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#don pasquale
saintarmand · 8 months
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Don Pasquale, English translation (the libretto starts on page 54, Norina and Ernesto's duet is on pages 84-85) Full opera on Youtube, English subtitles (the duet starts at 1:55:28)
Come, say the words I long for, say you are mine forever; never to part, no, never, our lives shall henceforward be one. Your tender voice shall quieten the tempest that rages inside me: Ah! With you, my love, beside me, I shall not tremble alone, I’ll tremble no more alone.
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savagewildnerness · 19 days
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Someone asked about the opera in S1E2, so in case anyone doesn’t know *what* is being sung… just to give you more context as to how Lestat would feel about that… 🥹
Tell me again that you love me,
tell me that my / mine you are;
when you call me
my life, you are mighty in me.
The voice so dear to you
reigns the oppressed heart;
safe / secure to you near, I
tremble away from you.
Or, as translated in the video:
“Say you love me, tell me you’re mine
Call me your beloved, you’re all I live for
Your sweet voice revives my flagging heart
I feel safe near you, afraid when apart”
It expresses exactly how Lestat feels towards Louis, and how he wishes to feel Louis feels towards him.
youtube
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tuttocenere · 5 months
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this incredibly faustcore Don Pasquale recording on medici.tv
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princesssarisa · 6 months
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The Top 40 Most Popular Operas, Part 4 (#31 through #40)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.
Donizetti's Don Pasquale
Another comedy of manners with a melodic bel canto score.
Teatro Lirico di Cagliari, 2003 (Alessandro Corbelli, Eva Mei, Antonino Siragusa, Roberto de Candia; conducted by Gérard Korsrten)
Verdi's Macbeth
The first of Verdi's great Shakespearean operas.
Zürich Opera, 2001 (Thomas Hampson, Paoletta Marrocu, Roberto Scandiuzzi, Luis Lima; conducted by Franz Welser-Möst)
Beethoven's Fidelio
Beethoven's only opera, a drama of love, courage, and idealism in the face of political corruption.
Vienna State Opera, 1979 (Gundula Janowitz, René Kollo, Hans Sotin, Manfred Jungwirth, Lucia Popp; conducted by Leonard Bernstein)
Gounod's Faust
One of the most wildly popular operas in the 19th and early 20th centuries: a melodic French interpretation of the Faust legend.
Vienna State Opera, 1985 (Francisco Araiza, Gabriela Benacková, Ruggero Raimondi; conducted by Erich Binder)
Richard Strauss's Salome
Strauss's one-act operatic translation Oscar Wilde's erotic and powerful Biblically-inspired play.
Teatro Comunale di Bologna, 2010 (Erika Sunnegårdh, Mark S. Doss, Robert Brubaker, Dalia Schaechter, Mark Milhofer; conducted by Nicola Luisotti)
Puccini's Gianni Schicchi
Puccini's only comic opera, a rollicking one-act farce inspired by a passage from Dante's Divine Comedy.
Teatro alla Scala, 2008 (Leo Nucci, Nino Machiadze, Vittorio Grigolo, Cinzia De Mola; conducted by Riccardo Chailly)
Verdi's Don Carlo
A grand, tragic historical drama of politics, love vs. duty, intergenerational conflict, friendship (of the vaguely homoerotic variety), and abuse of power.
Metropolitan Opera, 1983 (Plácido Domingo, Mirella Freni, Nicolai Ghiaurov, Louis Quilico, Grace Bumbry, Ferruccio Furlanetto; conducted by James Levine)
Bellini's Norma
A great bel canto soprano vehicle, depicting a tragic love triangle amid the Roman conquest of Gaul.
Sydney Opera House, 1978 (Joan Sutherland, Margareta Elkins, Ron Stevens, Clifford Grant; conducted by Richard Bonynge)
Richard Strauss's Ariadne auf Naxos
A unique "opera within an opera" that explores the themes of comedy vs. drama and "low art" vs. "high art."
Salzburg Festival, 1965 (Hildegard Hillebrecht, Sena Jurinac, Reri Grist, Jess Thomas; conducted by Karl Böhm)
Gluck's Orfeo ed Euridice (Orpheus and Eurydice)
A groundbreaking early Classical interpretation of the Orpheus myth, replacing the pageantry of Baroque opera with "noble simplicity."
Feature film, 2014 (Bejun Mehta, Eva Liebau, Regula Mühlemann; conducted by Vaclav Luks) (no subtitles; read the libretto in English translation here)
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whitesteinway · 5 months
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Anna Netrebko as Norina in Don Pasquale ౨ৎ
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figarotrilogy · 8 months
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salvatore this, who is she that, let's talk about real bangers like Don Pasquale Act III "Aspetta, aspetta, cara sposina"
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angelkarafilli · 11 months
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Don Pasquale, conjoined with the MAALOT Roma hotel, is nestled unassumingly along Via delle Muratte. Just a two-minute walk from the Trevi Fountain, it is located in the former house of the 19th-century Italian composer Gaetano Donizetti. Curated as both an ode to Donizetti and Italian history and a celebration of vivacity and adventure, the “restaurant with a hotel inside” offers all-day, bistro-style dining with a menu of delicious Roman and international dishes, artfully crafted cocktails, and a stunning selection of rums–all in an enchanting yet intimate setting. For hotel patrons and diners alike, Don Pasquale is a theatre for the senses.
More on:https://www.romeing.it/don-pasquale-restaurant-trevi-rome/
Address:Via delle Muratte, 78 (Trevi)
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hello i am once again reminding you all that i love don pasquale
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opera-ghosts · 1 year
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OTD in Music History: Great “bel canto” Italian opera composer Gaetano Donizetti (1797 – 1848) dies of tertiary syphilis in an asylum in Bergamo. A prolific “transitional” composer whose numerous operas – written in both Italian and French – are illustrative of the substantial musical evolution that took place in opera between Gioachino Rossini (1792 – 1868) and Guiseppe Verdi (1813 – 1901), several of Donizetti’s later works still continue to hold the stage, including “L’elisir d’amore” (1832), “Lucia di Lammermoor” (1835), and “Don Pasquale” (1843). Donizetti actually scored his first success with “Enrico di Borgogna” (1818), and during the next 12 years he cranked out more than 30 operas – although most of them were merely local hits in Italy and have long been forgotten. In 1830, "Anna Bolena” made his name across Europe, and two years later he scored a truly lasting success with “L’elisir d’amore.” Like Rossini and Vincenzo Bellini (1801 - 1835) before him, Donizetti eventually left Italy for Paris, where he began to successfully exploit the “French grand opera” model (which was essentially the 19th Century's versio of a Las Vegas show). By the early 1840s, however, Donizetti was well in the grip of the advanced syphilitic infection that would eventually kill him. He produced his last important opera, “Dom Sébastien” (1843), under the strain of near-constant headaches and occasional lapses of mental capacity; his final years were a sad story of mental and physical degeneration as he was confined to a series of asylums. Extremely popular during his own lifetime, after his premature death, Donizetti’s operas were almost entirely eclipsed by the later masterpieces of Verdi and Giacomo Puccini (1858 - 1924); it was only in the latter half of the 20th Century that the “bel canto” revival brought about the renewed interest in his work that continues to this day. PICTURED: A short undated (but c. 1840s) note regarding musical matters addressed by Donizetti to a “Monsieur Duclos,” who was affiliated with the famous Parisian “Theater-Italien” (the primary opera house that produced Italian opera within the city at that time).
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nakhtflug · 1 year
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I've written an introductory article about Le nozze di Figaro for my uni's web-radio and have been waiting a while for the credit so that I can go see the opera and review it. Done so already with Don Pasquale and Manon Lescaut.
Thing is, this production of Nozze has been booked by an enormous number of people so they couldn't confirm my accredit last week as it usually is. Weeks ago it was already almost sold out - meaning what was left where seats in the second row to some of the worst lodges and such. Now, on Tuesday I've looked up what was left, and... Only one, though fortunately affordable seat, very uncomfortable seat, waited for me. So I bought it. I also booked another concert to review for which I received my accredit on the same day.
Yesterday at 10 o'clock they notified my accredit for tomorrow.
I'm sorry for the friend who'll get my shitty, previously bought, ticket.
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vera-dauriac · 2 years
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the don pasquale fic for the scene ask?
Thanks so much for the ask! From what I remember of writing that fic, there wasn't so much a specific scene as I knew those pink stockings needed to be...important. ;)
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Ask me what scene inspired my fic.
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joansutherlandfan · 1 year
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Don Pasquale (3 January 1843 - Théatre Italien, Paris). Joan never sang the whole role of Norina, just the duet - Tornami a dir che m'ami (with the tenor Richard Conrad) for 'The Art of Joan Sutherland' (CBC) and 'The Age of Bel Canto' (Decca) both in 1963. Enjoy all the beautiful trills Joan put in this!
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jurnaldeoltenia · 2 years
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„Don Pasquale”, în deschiderea stagiunii la Opera Craiova
„Don Pasquale”, în deschiderea stagiunii la Opera Craiova
Opera Română Craiova deschide stagiunea 2022-2023 cu spectacolul „Don Pasquale”, sâmbătă, 15 octombrie 2022, începând cu ora 19.00, în sala Cercului Militar Craiova. Punerea în scenă în regia Arabelei Tănase, cu o scenografie de Răsvan Drăgănescu, scoate în evidență virtuozitatea compozitorului și a libretiștilor în construirea caracterelor și a situațiilor comice. Atât paginile muzicale…
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tuttocenere · 5 months
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Donizetti, Don Pasquale, Montpellier 2019
Bruno Taddia as Don Pasquale
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princesssarisa · 8 months
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@simone-boccanegra, @notyouraveragejulie, @supercantaloupe, @leporellian, @ariel-seagull-wings
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joaquimblog · 2 years
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LICEU 2022-2023: DON PASQUALE (Corbelli-Sáenz-Ballerini-Pachón;Michieletto-Pons)
Serena Sáenz (Norina) i Carles Pachón (Malatesta) a Don Pasquale, producció de Damiano Michieletto Foto de David Ruano gentilesa del Departament de Premsa del Gran Teatre del Liceu Ahir estrenava torn d’abonament amb el Don Pasquale ja comentat, però amb el segon cast, és a dir Corbelli que ja vaig veure substituint a Chausson, Sáenz que ja vaig veure a l’assaig general substituint a Blanch,…
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