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#depicted this in a famous painting
maliciouscigarette · 9 months
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The sack of Rome, August 24th 410 CE, colourised.
Art by Psicochurroz
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willosword · 9 months
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made some ff7 pokemon teams :]
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cactusdying · 8 months
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yess hatsune miku would love your sopping wet dog of a man 🥰🥰🥰
bonuses under the cut
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also this thing (ft ritchy flt and genbu lite)
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likeabxrdinflight · 8 months
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I'm gonna find a way to shoehorn Mary into this good omens fic if it kills me
#I can't think of any plot relevance I just want to write Jesus and his mom interacting#...also wanna write Mary pissed at Heaven because you know what? she deserves it#all my life Mary was depicted as this meek woman who just went along with whatever God asked of her up to and including murdering her son#and like you know what? nah#fuck that narrative#you're telling me a Jewish woman never screamed and raged at God for her son's brutal crucifixion? for being tortured by the Romans?#I'm not Jewish but everything I know from my Jewish friends tells me that screaming and raging at God is not only normal but expected#meek and mild Mary feels like a specifically Christian invention#this whole 'I am the handmaid of the lord' deal like I don't think 'oh btw this kid's gonna be killed in 30 years' was part of the deal#like the most famous depiction of Mary after the crucifixion is the pieta which is this very serene and docile image#and I'm just like...under no circumstances could that have ever been the reality you know#where's the paintings that show Mary's actual pain#where are the sculptures that are ugly#and why is this woman not allowed to be angry#she's only ever allowed to be sad but like in a pretty and docile and obedient way#as if anyone deserves to fist fight god in a denny's parking lot /more/ than Mary#..............and all of this would be character relevant for Aziraphale because he needs to really see how fucking terrible Heaven is#I just need a plot reason to bring her into it
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oliveroctavius · 5 months
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In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
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It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
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In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
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The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
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rollofleaf · 11 days
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Ok so I saw Aphrodite’s new design for Hades 2 and I need to talk about it.
First, hhhhhhh women…
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Second, I don’t know if this is intentional but I’m going to assume it is, I love how Supergiant has dug into less well known parts of Greek mythology. Zagreus and Melinoë, for instance, are attested to by a single source each that give next to no information other than their parentage. And they did it again with Aphrodite!
Like all Greek gods, Aphrodite was referred to by different epithets depending on what aspect of her was being referenced. One of her less famous epithets was Aphrodite Areia (“The Warlike Aphrodite”), which places her role as a goddess of war as well as love. Worship of Aphrodite Areia was mostly limited to Sparta, Taras, and Kythera.
Aphrodite was originally introduced to Greece as the Phoenician goddess Ashtarte, a goddess of war, love, fertility, lions, and Venus, who herself was borrowed from the Mesopotamian Ishtar/Inanna, a goddess of war, love, fertility, Venus, and rulership. She was spread to Greece by traders during the Greek Dark Ages, first coming to shore in Cyprus and Kythera, both of which are often cited as her birthplace.
Aphrodite Areia was probably more faithful to her original interpretation, but most of Greece ended up sanitizing the war associations out of her. The Iliad, written while that was happening, goes out of its way to portray her as incompetent in battle, she gets stabbed in the wrist by Diomedes and told by Zeus that she doesn’t belong on the battlefield. It’s conspicuous enough to sound like a pointed statement from the author. I do find it very funny that despite trying to remove her associations with war, the Epic Cycle also makes her directly responsible for starting the most biggest war in Greek mythohistory.
I love that her design is shedding light on this lesser known aspect of her, her pose even seems reminiscent of the surviving statues of Aphrodite Areia.
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Another little detail is her new face paint, which is identical to Ares’ in Hades! Aphrodite Areia is associated with Ares even more than usual (Ares and Areia are cognate words, both from ‘are’ for war or ruin). Of course, Aphrodite is often depicted as Ares’ lover so this choice just works in general.
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Anyways some real good character design here. Also the hair censoring is so good.
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hwaightme · 4 months
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Impressionism
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(masterlist) (taglist)
🩸 pairing: vampire!gallerist/collector!seonghwa x art historian!gn!reader 🩸 genre: fluff, noir, soulmates, supernatural, strangers(?) to lovers, art nerding 🩸 summary: a post-graduate student specialising in impressionism, you were a regular visitor to the many art galleries in the city. who knew that among the paintings you would encounter your favourite, timeless work of art? 🩸 wordcount: 12.3k 🩸 warnings/tags: questionable editing, mention of blood, fangs, wounds, suggestive, many pet names (love, darling etc), art theory/history ponderings, time skips, mention of rituals, philosophy, hwa is centuries-old, yearning hwa 🩸 taglist: at the bottom of the fic 🩸 a/n: happy birthday to @starrysvn!! lheo, ilysm, and i hope you enjoy this little rambling <3 hugs to everyone, all reblogs, notes and comments appreciated! 🩸 playlist: nfwmb - hozier, who is she? - i monster, keep on loving you - cas, la vie en rose - edith piaf, a l'ombre de nous - pierre barouh, les feuilles mortes / sous le ciel de paris - yves montand, moon over bourbon street / until - sting
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‘Love and Pain’ - an enigmatic masterpiece that was painted by Edvard Munch, the famous Norwegian artist, in 1895. In vibrant oil paints a dramatic scene interpreted by millions as something more sensual, darker, revealing was immortalised. Perhaps quite literally. You leaned back on one hand, feeling the coolness of the bench located in the middle of the gallery hall, careful to not let the notebook in your hands slip from your lap. ‘Vampire’ - first, it was a label for the woman with the alluring, long red locks that was leaning over her supposed lover, then it turned into a second name for the work. It was comical how Munch himself had initially stated the piece depicted nothing more than a woman kissing the neck of a man, and yet, the tale had told itself. What followed were six versions of this same subject, with a woodcut titled “Vampyr II”, followed by paintings titled ‘Vampire’ and ‘Vampire in the Forest’, and then through common acceptance that this indeed was the ‘submission of a man to the bite of a vampire’, if you were to paraphrase a critic who had been in an astoundingly similar position as you, except without the decades upon decades of other material to refer to. They had been the firstcomers, the initial perceivers to set the tone for society’s consumption of the artwork, the louder of the many voices in the artwork who often had the final say. In some senses, they were your long lost colleagues - they were there to create history, and you were there to study it.
While it was not exactly a part of the movement you had decided to specialise in, you nonetheless would never reject the opportunity to learn more about the stunning world of visual arts, trying to guess how the artist had felt in the moment, what did they see beyond what they presented to the world, how did they translate the heart into brushstrokes. You were taken by all forms of art since you were little - having grown up surrounded by items that were far removed from what you called your air, you were intrigued by anything that was external to your version of ordinary. In your case, it just so happened to be the little private gallery that you had spent almost all of your monthly allowance to visit when you were a school kid - you had been so dedicated, in fact, that the elderly guard who had often also acted as a guide to the visitors had become your first friend in the art world, something of a grandparent figure, and on multiple occasions - when the lack of eyes would allow, simply let you through with a grin and glance out of the entrance doors.
And so here you were, many years later, many hard decisions and conversations behind you, regarding artworks with an unprecedented soulful closeness that you had initially thought was unattainable. Had you believed all those who remained outside of the walls of your personal paradise, you would have been immersed in the same cycle that had been drilled into the majority of your family members, except maybe a handful who you had never met for the exact reason that they had chosen something for themselves. But you regarded your dream as the thorned path - undoubtedly more challenging, not immediately fruitful, but in the long run leading to the heaven of your design. What more could you ask for?
It was enjoyable to be alone with the paintings surrounding you, portals to new realms that any visitor could have the pleasure of exploring. And what was even more inspiring, was that in the eye of every beholder was a different universe, and no matter who one would speak to, their version of the painting would be different, even if just slightly. You huffed, amused. When was the last time you had visited a gallery with anyone else? You could not quite recall - it was likely that you had never seeked company from another because you were more than satisfied with the company of the legendary works that were regarding you from the many walls. It was possible to compose oneself, spend limitless time on every piece, study the details, and drift into one’s own musings when there was no one to ground them. This was when you dared to say you got your best work done. Even though you, of course, conducted research within university and ventured out to galleries, museums, collectors or auctions only within professional bounds, the bulk of the thinking process was carried out in times such as this. When it was just you, your notebook and pen, and a new point of focus. However, this time, you could not say you were fully attentive to the painting that you had decided to focus on, as a certain someone was appearing to share your level of interest in ‘Love and Pain’ too. 
A gentleman who could not be much older or younger than you, at most a couple of years, stood off to the right of the bench, unmoving, gaze fixated on the painting. Dressed in a pinstripe navy suit, light blue dress shirt, lacquered dress shoes and a matching navy tie, he was nothing short of being a moving work of art. Hints of a glimmer from his thin framed, elegant silver spectacles gave the man a scholarly aura, while the slicked back dark hair - evidently a lot longer than the styling would suggest, added notes of business, entrepreneurship, perhaps leadership. Nothing was out of place, not a crease, not an exposed thread in sight. Needless to say, your curiosity had been sparked.
Much like you found joy in exploring creations in the realm of the visual arts, you were fond of crafting stories about the people who were strangers in passing. You could not help it; perhaps this affinity for creative internal ramblings had come as a package with studying the degree you had selected, or perhaps this was a naturally occurring guilty pleasure that you simply had not had the chance to entertain before you cut yourself off from expectations and predetermined patterns of thought. But now, you had the full pleasure of wondering, letting your mind travel to lands far away as you took the real life masterpiece in, and pondered why the man could be here, what he could be thinking as he studied Munch’s work, and what resonated with him, and only him. 
There was a melancholia with the weight of centuries resting upon his shoulders, that much you could decipher in the stranger’s stance. Even then, there was a gentle burning flame within his heart judging by just how dedicated he was to inspecting the artwork. Like he was seeing an old friend for the first time in years, and was attempting to memorise them anew and recognise each change, bit by bit. You suppressed a chuckle, entertaining the possibility of this man finding a kinship with the painting, but chose to set the idea aside for the time being, instead focusing on sketching his emotional landscape. Was the stranger remorseful? Lonely? Perplexed? You could not quite pinpoint the answer, at least not before you noticed the man’s head starting to turn, and soon enough, his eyes were peering into your own.
They were two pools of deep chocolate, an all-consuming shade that, due to the ever so slightly dimmer lights than in the general halls of the gallery, appeared to be approaching a captivating onyx. The gaze that originated from behind the glasses, and glided across the room that was suddenly too small for two struck you, and you could feel heat starting to rise on your face, blush threatening to reveal the effect of the man’s spontaneous act of confidence. Lowering your head, you gave the stranger a sheepish grin, and pretended to make a random note, pen erratically scribbling over a filled page. He continued to regard you with that same unwavering expression, and only when you looked up again did he seem to catch himself and give you a closed-mouth smile, equally as bashful as yours, and crossed his arms. One step, another, and he was right by the painting, though careful to not obstruct your view - instead, he took his time to read the brief paragraph on the information plaque that had been stuck to the wall off to the side of ‘Love and Pain’. With the same familiarity that is common among those grieving, or in a state of existential sorrow. A bittersweetness prevailed in his aura, one that reminded you of autumn - the falling leaves in red and gold, twirling to join a magnificent carpet, but nonetheless, making a departure, albeit a nearly unnoticeable one. Had he seen many fallen leaves? Was he himself approaching the season? You gasped, but even though the sound was barely audible, you caught the stranger making a minuscule turn in response. 
His footsteps were louder than your thoughts, his departure an irrevocably impactful act that left you breathless. You did not know him, and yet you felt as though you had gotten a glimpse at multiple lifetimes, and were part of a moment that was greater than yourself. In the wordless exchange, question after question had found its root, and something told you that you should not dare attempt to craft him a backstory, and choosing to believe in anything but what would be declared by him would be a gross misinterpretation, much like one that was carried out by those who did not wish to reflect on art and look beyond a first impression. For the first time since you had made your initial discovery of the arts, you felt like you were not alone in the gallery, the other visitor’s presence remained so intense that he could be sat right next to you, scrutinising the same painting, entertaining the same thought. Was the woman with the bright tresses indeed what she had been declared to be over the many years she had been introduced to many venues, many variations of public, and finally finding a home on this wall? Did she settle with her lover, or perhaps a carefully selected victim? Would the man have an answer?
______ ׂׂૢ་༘࿐ ⋆ . It was unlike you to retrace your steps a mere few days after a visit and return to the same gallery, amble down the same halls, and seek for a new source of investigative inspiration among the same selection. This obviously did not mean that you would never return, definitely not, that would be almost criminal of you to possess such intentions, but you tended to try to cleanse your palate with alternative movements, contemporary takes and avant garde interpretations between searches which were more directly related to your studies. And yet, for the first time in a while, nothing was stopping you from your return. It felt only natural, and so right. Moreover, you felt no unease when you headed straight towards the section that housed the impressionists. An individual with an unspoken, mysterious mission, you were on the hunt for the creative streak, something that would help you ponder the next section of your hefty dissertation, and you could sense that it had to be somewhere here. And, like always, you were right.
‘Bazille’s Studio’, one of the most famous works painted by the so-called ‘tragic artist’ of the impressionists, Frédéric Bazille in 1870. In fact, it had been a collaboration between him and Édouard Manet, another gifted artist, though more renowned as a figure leading modernism, and depicted a scene of discussion and creative collaboration in the studio that Bazille had shared for a certain period of time with other spectacular figures of the visual arts, Claude Monet, Pierre-Auguste Renoir, who could also be found in this painting. On the walls were works rejected by the Salon, which at the time had been the one of the most influential, famous art exhibitions in the Western World, administered by the Académie des Beaux-Arts in Paris. Interestingly, above the piano on the right hung a painting which Bazille had purchased from Monet, potentially hinting at the material ties between them, and the importance the young artist had because of his familial wealth. In a sense, Bazille expressed his support, as well as showed an intimate, platonic scene of the art world where there was a moment of calm, of mutual appreciation, despite the financial troubles and tensions due to character that had been experienced in those walls.
You stepped closer to the painting, trying to detect the transition from Bazille’s to Manet’s hand, the latter of whom painted in the former to take ‘centre stage’, palette in hand. Truly seamless work, though what else could it be? This painting had been a new addition to the permanent collection, and after strenuous, detailed restoration work to give the oil paints their original vibrancy and for impeccable strokes to forget the burden of time, you had the pleasure of seeing it in person. You were an arm’s length away from yet another work essential to history, culture and the arts as a societal colossus.
While it was easy enough to appreciate the technical detail, you found yourself halting to remember the names of all those depicted in the painting, failing to finalise the list in your head. Starting from Bazille, you had determined for yourself the presence of Monet and Manet in his vicinity quickly enough, however where Renoir was, or what were the names of the two other gentlemen in the scene, slipped your mind. You rocked to the side to lean closer to the plaque that was meant to provide you with the information, however you only found the name of the painting, the artist and the medium, much to your misfortune. Clicking your tongue, you returned to studying the faces of each individual, and furrowed your brows in agitated concentration. It was simple to take out your phone and search for the answer, though you knew that just as neutral that action would be, so would be your reaction unless you were to remember, or somebody were to-
A presence to your side caught you off-guard, and you felt a shiver run up your spine. One glance was enough to determine that it was the same man from yesterday, only the outfit revealing a change. Other than that, he had the same impeccable posture and stance, as well as a thoughtful look towards the painting in front of you both. His arms were crossed, though not in a defensive manner; instead they offered an interpretation of philosophy, as though this man was carrying centuries of wisdom with him, history having pummelled down on him and yet needing to support it like Atlas; the titan carrying the world.
Today, he was dressed in a mahogany coloured suit, with a white top underneath and some black boots with thick white rubber soles - quite the transition from last time, when he had been a manifestation of a sleek and pristine office gentleman. Hair, now let down and wavy, neatly framed his face, accentuating the regalness of his features. It was astounding how you were still sure that it would be more likely to find a man of this fashion in a painting, rather than standing beside you. You kept quiet, not wanting to interfere with his musings. Perhaps it was just a silly coincidence that the two of you were at the same place and at the same time again - how else? You did not know him, and you hoped that he did not know you. Though, you truly did not mind his company, and maybe it could serve as your motivation to figure out the rest of the characters in the painting. Once again, your attention returned to the task at hand, but before you could even begin to list off prominent figures of the art world during the era of Impressionism, a deep, honey-like whisper halted you and made you hold your breath. 
“Auguste Renoir is the one seated, Emile Zola, the writer, is on the stairs, Monet, Manet and Bazille are, as you likely know in the centre, and that,” he paused to raise his hand, gesturing in the general direction of the far right of the piece, “is Edmond Maitre. Pianist, art collector, and Bazille’s closest friend.”
“I- uh- thank you. How did you know I was trying to recall? Pardon me, I must look so clueless-” you trailed off, eyes finding the floor, an action which seemed to be your automatic response to being under inspection of the man, though this time, he captured your gaze quickly by stepping closer towards you. Looking up, you found concern and apology in his eyes.
“No! Not at all, I… sorry if I misunderstood and I am sorry for forcing you into such erroneous conclusions,” he gave you an ever so slightly crooked smile, charming, very disarming and so suiting this beautiful stranger, that you were instantly prompted by your instincts to return it, dismissing doubt. 
“You saved me,” you joked, though the phrase contained within itself an unlikely compassion. Two people, alone in the same gallery, sharing a precious dialogue was something to cherish, and with all your might you wanted to make it last.
“Just as you made me regard the painting in a new light, for which I thank you, greatly,” he bowed his head, the smile not leaving his face for a moment. There was a recognition in his gaze, as well as an inexplicable admiration. What did he discover?
“I guess it might be true that no matter how many times you see a painting, every viewing brings something new,”
“Well said. Are you an artist? A critic, perhaps?” He inquired, moving closer to stand level with you, head turned slightly in your direction to spare the occasional glance. You shook your head slowly, wondering if in a retelling of your destiny you could have pursued either of the careers he had mentioned.
“I am in the arts, though rather than looking at the present I remain in the past. Art historian, well, a postgraduate. Nothing too fancy.”
“Oh? But that is marvellous, and what are you focusing on?”
“I like to call it the painting in plenair during the turn of the century. I focus mainly on impressionism, though do sometimes stray into its interplay with post-impressionism, modernism and expressionism.”
“Ah, no wonder I have been seeing you here often. Enjoying the new collection?” he asked, eager to hear your opinion. There was excitement in his voice as though you were a renowned expert and were about to bestow upon him a priceless evaluation. And this was without considering the technicality of you having only half-met. Just crossing paths twice in one week.
"Yes, of course… The collection is unlike any other I have seen. I keep wanting to return and stay here for ages." You explained, glancing at the stranger while he nodded along.
"Incredibly happy to hear it. I swear I have seen you around quite often during the past month that the exhibition has been open? Am I correct?" evidently, your rapid blinking was interpreted rather quickly as perplexion, for the man gasped ever so lightly, as if to catch his own speeding thoughts.
“I- how do you know? I do believe this is our… second time meeting?” you uttered, one eyebrow raised in suspicion, which, to your disbelief, revealed something akin to fear in the beautiful stranger’s features. Nervously, he adjusted a strand of hair that was threatening to cover his right eye.
“Not quite… you were present at the opening event, right?” he quizzed.
“Indeed, my depar- wait. But how? Respectfully, I am starting to think you know me.” you enunciated with newfound caution, while the man pursed his lips. One second, another passed in near total silence, until a chuckle escaped him and he shook his head. It appeared as though he was mentally scolding himself - his eyes held no malice, instead glinting with hope, that melancholic wisdom, and something unidentifiable, ethereal, supernatural.
“I think it is high time I introduce myself before this gets out of hand. See, in some sense I work here, and most of my days are spent in the gallery or labouring for it-”
“Ah, I see-”
“Park Seonghwa, a pleasure to make your acquaintance,” with one arm folded behind his back and the other on his chest, he bowed to you like how you imagined princes in the numerous portraits you had studied would bow. And the most enthralling part was how the gesture flowed, and was so befitting. Quickly, you bowed in return, but while raising your head, you froze. It hit you why he would know. And know a lot. And would remember you, and likely anyone and everyone who visited. In a low whisper, you asked:
“Am I… correct in assuming that you are ‘the’ Park Seonghwa?” quickly enough, you realised that it was a mistake to find his eyes again - clearly, you were not ready for the intensity, nor for the intrigue that was contained within them, nor for the fact that he moved another step closer to you, the rubber of his boots dampening any sound produced.
“I never knew that there was a ‘the’ attached to my name. I simply love art.”
“Well that love translated into the creation of what is possibly the greatest gallery in the nation, if not worldwide,”
“Oh you flatter me too much, ah, your name-”
“L/N Y/N, and I, too, love art.”
“Elated to hear it,” he gleamed, and you swore the room exploded with the illumination of a thousand stars.
Stunning, awe-inspiring, ever so elegant. He was a walking dream. In that smile was concealed a certain something that had been taboo, a well-kept secret until a couple of decades ago, when those like Seonghwa had started to be fully integrated into society, and no longer had to hide, changing identity from one century to another. With that came Seonghwa’s success - you had read in an article that advertised the permanent exhibition a short blurb of his story, and how for many turbulent decades, the man single-handedly collected masterpieces, crafted a meticulous network and introduced genius artists to the world, and the world to the artists. The gallery was a magnum opus for Seonghwa - a presentation of what he had achieved as a collector, as a patron of the arts, and a celebration of his personal culture. 
You could not help but hone in on the fangs, and recall the original reason why it was even possible for Seonghwa to obtain such legendary works and have as much influence as he presently did. It was not spontaneous; submerged in turmoil, he had personally approached artists who, previously abandoned by critics and other prospective buyers, had never considered a future beyond a mysterious tomorrow. Hiding his own true nature, he crafted the tale of a ‘Park’ dynasty, and rose again and again to continue his work. Perhaps, now, some might argue that once he had revealed himself as a vampire the velocity of Seonghwa’s developments had fallen, but you would passionately argue the opposite. It was challenging to believe that any move by this stunning artistic mastermind was not strategic - the announcement had given the gallery more partnerships, more donations, and in turn, an even greater prominence in the community both among professionals and enjoyers. 
“Thank you,” the phrase spilled from your lips inadvertently. It seemed to be the only thing that was reasonable to say in that given moment. You pondered the pains that must have been suffered to make the world that you were consumed by come together, and the painting in front of you, aside from what was contained within the frame,now shined in a new light externally too, possessing its own story, resembling a search for a kindred spirit, a true home. 
Seonghwa remained quiet, the words of gratitude echoing in his heart. It was endearing, encouraging to hear such warmth from you. So, you did know him, at least the parts he had shown to the public - as was expected from someone so deeply ingrained in visual arts and history, but he could not help but identify it as something much greater than mere awareness. The openness with which you had welcomed conversation with him, the kind charm that radiated from you as you engaged in the careful verbal waltz reminded the vampire of times long, long ago when all that existed for him was drive, enamourment and art. Oh, how your eyes glimmered. His heart clenched into near unbearable agony as he read your expressions, and wondered how much you have seen, what have you yet to see, who you were in this temporary life. If only he could ask fate to tell him how much you remembered of who you had been before. 
“No, thank you, for giving this,” he gestured to the gallery around him, graceful hand unfurling as though revealing a delicate flower, “meaning, and reason to exist.”
“I highly doubt I am of much significance, Mister Park,” you responded, a soft smile on your face.
“Would anything hold the same meaning if there was no one to behold it?” he responded. You chose not to answer, catching onto the rhetoricism, “and please, call me Seonghwa. I’d like to say we are to be good friends.”
______ ׂׂૢ་༘࿐ ⋆ .
Sitting across from Seonghwa in the cafe that was located on the top floor, above the main halls of the gallery made you feel strangely serene. Today he had foregone the straighter hair styles that you had begun to get used to, surprising you with a head of tousled, almost curled locks that embodied the world’s softness, though remained to be quite the contrast to the more formal and highly fashionable attire that adorned his stature. A suit, tastefully oversized with a buttoned double breasted jacket that was simultaneously serving as a shirt, the plunging v-shaped neckline revealing perfectly smooth skin, and what you noted to be a solitary freckle right in the centre of his collarbone. The trousers, at least from the glimpse that you had allowed yourself when you had met at the entrance to the cafe were of a loose fit, defining his waist at the top and falling to form an almost skirt-like silhouette should he stand how he usually stood: the echoes of what would be called the ‘third position’ in ballet, more relaxed, but still retaining an elegance that only he could carry. The biggest shock to you, however, was Seonghwa’s choice of shoes - a refreshing point to the visual, he had selected to contrast the formalwear with a pair of limited edition, geometrically intriguing Converses. You could catch a glimpse of one of them from over the edge of the table whenever his slightly shaking leg, positioned over the other, would rock forwards just that tiny bit stronger. 
While the setting was meant to be casual, the circumstances in which you found yourself were nothing short of miraculous. Never in a million years would you have imagined for it to be possible to be sat across the table from, quite possibly, one of the most legendary contributors to art restoration, collection and exhibition. On top of that, Seonghwa was a figure who actively bridged the gap between disparate communities, finding a common language, and using the arts as a salvation. You were in awe, and could not hold back on regarding the handsome vampire as he quietly reported your and his orders to the waiter who had floated to your table.
“Are you sure you do not want anything else?”
“Yes, I am sure. I do not wish to exploit your kindness-”
“-Not at all. I hope you do not mind that I… must make a rather unconventional order,” he smiled sheepishly, clearing his throat so as to attempt to hide his doubts, though you were uncertain as to how much of such emotions could possibly be left after what had to have been centuries. 
“An unconventional order is pouring a sugary energy drink into a triple shot espresso and calling it dinner,” you answered, eyes travelling from Seonghwa’s face to the mural on the wall a few tables away that wrapped behind him and to your left, disrupted only by the occasional floor length window that provided city vistas - rather gloomy, compared to the optimistic illumination of the restaurant. Perhaps out of pity, or out of genuine entertainment, Seonghwa chuckled.
“That does sound like an acquired taste, indeed. Thank you,”
“No need. Thank you for inviting me,” you turned back, nodding a polite bow as he softly waved your gesture off.
A silence settled across the table as you waited for your respective drinks. Your hand, had you not consciously restrained yourself, would have probably reached for the phone that you stored in your purse, but now was fiddling with the sleeve of your shirt, finding the buttons to stress test the threads that had them sewn tight to the fabric. You were not bored, in fact, far from it. You needed a barrier. The grandeur of this man’s presence was almost overwhelming. He was not a mere individual in a room, he consumed it. Had you just walked in, you were certain that your gaze would still settle on his form. Just like the concrete outside was grey, and the pause retained a divine ambiguity, Seonghwa was unforgettable. In an attempt to calm your clouded thoughts, you studied the mural once more.
“May I inquire into your thoughts on the decor?”
“The choice of ‘A Sunday on La Grande Jatte’ is wise. I am guessing you were the one to make the decision?” you heard an exhale, and once more your attention was captured.
“Alas, I cannot take full accolades for this. This stemmed from a discussion that a good friend of mine and I had one late night. Seurat just so happened to make an appearance amidst the chatter, and so… this was born,” he gestured at the surroundings. Clearly, the interior was picked carefully to fit the theme of the legendary painting. 
From the colours to the textures and the greenery that had been intricately set up across the restaurant, every detail had a meaning and a place, and did not take away from the spaciousness of the hall. It was breathable, while still giving the illusion that you were stepping into a whimsical impressionist paradise. Perhaps that was another reason why you could not quite contain your disbelief firstly in your encounter, secondly in its progression, and thirdly in your interlocutor’s warmth. 
“Spectacular, truly. I have heard you have an eye for detail, however this surpasses all expectations.”
“Oh? There is more you have heard?” he interjected, leaning closer to you and placing an elbow on the table, simply to rest his head on his hand. While this could potentially be seen as slightly unceremonious, it hinted at well-kept confidence, ownership, control. A healthy undercurrent of motivation that came with indirect praise.
“I-oh y-yeah of course,” you did not mean to stutter, but some part of you was grateful you did, for the smirk that had threatened to burst on Seonghwa’s lips was enough for you to feel ignited to elaborate, “if my memory is not failing me, you were the one to distinguish a reproduction of a piece some time ago, no?”
“Ah- yes. That was a Degas reproduction. I must say, the attempt was sincere, however when I saw the-, hm, you will not be startled, will you?”
“Please,” you urged him to continue, intrigued by the story. 
“When I saw the original, as it was being made and when it had been finalised, it would be shameful of me to not spot a fake,” he fell back into his chair, just in time for the drinks to be served. 
A coffee for you, and a non-descript beverage concealed by a semi-opaque, tall glass for him. Though, you did not need to be a detective to guess what it was that Seonghwa was bringing to his lips, and what he took a tentative sip of. The only mystery that was remaining for you was what ‘type’ he had picked - was it O+? B-? Whatever else? You joined him in the tasting, lifting the mug and indulging in the wonderful aroma of your americano. It did not strike you as necessary to opt for something fancier and lie to yourself - so you settled for your regular order, much to your joy. Familiar taste and the reliability of the caffeine hitting your system painted the scene in more comforting colours, and gradually, you found yourself easing into the dialogue more and more, until life stories, musings and a surprisingly large common ground came pouring. 
You discovered that Seonghwa possessed a unique sensitivity and attunement to those around him. Focused on the emotional experiences, he felt through time and could recount emotions like the memory was from a mere few days, rather than decades ago. He was well-spoken, eloquent, intelligent, polite in every right as he navigated through the linguistic landscape and guided you like a partner in a dance. You were spiralling oh so quickly, intrigue catching up to you and prompting you to sacrifice all of your senses to the man and the pleasantly intoxicating atmosphere he captured you in. He was enchanting, and it was far too easy to give in. 
“May I reveal something?” in a hushed tone, he inquired, a finger absent-mindedly tracing the rim of his glass. 
“Oh, a little secret?” you raised your eyebrows in jest, lightening the initial seriousness with which Seonghwa uttered the question.
“Perhaps, perhaps not. Depends on how you take it. A confession might be more accurate,” he waited for you to take the final sip of your coffee before continuing, unphased by your unwavering focus, “if I were to be honest, I have been meaning to approach you.”
“Pardon?”
“As you know we have a… common awareness of each other thanks to what is housed under this roof, but ever since we first unknowingly crossed paths… I wanted to speak to you.”
Confused, you did not speak, though the words contained an unparalleled affection within them. What could he possibly mean? You chose to refrain from commenting, your hesitation prompting the vampire to continue.
“Do you remember the most recent opening night? Of the exhibition? I believe you were with someone…” he trailed off, hoping you would continue for him.
“Ah, yes, a friend of mine from university. So?”
“This might sound strange but, I distinctly remember you mentioning a name. An artist from the same era, dubbed as L/N Y/N?”
“Goodness, you overheard that? I am so sorry, it is just that said artist has intrigued me for some time, and I was half-hoping to encounter their work. Maybe it is because our names are the same but still….”
“Elusive, aren’t they?”
“To put it softly, yes. I only vaguely recall seeing… maybe one piece in my lifetime, when I was little, and then… nothing. And there is barely any information on the artist online, let alone libraries and archives.”
“Hm, indeed. I guess that makes two of us…”
“Two of us who are searching?”
“That’s right. It brought me happiness to know that I am not alone in this endeavour.”
“Then we can keep searching together.”
While you were positive that you could not conceal your interest, Seonghwa’s did not go unnoticed either. It was of course possible that he was simply well-versed in political correctness, but the burning depth of his pupils told you otherwise. Enthrallment, the discovery of a kindred spirit, recognition, the rekindling of a bond that had existed at some point long ago - all fantasies that played out in your mind as you returned that look with subtle fervour. You wondered how many people he graced with those charms. How many had succumbed to his influence, becoming a marker on his infinite life path, a fleeting second? How many had his lips known, how many had turned into a decadent treat for a genius man with natural peculiarities? While the researcher part of you was perplexed and aching for answers, the you that was caught in the moment simply let it go on, and the feeling of Seonghwa’s leg brushing against yours, and the pride blooming in your chest as he praised the few articles and papers you had published upon having claimed that he ‘knew some things about you too’ preoccupied you in the most magnificent way.
Naturally, you agreed to meet Seonghwa again. On your journey home, in the privacy of the anonymous metro, immersed in the cacophony of deafening rails and the millions travelling to anywhere, you pressed your phone to your racing heart as the vampire, the man, the beguiling Park Seonghwa sent you a message confirming so. Who knew a simple selection of words could be so captivating?
______ ׂׂૢ་༘࿐ ⋆ .
Under the comforting thrum of raindrops on the large umbrella, you walked down the streets of the grey-coloured city, your hand lightly holding onto Seonghwa’s arm while he ensured that both of you were protected from the elements. Despite the dull light and bitterness of the cooling season, Seonghwa appeared radiant, truly timeless with every gesture and stride. The elegant angles of his face that you could tirelessly study stood out against the monotone buildings and overcast skies. His voice drowned out the sound of droplets racing one another to the ground. A miraculous gentleman who appeared in your life much like a portrait, or a landscape - a masterpiece you wanted to explore in every spare moment, and better yet, this masterpiece was equally as open to you as you were to him. 
“...essentially, yes. It is like another nationality. A marker of species isn’t too far isn’t it? Just another line on a stack of documents. Nothing more,” Seonghwa concluded his explanation, pursing his lips for a moment before letting an exhale turned dragon’s breath escape into the afternoon.
“Makes sense. So would that mean there are separate medical papers and treatment too?”
“Well… when regeneration fails us or when a given case is severe enough… yes. Though it is handled by private clinics run by other vampires.”
“There are private clinics?”
“Of course. Often they are connected to donation points too, and that is how we remain on the right side of the law and stay alive,” he nodded to himself, giving you a bittersweet smile when he noticed confusion overtake your gaze. “Blood,” he stated as-a-matter-of-factly, “I mean blood.”
In a nervous stupor, you cleared your throat and focused on a droplet that was hanging onto the edge of the umbrella, right in front of you, all the way until the gentle motion of Seonghwa’s amble provoked its abrupt descent onto the stone under your feet. 
“Ah, yes, I see-”
“If you find this disturbing, we can forget the conversation ever-”
“-I want to know you better, Seonghwa, truly-”
“Careful-”
“Sorry wha-” 
With an extraordinary swiftness, you were tugged abruptly by the arm. Not registering your surroundings, you merely went with the inertia, caught off-guard by the proximity of your face to the vampire’s as he held you against him with the arm that you had previously been resting your own on. A hand that you raised on instinct went limp and landed on Seonghwa’s chest, feeling the thick felted wool of his coat. The ringing of a bell, going farther away from you by the second, incessant but at least waking you up from the blur, was enough for you to put two and two together - a cyclist who thought they owned every part of the street, like always. You sighed.
“Reckless… my apologies I did not mean to-” Seonghwa tried to detangle himself, refusing to remain in your personal space for longer than necessary no matter how much he did want to, but his efforts were reduced to nothing when your hand moved to a hold on his upper arm - reassuring, comfortable, accepting.
“Thank you,” you interrupted, “that bike would have definitely run into me…”
“It’s nothing,” a low chuckle echoed in your ears as Seonghwa peered into your pupils, confidence that had previously wavered out of habitual caution now restored, growing into a pride as you continued to hold onto him, “the man was slow enough for there to be no risk of harm. I hope you are not too startled though.”
“Oh? You have super powers too? Do elaborate,” you jested, resuming your walk.
“I would call it more like… being a finely tuned machine. Can’t say I have bad reaction speed. Though I must say, it was a little challenging pulling you out of the way,” there was an evident intent behind the words. However, you were too curious to pay it any mind, instead preferring to find out their meaning live.
“How so?”
“I think this,” dropping his arm, Seonghwa’s hand reached for yours, and without a moment of hesitation, his fingers were intertwining with yours, his palm pressed against yours, “would be better. You know, for safety.” As if you could ever reject him. This was a fact you had established for yourself with an unprecedented certainty. His gallant disposition, attentiveness all confirmed a care for you that was impossible to ignore. 
There was something picturesque about the present after meeting this wonderful, infinite pool of art and humanity. You found yourself leafing through articles, art books and biographies with a more wistful and sentimental perspective, imagining what it would be like if it were you who was immortalised in the thousands of brushstrokes, or if you were on the other side of the canvas, how would you go about depicting the scenes unfolding before your very eyes. Timelessness - a quality shared between the art you so adored, and the man you had encountered and over the weeks, let your intrigue be transformed into a shy flame of infatuation. Perhaps it was the underlying reason why you did not reject his advances, nor cower in fear of his true nature with which he was upfront. The other, of course, was the search for the mysterious artist, an adventure that fuelled many of your dialogues, and prompted you to spend more time in the library and the archives of your university than you had ever done before - to the point where Seonghwa himself had encouraged you to take a break from your intellectual expeditions and step into the world as a casual observer. So, you let yourself drift; it finally hit you, what scenes your once again tranquil stroll reminded you of, and you smiled to yourself as you recalled the intricacies of the not quite commonly discussed representation of the Impressionist movement. 
‘Rue de Paris, temps de pluie’, painted by Gustave Caillebotte; his most famous work. Not quite as widely discussed, despite still technically being created in the Impressionist era, perhaps due to the meandering through form, realism and reliance on stronger lines rather than broad brushstrokes and the study of light. You did find it fascinating how Caillebotte’s passion for photography had seeped into this piece, however. Much like how, in recent days, you could easily find a way to mention Seonghwa in conversation, be it related to the arts or not. From the subjects in the foreground being slightly out of focus while the middle ground was crystal clear, to how the shapes of some passersby were cropped were all characteristic of photos, rather than paintings, making this particular work all the more dear to you. It was a reflection of life, of behaviour and of what had been daily back in the late nineteenth century.
Was it any different from now, aside from those grand, global topics that historians dedicated their lives to studying? If one were to whittle down to the intricacies, the miniatures that ornamented the span of a human existence, was it so terribly far away from what you were born into, and Seonghwa saw develop and had adopted? How people shielded themselves from the rain with umbrellas, and then used them as a tool to isolate themselves from other urbanites who were in a rush to take a day-long route out of their homes… and back again. The latest silhouettes of dress and accessory; the same rush to be with the times as now.
You felt your companion’s arm move, prompting you to let go and leave your hand hovering as though you were awaiting some kind of change. You bit back an unprecedented sliver of disappointment, only to be caught by surprise once again as you felt the hand settle on the small of your back. Cautious, like you were going to melt from any more pressure than the brush of a feather. A quick glance was enough to determine that you were being studied intently for any sign of discomfort - Seonghwa was ready to pull away at any moment, any sigh, and most definitely at any word. A meek smile settled on your lips, and you shyly used an oncoming stranger as an opportunity to affirm the gesture, stepping towards the vampire, and sensing the confidence of his protective measure be solidified. With glee he followed your every tilt and turn, angling away from the passing form that neither of you could focus on. The touch was electric, somehow monumental despite being so common and barely present. Your mind was on fire, pondering what it would be like to put your head on the elegant man’s shoulder, and let yourself be carried away into a terrific fairy tale.
“This really is a rainy day,”
“Seems quite sunny to me,” you respond with sarcasm, realising only after the fact that your phrase still did retain an element of truth within it. 
Sunshine did not have to be literal. It was easy to see, you just needed to return Seonghwa’s gaze, and watch as another spring flower blossomed in the soul of one you had initially assumed to be so cold, so distant. In the darkest winter was a safe haven that you could not help but lean into, and regardless of what you had initially thought, with him, you felt more human, more safe and alive than ever. He listened without fail to your ramblings, and could easily pick up the ball and balance it with his own musings that you could listen to for many lifetimes.
Lifetimes; immortality, the one concept you couldn’t quite wrap your head around. Well, the latter was technically not true, as Seonghwa had elaborated some few days ago: vampires did age, albeit at such a slow pace that to the run of the mill human being, it was impossible to notice, and if they did, it would be someone very close, and only over a matter of decades. Maybe it was this exact inability that made you want to stay and learn all there could be about the gallerist - you thought that would make you feel like you have been living forever. His wisdom was beautiful. The kindness with which he treated you, akin to that of how a spouse treats their long-time sweetheart with a mellow and comfortable affection, was not something you asked for nor expected, but something which he introduced himself with through every action, progressively more amiable when you allowed him to advance.
“Mm, no wonder I can’t quite look at you,” he mused out loud, dramatically looking off into the distance. You raised an eyebrow, curious about what was going to come after his theatrical pause, “your brightness is unparalleled,” Seonghwa chuckled, satisfied with your sigh and the way in which you pretended to be annoyed, only to dissolve in a mute giggle. “So, I do suggest we get out of the rain for a moment and stop by that book shop over there, shall we?”
Following his hand, you spotted an antique bookshop a few doors down, marked by an iron sign and ornate shop window decorations that glistened with each hit of the dancing droplets. A warm golden light emanated from the inside, the hue comparable to a summer’s day. An odd feeling of deja vu washed over you, as though you had been in this store before, even though this was quite the distance away from your home, not on any of your usual commutes and in a part of town you barely visited aside from the occasional brisk walk. It had been established over a century ago, sporting a historical plaque and detailing original to the era the date on the sign suggested. Suppressing your internal monologue, you simply nodded, fond of Seonghwa’s excitement as he pushed lightly against your back and walked on ahead. If you were any more of a romantic, you would have assumed that the shop was a representation of his heart, but you couldn’t allow yourself to think that way, at least not when you felt heat rise to your cheeks as he whispered your name, openly planning what you could look for amidst the rare editions together. You and him turned into a ‘we’ so naturally, you barely had time to blink. A new brushstroke on a canvas, brave, bold and bright. Impressionist.
______ ׂׂૢ་༘࿐ ⋆ .
The hypnotising improvisation on a semi-acoustic guitar, followed by a launch back into the theme of a well-known jazz song had you tapping on the counter, unknowingly following every drum beat. The bar turned cosy music venue that Seonghwa had invited you out to was proving to be every bit a wonder of the world, and paradise inside of the otherwise gloomy city which had been plagued with miserable weather and lack of daylight for atrociously long. The classy establishment was a well known favourite among the vampires residing in the city, especially those aligned with a more bohemian and art-focused lifestyle. Critics, painters, collectors, musicians, poets alike all gathered to share ideas and energy, and reminisce days long gone, while the band - one that had not changed since the bar’s establishment, revived legendary pieces one after another. 
With ease, Seonghwa had ordered your favourite drink, having memorised it after your many outings that had smoothly transitioned into dates and shared nights. He remembered every detail about you, holding each one tenderness. Your lover gazed at you as he ended a conversation with a fellow collector who had recently come to town for a few days, stretching out his hand until it just touched yours, guiding it to lie flat on the counter. Seonghwa’s palm, still retaining a pleasant coolness despite him having had a couple of drinks of his own, was another reassurance that in the buzz of the venue, you still had your person by your side. Feeling his digits tap and then proceed to brush the back of your hand, you hummed in contentment, and let your eyes travel over the beautiful vampire, who leaned back, tempting you just for fun, knowing full well that you were wholly his, and even when you turned to look elsewhere, it was his face you saw in the crowd, it was his voice that rang in your ears, it was his touch that ghosted over your skin. 
The bustier from Alexander McQueen, the gorgeous flowy shirt with ruffles and cuts so tastefully sewn and executed, the statement necklace that was worthy of being displayed at a gallery and must be the envy of many, the high heeled boots that were concealed by elegant trousers - Seonghwa was your favourite work of art, and you could never deny it. Each one of his gestures was worthy of marvel, and the care with which he approached everything - even the tending to the items which he painstakingly selected and matched for tonight made your heart skip a beat. It was boggling how each garment and accessory was either an original, or a one of a kind piece. But at the same time, you did not expect anything less of Seonghwa.
He must be impossible to depict in paintings, you concluded, shamelessly staring at your lover’s face, from the shape of his nose, to the plushness of his lips, to the waviness of his night-like inky locks. You bet many had tried, but judging by the lacking evidence in the art world, they must have failed, miserably, to create something more immortal and invincible than the model and muse. You understood them, and Seonghwa gave no signs of being perturbed. 
“So, was that the intent behind our spontaneous trip to this bar tonight?” you gestured at your surroundings, taking another sip from your ornate glass. A sharp exhale accompanied a contrasting soft answer:
“Not at all,I had the business sorted a couple of days ago, and tonight was a lucky crossing of paths to secure the deal,” cryptic as ever, Seonghwa only alluded to the matter at hand.
The matter, or how he had referred to it as ‘business’ was a particular artwork that he had been hunting, by the elusive artist you had been investigating, first in your lonesome, and then joining forces with Seonghwa. Apparently, one of the pieces, by some stroke of unimaginable luck, had been kept safe in the private collection of a ‘Mister Kim’, at least that was how he had been initially introduced to you. Until you put two and two together, and when the very well dressed and styled character had entered the bar and made a beeline towards your partner in artistic musings and romance, recognised the man as a world-famous designer and fashion icon, Kim Hongjoong. And of course, another vampire and kind soul in one. 
Their conversation had happened outside of your earshot; whether it was on purpose or just so happened to unfold that way was for your ruminations to determine, but you did overhear enough to figure out that this was a portrait, a never seen work, and was completed by the artist who as it had turned out had been closer with Seonghwa than you had initially thought. 
“Seems to be very important, and not just in a ‘collector’ sense…” you trailed off, watching as the ice in your drink cracked, “is this why you were interested, you know, back then?”
“If I were to be honest, darling, I was, and still am, a lot more interested in you. The artist was something of an excuse to get a conversation going. And I do hope,” Seonghwa turned and sauntered towards you, “this conversation does not end.” 
Even though you were sitting on one of the bar stools, the heels and stance still left him some room to look downwards, and his sultry expression, orbs glinting at you through dark lashes left you transfixed. In moments such as this, you hated to be mortal. There were so many things that you could not possibly know, and no matter how hard you would try to comprehend the vastness of the angelic man’s mind, you would always remain theoretical, and accept the grand majority of intricacies as axiom.
“I hope so too,” your voice barely rose above a whisper as his gloved hand landed on your neck, gliding upwards to caress your jawline.
“I’m so glad I found you,” his thoughts were elsewhere, you were sure of it, and yet, his gaze remained unwavering, “my eternal love”. Lips stained with bittersweet worship, the words stumbled from them to strike you repeatedly in the heart, forcing it to lose its rhythm. He was regarding you like he had stumbled upon a priceless treasure, a divinity, a paradise. Something far from you and from this planet, but by Seonghwa’s careful selection, etched in your features.
Were you the embodiment of something greater for him? You would not consider yourself to be a model example of a human being, neither were you a pretty statue to display in an exhibition. You were you, but Seonghwa kept on convincing you that it was exactly this that had captivated him and showed him a new beginning. Did you wish to believe that? Of course. But a vampire who was hundreds of years old could keep a grand variety of secrets beyond your understanding, even if he were to exclaim them right in front of you and sketch them out. His eternal love - your version of eternity, or his? A life the duration of a butterfly’s abstract dance to the heavens.
“Love?” he called out to you, eyebrows knitted in concern due to your prolonged silence. You had set your drink down, and were staring at the shine of the glossy chrome silver and pearl on Seonghwa’s necklace. “Talk to me, say anything.”
“I- hm. I think I am just tired. Yeah, that must be it. Tired so I am overthinking, no worries. I’ll just be right here and-”
“I’m sorry.”
“For what?” you tilted your head, noting how Seonghwa immediately straightened out, and instead of attempting to tower over you stepped over to the side to set a protective hand over yours.
“This is a majority vampire bar, full of unfamiliar individuals, this whole deal with the artwork is up in the air and-”
“First of all, I don’t care. Second, you are here with me. And third, I want to trust in the fact that you would not do anything foolish nor harmful. Am I right in my evaluation?” you uttered, still not quite able to look into Seonghwa’s infinite pools of brilliant sienna and dark brown.
“I- I am honoured, but that still does not detract from the fact that we can go get some air and come back. Shall we?”
“You don’t have to-”
“I want to. Hell, need to. Let us have a quick wander?”
“...I’d like that.”
In no time, the winter air hit your cheeks and you were wrapping yourself as tightly as you could in your oversized coat. In your ears the pleasant sound of the vampire’s heels rang out, echoed by the stunning road onto which you were spat out by the heavy black front door of the bar. Warm-toned streetlights liberally decorated the sidewalks and painted the night in honey, gold and copper accents. Reflections of an artificial summer in the puddles and winter chill. Downright magical. Seonghwa seeked out your hand, holding it tight and guiding it into the pocket of his own coat, smirking when you raised an eyebrow. 
“What?”
“Nothing at all.”
You were certain that you were walking through a landscape painting, every element captured by your vision falling into its rightful place, harmonising with the rest. The mumbling and music was long gone, only to be replaced by conversation of other late city explorers and the occasional rumbling of a car lazily rolling past. 
“Pissarro.”
“Hm?” Seonghwa kept looking ahead, but squeezed your hand to ask for you to continue.
“Boulevard Montmartre at Night. Painted in 1897, no?” you pointed at the surroundings with a tilt of the chin.
“Ah, indeed! Your perceptiveness never ceases to amaze me.”
“Well, thanks to you I got to see the original, so how could I not make the visual analogy?” you nudged his shoulder, earning a chuckle.
The painting was the only example of a landscape at night from the artist Camille Pissarro, making it all the more special despite it being part of a series of 14 views of the same location. Snow, rain, fog, morning, varying seasons, but only one glimmering night. It was one of the works that Seonghwa had managed to provide for your studies, resulting in a more than impressive academic outcome. Like Pissarro kept on painting the vista, your lover kept on giving, never asking for anything more than for you to share your hours with him, something you did not need to be prompted to do anyways.
“...I’m sorry I cannot reveal more than I do, at least not just yet,” he apologised, as though what he was committing was the greatest crime known to humanity and the supernatural.
As you looked up at the starry night sky, you swore you had heard these words before, uttered by the same voice, the same fingers interlocked with yours. A stabbing sensation in your cranium made you gasp, but you regained your composure quickly enough to not make it a priority for either of you. At the same time, Seonghwa’s expression altered to a semblance of… hope? Longing? You could not pinpoint it, but one of the many glowing dots above you clearly landed in his shining orbs, and he eagerly waited.
Waited for longer than you could realise in your present state.
On their own accord, your lips moved, forcing out a subconscious acknowledgement, previously suppressed. You swore the phrase belonged to another being, but it was as refreshing as the breeze tousling Seonghwa’s locks.
“I know. I can wait too.”
“Soon, my love.”
“I-I know.”
“I miss you.”
“I-” vision growing hazy, you reached to the vampire for support, which he readily provided, “I- too.”
One blink - oil paints decorated your hands, and those alluring eyes were staring back at you from a canvas. Another blink - Seonghwa was repeating your name, pressing his cheek against yours as he shielded you from falling into darkness with his strong arms.
______ ׂׂૢ་༘࿐ ⋆ .
Your office was inviting and offered a secure haven: a collection of neutral and wooden tones, with dashes of greenery to relax the eyes. From a potted ivy plant settled on the top of a large wall-length shelving unit to an indoor palm tree enjoying the rays in its designated corner, the room was a miniature paradise. You ran your hands over the thick birch desk, cautiously avoiding the stack of documents you had arranged for yourself to go through this day. Artwork restoration reports, contracts, exhibition plans for years to come… everything you thought you would never see, and yet it was right here in your palms.
Time moved slower, or at least that was how you began to perceive it now that it was in abundance. A fountain that did not cease to bestow gifts upon you - again, something you would have never imagined prior to the curious series of events that were your previous life unfolding the way they did. One fateful meeting, and you were a changed person, staring into the horizon and labelling it as a continuation rather than as a termination of all you could achieve. The world was your oyster, and loving dedication was the price. But when the price was so sweet, and so easy, who were you to say no? If you had to pick a concern, it would be the bandages and binding on your right arm; friction from the sleeve of the turtleneck and blazer you had worn today applying uncomfortable pressure to the delicate wound concealed within. 
You stood up from the leatherbound office chair, adjusting your clothes and stepping to the window behind you to look out at the garden belonging to the gallery - a recent expansion. Grand, regal, and as the papers had emphasised, now returned to its rightful owner. You wondered just how much of the city had belonged to vampires at least for a portion of time, and you had no doubt that you would be making more discoveries soon, but for the time being, you were happy with the re-acquisition, or as Seonghwa had called it: your ‘turning’ gift. A particularly strong shift of the arm made you wince, and your other hand shot to nurse your sore arm.
“I’m so sorry darling, does it still hurt?” Unbeknownst to you, Seonghwa had slipped into the office, and immediately rushed towards you, concern painting his beautiful face through furrowed brows and a tiny scowl.
“N-no, barely. The sweater is silly-”
“Let’s not disregard ailments, shall we?” your partner gingerly lifted your arm, and after gaining permission through a few lethargic nods, pushed the sleeve upwards to reveal the bandages, “I- really, we need to apply the ointment again, that must be it-”
“Seonghwa-”
“Work can wait, I just need to-”
“My love-” Seonghwa paused his ramblings to stare back at you, puzzled, “it’s okay. Don’t worry about it. Literally just a bite, isn’t it?” you smiled, the action instantly being mirrored, albeit with a tinge of remaining worry.
“Mm, perhaps I am overreacting, I can’t help it,” your thoughts were numbed by the silken touch of his lips on the back of your hand, wool against cotton as he pulled you into an embrace, “it should heal well once you get used to your new form, I am sure of it,” his tresses tickled your nose, but you ignored it, instead letting your head fall against him.
You stood almost completely still aside from the rocking side to side that was habitual for you both. A lulling motion, one that either of you revealed only to each other. A secret reserved for intimate, loving moments such as this. You shook your head in amusement and buried your nose in Seonghwa’s sweater, inhaling the aroma of his sweet perfume, recalling ‘Love and Pain’ - the painting that had marked the tightening of the invisible string tying you together. Or was it? Coincidentally, on the wall behind your lover was the real inception of your union, one that you had forgotten from one lifetime to the next. A portrait. The one that Seonghwa had been chasing, and what had been his decades-long mission came to an end.
Signed with your own hand, were initials of your name and the year of completion of the painting. None other than the beloved collector and muse, Park Seonghwa, who had posed for you, or rather a version of you, and ever since then, you were the only one on his mind. You had been the master both of the arts and of his fate.
“Please, I am embarrassed…” your partner mumbled, settling for futile attempts to position you in such a way that you would be looking out at the garden, but to no avail. Poking him playfully at the side, you induce a halt, and question him:
“What is there to be embarrassed about? That’s you. Painted by me.”
“Exactly. And you have it in your office, of all places.”
“Well I can’t exactly have you, in the flesh, on display all the time and I would like a work of art around here-”
“Shh-”
“Don’t shush me, Park. Be grateful I don’t keep the sketches out too.”
In all honesty, He would not mind if you did. You could do anything, and the vampire would adore and honour it. Whether it was in your blood or in his nature, he had never regretted almost losing himself in your favour. In your last life, he had gone against all rules set up by vampires, playing against what he swore was the devil in order to have the sliver of a chance to start again and, this time not lose you. Had his plan not succeeded, it was highly probable that he would have been erased from this planet too. But he would rather call himself a masochist than be law-abiding when it came to you.
“Next, you’ll be threatening me with a showcase of just my face-”
“What if I do?” you quipped, pulling back to boop his nose with yours, “I think it would look very pretty. Besides, now that I remember my apparent mastery of the visual arts, can’t I be a tiny bit proud, hm?”
“I would be terribly disappointed if you weren’t. Now, may I put that ointment on you?”
As if you could refuse those sparkling eyes. Promptly following him to the loveseat, which unfortunately for Seonghwa was situated right under the portrait, you sat down and waited. Your partner rushed to the medical cupboard - another new addition installed exclusively to support you as you were getting used to the vampiric nuances in your day to day. With well-practised motions, the required kit was in his hands, and in a blink, set down on the plush cushioning of the miniature sofa. You held back a chuckle as you saw the pout you so loved appear as he focused on unwinding the bandage with utmost care. Before you could feel any hurt, Seonghwa would already let go, or alter the angle at which he was tugging on the material. As soon as the plaster was peeled, you were met with the reason for your eternity and reawakening.
Two deep punctures, still a little irritated, not quite healed, but nevertheless a marking of your future and something you regarded with fondness. Wounds did not hurt when they were merely physical, especially not when you had someone who had bound their immortality to yours to tend to them. Seonghwa bit his lower lip, discontented with the ache as though he could feel it too, and took numerous pauses while cleaning up the wound to glance at you. 
“I’ll be applying the ointment now, tell me if it stings, okay?”
“Okay,” you knew it wouldn’t. You had never heard a man be so adamant on checking ingredients at an apothecary before following Seonghwa after your first appointment as a vampire. But just to appease him, you followed this small spoken routine. 
“You know… I was scared,” his voice was barely audible, and he could not look at you.
“What were you scared of?”
“Losing you again.”
“Well, I am here, aren’t I?”
Even before you were aware of Seonghwa, let alone the truth behind the portrait, all the roads still led to the same resolution. The arts, art history. Virtually synonymous, for without creation, there would not be the past, and without the study of the past, there would not be the celebration and respect of creation. Finally, you understood the beauty of evolution that Seonghwa had undergone all while remaining the same vulnerable yet legendary figure, dedicated to his vision of the arts, having recollected your own. 
“So many things could have gone wrong,” Seonghwa’s mind was reeling from the sheer terror of possibility. He had taken advantage of his high social standing as an aristocrat and pulled rank to avoid waiting for any ritual guides to step in - it was not the first time, but still only the second. And both cases were related to you. 
The first time might have been a foolish decision in retrospect, but considering the dire circumstances the extreme solution was the only one. With one foot crossing to the afterlife he was combatting the reapers, and was not going to let go of you even if it meant being pulled in. This time, when you had approached him a number of nights ago with your final agreement to his tentative proposal and kissed his ruminations away, he was ready. Years of study were not going to waste, after all. And yet when he studied the same irises as those from a time long gone, when he held the same hands, his blood ran even colder. What a gambling man he had been back then. The procedure to regift life to you had been risky, and Seonghwa, having never practised those elements of the dark arts bestowed upon his kind, had been taking shot after shot in the dark. How dare he play with your being like that? How dare he hold your existence on a sinful scale?
“But they didn’t.”
No they did not. Your confidence in him had aided considerably, he had to admit. The positioning of his fangs was perfect, and he had memorised all incantations down to the inflections. Second time a charm, but much more anxiety-inducing. Turning was not the same as revival, either. He could not stop himself from imagining the many scenarios of where he would have gone wrong, and cemented your identity only as a name on manuscripts, dissertation, paintings and reports. 
“Even the ritual, what if you did not remember-”
“I would love you just the same. Whether I had all my memories or not. That much I can assure you of. That is why I trusted you in the first place, Seonghwa.”
You did not need to be a mind reader to know what he was thinking. All you could do was suggest a brighter palette, and be by his side no matter what colour scheme he were to decide on. It was an artist’s duty to know when to set the tools aside and consider a painting finished. The luxury of a collector was to live through many paintings, unify the souls contained in each and sustain a chronology of expression. The keepers, the scholars, made to observe change rather than induce it directly. This was why you were all the more grateful for Seonghwa daring to change your mortal fate not once but twice, risking himself and his image in your favour.
When your partner was satisfied with his medical care, he hummed to notify you and began to clear up, at least until you placed a weak hand on his leather-clad thigh to gain his full attention. He searched for a hint in your features, eyes darting across your face at lightning speed. Relief came when you grinned brightly, whispering sincere gratitude.
Impressionism - the movement and path made by legends. A rejection of traditional practice, a new vision and interpretation of the outside world in the hues of the soul. Light, reality, immediate action. A breath that reset the arts, magnificent and radical for the time, and now, much adored. From its conception to its establishment, you were there to witness and fall in love, and now could look back at the beauty that had bloomed. His irises, your favourite colour. The speckles of various shades, your favourite details. You stared into Seonghwa’s eyes and did not dare blink. Your favourite impression.
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Prehistoric Figurine of a Harp Player, from the Cyclades (Greece), c. 2700-2300 BCE: this figurine was shaped from a block of solid marble and then slowly sanded into form using pumice and emery
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The figurine depicts a musician with a frame harp, an instrument that originated in the Near East and then later spread to the peoples of the Aegean. A sound box forms the section along the base of the instrument, and a small protrusion can be seen near the top of the harp's frame; some experts have argued that this protrusion might represent an ornamental carving of a waterfowl's head, while others argue that it represents a musical extension that facilitates the projection of sound (a feature that often appears on the stringed instruments of the ancient Near East).
This piece measures 35.8cm (about 14 inches) tall.
Musical performances like this are rarely depicted in Cycladic artwork. Depictions of male characters are similarly rare, representing only 5% of the Cycladic sculptures that are known to exist. When male figures are depicted, however, they are frequently shown playing musical instruments, as seen here.
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Figurine of a Harpist, c. 2800-2700 BCE: a similar example of a Cycladic sculpture that features a musician with a frame harp
The Museum of Cycladic Art provides a more detailed explanation of the process by which these figures were created:
As we can deduce from the few unfinished figurines that have been discovered so far, the first step in the process was to roughly shape the raw piece of marble into a figure by the impact of a mallet. Emery powder was then used to abrade the surface until it obtained the desired shape and size. Once the desired shape was achieved, the surface was smoothed carefully before the fine work of carving the details started. At the end, the figurine was polished to a high degree that is still amazing.
And according to The Met:
Many of these figures, especially those of the Spedos type, display a remarkable consistency in form and proportion that suggests they were planned with a compass. Scientific analysis has shown that the surface of the marble was painted with mineral-based pigments—azurite for blue and iron ores, or cinnabar for red.
The Cycladic Islands (also known as the Cyclades) are a group of about 30 separate islands in the Southwest Aegean, off the coast of mainland Greece. These islands contain a wealth of natural resources, including marble, emery, pumice, obsidian, and an assortment of precious metals. The prehistoric peoples of the Cyclades made use of these resources for many different purposes, but the marble figurines/sculptures that they crafted during the Bronze Age are perhaps their most famous creation.
The vast majority of these figurines are stylized depictions of the female form. The cultural significance of the sculptures remains unclear; they may have simply been created as decorative pieces/artwork, without any additional function, or they may have been used as fetishes, totems, religious idols, grave goods, or votive offerings.
Sources & More Info:
The Getty Museum: Figurine of a Harp Player
The Met: Cycladic Harp Player
The Met: Early Cycladic Art and Culture
The Museum of Cycladic Art: Techniques
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On todays #paleostream MONKEY CRUISE RETURNS
With Ekembo and Pachylemur
For those who don't know, #MonkeyCruise is a series of paintings in which I turn classic positions from art history into paleoart pieces with extinct primates.
The Ekembo piece, as you probably have guesses already, is a homage to Leonardo da Vinci's "Last supper". One of his most famous works. I had my eyes on this for a while but only recently had an idea what to depict it with.
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Ekembo is a great ape from the Miocene that was found on Rusinga island, Kenya. There wer volcanoes in the area which they also snuck into this piece. The apes here are gathering on this log because a migrating ant colony is crossing it, a welcome snack bar.
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The second piece is based on a painting by Finnish painter Eero Järnefelt, called "Under the Yoke".
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Pachylemur was a large lemur from the Holocene of Madagascar, it#s extinction is most likely human caused. Two causes are shown here: habitat loss, thanks to slash and burn agriculture and bush meat hunting.
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igorlevchenko-blog · 19 days
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Elder Scrolls: Possible portrait of Akaviri Potentate.
The tradition of depicting tsaesci in a thoroughly anthropomorphic fashion, may actually predate the "damnatio memoriae" issued against this race (once proudly prolific in all the upper echelons of imperial society) in the aftermath of dissolution of Akaviri Empire. One, after all, understands the need to assuage the apprehension of the populace being governed by creatures the sources describe as towering, eel-like and vampiric. And given the texts (having gone through stringent censorship) have been allowed but a momentary candor to suggest decidedly serpentine features of Akaviri Potentates—we should deny ourselves the comfort of this "conventionally monstrous" interpretation. I for one am not prepared to dismiss the notion of them having four arms, especially in relation to a passage lauding Savirien Chorak's ambidextrous wielding of swords. Another remarkable feature of this painting (besides its faithful depiction of imperial scale-mail armour) is that the mask looks almost identical to another famous artifact—The Battle Mask of Almalexia—which itself perhaps been made in commemoration of sinking of Tsaesci fleet at Bal Foyen.
Digital painting. Made in Krita. Feel free to repost.
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shadyufo · 7 months
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Cryptids & Creatures of Folklore Drawtober Day 8 — The Lascaux Unicorn
The Lascaux Cave system in France is famous for being home to hundreds of stunning prehistoric paintings dating to the Paleolithic era. Most of the paintings depict large animals like horses, aurochs, elk, lions, and bears but there is one image featuring a rather unusual animal. It is light-colored with a spotted hide, has high shoulders, and two long horns protruding from its forehead. Nicknamed the Lascaux Unicorn—despite having two horns—this animal has never been identified.
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sanrielle · 10 months
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Amazing fanart by Joanacchi! Posted here on tumblr with their blessing. Each one is based on a style that reflects a particular ancient culture's art history. (See below for descriptions provided by the artist!)
Store (buy these prints!) Twitter Instagram
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Aang: Tibetan Thangka
"Thangkas are traditional Tibetan tapestries that have been used for religious and educational purposes since ancient times! The techniques applied can vary greatly, but they usually use silk or cotton fabrics to paint or embroider on. What you can depict in a Thangka is really versatile, and I wanted to represent things that make up Aang as a character."
Zuko and Azula: Japanese Ukiyo-e
"Ukiyo-e is a style that has been around Japan between the 17th and 19th century, and focused mainly in representing daily life, theater(kabuki), natural landscapes, and sometimes historical characters or legends!
Ukiyo-e was developed to be more of a fast and commercial type of art, so many drawings we see are actually woodblock prints, so the artist could do many copies of the same art!
I based my Zuko and Azula pieces on the work of Utagawa Kuniyoshi (1798-1861) one of the last ukiyo-e masters in Japan! He has a specific piece which featured a fire demon fighting a lord that fought back with lighting, and that really matched Zuko and Azula's main techniques!”
Toph: Chinese Portraiture from Ming and Qing Dynasties
"Ming Dynasty (1368-1644) was one of the longest in China! It was also a period where lots of artistic evolutions were happening, especially when it comes to use of colour! There was not a predilection for portraits during this time, but there are a lot of pieces depicting idealized women and goddesses from the standards of the time. For this portrait of Toph, I imagined something that maybe their parents commissioned, depicting a soft and delicate Toph which we know is not what she is about ♥️
Qing Dynasty (1644-1912) was the last Chinese Dynasty to reign before the Revolution. One of the most famous emperors of this period was Qianlong, and he really liked Western art! He commissioned a lot of portraits of his subordinates, and I chose a portrait of one of his bodyguards as a reference for the second Toph portrait, which I believe is much more like how she would want to be represented! The poem on top talks about the bodyguards' achievements during a specific war. I had no time to come up with a poem for Toph, so I just used the same one for the composition!”
Sokka and Katara: Inuit Lithograph
"For a long time, Inuit art expressed itself in utilitarian ways. The Nomadic lifestyle of early Inuit tribes played a huge part in that: most art pieces are carved in useful tools, clothing, or children's toys, small and easy to be transported, and depicted scenes and patterns representing their daily lives!
That changed a lot during the colonization. Since the settling of the Inuit tribes, many art pieces began to be created in order to be exported to foreigns, so they started to sculpt bigger and more decorative pieces.
Lithography, which is a type of printmaking, was introduced to Inuit people by James Houston, that learned the technique from the japanese. The art form was quickly embraced by the inuit, as part of the process is very similar to carving. Prints that are produced by inuit artists are still being sold today!
As lithography is not an old art style and it's still commercially relevant to the Inuit communities, since creating these in 2021 I have been donating regularly to the Inuit Art Foundation, not only all the money I get from selling some prints of these but a bit more, at least once a year. Hopefully, I can increase donations this year!”
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chuuyrr · 2 months
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𓂃 ࣪˖ ִֶָ𐀔 LET THE FEAR YOU HAVE FALL AWAY, I'VE GOT MY EYE ON YOU — FYODOR DOSTOEVSKY .ᐟ
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𐀔·˚ CW(s): f! reader, bsd chapter 112 & 113 spoilers, religious themes, angst/comfort, reader is hinted to have an angel-like ability, poetic-ish writing
𐀔·˚ SYNOPSIS: like lucifer's descent from heaven's height, he fell and you followed
𐀔·˚ NOW PLAYING: say yes to heaven by lana del rey
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in the grand halls of the museum, where the walls were adorned with masterpieces of art from centuries past, you first caught sight of him—fyodor dostoevsky, with his magnetic presence and mysterious aura, stood before a painting, his gaze fixed on the canvas as if it held the secrets of the universe.
amidst the splendor of renaissance masterpieces and timeless classics, you stood, a vision of innocence and wonder, your eyes drawn to the enigmatic figure across the room.
despite the warnings whispered by your intuition, you couldn't resist the urge to approach him, couldn't ignore the magnetic pull that seemed to bind you to him amidst the strokes of paint and layers of history.
fyodor continues to gaze upon the famous religious painting that hung on the far wall, depicting the fall of lucifer from heaven's height, "it's a hauntingly beautiful piece, isn't it?" you muse, your eyes lingering on the intricate details of the canvas.
he nods, a faint smile playing at the corners of his lips, his eyes not leaving the painting, "indeed, it is. it captures the tragedy of lucifer's descent, his fall from grace immortalized in paint and canvas."
"and yet," you whisper, your voice barely above a breath, "i cannot help but feel a strange kinship with him, with the fallen angel who defied the heavens for love."
fyodor's gaze shifts from the painting to you, his eyes searching yours with a mixture of curiosity and understanding as you continue speaking, "you know, love has a way of defying the rules of the universe."
he murmurs his response, fyodor's voice carrying a weight of experience beyond his years, "it can lead us to places we never imagined, make us do things we never thought ourselves capable of."
you nod, captivated by the intensity of his gaze, "and yet, it can also lead to our downfall," you reply softly, a hint of sadness tingling your words. "like the fallen angel, we may find ourselves cast out from the heavens, destined to wander in the darkness for eternity."
"but perhaps," fyodor muses, his voice barely more than a whisper, yet carrying something heavy in it, "it is in the darkness that we truly find ourselves; in the depths of despair."
you are silent for a moment, lost in thought as you contemplate his words, "say, do you believe that we can find redemption, even after falling from grace?" you ask, your voice hesitant yet hopeful.
your question hangs in the air, a weighty silence settling between you and fyodor. his gaze, once warm and reassuring, now holds a hint of uncertainty, as if grappling with the complexities of your inquiry.
"redemption," he repeats, the word tasting bitter on his tongue, "a concept that eludes even the most devout of believers. for who among us can claim to be free from sin, to be worthy of redemption?"
you listen, your heart heavy with the weight of his words. there is a darkness in him that you cannot ignore, a shadow that clouds his every action and motive.
"and yet," fyodor continues, his voice softer now, almost pleading, "i cannot help but believe that there is hope for us yet. that despite our flaws and failings, we are capable of finding that salvation.. don't you think so, dear?"
you want to believe him, to cling to the flicker of hope that he offers, but doubts linger in the recesses of your mind. can redemption truly be found in the embrace of someone so steeped in darkness?
as you wrestle with your doubts, fyodor reaches out, his hand gentle against your cheek, his touch cold as ice, yet inviting like snow, "together," he whispers, his voice a soothing balm against the turmoil in your soul, "we can redeem ourselves, and find peace."
his words are a siren song, luring you deeper into the abyss. and though a part of you knows that following him will only lead to further darkness, you find yourself unable to resist.
for in the presence of this stranger, you feel a sense of purpose, and so, with a heavy heart and a mind clouded by doubt, you choose to follow him into the unknown, clinging to the hope that somehow, you will find the light at the end of the tunnel.
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fyodor knew, as he gazed into your eyes, that you possessed a power beyond measure. it was an ability born of innocence and purity, yet tempered by the trials of the world. he saw the light that radiated from your soul, a beacon of hope in the darkness that surrounded him.
and you, in turn, sensed the darkness that lurked within him, the shadowy depths of his being that he kept hidden from the world. but despite the warnings whispered by your intuition, you couldn't resist the pull of his presence, couldn't deny the longing that stirred within your heart whenever you were near him.
in shadows deep, where whispers weave,
two souls entwined, in love's deceitful sieve.
you, the angel with wings of gold,
he, the fallen, his secrets untold.
despite the warning bells ringing in your mind, you find yourself inexorably drawn to fyodor, like a moth to a flame. his charisma and conviction are like a siren's call, beckoning you deeper into the abyss of his twisted ideology.
as he speaks of blessings for the children and happiness to the world to your ears, you can't help but feel a shiver run down your spine. his words, laced with honeyed deceit, cloak the darkness of his actions in the guise of righteousness.
and yet, when he speaks of god and his desire for perfection and harmony, there is a fervor in his voice that is hard to ignore. he paints himself as a righteous crusader, a chosen vessel for carrying out the lord's will in a world plagued by sin.
but beneath the facade of piety lies a darkness that you cannot reconcile. you see the cruelty in his actions, the pain he inflicts on innocent souls in the name of his twisted version of salvation—from the rats in the house of the dead to the decay of angel. all of it.
his words offer a glimmer of hope in the darkness that surrounds you, but deep down, you can't shake the feeling of unease. you've witnessed the cruelty he inflicts upon others, the pain he causes in the name of his twisted vision of righteousness, along with the lives he took from others.
"what about those who suffer because of your actions?" you press, your voice quivering with emotion as your feathered wings of an angel folded behind your back, red splattered on white as if it was red blood and white snow, "do you believe they can find redemption too?"
fyodor's expression darkens for a moment, a shadow passing over his features before he regains his composure, "sometimes, sacrifices must be made for the greater good," he replies, his voice cold and distant, "it is a small price to pay for the salvation of humanity."
you recoil at his words, the weight of his callousness pressing down on you like a leaden blanket. despite your doubts, despite the whispers of your conscience urging you to flee, you find yourself unable to turn away from him.
feeling the weight of your doubts and fears, fyodor's expression softens, and he reaches out to gently take your hand in his. his touch is cold, a strange yet comforting contrast to the warmth that had settled over your soul.
"my dear," he begins, his voice gentle and reassuring, "i understand your concerns. it's natural to question, to doubt, in the face of uncertainty. but trust me when i say that everything i do, i do with the utmost conviction, with the belief that it is for the greater good."
his words soothe the turmoil in your heart, if only for a moment. you find yourself drawn to the sincerity in his eyes, the earnestness of his conviction. despite the darkness that surrounds him, there is a flicker of something genuine within him, a spark of humanity that refuses to be extinguished—his love for you.
"and as for those who suffer," he continues, his voice filled with compassion, "know that i carry the burden of their pain with me always. it is a heavy cross to bear, but i do so willingly, in the hope of bringing about a better world."
as he speaks, you feel a sense of peace settle over you, a quiet acceptance of the path that lies ahead. in his embrace, you find solace, a refuge from the storm raging within your soul and as he leans in to press a gentle kiss to your forehead, you feel a warmth spread through you.
as the warmth of fyodor's embrace envelops you, you can't shake the nagging doubts that linger in the corners of your mind. despite his reassurances, you still can't help but wonder if the path you're on truly leads to redemption or if it's veering dangerously close to damnation.
and then, just when you least expect it, fyodor's gaze locks onto yours with an intensity that takes your breath away, "do you love me?" he asks, his voice barely more than a whisper, but it reverberates through the depths of your soul like a thunderclap.
his question catches you off guard, leaving you momentarily speechless. you find yourself drowning in the depths of his gaze, lost in the swirling currents of emotion that swirl within you.
it's as if he's pulling you in, drawing you closer with an irresistible allure that you can't resist. like a fallen angel tempting a pure soul yet to succumb to darkness, he wraps you in his embrace, his touch setting your heart ablaze with a fire you can't extinguish.
speechless at first, you find yourself caught in the gravity of fyodor's deep gaze, unable to tear your eyes away from his. his words echo in the caverns of your mind, stirring a whirlwind of emotions that threaten to consume you.
but fyodor doesn't wait for your response. instead, he continues, his voice a soothing melody that wraps around you like a comforting embrace.
"let your fear fall away, my love," he whispers, his words a gentle reassurance against the storm raging within your soul, "i am here for you, always. trust in me, trust in our love, and together we will rise above the darkness that threatens to engulf us."
his words are like a lifeline in the midst of a tempest, offering you solace and strength when you need it most. and as you gaze into his eyes, you feel a sense of calm wash over you, a quiet acceptance of the path that lies ahead.
"do you love me?" fyodor asks again, his voice filled with a raw vulnerability that pierces through the facade of his confidence, "say yes to heaven, to us. say yes to me, my love."
his words hang in the air, a silent plea that tugs at your heartstrings. and in that moment, as you stand on the precipice of uncertainty, you know that you have a choice to make. you can cling to the safety of your doubts and fears, or you can take a leap of faith into the unknown, guided by the hand of the one you love.
with a trembling breath, you meet fyodor's gaze, your voice barely above a whisper as you utter the words that seal your fate.
"yes," you say, your heart pounding in your chest, "i love you. i say yes to heaven, to us."
beneath the moonlight's gentle glow, fyodor draws you close, his lips meeting yours in a kiss that ignites a firestorm of passion within you. it's a kiss that tastes of forbidden desires and whispered promises.
as his lips press against yours, you feel a surge of electricity coursing through your veins, a sensation so intense it threatens to consume you whole. it's a feeling you've never experienced before, a heady mix of longing and surrender that leaves you breathless and wanting more.
in that moment, you realize that you are no longer the innocent angel you once were. the blood of the lives you took stains your feathery wings, a reminder of the sins you've committed in the name of love. and yet, as you wrap your wings around fyodor, drawing him closer to you, you know that you wouldn't have it any other way.
for in his embrace, you find redemption, a sense of purpose that transcends the boundaries of morality and reason. and as you lose yourself in the intoxicating embrace of his kiss, you know that you have chosen your path, for better or for worse.
like a fallen angel corrupting a pure soul, fyodor has led you astray, tempting you with the forbidden fruit of his love and yet, as you surrender to the darkness that consumes you both.
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as the helicopter carrying fyodor descends towards the building, panic grips the air. dazai and chuuya watch in horror, their voices drowned out by the deafening roar of the crashing metal.
nikolai, the ally of your love, tasked with keeping you restrained for your own safety, struggles in vain to keep you chained, but his efforts prove futile against the strength of your resolve.
with a defiant cry, your white, feathery, angelic wings unfurled with a majestic flourish. the chains that once held you captive fall away like brittle twigs, unable to withstand the force of your determination.
with a powerful flap of your wings, you launch yourself into the air, soaring towards the burning wreckage with a sense of urgency that borders on desperation. the wind rushes past you, whipping through your hair and stirring the feathers of your wings as you race against time to reach fyodor.
as your heart heavy with determination, you set your sights on him, your angelic wings carrying you towards the helicopter where he lies bloodied and impaled.
fyodor's surprise is evident as he sees you, freed from the chains that once bound you, rushing to his side. but as you reach out to save him, the flames engulfing the helicopter grow stronger, fueled by the chaos of the moment.
as you rush to fyodor's side amidst the chaos and flames, his surprise is palpable, "what have you done?" he gasps, his voice laced with disbelief and a hint of desperation, "why did you come after me?"
but you meet his gaze with unwavering determination, your voice steady despite the turmoil surrounding you as tears blur your vision, "because i'm longer afraid," you reply, your words a declaration of your unwavering love and loyalty, "and i said yes to heaven, to you. i love you."
fyodor's expression softens, a flicker of emotion passing through his eyes as he takes in your words.
the flames of the crashing helicopter engulf you both, fyodor's mind races with disbelief. never in all his years, through all the eras he has traversed, did he imagine that someone as angelic as you would follow his descent into darkness until the very end.
despite your efforts, you realize with a sinking heart that it's too late. the flames rage around you, the turbulence of the crashing metal making it impossible for you to fly any longer. and in that moment of desperation, you know that your fate is sealed, bound together with fyodor's in a tragic twist of destiny.
dazai, chuuya, and nikolai can only watch in horror as the helicopter, carrying the two of you, descends into the inferno below, and it's a scene straight out of a nightmare, the fall of lucifer from heaven's height mirrored in the downfall of fyodor with you.
but in that fleeting moment before oblivion claims him, fyodor felt a surge of gratitude mixed with sorrow. gratitude for the love and loyalty you showed him, despite the darkness that consumed him.
sorrow for the tragedy that befell both of you, a consequence of his own actions and the twisted path he had chosen.
the world around him fades into darkness, but fyodor's thoughts still linger on you, his angel who chose to follow him into the depths of hell. and in that final moment of clarity, he finds a small measure of peace, knowing that even in death, you loved him, and he loved you.
as the heavens wept with auburn for your tragic tale, you danced on where shadows prevail. for he was both god and devil, intertwined, and you, his angel, forever confined.
and in the echoes of your love's demise,
you cherish the moments, beneath starlit skies.
for in his darkness, you found your light,
a love that burned, fierce in the night.
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𐀔·˚ TAGGING: @aureatchi @soleelia @little-miss-chaos @cheriiyaya @himikoslove @atzuhi @enjisthings @chizenn
𐀔·˚ A.N.: this is my first ever fyodor fic, hopefully he wasn't too ooc, and as for the plot? the start where you and him meet was inspired by @/aureatchi or reverie with her fondness for fyodor and museums. it felt so so fitting !! also the angst and comfort of the plot was very intended ° ᡣ𐭩 . ° .
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colleendoran · 1 year
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Neil Gaiman's CHIVALRY: From Illuminated Manuscripts to Comics
One of the many reasons I wanted to adapt Neil Gaiman's Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.
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We're often told that the first comic book was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.
Sequential art predates Action Comics #1.
Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn't take off as a popular medium for several reasons, not least of which was the necessary printing process hadn't been invented yet and it's hard to popularize - and commercialize - something most people can never see. 
You find sequential art in cave paintings and in Egyptian hieroglyphics. I've read that comics (manga) were invented by the Japanese in 12th century scrolls.
And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.
The most obvious example of early sequential art in Western art - as a complete narrative in sequence - is the Bayeux Tapestry. 
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At 230 feet long, this embroidered length of cloth was likely commissioned around the year 1070 by Bishop Odo, brother of William the Conqueror. It depicts the Battle of Hastings in 1066 and the invasion of England by the Normans. (The tapestry was made in England, not in France, but it is called the Bayeux tapestry because that's where it is now.)
Imagine what a task it was to embroider this thing. Whew. And you thought it was hard learning Photoshop.
This work of art is important in the history of sequential narrative, but the Norman invasion is also important to the legend of King Arthur - and another important English legend - for reasons we'll get into later. 
It's complicated.
All this is why you see this art in the background of this page of Chivalry.
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Using the Romanesque art style of the tapestry in panel 1, I've added the Latin phrase "Rex Quondom, Rexque Futurus" - "The Once and Future King", the final words of Sir Thomas Malory's Le Morte d'Arthur as inscribed on King Arthur's tomb, and the title of T.H. White's famous Arthurian novel.  (EDIT) and it has been kindly pointed out to me that QUONDOM should be QUONDAM, which is hilarious and annoying and this is how history gets rewritten by accident.
My original intention was to draw this Bayeux Tapestry scene out and juxtapose it with shots of Galaad interacting with the children, but the two page sequence I imagined didn't really work as well in reality as it did in my head. 
Foremost among my concerns was that the tapestry reference might be too obscure for most readers. I wanted to weave the visual meta-text of Chivalry into the story (For further reading on this project and my use of visual meta-text, symbolism, and history in Neil Gaiman's Chivalry, go HERE. And HERE. And HERE. And Yet again HERE.) in such a way as it would enhance the experience for people who "got" the visual meaning, while not dragging things down for people who didn't. So I cut this scene down to one panel.
The tapestry is a complete, long form comic strip created over 1100 years before some people claim comics were invented. So, I loved being able to reference it here.
But even more interesting to me are the sequential art sequences that appear in illuminated manuscripts - comics in book form.
I once got into a rather vicious argument with an academic who insisted illuminated manuscripts were comics. I said no. She said yes. Then she insulted the lowly comic artist and blocked me on Facebook.
Whatever.
My point was not that you can't find sequential art in illuminated manuscripts. My point is that an illustrated book isn't de facto a comic. Most illuminated manuscripts are illustrated books. Some illuminated manuscripts contain sequential art.
Just because opera is music, that doesn't mean all music is opera.
Just because comics books are books that doesn't mean all books are comic books.
And just because some illuminated manuscripts contain sequential art, that doesn't mean all illuminated manuscripts are sequential art.
But one is.
Let me show you it.
One of the earliest examples of an illuminated manuscript with comic art is The Bible d'Etienne Harding which you can see in this really bad jpg here, sorry, best I could find.
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Created around the year 1109, property of a French Cistercian monk, it combines sequences like this with pages of text and illustration.
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Not a comic book IMHO, but an illuminated manuscript with sequences of text, illustration and sequential narrative.
It's no more a "comic book" than a newspaper is for having text, illustration, and comic strips in it.
IMHO, academic lady.
And here's a look at the Old English Hexateuch (hexateuch refers to the first 6 books of the Bible) which I think is far more visually complex and interesting work, and comes much closer to the illuminated manuscript as comic, but still intersperses large sequences of text and illustration with sequential storytelling sequences. So I don't consider it a comic, but a book with sequential work in it.
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Now this work below is a different matter. This is from the Holkham Bible Picture Book, circa about 1330.
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This thing is genius. It measures a little larger than a modern comic, around 8"x11", and almost every page of it is like this spread here. 231 pages of beautifully rendered art, with repeated use of banderoles - "speech scrolls"  (basically word balloons) -  and captions, and (mostly) real sequential art. I've never seen anything else that comes even close to it, and by all accounts, neither has anyone else. 
It may not be a modern comic book - but it's a comic book as far as I can tell. I don't think there's any other illuminated manuscript that is as complete, sophisticated, and innovative a sequential storytelling work.
If this were printed and seen by more people, the comic book medium would have taken off centuries earlier, IMHO. But it wasn't. It was tucked away in a monastery somewhere and few people ever saw it. It ended up being forgotten for centuries until it popped up again around 1816 when a banker sold it to an avid book collector, Thomas Coke, Earl of Leicester, who inherited Holkham Hall and its library and set about restoring and expanding it. 
The banker wrote, “a very curious MS. just brought here from the Continent. . . which I think one of the greatest curiosities I ever saw”.
Sequential art got invented over and over and over by one artist after another until one day centuries later, some teenaged boys found their newspaper strips gathered together in a cheap format, and suddenly comic books were popular and like new.
And then a lot of people who didn't seem to realize that books had had pictures in them for centuries got all up in arms about the harms of books with pictures in them.
I think it's funny that it is called the Holkham Bible Picture Book. There really was no "comic" art language when this work was created or when academics began to catalogue this sort of thing. Will they change the name now?
Who can say.
Anyway, another Holkham Bible Picture Book reference for you.
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Look familiar?
I referenced it in this scene in Chivalry.
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One of the fun things about the Holkham is that it opens with a discussion between a friar who has commissioned the work and the artist. The friar admonishes the artist to do a good job on the project because it will be shown to important people. And the artist responds, "Indeed, I certainly will and, if God lets me live, never will you see another such book."
He wasn't kidding.
You can see the entire manuscript HERE. 
Sponsored by my Patreon. Thank you.
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Pierre Carrier-Belleuse – Pierrot and Ballerina (1900)
In 1888, the Cercle Funambulesque was founded in Paris, producing pantomimes inspired by the Italian commedia dell'arte. Due to their influence, the most popular among its characters became Pierrot, who would commonly get portrayed not only by male, but also by female actors, such as Félicia Mallet and even the famous Sarah Bernhardt. Carrier-Belleuse's painting depicts one such version of Pierrot, portrayed by the unknown female mime.
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steveshairychest · 1 year
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Eddie Munson is a name all artists know.
His work fills museums and galleries and decorates the walls of many homes. His most famous work, 'A Boy Kissed By The Sun', features a man staring over his own bare shoulder with a look of adoration, his lips pulled into a fond smile as he regards the viewer. His skin is kissed with freckles that are painted to look like small, glorious suns. Each brush stroke is careful, precise, and full of emotion that people have spent years trying to decipher.
This man stars in nearly every one of Munson's paintings; he's his muse. But the catch is Eddie doesn't know this man. He claims that the golden boy comes to him in his dreams, that he wakes some nights and feels as if he has lived a thousand lives with his muse. Some nights, he startles awake because it felt so real. He could still taste the honey on his tongue from the kiss that still lingered on his lips.
If you put all his paintings together, it looks as if he is retelling his life with the golden boy. There's scenes depicting the boy dancing in a kitchen, holding a guitar on a messy bed, smiling while sitting in the passenger seat of an old van, standing in front of a mirror with his hands ghosting over the scars at his sides. All of the paintings feel so intimate; like a peak into a life Eddie doesn't remember living.
His latest addition to his gallery has captured quite a crowd, it features the boy that is usually so beautiful and wrapped in sunlight, weilding a bat full of nails, a bat that is covered in blood just like the man and the ground around him. His wounds are angry and red and are hard to look at because it looks as if the man had pieces of himself eaten away. Eddie had awoken with a scream when he'd heard the boys cries fill his dreams; his own scars from an accident years ago aching and burning.
"It's achingly beautiful." A voice says next to him. They both stand in front of the latest art piece, their shoulders almost brushing. Eddie turns his gaze to the man beside him and he swears his heart stutters to a stop. He's seen those freckles in his dreams, he's tasted those lips and felt the heat from that golden skin. He must be dreaming.
"Although, it feels almost familiar." The man turns to fully face Eddie and the both of them just... stare. The air feels charged with something unspeakable, unknown, but also familiar. He's stared into those honey gold eyes every night in his dreams. He's lived a thousand lives with this man and instead of asking for his name, his story, his everything, all he can do is stare.
Eddie lifts a hand to reach out and touch but pulls back at the last minute, afraid that he'll disappear in a puff of smoke if he so much as breathes too hard.
"It's you."
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