Rating: 3.5/5
Book Blurb: Lakelore meets “Orpheus and Eurydice” when two Miami teens travel to the underworld to retrieve their girlfriend’s soul.
Andres Santos of São Paulo was all swinging fists and firecracker fury, a foot soldier in the war between his parents, until he drowned in the Tietê River… and made a bargain with Death for a new life. A year later, his parents have relocated the family to Miami, but their promises of a fresh start quickly dissolve in the summer heat.
Instead of fists, Andres now uses music to escape his parents’ battles. While wandering Miami Beach, he meets two girls: photographer Renee, a blaze of fire, and dancer Liora, a ray of sunshine. The three become a polyamorous triad, happy, despite how no one understands their relationship. But when a car accident leaves Liora in a coma, Andres and Renee are shattered.
Then Renee proposes a radical solution: She and Andres must go into the underworld to retrieve their girlfriend’s spirit and reunite it with her body—before it’s too late. Their search takes them to the City of the dead, where painters bleed color, songs grow flowers, and regretful souls will do anything to forget their lives on earth. But finding Liora’s spirit is only the first step in returning to the living world. Because when Andres drowned, he left a part of himself in the underworld—a part he’s in no hurry to meet again. But it is eager to be reunited with him...
In verse as vibrant as the Miami skyline, critically acclaimed author R.M. Romero has crafted a masterpiece of magical realism and an openhearted ode to the nature of healing.
Review:
A polyamorous retelling of Orpheus and Eurydice told in verse! The story follows two Miami teens as they travel to the Underworld to retrieve their girlfriend's soul. Andres Santos is someone who swings his fist and lets his anger take hold, someone who is stuck in the middle of his parent's fights, and someone who drowned in the river until he made a bargain with Death for a new life. A year after the incident his family has moved to Miami... and thats where he meets two girls: photographer Renee and dancer Liora. The three become a polyamorous triad, happy in their love despite the fact that no one understands their relationship. However when Liora gets into an accident and ends up in a coma, Andres and Renee are broken... that is until Renee proposes that they both go to the underworld to retrieve their girlfriend's soil and reunite it with her body. Yet as they travel into the underworld, their relationship will be tested and Andres will have to face his own demon... one he left behind on the day he drowned. This was definitely a really unique retelling on the classic story and while I didn't particularly enjoy the in verse style of the novel and felt that some parts were a bit muddled, the overall story itself is one I would recommend. I feel like if you enjoy in verse novels, this is definitely one you should add to your TBR! It's a gorgeous retelling and it definitely creates a unique story while staying true to the spirit of the classic.
*Thanks Netgalley and Holiday House / Peachtree / Pixel+Ink | Peachtree Teen for sending me an arc in exchange for an honest review*
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Death's Country by R. M. Romero
Publisher: Peachtree Teen
Source: NetGalley ARC
Release date: 7 May 2024
Genre: young adult magical realism
If you like:
Modern day retellings (Orpheus and Eurydice)
MFF romance
Novels written in verse
Rating: ⭐️⭐️⭐️⭐️⭐/5
Synopsis
Andres Santos of São Paulo was all swinging fists and firecracker fury, a foot soldier in the war between his parents. Until he drowned in the Tietê River… and made a bargain with Death for a new life. A year later, his parents have relocated the family to Miami, but their promises of a fresh start quickly dissolve in the summer heat.
Instead of fists, Andres now uses music to escape his parents’ battles. While wandering Miami Beach, he meets two girls, photographer Renee, a blaze of fire, and dancer Liora, a ray of sunshine. The three become a polyamorous triad, happy, despite how no one understands their relationship. But when a car accident leaves Liora in a coma, Andres and Renee are shattered.
Then Renee proposes a radical solution: She and Andres must go into the underworld to retrieve their girlfriend’s spirit and reunite it with her body—before it’s too late. Their search takes them to the City of the dead, where painters bleed color, songs grow flowers, and regretful souls will do anything to forget their lives on earth. But finding Liora’s spirit is only the first step in returning to the living world. Because when Andres drowned, he left a part of himself in the underworld—a part he’s in no hurry to meet again. But it is eager to be reunited with him...
Content warnings
Death
Emotional abuse
Car accident
References to eating disorders
Past self-harm
Medical content
References to war
Review
Thank you to NetGalley for an ARC in exchange for an honest review! ☠️🎸
Going into this, I hadn't expected this to be written in verse, which is on me; I didn't read the synopsis properly.
That being said, I was rather pleasantly surprised! I am not one to read novels written in verse, as I find that the pacing or the style in general reads strangely. However, in Death's Country, the author does an great job, in that the story flows well, regardless, or perhaps because, of the writing style. There was so much story fit into this book, considering the fact that there are less words than typically would be in a full-length novel. The writing was excellent, every word was fully utilised such that I felt every moment of the characters' emotional journey.
The way each character's arc was handled, alongside their growing relationship was sooo good, the author gives each character their own screentime to develop, and also twines it together with their love story. I think teens would find this cast of characters relatable, especially with all the obstacles and uncertainty they face, which are real and prevalent issues today. I also liked how the book doesn't just provide a clean solution to everything, but the characters grow and learn how to manage things in a way that feels more realistic.
I find that this novel also provides a rather age-appropriate exploration of the concept of death, and how different people deal with it, as well as the different perspectives our main cast has about it. This could be an interesting discussion to have with youths about concepts of mortality and the afterlife.
All in all, an excellent read, one that is quite short in terms of word count, but makes a big impact <3
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Book Review - Death's Country by R.M. Romero
3.5/5 Stars
Publication Date: 07 May 2024
Thank you to Netgalley and Holiday House/Peachtree/Pixel+Ink for the e-arc.
The most important thing to mention about Death's Country is that it's written in free verse. The style is very flowery and dramatic and full of metaphors and similes and nearly homeric epithets. This style isn't for everyone but it worked for me because it makes me feel like I'm reading an ancient Greek epic poem.
This is not just unusual and refreshing. The novel is about katabais, a descent into the underworld. Andres drowned and struck a deal with Death before moving to Miami, where he falls in love with Renee and Liora. When Liora falls into a coma, Andres and Renee have to save their girlfriend. The story draws heavily on not only Orpheus and Eurydice but also the Divine Comedy and the Odyssey.
The verse style makes it a very quick read (I read it in one sitting) and you definitely have to accept it as a verse novel with all the limitation that brings. The characters feel complex but of course you can't expect the same complexity as a prose novel.
I think the mythological comparisons were sometimes a little too much (Orpheus plus Odysseus plus Dante plus Persephone plus occasional comparisons like Peter Pan or the Wizard of Oz) but I quite enjoyed the world building surrounding the actual City. Some of the writing was also incredibly beautiful and stuck with me while some of it felt like geared towards a slightly younger audience, which isn't bad, it's just making me think about how I'm growing out of certain things.
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everybody’s always on writing prompts like “what if there was a world where everyone had a timer ticking down to their death… but you met someone whose timer said infinity!” or “what if everyone had their cause of death tattooed across their forehead… but you met someone whose forehead said THE CREATURE!” Enough -
enough. stop with the shock value. there is no need to insert THE CREATURE; the benign concept of such a world is horrifying enough. not even in urgency, but just in banal, everyday interaction. imagine you meet someone and their timer says two years. not tomorrow, not urgently soon, but two years. enough to do quite a lot. they could fall in love in that time - could they get engaged? have a baby? you might otherwise get to know them, befriend them, but perhaps you opt not to, make a conscious choice not to invest in your own grief. what balancing act would every individual person have to participate in - I have ten years, is that long enough to be a good mother to children? is that long enough to secure a caretaker for my own mother? my wife will die a few months before me. my newborn’s timer reads nineteen years.
and cause of death. you interview for a job and emblazoned across the healthy, smiling face of the HR lady is MALNUTRITION. your country is prospering, safe, but every person you meet on the street from the babies to the old women read BOMB. BOMB. what kind of havoc would fate wreak on the world? what about the loss of privacy? how would that shape our notions of hope? idk man I think a lot of those ancient poems were right, and the fates are monsters. I’m interested by the framing of these ideas as trite horror tales when the premises themselves are so much more disturbing if simply taken to their logical ends
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people who became reliant on al jazeera for news on the israeli genocide in gaza: pls know that AJ might not cover the american bombing of yemen in the same way due to politics, however, this doesnt mean that civilian areas in yemen arent being bombed at all (eg airports) so pls look at other sources for accurate reporting eg almayadeen english
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Country songs about women killing their shitty husbands and janky RPG Maker horror games with abused little girl protagonists where the Good Ending route culminates in killing her shitty father may not be the same species of media, but you could probably make a solid argument that they're close cousins.
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btw "arab israelis" are palestinians. there are a lot of headlines going around using terms like "arab israelis" and whatnot and it's exhausting. they're palestinians. many palestinians have israeli ids, and are legally considered "israelis" even though they are still palestinians. my mom and a lot of her family are from jerusalem, and that city is under israeli control, so she's considered "israeli" even though she is palestinian.
and guess what, even though they're "israeli" ? they're still treated like shit. "arab israelis" are treated like dog water. there are literal lynch mobs all over israel attacking palestinians with israeli ids. they're chanting "death to arabs" even though those palestinians are considered "israeli". there are palestinian jews getting attacked. there are anti zionist israeli jews being attacked. israel doesn't give a shit about it's "civilians". they want to decimate palestine. they want to remove the word "palestinian" and replace it with "arab israeli". they want to get rid of palestine as a whole, every trace of what was once before. but we won't let that happen. we will never forget, and we will never forgive.
glory to the intifada 🇵🇸
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