily? 
Murderer:
This is pretty self-explanatory. He sold out the prophecy to Voldemort knowing full well the family behind it would suffer. He never took the initiative to sit down and think about the fact that if it had been his own family or himself he was selling out. He wouldn't have lived with a care in the world if it had been the Longbottoms. But it was Lily. Not the Potters, only Lily. A million people could die and he wouldn't take a flying fuck. 
With all due respect. I know some people like this messed up aspect of him and if you are one of them then that is perfectly valid. I just really needed to ask because all these other Snape stans would come at me and bite my throat off. I know you are one of the rational ones. Why do you like Severus Snape? 
Hey there, anon. Because of your first and last lines I’m going to try to be civil with you and politely explain my opinions (this might not apply to the part where I respond to you calling blood supremacy racism and comparing Mudblood to the N word, but I digress).
Aight, let’s get to work:
hating on him and liking Snape is kind of hypocritical if you ask me.
I’m not asking you. Not really. I mean, you might consider it hypocritical if you don’t actually understand what made James’s character completely dilapidated for me.
James is, an awful character. Awful as in morally? Maybe, but I’ve loved worse characters before. Awful as in his character is awfully-written? Yes. Even if Severus was worse than James as a person, I would still love him and hate James. You know why? Because Severus’s character is interesting, because Severus’s character is relevant, because his character is genuinely enjoyable to read. James is none of those things (at least to me).
Not only is James a shitty person whose scenes all show him in an exceedingly unpleasant light, but he isn’t even a well-written character. I literally love Voldemort and Bellatrix for god’s sake. Are they undoubtedly worse than James? Obviously. But they’re interesting characters with compelling origin stories/backstories and, in my eyes, that “makes up for” their shittiness. I also love James’s best friend (all of them actually), Sirius, I think he sucks as a person but his character is complicated and brilliantly-written—that’s why I’m capable of “looking past” his awfulness. James has nothing to make up for it; he’s not funny, he’s not enjoyable, he’s quite frankly just as intriguing as watching paint dry, and he was dead a decade before the series even began. He’s practically just a plot device—he’s known as “Harry Potter’s dad,” “Sirius and Remus’s best friend,” “Snape’s bully,” but we never actually get to see his character being explored. He served no purpose in the story besides giving both Severus and Harry traumatic backstories.
So, not hypocritical. Mostly just a preferred taste of interesting characters.
Those three paragraphs alone fundamentally debunk your whole ask but I’ll continue for the sake of it.
It's very confusing that you preach that James Potter was a bully and a horrible person who deserved to die when his crimes were a million times less than Severus's
Read what I said above first.
And no darling, I consider a guy who bullied kids because of past trauma and having to constantly face the carbon-copy of his abuser a lot less worse than a guy who bullied someone completely powerless against him (when it came to social status) and traumatised said person for no other reason than because he (James) was a spoiled, rich, privileged pureblood. One of them is a scarily realistic representation of how real-life victims can cope, can you spot which one I’m talking about?
I’d argue that it’s unfair to compare the two solely based on their bad-things-they-did count as Severus lived nearly twice as much as James did and because of what I’ve just stated above, but anyway.
But Snape was pathetic, an internalized racist, a murderer, and someone who thought taking his anger out on little kids instead of getting a wife and leaving the poor things alone was more adequate.
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(“instead of getting a wife” 💀💀 what’s that supposed to mean?)
Moving on.
And no, I will not just leave these claims like this without proof of them like other anonymous asks like to do which is totally annoying.
oh you have nothing to worry about, anon, you’re being just as annoying 😊
Even after calling Lily a mudblood and hearing her out in fifth year about why she couldn't be friends with him anymore, he continued to join the Death Eaters. Instead of proving to Lily that he could change and fight for her, he joined the Death Eaters
You’re acting as if Lily would “take him back” even if he did do all that.
1. That doesn’t make him pathetic. That makes him human.
2. Losing Lily only pushed him to join the DEs, she was the only “source of light” in his life, and he had just lost her. He was at his breaking point. Do you people not understand how humans work? …Or how cults target younger candidates and use known methods to recruit them?
and only actually regretted his decision when Lily died because of his mistake.
✨This is where his redemption arc started✨
✨You can’t use what made him defect (the turning point) to try and prove that he wasn’t a hero afterwards✨
✨Lily may have been the initial reason he defected but he actually grew to believe in the Order’s cause and continued to fight for it even after he knew Lily’s sacrifice was in vain✨
✨Don’t use “he only *did this* because of…” as an argument when it’s simply untrue✨
James at least changed, or Lily wouldn't have married him otherwise.
We’re literally told that James went behind Lily’s back and continued his quarrel with Snape, she wouldn’t even be able to “judge him properly.” And don’t use the love interest as a moral compass, it doesn’t make James a better person.
We know he did since his "ego deflated" and he became a better man for Lily.
Sure Jan
Snape didn't realize that until his love was taken away from him
Didn’t realise what? 💀
and probably never would have unless Lily died.
Ok but he did “realise *whatever tf you’re talking about*” so don’t rely on hypotheticals for arguments.
He called Lily a mud blood word when the only thing she did was try to help him in front of, like, a hundred kids who must have been her friends.
“the mudblood word” 😃
Hey babe, he called her a slur that also applies to him mere moments before he was sexually assaulted and choked with soap suds. Doesn’t justify it, but I don’t think it makes me a horrible person for thinking that Lily was wrong for not reporting the Marauders to a Professor (aka the Logical/Actually-Helps-Your-Friend-Out thing to do) before he even called her that.
Also? He apologised and continued to regret it for the rest of his life. Does that mean Lily shouldn’t have been upset? No, she had every right. But he did the one thing Jimothy couldn’t do; actually saying the words I’m sorry, so much for “James at least changed.”
He chose to embarrass the only person who cared for him and decided to go there, too.
Yes of course, this situation is about Lily. We’re totally not talking about the same scene where 16 year old Severus was immobilised, sexually assaulted, exposed against his will, and waterboarded, all “in front of a hundred kids”—you said it, not me, although I was about to—and his best friend. No ofc we should just be focusing on what happened to Lily—the person who also nearly smiled at her friend being flipped upside down and being put in an extremely humiliating and traumatic situation.
If someone nowadays called their friend the N-Word
You mean if a mixed kid called a black kid the N word?
and refused to take it back in public
We see that he was clearly sorry for it 💀 The damn boy had been sexually harassed, he was likely too shocked to even process what happened, and he didn’t “refuse to take it back,” he didn’t even say anything (which makes my other point even more likely to have been the case). I also think Rowling purposefully made it that way because, at that point, we didn’t know that Severus and Lily were friends, and she didn’t want to “hint at it too much” by making Severus yell after her or something. That’s my personal thought though.
all hell would break loose.
Yeah it would, but I think that’s because this is a real, serious issue that takes place almost half a century after the situation you’re referring to that also took place in a fictional universe that was involving a made-up kind facing made-up discrimination.
But most of you hate muggle borns, too, right?
*writes this down in the List Of Weirdest Shit Snaters Have Ever Said To Me*
Or do you guys just not like Lily?
Not really. We’re just capable of exhibiting a human feeling called ✨empathy✨ to a character who’s gone through an unbelievable amount of shit throughout his life. Doesn’t mean we don’t like Lily or that we’re somehow misogynists or blood supremacists (imagine calling real people that.. lmao).
This is pretty self-explanatory.
And hell is just a sauna.
There’s no proof Severus knew it was about a family or a child, or even a person (that is, if you consider the part of the prophecy that he heard and analyse the potential meanings), but I’ll be putting that aside.
Even if he knew:
— He was working for Voldemort at that time, he was a loyal Death Eater who worked for a mind-reading maniac, what else do you want him to do?
— You can’t use that to prove that he didn’t become a hero lol. He may have done that, but he also went on to save countless lives (at least more than the amount he supposedly mUrDeReD) and fight for the Light side for nearly ten times the amount of time he spent following Voldemort. He called Lily a Mudblood? He (actually) changed and went on to yell at the portrait for referring to Hermione—someone he disliked—as a Mudblood. He was a Death Eater? He was also one of the greatest heroes of the entire series. And so on. Do you not understand the concept of a redemption arc? The redeemed character had to have done bad things in the past to redeem themselves for it, otherwise what would they have to repent from? 90% of the fandom shares this strange logic and it’s pretty fucking irritating.
He never took the initiative to sit down and think about the fact that if it had been his own family or himself he was selling out.
Why would he sell himself out? 💀
He wouldn't have lived with a care in the world if it had been the Longbottoms.
Maybe. But it wasn’t the Longbottoms, so shush.
But it was Lily. Not the Potters, only Lily.
Then why would he have gone to Dumbledore? He already asked Voldemort to spare Lily, why would he go to Dumbledore and betray his current master, just to warn Dumbles that Voldemort was after the whole family? That’s literally what made Dumbles place James and Lily under the protection. They would’ve died a lot sooner if Severus truly hadn’t “lived with a care in the world.”
A million people could die and he wouldn't take a flying fuck.
Can’t say that without any proof.
I know some people like this messed up aspect of him
We like the complicated, traumatised, grey hero who was also extremely entertaining and fun to read about. Not the shit you think he’s done.
I just really needed to ask because all these other Snape stans would come at me and bite my throat off.
Me who already gobbled down your throat entirely: 🧍‍♀️ /j
I know you are one of the rational ones. Why do you like Severus Snape? 
Indeed I am. (Not sure if you’d think that after seeing my answer but I’ll accept the backhanded compliment with pleasure.)
I like him because he’s enjoyable. That’s really the most dominant factor when it comes to characters, movies, tv shows, etc. I don’t care about the plot, I don’t care about their morals, what’s ultimately the thing that matters most to me is if they’re enjoyable. If I enjoy reading/watching it/them, then I’ll love it. I don’t care whether Severus was a terrible person or not, if I enjoy scenes with him in it, if I find him entertaining, if I’m legitimately able to enjoy every second, then I’ll love him. I was one of the few who loved Snape at first glance, from when I read the series for the very first time. I was a little girl at that time, he was of course needlessly shitty to Harry, but I was able to find the humour in his classy jibes, especially as I got older. His sarcasm was to die-for, and in the later books we got to learn more about his past, and so his character became all the more nuanced. And then there was the grandiose reveal in Deathly Hallows. I still would’ve loved him even if he was a villain, and at least then there’d be many less tiring debates about his morality.
I hope my answer was sufficient. Bye-bye anon.
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weebsinstash · 11 months
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Something that has been on my mind throughout this whole Yandere! Miguel O’Hara, is the idea of a Spider-Girl Gabriella O’Hara in another reality that lost her dad in that reality, her canon event, that made her become Spider-Girl, and Miguel (Earth-928B) becoming a Yandere parent. He lost his baby girl once, he’s not going to loose her again.
The problem with that in of terms of like me writing is, I prefer when the focus of my stories is the reader insert character and that would kind of be basically sort of making an OC just about, but I've definitely thought about like, yandere Miguel and friends looking after a Reader who may be still growing up or, Miguel is in his 30s or 40s so even a Reader in their 20s can still be a sort of student with him (I'm 26 ok let me live, I'm still considered young right 🥺🥺🥺 I need to be someone's baby girl too 🥺🥺🥺)
I keep gravitating back to "Miguel who lost his wife and child x reader who was spiderwoman 2099 who lost her Miguel and child and both of you did the whole tried to replace my family thing" and also like, imagine Miguel bonding with you because you can relate to his experiences more personally and intimately than anyone else and one day a second Miguel shows up and unlike "the main one" MiguelDos DID have a version of you as a partner and he's trying to convince you to come home with him. Like imagine your Miguel is so incredibly attached and protective of you and he sees you're spending a suspicious amount of time with the new version of him and, yeah he's jealous, but he's worried about potential consequences so he goes to talk to you and before he can, you start first, "Miguel, the other you has to go, he wants me to try and break canon and go home with him and--"
Miguel just being absolutely furious (not with you, never you) because you've been through a horribly traumatic experience and it is so strong and brave that you're still going (he would know, he's doing the same thing too) and now some copycat asshole is trying to sway you? Take you away? Miguel hears you say "he thinks because I don't have a home universe anymore that I exist outside my own canon and that I could come to his home universe and he wants a baby" and Miguel just sees RED
Maybe he even starts checking security footage and he can see that like, yeah Miguel2 has some sort of genuine affection for you but it's obvious he is also loakey manipulating you, trying to get you drunk and in bed, getting you tipsy to try and convince you to come with him, shit could you imagine Miguel 1 bursting into his/your shared office to see Miguel 2 basically trying to peel your clothes off while you're barely coherent if not outright unconscious
He'll beat the bastard bloody is what he'll do. Miguel had definitely developed his own obsession for you but for some random loser to be actively trying to use your pain for his own benefit, to try and BREAK CANON and kill everyone just to be selfish? He knows wanting to, but he's glad you came to him, trusting him enough to look up at him with tears in your eyes, "please, I can't take him being here, he's saying too much, he wants too much from me" because he knows it hurts, he doesn't know what to do if a carbon copy of his wife showed up begging for his love (although the more time he spends with you, the less he finds himself thinking about her and more about you)
Reader 2099 being devastated because since she lives in Miguel's dimension now but isn't FROM there she doesn't really have any documentation so she can't even try and adopt. Miguel realizing that, hey, maybe that other him of his had a point, maybe there IS a purpose for you becoming attached to Nueva York. It's not like moving on after a canon event is inherently changing one. Since he's already lost his daughter, and can't take someone else's, could he... make his own? But what if it breaks canon somehow? But the more he thinks about ìt and the more he gets closer to you the more he wants a fat chubby little baby of his own so fucking bad and he's just about ready to take a leap of faith with you and test this theory out
But yeah like, apparently the Spiderman canon events typically happen as teenagers so I've also thought of,you know, Reader being where they are in the template, a bullied high school kid with social isolation and issues at home. Miguel just minding his own business when a little birdy/spider whispers in his ear that "the new kid he's been looking after needs some help" and he goes to see and you're just sniffling and crying with a black eye because there are bullies at school. Or even worse, your black eye is from some attempt at a relationship, and you brush it off "oh no, they just lost their temper, it's MY fault they got so mad" and Miguel knows you don't have proper parental figures and he essentially adopts you. Miguel being especially weak to a female teen Reader though because, gosh, he wonders what his daughter would be like at your age, would the two of you have been friends, it's almost like helping to raise you helps heal the trauma of losing his little girl.
You have a Spanish class you struggle with and you're shyly asking Miguel, just offhandedly, "hey as a bilingual speaker do you have any tips 🥺 I'm really struggling and I feel dumb" and suddenly here's 'Tio Miguel' to help you. Any Spiders from your age group think they can make a move on you, they're mistaken and greeted by a towering glowering fatherly figure, and god forbid if he finds an older man being creepy with you, he will all but throw them into traffic
God this man has infested my brain so bad, I'm literally taking a t break from weed for like a week so I can treat myself by going to the ATSV in theaters since I've been so stressed and money finally isn't as tight and. Hhhhh I want to see a pretty movie with hot people and good music on the big screen 😩🥵❤️ by all means keep bugging me with any ideas or questions or feedback about ideas because I'm getting lost in the yandere spiderverse sauce
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