Urgent critique request!
Should I continue my Bachelor save or should I fold Aiden into another save? Hmm. 🤔
I don't think many people read my Bachelor save, probably because it's not an actual Bachelor challenge but a story narrative in Bachelor challenge clothes. It's a little out there but I enjoy the characters a lot and I don't want to let them go, especially Aiden. Should I drop the Bachelor thing and continue their story in another way?
And I'm not asking because I've run out of ideas, because I have a lot more things I'd like to do. I've held off posting it just because it doesn't get much attention. Maybe it's because my pictures for it are kinda uninteresting or maybe because it's a weird premise that doesn't come through very clearly. I won't be rebooting it entirely, just leading the story in a different direction away from the "abducted and forced to compete in a reality TV dating show broadcast across the galaxy via pirate signal for potentially nefarious reasons". Does that set up even come across in my writing or is it too vague? Is the premise getting in the way of the narrative?
This isn't me giving up or fishing for compliments, I'm genuinely asking because I don't know if I'm taking the ideas in my head as "of course this comes across fine" without clarifying things that need to be clarified. Maybe the way I've been writing it is just confusing. Does that make sense?
I'm definitely keeping the characters, though. Just... maybe they could be in a different situation? Maybe give Aiden more time in the forefront? And if I do soft-reboot it, what would you be interested in seeing?
18 notes
·
View notes
Do you ever think about how Ben chose not to speak ever again?
About how he probably tried to sing over and over again when he was all by himself, hoping that one day his voice wouldn't break in such a horrible way when singing a song he used to love before finally giving up because he couldn't stand the sound of his voice anymore?
About how he lost his outlet for stress so he fell into a depression that festered into a rage, all-consuming yet never filling that hole left in his heart?
About how he'd lost his way after being forced to realize letting his anger consume him would have consequences on the people he cared about?
About how he probably felt so alone when his parents sent him to live with his aunt and uncle, thinking his parents had given up on him despite them trying to tell him they were doing it for his own good?
About how he'd found a guiding light in the darkness, a purpose in following Aiden-- someone who was reckless and lived life like there was no tomorrow, someone he knew would always have his back, protecting him just as he did them, someone who would fill the stifling silence with mindless chatter?
About how he's managed to still be so overwhelmingly kind and gentle despite everything he'd gone through?
Because I do.
39 notes
·
View notes
Wait wait wait you just watched Marry My Dead Body?!?? I need to commiserate then holy shit. I watched it yesterday because I was travelling and also figured it be a fun goofy film to watch while stuck in transit for hours and then suddenly it was over and I was sitting there in goddamn TEARS. I WAS NOT EXPECTING IT TO BE SO EMOTIONAL. IT MADE ME LAUGH AND THEN ALSO STABBED ME IN THE HEART. I feel like it played me for a fool, but in the best possible way. What a good ride it is :’)
OH MY GOD SAME.
Well, except I was at home and went: "I'll watch this before going to bed, I'm sure it'll be a fun time" and, I mean, it WAS but it also wasn't. Like, after I finished it I just sat there, not knowing how to contain all the emotions I was experiencing. How the fuck was I supposed to sleep after something like that?
I genuinely had no idea what to do with myself (I still kind of don't tbh). I did NOT expect to cry as much as I did. Quite a few things can make me cry but this just hit me right where it hurts. And I didn't expect it, in any way, shape, or form. I was completely unprepared.
It was supposed to be a silly comedy!
But, like, for real? The "my husband" moment? You should have HEARD the fucking noise I made. It was guttural. I was fucking obliterated.
(and oh man, I so desperately want to make people feel that way with my writing. I am so, so inspired!)
Long story short, I'm emotionally compromised and I have absolutely no regrets. I just love, love, love becoming this invested in a story and I'm still neck-deep in feels. It's been two days already but my thoughts just keep returning to this movie, time and time again.
So I'm guessing I'm going to rewatch it in a day or two x'D
30 notes
·
View notes
So I was going to write this whole thing about Faulkner and how a lot of his character is, at least to me, built on this despairing loneliness and isolation. That part of it stems from having been abandoned by his father and brother (a father that never looked him in the eye, a brother that never came back like he promised). That that loneliness feeds into his desire for a place to belong, to no longer be alone, but its since been twisted into this want for prestige (because there's that rationalization: if he were special, if he had the title and accolades then he'd have had to have made his place somewhere right? Make a home somewhere?). And that's why it was so easy to betray Carpenter the way he did, to weigh it in his hands....
.... but every time I tried to sit down and write coherent, concise thoughts it spiraled into something incomprehensible (see above). BUT I still want to talk about it because this podcast makes me so ill every other Thursday.
22 notes
·
View notes
What I really think media with ensemble casts, especially those in a traveling group of some kind, are missing are big, blow-out arguments between the group. Especially when there's a conflict of interests, I am such a sucker for when two or more characters disagree so strongly that they realize very little is actually holding them together as a group, and wonder if it's time to go their separate ways.
I feel like a lot of video games, specifically, just kind of assume once the traveling band is "complete", it's forced to stay together until the player expressly permits it, but I don't really find that very compelling and a lot of times it feels more like they're relying on some kind of immediately strong bond that hasn't really been earned. Which is a shame, because in my opinion one of the best ways to strengthen that bond is to have the characters disagree and argue. Maybe they realize they're only being superficially held together and so they temporarily split up, only to then realize how much they've come to care for the others in the group. Then they reunite, make-up, formulate a plan to go forward, and boom, the group bond is that much stronger. Or maybe they don't even split up, and maybe they never learn to like each other, but they decide whatever cause their working toward is more important. Something else, bigger than them, is holding them together.
It just feels like a lot of potential is going to waste to just skip straight to the intense found family bond, without earning it.
7 notes
·
View notes
Hi! I recently found your blogs, and can I just say how much I love your character analyses? Your portrayal of each character is always so in depth to the point where I can even picture them acting and speaking the same in game! I'm so impressed and I seriously don't know how you connect to each and every one of them so perfectly :O
If I may ask, what does your research and character profile process look like? As someone interested in writing, I hope to be as skilled as you with analysing characters (and writing plots and writing in general--) one day :) Any tips would be appreciated!
Thank you so much for all the hard work you do. I know I'll enjoy the story you come up with next!
Aww thank you so much!! Honestly sometimes I worry that my analyses won't be to everyone's tastes, so I'm very glad you think that they're good! I feel the same way about my writing because I know they're not the most romantic, so it's a relief to know you like it. ;v; <3 I have a lot to say about your questions though, so I'm going to put it under a readmore. It's an uh... infodump HAHA
When it comes to research, what it basically comes down to is reading everything. Read the character's lore, read their voice lines. Read what other characters have to say about them. Even talking to every NPC you see in the hopes that they'll talk about a character helps out a lot too HAHA. I also recommend going back to old events when doing research too. Reread them. Listen to the voice actor's portrayal of them. Read everything you can.
This is take three of trying to explain my character analysis process, but I'm going to give up and just explain to you the main logic that governs it. Basically what it boils down to is: we are not unique. Humans are not unique. What do I mean by this? People that are certain ways--for example, they have a low self-esteem, consistently overwork themselves, they want children when they get older, etc--they will typically share common characteristics. When you know the defining characteristics of each trait, you can potentially apply that trait to everyone you know that displays those characteristics.
For example, people that constantly overwork themselves typically have unhealthily high levels of perceived responsibility, typically with a self-deprecative trait that they don't deserve to be happy and rest. People that are very showy tend to care a lot about what people think of them. People that are extremely close to their families typically lose the ability to function properly without them.
If you know people that are like the examples above, you know that these observations are pretty accurate. And these examples represent pretty common types of people as well. Once you've seen one of them, you've seen them all. Nobody is unique. And because of that, you can apply these observations to characters because characters are meant to be human. Example one is Kaveh. Example two is Itto. And example 3 is Lyney. Now you've gotten a deeper dive into their psyche.
The way you become better at character analysis is by broadening your internal library of traits and their defining characteristics. This involves three steps: observation, drawing connections between observations, and fine tuning these connections by applying them to other people.
These steps are easy to understand, but let me go a bit more into step one. Observations come in two categories: physical observations and intuitive observations. Physical observations encompass things they physically do. Intuitive observations are larger statements that can't be tied to just a single physical observation. For example, physical observations may be that they don't go out much, they don't talk much in groups but do one-on-one, they wear bright colors, they're rude, etc. Intuitive observations are more: they seem to be uncomfortable around children, they act like they're scared to contact first, they're always on the move, etc.
The second step involves drawing lines between observations and trying to deduce meaning. For example, [they end their sentences using a rising intonation] + [they ask me my opinion a lot] = [this person cares about not sounding rude or unwelcoming]. Or, [they have a low self-esteem] + [they care about being seen as morally good] + [they engage in fandom] = [I probably should not tell this person I think Dottore and his penchant for human experimentation is hot].
Typically the logic goes: [physical observation] + [physical observation] = [intuitive observation]. [physical observation] + [intuitive observation] = [mid-tier intuitive observation]. [intuitive observation] + [intuitive observation] = [top tier intuitive observation].
But it does not end at step two. Step three basically tests to see if your observation from step two is valid or not. When you apply your observation from step two to a multitude of people, you're able to fine tune your observation to make it more generalized and more accurate. Maybe you realize that not everyone that ends their sentences in a rising intonation is necessarily polite, but it's more of a cultural thing. Maybe you see that having low self-esteem isn't always a symptom of having a high moral code. Test, revise, then test again. The higher the tier of your observation, the greater the chance it has of being wrong.
When I analyze characters, I go through my mental library and see which traits and characteristics I've catalogued before. And for things that don't have an exact match, I try to find ones that shares at least a few things in common that may follow the same logic. For example, I don't know anyone like Zhongli. However, I do have a friend that's very outgoing, but you can have a full on conversation with them and leave not knowing anything about them. Can I apply the logic of my friend to someone like Zhongli?
I will say this and I will say this again. People are not unique. Everyone is a copy of someone else in some way. When you treat the characters as if you were analysing any other normal human being, you can quite easily draw conclusions from what they have in common with people you know and have seen.
Anyway, this is so long I am so sorry. Hopefully I didn't completely bowl you over with information. OTL
13 notes
·
View notes
Ok so today I found out Nanbaka ended some time ago so I spoiled myself and man, the ending was so rushed and angst for no reason and overall disappointing??? The author threw very important lore info and a plot twist that felt all out of the blue near the ending... I love angst but when it is well written, and this was not. Their friendship was real, even if prior to the series start wasn't I know what I read was real friendship and this ending ruins for me one of the main themes of this show.
I don't post a lot about this series because I started it before I even had Tumblr but Nanbaka was everything to me back then. Even after I was forced to move on because the english translation stopped and finding all chapters fan translated was very difficult I'd find myself thinking about these characters sometimes and I almost dare to say that it was a comfort series. Not being able to keep reading it without going through a Odyssey was already upsetting but the ending? What in the actual fuck is that. Is not even the fact it was a sad ending what bothers me the most, it's that it was sad and felt bad written or without proper building 🙁
This literally summaries my opinion regarding what happened to the main group:
Now I feel bad? Bad like when you receive bad news irl? Like I've received a punch in the stomach or a betrayal from a dear old friend
If spy x family or yuu & grim (including all of their friends in twst) separate in the end I'm losing all hope of being happy and relaxing with this trope without fearing the chance of getting backstabbed again forever
God please let them stick together or I'm going to make you the same thing you have done with me
14 notes
·
View notes
not to be a person with a brain, but it's so insane to me that there are people that think a ship where X feels unloved and like Y thinks of her and looks at her like a monster, and where Y can't tell X that he loves her romantically until his best friend confesses his feelings under her name that are a 100% contradiction to the feelings X told him in their literal last conversation is, like... somehow healthy, compatible, and loving lol.
"you think i'm a monster" and "you're being ridiculous" omg 😍 relationship goals! Y gives X a speech where she can't respond whatsoever and tells her she's a superhero because all he knows about her is her powers not who she is as a person and X doesn't talk to him afterward and those shippers are like 🥰😍🥺🥳💘💞💕 just because they smiled at each other for two seconds before that. like. HUH?!?!
you like the ship where Y can't be emotionally available or intimate with X, his girlfriend that he's been with for over a year now btw, because he's too busy giving that to and receiving tht from his boy bestie? you like the ship where X lies to Y about everything in her life because she feels like he wouldn't like her if she didn't live up to the infallible superhero he views her as? the ship where they don't share similar interests or dreams? the ship where they've never once had a meaningful or real conversation? the ship where X describes Y as her first boyfriend and that Y describes as dumb luck (compared to his friendship with his boy bestie being the best thing he's ever done)? that's the ship you like and think is peak romance?! 🤨
35 notes
·
View notes