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carefulfears · 9 months

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top 5 (or 10 if you have em) scully taking care of mulder moments <3

she said IF i have 10 😭😭😭

1/ sein und zeit

i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...

my tags here:

she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.

this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."

she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.

(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)

i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.

the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.

it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)

2/ demons

god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?

i always think about this post:

and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?

and these tags:

this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.

she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."

but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.

what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)

(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)

3/ the end

"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)

i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.

in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.

this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")

following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.

(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)

4/ paper hearts

oh, starbuck. we are really in it now.

paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.

one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."

in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."

i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).

from my newsletter:

There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.

he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?

i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.

what does that mean? what is she really saying?

this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.

and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.

it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.

it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.

(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)

in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.

the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.

this post:

Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”

she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.

5/ redux ii

remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."

the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.

she cries when he won't do it.

6/ herrenvolk

okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?

this is just so scully.

she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.

these tags:

she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.

one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.

there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.

(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.

in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."

remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)

7/ anasazi

ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.

the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.

(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")

8/ fire

girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.

trish, i loved this part of your post yesterday:

scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.

she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?

he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.

trish's tweet:

really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)

(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)

meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.

yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!

(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")

9/ deadalive

oh, you guys remember that time she raised him from the dead, right?

scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.

i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.

then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”

she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.

i always think of this fic and feel so ill:

“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”

she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.

(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)

10/ fight the future

there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).

from my newsletter:

“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)

That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.

there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.

(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)

some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)

how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.

and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.

#i got really really tired by the end but it is what it is #i want y'all to know #that i almost put 'trust no 1' on here #the way that she yells at doggett that she wants to see mulder 'SO BAD'#but in the end: writes to him that she just wants him to be okay even if she can't see him or hear from him #or even if he can't read what she sends him #and the way that she looks over at william in the stroller and puts her hand on his face #just like...that one semblance of mulder that she still has in her life and that she holds onto- in this baby #and he's growing up without his dad and she NEVER wanted that.#and mulder is writing to her that he just wants to come home to her and to will.#and how her voice shakes and she screams when she talks about how badly she just needs to see him. she feels so alone.#and there are only so many solar system onesies and star mobiles and lullabies from the florida woods that she can give #but ultimately she just wants him to be safe and alive and that's what she tells him and that's what she fights for with everyone else #but it's just so fucking unbearably sad and i couldnt do it after the first few i put on here ksjdfk #i would also say!! that her leaving him post-iwtb and their break-up was in a way taking care of him #getting the fuck out of that house. trying to save herself from that trap of grief.#then coming back when it was less haunted and he was healthier and it was able to be their home again #refusing to suffocate there just because he was. salvaging SOMETHING for him to come back to- and ALWAYS being available for that.#asks #sein und zeit #demons #the end #paper hearts #redux ii #herrenvolk #anasazi #fire #deadalive #ftf

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sluckythewizard · 1 month

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BUT IM NOT A WRITER. something strange possessed me to write my first proper fanfic in maybe a decade. be niceys to me but also grill me so i can get stronger. this one is a stupidly self indulgent bit between Soda and Emizel, a day or so after emizel was sired. CW for gore descriptions, but thats about it i think. image below is a snippet of the start. the rest of the whole dang thing will be under the cut. ive never posted fanfic ever in my life. read my tags for secret behind da scenes commentary

"Oh shit… I think hes dead…" It was another night, another patrol, another fight, and another win, for Emizel and Soda.

Under moonlight, under street light, under interwoven wires above, the two stood here in a quiet and damp alleyway. The air was drenched with the smell of a previous rain, and the puddles of said storm remain huddled in corners and pot holes.

One splashed as soda found himself stepping forwards into one. The residual adrenaline of the fight had left his body shaking, his heart still pounding, his wounds still throbbing. They had still won; or more-so, Emizel had won. A particularly nasty blow to the side had Soda reduced to the side lines for most of the fight, left to watch as his newly vampiric comrade had absolutely eviscerated the competition.

Emizel had only been turned a day ago, but it was impossible not to notice how it had changed him. He already acted so goddamn confident, so on top of the world, and this newfound power, newfound speed and strength, only built upon his insane ego.

The Fangs that they encountered here on this night stood no fucking chance. Emizel was too quick, too strong, and he easily chased off the rivals. It was only now, as the final unfortunate opponent had turned to flee, a clean clock in the jaw sent the human tumbling to the ground with a dull thump, and it did not move afterward.

Soda shifts his shoe out of the puddle, the cold seeping into his sock being one of the few things keeping his mind in his body in the moment. Is the guy breathing?

A low laugh bleeds from Emizel as he stretches his arms, licking his sharpened teeth as he stares off in the direction the remaining Fangs went. Soda knew that look on his face, the look of a tiger pondering on its next kill, he knew well that Emizel wanted to chase them.

But the guy on the ground.. It was one punch to the face, and the wicked crack sound that came from it had planted a seeding dread within Sodas chest.

As he steps forward, around the puddle, the resulting sound made Emizels attention click back over to Soda, the snap of his gaze making Soda flinch.

The two lock eyes, and Soda weakly gestures to the limp body on the floor. "The uh.. I think.. Is that guy dead?" He finally asks, having a hard time keeping contact with Emizels intensely red eyes.

Emizel turns his attention to said body, tilting his head as he goes to kick at the thing, turning it over. "Man no way hes dead, I punched him once." He mutters.

"Well, yeah, but his head almost twisted all the way around when you did.." Soda steps up to stand beside Emizel, the two boys standing with their hands in their pockets, down at this unfortunate, limp body.

"Should we hide it?" Soda asks, glancing back over at Emizel, who had.. An odd look on his face. He was clearly pondering something, but Soda could only guess whatever was going on in that brilliant head of his. He knew and trusted that Emizel was smart. If anyone could figure out what to do about this, it would be him.

But the lack of an answer had anxiety chewing at the back of Sodas rib cage, and after a second, he speaks up again, compelled to fill what he perceived as a tense silence. "Like.. I dunno, I've never uh... killed a guy..." He shrugs, prompting Emizel to let out a big sigh.

"He's not dead man, just out fuckin cold." Emizel kneels down next to the body, putting an ear up to its chest, and pondering on that for a moment. An uncertainty twists his expression, as he decides to instead place a hand on the victims throat, checking for a pulse. A moment passes, and seemingly finding nothing, he pulls back.

"Uh... Okay, so he might be dead."

Something about the confirmation from Emizel made a shiver run up Sodas spine. That, or maybe it was just the breeze agitating the cold water in his shoe.

"Huh… Damn.." Was all that Soda could really get to leave his mouth. Which was hardly a splash compared to the torrent that was slowly churning in his head. They just killed a guy. Or, Emizel just killed a guy. And it was so easy. They had to hide the body now, right? That was the usual progression here? Getting caught for murder was way more extreme than getting caught for breaking mailboxes with soda cans. It was so, so disturbingly easy. It really was just one punch. It's not like the Fangs are weak by any means, so just one punch? And this guy is dead? Forever?

Or, perhaps by human means, their rivals were fairly tough. But Emizel was on a whole other level. No mortal could stand up to him now...

"Hey, are you okay?"

The question had pulled Soda back from his head, his gaze flicking back over to Emizel, who was looking up at him with those eerie, piercing red eyes. Soda felt another shiver.

"Uh, ieah man, I'm all good." Soda nods, swallowing down whatever anxiety was bubbling up in his throat.

But Emizel didn't seem satisfied by his answer, standing back up and staring down his human comrade. Soda couldn't meet his eyes, his gaze instead traveling downward, and pausing on Emizels red, cut-up shirt. There was something off about the color, the way it seemed darker in some spots, brighter in others.. Wait, wasn't Emizel wearing a white shirt before all this?

The vampire boy seems to pick up on Sodas expression, following his eyes down to his shirt. "Oh, yeah! While you were on the floor, the knife guy got me a little" He says, a stupidly simple smile on his face. Soda was about to let out a laugh at how unbothered his friend seemed by it, but it gets caught in his throat when Emizel goes to pull his shirt up.

The sound of the bloodied fabric peeling away from skin made Sodas own skin crawl, but that wasn't nearly as bad as the sight of the intense gash running from his collar bone, down to his stomach.

"Oh, fuck dude!" Soda gasps, but Emizel laughs it off. Even despite knowing Emizel well, Soda was still surprised by just how much Emizel could shrug off. "Shit, doesn't that hurt, dude?"

"Oh yeah this fucking hurts!" he says with a laugh, his smile big and toothy and proud as he presents this egregious wound. Swollen and angry, pulsing with a slow heartbeat, and still oozing with thick, dark blood.

The sight of the split flesh, and the glints of bone beneath the dark, dark red all tugged at Sodas gag reflex, and yet he couldn't pull his eyes away. So Emizel's just been walking and talking so normally this whole time with his chest just cleaved wide open? Soda felt just as impressed as he felt horrified.

It wasn't until Emizel reaches down to poke at the abhorrent wound that Soda snaps out of it. Watching his friend press his fingers into the bloodied flesh, and slowly pulling it apart, allowing more ichor to seep from the gash, it was too much to watch at this point.

Soda reaches up to put a hand on Emizels wrist, the vampire boy stopping, and looking up at his friend.

Soda found himself freezing again when he locks eyes with Emizel. He was going to say something now, right? "U-uhm.." Is all he really chokes out, giving Emizels wrist a gentle tug. "D-do you. Uh. I suppose a hospital Isn't a place you can go anymore..?"

Emizel just smirks at that, letting Soda pull his hand away from the wound. "Oh, yeah no, but it's fine. I mean, I don't think it's gonna kill me" He shrugs. It was so, so impressive just how unphased Emizel was by all this. Fuck he's actually so cool.

"Well yeah man but it's like, still a bleeding hole. Like you're soaked in blood dude, I'm pretty sure that even a vampire needs that stuff on like, the inside." Soda rubs the back of his head, still unnerved by the sight of it all. "Vampires have like, super healing, don't they?"

"Oh yeah like, regeneration powers. I know I heal faster sometimes but I dunno how to just, activate it on command.." Emizel hums, his eyes narrowing down at his own injury, as if trying to will it into mending. Soda looks away, unable to watch that vile gash ooze any longer.

"I dunno man, how do they do it in like, video games?" Soda tosses the question out, trying to click together some sort of solution in his own head.

"Uhhh.. Huh, video games.." Emizel repeats to himself, chewing on the thought while idly poking at the laceration; until an idea audibly flickers to life in his head. "Oh, I just gotta refill my blood meter. Or whatever."

"Oooh yeah, blood meter!" Soda perks up, "Of course, see this is why you're the brains, man" Soda smiles, glancing back over to his cool friend, but immediately needing to look away again when the sight of that egregious gash tugs bile back into his throat.

While Soda averts his eyes, Emizels eyes wander back over to the body, and that classic 'Emizel has a bad idea' smile creeps across his face.

"Well, if this guys dead, I'm sure he's not gonna need all that blood.." He grins, kneeling down next to the body again.

The word 'wait' had hardly gotten the chance to crawl from Sodas mouth, before Emizel lifts up the arm of the unfortunate body, pulling the sleeve back, and immediately sinking his teeth into the exposed wrist.

The sound and the sight of blood gushing around Emizels teeth made Soda cringe, his hand impulsively coming up to aide his own wrist. An empathetic phantom pain made his wrist ache, his imagination simulating the feeling of shark teeth cutting into skin, sinking deep into the flesh, and clacking against bone. That was a lot of blood, that was streaming down the arm of this fodder.

A low growl bleeds from Emizel as he adjusts his teeth, cutting into more flesh, opening the wound further, and allowing a pulsing torrent of red to stream down his chin, onto his coat. It was an annoying thing, to clean blood out of clothing. Most of the Demons deemed it easier to just let the stains remain. But the night that Emizels throat was torn open, and liters upon liters were granted freedom from his human form, the unbelievable mess had practically changed half the color of Emizels iconic coat.

That was the first time Soda had ever seen that much blood from one person. And well. This would probably be the second.

The sight was unnerving, but it was impossible to look away. The alley was quiet, save for the distant bustle of a distant city, which made the noisy squish and squelch of teeth gnawing on flesh all the more apparent and nauseating.

Emizel had become a monster for sure, and watching it feed on something was… thrilling, in a way. It reminded Soda of feeding a pet spider, or lizard. A mouse for a snake.

It's a heavy thing to witness, the end of a human life. The fear of death is a primal thing, and Soda was no different from any other living thing. He figured everyone else feared death just as much as he does. Well, maybe except for Emizel, of course.

It made sense. Emizel was such a cocky and noisy kind of guy, but hes always had the power to back it up. Even when he lost, or seemed at his lowest, Soda still saw this sort of fire in him, one that Soda admired.

Of course Emizel would be the one to become something like a vampire. Something that Soda had always figured was just a fantasy creature thing. He wondered; if vampires were real, what else was real? Werewolves? Zombies? Unicorns? Are there real demons? Like from hell? Is hell real? Is he going to hell?

The sudden ttteeeeaaaaarrrr of flesh rips soda from his wandering thoughts. Emizel was tugging his head away from the arm of his kill, his teeth clamped down into the chewed meat, and pulling it apart. Soda had seldom seen so much of the inside of a human arm, and the sight of spilling threads and squirming veins was hardly something he ever wanted to stomach again.

"Oh fuck, dude, hey-" Soda steps forward, raising a hand, but the way Emizel snaps his head back over to him, twisting to an unnatural degree, Soda cant help jolting back.

Reddened teeth glint menacingly in the low light, a threatening growl thundering from its clenched, dripping jaws. Emizels eyes were focused, yet wild, glowing with whatever light they could reflect.

Sodas eyes were wide, and his body was frozen in the thick, electric tension within the air. It was like staring down an angry dog.. Suddenly a light bulb in his head flickers to life. It was kind of like an angry dog, right? One hunched over a meal it didn't want to give up. Memories of old encounters and unfortunate dog bites resurface in Sodas head, and with that experience, and with those lessons learned, he gathers the courage to react.

He shuts his eyes, keeping them closed for a few seconds, as he slowly pulls back his arm, and slowly steps back. It was an eye contact thing, wasn't it? Eye contact makes dogs angry, right? That was how you dealt with an angry dog? As he pulls back, and takes in a breath for composure, he finally dares to peek at the angry vampire before him again.

Its snarling had died down, but its eyes were still trained intently on Soda. After a tense, and agonizingly, slow pause... It blinks back, lowering its head back down to its meal, but keeping its anxious stare on this potential threat.

A relieved sigh falls from soda as the tension finally melts. He didnt realize he was holding in so much of his breath. "O-okay, man.. It's yours, you uh.. Earned it.." Soda mutters, stepping back further, until he was standing in a sufficiently dry enough space to sit down in. Now that he wasn't standing, he was finally taking into mind just how much his hands were shaking.

It's odd. Soda couldn't really describe this feeling thrumming in his chest as something like fear.. Nausea? For sure. Disturbed and rattled? Oh absolutely. This was certainly a sight he would have a hard time scrubbing from his eyelids when he sleeps tonight. But he wasn't scared. The memory of the night that Emizel was sired still coated the inside of his mind like an unwashable film. Even in that moment, when the unnatural teeth from the unnatural maw of an unnatural thing hovered over his throat, he couldn't say with confidence that he was scared.

Emizel really is his best friend in the world. And he knows with his whole heart that Emizel feels the same. He knew and trusted that his best friend would never hurt him. Not too badly at least. He loves Emizel, and would give anything to support him.

Like a mouse to a snake.

This really is an incredible power that his comrade had come across, and Soda especially felt a sort of pride in his friend. He felt it was worth it to help him feed it.

The bile in his throat had made its point, and Soda agreed, that watching someone die, and get torn apart and drained might be too much for him. Despite how much he hated the Fangs, the end of any human life seemed like such a jarring thing. To have such an intense fear finally get confronted. Would he go to hell?

Maybe he couldn't just feed people to his friend. So an alternative could be donated blood, right? Soda wouldn't mind giving up something like blood. His body makes it for free, after all. Maybe some other Demons would agree to give up some blood too. But they shouldn't have to take on such a burden. Soda wouldn't mind being the only one. The only one. The only one.

His hand comes up to rub at his neck, as his imagination conjures up what it might feel like to have teeth sink into his flesh. He's been stabbed before, is that sort of what it would feel like? Would he have to get stitches? He didn't really want to get stitches, so maybe there could be a more effective way to get the blood out of him. And there was so much vital stuff in his neck too. There's' a vein that's safe to cut into somewhere, right? He would have to look that up later.

A STARTLING RINGING;

Splits the moment,

Prompting both Soda and Emizel to jolt in shock,

As the phone in Emizels pocket rings away.

Acting as if nothing abnormal had taken place, Emizel pulls out his phone, and answers it.

"Heyy, Johnny! Yeah we chased em off, I don't think those bastards will be infesting this street again anytime soon. Yeah, ieah we'll be heading back soon. Oh fuck yeah dude, save us some!"

Emizel covers the speaker of his Nokia, turning back to Soda with a big smile on his violently bloodied face. "They got some pizza waiting for us back home, dude!" he whispers out to him.

Soda does his best to crack a smile, and to suppress the look of unease that probably stained his face, as he stares at the literal murder scene that's been splattered about in front of him.

"Oh, yeah, hell yeah man.." He swallows down the bile again. "What kind of uh.. Soda did they get?"

Emizel ponders that, before turning back to the phone to ask Sodas question.

"Sprite and a big pack of that one strawberry mountain dew" Emizel tosses the answer back over to Soda, who gives a nod, and thumbs up.

Mountain dew is so neat, Soda really liked all the wacky flavors those guys come up with. The thought of going home and opening a can of soda was certainly a comfort. After witnessing all this blood and gore and viscera, Soda absolutely needed to get back home and get a nice cold glass of something bright red .

As Sodas mind wanders off to soda, Emizel wraps up the conversation on the phone, before hanging up, and standing up.

The movement had pulled Sodas mind back into the moment, enough for him to timidly voice a concern he's had since the start of this debacle.

"Uh, hey, so.. The body, should we… Uh.." He gestures vaguely to it, and Emizel grants it a nonchalant glance.

"Eh, I can toss it into a dumpster or something, I dunno. I'm sure its fine. I'll handle it."

The vampire boy goes to pick up the corpse, the wound in its mangled arm no longer even dripping with blood, the flesh pale from the absolute absence of red in its veins.

"Go ahead and meet me by that one mailbox, the one with the bullet hole in it." Emizel casually instructs, tossing the drained body over his shoulder. "I'll catch up."

"Uh, yeah, okay.." Soda musters up a nod, and the strength to rise back up to his feet, wincing as that bruise on his side makes itself loudly known again. He still felt anxious, but even despite it all, he knew he could trust Emizel to take care of things. He always does. "Just stay safe man, I'll see you there." Soda assures with a smile, and Emizel matches it, tossing him a wink. And then suddenly- -He's gone! If Soda had blinked he would've missed it, but he was fortunate enough to just barely catch the glimpse of Emizel darting off at an inhuman speed, probably looking for a place to dump the body. Right, he would take care of it. Emizel always makes sure his crew is taken care of. Well... Guess all that's left for Soda is for him to walk back to that meeting spot. He looks around the alley for a moment, taking in the sight of that enormous pool of blood in the middle of the concrete. Or whatever the floor of this alley is made from. He ponders on the present moment a little longer than he meant to, the shock of it all leaving him aimless for just a few, soothing moments of just, decompression. The night is quiet, vast, and cold, but the stresses of just the past 5 hours had left his body radiating with fiery aches and pains, so the chill of the occasional clawing breeze was welcomed. Except for when said breeze agitated the cold water still soaked into his sock. He should step in another puddle on his way back to even it out. The smell of rain still rested heavy in the air, heralding another storm on the horizon. There was that, and then, well, there was also the blood. The stench of it felt far too intense to just ignore it, the metallic miasma making itself maliciously unmistakable. Maybe the impending storm will wash this mess away... He looked forward to putting this unfortunate night behind him. With one last rattled, but deep breath, he stuffs his hands in his pockets, and turns away, strolling back over to the mailbox that Emizel had described.

He couldn't wait to get home and drink some soda with his friends.

#NO TAGS ON THIS ONE BC WELL. IM SHY. IM TAKING A BIG LEAP JUST BY ALLOWING U TO REBLOG THIS. IF IT BREAKS CONTAINMENT THATS UR FAULT.#i unfortunately suffer from the disease of 'i hate everything i write the day after i write it' BUT IM GETTING TREATED #I WILL NOT BE HAUNTED BY THIS WEAKNESS FOREVER. AND HEY LOOK THIS IS THE FIRST ACTUAL FIC BIT IVE EVER FINISHED..#ITS SOMETHING TO BE PROUD OF!! AND BY JOBE I WILL BE PROUD EVEN IF I HATE IT.#i dont always need to be the one who likes my art bc i know Someone out there will always enjoy it.#and to that someone i say: omg thankyou i LOOOOVEE YOUUUUUU!!!!!#JUST DELETED A WHOLE RAMBLE I JUST HAD ABT NERVOUS DISCLAIMERS FOR MY ART BUT I DONT NEED EM!!#GET CONFIDENT GET CONFIDENT GET CONFIDENT. ANYWAY. so emizel and soda huh #THEYRE SO CUTE TOGEEHTERRRR TEEHEHEHEHEEEE they are the homies that kiss eachother goodnight like CMON #but uhh so hey your bestest friend in da world just got turned into a freaky creature thing that eats ppl #ieah yknowthe guy that u care about alot that u had to watch get bled out by another freaky creature thing in an alleyway #yeaaah and you were super hurt and weak and stupid and u couldnt do jack nor shit to help him #what was i talking about again. RIGHT so hes even cooler now bc he cant die n hes super strong n his arms can be knives. sometimes.#but also he can eat people now. and sometimes he cant stop himself from eating people. and thats kinda scary. but in a cool way.#but also in a disturbing way. but also in an interesting way?but also in a freaky way.the feelings ARE MIXED!!!ATLEAST I THINK THEY WOULD B #okay again i havnt listened to the suckening ina bit. so its been a minute since i absorbed their personalities. i could be misreading or #misremembering or misconstruing or mischaracterizing or WHATEVER. i think the confusion carries its intended effect #LOSING MY TRAIN O THOUGHT. anyway i love soda n emizel i hope they get locked in a saw trap together or somethign. for enrichment.#TALOS GRANT ME THE STRENGHT TO POST MY CREATIONS ON LINE!!! AAAAAAAAAAAAAAAAAAAUUUUUUUUGHHH!!!!!!!

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