#drawing anime characters based only on their powers

[ludinusdaleth]

bouncing off of this wonderful post mentioning how zathuda expects to be the main character because he would be in many current stories, as well as my own thoughts about fearne & her family ive had for a while: i think it is interesting how fearne is representative of the different ways folk portray fae in modern media.

first off, id like to note how many fae in cr feel like they are an homage to fae stories embedded in our cultural consciousness. for example, artagan was most definitely based off of jareth in labyrinth, and his moniker of the traveler may be an homage to the fable of the satyr & the traveller. so, what is fearne?

one of the first 4-sided dives featured ashley & matt discussing how they based fearne's story off of a guillermo del toro flick - and this definitely clicked to me. morrigan, ira, & all her bizarre animal friends at morri's mansion would fit so easily into a del toro film you wouldn't even blink at them. in del toro's work (namely pan's labyrinth & hellboy 2: the golden army) faeries are fundamentally strange, offputting, & wonderfully weird. they are goblins with wagons as legs, and trolls with talking tumors, and terrifyingly skinny entities with eyes in their hands that eat children. you can practically see doug jones in an intricate suit & makeup to play ira like he did the pale man or the faun (i swear matt's hand usage as ira is an homage to jones's iconic hands in costume), see the puppet of morrigan that weighs over a ton controlled by five folk at once. del toro's work as well as matt & ashley's plays into a fae that is more complicated than a human imagines at face value, something you must work to imagine & understand (& create). something playful, integrally bound to oaths, ancient, mischievous. it is happy & natural to be gross & incomprehensible and that is part of what makes these films (as well as other bizarre puppeteered dreamscapes like the dark crystal, labyrinth) almost comforting even when sad. pan's labyrinth also features a young girl as a protagonist, ofelia, who sees these creatures as respite & destiny, who is a fae princess amidst mortal war. fearne couldn't be more ofelia if she tried. (side note - god does the scene of the pale man eating the pixies in front of ofelia feel like fearne learning what lud does to her people. someone even made a meme of it.)

on the other hand, zathuda & birdie's story is obviously based on a fae romance novel that populates shelves today - sarah j maas's or holly black's work comes to mind. zathuda is (or was - he seems a ghost of it) clearly a looker, a fierce & sexy hunter, a handsome & strong unseelie royal who somehow takes in & courts a random nobody girl, birdie. but cr notably frames the love story narrative as a classist manipulation, that leaves birdie running for the rest of her life, falling for a weirdo nobody like her over zathuda, and leaves fearne without parents that would show her this incredibly popular kind of romance as an answer. she cannot fall back on a family of kisses drawing blood, of hunter & hunted as a beautiful meet-cute, of a throne & power. she can only fall back on the strange, the grotesque, the raw. they are ugly compared to a promise of a masquerade ball or leading a wild hunt, what folk expect of fae in a barnes & noble book haul - but they promise a safety in the outcast. because a guillermo del toro film will always fundamentally be about the human condition. "monsters are the patron saints of our blissful imperfections." every monster in his stories is a person as much as you or me is.

fearne was born of a fae romance novel but raised in a puppeteer-and-vfx fairytale film. she holds not only exandria's fate in her hands, but the feywild's, too. fae see themselves as higher beings while squabbling in courts as much as mortals do. they refuse to accept their chaos and try to maintain order & royalty with courts and bloodlines against each other. try to keep fae out of exandria because they cant know they are alike to their mortal counterparts. they cant be wild like a party of puppets at the end of labyrinth dancing with the human girl sarah. they wish to be as mysterious as if they lived in a ya dystopia. and it is clearly leaving them worse. fearne is the literal unity of all the ways fae are potrayed in a modern landscape. what will that mean for her and her home in the end?

#long post #critical role #critical role meta #fearne calloway #athion zathuda #birdie calloway #morrigan calloway #ira wendagoth #matthew mercer #ashley johnson #guillermo del toro #fae #campaign 3 #pan's labyrinth

[drawfee-quot3s]

what if airplanes in the night sky were like ring-a ding dingg

i could really use a ring right now, a ding right now

- nathan + karina

#HOW AM I ONLY JUST FINDING OUT JULIA LISTENED TO MAGNUS ARCHIVES #my fantasy is drawfee tma video but i dont know what that would even be #drawing anime characters based only on their powers #he am a speak moron #drawfee #drawfee quotes #drawfee video #karina farek #karina drawfee #nathan yaffe #nathan drawfee #crazy frog #can we pretend that airplanes in the night sky are like shooting stars

[episodes-without-incident]

10/3/2023:

4 episodes since Drawfee last referenced Cats (2019)

0 episodes since Drawfee last referenced Everytime We Touch (2005)

#episode: Drawing Anime Characters Based Only on Their Powers #4 episodes without cats incident #0 episodes without cascada incident #drawfee #pleased to see that the cascada bit is not dead after all :D LOTS of talk about it in this episode. if only we had a 0-0 #also love them saying it will be hard to locate. I am doing good work for you here #need to make some spreadsheets or graphs or something at some point. for the data #there's some part of me that wants to track like 10 different bits at once and make a whole spreadsheet of drawfee bits and what-- #episodes they're referenced in and there's a larger part of me that goes WE DON'T HAVE TIME FOR THAT #also confirmation we've reached the karina's apartment stage of episode releases

[weezardthewizard]

44:16 of Drawing Anime Characters Poorly Based Only on Their Powers is the first time I've heard Jacob's southern accent slip on him

#and it might have just been a voice crack #shout out to jacob and karina for ambiguously american accents #while nathan and julia are very strongly #MARYLAND #and N E W Y A W K #respectively #drawfee #Drawing Anime Characters Poorly Based Only on Their Powers #luong doowogs... haunts me...

[ghelgheli]

Historians are rarely challenged just for applying words like ‘woman’ and ‘man’ to the past; it would not inevitably cause a backlash to say that a historical figure wanted power, or grieved, or felt anger. A trans historian, though, is caught in the double-bind of the DSM-5. Our experiences and our desires are quite literally mad. We do not have the social license to see ourselves fractured and reflected in historical figures; we are standing in the wrong place to write. Put simply, if you foreclose trans readings, you foreclose trans writing. When we reflect on the similarities between our lives and those of historical figures, we are accused of spreading our social contagion to the dead. To read our own anamorphoses in a text, to communicate that to a cis academic establishment who have rendered our unqualified subjectivities unimaginable, we are forced to accuse historical figures of transness. And then, of course, we are chastised for pathologising them. For a trans historian, it is not viable to simply universalise our experiences of gender. In order to relate to historical figures’ gendered experiences in our writing in a way that is legible to cis readers, we have to assert that those figures were trans. There is a gap to be bridged, and the onus to bridge it falls on us… Transmisogyny and anti-effeminacy were and are integral to the structure of patriarchy and therefore to cisness (or vice-versa). In ‘Monster Culture (Seven Theses)’, Jeffrey Jerome Cohen proposed a methodology for reading cultures: ‘from the monsters they engender’. In concluding this sketch of Byzantine cisness, I would like to attempt to apply this method. To monster a group or an individual is a violent act, and through examining the way transfemininity was monstered in Byzantium, we can begin to understand the shape of the violent regulation of gendered possibilities that constituted Byzantine cisness… Synesius [of Cyrene] did not simply compare the image of the elegantly coiffed effeminate with the shiny dome of the soldier’s helmet; he went one step further, proclaiming that pretty hair was the give-away for hidden effeminacy. He rails against ‘effeminate wretches’ who ‘make a cult of their hair’, who he suggests engage in sex work not out of economic necessity but as an act of sex and gender exhibitionism, to ‘display fully the effeminacy of their character’. Then, he goes on to say:

And whoever is secretly perverted, even if he should swear the contrary in the marketplace, and should present no other proof of being an acolyte of Cotys save only in a great care of his hair, anointing it and arranging it in ringlets, he might well be denounced to all as one who has celebrated orgies to the Chian goddess and the Ithyphalli.

The implication is clear: long, well kempt, perfumed and curled hair is not just hair, it is a signifier, one that signals total abnegation of manhood, and therefore of cisness. This demonstrates one of the mechanisms by which cisness was maintained and enforced in the Byzantine world. Relatively minor embodied gender transgressions, like too-long or too-pretty hair, could be linked to transfemininity and to sexual receptivity, the two farthest points from patriarchal manhood. That is not to say that this prevented people from committing such gender transgressions; rather that it made them risky, a weapon that could be used against you by anyone who wanted to do you harm. The other thing demonstrated by Synesius’ invective is the relationship between effeminacy, unmasculine vanity and presumed sexual receptivity. It would be tempting, based on the relationship Synesius draws between long beautiful hair and receptive anal sex, to suggest that the animating force of this antipathy is, if not homophobia, a narrower pre-modern equivalent. There is, however, a fantastically complicating detail in Synesius’ remark on the reasons such ‘effeminates’ engage in sex work: being sexually available is presented as an instrumental, rather than terminal value. In Synesius’ imagination, sex work is the means, but social recognition of the feminine gender of the sex worker is the end: to ‘display fully the effeminacy of their character’. The monster Synesius invokes to shore-up his own gender position, to guard his own cisness and his access to hegemonic masculinity, is an unambiguously transmisogynist fantasy. It is here that Byzantine cisness most sharply converges with twenty-first-century cisness.

‘Selective Historians’: The Construction of Cisness in Byzantine and Byzantinist Texts, Ilya Maude [DOI]

#reading #gender

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

#indie ttrpg #ttrpg community #ttrpg indie #ttrpg #trans creator #trans #trans pride #queer #queer creator #perfect draw #wanderhome #songs for the dusk #flying circus #armour astir #michtim #thirsty sword lesbians #mystic lillies #apocalypse keys #fellowship #ttrpg of the day

[pythonees]

˚₊· ͟͟͞͞➳❥ FLOWER POWER — xavier thorpe

REQUESTED: anon

WARNINGS: 18+, aged up characters, fairy reader, sex pollen (dub-con), frottage, fingering (f), unprotected piv sex, requited-unrequited love, hurt/comfort, miscommunication, crying

A/N: anon you are speaking my language! this is my favourite trope omfg. some flower knowledge required if you wanna know exactly what the flower looks like tough it's not necessary

Your favourite place to be is the greenhouse, full of so much colour and life you could barely picture yourself anywhere but there. The love you had for plants and wildlife stems from your fairy genetics, able to control plants and compel animals to your will.

There were some days that you would spend your time in there way into the night, only noticing how much time has passed when a random couple would come by and disturb your fun with their giggling and less than pg noises. Then you'd have to sneak out without disturbing them and making an already awkward situation worse.

On others you would be accompanied by your friend and longtime crush Xavier, who would come to see how things were going and to make sure you got to meals on time. He'd always have to drag you out, forcing you to take a break from your plants and to instead take care of yourself. It was one of the many things you liked about him, they way he took care of you.

Most of the flowers wouldn't get past a seedling, withering up and dying the second the roots started to grow, the combination of flowers too different to grow despite you putting all your magic into it. Those days Xavier knew he'd have to bring food to you, listening in confusion as you rambled to yourself about what went wrong. But that day was not today. Today was a lucky day.

The flower you had created looks... funny. It's small with a few blooms, looking like a mix between a corpse flower and a tulip, but hanging upside down like a lily of the valley. The spadix sticking out from the flower is long and corkscrewed, a pinky purple colour that looks almost like jelly. The spathe goes from green to a deep black not typically seen in naturally occurring flowers. It's enticing to look at, with an odd smell that you can't quite place from where you're standing.

You walk around the flower, looking over it to see Xavier finally sitting down at one of the desks, drawing away. It's hard to stop yourself from watching him when he's in his element, face scrunched up cutely as he concentrates on every stroke of his pencil.

Xavier has been drawing every single flower you make, helping you fill out the journal you made with his art. You however have been staring at it for a few minutes, not knowing where to start in figuring out if it does anything. It's always hard to tell just what type of plant you've made from just a glance. Splicing together flowers is one thing, but infusing your very emotion based magic into the seedlings means that the end result is very... unpredictable.

You don't really remember the mood you were in when you created this, it had been a busy week of tests that had gone by in a study induced haze that you thankfully don't remember. The good news is that even if it's poisonous it won't kill you, it'll just make you violently ill for the next few days. You've only had that happen twice, thankfully, and when you're alone.

You've never had Xavier in the green house with you when you're trying to figure out if a new plant does anything, but you had been sick for a few days and hadn't been able to check on it, and he had missed hanging out with you. So you let him tag along. Now you're not so sure about your decision.

You carefully put yourself between the flower and Xavier, grabbing the bucket full of worms to start some tests. You use a stick to scoop one out, holding the wriggling worm up to one of the flowers to see if it reacts. After a few seconds of nothing happening, you gently nudge the worm against the petal. It starts to move, but not in the way your expecting a carnivorous plant to.

All of the hanging flowers lift up to face you, the inside of the flower a fleshy looking pink. The flowers start to shake just slightly, and you lean closer to try and get a closer look. That's when a haze of white pollen shoots out from the flower, hitting you right in the face. In your surprise you inhale sharply, sucking in a lungful of the mysterious pollen that stings your eyes and burns your throat. You drop the stick in a rush to wave away the plume of pollen, stumbling away from the plant.

Your name is called from behind you, but you're too busy rubbing your sleeve against your closed eyes, trying to get it off. You feel hands grip your shoulders and spin you around, pushing your sleeve away to dab gently around your face with his own sleeve. All you can smell is the familiar scent of sandalwood, weak but enticing and somehow able to overwhelm your senses until all you want is to get closer to wherever it's coming from.

When Xavier stops cleaning your face you slowly open your eyes, finding your gaze hazy and your head fuzzy. Xavier takes a deep breath through his nose, sniffing at the pollen that transferred from your face and onto his sleeve.

"Whatever that shit was smells good," he says, going back in for another sniff. You find yourself leaning in towards him, wanting, no, needing to be closer to him. You move so fast you stumble over your feet, Xavier barely grabbing your upper arms in time to keep you upright, "Woah there, you alright?"

You nod your head lazily, taking the last step needed to press your face into his chest. You wrap your arms tightly around his waist as you rub your face against him. Xavier huffs out a laugh, wrapping his arms around you to rerun the impromptu hug.

"You could have just told me you wanted a hug you know," Xavier laughs, and you can feel it against your face from where your pressed into him.

You tighten you grip, turning your face just enough so that you can mumble out, "You smell really good."

"Thank you? It's the same cologne I always use," Xavier laughs, a hand absently rubbing up and down your back. It leaves a hot trail on your skin that instantly spreads, until it seems to burn. Your skin is tingling and you can feel the tell tale wetness of arousal in you panties and that's when you know you've fucked up letting Xavier come in here with you. You know what type of flower you made.

You open your mouth to warn him about what you know is going on, when he dips down to sniff at your neck, nose pressed to your skin, "you smell good too, like vanilla and lavender."

With him standing so close and nosing at your neck, you can't hold back to quiet moan at feeling that tiny bit of skin to skin contact. It makes the burning you feel under your skin start to feel good, thighs pressed tightly together for some sort of friction.

Tucking your arms in between you, you slide them up until you can cup his face, pulling him away from where he's been smelling at your neck so that he can face you.

"What's wrong—" you cut him off with a kiss, desperate and needy as you moan against his lips. He kisses back almost immediately, the hand that was rubbing up and down your back going up to cup the back of your neck. His big hands feel great against your skin, more contact to stop the seemingly insatiable burn.

His tongue swipes tentatively against you lip, and your eagerly licking your way into his mouth before you can even think about it. Xavier's hands tighten at the back of your neck, holding you in place as he forcefully slows the kiss down. You whine impatiently, but let him do as he wants as you let your hands drop from his face and to his chest.

The buttons of his white shirt are annoyingly small for your rushing fringes, roughly pulling at the fabric as you undo the buttons. You get about half way down before Xavier seems to realize what it is your doing, hand quickly gripping your wrists to keep you in place as he pulls away from the kiss.

"Wanna touch you," you whine before he can say anything, leaning foreword again. You've got his arms trapped between your bodies, making sure to press your chest up against his for good measure. He swallows roughly, and you watch the bob of his adams apple as he stares down at you, pupils blown wide, "Please, Xavier. Wanna get my hands all over you."

"Shit, yeah, okay." Xavier lets go of your hands, and the second you're free they're back to their previous task, pulling and tugging at his shirt until it's hanging open. His tie is yanked open and off, thrown to the side without a care in the world. You splay your hands out, running them up and down his chest as you watch them with awe. Every bit of skin you feel against you makes the burning go away, makes the haze of your brain laser focused to Xavier and his skin and getting it all over you as soon as possible.

You trail your hands up his chest to loop them around his neck, tugging him in for another kiss. This time it's Xavier's hands that are roaming, gliding up and down your sides, stopping to fiddle with the hem of your shirt before repeating the pattern over and over.

"Please," you whisper against his lips, going right back to kissing him with a burning need that rivals the burning of your skin. Instead of taking your shirt off like you thought he was, he lets his hands roam further down, giving your ass a quick squeeze as he goes by before he's hiking one of your legs up, wrapping it around his waist. You quickly do the same with the other, moaning as he lifts you up against his body.

You're quickly turned around and deposited on a nearby empty table, Xavier leaning over you as he deepens the kiss. You keep your legs wrapped tight around his waist, using it for leverage to roll your hips up into his. You both moan, Xavier's hips stuttering against yours at the sensation.

When he pulls away you let out another needy whine, trying to pull him back to you. He does come back to press a quick peck to your lips, but then pulls away again. His hands go to the top of your blouse, fingering at the top button.

"Can I?" He asks, a flustered smile overtaking his face when you nod enthusiastically. Your tie is removed first, with a lot more care than his was, placing it on the table next to you guys. He takes his time undoing the buttons of your shirt, eyes roaming over each new inch of revealed skin like you're a work of art. It has your heart pounding, eyes wide as you watch him watch your body become more and more revealed.

When the last button is undone he slowly pushes your shirt open, exposing you to him. One hand braces him on the table while the other settles low on your stomach, slowly roaming up your body, over a bra covered breast and along your neck before he's cupping your cheek, leaning down to press a quick, searing kiss to your lips.

"God you look beautiful," he says, staring down at you in awe. You wriggle under him, holding your arms out for him. He laughs with a shake of his head, but leans down to meet you in a kiss. You roll your hips again, swallowing the moan Xavier let's out eagerly. When your hips keeps rolling up against his he meets you thrust for thrust, the constant pressure against you clit making you see stars.

Xavier's hand leaves you face to place roaming kisses down your body, stopping at you skirt to flip it up to reveal the grinding of your bodies. You know there must be wet spot on your panties from how soaked they feel, and by the way Xavier stares do at them with wide, hungry eyes.

"Wanna touch you, can I?" Xavier says, fingers running along the band of your panties. You nod eagerly, unwrapping your legs from around his waist so that he can take them of. He's not as slow about taking the panties off as he was with opening your shirt, wide eyes never leaving your exposed cunt as he drags them off and drops them on the floor, leaving you in just hiked up skirt.

His hands smooth up your legs and over plush thighs before he's using his hands to force your legs up and open, staring down at your glistening wetness. You place your feet up on the table as you let your legs fall open, like you're a fine art display for him to enjoy. He slowly runs a finger up through your folds, and it sends a heavenly shock of arousal through your body. He gently rubs his finger against your clit, making tiny, agonizingly slow circles.

"Xavier!" You whine, rolling your hips up against his hand, "please."

"So needy," he laughs, but does as you asks, sliding his finger down through your folds and slipping a finger into you. There's no resistance, walls soaked with arousal as your body greedily sucks his finger in. He gives a few experimental thrusts before he's adding a second, the satisfying stretch of his thick fingers making your eyes roll back.

You buck down against his fingers, urging him to go faster. The burning is easing up even more with his fingers inside you, and you're desperate to make it stop so you can think again instead of being controlled by your pussy and the pollen.

"More, need more," you whine, fucking yourself onto his fingers. You feel a third slip in with the others, and you let out a satisfied moan at the feeling of being filled.

Xavier doesn't even have to move his hand, keeping them still as you roll your hips, watching as you desperately chase your high. But it doesn't come, even though you can feel it constantly at the back of you head, lingering.

You lift your foot off of the table to toe at his jeans, pushing at them until he gets the hint to take them the hell off. He gives your cunt a few more thrusts before he's pulling his fingers out of you, undoing he belt before dropping his pants and boxers in on go, letting them pool around his ankles.

His cock is beautifully thick as it sits between his legs, tip flushed and shiny with pre. He wraps the hand still covered in your arousal around his cock, giving himself a few thrusts before he rubbing the tip up through your folds. That touch alone brought you close to the brink, a long moan escaping you as the head of his cock brushes up against your clit.

You're in limbo as he continues to tease you, tip just barely pushing into your waiting hole before he's pulling out and gliding it up to your clit again. Slowly you lay back on the table, the surface ice cold against your over heated skin.

"Xavier please fuck me. Please, please please." You beg, tears forming in the corner of your eyes as you desperately roll up into him just as his tip teases at your hole again.

The little bit he slips in has you both moaning loud and long, Xavier resting both hands on the table as he lets his head hand between his shoulders. His cock continues to slowly slide into you in a way that makes you think it's never going to end, just filling and filling until you swear you can feel him in your stomach. But then he bottoms out, hips pressed flush against yours as he pants above you.

Your walls flutter around him, gripping and trying to pull him in deeper. Xavier groans above you, hips jerking slightly at the sensation. He stays there in you for a moment, still as a rock as he slowly starts to catch his breath. When his breathing is back to normal and he's no longer on the brink of spilling into you, he slowly pulls out, hands gripping the edge of the table by your head tightly.

His thrusts are slow and deep as he splits you open over and over. At first it's great, just being able to feel him in you to soothe the burn. But just like everything else, it's not enough, you want, no, you need more. You can't roll your hips with how close your bodies are pressed together and you choke back a sob of disappointment as you wrap your arms around him.

"More," you whimper, still trying and failing to roll your hips in the tight space between your bodies. You can feel your eyes watering again, staring up at Xavier as he pushes up from your body to stare down at your face, "Please Xavi, need more. Please please please—"

"Hey, shhhh. I'm gonna take care of you, okay pretty girl? Gonna make you feel me in you for days." Xavier whispers right in your ear, voice husky and deep from arousal. The table scrapes across the floor as his hips snap forewords, slamming into you hard enough to have you wailing, head thrown back in pleasure.

Xavier mouths at your exposed neck, hips jackhammering into you at a brutal pace. The wet sound of you dripping pussy fills the room, and through the slowly lifting haze of your arousal, you wonder if there's a student close enough to hear the obscene sounds coming from the greenhouse. But you don't care, mewling in pleasure as Xavier bites at your neck, soothing the abused spot over with his tongue.

Slipping your fingers into his hair, you hold him against your neck as he sucks hickey after hickey into your skin. The overwhelming sensations going on has your walls fluttering around him, choking on a moan as you come harder and quicker than you have in your whole life. Your legs are shaking, head thrown back as you feel the pollen induced haze finally start to lift, the burning heat dissipating.

Xavier gently slides out of you, ignoring your whine of disappointment as he takes himself in hand, furiously jerking himself off as he stares down at you with half lidded eyes. You slowly push yourself up on shaking arms, wrapping an arm around his neck to pull him into a kiss. Your other hand drops down to wrap around the one still jerking himself off, and the brief touch against his sticky erection is all it takes before he's spilling between you, hot cum coating your stomach and breasts.

You're both panting, the sweat on your bodies rapidly cooling in the night air. You shiver, breaking the kiss to wrap your arms around his waist and snuggle into his chest, chasing the warmth of his body.

"Not that I'm complaining," Xavier says, out of breath as a hand soothes up and down your back, "but where did that come from?"

"Flower," you mumble sleepily, a small smile on your face as you tighten your arms around him. Xavier's entire body goes tense in your arms, and the hands that were soothing up and down your back are now gripping your wrists, forcing you to let go of him as he holds them between your bodies, taking a step back.

"Flower, what do you mean..?" He looks back over his shoulder, staring at the new plant you created before his head whips back around, staring at you with wide, horrified eyes, "The pollen. That's the only reason why you— why this happened?"

He lets go of your wrists as if they're burning, quickly pulling his pants and boxers up. His hands fumble with the belt, and you slowly push yourself off of the table and onto unsteady legs.

"Xavier," you call, but he just shakes his head, turning away from you as he buttons up his shirt. He's walking towards the door at the same time, abandoning his things so that he can just get out. Get away from you.

Your wings flutter out, flying you across the room and in front of him faster than your unsteady legs could. He ducks his head when you get in front of him, turning away from your half naked form, "Move."

"No, Xavier. Not until you listen to me," he doesn't try to move again, but he keeps his face stubbornly hidden behind his hair. When your sure he won't try to bolt you take a steadying breath, reaching out to hold his hand in two of yours. His hand stays limp in your grip, but he doesn't pull away.

"This is all I've ever wanted," Xavier scoffs, trying to pull his hand free so he can leave again, but you're quicker, holding onto him tightly so he can't leave, "It is! Not like this, with one of my weird experiments blowing up in my face, but like, after a few dates. I always pictured our first kiss to be after some cute date, on one of those late night walks you like to force me on. Or maybe in your shed where you always look the most comfortable, face all scrunched up when your concentrating and I just can't help but kiss you. I just— this doesn't have to change anything if you don't want it to, but I'm not lying when I say that this was a dream come true."

Your left flying in front of him in silence, waiting desperately for the words to sink in. It takes so long you start to feel your throat close up, thinking the worst, but then he's slowly lifting his head to look up at you, and you can't help but gasp. His eyes are red and haunted, tears streaming down his face and dripping off his chin.

"I didn't..?" Xavier trails over, getting choked up as a fresh set of tears roll down his face, "I didn't take advantage— you actually want me?"

Your heart drops to your stomach, and you quickly let go of his hand to cup his face, wiping the tears away as gently as possible, "No, no no no. I love you, okay? So much. I might have been a bit out of it but I wanted you. Still want you, okay? You did nothing wrong."

He stares up at you, still crying, but instead of that fearful look in his eyes they're filled with hope, a small smile taking over his face. His hands are shaky as the land on your bare waist, barely even touching you at all, "You love me?"

"So much," you say without even a moments hesitation. Your thumbs are still gently rubbing over his cheeks, even as his tears have dried. The smile you get is blinding, his grip tightening on you as he pulls you closer for a kiss that makes your toes curl.

When he pulls back he looks happier than he's ever looked in a long time, hand reaching up to cup your cheek. You lean into it, a probably dopey smile on your face as you stare down at him.

"Love you too. Didn't think I could have this. Have you," Xavier confesses, pulling your flying body closer to his. He presses a quick kiss the the top of you breasts that your bra doesn't cover, right over your pounding heart.

"You have me, for as long as you want." You reply, carding your fingers through his hair. You stay like that for a while, his face pressed into your chest as he breathes you in while you soothe your hands over whatever part of him you can reach.

"Want you forever," he mumbles into you skin, and you can't help the wide grin that takes over your face. You cup his cheeks, tilting his head up so he can face you. You press kisses all over his face, smothering him with all your love before you give in to his huffing and press your lips together.

"Forever sounds perfect."

©︎ pythonees — do not, under any circumstance, repost, plagiarize, modify or translate my work.

#xavier #xavier thorpe #xavier thorpe imagine #xavier smut #xavier x reader #xavier thorpe x reader #xavier thorpe smut #Ꮺ. my work #Ꮺ. requested #Ꮺ. smut warning

[narutocharacterpolls]

ROUND FOUR

ROCK LEE vs HATAKE KAKASHI

Reasons for submission under the cut

Lee

ROCK LEE VS GAARA

kind as can be; willing to jump to action to help his fellow comrades even after going through a life-threatening, major surgery

practical and fashion-forward with his bright green onesie. Function over form, and is prepared at all times by carrying around a spare onesie he will give without question to anyone - even complete strangers

has a surprising edge to him at the beginning of the series; he was ready to severely maim anybody that he saw as a genius

more dedicated than anyone. Was forced to face his own mortality and make a life-or-death decision in the name of his dream, after a literal crushing defeat, and he chose to fight for it. Inspiring

embodies the ideals of original series Naruto. True underdog, had nothing going for him, came from nothing with no legacy or powers, was so disadvantaged that he physically could not meet the bare minimum abilities of his peers. But he worked harder than everyone else and proved that he can be a great shinobi despite all the adversity he faced

Sasuke had to copy Lee’s moves with his Sharingan to succeed during Chuunin exams

cute as a button. Come on.

his fans are dedicated and make amazing work, fanart and fanfic

Kishimoto said he was his favorite character to draw. Boom. Favoritism. Love to see it.

pairs well with everyone. Platonic or romantic, Lee has a great dynamic with other characters

his summer outfit from Guardian of the Crescent Moon Kingdom was the best outfit in the movie

gave us Metal Lee! Blessed us with Metal Lee, really

was the character to beat in the early series if you wanted to show how strong you actually are

Gaara vs Rock Lee was one of the most iconic fights in the series, and everyone remembers where they were when they first saw Lee drop his weights. He owned that fight so hard that people forget he lost.

was wronged by the series. He deserves to win as justice.

got [submitter] personally through the worst times; his ability to persevere face of adversity convinced me I could do it too. He wasn’t special and neither was [submitter], but we didn’t need to be. We can make ourselves great. If no one else got me, Rock Lee’s got me

he’s one of the first non-jutsu using ninja so make such a big impact

was the first person to actually harm Gaara

played a huge part in Gaara becoming a better person

he’s one of the only people that can catch up to Sasuke and easily rivals Naruto in Taijutsu

his kind, determined and cheerful attitude is a joy to watch

Rock Lee removing his weights is easily one of the most iconic moments in the entire anime

has helped several submitters feel better by simply thinking about how he wouldn’t want them to think like that

objectively would’ve made a better protagonist based on the themes alone

KICKS MAJOR ASS

wrecked Sasukes shit, I like Sasuke but that was really funny

he looks like a frog. Who doesn’t like frogs

inspired Sasuke

fights are always entertaining, they’re very well choreographed

he forgave Gaara for nearly killing him and nearly ending his dreams; he was never even mad at him

Rock Lee vs Sasuke was iconic

his heart is so full of love

never did anything wrong

had a squirrel befriend him

hard worker

good friend

rises to any challenge

when he does diss people they are the most brutal yet entertaining disses you ever hear

positive, weirdo, energetic, enthusiastic, joyful, chivalrous, motivated, dedicated, sweet

Lee and Neji had something homosexual going on

YOUTH !!!!

Kakashi

relatable as an adult

he is just an overworked guy who was told to watch some kids w LOTS of issues

needs therapy

good presence and guidance in Narutos life

interesting

cares about and is dedicated to his students very much

he is just cool

he is trying his best despite what he has been through in the past

is up for having fun but still knows when to be serious

was a narcissistic shit but grew out of it

has good intentions

sexy

wonderfully complex and well developed character

incredibly resilient and supportive

a sad and deeply broken man

always willing to give his life to protect them and his other precious people

just wanted everything to be ok for once in his life

hated Danzo

his friendship with Gai is adorable

the way he teases Tenzo is fun

he’s known as cool and aloof but in reality he’s a huge dork

Gai would want him to win

#bestnrtcharapoll #naruto #polls #rock lee #hatake kakashi #kakashi hatake #id in alt text

[bg-brainrot]

As @cosmicchocomuffin suggested!

Which class/subclass each BG3 character would play in D&D (with a little explanation):

Astarion: Draconic Sorcerer - he would pick a character that comes with power innately, no god, no pact, no strings attached, and he would pick draconic for the eventual flight. Also he would want a high Cha character so that he can attempt to be the face of the party.

Gale: Artillerist Artificer - he would pick another Int based class of course, and, as for Artillerist, he still enjoys being useful, so he'd like the fire power this subclass affords. He would take time every day to ensure his infusions are prepared for the day, not allowing the party to proceed without them.

Karlach: Circle of the Moon Druid - she loves animals and nature and would love to transform into them, but wouldn't want to deal with all of those pesky spells, hence the Circle of the Moon. She would definitely be the cause of half of the chaotic druid wildshape memes online.

Lae'zel: Way of the Astral Self Monk - she would pick monk because they're respected martial warriors, pick the subclass because of its potential to reach enlightenment. But to the surprise of no one, she actually gets really into her character to the point of drawing a blade on the DM (Withers).

Shadowheart: Assassin Rogue - the classic lone wolf class and given all of her Sharran training, she would pick this subclass for the ease of roleplay it offers, with its disguise and mimicry. She starts out aloof, but quickly divulges the entire 12-page backstory she created for her character.

Wyll: Monster Slayer Ranger - he heard people looked down on rangers and decided to give them a chance, then he saw Monster Slayer was an option and knew he picked right. The actual face of the party, simply because he's the only one capable of staying on track-- however, put him in front of a cool monster and you've lost him too.

Non-Origins:

Halsin: Nature Domain Cleric - as someone who loves to help others, he would pick a class with a greater lean to the healing side of magic and with a bit of the same druid utility, then pick the subclass to still have that connection to nature. He will happily go along with whatever the party wants to do, and has ended up in jail a few times for it.

Minthara: Order of the Profane Soul Blood Hunter - she would love a class that's willing to go to any extent to defeat their enemies, like a blood hunter, and the order of the Profane Soul just cranks that up all the more. She would be the classic murder hobo of the group if left unchecked, but she will back off when the rewards are good enough.

Jaheira: Battle Master Fighter - she would go for a classic, reliable class like fighter, with a subclass that utilizes her battle knowledge like Battle Master. She is definitely a guest player, who the DM taps in for a difficult boss fight or arc, so she somehow still ends up the mentor figure in the game.

Minsc: Path of the Beast Barbarian - he wouldn't play something too complicated, hence the Barbarian, and he would love to understand Boo better, so he'd pick the subclass for the Beast abilities that come with this subclass. He would never quite know what he's doing, but makes the best accidental one liners at the table so no one minds helping.

Disclaimer: I only picked stuff I at least have the sourcebooks for. While some extra stuff looked cool, I wasn't familiar enough to get the vibes properly.

#bg3 #baldur's gate #baldur's gate 3 #astarion #gale #karlach #lae'zel #shadowheart #wyll #halsin #minthara #jaheira #minsc #dnd #dungeons and dragons #dnd classes #this was fun to do hehe #i think they would never get past level 5 but they have a good time #withers tpks them when he gets bored of it

[tiffanys-aus-and-headcanons]

Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

#queued post #the scrambled timeline #I tinkered around with the ordering of these entries so much that I guess this is a scrambled post for the scrambled timeline #credit to hieronymous-botch for the Alex Hirsch's Sunnydale idea #credit to Lorelei for the Orson Scott Card's Steel Gear idea

[tytarax]

Dance of the Damned (Little surprise)

I'm still working on the second chapter. But below, I bring you some information about how the character of death, _____, works in my Hazbin Hotel fanfic. I hope you enjoy it.

Powers:

Soul Harvesting: The primary ability of Death is to collect the souls of the deceased and guide them to their final destination, whether it be Heaven or Hell.

Invisibility and Ubiquity: She can move almost invisible between the living, being noticeable in the sight of people who are close to dying or only as a warning.

Universal Knowledge: She has complete knowledge of the life of every living being and the ability to see past and future events related to death.

Manipulation of Life Energy: She can manipulate life energy, either to strengthen or weaken living beings or even to grant a second chance to those seeking redemption (something that you will eventually see in the story).

General Operation:

Universal Balance: Death works in harmony with cosmic forces to maintain a balance between life and death in the universe.

Guidance and Counseling: In addition to harvesting souls, Death can act as a counselor for those crossing the threshold, offering guidance or assessing their actions in life. She does that mostly with animals.

Post Mortem Judgment: Death can conduct judgments to determine the final fate of souls, based on their actions and choices in life. (At least in this fanfic)

Interaction with Other Supernatural Beings (Obviously): She can interact with other supernatural entities, such as angels, demons, and even God, to maintain stability in the world of the occult.

Limitations:

Higher Decisions: Although she has power over death, there may be limitations imposed by higher forces, such as God. She can only act when a being is about to die or when it has already died. In very rare cases, God gives her the authority to kill someone who is in good health.

Cosmic Laws: Death must adhere to certain cosmic laws or rules governing the process of life and death, preventing her from abusing her powers.

Inability to Change the Past: Despite her knowledge, Death may be unable to change past events or alter the natural course of time.

Emotions and Compassion: Despite her nature, Death might be affected by emotions and have compassion for certain individuals, complicating their work.

Negotiations with Powerful Beings: Some souls might be protected or negotiated for by powerful beings, limiting Death's ability to make final decisions in certain cases.

Here's a drawing of how I imagine her, naturally, you can imagine here as you like.

I was inspired by a drawing I had made a long time ago personifying death. I'm way too lazy to draw her more Hazbin Hotel-ish.

Chapter 1

@lofasofabread

#hazbin hotel #hazbin hotel spoilers #lucifer #lucifer morningstar #hazbin hotel lucifer #alastor #hazbin hotel alastor #hazbin alastor #hazbin lucifer #fanfic #fem reader #death reader #Alastor x reader #lucifer x reader #charlie morningstar #vaggie hazbin hotel #angel dust #hazbin hotel fanfiction

[ghostflowerdreams]

Audio Drama Recommendations, Pt. III

Click here for part one and here for part two. Recently, I've been drawing a lot, which gives me plenty of time to listen to audio dramas and podcasts. These are the ones I liked the most and found entertaining enough to recommend to others. This is not in any particular order, either.

The Green Horizon – is a sci-fi comedy drama created and written by Paul Walsh. It is sponsored by Faustian Nonsense, an indie entertainment network. It currently has three seasons, with each episode being about 20 - 30 minutes long, but later on it increases to 30 - 40 minutes. A fourth season is said to be coming out soon as well.

It is set in the year 2261, and it focuses on a ne'er-do-well Irish space captain and his rag-tag crew, as they traverse a war-torn Galaxy in search of fame and fortune. [ONGOING]

It was a little chaotic and rough at the beginning, but it does smooth out and become more polished. I can definitely tell that they up their game with the improved sound effects and production quality. The voice actors and the writing for the audio drama does an excellent job at bringing their characters to life, which made it very fun to follow along.

If you like Firefly, Red Dwarf, Orville, Cowboy Bepop, and so on then I think you may enjoy this too.

DERELICT – is a sci-fi narrative audio drama from award-winning science fiction author J. Barton Mitchell, and produced by Night Rocket Productions. It currently has one season titled FATHOM, which consist of 10 episodes with each one ranging from 40 mins to an hour, mostly the latter.

Something has been found at the bottom of Earth's ocean. An ancient artifact that can only be described as a giant door, inset into the sea floor. It becomes known as the Vault. A gigantic enigma, buried and forgotten...nineteen thousand feet down.

To study the artifact, the galaxy's most powerful corporation, Maas-Dorian, has built a massive, self-contained, secret laboratory base surrounding it, named FATHOM. It's objective: unlock the secrets of the artifact and discover what it holds.​ But some mysteries should remain buried. And some doors should never be opened... [ONGOING]

DERELICT started as the first project set up as a kickstarter. They produced one episode to entice backers, but then the pandemic happened, and they didn’t raise enough money for the rest of it. Instead, they worked on a prequel season called FATHOM. It's where the story really starts, and I highly suggest you listen to it before listening to "DERELICT E1 - Through the Gate."

I hope they redo the DERELICT's first episode because there's a bit of disconnection from it and FATHOM. For example, Sarah and Agent Blayne already know each other. She mentions it to the others, but the conversation they have with each other doesn’t make it seem that way.

Never mind. I apparently confused this Sarah with the Sarah in FATHOM. Can't blame me for thinking that when I heard the name Sarah and that she was already familiar with Agent Blayne.

Deviser – is a sci-fi horror audio drama created, directed, acted and produced by Harlan Guthrie. The same creator of Malevolent. It's a 7-part limited series, with each episode being about 20 mins long.

Son wakes up aboard a spaceship bound for earth in an effort to recolonize. What he discovers, however, will change everything he knows about his world and himself. [COMPLETED]

It's not for everyone, so please do not ignore the content warnings because there's graphic description of violence, self harm, body horror, gore, animal death/being hurt, and what not.

Victoriocity – is a detective comedy audio drama written by Chris and Jen Sugden, directed by Nathan Peter Grassi and produced by Dominic Hargreaves. It is an entirely independent production. It has two seasons, containing 13 episodes in total, and each one is about 30 to 45 minutes long. There's also a feature-length special and a up-coming third season with the help of a kickstarter.

It is 1887 in Even Greater London, an alternate steampunk Victorian London, where Queen Victoria reigns even after being assassinated eleven times, thanks to the wonders of modern science.

In this vast metropolis, Inspector Archibald Fleet and journalist Clara Entwhistle investigate a murder, only to find themselves at the centre of a conspiracy of impossible proportions. [ONGOING]

It's put together so well, and I see why people say it gives off strong Douglas Adams and Terry Pratchett vibes to it. So if you like their works, then I wouldn't be surprised to hear that you like this too.

Impact Winter – is an apocalyptic vampire audio drama created and written by Travis Beacham (Carnival Row, Pacific Rim). It has two seasons containing 22 episodes in total and each one is about 17 to 30 minutes long.

“They came after the impact and the firestorms. When the sun went dark. Like they’d been there all along. Just waiting.”

In the British countryside, a band of survivors forms a resistance in the fallout shelter of a medieval castle. Darcy is a battle-tested vampire hunter who is at the front line, leading the charge to save humanity. Meanwhile, her younger sister Hope wants life to return to normal so she can go above ground and know what it’s like to live again. And she just might be willing to risk it all. [ONGOING]

It has a stacked cast led by Holliday Grainger (Cinderella, Great Expectations), Esme Creed-Miles (Hanna, The Legend of Vox Machina), Liam Cunningham (Games of Thrones, Hunger), Himesh Patel (Station Eleven, Tenet), David Gyasi (Interstellar, Carnival Row), Caroline Ford (Carnival Row, Nekrotronic), Chloe Pirrie (Emma, Carnival Row), and Bella Ramsey (Games of Thrones, The Last of Us).

This reminded me a lot of the film 30 Days of Nights (2007) with a little bit of Reign of Fire (2002), which were both fun films to watch. I think if you like those two, especially the former, you'll enjoy this or at least be entertained by it.

A Voice From Darkness – is a scripted paranormal horror audio drama. It is written and produced by Jac Rhys. It currently has two seasons, containing 20 episodes in total and each one is about 20 to 30 minutes long. It also has 7 bonus voicemail episodes and 15 Patreon exclusive episodes which are longer than the main episodes. A third season in the works as well.

Join parapsychologist and radio broadcaster Dr. Malcolm Ryder as he helps those who suffer the supernatural, paranormal or otherworldly problems on his call-in radio show. It is also interspersed with segments, one of which is called 'Today In Odd America' that delves into the origins of a holiday, local traditions, and history. [ONGOING]

If you like Welcome To Night Vale then I think you'll like this too. A Voice From Darkness is a bit more serious and not as long-drawn as Night Vale was, with a perfect mix of storytelling and lore. It also reminds me a bit of The Magnus Archive too.

How i Died – is a mystery audio drama that brings a "new twist on the true crime genre." It is an Audiohm Media original production, co-starring Vince Dajani as Jon Spacer and Shaina Waring as Sheriff Fran Crowley. It currently has three seasons with 39 episodes in total, not including bonus episodes. Each episode is usually about 20 mins, give or take a few minutes.

Bodies are piling up in the strange town of Springfield, and forensic pathologist Jonathan Spacer intends to find out why. But, Jon isn’t without his own secrets… He can talk to the dead, for starters. [ONGOING]

Ooo, a character that can speak to the dead? It's always so interesting to see what they'll do with their ability and where the creators take them. This has been entertaining, but at times I do think they can do better in developing their characters a bit more. For example, I can count on one hand the number of times Crowley doesn't get angry. Though to be fair, Jon isn't an immediately likable character, but that does change the further you go...sorta.

The Amelia Project – is a comedy fiction audio drama created, written, directed, produced and edited by Philip Thorne and Øystein Ulsberg Brager for Imploding Fictions and The Fable and Folly Network. It currently has four seasons, with a fifth one on the way. There's about 72 episodes, not including prologue, special, and BTS episodes which would up the total to 122. Each episode also varies in length from 20 to 45 minutes long.

The Amelia Project is a secret agency that fakes its clients' deaths, then lets them reappear with a brand-new identity. A black comedy full of secrets, twists... and cocoa. The series starts as a succession of interviews with clients who want to fake their deaths, then slowly a larger narrative begins to emerge... Each episode tells its own story, but we recommend starting with Season 1. [ONGOING]

It was fun to listen to while I was drawing or washing the dishes. I could also follow along without becoming too distracted by it, either. I was worried it would be one of those that take a while to get to the main overall story, but thankfully it did not. It will definitely keep you entertained and interested to know what will happen next.

Community Cat News – is a neighborhood news show done from the perspective of cats. There's currently 13 episodes so far and each one varies from 5 to 12 minutes long.

Local News: The human is opening the fridge! Will we get a taste?

Foreign Affairs: What are those squirrels up to now?

Traffic: WHY is the bathroom door shut again?

Every episode is sponsored by Meow Meow Puffytail, Feline Rights Attorney, who is ready to sue your human for even the slightest inconvenience. [ONGONG]

It's cute, light-hearted, and funny. I didn't expect to enjoy this as much as I did. It even uplifted my mood.

#audio #podcasts #audio drama #listen #audio dramas #podcast #the green horizon #derelict #derelict podcast #derelict audio drama #victoriocity #deviser #impact winter #a voice from darkness #how i died #the amelia project #community cat news #podcast recommendations #audio drama recs #audio dramas recommendations #podcast recs #how i died podcast #a voice from darkness podcast #impact winter podcast #deviser podcast #the green horizon podcast

[drawfee-quot3s]

does this jacket, ratatouille the person... it's on?

- julia

#drawfee says words #like literally what #procrastinating my uni work to watch drawfee:)))))))) #drawfee #drawfee quotes #drawfee video #julia lepetit #julia drawfee #drawing anime characters based only on their powers

[kujakumai]

Personally, I agree that TKB has every right to feel anger and take action to prevent the tragedy of Kul Elna from happening ever again. But the second he says "I'm going to work with a demon to destroy the entire world" is when I put my foot down, because that makes him no better than what the ruling class did to him; it makes him worse because he's inflicting that to other innocent people. Neither Atem and TKB are completely correct or wrong, but the story siding with only Atem is morally iffy

-TKB isn't a real person independently arriving at moral actions, he is a character in a narrative whose structure and characters are consciously designed by human beings to tell a particular story

-Saying "Well, TKB was still evil because he wanted to destroy the world" is accepting the premise of the narrative and TKB's motivation as if it sprung forth from the ether, ever-extant in its present form and incapable of being written any other way

-The narrative of MW paints a portrait of a world that is visibly and systematically unjust and whose domestic and military power is derived from the literal death and exploitation of the poor; it then has a character, TKB, make very deliberate criticisms of this system, and puts them in direct contrast with Priest Set and Akenhadin's own ongoing corruption.

-Since again, this is a story being crafted with intent, this contrast directly leads audiences to conclude that TKB's criticism is valid, and the author intends us to reach this conclusion and has deliberately set up his commentary. Determining that TKB is right about the monarchy is the logical conclusion of the facts and narrative tools we as the audience are given.

-However, instead of leading us to a satisfying conclusion based on this setup, the story instead tacks on "...but he wants to destroy the world, so we can kill him!" and never meaningfully addresses the questions about good and evil or the nature of the throne, nor does Atem ever have to really face them. It disposes of TKB and quickly sets about putting a heroic coat of paint on a mostly unchanged Set and reducing everything to a quick and tidy good vs. evil shonen fight scene, contradictions be damned.

-The problem with this plot twist isn't fantasy-monarchism. It's that it is actively disorientating. We as readers have been told in loud, bold letters for over two dozen chapters what this story is about and what message it's trying to communicate (a very powerful one, based on how passionate people become about it!) and the story simply...dumps it all, and starts pretending to be a totally different story. Like none of that earlier stuff mattered and we should suddenly be content with power-of-friendshipping the bad guy into dust.

-Tongue-in-cheek declarations that "TKB was right!" aren't moral statements about TKB or Atem's actions, because Thief King and Atem aren't people, they are characters--a narrative tool the author is using to tell a story. And again: the narrative is telling us that TKB is right and the monarchy is troubled and unjust. Vocal declarations that Thief King was right are really an expression of disgust for a clumsy narrative betrayal. "MW told me this excellent story, got me invested, very deliberately set me up to draw these conclusions about the story it was telling and the message it wanted me to get...and then tacked on the ending for a completely different story that had nothing to do with any of that! This is bullshit!"

-If TKB were a mere generic evil, who intended to destroy the world for his own gain and had no compelling criticisms of the hero's world or complex tragedy, he wouldn't be anywhere near as interesting (see: the anime, which did almost exactly this), but I don't think people would be half as worked up about it. It would be neat, at least, because if everything is a fantasy good vs. fantasy evil from the start, then at very least the story would match its ending. No one would feel misled or disorientated.

-But the story did ask moral questions of our characters, and it did so carefully, deliberately, and with fireworks; it is therefore culpable for failing to even attempt to have them answer them.

-At the same time, the trope of the "rebel turned murderous extremist" is well-worn and troublesome. There are ten thousand examples. A villain who challenges the status quo, who takes issue with real problems, revolutionaries and rabble-rousers with righteous fury...but they want to, uh, kill innocent people also! for some reason! which is why our heroes (defenders of the status quo) need to get rid of them and we don't need to listen to what they are saying!

-Why does fiction so frequently depict people angry about real societal problems, and who act to change them, as people whose legitimate complaints are inexorably tainted by tacked-on inexplicable violence?

-Who benefits when fiction frequently conflates righteous criticism of injustice with supervillainy? When fiction conflates heroism with stalwart defense of the current system? How do we carry these narratives with us into the real world?

-You are criticizing Thief King as if he were a person. I'm not, and I'm not interested in doing that. I am criticizing the poor formulation of a story.

-anyway. TKB did nothing wrong

#long post #meta

[stellasolaris]

Why Stella should not have been rebranded as the Fairy of the Shining Sun

After nearly a year, I have finally decided to write a second part to my previous post in which I said I was not a fan of the writers rebranding Stella as the Fairy of the Shining Sun.

To start, let's first take a look at her family background. Her parents are the King and Queen of Solaria—the proverbial sun and the moon. It is apparent from their distinct color palettes and the origins of their names that they represent the sun and the moon. Stella, with her original title as the Fairy of the Sun and the Moon, naturally has qualities and powers from both her parents. To take away her moon powers would be a disservice to her character, as it means taking a piece of her identity away.

While I subscribe to the idea of her having access to solar and lunar powers, I don't mind her lunar powers being secondary to her sun powers. Here's why.

Her moon-based spells, which she rarely uses, tend to be more defensive and tamer than her sun-based spells. (3.14, 3.26) For someone like her, who is bold and daring, and prefers offensive tactics over defensive ones, it makes sense that she would lean more toward using her combative solar powers. (1.21) It's what comes naturally to her.

Her relationship with her father, despite the neglectful behavior of both her parents, appears affectionate. (3.19) I like to think her strong connection with her father and home planet is in part why she prefers and is more in tune with using her solar powers than her lunar powers.

There is some debate over whether or not she should have a secondary power, with some suggesting that she would be too powerful if she had two powers. I disagree.

Her powers make narrative sense when you think of them from the standpoint of light rather than separate celestial bodies. In technical terms, moonlight is reflected sunlight. These two are not separate. In a way, her solar and lunar powers are essentially the same, just in different fonts.

It would be logical for her powers to be influenced by the level of light in her surroundings, allowing her to draw either from solar or lunar energy. We already know from canon that she becomes weak and powerless in the absence of sunlight. (2.04) In such situations, her lunar powers could become activated. This limits her abilities and prevents her from becoming too powerful.

Recall that one of the motifs regarding her character development is the use of mirrors. It serves as a symbol of her personal growth and self-awareness, particularly in seasons two and three. In 2.21, she earns a mirror-shaped pendant for being vulnerable and sharing her feelings of loneliness. In 3.04, she breaks her curse by realizing her beauty isn't skin deep. Every time she reflects on her life and grows as a person, there is a reflective item (the lake, the pendant) present. If we consider that the moon reflects the sun and acts like a mirror, we can interpret her mirror-based spells to have an indirect relation to her lunar abilities.

To be fair, her mirror spells could easily have a category of their own as the moon is not exactly like a mirror in its reflectivity power; the moon only reflects about 3–12% of the sunlight, while a mirror typically reflects anything between 70%–99.9%. However, based on the fact that the sun produces its light, whereas the moon and mirror do not, we can conclude that her mirror spells are more likely to fall under the moon category than the sun category.

From a narrative standpoint, it seems the writers had no idea what to do with her lunar side. It's likely why they changed her title and erased almost every trace of her lunar side, including the blue accents in her transformation outfits. It's a shame because there are so many ways they could have explored her moon powers in the later seasons, but no; instead, we get the displeasure of witnessing her turning into a toddler, putting fairy animals in silly costumes, and wearing an atrocious salad dress to the stage for everyone in the audience to mock. Which, for the record, she would absolutely never wear.

#winx club #winx #winx stella #winx headcanons #winx meta #winxmeta #metas

[the-ninjago-historian]

Ninjago Remastered Designs!

THEY'RE DONE! After months of work!!! They are DOOOOOOOOOOONE. WOOOOOOOOOOO! Lol! Welp, these are my Ninjago designs! Basically, this is my take on the Ninja if they were in a 2d animated cartoon! And yes! I will be drawing more characters. Tumblr butchered the quality, so close ups and design notes are below the cut. They're pretty detailed, so I highly recommend checking them out. Feel free to ask questions about the designs! ⬇️⬇️⬇️ - ✒️🐉

When designing these outfits, I tried to take inspiration from the ones in the show. And in terms of art style, drew inspiration from early 2000s cartoons, (Action Adventure ones specifically,) Anime inspired shows, and even a hint of traditional Disney animation. And while I designed them with a 2d cartoon in mind, most of the designs would most likely have to be simplified for them to be used in animation. So let's get started!

Kai: Kai was a pretty fun to work with. I actually didn't plan on giving him a sleeveless outfit. But it happened! And I like it! If you'll notice, the flame pattern on his vest mirrors the pattern on his sister Nya's outfit. I thought that would be a cool detail to include. It was inspired by their March of The Oni outfits. I also made sure to include his scar and bandaid. And gave him reddish brown eyes to signify his elemental power. Him and sister I imagine being Brazilian/Taiwanese. So I hope I captured their ethnicity properly. I'm pretty happy with this design. Especially his hair, which was hard to replicate.

Jay: Jay was a hard one for sure. I wasn't too sure how to vamp up his outfit. So I started by giving him some lightning patterns on his Gi. (At least I think that's what it's called?) And I decided to make it look a little baggy and soft. It just seemed to suit him. I tried something a little more form fitting and didn't look right. Also! A fun detail I included was his half the Yin Yang pendent around his neck! And of course Nya has her half. I imagine him having Irish ancestry, so I gave him pale, freckled skin. And gorgeous curly red hair. (As a fellow red head, I'm very proud.) Overall, I think he turned out pretty adorable. And his face is spot on.

Nya: Nya I pretty much got right on the first try! I just had a really clear vision of her in my head. I gave her a grey outfit with bright, vibrant blue details. The pattern on her Gi is inspired by Koi Scales. And she has her half of the Yin Yang pendent around her neck. I really like this one, because while it is simple, it's beautiful. And I think it reflects her element nicely. The only thing I missed was to give her a symbol like the rest. But overall, I love it! One more thing is that I wanted to give her and Pixal different hair. So when I finally release my Pixal design, you'll see that while they both have ponytails, I gave them different cut and styled ones. Should be neat!

Zane: Zane was the first one of the Ninjas I redesigned! I love how he turned out. I tried to give him a splintered ice effect on his outfit inspired by his Core minifigure and gave him his faithful falcon companion. Falcon has his old greyish purple feathers, but blue icy eyes to match his owner. I also wanted to give Zane flowing sleeves, that would look very majestic waving about in a blizzard wind. He is also incredibly tall. Taller than Cole even! I was inspired by the giant humanoid robots I'd seen in movies. In his cloaking disguise, I imagine him looking German. With blond hair, blue eyes, and light skin. I also like to think Dr Julian was German. (Was this influenced by my German ancestry? Who knows?)

Cole: You would not believe how many times I had to redraw this man's face. Haha! I just could find that sweet spot! That face that perfectly encapsulated his strong, but gentle personality. But I think I did it! His outfit is based on his Oni Trilogy Gi, with orange detailing. And he has his Island ponytail and bandana. I absolutely loved that hair style on him. So I had to use it! And if you'll notice, he has a beautiful tattoo on his right arm, with his symbol in the center. I imagine him being half Maori, from his mother's side. And the tattoo was inspired by Maori tattoos I saw pictures of. I'm not too sure how accurate those images were. But hopefully I hit the mark.

Lloyd: Finally! Our green Ninja Lloyd! His outfit was inspired by two things. Dragons, and his outfit from the Secrets of Forbidden Spinjitsu seasons. I gave him a beautiful golden dragon and cloud pattern on his clothes, a leather arm guard, and shoulder pads. If you look closer, you'll also see he has cat-like dragon eyes which pays homage to his dragon and Oni heritage. I like to think that depending on his emotions, his eyes will go from slits, to big and wide. So they are good indicators for his mood. I also imagine him being Japanese. But his powers give him his classic blond hair and green eyes. I'm very happy with this design. His hair, eyes, and face all look exactly how I see him in my head.

Well, that's all. I hope you enjoyed these designs and notes! I assure you, you will see more of the them.

Bye! - ✒️🐉

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