So ever since the first season of Hazbin wrapped, there’s been more and more people (myself included) discussing and analyzing the parallels that Charlie and Vaggie seem to have towards Lucifer and Lilith. However, I’ve also started seeing a bit of debate as to how these two relationships parallel; namely whether Charlie is the parallel to her mother OR her father in this relationship, and whether Vaggie likewise parallels Lucifer OR Lilith.
And what I think is so INTERESTING about this is that the more I’ve looked back over what we’ve seen of both Chaggie and Lilith/Lucifer, the more I think we’re going to have to recognize that the parallels Chaggie has to Lucifer and Lilith actually cut in BOTH directions. That Charlie parallels BOTH Lilith and Lucifer in this relationship, and that Vaggie likewise parallels BOTH Lucifer and Lilith.
Because when you start looking back at Season 1 and all the analysis people have done, you really start finding a LOT of strong evidence for BOTH interpretations:
We have stuff like Charlie being an extremely powerful (half)human woman who inspires the people of Hell through her singing just like her mother, while also being an optimistic dreamer who longs to help humanity just like her father. Or stuff like Vaggie being a fallen angel and victim of Heaven’s cruelty just like Lucifer, while also being a woman hurt and cast out for not wanting to be controlled just like Lilith.
Really, it’s actually funny just looking at the scene of Charlie’s and Vaggie’s first meeting and seeing the number of people reading Charlie as Lucifer and Vaggie as Lilith, and the number of people reading Charlie as Lilith and Vaggie as Lucifer, being pretty much equal.
Charlie finds and gives comfort and shelter to Vaggie just as Lucifer did for Lilith, and Vaggie falls for Charlie just as Lucifer did for Lilith.
And we can find that kind of duel parallelism all over the place with Chaggie.
Charlie is the taller of the pair just like Lilith and Vaggie is the shorter one just like Lucifer, yet Charlie is the super energetic, optimistic dreamer which seems to parallel more what we’ve seen/heard about Lucifer while Vaggie is the more cool, quiet and sometimes more cynical one which likely has more in common with Lilith.
We’ve gotten hints that Lilith has been working on her own plan to help her people which led to traveling to Heaven to cut some kind of deal, just as we seen Charlie attempting. Yet when Charlie goes to Heaven she winds up speaking out against them and decrying what they’ve been doing, just as Lucifer has. And as I’ve discussed in other posts, Charlie’s dynamic with Emily has some potentially VERY interesting parallels to Lucifer and Eve: Charlie gives Emily knowledge that was long forbidden to her (the truth of the extermination) just as Lucifer gave Eve the apple of forbidden knowledge.
And in this regard, Vaggie’s not-so-well-hidden jealousy of how well Emily is getting along with Charlie could easily reflect how Lilith may have felt about Eve getting so close to Lucifer (something we KNOW happened thanks to the finale), yet the entire big reveal of that episode is that Vaggie is in fact a Fallen Angel just like Lucifer.
Then we have the two iterations of the song More Than Anything: The first version between Charlie and Lucifer is all about just how similar Charlie is to her father, with Lucifer not wanting his daughter to be hurt just like he was, yet also RELATING so much to Charlie’s goals.
But then we have the romantic reprisal of the song later between Charlie and Vaggie, which has Vaggie paralleling Lucifer, which in turn hints to Charlie more paralleling Lilith.
Now one way of interpreting this could be that Charlie is meant to exhibit the traits of both her parents, ultimately representing the best of both of them. Which in turn could naturally lead Vaggie, being Charlie’s romantic partner, to parallel both Lilith and Lucifer in her dynamic with Charlie. The Lucifer to Charlie’s Lilith AND the Lilith to Charlie’s Lucifer.
Just to give an example of this dynamic from a different show, just look at Blake and Yang in RWBY in relation to Blake’s allusions to Beauty and the Beast. Because Blake is an allusion to both ‘Beauty’ (Belle) and ‘the Beast’, this has led to Yang likewise showcasing nods to both in order to compliment wherever Blake is in her development; in the early volumes of the show when Blake is very withdrawn, brooding and standoffish like the Beast, Yang is very upbeat, positive and trying to get Blake out of her shell just like Beauty/Belle. And in later volumes when Blake has become much more upbeat and optimistic just like Beauty/Belle, Yang has likewise become more brooding and withdrawn much like the Beast.
HOWEVER, I think there may be more going on with Vaggie’s parallels to Lucifer and Lilith than just being an extension of Charlie’s own parallels. Namely that a number of her thematic parallels exist INDEPENDENT of her dynamic with Charlie. Like we have Vaggie’s being a Fallen Angel giving her a parallel to Lucifer even before she met Charlie. And if it turns out that Lute has one of those hyper-repressed, homophobic ‘hate-crushes’ on Vaggie and they were kinda-sorta a ‘thing’ back when Vaggie was in the exorcists, then that also basically makes Vaggie the Lilith to Lute’s Adam.
Not to mention we have the strong potential for things like Vaggie and Lucifer bonding over their shared experiences as fallen angels, as well as parallels drawn between Vaggie’s hiding her past from Charlie and Lilith’s own secrets.
All in all, while I think it’s still too early to call where exactly the story may be going with these character parallels, I do think we should be expecting and keeping in mind that Charlie and Vaggie seem to be paralleling BOTH Lucifer and Lilith in fairly equal measure.
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hot take but “vermin” is a pretty fascinating episode. especially after seeing the climactic buildup of the last episode with utena refusing to fight her best normie friend. “wakaba flourishing” is an incredible episode because wakaba is a character we’ve spent so much time with thus far and yet whose psyche we still don’t really understand. an episode that elucidates her anxieties, especially with regards to never being prioritized or being seen as “special,” is immediately followed up by “okay.... now who tf is this random bitch lmfao😭” which actually serves to drive home wakaba’s point even harder!
this girl isn’t just some random brunette nothing, she doesn’t even have a valid claim to touga’s heart. we’ve seen kozue, tsuwabuki, shiori, and wakaba establish significant ties to their black rose counterparts in the first arc, but keiko has never actually articulated any thoughts of her own until now, merely parroted nanami’s sentiments. of course, keiko feels similarly about touga as nanami does, but on a far less profound scale. keiko's obsession with touga is tangential; he embodies a role that she desires proximity to. nanami’s obsession with touga is ontological: he has made himself her entire world.
but of course, the people who have the most claim to touga within a black rose [psychological] framework, nanami and saionji, cannot actually fight in a black rose duel. they do fight their rose bride duels with and through touga, but it is imperative that only non-student council members fight with the black rose. so instead of nanami or saionji in that elevator, with good reason, it’s keiko. someone who has never been abused by touga, who has barely even exchanged a few words with him.
and touga is, for his part, largely absent from this episode. keiko’s primary relationship in the episode is between her and nanami. nanami is the true focus of this episode, her constant fear that she will not be “vermin” externalized through the bullying of/lashing out at those she deems unspecial. and in this way, nanami mirrors wakaba, as she clings to touga as wakaba clings to saionji, their prince, their shining special thing whose proximity elevates them beyond the “vermin” of ohtori.
touga may be special within the walls of ohtori, but nanami is special to the narrative. who else gets entire episodes dedicated to their mishaps and struggles completely extraneous to the ongoing dueling plot? she may be the narrative’s punching bag, but she is nonetheless focalized by it in a totally unique way. so in an episode that ostensibly focalizes touga, it feels apt that nanami once again entirely eclipses him.
keiko and the rest of the student body constantly establish that nanami is only special via her proximity to touga, and nanami believes it. but all along, that was never actually the case. nanami doesn’t need touga to be compelling. in fact, touga is primarily compelling through his role as nanami’s brother/abuser. nanami is fed a lie her entire life: that she could only be worthy as long as her older brother shone his light on her. that without the attention of that special, shining boy, she was nothing, nonhuman, vermin. but when she finally pieces together the implications of that lie and the violence of its consequences, she resists. she wants to to surpass her brother, who she once was, everything.
the real truth is simply that she’s been worthy all along. and anthy steps across the threshold, beyond the gates of ohtori.
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