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#different fandom same shit
nyikondlovu · 10 months
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Chefs Kiss (Sydcarmy) fans stay with me, Chefs!
I’m not taking anything Ayo, Jeremy and Christopher say against sydcarmy, aka Chefs Kiss, seriously.
They purposefully kept Carmen and Sydney as separate as possible this season, which is a big mistake in my opinion.
The show is about the characters and their relationships with each other. Food is a part of it, but it’s mostly the relationship each character has with one another that makes the show.
The writers trying to dispel the rumours by keeping what I would call our male and female leads apart is nuts because Jeremy and Ayo play so well off of each other but by separating them Jeremy gave his weakest acting (which is still very good) during Carmy/Claire scenes?
They keep saying The Bear doesn’t need romance then give Carmen a whole relationship that was so boring to watch for like 7 episodes and felt like watching paint dry because Claire isn’t engaging.
I’m expected to care about her, what she supposedly means to Carmen and hear about how great she is but don’t get to see it? She’s an ER resident for gods sake and she’s running around town giggling every 5 minutes without a semblance of the hard work and exhaustion that comes with being a doctor.
And for the reason stated above, I believe she’s a manic pixie dream girl. She’s there to change Carmen’s view on life, be different and quirky and the one who got away when in reality Carmy forgot who she was and had to be reminded which took him a whole 5 seconds to remember the supposed love of his life, purposefully gives her the wrong number and she says “You’re the Bear, of course I remember.”
No one was gonna take her seriously as the person to keep up with Carmy and help keep him sane.
Meanwhile Sydney does. She anchors him, she keeps up with him and she calls him out on his shit. Sydney isn’t perfect. She’s terrible at stating what she needs at that moment, she slightly short tempered and she is passive aggressive.
She also is working on her impatience and passive aggression. She eventually tells Carmy she needs his attention as her partner. She speaks up for herself to her dad and she’s not letting her ambition be treated like a bad thing anymore.
Carmen and Sydney would make sense because they are flawed. Carmy stops going to group therapy as soon as he starts dating Claire because she’s ‘fixed’ him and they don’t work because of that.
Sydney has ‘levelled up’ in her professional life, she’s more assertive and willing to listen and has just grown as a person and that type of continuous strive for self growth is what Carmen needs to see in order to do the same HIMSELF.
Sydney isn’t there to fix Carmy, she’s someone who he can grow alongside.
Claire was used as a kids bandaid to a gaping wound; the wound being Michael. Claire represents a life where Mikey was alive and Carm’s fucked up family was as whole and happy as it’s gonna be. She represents the past and everyone PUSHED him to want to date her in the past.
There is too much between our two chefs for simply business partners:
S1 shows Carmen scrubbing the floor of the restaurant when in turmoil while Sydney does the same in S2;
She’s spliced into the montage of Carmy and Claire as though she’s a silent part of their relationship;
She has the three dagger heart tattoo which typically represents romantic heartbreak and turbulence;
Carmen remembers her interest in his whites from three months prior even though she didn’t say anything and gets her her own custom whites;
The imagery from their conversation under the table? Him asking her to screw the other side and “say more, please” as he holds up the table (and Sydney) while she finally shares her fears;
“You’re not alone.” “Neither are you.”;
The memories of Sydney being what calms him from his panic attack;
During said panic attack, the song that was Claire and Carmen’s plays in reverse and any flashes of her are accompanied by memories of his dysfunctional family while the moment he thinks of Sydney? The song starts playing correctly. He calms and flashes of his family (and Claire) disappear;
Them constantly cooling an argument with the ‘I’m sorry’ gesture;
Him constantly being in tune with her emotions and body language.
Sydney represents a new beginning. The chance to build a healthy family with the staff of The Bear, Sydney, Natalie and Richie. She represents a future. She represents good change.
I’m fully convinced Ayo and Jeremy are just doing what all actors do with a ship that’s not yet canon: downplaying or dismissing it.
C’mon if you’ve been in The High School Musical The Musical The Series fandom and shipped Rina from the beginning, you know how it feels to be persecuted and gaslit by other fans and the actors for seasons.
TL:DR, Chefs Kiss is literally a super slow burn and no one of the team will confirm it until it actually happens.
Also, never let your girlfriend (Claire) stop you (Carmen) from opening a restaurant with the love of your life (Sydney)
And if you think they should “stay platonic”, ask yourself WHY every swirl ship with a white male lead and black female is hated by fandoms and the argument is “they’re best friends” or “they’re like siblings”. WHY can’t black women be desired? Because you can’t self insert? Check yourself before claiming a character who was so underwhelming I skipped so many scenes is a better match than the character who has seen him at his worst and told him he cannot and will not talk to her like that. The first person he thought to open a restaurant, that means so much to him, with
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sourdough-morbread · 2 years
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Once again i am making my au characters face their canon counterparts and grapple with the cruelty they are capable of deep down and how easily they could have never gotten to feel so loved and content post fic finale istead of ACTUALLY WRITING THE FIC WHERE THEY GET TO FEEL LOVED AND CONTENT.
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I'm so sorry
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spywhitney · 4 days
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How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:
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#the bear#the bear fx#sydney adamu#carmen berzatto#richie jerimovich#jk kind of#well on days I don't see or think about Sydney haters#under every damn comment section in this fandom is someone saying Sydney didn't take accountability#like I know we all have our biases but yall are really shameless about it#Sydney scored A LOT of Ws for The Beef AND The Bear#but one time she makes a mistake and justifiably walks away from a toxic work environment she's the devil#Richie worked at The Beef for years and Sydney did more for it in what less than four months than he did#on top of being a prick to Sydney in particular because she was changing things he wanted to keep the same#to the detriment of the restaurant but also everyone#and overall being unpleasant to Carmy#Nat and anyone that didn't find him funny or interesting or like his bs#pre-Forks Richie reminds me of those types of people that only listen to people that like them#and I love that because it's realistic to some ppl#I do like Richie#it just leaves a bitter taste in my mouth knowing there are people that hate Sydney#ignore her accomplishments only to raise up Richie#in the same breath when the actual show is showing you what's up#like you'd think there were different versions of the show with how these two are perceived#I get this weird need to defend Sydney when people shit on her because I wonder how often said people treat the Sydneys of the world#but that aside#In Fishes Richie mentions something about wasting potential at the beef#In Ceres it's implied he called the popo on the dealers after Sydney deescalated a situation Richie previously dealt with#in an unorthodox manner#he recognised he needed to change but still was an arsehole to the one person who was facilitating that change effectively Sydney#this show is great but people denying what they're seeing on their own screens is crazy
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lord-squiggletits · 3 months
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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.
But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.
God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.
All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned
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shorthaltsjester · 5 months
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once again, begging, BEGGING everyone in the cr fandom to stop making posts critiquing how the fandom is being weird about one cast member by saying "if it was x, the fandom would love this/hate this even more." it turns out the cr fandom contains Multitudes of weird ass people and just because you haven't seen those reactions (or, even funnier if you are making claims about what the fandom does/does not do to other cast members, were not in the fandom during c1/c2) does not mean they do not exist. like there are certainly different social dynamics and injustices at play in some of the reactions the audience has to cast members, but almost always it is less a case of misogyny/queerphobia and more a case of people forgetting that storytelling is about understanding choices you would not yourself make and watching characters develop through conflict/struggle.
like, you can have the most salient point to make in the world about how shitty the reaction of the fandom to a certain cast member's (not their character, but the cast member as a person) choices but you immediately undo that if you make a claim like "if liam did this, the fandom would love it." perhaps the part of the fandom you are in, but certainly not the fandom that wanted to persecute him for having vax choose keyelth over gilmore, certainly not the fandom that consistently manufactured actual dislike between him and marisha throughout campaign 2 because of character choices.
likewise you might be absolutely right in criticizing the choices of the character that one of the cast members is playing, but if then in turn you say, "if this was a female cast member, everyone would hate it." my brother in christ, You are already the person who hates that character choice and it Wasn't a female cast member, so what is the truth? unless you have the statistics on the opinions every person who engages with the cr fandom has, truly just. you can make your point without appealing to a sense of misogyny/queerphobia/favouritism or whatever that you have no actual grounds for believing exists except for the fact that misogyny in general exists.
this isn't to say that things like misogyny don't influence how people react to things, all of our opinions are mediated through the social and material conditions in which we live. obviously, misogyny exists. however, truly, truly, the bigger problem in the cr fandom (at least on twitter/tumblr, idk about reddit and that is a choice I've intentionally made) is the consistent expectation that the cast adheres to what so many fans call 'comfort media' and a requirement that one's own opinions be validated by what the majority of the fandom believes (which aside from the obvious, is also an absurd expectation because trying to gauge the 'majority' of the cr fandom would be truly so much data). the cast have made it explicit many times that they value things like high stakes and big risks in their storytelling, and sometimes that means stupid character choices, character deaths, or interparty conflict. so much of the fandom has decided to engage with cr regardless of this and then gets upset when the liveplay of a ttrpg built around conflict contains conflict. similarly, people who claim to enjoy this conflict then get pissed off when other people in the fandom disagree with them and give away the ghost that what they want is validation by arguing that it is somehow problematic for the other side to have their opinions. it is much easier to blame any lack of satisfaction on how, actually, your section of the fandom has the right opinion and, actually, if everyone else wasn't queerphobic/misogynistic then they would see the proverbial light.
anyway, this is just me ranting out of both literal and metaphorical exhaustion with the "persuasive" (heavy quotes) tactics that some people in this fandom use. please look up some tips on like, how to avoid logical fallacies or formal critical thinking or just like. state your opinions and say you dislike the other options without thinking you need to provide some (often blatantly and horribly incorrect) rationale for how you're right. accept the pretentious bastard within yourself and stop seeking validation for your opinions in the fandom around you, your opinions are already correct if you assume them to be.
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mustardyellowsunshine · 5 months
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In today's episode of Shut Up Robin, Nobody Cares:
I finished Maison Ikkoku back in February, and I had a lot of feelings about the series. (It's good, do yourself a favor and go read it if you haven't.) As I read through it, I couldn't shake the thought: this is the caliber of romantic development Rumiko Takahashi can bring to the table?? We could've had this kind of relationship development in InuYasha??? 😭😭
The other thought I couldn't shake: InuYasha fans who still question the sincerity and depth of InuYasha's feelings for Kagome might benefit from reading Maison Ikkoku all the way to the end. They should read the final chapters of Maison Ikkoku, think for awhile about the blatant parallel themes found in InuYasha, and then try reevaluating InuKag's dynamic.
Now, I should clarify: I think the InuYasha series already makes it abundantly self-evident that the Inu/Kag/Kik "triangle" (🙄) is a complex situation that puts InuYasha in an extremely difficult position. (Well, it puts all of them in a difficult position, but you get the idea.) You just have to read the series with your brain on to see that. To review: teenage boy is tricked and terrorized by a demonic murderer; that demon successfully murders the boy's ex while masquerading as him; later his ex is revived from the dead against her will, wanders the earth as a vengeful spirit for awhile (who wouldn't be pissed about being brought back into that bullshit?), and is actively stalked by the demon who already murdered her once; teenage boy is falling in love with someone else when this happens, but he still wants to save his ex from being re-victimized by the demon who already brutally murdered her once. Anyone who sees that situation and describes it with a straight face as "InuYasha needs to make up his mind already" is probably never going to reconsider their assessment of InuYasha's character. They've already formed an opinion in defiance of the evidence. That ship done sailed.
But for some folks, I think experiencing the way Maison Ikkoku explores the same relationship themes—and particularly how it resolves those themes in the final chapters—could help them re-evaluate the emotional nuances in InuKag's relationship, and maybe help to re-contextualize the Inu/Kag/Kik conflict.
The parallels between Godai/Kyoko and InuYasha/Kagome are pretty obvious—Rumiko Takahashi consistently revisits this relationship dynamic in her work (it's present in Mao to a lesser extent). But I think Maison Ikkoku more directly confronts the emotional complexity of that dynamic. You can feel the difference in how RT more directly explores the messiness, complications, and pain of a) grieving a former relationship even while falling in love with someone else, and b) loving someone who is still tangled up in grieving their past. The InuYasha series obviously deals with those themes too, but Maison Ikkoku brings more focus and resolution to its exploration.
This may be for two reasons: 1) Maison Ikkoku had an older audience, as it was published in a seinen magazine geared for adult men between 18 - 40 years old, and 2) the relationship tension between Godai/Kyoko pretty much constitutes the main story of Maison Ikkoku; in InuYasha, the plot (such as it is) revolves around a vengeance quest and the monster of the week, and the relationship tensions between InuKag are second to that. Maybe that's why RT was more willing to get into the weeds with Godai/Kyoko and to more directly resolve the tension.
InuYasha does have some standout chapters where it explicitly deals with the tension of InuKag's situation (e.g., chapter 78, chapter 124, chapter 176, chapter 286, chapter 458, etc.), but there's this distinct hesitance in the narrative to resolve that tension in a substantive way. That's one of my beefs with the InuYasha series: it gives us moments of standout, concrete relationship development which then doesn't impact the future narrative all that much. The same relationship conflicts play out over and over again, well past their narrative expiration dates. See: Miroku flirting with women right in front of Sango after they've acknowledged feelings for each other; also the entire Kaō arc, which just... I do not understand the narrative purpose of that arc when it just exacerbates tensions that already existed and resolves none of them. Anyway. I digress.
You could argue this hesitance to permanently resolve relationship conflict comes from the episodic nature of InuYasha's storytelling. There's some truth to that, but that's not a satisfying explanation for why the main couple's relational status quo remains inert for the latter half of the series. Maison Ikkoku also does this to an extent—the "will they, won't they?" tension is strung along for as long as possible—but in general Maison Ikkoku does a better job of allowing relationship development to actually affect the narrative. Moments of emotional revelation and growth do change the relational status quo between Godai and Kyoko. They don't stay in quite the same relationship limbo that InuYasha and Kagome get stuck in for the latter half of the series. (It probably also helps that Maison Ikkoku is significantly shorter than InuYasha.)
All that to say: I think Godai/Kyoko is actually a useful mirror for examining InuKag, because they share the same themes and relationship dynamics without sharing the same narrative failings.
Okay, so: big time major spoilers ahead for Maison Ikkoku. Stop here if you don't want to see the conclusion of that series.
I want to look at how Maison Ikkoku's conclusion simultaneously revisits and resolves the main conflict between Godai/Kyoko.
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Ahhhhhh my feelings!!! Man I love this series.
Okay, let's review the major takeaways from this scene:
• Notice how the tension between Godai and Kyoko—Godai's struggle with insecurity and Kyoko's feelings for her deceased husband—mirrors the tension between InuKag. And notice that the reader is encouraged to sympathize with both Godai and Kyoko. Godai is not "at fault" for struggling with insecurity and feelings of jealousy. That's a natural human feeling to have, especially in a relationship that hasn't been anywhere near secure until very recently. And despite whatever jealousy or inadequacy he may be feeling, Godai tries to see things from Kyoko's perspective. Part of Godai's struggle—the heartache of it—is his understanding that Kyoko is also not at fault. It's not her fault that she married before she ever met Godai, it's not her fault her husband died, and it's not her fault that she's struggling with the grief of that tragedy. She's trying to reorient herself to her new life after loss; she's falling in love with Godai, but she's also scared of betraying her husband's memory. (Let's hold that mirror up to InuYasha now, shall we? SHALL WE?) Moving on from Soichiro emotionally represents to Kyoko a breach of duty to a loved one.
• To reiterate: neither Godai nor Kyoko are "at fault" in this situation. That's precisely why it's a tragedy. They both have to process painful, messy feelings; both their feelings are valid and understandable. (Hold that mirror up to InuKag, girl. HOLD IT UP.)
• Notice how Godai explicitly acknowledges that loving Kyoko means loving the Kyoko who once loved Soichiro. "On the day I met Kyoko, you were already within her. That's the Kyoko I fell in love with." It's impossible to divorce Kyoko from her feelings for her former husband: that part of her life significantly shaped her into who she is. And I just love that Godai is hashing out his feelings at Soichiro's grave: it shows a sort of respect for Soichiro's memory, but more importantly it also shows that Godai knows his negative feelings can't ultimately be "fixed" by Kyoko. If she could fix them, he'd be having this conversation with her. (And by this point in the series they have had this conversation.) But Godai knows he's the only one who can truly work through/resolve his insecurity—especially now, when Kyoko has already assured him that she loves him—and I love how the scene's setting subtly demonstrates that. Soichiro's ghost is haunting Godai's feelings, not Kyoko's, and Godai is trying to work through that with Soichiro himself. There's no love triangle to resolve here: what needs resolving is Godai's own feelings of inadequacy which no amount of assurance from Kyoko can ultimately "fix." This is his ghost to fight. (We get an echo of this kind of inner conflict in chapter 458 of InuYasha: Kagome directly wrestles with the "ghost" of Kikyo and struggles toward some resolution of her own insecurities.... Only for the Kaō arc to come along later and materially damage that resolution and character growth for no clear reason, BUT I DIGRESS.) And this scene shows that Godai wins that fight: he comes to understand that loving Kyoko has to include accepting her past. Kagome reaches a very similar understanding in chapters 175 and 176 of InuYasha.
• To reiterate: Maison Ikkoku's conclusion is not the resolution of a "love triangle." It's the resolution of a series-long conflict, which is completely different. In order for love triangles to work—to actually function as love triangles—two competing love interests have to be viable options. This is quite evidently not the case in Maison Ikkoku: Soichiro is dead at the start of the series. It's literally impossible for Kyoko to choose him in any meaningful way. RT blatantly acknowledges this early in the series when Kyoko's father-in-law tells her she has to live her life. I cannot stress enough how self-consciously the series is not about a love triangle between Godai/Kyoko/Soichiro. (Mitaka is another matter entirely, for a different post.) Rather, the series is about the damaging power of grief in our lives, the rocky and painfully non-linear journey to healing from that grief, and how messy, fraught, and ultimately profoundly beautiful it is to love another person for exactly who they are — past pain/trauma and all. (Please for the love of heaven hold that mirror up to InuKag.)
• No, you know what? I'm not leaving that at a parenthetical. I'm just gonna say it: exactly as Maison Ikkoku is not about a love triangle, InuYasha isn't either. For the same reasons as stated above, the Inu/Kag/Kik dynamic is not ultimately a love triangle because Kikyo is dead at the start of the series. And while her spirit is magically revived—in an altered/diminished form—she is still not truly alive. The story conspicuously communicates this: her body is literally created from decomposing bones and cannot sustain itself (she needs to consume souls—other deceased spirits—to remain animated), symbolically suggesting she is of the dead even as she walks among the living. This is a facsimile of life. RT is not subtle about this. Kikyo is a tragic and complex character whose arc can be interpreted in many ways, but I think it's fair to say that the series self-consciously represents her as a past which can't be recovered. The damage has been done. She is dead, time continues to move forward, and there's no reversing that. (That's, again, why it's a tragedy.) Even her resurrected body symbolically represents this reality via death imagery. Ergo, from the very start of the series—just as we see in Maison Ikkoku—Kikyo is not a truly viable option for InuYasha. He can't choose her in any meaningful way. To "choose" her would be to essentially choose death—abandonment of life—just as Kyoko choosing Soichiro would make her "a wife who hadn't died yet." Kikyo represents an irrecoverable past just as Soichiro does. And the main thematic trajectory of each series does not suggest that Kyoko/InuYasha should give up on life by choosing death — it suggests they should choose life. Godai and Kagome conspicuously represent life, the possibility of living into the future. (Kagome is literally from the future, that's how unsubtle RT is about this.)
(A quick aside while we're here: no, Kikyo's not being a viable option does nothing to diminish the sincerity of InuYasha's feelings for Kagome. Kagome is not a "second choice," for the love of God the series blatantly addresses that very thing many, many times—like it's right there y'all—and I have already written a long ass post about why Kagome's insecurity over InuYasha's feelings for her shouldn't be taken as gospel truth.)
So, rather than being an actual love triangle, I think the Inu/Kag/Kik dynamic is a complicated emotional landscape that explores the same themes Maison Ikkoku does: how grief and trauma affect our lives, how painful and messy it can be to heal from that grief, and that loving someone—choosing to take that mutual risk with them—means trusting that they mean it when they tell/show us they love us, and choosing to trust them more than our own insecurities.
It's just that Maison Ikkoku explores those themes a little better. 😅 Which is why I think it makes a good mirror for re-examining InuKag: all the same themes without all the narrative failings and missed opportunities. ✌🏼
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saintchaser · 10 months
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can’t believe we’re doing this again but hey guys if you don’t like what someone writes, and bonus points if you are not an author and you do not know how this kind of behaviour impacts writers, please shut up and refrain from posting and commenting on things that you deem to be wrong (which, to some, means that characters or certain situations are not written the way they see them to be.)
writers, like fanart creators and creators in fandom in general, put out on the internet free content for you to enjoy and engage with, and you throwing a hissy fit over things you don’t like and leaving hate comments and going on anon to complain and bitch about things just shows how entitled fandom really has become, recently.
i do not know in depth what happened with greenvlvetcouch and their fics because i do not follow fandom drama much, the very same way i did not follow the bizarrestars / mayzarbewithyou drama and i majorly found out about it from tiktok and mutuals, so i won’t be diving too much into named dramas but, as a fellow writer in fandom, i think that this fandom consumes content in an unhealthy way, and this is what makes many writers leave / take a step back from such spaces. after this maelstrom that happens, everyone’s wondering why said people leave fandom.
why?
because popular fandom creators or creators in this fandom that have written popular fics (i.e. bfb, cr, black mass, so forth so forth, i just named a few examples off the top of my head) are treated like celebrities and expected to write what appeals to the public, said public forgetting that the content they are consuming is put out for free access and you literally do nothing in order to consume it (which you do, for example, when talking about books and movies, but that is a whole another conversation), and unpopular fandom creators are brushed to the side and ignored. this behaviour affects everyone (both sides mentioned), and the leaving from the fandom is done by both sides.
i thought that after the zar situation, we’d take a moment to reflect on our actions and how our behaviour has an impact on our content creators. please, for the love of god, think about the consequences of your actions, even though they are behind a screen and not in the real world, and refrain from unasked for criticism and comments.
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utilitycaster · 2 months
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It's always so funny when people are like "I'm gatekeeping this character/ship from people who don't appreciate it or know it in the same way I do" like. How are you doing this. What brokenness within you has led you to believe it you can or should emulate a fedora-wearing geek guy who harasses women and POC at comic conventions for being fake bandwagon fans because they don't happen to know the name of a random x-men villain who appeared in a single issue.
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i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,
if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."
i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,
i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason
#crazy that the mindset some people on here have is that theyre the only ones allowed to post their opinions#ive repeated this a lot on this blog but i rlly think people forget that the person on the other side of the screen is in fact a person#if ur harassing people and publicly making fun of them then ur just as bad as any real life bully#that shit isnt as funny or harmless as u like to pretend it is#not once have i ever targetted anyone or went on someones blog to harass them over my opinion#yet people think its fine to do the same to me and treat it as if its like. revenge or something#like ? me saying 'i dont like toxic yaoi' is not equivalent to someone going on someone elses page and going 'how tf do u like toxic yaoi'#I DONT CARE !! all ive ever done is sit in my own little bubble and had opinions and that makes people mad#honestly though the people who will publicly talk and post abt it are significantly meaner#and i want to act like im not bothered by it because i know most of them r just angry that someone has a different opinion#and they want all their followers to bandwagon off of them (idk why maybe for validation or whatever-same reasons anyone would bully)#but seriously if u actually do think that something i said was out of line and crossed thise boundaries- just fucking tell me ?#im a person bro. ur solution to disagreeing with me shouldnt be 'lol im gonna post abt this and make everyone harass them'#have a conversation with me dude i dont bite ? if u cant talk to me like a person then just dont fucking say anything wtf#its so cowardly to be like 'well no i didnt wanna say anything to u cuz i didnt wanna be rude.. so instead i publicly made fun of u!'#LIKE WHATTTT STOPPPPP </3333#ok anyway this post wasnt supposed to get THAT serious.#MY POINT IS just be considerate of other people and dont base ur hatred off of assumptions#ur deflecting the blame onto someone else because u dont want to admit that ur just a fucking bully lol#being inconsiderate on here is something ive also been guilty of back when i first joined the fandom and was clueless#but grown ass adults who have been on here way longer r still doing that shit which is crazy#and i cant say anything because they have so much leverage over me and idk if its on purpose or if they dont even realize#ok im putting fandom tags cuz i want people to see this sorry. this is my one post thats actually targetted but its at a lot of people#so if u look at this and think 'hey i do that' pls evaluate urself<3#i mean its also targetted at everyone who does this anonomously so i dont know who it is OKOK IM DONE BYE SORRY HOPE THIS IS UNDERSTANDABLE#watch nobody read this fr#saiki k#tdlosk#the disastrous life of saiki k.#meows post
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callmegodorvega · 7 months
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I’m rereading PJO because the new series is coming out on Disney + and I wanted to refresh my memory and I was thinking about Percy earlier and how this kid has so much nerve, like the audacity this kid has, dueling a GOD, the god of war no less. And the way he can almost never keep his mouth shut. Always making silent remarks, making enemies out of being you do not want to make enemies out of. Like, wtf? Idk if this is bravery or stupidity? Probably a bit of both, and that got me thinking, you know who this loudmouth, sassy, sarcastic little shit reminds me of???
Guess.
Neil Fucking Josten.
Oh my gods.
Like.
I remember when I first read aftg, I thought, “huh this Neil kid reminds me of someone” and I could never figure out who, now I know, it’s PERCY JACKSON
They are the SAME character in a different font.
The sassiness? The sarcasm? The nerve? The impulsiveness? The recklessness? The bravery? The stupidity? The quick thinking? The inability to keep their mouth shut? The undying personal loyalty??? To the point it’s a fault????
Even the inner monologues are similar.
No wonder I’m so attached to both of them.
Anyway, just wanted to share my thoughts
Thank you, and goodnight
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autistic-katara · 5 months
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oh my god can ppl find a reason to ship/not ship something that’s in the middle of a ship war w/o trying to make out the other character to be the worst person in existence? honest to god it’s not that hard to say “this ship doesn’t work for me bcz of xyz” u rlly do not need to go “uhhh actually no it’s not character a that’s a horribly racist asshole who thinks SA is cool (that’s so stupid wtf, they barely did anything), its character b. did u not see how they [smallest thing possible]??? can’t believe the hypocrisy u have going on here…” like seriously PLEASE u do not have to justify urself to this level it just makes everything 10x more annoying
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sluttylittlewaste · 19 days
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Hilarious that the same people defending any and all questionable choices the Bad Kids make (namely Kristen lbr) by saying "They're just kids! They have all this trauma and it's fucked up to expect teens to be good and nice all the time!" are the same people insisting that Kipperlily is an evil bitch and the Ratgrinders deserve to die.
#it's almost like the rules of empathy and nuance only apply to characters you like 🙃#we know absolutely nothing of significance about the Ratgrinders#and i can't wait for Brennan to remind us of that#you want to complain about Kipperlily using her families money to try to buy the campaign???#The entire shrimp party that kicked off Kristen's campaign was bankrolled by her rich friend#Adaine is a total bitch to anyone who isn't in her immediate friend group#Fig is a literal full time criminal at this point#they have at least 50+ murders under their collective belts at this point#the only verified difference between the Bad Kids and the Ratgrinders at this point is that we know nothing about them#I hope they are the biggest red herring Brennan has ever pulled#because I feel like there are people in this fandom who are so used to self-identifying as victims that they've become full bullies#and they're projecting that shit in some really gross ways#The same way Brennan had to remind Adaine that she wasn't the only one with a shitty life when she was dunking on Zayne?#how about we all take a big step back and try to have a little more perspective#instead of jumping straight to being triggered by a CHILD who had the audacity to not love your faves behavior#let me die#if i die#d20 fhjy#fhjy#dimension 20#kristen applebees#kipperlily copperkettle#the bad kids#the ratgrinders#we have no context on what those kids went through in all the time the Bad Kids have been running around doing other shit#Aguefort is an awful school and their friend is dead#maybe she has a reason not to like the super special “chosen one” that got personally resurrected by the principal and keeps failing upwards#i didn't want to be a Kipperlily defense page#but the energy of the Kipperlily hate reeks of double-standards and unprocessed high school bitterness
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shima-draws · 7 months
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IF YOU DON'T MIND I am going to talk... about my Kieran-momotaro theory for the Indigo Disk... so IDK how much you've seen of it but there's some pretty compelling evidence of a Momotaro pokemon to round out the Lousy Three in the Teal Mask DLC, and I believe this pokemon is likely the source of the poison chains the three have. But that begs the question, why introduce it in Indigo Disk instead of Teal Mask, where it would fit the setting most? I think that it's because it'll play into Kieran's character arc.
My theory is that Kieran will partner with this Momotaro pokemon during Indigo Disk in his pursuit of strength. Kieran already has a kind of connection to the lousy three, namely that it was HIS rage that brought them back from the dead. We're never really told HOW that happened, whether or not anybody getting mad near the monument would've revived them or whether there was already something about Kieran that made his anger special, but the fact remains that it was specifically Kieran who unintentionally brought them back. Another thing is that, what this Momotaro pokemon does is make others stronger. In Scarlet's dex entries, it goes over how the Lousy Three's chains all enhanced them in different ways- Okidogi got big and buff, Munkidori got really smart, and Fezandipity got... a fabulous new look. But boiled down, these poison chains all made the Lousy Three stronger, which matches Kieran's current pursuit of strength.
So I think Kieran is going to have a literal toxic relationship with this Momotaro pokemon, which makes it really on the nose that this thing's apparent symbol is poisonous chains, and the player is gonna have to beat some sense back into him/get him to snap out of it.
And honestly? The idea that Ogerpon's rejection would drive him to join forces with the ringleader of the pokemon that hurt her the most would make for a DELICIOUSLY ironic character arc
OOOH YEAH I've been seeing theories like this floating around! Also somebody pointed out that for a VERY brief second when Kieran punches the monument his fist glows purple. Whether that was bc the monument was just reacting to his negative emotions OR bc the Momotaro Pokemon was interfering and using Kieran to revive the Lousy Three remains to be seen but there's very compelling evidence that something happened in that moment 👀
I can definitely see the Momotaro Pokemon seeing Kieran's conflict and deciding to use it to its advantage. Idk if Kieran is acting out willingly or if the Momotaro Pokemon is twisting his emotions and really making him have a toxic obsession with strength but I can't WAIT to find out what's going on there.
God I'm SUCH a slut for puppet master situations like this. Is the character in question lashing out of their own free will? Or are they being manipulated to do so? Are they genuinely spiraling due to trauma or abuse or whatever else or are they being drawn into a trap? AGHHH.
Love this theory and your take on it and you are SO right Kieran teaming up with the Momotaro Pokemon would be the cherry on top of the absolute mess of a cake that we've gotten. I need the Indigo Disc YESTERDAY I'm going to lose my mind when it releases
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literalfuckingfreak · 8 months
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also while im on it i dont care how magic a character is not everyone needs to have colored eyes. its like. fine to give people dark brown/ black eyes even if theyre "magical" or some shit.
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fromtheseventhhell · 10 months
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I'm sooooooooooo tired of hearing people preach about having empathy and kindness for young female characters and knowing they aren't including Dany and Arya in that. In fact, a lot of the ones preaching it are also the ones who demonize them the most. All I'm saying is: stay consistent. Don't just pull it out as a convenient excuse cause you don't like how someone is talking about your favorite.
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