#favor has issues

[possumsquat]

The lover, and the ties that bind them

#dnd #oc #curse of strahd #favor da folizia #favor has issues

[itstimetodrew]

Ohio republicans trying to hold an election they hoped would go unnoticed in order to deny Ohioans simple majority rule (changing it from 50% to 60% majority), only for it to be one of the highest voter turnouts for an August election ever in the state AND the votes against them being 60%+ anyway? Lol. Lmao even.

#politics #literally the only arguments I saw in favor of the issue was 1) people outside Ohio are gonna make our laws #(what the fuck are you talking about) #2) if you don’t pass this then they’re gonna trans your children!! #(ACTUALLY what the fuck are you talking about) #baffling how repubs keep going with the trans angle here where it’s now failed for…3 high profile elections in a row? #I hope they keep doing it though. keep slamming your thick heads into that wall!! ha!!! #this state is still so fucked up but ooooh this victory is sweet

[utilitycaster]

The thing about Otohan is that she had an awesome mechanical build and she served a narrative purpose in that the party lived in fear of her for nearly 60 episodes but she truly did die as she lived, with a personality replaced by frogs and murderous intent. And the thing is I suspect there's plenty of interesting stuff about there. I've been there as a DM, having built a super cool NPC with worldbuiding ties that the party simply did not give a shit about, and I think that's the same situation here.

Legend of the Peaks isn't particularly meaningful since only two party members have any recollection of the Apex War and neither show the slightest interest in the politics thereof and they haven't really been relevant to the story. We don't know why she worshiped the Raven Queen once nor what happened to make her stop while still using that symbol...and it hasn't really been relevant to the story. We don't know if the backpack came from her or was from Ludinus...but it's not really relevant to the story other than tracing the potions of possibility back through Treshi and Jiana. We don't know what specifically drove her towards the Vanguard other than lacking answers as a Ruidusborn - which may have simply been enough - but again. Not relevant. We have Liliana to represent the perspective of a Ruidusborn who went through the Omen Archive study and whose motivations warped and twisted from a place of genuine worry and fear, and we have Ludinus to represent the centuries-long architect of this entire plan (plus he can't stop monologuing about his motivations, and that is a compliment). That's plenty.

And so Otohan consistently fails the Sexy Lamp With A Gun Attached Test, and it doesn't really matter, and I'm sure there was a backstory there but there's quite literally been no reason to care about it at any point, and I think most people do not. Her entire purpose within the narrative was that of a sentient evil Jersey Barrier that ultimately had to be blown up. I'm infinitely more interested in the loot drop that resulted from her death (and obviously the emotional ramifications of FCG's sacrifice) than any of her repetitive zealot bullshit.

#sam should play an apex war veteran #having further Thoughts re c2 character creation vs. c3 here #bc like. fwiw due to the ties to jiana? i suspect if the party hadn't been able to call in the VM favor for laudna #otohan might have become rather more relevant #OR if treshi/bassuras had been paced out differently and they had to spend more time in the Paragon's Call #like again i think the campaign mostly recovered post-solstice from the slog of the 20s-40s infodumping #though the scars remain; but i think otohan's intrigue was absolutely a casualty of the issues at that time #as i think i said recently had the party gone to yios first i think that would have fixed a LOT #anyway. last hanging thread of plot from that has finally been severed thanks fcg you were a real one. rest in piss otohan #cr spoilers

[leonardalphachurch]

south is SO fucking quippy. if she was a dude people would be all over her. nearly every single line she says when she’s not angry she’s making a quip. it really is so sad that misogyny has blinded everyone to how silly she is

#south rvb #tbf. the narrative itself isn’t doing any favors. #but like. come on. ppl can fanon a guy out of two sticks and a wad of gum #there’s SOOO much south being goofy funny jokester… #i NEVER see this aspect of her character explored in fan works #and like. ‘man who’s quippy but has anger issues’ is fanons bread and butter. she really is hates bc she’s a woman.

[essektheylyss]

I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.

I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.

#this is not about discussing the independent business choices but just for the record #i do think the way this has been handled thus far is solid and extremely reasonable. #and also i do think people would've lost it if dropout had not started largely subscriber-only and made that decision later. #just saying. I 100% think dropout's model is reasonable but they are STILL more restrictive in subscriber-exclusive content than this is #frankly at this point I do tend to favor creators who actually exhibit some business savvy cuz like #I don't necessarily presume that others will be in the space long term and i just don't have that much time to get invested in things #also cuz imo those people also tend to understand format better which is my vibe lol so there are other reasons but #i did work at a digital media company for five years and felt like fucking cassandra over literally this issue exactly so like #I'm not here to claim that I'm an expert but I do get it #the current situation SUCKS and trying to get through it is like threading a needle during an earthquake. while you're on fire.

[pepperpixel]

“Can't remember when we walked past the O.R. sign!

(sur-ger-y!)

Can't remember passing out with her hand in mine!

(my-my-mind!!!!)

I remember waking up with my mind repaired.

(A-OK! ^^)

I remember when I realized, she wasn't there...”

Amnesia was her name….. is. so. horrifically. sadly fitting for these two in literally every single line. And I’m gonna NEED ALL OF U GUYS TO GO LISTEN TO IT NOW OK… THIS ISNT A DRILL GO GO GO GO!!!

Anyway… uhh. the fact Betty “blessed” this guy to like. An eternally long lifespan w THIS FUCKED UP OF A MENTAL STATE IS SO SCREWED UP GHGH- Like poor Simon god damn…! u kno he’d rather just keep on not sorting out his baggage and trauma forever too cuz it’d be too complicated… too much… force him to admit things about himself and about BETTY that he really really doesn’t want to… better to just leave it all unexamined.. pack it all into lil boxes so he can just try to ignore it and pretend it doesn’t exist… HE GOTTA LIVE FOREVER W IT THO… *ME BANGING ON SIMONS DOOR AT 3 IN THE MORNING*: “SIMON U GOTTA ACCEPT URSELF!!!! LOVE URSELF!!!! ACKNOWLEDGE N ACCEPT EVEN THE “BAD” PARTS OF URSELF!!!! SIMON PLEASE!!!!! SIMON EVEN PPL WHO LOVE YOU AND WHO YOU LOVE CAN HURT YOU!!!! ACKNOWLEDGE IT!!! ACKNOWLEDGE THE HURT AND ACKNOWLEDGE UR FEELINGS!!!! AND URSELF!!!!! SIMON!!!!” anyway… gGHGH YEA, SRRY. SIMON PETRIKOVS MENTAL ILLNESSES MAKE ME FEEL LIKE IM GONNA EXPLODE. ANYWAY HAVE SOME ART. W a bunch of diff versions cuz I’m indecisive!

#adventure time #simon petrikov #betty grof #petrigrof #doodles #lol at tagging this petrigroff but nah I stand by it man!!!! #being a petrigroff shipper is understanding that I’m actually canon these two need som fuckin COUPLES COUNSELING. OR TO JUST BREAKUP. #like….. gGHG I LOVE BETTY BUT ALSO. ALSO… also…. these 2 have some issues… seperate and together issues. lmao #ANYWAY THO. ANYWAY THO. IM SO FUCKING EXCITED. I SAW THE NEW TRAILER. IM GONNA DIE. MY WIFE I GOT TO SEE MY WIFE #AND WERE ACTUSLLY GONNA GET SIMON MENTAL STATE SHIT YEAHHHHH!!!! #HELL FUCKING YEAH!!!!!!!!! #FIONNA AND CAKE DO NOT LET THIS NERD KEEP RUNNING AWAY FROM HIS FEELINGS FUCKING GET HIS ASS!!! MAKE HIM FACE IT AND WORK THRU IT!!! #pls!!!! if even Simon Petrikovs can start working thru his mental traumas there might be hope for all of us ghghg #uh but anyway yeah. AMBESIA IS HER NAME IS SO THEM.. STRAIGHT UP I FELT THE URGE TO EVEN LIKE. make an animatic for it!! it was so fitting! #im not gonna make an animatic cuz I don’t feel like it but!!! I saw it… I saw the animatic in my brain ghghg- #there’s a lot of typos in these tags but. just do me a favor… and pretend like there aren’t lol #fionna and cake #am I…. possibly…. projecting more mental trauma and issues on Simon. then he ACTUALLY has… #probably. yes. but!!!! he def still DOES have issues. I feel like I’m probably exaggerating the Betty ones cuz he #never really outright expresses feeling hurt by her. but also I feel like!!!! he’s the sorta guy!!! WHO WOULDNT EXPRESS THAT! #cuz he loves her!!!!! sO MUCH!! and she did so much and pushed herself so far and was trying so hard… and also she’s fucking basically d #dead now!!!! it’d be like. disrespectful of her memory…. to feel that. also what’s even the point of expressing that pain she’s gone!!!!! #she did all of that.. for him… how could he…. just. spit in the face of that #im writing those last few tags in the he perspective of simons mind btw… the things he tells himself…. #anyway gGHG MAYBE I AM PROBABLY PROJECTING MORE ISSUES ON HIM THEN HE ACTUALLY HAS BUT WHO CARES MAN #I’m allowed ghghgh- #I wanna draw art of Simon having a traumatic flashback to the ‘Dont worry ull be obliterated soon!’ line and hating himself for it #ice king isn’t him!!! it isn’t him! it’s not him!!! why does that hurt it shouldn’t hurt she wasn’t talking to HIM #BUT SHE WAS #SHE WAS… she didn’t think of the ice king as Simon but he IS… HE IS AND JUST. URGHGH

[fayevalcntine]

Positioning Louis as the "Edwardian wife who becomes trapped by her husband" in a literal sense does no justice to analyzing his actual place and role as a Black man in his society and in his relationship with Lestat. Any interpretation or analysis you do of him when it comes to their relationship cannot be stripped of the racial aspect because it's constantly there. Texts analyzing Edwardian wives (and particularly ones this fandom loves to bring up) typically were white and the dissection of their place in societal rules are always viewed from the aspect of gender that is within these texts only allowed to white women, but never to Black men or even Black women. And gender and race become inseparable when you discuss the latter, no matter how people may view it.

This is why I can't take this approach to analyzing Louis' story seriously because if you don't consider the racial aspect in his relationship even to himself and his sexuality, what's the point? You're still centering the standards that were more placed upon white male/female couples than you're willing to look into the unique structure of Black families, religion, their view of homosexuality and how that sooner heavily influences Louis than the family's "need" for him to be sold off to an Edwardian husband. Even in Louis' own story, him and Claudia being Black is more centered on than any demeaning "housewife" comment he tries to go against from Claudia's perspective. She makes that comment once, whereas we have at least two episodes from Louis' perspective that have very blatant hints and showings of the racism he still suffers from under the Jim Crow era and how it affects his self-worth as well as his relationship with Lestat who doesn't seem to take into consideration how any of the blatant racial aggressions and objections still affect Louis and what he considers to be important to achieve in his own life.

Then there's also the pointed topic of Louis' position as a Black man who is a pimp to the Black women he has as sex workers, as well as how his position as a Black father affects Claudia, another Black girl. If you insist on Louis being centered as this "Edwardian white wife" who is confined by his implicit gender in his marriage, where does that leave Claudia and the blatant misogyny and disrespect she gets from both him and Lestat? Lestat who is her white father abuses her. Positioning Louis within the strict confines of "being her mother" doesn't do her any favors because he didn't hesitate to choke her when he was deeply emotionally distressed, nor does it make him look any better when he's fine with chopping up her diaries and then delivering them on a silver platter so that Daniel, another white man, can read and dissect. Even if he does this under the sole pretense of "doing right by her", how does it in any way help when he also can't face up to his failures towards her?

#interview with the vampire #claudia #louis de pointe du lac #i just feel like all these needless 'Lestat is the patriarchy' discussions; even when done in order to shield Louis #do him and Claudia no favors because y'all keep centering these weird strictly white standards in your interpretations #'Louis is an Edwardian wife' Louis is a Black man who was turned in 1910s Louisiana #the structural confines Edwardian wives were given really aren't the same when you take into consideration the racial segregation #of Louis' time; and I feel like the specific issues that Black men then faced when it came to 'proving' their worth when it comes to gender #are then just sidelined and forgotten as if those aren't the standards Louis grew up with #if you want to discuss Louis' placement in his relationship with Lestat it's kind of really heavy-handed even on the show #that he's a black man and that that heavily affects him foremostly in this relationship #also I'm so confused over this insane idea that Lestat is somehow the patriarchy while Louis is a woman and y'all say this unprompted #without considering how it looks when you call a gay black man a woman and a white bisexual man a guy #i feel like you can evade bad stereotypes of painting black men as overaggressive without veering off into the whole other side #while still sounding vaguely backhanded #and it doesn't make it any less weird when I see other non-black/white fans insist on this interpretation #it just comes off as y'all sooner being able to connect to Louis if you see him in a role typically embodied by white women #than to refer to the actual identity he has as a black gay man

[shinobicyrus]

Hey, yanno how Climate Change is a real thing that is tangibly, at this moment, affecting our world?

Well it turns out, the wealthy and their investment firms have been seeing the mounting evidence that oil companies have had for decades and are slowly starting to think more long-term about their portfolios in the face of rising sea levels, more extreme weather, and the myriad of ways climate crises are affecting...well. Everything. Maybe this means they invest more into sustainability, green energy, building more resilient infrastructure, or carbon offsets. Some of it, of course, is simple corporate greenwashing, but there are those that are taking this trend and packaging it into something called ESG (Environmental, Social, and corporate Governance).

Now some people would say this is predictable, even sensible. Just the good ol’ Free Market(tm) rationally responding to market forces and a changing world.

But those people would be fools! Insidious fools! For conservative sorcerers have come out with a new cursed phrase to explain this new market trend: Woke Investing.

What makes this investing “woke?” Well, much like how conservatives normally flounder when trying to define a word they stole from black people, “Woke Investing” essentially just means any kind of capital investment that they, the fossil fuel billionaire class and their sycophants, don’t personally profit from.

One of these aforementioned sycophants is Andy Puzder, conservative commentator, fellow at The Heritage Foundation, and former fast-food CEO. He calls this kind of so-called woke investing “socialism in sheep’s clothing,” further explaining in leaked audio of a closed-door meeting:

“My father's generation's challenge was the Nazis, who, by the way, were, of course, very proud socialists[citation fucking needed]. The challenge of my generation was the communists, who were, of course, very committed socialists. The challenge of your generation is ESG investing, and it's more insidious than communism or the Nazis.”(source)

You heard it here first, folks. Not investing as much in fossil fuels is more insidious than the Third Fucking Reich.

As usual, the Heritage Foundation is putting their petro-chemical donor’s money where their mouth is. Bills are being proposed to blacklist banks that don’t invest in key state industries, such as West Virginia coal or Texas oil. Fourteen states have already passed bills to restrict ESG-type investing, with Florida Governor Ron “Bullies Kids for Wearing Masks” Desantis leading the charge.

In other words, Climate Denial has reached such a point that so-called Free Market Conservatives who claim to hate big government are trying to make it illegal for banks, investment firms, and financial institutions to make any financial decisions that acknowledges Climate Change is real.

#of course ESG has also been used to describe any kind of internal corporate action #to increase diversity in the work place or implementing new anti-discrimination policies #(which are usually more performative than actually meaningful but that's a separate issue) #a Republican Presidential candidate #Vivek Ramaswamy #has even made ESG investing his personal bugbear #writing such books as 'Woke Inc' and warning of socially conscious investors ''forcing'' companies they invest in #to devote resources to environmental and social policies that are anathema to the right #which is just...a brand new invented crisis by a political movement #in constant need of a crisis to rally their base and justify for draconian legal controls #to favor certain industries and undercut their competition #all under the guise of red scare-type moral and economic panic #ESG #Woke Politics #Climate Change #Capitalism #Republicans #Investment

[tesco-finest-aromantics]

support aromantics who feel romantic attraction or die by my fucking blade

#pk;m crow #as an aro who has never felt romantic attraction i'm fucking sick of romance-repulsed aros and aros who have never felt romantic attraction #acting like their opinions on aro issues are more ''valid'' than aros who have felt/do feel romantic attraction #shut up with all this romance negativity you're only going to push people away who really need this community #aromantic #aro #actually aromantic #arospec #greyromantic #demiromantic #romance repulsed #romance favorable #tw aggression #tw aggressive #tw swearing #unreality #(just in case)

[peony-pearl]

"Iroh ignored Azula” Well what if I didn’t believe that and the greatest irony of Avatar is that Iroh was one of the folks who encouraged her strategic thinking that she would use to later hunt him down

#atla #Azula #Iroh #my art #did he fail her? Yeah probably #homeboy had his own set of issues like continuing his father's conquest #he really didn't have time for either her or Zuko #and if Zuko really was born kind of meek to a very competitive family #who's to say Iroh paid much attention to him? #And put favor towards Azula? #and then he's gone for the siege and then an unknown amount of time for his spirit journey #and comes home and Azula is firmly not interested in Iroh #but Zuko who has been ignored and belittled by his father may seek Iroh out #to which Iroh would be open to but he's still messed up over his own issues #and being on the boat during Zuko's exile creates that bond #So Iroh would escape the favoritism aspect of the Fire Nation and show love towards the 'imperfect' son #while Azula has Ozai's favor #Which itself isn't healthy #but idk I can't hate Iroh for a series of events set before his time in which there's going to be a definite loser #and he's already lost #so he's going to try and help someone even if he doesn't really know how nor does he have the motivation at first #but then his care for Zuko grows and he realizes he wants that again and will do what he can #I'll gladly take the imperfect character who at least tries to have his heart in the right place

[puhpandas]

Contentment

(1,485 words)

Evan has a nightmare during a sleepover with Gregory and accidentally wakes him up in the process. Gregory, of course, offers him comfort. Even if he is delirious from sleep and spouting nonsense.

Evan doesnt know what time it is when he gasps awake from his nightmare. Its sometime late, if the pitch blackness of the room and faint sounds of cicadas and crickets outside are any indication. Gregory is still sleeping soundly adjacent to him on his bed as he huffs for air, unfiltered fear gripping his lungs.

He props himself up on his air mattress, trying to calm his hammering heart as the fluffy throw blanket Gregory had given him to cover up with slides off of his shoulders. Flashes of the frankly offputting nightmare appear over his eyes in the dark, and he tries to rub them away with his clammy, shaking hands.

It's not the first time Evan's had nightmares like these. Far from it. Sometimes, he'll shoot awake in his room and think he sees shadows of what monstr of the week he'd dreamed about in the corners, and his stomach will be so on fire he'll be shaking intensely, unable to fall back asleep.

That's what's happening now. Allthough its frustrating how much his brain seems to hate him, Evan cant find it in him to be annoyed right now. He almost never can. The fear that he'd experienced in the dream has clung to him like a tick, and it makes his breaths shaky and harsh.

Sweat clings to his clothes, soaking theough and making his skin sticky. Albeit shakily, he moves off of the air mattress, too paranoid to stay on top of it lest he somehow gets the bed Gregory's family had generously donated to him dirty. He shifts near the middle of the side of Gregory's bed, sitting on his carpet and curling up as small as hes able.

He tries really hard to stay quiet for Gregory, but this is a particularly bad one. That feeling he always gets when he has a nightmare, and wakes up feeling off and disoriented is sticking with him. His heart thrums uncomfortably in his chest, and he clutches his knees he has pulled up to his chest, trying to will the anxiety away.

Despite how hard he tries, his eyes blow open when he let's out the smallest whimper, the terror and the dark getting too much. He holds his breath, staying completely silent for what feels like hours as he strains his ears for signs of Gregory waking up.

His heart has long since stopped when he risks a glance behind him. It's the exact same time Gregory stirs just enough to land a hand on his shoulder, and Evan startles hard, gasping harshly.

After he wills his heart to stop almost imploding, Evan breathes out, trying to calm down. Guilt curls in his stomach when Gregory raises his head from his pillow, eyes bleary and hair sticking up. His face is just visible over the edge of the bed, and Evan's only able to see his expression because of the moonlight shining through the blinds.

The hand squeezes a bit tighter, and then "Ev'n?"

Evan's brows furrow, the feeling of fear and guilt mixing together into an ugly poison in his gut. He shakes his head, trying to will the unease to fall away. This, undoubtedly, is worse than before.

"Its me." He replies, after a moment, soft as ever. He swallows thickly, before, "I-- I'm sorry I woke you up. Just go back to sleep, please. I-- I promise I'm okay. You don't need to worry about me."

Despite Evan's attempts, it seems even through Gregory's barely-awake state he can still call Evan's bluff. Evan watches Gregory's form under his blanket shift, rolling out of view from the edge of the bed to closer to the wall.

"No you're not." Gregory tells him, voice rough from sleep. His words slur in that way that tells you the person you're speaking to isnt fully aware. "I h'rd you. Just... if somethings wrong jus... come up here."

Evan's eyes widen, and panic grips his insides at that. "No, no!" Evan attempts, waving his hands even though Gregory probably cant even open his eyes enough to see him. "I dont need you to do that, I swear. I'm fine. You take your bed and I'll have mine."

Evan has calmed himself down from nightmares plenty of times before. Even if it did take almost an hour or more each time. He doesn't need Gregory to offer his own bed to him.

But Evan should know by now that Gregory wont allow him to suffer in silence. No matter how much he insists. So really, when Gregory flails a hand around and off of the bed, tugging at Evan's sleeve and mumbling things about 'Not leaving you to be scared', he shouldn't be suprised.

Still. When Evan eventually climbs into Gregory's bed and tucks himself under the thick comforter, the sheets coming pre-warmed, its almost like the unease and anxiety of his terrifying nightmare melts off a little. Especially since he can feel the almost personal heater-like warmth of Gregory's back pressed up against his side.

Gregorys bed is just a twin, so it takes some squeezing, but they both fit. Before, Evan would just have Fredbear to tuck under his arm when he inevitably had to try to fall back asleep in his own house. Never in a million years did he consider going to his Father or Michael for comfort. The idea of having a person to keep him company never crossed his mind.

When Evan has calmed down significantly since climbing in bed, he relaxes some more, finally feeling more fit to sleep as he says, "Thank you, Gregory." Evan shuts his eyes, body still faintly trembling but feeling more relaxed. "...I do feel better. A lot better."

Evan thinks Gregory may have nodded off already when he doesnt respond right away, but then he shifts slightly. "T'ld you." He mumbles. "...You gotta stop being scared of bothering me. I want you to feel better more than having m' bed I sleep in every day."

Evan chuckles slightly. "Night, you mean." But warmth overcomes the last bits of chill in his stomach when he smiles earnestly into one of Gregory's pillows, tugging the comforter above his chin. "And... I will. From now on. You just might have to knock some sense into me first."

"I will." Gregory replies. He's still awake somehow (if you describe this as being 'awake') despite being dead still against Evan, as unmoving as a boulder. Then, to Evan's amusement, he mumbles, "I gotta learn to knock sense into things somewhere. H'w'll I be able to join the... the laser force if I dont?"

It takes a moment for Evan to process it, but then he cant help the giggle he stifles into Gregory's comforter. "The laser force?" He prompts.

"Mhm. Theres... laser guns, and I have to track down three targets bef're theyll let me join."

As Evan's eyes grow more and more tired from how comfortable hes becoming tucked safely into Gregory's bed, Gregorys comforting presence at his shoulder, and warmth surrounding him and pulling him more and more under, he just smiles, cheek smashing into the plush of Gregory's pillow. "Heh. You can do it, Gregory. I believe in you."

"Mm. I'll st'll come visit you... even after I'm deployed." Is the last thing Gregory says before his words trail off and his body goes completely slack against Evan, signaling hes asleep.

Evan has one more round of quiet, silent laughter before his eyelids slip shut, as heavy as iron, and his body relaxed. He falls asleep himself, smile on his face and any remnants of terror from his nightmare wiped away.

Evan's last thought is how much more being in Gregory's bed, in his room, in his house, feels like home than his own room, where he could really never fully relax. Where the threats were real.

When they wake up that coming morning, any of Evan's previous unsettled feelings are completely absent, replaced with amusement and contentment when he peels his eyes open to sunlight peeking through the blinds and Gregory's face smushed into his pillow, drool stained into the case. Gregory wakes up to Evan's giggles, and after realizing what, or who hes laughing at, grabs one of his plush pillows molded like something and begins pelting Evan with it.

Naturally, Evan shrieks, throat dry in that way that only happens when you've slept good, and shields himself. When he throws the comforter off of himself, falling onto the air mattress and bouncing, he laughs even more.

Evan grabs his own pillow from what was supposed to have been his bed for the night, and strikes back, getting a few hits of his own in.

Gregory's room is filled with laughter that morning, between Evan and his best friend, and later, when he has time to reminisce on the night, he realizes he had gotten no more nightmares.

ao3 link

#evan has anxiety #and he feels like gregory is doing him a favor by being kind to him #so also guilt issues #with people sacrificing things no matter how small to help him #maybe he just cant fully grasp the concept of someone caring about him #maybe he'll never fully unlearn that #pandas writes #my fics #flashlight duo #flashlight duo modern au #gregory and evan #evan afton #fnaf gregory #oneshot #gregory #evan #for ppl wondering this isnr ship its sibling like #found family type

[overleftdown]

"farleigh is a mirror of oliver" "oliver is a mirror of farleigh" "farleigh and oliver are reflections of each other"

bro i'm the mirror of farleigh. u speak on his name and ur speaking on mine istg this is a personal battle that i'm waging from the front lines. he's ME. there's just something so real and relatable about him...

#farleigh start #saltburn #saltburn 2023 #any farleigh truthers out here? #any farleigh kinnies? #realest character i've seen in a minute #HE HAS MOMMY ISSUES??? #dude don't even look at me #don't speak to me #mommy AND daddy issues #there's this interview of archie where he just goes into everything working against farleigh's favor #and i like to read it with little vine booms going off in my head #“one: he's not english” BOOM #“two: he's the only person of color” BOOM #“three: he's queer” BOOM #“four: he's not wealthy” BOOM??? #violation to the highest degree #that's a wendy's 4 for 4

[piosplayhouse]

(This isn't bait, and you don't need to answer it if you don't want to). What's your beef with heartstopper?

The author and I have the same favorite mangaka but they tried to claim her as a "one of the good ones defying all problematic elements (of the gross bl genre of course)" without knowing that . One of the only other scanlated works from same mangaka is a psychological horror incest BL with every trigger warning under the sun

Also I hate white British people but that's on me #listening and learning

#a lot of people got on her ass about sharing an illegal scanlation sc as well but honestly like ehh i have a little more lenience ig #since the authors work IS obscure and there isnt an english translation and i dont expect someone who allegedly is not a frequent reader #to know all the nuances of scanlation etiquette or whatever. but its also because the author is obscure that im laughing at this point #because she only has like . 4 what i would call main works and one of them is definitely problematic as hell #and another one features some consent issues and they bang as teens which is fairly industry standard but #honestly i dont really care either way like im very neutral and the books probably cute i spose its just the constant trend you see over and #over again with these white queer authors where they have to talk about how their work is so much different from the obviously inferior #asian queer art like we werent doing it centuries before you guys and have such a strong queer history thats so often disregarded in favor #of starting the discussion in the us . or something whatever its midnight and i havent finished my work prep

[fictionadventurer]

It sounds like Joe and Ken focused on telling stories, stories that being stories focused on the world and characters they knew. While Pete's were more focused on delivering a message with story flavored wrapping.

This is very much the case, but the difference seems to go even deeper than that, to a fundamental difference in worldviews that affect how they approach story.

Episodes written by Joe Fallon and Ken Scarborough respect children as people. Children have been shaped by their experiences and have unique personalities. Children are curious and have brains--they are driven to explore new things and can draw conclusions from what they see and do. Children are already people who deserve respect, and like all of us, they're growing into different people as they learn new things and have more experiences. The child characters can thus be the drivers of their own stories and come to learn lessons for themselves. The child audience can relate to those characters, be drawn into the story, and learn what it's trying to teach without having every detail explicitly spelled out.

Episodes written by Peter Hirsch seem to approach children as people-in-training. They might have one or two personality traits, but instead of coming from and interacting with other elements of their background, they're just pasted on, like a sticker you can put on your Generic Child Prototype. These blank-slate children need to have knowledge poured into them so they can become Properly Educated Adults. So in his episodes, these child characters will go through their story with a question, and the adults--the real people--will tell them the information in great detail so these characters--and the watching audience--can go off into the world knowing what the writer has decided they need to know.

In Joe and Ken's episodes, flaws are funny, and can create funny conflicts that will teach the children better ways to approach problems. In Pete's episodes, flaws are horrible things that need to be pointed out, labeled, and sanded away, so these children can grow up into the perfect model of what a Good Adult should be. The first approach is engaging, and celebrates diversity of personality in a community, while the other becomes bland in the interests of shaping all the members of a community into the desired mold.

Comparing the two approaches provides a shockingly thorough lesson in how one should and should not approach writing and education. Story and character and message are all intertwined. Trying to force the message onto the story and characters makes for something bland and generic and unrealistic. Letting the characters shape the story and letting the story bring out the message makes for something much more unique, organic, engaging, and real. And yes, maybe I've come to this conclusion by spending far too much time thinking way too deeply about a bunch of shows for elementary-aged chlidren, but that doesn't mean it's not fascinating to see how, even within the same show, an writer's personality and approach to the audience can make such a vast difference in the quality of a story.

#answered asks #arthur #curious george #it has gotten to the point that i inspired the brother i usually talk to about these things #to google peter hirsch's biography #he couldn't find it #but we thought there has to be *some* explanation for why his work is the way it is #has he ever been outside a city? #has he ever left the east coast? #i didn't even get into the different approaches to class between the writers #joe and ken write episodes that happen in a world with working-class people #francine's family can't afford things the other kids can for instance #whereas in later arthur those real-world concerns are erased in favor of upper-middle-class discourse #i don't think i would have descended to this level of analysis except seeing all these people write for multiple shows #is really making it clear which elements come from the writer's personality regardless of the show #oh also the main post wasn't the place to mention this #but it's fascinating to see this message vs story thing applied to completely secular issues #because it drives home that it's not just the religion that makes some christian fiction so awkward #but how they approach it #message needs to come from story no matter what the message is #and you can have cringy preachy content even in completely secular works

[kurokoros]

I've been seeing the "endeavor is the best written character in BNHA" take for a while and regardless of if that's true or not (because that's an opinion, not a fact) do the people saying this not think it's questionable or off-putting that the "best" written character is a middle aged man discovering after over two decades that neglecting, abusing, and overall traumatizing his wife and children is BAD and he wants to be a better person now???

#i know i have mutuals that like endeavor. or at least want to fuck him. but come on guys pick a better dilf. have better taste #for the record I don't have an issue with the narrative putting a focus on endeavor #i just think the framing of that focus was garbage #using him as a narrative point to critique hero society and the HPSC was RIGHT THERE. IT WAS RIGHT THERE #ALSO. A L SO. i'm so tired of people being like 'hey this man makes me uncomfortable and I don't like him in the story' #and absolute clowns responding that ' yeah. but he's the best written character in the series!!!' #once again WHY has the abusive father been given the best writing in the series as opposed to literally any of the main characters? #horikoshi chose to minimize the ripple effect endeavor's behavior should have had on society in BNHA and shockingly that's not good writin #also because i know people like to whine about 'p u r i t a n i c a l' views. that is literally not the problem here #i'm not mad that endeavor exists as a character. I like the wrench he throws into the idealistic version of heroism presented early on #i'm mad that the societal issue of men using their wealth fame and power to abuse others is glossed over #in favor of a narrative arc about this dickhead feeling bad and wanting to do better #anti bnha #sort of #anti endeavor #absolutely #fandom.bnha

[thresholdbb]

Call me a sucker, but I really like the latest Paramount+ Home of Star Trek commercial

THAT SAID - the Prodigy erasure stings. To me it definitely feels like Paramount is implicitly saying it’s not a part of Star Trek anymore since it’s not on the platform

But if Threshold taught us anything, it’s that you can’t remove something from canon just because you decided you didn’t like it anymore. Prodigy is Star Trek, and it will continue being Star Trek even with a new home

#star trek prodigy #saved star trek prodigy #Star Trek #prodigy is hecking amazing #the prodigy erasure has stung since it was announced they were cutting it #I get that it’s now Netflix’s property and they can’t claim it anymore #prodigy is the most hopeful of the newer iterations to me #long story short I’m a sucker for some nostalgia but that doesn’t mean Paramount hasn’t done some terrible things to the franchise #the commercial is good very nostalgic they’re (almost) all there #remember when they tried to disown threshold come on #you can’t put the salamanders back in the shuttlecraft #they’re out there and they are BELOVED #also bring back ridiculous and bad Star Trek cause ‘fortune favors the bold’ and those silly episodes represent risk taking #risk taking can lead to some of the best works #‘risk is our business’ Kirk himself said it! #do you think we would have Far Beyond the Stars without Move Along Home? #the risk taking is part of why I love voyager (and threshold) so much such high highs and low lows just hits all the right notes #I also have issue with the writing being tightened down so hard that no one can breathe #meta