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#coming to netflix may 2022
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Wish (2023) dir. Fawn Veerasunthorn, Chris Buck
hey do you think the overworked creatives about to go on strike are trying to tell us something
article sources under the cut
Mattson, Kelcie. "How Disney Almost Killed 'Nimona.'" Collider, January 2 2024.
Earl, William. "Shelving Batgirl Was the Right Decision, Says New DC Studios Head Peter Safran: 'It Would Have Hurt DC.'" Variety, January 31 2023
Couch, Aaron. "Warner Bros. Reverses Course on 'Coyote vs. Acme' After Filmmakers Rebel." The Hollywood Reporter, November 13 2023.
Ridgely, Charlie. "Scoob! Sequel Director Revealed Film Was 'Very Close' to Completion Before HBO Max Cancellation." comicbook.com, August 2 2022.
Clark, Travis. "Staffers at the animation studio Blue Sky say it's 'heartbreaking' that Disney canceled its final movie, 'Nimona.'" Business Insider, February 18, 2021.
Harrison, Mark. "Why was the Batgirl movie cancelled?" Yahoo! Entertainment, January 31 2024.
Amidi, Amid. "Warner Bros. Shelves Fully-Completed 'Coyote Vs. Acme' For Tax Write-Off." Cartoon Brew, November 9 2023.
Lee, Alex. "Why Netflix keeps cancelling your favourite shows after two seasons." Wired UK, September 28 2020.
Tyrrell, Gary. "We All Knew It Was Coming." fleen.com, February 10 2021.
"Warner Bros. Reverses Course on ‘Coyote vs. Acme’ After Filmmakers Rebel." see: 3.
Bergeson, Samantha. "Warner Bros. Will Let 'Coyote Vs. Acme' Filmmakers Shop Movie to Other Distributors." IndieWire, November 13 2023.
Strapagiel, Lauren. "Disney's First Feature Animated Movie With Queer Leads May Never Be Released." BuzzfeedNews, February 24 2021.
"We All Knew It Was Coming." see: 9
@/scottderrickson. "I think it’s absolute bullshit that a studio can and does shelve the creative work of hundreds of people for a fucking tax break." Twitter, 10 Nov. 2023, 4:52 p.m..
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don-lichterman · 2 years
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New to Netflix for August 2022
New to Netflix for August 2022
August is underway and with it comes a whole bunch of new selections to watch on Netflix. From The Sandman season 1, to Locke & Key season 3, as well as all three of Sam Raimi’s Spider-Man movies, we’ve got you covered on all of the new shows and movies hitting Netflix this month. New to Netflix is IGN’s monthly round-up of some of the new and best Netflix movies, TV shows, documentaries, and…
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books · 5 months
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Writer Spotlight: Jamie Beck
Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.
Can you tell us about how The Flowers of Provence came to be?
I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 
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(Photograph: Jamie Beck)
How do your photography and writing work together? Do you write as part of your practice?
I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 
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(Photograph: Jamie Beck)
You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?
I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 
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(Photograph: Jamie Beck)
Do you remember your first photograph?
Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!
You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?
I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 
How did you decide on the order of the images within The Flowers of Provence?
Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 
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(Photograph: Jamie Beck)
How do you practice self-care when juggling work and life commitments alongside the creative process?
The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 
What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?
I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 
Which artists do you return to for inspiration?
I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 
What are three things you can’t live without as an artist?
My camera, the French light, and flowers, of course. 
What’s your favorite flower to photograph, and why?
I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 
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(Photograph: Jamie Beck)
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wanderinginksplot · 11 months
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What to watch during the writer's strike:
Don't pay attention to companies who blame writers for delayed movies and television shows! The WGA strike comes from people who are trying to make things better - not only for themselves and other writers, but the films and tv shows we all love.
While we wait for a resolution, I thought I would share some existing television shows that I enjoy. I didn't bother with too much well-known stuff. Instead, I focused on shows I feel many people missed because of the glut of content that all premiered at once over the last few years. (I may make another one of these for movies later on, but this one is about tv.)
[Update: Movie version here]
Feel free to add on! Just try to give a quick, spoiler-free synopsis for the show and the streaming service where it can be found.
List under the cut!
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Netflix:
The Good Place (2016-2020) - A 'bad' woman is accidentally sent to heaven. She and her moral philosophy professor of a soulmate try to save her soul by making her a better person. Genre: Comedy with deeper implications and one of the best endings in television history.
Russian Doll (2019-2022) - When Nadia dies at her birthday party, she's more than a little confused to come back. Especially when it keeps happening. Genre: Time loop drama with a wicked sense of humor and a dash of theoretical physics. Potentially not ended?
Narcos (2015-2017) - The fight of the American DEA and the Colombian army against cocaine kingpin Pablo Escobar and his reign of terror. Genre: Drama with thrilling elements. Lots of violence, some sex and language. Lots of subtitles. Features Pedro Pascal and Boyd Holbrook, if you need some extra incentive.
Derry Girls (2018-2022) - Five teens grow up in Derry, Ireland in the 1990s, amid the final years of the Troubles, a low-level war that lasted roughly 30 years. Genre: Comedy. Some sexual content, some religious content, less violence than you would expect, and the best nun ever to appear on film.
Arcane (2021-?) - Two sisters are alienated when one accidentally kills their adoptive father. Their different paths threaten the fragile peace of a city already on the breaking point. Genre: Drama with elements of action-adventure. Though it's animated, Arcane's animation is beautifully done with tantalizing steampunk elements that will keep you invested.
Disney+:
Star Wars: The Clone Wars (2008-2020) - If you haven't seen any of the Star Wars animated series, this is a good place to start. Set in the time gap between Episode II and Episode III, this series helps flesh out Anakin Skywalker and the Jedi. It is also a great introduction to some of the characters and plots of The Mandalorian. (Star Wars: Rebels is another good choice.) Genre: Adventure with some drama. Violence and death are a large part of The Clone Wars, but it's usually appropriate for children. The clone troopers will steal your heart!
Gravity Falls (2012-2016) - Dipper Pines and his sister Mabel are sent to Gravity Falls, Oregon to live with their great-uncle for their summer break. But when Dipper finds a mysterious book in the woods, the pair find that Gravity Falls is far more mysterious than it seems... Genre: Adventure with a lot of comedy. Though it's billed as a children's cartoon, Gravity Falls is an intriguing watch with mystery subplots that will keep anyone guessing. It also features a famously strong and cohesive series ending. I was in my late 20s when I first watched this and I was still invested!
Daredevil (2015-2018) - After being blinded as a young boy, Matthew Murdock trained his other senses to replace the sight that he lost. He uses his skills to protect the helpless in the New York City neighborhood of Hell's Kitchen. Genre: Action and superhero. Features a lot of incredibly choreographed violence. (Jessica Jones is also an excellent show to watch, especially if you think of David Tennant as the consummate 'good guy'. He's got range!)
HBO Max (Just 'Max' now, I guess):
Ghosts (2019-2023) - Petty roommate squabbles don't stop just because you're dead! Alison and her husband Mike inherit a house, then a near-death experience allows Alison to see its ghostly inhabitants. Chaos and humor ensue as the ghosts try to adjust to the house's new owners. Genre: Humor. Ghosts is a British sitcom, but since the writers are comedians (writing and performing in Horrible Histories), the show is done in a style that feels more natural to American viewers. Hint: watch the BBC version, not the American one. They're fairly similar, but definitely not the same!
Pushing Daisies (2007-2009) - A pie-maker with the ability to bring back the dead helps to solve murders. He's helped by his once-dead childhood sweetheart. Genre: Comedy with some dramatic elements. Some of the CGI-heavy moments haven't aged particularly well, but the show has a unique premise and an incredibly talented cast!
Hulu:
Abbott Elementary (2021-?) - This mockumentary series showcases an inner-city elementary school in Philadelphia. The teachers and administration do their best for the kids, but they're constrained by budgets and the limitations of the educational system itself. Genre: Comedy mockumentary. Though Abbott Elementary is fictional, some of the issues brought up are all too real. This is a funny and incisive look at the American public school system.
Amazon Prime:
Fleabag (2016-2019) - The unnamed protagonist of the show struggles through life on her own with limited support from her alienated family and the memories of her recently deceased best friend. Genre: Comedy with lots of dramatic elements. Lots of sexual content and references, some language, breaking the fourth-wall, and several characters you just long to hit. I watched the second season in a single day, that's how good this was.
Unknown Streaming Service:
Black Sails (2014-2017) - This prequel to Treasure Island features elements from the book, original characters, and real pirates from history in a setting that emphasizes realism. Captain Flint and his crew search for a legendary prize... one that might allow them to claim Nassau for their own. Genre: Action and adventure. Think Game of Thrones, but with pirates. Incredibly well-written and well-acted with gorgeous scenery, LGBTQ representation, and just enough historical accuracy to keep things grounded. Black Sails also boasts one of the best endings ever given for a television show.
Like I said, please feel free to reblog and add your own television show recommendations onto this list! There are plenty of things to watch and plenty of ways to support the WGA strike that don't involve giving in to big studios.
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iamadequate1 · 3 months
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Don't Stream on Max
Ragging on Max is fun, isn't it? This is going to be long since I brought tables. Here's a kiss GIF to get people's attention!
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Let's be real: if HBO/Max has a cancellation rate this high and is the only streamer with a cancellation rate approaching these numbers, we're long past the point where fingers can be pointed at the shows individually, trying to invent unique "failures" in each one separately... except for Zaslav's baby, The Idol, that show deserved it. If there is an oddity like this, deduce down the common factor, and the common factor here in all these "failures" is WBD/HBO/Max. WBD does not know how to run a streaming business, and yet, it is charging consumers the highest rates in the industry.
✨Cancel Max now✨
Remember that WBD sponsored article from Vulture? Remember?? Specifically...
And then there was the final strike against last month’s canceled trio of titles: their production costs. As noted earlier, all three series went into development circa 2019-2020, at a time when competition for hot new shows was beyond intense. Streamers were handing out ridiculous deals in order to land coveted projects and agreeing to license fees and production budgets that were usually only reserved for big, established blockbuster hits. So a series like Rap Sh!t, which had the feel of an indie production and used iPhones to tell its story, ended up costing Max twice as much to license as HBO’s critically loved, niche comedy Somebody Somewhere, per a source familiar with show budgets. Our Flag Means Death, the same sources say, had a license fee three times that of Somebody.
First of all, they picked the smallest show they could in order to justify ~scary~ words like "twice" and "three times" without any danger of being specific, but they also picked a show that was "renewed" and I can find no evidence it's being worked on anymore!
But 2019-2020, let's discuss that. The merger was finalized April 8, 2022, and Max, the illicit love baby between Discovery+ and HBO Max, launched on May 23, 2023. On its face, Max has the second largest sticker price of streamers, and that sticker price is mostly built from that HBO prestige, but I'll build to that...
Let's say Zaslav had to let 2022 roll, so let's look at 2023, shall we? HBO/Max had 11 shows debut in 2023.
Velma (Max - renewed + lol)
The Last of Us (HBO - renewed)
Fired on Mars (Max - Purgatory)
Gremlins: Secrets of the Mogwai (Max - Renewed)
Clone High (Max - Purgatory as new season is coming in)
The Idol (HBO - cancelled)
Warrior (Max - cancelled + moved to Netflix)
Adventure Time: Fionna and Cake (Max - renewed)
Young Love (Max - Purgatory)
Scavengers Reign (Max - Purgatory)
Bookie (Max - Renewed)
Wow! Not even half confirmed renewed, and one of the success stories is Velma. HBO also only debuted two series that year: TLOU was in development since 2020, but The Idol was still in early stages when Zaslav wandered in. Since he didn't put a stop to it, The Idol remains Zaslav's sole contribution to HBO, especially since according to Wikipedia, the show went under a "drastic" overhaul in April 2022, the month of the merger.
There is an article going around citing that Max has a 26.9% cancellation rate, and that seems.... off? It is still far higher than every other streamer, but it's still lower than what's expected from what we've seen of WBD/Max. If you look at Max's original programming list and HBO's original programming list, something's not adding up. I tried to follow the source back, but it wanted money, so I'll do it myself! I suspect that the glut of mindless reality shows, exploitative docuseries, and miniseries really brought that percentage down.
I'm just going to look at the cancellation of actual scripted shows, ignoring miniseries (that's just a big movie on purpose and no concern about #FinishOurStories), series that haven't aired an episode yet, non-English series (most don't have Wikipedia entries and are a messier thing to research), and co-productions (as Anne with an E showed, sometimes the partner can be responsible for cancellations -- this unfortunately leaves off series like Gentleman Jack). I also limited myself to series that had/about to have a season debut after the merger date (April 8, 2022).
(I've got the 'tism, and I enjoy making spreadsheets.)
Drama:
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Comedy:
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Anthology:
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Continuation:
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Adult Animation:
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Kid/Family:
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(Note: I used "ended" if I immediately saw that it was the creators who ended the show on purpose.)
HBO Breakdown:
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Max Breakdown:
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Combined:
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HBO/Max is hovering around a confirmed 50% cancellation rate. I don't expect shows like Tokyo Vice and The Sex Lives of College Girls to last past their seasons that are about to premiere, and I expect many of these other "renewed" or "pending" shows to disappear into the ether.
Let's talk money. What is the monthly cost to subscribe to streamers? To make my life easier, I'm not going to list out yearly costs.
Streamer | Cost/Month with Ads (USD) | Cost/Month without Ads (USD) Apple | n/a | 9.99 Disney | 7.99 | 13.99 Hulu | 7.99 | 17.99 Disney/Hulu Bundle | 9.99 | 19.99 Max | 9.99 | 15.99 Netflix | 6.99 | 15.49 Paramount | 5.99 | 11.99 Peacock | 5.99 | 11.99 Prime | 8.99 | 11.98 Starz | n/a | 9.99 Discovery+ (on debut) | 4.99 | 6.99
Disney and Hulu together without bundling would be 15.98 with ads and 31.98 without ads, so each bundle is 62.5% of what it would have been with a double charge. If Max would be a similar deal, the HBO and Discovery pieces separately would add to 15.98 (ads) and 25.58 (no ads), so assuming no Discovery inflation (and, lbr, the starting pricing was already too high), the HBO piece would be 10.99 (ads) and 18.59 (no ads), putting HBO as the most expensive streaming option.
It's hidden, but Max is a bundle. Discovery+ and HBO do not have overlapping shows or audiences; it's really like if ESPN and Disney tried to sell itself as one service without telling anyone.
Since I tossed out the reality pieces, the cancellation rates I have above are the HBO pieces. If you're paying for Max, you're paying for the most expensive TV option, while paying for the highest turnover in TV productions. If you're subbed to Max for one show, it would be cheaper to just buy it from a digital store or, you know, 🏴‍☠️
So, circling back to the initial quote: sobbing about being beholden to the wacky 2019-2020 greenlights, when those greenlights are the only reason people are subscribed to the service in the first place is certainly a choice! Especially since now that the only "originals" Max is offering up are on par with Velma and The Idol, and the prestige TV that were underway at the time of merger (ex, TLOU and that upcoming HP show) maybe justify a one month sub-and-binge per year. With this obscene cancellation rate and creator disrespect, they aren't going to nab any more big projects, but they sure want you to pay them like they are.
Look, I'm not getting into the labor and worker treatment parts of this, and I'm not getting into the media representation parts of this or how non-white/straight/male shows have to meet impossible standards. Both of those are also egregious and part of a much, much larger discussion. Just from a purely consumer point of view, Max is a bad product.
Cancel Max. It is not worth your time to care about anything they put out.
Anyway, some petitions for shows that this failed streamer dumped recently. Max won't pick any of them up again, but you can show other streamers that there is interest for them to pick up the shows!
Our Flag Means Death
Rap Sh!t
Julia
Winning Time
Warrior (S4 has not been confirmed with Netflix)
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neil-gaiman · 2 years
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(spoilers ahead) i wish my question were more positive, but mr gaiman, why did you choose to include wlw rep only to brutally kill almost every example of it?
just watched the first 5 eps of the sandman. i was loving it, until we met rachel and she died 15 minutes later. after johanna walked off into the rain i looked it up and found out she wasn't coming back. i was disappointed but kept watching. in episode 5, i was excited to meet bette and judy but as i slowly realised where the episode was leading i had to stop watching. i looked up spoilers again to confirm both characters died.
i felt sick to my stomach, and researched more to confirm that yes, there were no other wlw characters in the show. maybe i should keep watching, give the sandman the benefit of the doubt. but as a young queer woman desperate for positive representation, having 3 wlw character die brutally in the same episode they were introduced in, and the other written off...
i understand the show is intentionally dark, but considering i was drawn in by promises of positive queer rep, and knowing from my research that there are many mlm characters who don't die or get to live a long life, it feels your lesbian/bi female characters were given the short end of the stick.
at this point, i wish you hadn't included them at all, so i could be saved the trauma of becoming attached to characters i identify with, only to watch them all die in horrifying ways. this is a constant trend in media deep down, it reinforces the idea that queer women like me can never have a happy ending.
even if you don't have an answer, please acknowledge this ask in some way. thank you.
If there's a Season 2 you will see many of these characters again, because Death doesn't stop characters from being in Sandman. And if there's a Season 2 you'll meet several more important wlw characters who will survive much longer (and who may if we get the opportunity spin off into their own story, as happened in the comics).
Always remember though that Sandman is a show in which, given enough time or bad luck, people die. That isn't a judgement on anybody, as I hope episode 6 makes very clear. It's part of the human condition. It's also why people are complaining on Twitter that I've got it in for cis white males (many of whom die in season 1), and it's why you can get articles like the recent one in Gay Times applauding Sandman for its LGBTQA+ representation.
Does that help?
(Also a small footnote. Gay Times describes Zelda and Chantal as "twins". It's made clearer in the comic that nobody in the house actually knows their relationship. They are a couple of women going through life together with love, but whether they are physically lovers, related or just incredibly close friends is none of our business.)
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hrts4hanniehae · 4 months
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clutch || five
there are written parts :)
note that the timeline or educations may not add up but just ignore it because i don't have the brain power to sync up THIRTEEN + 1 's education schedules
also!!!! the story begins in the christmas period of 2022!!!! IF THERE ARE YEAR ERRORS IM SO SORRY!!!! i legit can't change it omfg
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"so you guys went to vernon's place before coming back?" - wonwoo
"can't risk e/n finding out where yn lives now." - vernon
"you and seungkwan have to be careful too." - dino
"yeah. he's away hosting this netflix show so i'll just look out for myself." - vernon
"he's so annoying..." - yn
"i'll fetch you from work from now on, yn." - wonwoo
dino and vernon turn to look at him in shock. wonwoo? volunteering? to go out of the house? to help someone?
"thanks... i didn't really expect him to become like this..." - yn
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no one expected e/n to knock on wonwoo's door while yn and dino were home alone.
hiding in her art room as the knocks got louder, yn and dino began to silently panic.
"where the hell is wonwoo" - yn
"he has a streamer event to attend. i'm going to cry why is he so scary..." - dino
"okay wait go strip and put on your bathroom after wetting ur body or smth then open the door and ask why he's here." - yn
"huh?!" - dino
"fasterpleasegonow." - yn
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dino took a deep breath before opening the door. sure enough, it was e/n, who was shocked to see him."
"sorry but does someone named yn ln live here?" - e/n
"sorry who?" - dino
"yn ln. about this tall, (hair colour), (eye colour)..." - e/n
"i don't know anyone like that. sorry. would you mind leaving? this apartment building is off limits to those who don't live here and i don't recognise you." - dino
"... sorry for bothering you." - e/n
dino immediately closes and locks the door once e/n leaves and rushes back to the art room.
"how the hell did he get in without the keycard?" - yn
"probably tailgated someone inside. have you texted wonwoo?" - dino
"he said he was on the way back." - yn
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when he got the text from yn, his heart dropped. a simple sentence. "e/n is here. help." he feared the worst. he didn't understand. yn was one of the nicest people he knew, willing to help anyone, hardworking and dedicated. why was she suffering at the hands people like this?
his relief when she texted that she was okay made his legs weak. he barely knew her, but he knew the effort she'd put in to keep a smile on her face.
e/n threatened her peace. and he didn't know why he cared so much, but he did.
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ฅ^•ﻌ•^ฅ
a/n: i'm sorry it's a little short today but i was tired since i went out to buy albums today. i finally bought my boynextdoor album. and OMG TWS MEMBERS???? based off instant attraction alone... it's me and shinyu against the world.
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synopsis: wonwoo is a popular streamer known for his incredible gaming skills and good looks. He turned heads. but he hates the attention. he just wants to play games and earn money. one day he receives a letter. his apartment’s rent has almost doubled. no warnings at all. his current paycheck from streaming can’t shoulder those bills. he has no choice but to rent out his spare room. to who? a fresh art university graduate who has… 1. a stable job ✅ 2. talent for art and sculpting ✅ 3. many friends ❌ 4. social anxiety ✅ 5. no filter ✅ when his iconic cat logo gets copystriked, she comes to the rescue with a new logo for him. when his apartment’s walls start peeling, she fixes it. whatever he used to struggle with… the empty space... was now filled by her. so what does he *last player standing* do when her ex *enemy spotted* tries to take her back? heh. *clutch* he clutches.
inspired by wonwoo's gam3bo1 streams, falling into your smile & gogo squid (has hints of valorant)
pairing: streamer!jeon wonwoo x fem!artist!reader (ft. jeongcheol, soonhoon, junhao, seoksoo, verkwan)
genre: fluff, comfort, slowburn, comfort, pining, bestfriend!minghao
warnings: stalker ex, toxic ex, mentions of abuse, guns (game), cursing, hate comments, panic attacks
started: 28.12.23
ended: ?
taglist: join from my masterlist
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main masterlist
smau socials
previous I next
tags! @fairyofhour @megseungmin @sun-daddy-yoriichi @woozixo @euphoric-univers @christinewithluv @haowonbins @ocyeanicc @asyre @cynthiaaax13 @superhoshisvt @bangantokchy @chimmy-bts @angelarin @daisawa @writingbarnes @jeonghansshitester
@belladaises @wonwootakemyheart @wonwooz1 @luchiet @kookssecret @caratsland @peachescreamandcrumble @thepoopdokyeomtouched @isabellah29 @leah-rose03 @yandere-stories @coupshour @heesbees @hamji-hae
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saintmeghanmarkle · 4 months
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A Year in Review: All the times Meghan Markle been publicly called out in 2023. Highlights and favorite #MarkleMoment from last year? 📌Part 2 of 2
These are her humiliating moments over past year that she’s been publicly called out for in some way. All with proof, all archived from media reports around the world. Get cozy, save this post, and as always, appreciate the upvotes so it doesn't get targeted for downvotes! Posting it now as many of us will be celebrating Christmas with our loved ones. Although we are a diverse bunch, this unites us all :)
Here’s some from 2022 to inspire you:
Harry and Megan of “overseas”
the Funeral candle
no Jubilee balcony
voetsek Megan
I love the part where…(YouTube comments on their Netflix trailer)
Marriott Meg
12% Rotten Tomatoes rating for Netflix flopumentary, with her cutesy (mocking) curtesy
What was your favourite from 2023?
Meg inexplicably marching with the Invictus vets, at the front, while Harry is literally on the sidelines. https://archive.ph/wip/VG5SP
Meg wears a JCrew sweater to the Games. Her fans claim the Meghan effect crashed the site. JCrew comes out faster than Dior to clarify it was a confirmed outage for a website update.https://archive.ph/wufbS
Archetypes trademark abandoned. So much for the other platforms manifested clamouring for it. https://archive.ph/wip/yhziu
Embarrassing video at the fundraiser with Kevin Costner where she assumes she’s going to be given the mic by virtue of her being there, reached for it, and is very intentionally avoided and not given it. https://archive.ph/yeZDN
Despite the NDA attempts, information on how the NY Bench faux Royal visit does not let anyone speak negatively about her visit. Ever. She also demanded a new carpet. https://archive.ph/qAhnb
Snubbed by the Beckhams on their far more popular Netflix documentary. “Humiliated” by the snub from the Clooneys at their New York Foundation for Justice event.https://archive.ph/wip/GsB7j
Snubbed by Kim K birthday party, despite earlier pics with Doria and days before floating PR that Meg may do a cameo on KUWTK. Compounded by Kylie’s ‘boyfriend’ Chalomet talking about the Worldwide Privacy Tour earlier in the week. https://archive.ph/wip/BGvVP
Mocked on Family Guy for Netflix contract getting paid for nothing/ spon con Insta for Del Taco. Del Taco joins in and tweets about it. https://archive.ph/wip/Sm56V
Meg manifests a deal with Audible. Audible spokesperson shuts that down. https://archive.ph/KTLnP
William lands in Singapore for Earthshot to lit up architecture, Union Jack waving crowds, and an official tree planting at the airport. Meg and H attempt to compete by releasing a ‘candid’ pic of them at Katy Perry’s Las Vegas show (implying the standing people, phones were for them and not Celine Dion who walked in behind them). Cameron Diaz was also there, but didn’t get pics sold the same way. None of the other celebs present interact with them on camera. https://archive.ph/gnpjA
Dior signs Meg. No, not that Meg, but Meg the actress who plays Kate Middleton on the Crown. https://archive.ph/wip/lH6dY
Harry and Meg highly publicize their birthday call to Charles. The Palace discretely responds with detailed full itinerary of Charles’s busy day and evening, plus the press runs the fact that Charles doesn’t have a cell phone. Sussexes double down and pivot to it somehow being a prerecorded message sent (to where?) with Archie and Lili singing happy birthday. The world laughs or ignores them. https://archive.ph/i0uz8
Move along Meg on TikTok, after the video of her refusing to leave her basking on the press carpet at the Variety awards. Bonus is the real celebs inside clearly refused any pictures with her. The next day it’s confirmed she wasn’t even on the Guest List, which explains the Table 12 seating in no star names social Siberia. https://archive.ph/uC4Y8
Harry and Meg graciously are open to an invite for Christmas. Palace guest list leaks a day later, NFI. https://archive.ph/wip/0dEoi
Endgame is published. Omid claims to not be a friend of Meghan. Two Royal racist names are leaked to the Dutch publication based on Meg’s letter to Charles post Megxit. Omid blames the translator. No one publicly appears to believe them. There is not one single positive review of Endgame in major world newspapers. Omid later in the week acknowledges the names were in the Dutch manuscript. https://archive.ph/wip/Lr8XR
Hollywood Reporter lists Harry and Meghan as one of the biggest losers of 2023. https://archive.ph/E4hUt
Kitson’s Holiday Hypocrisy celeb window display in LA features Harry and Meg. Tik Tok notices. https://archive.ph/7yA3F
Ranker poll has both Meghan (#2) and Harry (#6) in the Top 10 list for Most Disliked Celebrities of 2023. Oprah, Hilary Baldwin,Ellen, Amber Heard (#1), and Bill Cosby also make the list. Update: They've recently become #1 and #4. https://archive.ph/OpKH5
Archewell 2022-2023 Impact Report highlighting ‘Restoring Trust in Information’, including ethical journalism, drops the same day Harry is fined $60K in court for providing misleading information - where he’s suing a newspaper. Court documents call it “ironic” given the “Duke of Sussex is responsible for misleading the court.” https://archive.ph/wip/1YtSe
Archewell’s 2022 financials reveal they only raised $2 mil (two anonymous $1 mil donations) vs $13 mill (also two anonymous donations) in 2021. Press brand it a “failure.” Notice they literally had only 4 donations in two years. https://archive.ph/wip/LqnuL
Not invited to any parties for Art Basel in Miami. Back in 2014, Markus organized a Soho party, invited Meg, and sat her next to Misha Nonoo. Context shows Meg has even less clout now than her pre Royal days.https://archive.ph/wip/aKYPL
Christmas card released. Largely ignored by world media. The response from other media: where are the kids? Called out for its embarrassing corporate look. https://archive.ph/fldEw
WME is "horrified" by Meghan Markle's sinking brand and association with Endgame, and may drop her in 2024. https://archive.ph/mye6j
(Honorable mentions to specific Harry’s moments: with Charles too busy to met, not going to France and hiking in Transylvania, and “in the realms of total speculation”. Harry pitches a Spotify show interviewing Putin, Zuckerberg, the Pope, etc on their shared bond of childhood trauma, Spare the most dumped holiday book of 2023. “Peace talks” between KCIII and Harry since he’s nearby in Germany for Invictus shut down less than 24h later. Persona non grata).
​Which ones did you not know or forget about?
It's been quite the year! To quote the Sussexes, thanks for all the support in 2023!
post link: A Year in Review: All the times Meghan Markle been publicly called out in 2023. Highlights and favorite #MarkleMoment from last year? : SaintMeghanMarkle (reddit.com)
author: somespeculation
submitted: December 17, 2023 at 02:25PM via SaintMeghanMarkle on Reddit
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booktomoviebrawl · 4 months
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We are not judging how bad the movie is, we are judging which adapted the book the worst. There are good movies that are bad adaptions.
Propaganda below the cut (spoilers may apply)
Persuasion:
They massacred my girl!! That is not Anne Elliot!! The whole point is that she's beaten down and thinks she's missed her chance at happiness and is bullied by her family, not making mean and snarky nods to the camera :( They completely missed the whole point of the dynamic and it's SICKENING! They also cut Mrs Smith who is arguably one of the most important characters as she highlights Anne's lack of focus on title and rank and her family's comparative obsession with it + it's only through her that Anne learns about Mr Elliot's true nasty nature. Also they cut the 'I am half agony, half hope' line from Wentworth's letter at the end so what's even the POINT of adapting it if you don't have that!! Oh my god!! My poor favourite Austen novel :( (I do want to make it very very clear that my issues with the movie come from the writing and adaptation and not in any way from the race blind casting. The casting is superb and I'm genuinely so disappointed that they got such a bad adaptation bc so many of the cast are literally perfect)
Where do I even start? They tried to 'modernize' both the protagonist and the love story and managed to take out everything that made it good in the first place. Anne Elliot in the novel is quiet and good and helpful, full of regret. In the movie, she constantly turns to the audience to mock everyone around her, feeling so much better than everyone, to the point where nobody understands why Captain Wentworth would still be in love with her, or have fallen in love with her in the first place. Eight years before the plot starts, she broker her engagement to him because she was persuaded by a family friend that it was a bad idea. No way would movie!Anne have let herself be persuaded. They just tried to do a Fleabag/Emma type of thing without understanding what made either the novel or those two things work and thereby ruined it completely
Whoever made this didn't understand the point of the novel at all. They completely screwed up the character of Anne Elliot (the protagonist), which in turn screws the rest of the movie, as the original story only works because Anne is the way she is. Also, it's a period piece but the characters are talking in modern slang the entire time. And not in a clever way but in a very cringey one. If Jane Austen knew, she'd probably turn in her grave, and rightfully so.
Maximum Ride:
The storyline makes absolutely no sense, and the movie is nothing like the book. You could've given the movie an entirely different name and and keep the plot I wouldn't bat an eye
the movie's just bad mate
Horrendous low budget netflix movie with effects so bad they make me feel physically ill and acting so wooden the cast is in danger of being attacked by lumberjacks. The story already wasn't the best and the film somehow made it worst. I came in with nostalgia for my dear kids with bird wings and left never to be the same again.
Miss Peregrine's Home for Peculiar Children:
While Miss Peregrine was one of my favorite books as a kid and incredibly unique in the way the story is written (The author basically took a box of weird antique photographs and created an underlying story behind a handful of them) the movie is incredibly boring. Like seriously I can't remember a single goddamn thing about the movie besides my extreme disappointment with it after leaving the theatres. It's probably because the original is a trilogy but they didn't want to make it a trilogy for the movie so they just scrapped the ending of the first book and rewrote a shitty climax where they threw snowballs at the nightmare child eating creatures or something. I remember THAT scene perfectly because it was so, so dumb. It was so stupid oh my God- ALSO, thank God I have a copy of the book from before the film came out because new copies don't have one of the photographs that the actual book uses as a base anymore and instead have the shitty movie poster! We truly do live in a society.
Changed way too much so it doesn't feel like the same thing. The main characters are these kids with different abilities (called peculiarities) and the movie switches around their powers and changes almost everyone's age. Emma and Olive switch powers so that Emma now floats (they also added that she can kind of control air to some extent) when she's supposed to have fire powers to match her fiery personality. Olive can make fire now and she's also aged up from an eight year old to a teenager and put her in this weird romance with Enoch. Enoch is also aged up from a grumpy thirteen year old to around the same age as Olive. Bronwyn, one of the older kids in the book and sort of a motherly figure to the younger kids, is now one of the youngest kids. Hugh and Fiona are aged down and basically have no interaction at all in the movie, even when their book counterparts had such a good relationship. The only one they didn't really change was Horace and Jacob. They also added these gorgon twins that do like two things. The antagonist in the movie is Mr. Barron who honestly isn't super memorable and isn't in the books whatsoever. The ending of the movie is weird too because they manage to turn back time somehow so Jacob's grandfather isn't dead and then he hops through loops so he can be with Emma and the other peculiars. I guess the problem of wights and hollowgasts is magically eliminated and we do not have to deal with the consequences. It took six books to fix everything. I appreciate that the movie engaged me enough to read the series but once I did, I could not believe they did my kids that dirty.
Yikes where to start. The 3 girl characters are all mixed up. There are 2 teens, one who's super strong and has a brother (I'll get back to him) and one who controls fire and is the love interest named Emma. The third girl is a child called Olive who floats. She's lighter than air.
In the movie, strong girl is the child, olive is now the fire girl and is for some reason super introverted, and Emma the love interest floats and gets given a super breath??? Power?? Like she rises a sunken ship by blowing in and keeps a man blown against a wall by blowing air at him. He makes a remark that she'll run out of breath eventually, which happens here because plot convenience, but not when she's blowing in the sunken ship.
The enemies in the book are terrifying Hollows. Creatures who have lost themselves and devour souls of those with powers... The movie decides they eat eyes now. And turn human again. And get busted up in a fair for the final act of the movie. Ugh.
The movie also decides randomly that time travelling through the loops is a thing; a loop being a pocket of time that replays the same day over and over. But apparently this means Main Character can travel back in time and stop his grandfather dying??? What?? His grandfathers death is the whole start of the movie and motivation for the character.
The movie undermines many of things that made the book amazing and even decides it's not a trilogy anymore!! Fuck the other 2 books, right?!
Tldr; it is terribly hollywood-ised and t tim Burton ruined a franchise by trying too hard to make it quirky and fun when the books already had a brilliant sombre and interesting tone to them.
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thewales · 10 months
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This article about the Sussex is... they're toast. They are finished before they even start. If everything in this article is true... wow. They are far worse off than even the most pessimistic of us thought.
The WSJ:
The graveyard of video projects they hoped to make includes an animated children’s show called “Pearl” that was canceled by Netflix, as well as at least two TV ideas that the streaming service rejected within the past year, people familiar with Harry and Meghan’s projects said. Netflix is unlikely to renew the couple’s deal, which runs through 2025, the people said.
People who have worked with the pair say their Sussex-upon-Sunset outpost was undermined by their inexperience as producers and trouble finding material consistent with their brand, as well as problems beyond their control, including a retrenchment in the entertainment and podcasting businesses.
Archewell employees and associates say the company often lacks direction, and that its founders at times seem surprised by the work required to finish entertainment projects. Most potential initiatives, they said, follow a similar route: Big idea, subpar execution.
In May 2022, the head of communications at Archewell and the head of communications at the couple’s nonprofit foundation stepped down. In the following months, several others followed, including the company’s head of audio and Mandana Dayani, president of the entire operation.
In March, Ben Browning, the film producer hired to oversee Archewell’s content slate on the strength of such credits as the Oscar-winning “Promising Young Woman,” left the company to return to his prior job. Archewell’s head of marketing parted ways with the company, as did its head of scripted content.
Archewell employees felt the future of their Netflix deal hinged on the documentary’s success, and the project created tension inside the company. Harry and Meghan weighed in on edits, though at times were overruled, people involved in the project said.
Other proposed projects seemed designed to replicate successful shows already on Netflix, such as a sitcom described as “Emily in Paris,” but about a man, and a family-friendly TV show about gay characters that felt similar to the fan favorite “Heartstopper.” Netflix said no to both, people familiar with the matter said.
Executives at Netflix have groused about Archewell’s output, according to people familiar with the matter, and feel that the success of the “Harry & Meghan” documentary is all the company has to show for the deal.
Today, one Archewell project is nearing completion at Netflix: a documentary series on the Invictus Games, a tournament Harry founded for wounded veterans after serving two tours with the British Army in Afghanistan.
Harry and Meghan are also developing a TV show for Netflix called “Bad Manners” based on Miss Havisham, a Charles Dickens character from “Great Expectations.” The prequel would recast the lonely spinster as a strong woman living in a patriarchal society, though it is unclear whether the show will get a green light from Netflix.
Choosing the right kind of guest was often fraught. Meghan wrote Taylor Swift a personal letter asking her to come on the podcast. The pop star declined, through a representative.
Harry, in particular, struggled to land on an idea.
He explored a podcast on veterans but couldn’t find a compelling way to tackle the subject in podcast form. He tossed around subjects such as misinformation and his point of view as someone new to living in America, and at one point considered co-hosting a show with comedian Hasan Minhaj.
Given their distance from the crown, the sheen Harry and Meghan once lent show-business projects is dimming. It helped cost them what was intended to be their first project with Netflix, an animated show about powerful women of history called “Pearl.”
The children’s show was developed when Meghan was still a working royal. It was created with help from David Furnish, who knew the royal family through his husband, Elton John. When the couple left the Palace and signed their Netflix deal, “Pearl” was the first show announced.
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halliescomut · 7 months
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Love Sky to Love Sea connection
Alright, so I was going over everything following the news that our beloved FortPeat are going to be the main couple in a new show for Mame.
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And if you have been partaking in Mame BLs for a while, you may be aware that all of her novels and the shows that are based on them have existed in the same universe up until this point (a la the MCU). Following the creation of MeMindY she has not cast previous actors from her shows into new roles, instead having them return in cameos as the universe progressed forward.
It's easy to understand why she would choose this moment to recast FortPeat (and very likely BossNouel, but that confirmation will come in a couple of days). The chief reason of course being money, Love in the Air was arguably one of her most successful series, equaled only by TharnType. This is due to the stories, the performances, and also just luck of timing. The boom of BL shows for international audiences, from what I can tell, occurred in late 2021 - early 2022, with shows like Cutie Pie and Kinnporsche (and the impeccable chemistry presented in both) being some of the most common first forays into BL. I have only assumptions and inferences as to why this is, I think the popularity of shows like Love Victor and HeartStopper on streaming services led more people to essentially google more queer media, and found that there is a rather awesome amount being produced in Thailand, but in South East Asia and East Asia altogether. I also know a number of people were on the K-Drama to BL pipeline, assisted by Netflix and Viki. But back to my point, generally I think the popularity of MewGulf and JaFirst locally, or at least within SEA is fairly equal, but the inclusion of a much larger international audience at the time when Love in the Air came out has created a level of popularity that I don't think Mame expected.
I think another very valid reason why Love in the Air is incredibly popular is that while it exhibits some of her 'classic Mame' tropes like histories and instances of SA, and her ever-present 'No Kink', it is arguably one of the less problematic stories that we've seen on screen so far form her. (And this is coming from someone who actually likes a lot of Mame's stories, though I'd imagine my affection for brat-type characters is a leading cause of this.) This means that for many viewers for whom this was a first foray into Mame's universe and characters were not being immediately put off by some of the more problematic scenes and storylines presented in previous shows.
Mame has most certainly observed the potential for success in recasting these well-liked actors/pairs in other companies, top of said list being pairs like ZeeNunew, EarthMix, FirstKhaotung, and many others. So to take a pair whose chemistry and ease onset is equal to those and cast them in a new role, while breaking a previously established 'rule' is certainly a choice where the potential benefits far outweigh the risk. Literally the only 'risk' is potential confusion from those that are aware of the fact that ALL of Mame's work exists in a single universe, which if you came in on the LITA train is not likely to be something you would know. You may know of the clear connection to Sailom and Nuea presented in Wedding Plan, but connections to the further universe beyond LITA are limited to two rather small cameos that even I didn't pick up on immediately. (These cameos being the brief appearance of the twins and Leon from Don't Say No.)
So, I wanted to give an idea of what exactly is the connection between their existing LITA characters, but also the kind of show why it's really not going to be as big of a deal as far as causing confusion. This is a diagram of the existing Mame universe in terms of her novels, I've updated it as needed to include the connections to Prapai and adding in the Love Sea story as well. I have included a link to the original as well.
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I've placed stars for the LoveSky/LoveStorm stories and then added ones by Love Sea and The Boy Next World (which we anticipate to star Boss and Noeul). Because the universe is so large, it is a bit confusing, so I did break it down into more simplified connections.
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Hearts represent romantic relationships and the dashes are platonic. most of them are just friendships of various types, though Tharn and Pookan are cousins. But as you can see there is at least 5 people between the characters in LITA and the actors' new characters. So even in-universe the likelihood of these characters ever meeting would be slim, but beyond that the connection of LITA to the over-arching Love by Chance universe is pretty tenuous as previously mentioned.
In the case specifically of Love Sea, this is an unpublished novel, so it's possible Mame will remove or choose to leave out any mentions to the greater universe (meaning either changing the name of Kom's character if he is present in the scripted version, or leaving him out altogether). In the case of The Boy Next World, Pookan is related to Tharn, but let's be honest, do we really expect Mew to show up in a cameo? He's already moved on from Mame, TT, and the MewGulf ship. At best we may get fanservice in the way of a name drop, and it's possible we could see other characters from TT, but I'm skeptical. Since Pookan barely shows up in TT at all, the better option, especially with the passage of time since the first season of TT came out, is to have him be Tharn's cousin, but have him attending university after Tharn has graduated. And that's really only if you want to include that connection, you really don't have to. Given the amount of detail that we get about secondary characters in a lot of these shows, it wouldn't really be that difficult to simply rename any characters that cross over into the greater universe because there's just not going to be enough specific detail to really connect them.
I did also want to include the small amount that we know about Fort and Peat's new characters. We of course don't have much information yet, but there was some crumbs dropped at the recent fanmeet and appearances.
Their characters are Mahasamut(Fort) and Tongrak(Peat). Mahasamut is the son of a hotel owner who after a falling out is now living on his own. It looks as though he is quite young, along the same age of Fort IRL, and he is working as a tour guide to support himself. He is someone who is, I would say, likely lower income, and he's very ambitious and at this current time his goal is to kind of amass a certain amount of savings. He is running his own company as a tour guide and is considered very popular among foreigners both because he can speak good English but also because he is very charismatic. The information given at the fanmeet also includes that he has a diving certificate and is also good at fighting. How that will come up in the story, I don't know.😂
If their hints are to be believed, these characters will be in the same age dynamic as Fort and Peat meaning that Peat's character Tongrak will be older than Fort's character. Tongrak is a writer, specifically of romance novels. He is wealthy, though it is unclear if that is through his career or familial wealth. There's a strange emphasis on how beautiful he is, but in fairness Peat does very accurately fill that criteria. It also says that he does not talk about having a partner, he goes his own way, tends to be a loner. And this is with the implication that this is a result of past negative romantic experiences. Because Mame is who she is, there's also a possibility that part of his solitude is the result of past violence from a previous partner. Fort and Peat did state that they felt the story for this series is more challenging than Love Sky (which honestly scares me a little). But out of all of the stories Mame has told so far, I did feel that Sky's story was handled the best, so hopefully that trend continues.
It's not clear currently if Mame will be directing this series as well, previously she has only directed Wedding Plan, while all of her other series, even those produced by MMY did have other hired directors. We can see from the behind the scenes footage that even with a separate director, Mame was heavily involved in the filming, so her touch will be there regardless.
As far as further timelines, based on past series it is usually about 5-6 months from announcement of a series (and the cast) to the premiere of said series. It does depend on many different variables. The length of the show being one, as well as the level of difficulty. LITA was a more complex series with some pretty large set pieces (the night time races) and more complex scenes in terms of filming (the Stop and Payu race) in comparison to Wedding Plan. Since we don't have a published novel to study and theorize about potential scenes and the difficulties of filming, I can't really give much insight. I will say that the specific inclusion of the fact that Mahasamut holds a diving certification could indicate some diving/underwater filmed scenes. While those are not necessarily super complex, they can be time consuming, require special permits, are very weather dependent, and would require special filming equipment. I also very sincerely hope that if Mame does venture in that direction that she will also make sure that specialists with the necessary expertise are on set to maintain the safety of both the cast and crew. I know what the requirements are in western media, but not in Thailand. What all this boils down to though is that I would not expect the series to premiere earlier than February, and I'd put my bets on March. It's possible she may film a special trailer like she did with LITA, and if that happens, then we may see footage in late November or December, if not I expect a trailer after the New Year. A lot of this actively depends on when we get confirmation that filming has started.
I did also want to note, that while we expect Boss and Noeul to be the leads for The Boy Next World, since she is announcing that after Love Sea, I'm also expecting that to be filmed after Love Sea, even though we suspected that BNW was on the docket way back in March, Boss is still attached to Zomvivor with Mandee/Domundi, which could begin filming this fall, though that's not fully confirmed, it's based on the schedule presented at their look-aheads last year and what has already filmed and aired. But my point is that Boss may not be free to commit to the filming of BNW for a couple of months. There's a lot of variables that go into it.
But anyway...I hope this little rundown/update was helpful. If you have questions and I can answer them, my asks are open.
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bcacstuff · 6 months
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Are you certain Sam doesn’t have a house in LA. In the newest article in departures magazine it was mentioned he has a house in LA despite he’s not sold on the city. Is it not reliable information? A known blogger keeps saying her sources told her Sam purchased a house back in 2019 and now she’s being like “you see I was right about him having a place this entire time” it has been confirmed by Sam himself.
Sigh... deep sigh... Yes I am certain. Sam does not, I repeat, not, for the people in the back, Sam does not own a house in LA.
I don't know what he told that editor of Departures or if she misinterpreted it, but he doesn't own a house in LA.
And most certainly not since 2019 like that known blogger claims without any proof or evidence. She is not right, she had it wrong all the time. And yes, I sat on my hands, I'm so tired sounding like a broken record. I provided all the proof already so often. Since May 2022 I posted and revealed the house, not the exact address. Please look it up.
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And no, the house was NOT purchased by the GGC/MPC in 2021. The owners of the house, and I have looked it up, and checked it multiple times since then, are AN and his (ex) wife. It's documented. You can look it up. Here's the screenshot:
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The house was bought end of July 2020, here are screenshots of 2 different sites:
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Sam has always stayed either at Shutters for short stays or at airbnb's prior. Just look it up, find the Youtube video of the podcast with Cask Chaser September 2021
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airbnb in Malibu, he even mentions it in the video. Also mentioned is how he had not the whisky samples (and candy) at the airbnb. They turned up a little later in a story.... at the HH house
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And while the house is often used as filming location for MPC videos and promo for the booze.... it isn't solely used for that (as this known blogger claims).... remember the tv set, and the bracelet he wore under it?
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That's the bedroom. Now why would he sit in AN's house in the bedroom watching telly to show how his movie is number 3 on Netflix? Tell me.... and if you're not convinced it is the bed room, look that video up of AN after Valbo stayed there as well not so long ago.
And this was his airbnb in 2020, remember, when he was 'brought to America' for many commitments...?
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Remember these pics?
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airbnb in Venice
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He even leaves nice reviews to the owners of the airbnb like this one in 2019
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and an answer of the host in 2021 (note the owner is in Santa Monica, the airbnb is in 2021 in Malibu)
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And yes, that Sam is SH, as confirmed by pics of the airbnb he posted himself or showed like in the interview.
Now tell me that's smoke and mirrors, he's writing a review for his own place? Yeah, why he stayed at different places as well? Or was that also just for promo. And btw. the review can only be seen when logged in at the airbnb site.
And yes, the final piece is right there in the book. He stayed at his friend/business partners house in the HH. Why would he stay there having a miserable Christmas, with an injured knee and all. If you know the house, there huge stair to enter the house, many steps... right of course he would stay there and leave his 'own property' empty, or whatever.... doesn't make sense....
So there is that. All the people claiming other things, show me the evidence please. I showed you the evidence. I love a good challenge, but for the love of us all... don't start your sentence with maybe and come up with all kind of scenarios where you have not one shred of evidence or proof of concept. I'm just at the point that I don't care for it anymore. Believe what you want, for me there is more than enough evidence to be convinced of my believes.
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the-empress-7 · 2 months
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Umm I went looking for the mailing address for The Waleses...tell me why does the BRF's contact page have the mailing address for every working royal except The Waleses?
>>sounds like it might've come down because of too much hate mail/spam.
I work for a federal US agency that has a tiny part in the presidential elections and we've had to take our contact info pages off the internet several times over the last 4 years (and anticipate having to do so again later this year as well). I suspect that may be what's happened, because of all the Sussex delulus.
I've also just checked the Internet Archive. The Waleses/Cambridges contact info was pulled down sometime between November 21, 2022 and December 1, 2022 -- which overlaps with the time that the Sussexes' Netflix docuseries was being promoted and released. So it makes sense that William and Kate's info came down off the web then.
This is such great information. Thank you very much.
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denimbex1986 · 5 months
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'The moment Jodie Whittaker’s Doctor regenerated will go down history as one of the great rug-pulls of modern Who.
There she was, standing on a rocky outcrop, ready to hand over the mantle to the next in line. But this time there was an extra twist for those watching. Instead of regenerating into Ncuti Gatwa, who was announced as the next Doctor in 2022 after rising to fame in Netflix's Sex Education, people instead saw David Tennant standing in his place, ready to reprise the role he’d last held thirteen years ago.
To quote the Doctor, as he reacted to this change of plans: what?!
With that catchphrase (can a word be a catchphrase? With Tennant, anything is possible), he was back in the TARDIS, and I was immediately reinvested – catapulted back in time to a version of my teenage self where long scarves were sacred and Converse magically looked good when paired with pinstripe suits.
I wasn’t around for original Who, but watched from behind the sofa as my father (a lifelong fan) turned on the telly for the reboot in 2005. Terrifying as the Daleks may be, this show is catnip for kids: the monsters; the prospect of entering a magic box and going for adventures in time and space; and above everything else, the knowledge the Doctor will ultimately save the day.
Heading up the first rebooted series, Christopher Eccleston came and went, with a brooding kind of mystique to him – a bit too dour for my nine-year-old self, but the baddies kept me hooked: the gas-mask zombies, the Slitheen, even (shudder) the return of the Daleks. And just as I was getting properly into the show, along came David Tennant.
For millions of fans like me, Tennant wasn’t just a version of the Doctor: he was the definitive Doctor. Taking the reins from Eccleston after the show’s excellent but troubled first season (Eccleston has talked about how leaving the show put him on a BBC blacklist and almost destroyed his career), he immediately breathed fresh life into the character.
Alongside the showrunner Russell T Davies (who himself has an impressive list of credits to his name, including It's A Sin and Queer as Folk) Tennant helped launch Who into the stratosphere: suddenly, watching the show was (wait for it) cool, something that both kids and adults would tune in for. In its prime, Doctor Who under Tennant pulled in as many as 13m viewers - a world away from Jodie Whittaker's swansong, which only pulled in four.
Davies’ combination of grounded characters – he always took the time to flesh out the companion’s families and make their lives feel meaningful – and tightly plotted episodes was a winning combination. Think The Parting of the Ways, where the Doctor and Rose tearfully bid farewell on a bleak beach in Norway; or the haunting Midnight, which must be among his bleakest.
Of course, a great script is one thing, but selling it is another. As the face of the show, Tennant could switch from cheeky chappie to ultra-serious blaster of baddies in a nanosecond; yes, Eccleston had the gravitas, but Tennant had that, plus sass. And clearly, he loved playing the Doctor: a lifelong fan himself, he once told GWR FM, "Who wouldn't want to be the Doctor? I've even got my own TARDIS!" It’s a fair point.
Needless to say, I lapped it up; even more so when Catherine Tate came on board as the permanently furious Donna. It was a golden era, but alas, all good things must come to an end. When both Davies and Tennant left in 2010, the show struggled. Matt Smith was charismatic and chirpy, yes, but the writing, under Steven Moffat’s tenure, was blander, the plots more slapdash. Where were the classics: the Blinks, the Empty Children?
As the years progressed, I stopped watching entirely – as did many others. Doctor Who was no longer cool; it was once again the domain of nerds and dedicated fans who were invested enough in the show's lore that the fiendishly complicated scripts made sense (or indeed the show's revolving catalogue of rebooted monsters from the original series). For some, the bad patches were worth toughing out. Which is fine, of course; I’m a nerd myself.
Something was missing; a spark, perhaps. Both Jodie Whittaker and Peter Capaldi’s tenures suffered as a result of poor scriptwriting; the plots were shoddy. The Doctor suddenly started sprouting mysterious incarnations. Why were the Weeping Angels suddenly everywhere? I would read the series reviews and roll my eyes at the screen, longing for the good old days.
I was just about ready to hang up my sonic screwdriver for good - at least until I heard that Russell T Davies was coming back as the series’ showrunner once more, along with Tennant and Catherine Tate as his companion Donna. The classic gang, back together again, and returning for one more bite at the apple before passing on the mantle to Gatwa.
Bringing Tennant back was a masterstroke from Davies. If my ears pricked up, so too did the ears of thousands of ex-Whovians, hungry for some sweet nostalgia. And we’ve been amply rewarded: that first sight of Tennant strolling around London in his revamped Tardis made me squeal like a child. As did the first mention of “Allons-y!”, his old catchphrase.
Watching him bounce around the universe with old companion Donna has been a joy; even better, this is a Doctor brought firmly into the modern-day universe. He’s still recognisably himself, but this time around he has crushes on Nathaniel Curtis’ Isaac Newton (“He was so hot... oh! Is that who I am now?”) and lets Donna and her daughter Rose (Yasmin Finney) school him on pronoun usage. You can sense the mischief in Davies’ pen, as well as the clear love he still has for the series, peppering his scripts with Easter eggs galore.
So as the third and final special approaches, I’m not ready to let Tennant go yet. How could I be? We've only just gotten him back, but wibbly-wobbly timey-wimey rolls on, and it's been a joy to see the show looking more invigorated than it has in years.
Job done? With Davies in charge, I'm optimistic that the soft reboot he and Tennant have kick-started will continue in style. Gatwa has big shoes to fill, but one thing's for certain about Doctor Who: it's all about change. Roll on the future... but if Tennant ever decides to make another guest appearance, I'll be there in the blink of a Weeping Angel's eye.'
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letsdeclutter · 11 months
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Master List of Decluttering Resources
Backup of the list from r/declutter recommendations, due to planned mid-June 2023 Reddit Blackout in protest of plans to charge exorbitant fees for API access.
Some well-established decluttering gurus have omnimedia empires covering YouTube, TikTok, Instagram, multiple books, TV shows, a web site, and more. For these titans of tidying, the list shows whichever one to three resources are most recommended. These resources intentionally showcase a variety of perspectives, so if you dislike one, scan the list for something different.
YouTubers and Podcasts
A to Zen Life. A recovering “emotional hoarder” shares her extreme decluttering journey, including tips and new habits. https://www.youtube.com/@AtoZenLife
The Art of Decluttering. Includes an entire series on decluttering with ADHD, plus interviews with ordinary people who are decluttering. (Australian) https://www.theartofdecluttering.com.au/podcast/
But First, Coffee. Katie in Conneticut intersperses decluttering, organizing, and home maintenance hacks with her experiences with motherhood. https://www.youtube.com/@ButFirstCoffee
Clean My Space. Over 500 videos on cleaning and organizing, dividing the topic into small bites. https://www.youtube.com/@cleanmyspace
Clean with Me. The podcast that talks you through cleaning your house. https://cleanwithmepodcast.com/
Clutterbug. Focus is on organizing and organizational style. She also talks with popular decluttering experts. https://clutterbug.me/podcast
Curious Freedom. Professional organizers explore decluttering issues you may be curious about, from tips to broad minimalism, to smart shopping. (Australian) https://curiousfreedom.com.au/podcast/
The Declutter Hub. Professional organizers Ingrid and Lesley offer a mix of quick-and-easy tips, professional organizing secrets, and approaches to de-hoarding. https://declutterhub.com/the-podcast/
A Hoarder’s Heart. A recovering hoarder shares her journey to a better life, with lots of material on decluttering with ADHD and struggling with the craft stash. https://www.youtube.com/@ahoardersheart
Messy Minimalist. Mom-blogger-style journey from hoarder to minimalist, with challenges and adventures in every room and on topics like decision fatigue. Appears to have taken a break after 2022. https://www.youtube.com/@MessyMinimalist/
The Minimal Mom. How-tos for decluttering, deciding how many items are enough, and even thrifting with a minimalist mindset. https://www.youtube.com/@TheMinimalMom
The Minimalists. Netflix stars Joshua Fields Millburn and Ryan Nicodemus discuss ways to live more meaningfully with less stuff. Their topics range widely into lifestyle issues such as diet, travel, personal finance, and chronic illness; this rec is not an endorsement of everything they have to say on those issues. https://www.theminimalists.com/podcast/
My Great Challenge. “Declutter with me” videos and cleaning routines. https://www.youtube.com/@mygreatchallenge
Organize 365. Covers an extensive binder-based organization system, intended to organize people who need a lot of paperwork or have a complicated family. https://organize365.com/podcast/
Simply This Life. Candice exudes enthusiasm along with cleaning and decluttering hacks. https://www.youtube.com/@FancyThatwithCandice
A Slob Comes Clean. Dana K. White talks about her experiences with and insights into decluttering. Her emphasis is on managing your home and fitting what you value into your space. https://www.aslobcomesclean.com/podcasts/
Small Changes. Sarah walks you through minimalist cleaning routines and debunks myths about decluttering. https://www.youtube.com/@SmallChanges
Spark Joy. KonMari consultants Karin Sochi and Kristyn Ivey host speakers on issues related to bringing greater joy into your life, from meditation to shopping habits to productivity and mindfulness. Seems to end with 2020. https://www.sparkjoypodcast.com/episodes
Struggle Care. Therapist KC Davis focuses here on self-care and issues that can be barriers to decluttering, such as ADHD, depression, perfectionism, and having limited spoons. https://www.strugglecare.com/podcast-rss
Instagram
clutterbug_me. Clutterbug content emphasizing organizing and cleaning inspo. https://www.instagram.com/clutterbug_me/?hl=en
find_yourgold. Professional organizer with minimalist home shares her process and inspiration. https://www.instagram.com/find_yourgold/
the_organized_mum. Tips on not letting your house get away from you, but also not letting it bully you. https://www.instagram.com/the_organised_mum/
simplyspaced. Style inspo and organizing tips in a very orderly, soothing home, plus before-and-afters. https://www.instagram.com/simplyspaced/
aslobcomesclean. Dana K. White shows you decluttering tips and talks about why organizing is not decluttering. https://www.instagram.com/aslobcomesclean/
strugglecare. Short items from her mission to help people remove barriers to treating themselves right (including clutter). https://www.instagram.com/strugglecare/
@taramstewart. Organizing and donating tips. https://www.instagram.com/taramstewart/
Books
Links are to Goodreads so you can evaluate reviews for yourself.
The Afrominimalist’s Guide to Living with Less (Christine Platt). Radical revisioning of minimalism, incorporating social justice issues and the experience of marginalized peoples. https://www.goodreads.com/book/show/55711709-the-afrominimalist-s-guide-to-living-with-less
Clear the Clutter, Find Happiness! (Donna Smallin). Cute little book of short tips for decluttering. Fun if you want a daily inspiration to tackle a new task.
Clear Your Clutter with Feng Shui (Karen Kingston). Uses westernized feng shui principles as a guide to decluttering and organizing. Reviews suggest this one is polarizing. https://www.goodreads.com/book/show/27071482-clear-your-clutter-with-feng-shui
Clutter Busting: Letting Go of What’s Holding You Back (Brooks Palmer). Motivational approach looking at reasons for clutter, such as fear of change or trying to live a fantasy self. https://www.goodreads.com/book/show/6262598-clutter-busting
The Clutter Cure (Juli Culbertson). Focuses on assessing emotional attachments, with lots of exercises to help think through what objects are serving your current needs. https://www.goodreads.com/book/show/879650.The_Clutter_Cure
Clutter’s Last Stand (Don Aslett). Fast-paced and humorous approach to reducing clutter. Aslett is one of the earliest organizing and cleaning gurus, and any of his decluttering or cleaning books are worth a read. https://www.goodreads.com/book/show/11610.Clutter_s_Last_Stand
Cozy Minimalist Home (Myquillyn Smith). Primarily a decorating guide, focused on achieving a cozy minimalist home that honors your specific priorities (e.g., not stark white with one chair and an artfully placed rock). https://www.goodreads.com/book/show/38915707-cozy-minimalist-home
Decluttering at the Speed of Life (Dana K. White). A decluttering approach that isn’t “all or nothing” but is geared to gradual progress. (The rest of White’s books are also worth a read.) https://www.goodreads.com/book/show/35540769-decluttering-at-the-speed-of-life
The Gentle Art of Swedish Death Cleaning (Margareta Magnusson). A gentle nudge toward decluttering so your heirs aren’t overwhelmed and housekeeping in old age is less demanding. https://www.goodreads.com/book/show/35297297-the-gentle-art-of-swedish-death-cleaning
Goodbye Things (Fumio Sasaki). One man’s journey toward minimalism and personal growth. https://www.goodreads.com/book/show/30231806-goodbye-things
It’s All Too Much (Peter Walsh). Organizer from TLC’s Clean Sweep explores frustrations related to clutter and organizing, and how to resolve them. He also has a Facebook with decluttering challenges. https://www.goodreads.com/book/show/34266.It_s_All_Too_Much
The Joy of Less (Francine Jay). Thoughts on simple living and achieving a minimalist lifestyle. https://www.goodreads.com/book/show/8576972-the-joy-of-less-a-minimalist-living-guide
The Hoarder in You (Robin Zasio). Focuses on the psychological aspects of over-attachment to stuff, including tips on dealing with hoarding relatives. https://www.goodreads.com/book/show/11452567-the-hoarder-in-you
How to Keep House While Drowning (KC Davis). Subtitled “a gentle approach to cleaning and organizing,” this book emphasizes overcoming shame and perfectionism, handling mental health issues, and creating a home that is a safe and kind place. https://www.goodreads.com/book/show/60139504-how-to-keep-house-while-drowning
Keep the Memories, Lose the Stuff (Matt Paxton). Extreme cleaner Paxton shares his process for decluttering sentimental items when it’s time to downsize or when dealing with a deceased person’s estate. https://www.goodreads.com/book/show/58933265-keep-the-memories-lose-the-stuff
The Life-Changing Magic of Tidying Up (Marie Kondo). The now-famous Kon-Mari approach emphasizes deciding what “sparks joy” in your life. https://www.goodreads.com/book/show/22318578-the-life-changing-magic-of-tidying-up
The Minimalist Home (Joshua Becker). Room-by-room approach to reducing clutter and achieving a more peaceful lifestyle. Reviews note a conservative evangelical slant to his material. Has many decluttering-related best sellers, including Clutter Free With Kids, https://www.goodreads.com/book/show/39810030-the-minimalist-home
Never Too Busy to Cure Clutter (Erin Rooney Doland). Checklists of tasks sorted by room and by “30 seconds,” “1 minute,” etc. Many are geared more to developing maintenance routines than to actual clutter removal. Her Unclutter Your Life in One Week also gets recommended. https://www.goodreads.com/book/show/25817627-never-too-busy-to-cure-clutter
Organizing from the Inside Out (Julia Morgenstern). Addresses emotional barriers to organizing, on the way to providing tips and solutions. https://www.goodreads.com/book/show/220713.Organizing_from_the_Inside_Out
Organizing Solutions for People with ADHD (Suzanne C. Pinsky). Tips are intended to be aimed at people with ADHD. Judging from reviews, this book gets both very strong positive responses and very strong negative responses. https://www.goodreads.com/book/show/19033611-organizing-solutions-for-people-with-adhd
Outer Order, Inner Calm (Gretchen Rubin). Quick read pulling together the Happiness Project author’s thoughts and tips on bringing more joy into the home through orderliness. https://www.goodreads.com/book/show/39901314-outer-order-inner-calm
Simple Ways to Be More with Less (Courtney Carver). Brief ebook where thinkers on minimalism share ideas and inspiration. https://www.goodreads.com/book/show/16028018-simple-ways-to-be-more-with-less
Tidy the F*ck Up (Messie Condo). Yes, it’s a parody of KonMari, but it includes actual useful decluttering tips. https://www.goodreads.com/book/show/45869149-tidy-the-f-ck-up
Unf*ck Your Habitat (Rachel Hoffman). Book developed from the blog, with checklists for routine and emergency cleaning, and an approach geared to students, people with roommates, and people with disabilities. https://www.goodreads.com/book/show/39901314-outer-order-inner-calm
The Year of Less (Cait Flanders). Documents a year of low-buy (food, gas, and similar only), lowered consumption, and decluttering, including reactions to crisis. https://www.goodreads.com/book/show/35488858-the-year-of-less
You Have Too Much Shit (Chris Thomas). Humorous 20-page ebook that’s a kick in the face about consumerism and clutter. https://www.goodreads.com/book/show/24322942-you-have-too-much-shit
Zen Habits (Leo Babauta). Book from the Zen Habits blog, discussing decluttering in the context of living a simpler life. One reviewer calls it “a basic get-your-shit-together book.” Babauta has additional related books. https://www.goodreads.com/book/show/6056602-zen-habits---handbook-for-life
Web or Blog
30-Day Minimalism Cure. The Minimalists explain the rules and framework for the popular “declutter 1 item the first day, 2 items the second day” challenge. https://www.theminimalists.com/game/
Apartment Therapy Home Cure. Annual (or multiple times a year–it has varied over time) process for decluttering, cleaning, and decorating. Based (increasingly loosely) on founder Maxwell Ryan’s book, Apartment Therapy: The 8-Step Home Cure. Most of the community discussion has moved onto Facebook. https://www.apartmenttherapy.com/features/the-cure-program
Avalanche Declutter Challenge. The one where you declutter 30 items on the first day, 29 on the second, 28 on the third... down to one item on the 30th day of the month. https://wannabeclutterfree.com/avalanche-declutter-challenge
FLylady (Marla Cilley). Daily 15-minute missions, habit-building, slow-cooker recipes, and task lists for the run-up to Christmas. One of the early dominant figures in declutter blogging, kind of what would happen if Pioneer Woman confronted a messy house. She also published a couple books. http://www.flylady.net/
Printable Short-Term Goal List (PopSugar). Printable page for dividing larger goals into smaller goals. Especially useful when you feel so overwhelmed that you need to break things into tiny areas or steps. https://www.popsugar.com/smart-living/photo-gallery/44467993/image/44468176/Printable-Short-Term-Goal-Worksheet/amp
Project 333. Popular fashion challenge to dress with 30 or fewer items for 3 months. Part of a larger minimalism blog. https://bemorewithless.com/project-333/
TV-like
Links are to information on the series, as who's streaming what changes over time.
Hoarders. Long-running US series where a psychologist, a professional organizer, and a junk-hauling crew tackle serious hoards. Not for the squeamish. https://en.wikipedia.org/wiki/Hoarders_(TV_series) Has a subreddit at r/HoardersTV
Nick Knowles’ Big Clear Out. Most recent series from UK decluttering star: his team takes a family’s belongings to a warehouse to sort, then puts things back room-by-room. https://www.imdb.com/title/tt15267660/
Sort Your Life Out. UK series with Stacey Solomon, in which a disorganized household declutters and reorganizes. https://www.bbc.co.uk/programmes/m00116n4
Tidying Up With Marie Kondo. Reality TV series where Marie Kondo visits U.S. households and guides residents in using her KonMari method. There is a follow-up series, Sparking Joy with Marie Kondo. Originally on Netflix. https://en.wikipedia.org/wiki/Tidying_Up_with_Marie_Kondo
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orionsangel86 · 11 months
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Subtext Glorious Subtext! A Dreamling on Netflix analysis in The Sandman - Part 8
Reunited
Love means never having to say you're sorry - but you still should anyway!
8 chapters later we finally made it to the reunion! Phew! After a trip through 6 centuries and a whole emotionally rollercoaster of highs and lows, dramatic fights, flirtations, rain soaked break ups, angst filled abandonments, and everything in between, we reach the modern day once again and reunite with Dream as he stares sadly at the remains of the abandoned White Horse Tavern.
Now the audience knows exactly who he was returning too, and how important it is. What did Hob do when he discovered the White Horse was closing down? Surely he did something? We ask ourselves this as Dream looks down to find red painted arrows on the fence around the White Horse, directing him to a new inn literally called The New Inn.
Unsure what he will find, we follow Dream as he finds the New Inn and enters. @mimisempai did an excellent meta post of Dream's thought process during this reunion scene here which I adore (I admit I have used a lot of their gifs for this series so please give their stuff a reblog and give them a follow - gifmakers are the lifeblood of fandom and I wish I had the talent to do what they do).
I love how after all of the tension and clear discomfort he felt after leaving his sister, as he walked through the streets of London under the judging eyes of all those mortals who considered him "other", he finally finds somewhere he belongs. The tiny pause as he spots Hob sitting in the corner, and relief that passes across his face at that moment. He reorientates himself, and approaches.
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Hob Gadling sits to one side, apparantly grading some papers, indicating that in this century he is a teacher of some kind. Without even looking up he pauses, aware of Dream's presence before even seeing him, even after all these years. He looks up slowly and his face lights up. It's glorious. Its so dramatic. It's such a relief to see.
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After 133 years, there is no doubt, no questioning, no hurt shown, just immediate joy at seeing Dream again, and just a touch of that cheeky flirtation that we have come to associate with Hob. His first words: "You're late."
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The way Dream smiles in this scene is unlike anything else we've seen from him so far the whole season. In a complete 180 from how he was acting at the start of this episode, and in a dramatic turn from even how he reacted to the other humans who looked his way on his return to Hob, Dream is open here, relaxed, at peace, content. All things we have NEVER seen from him before.
In the comic scene in 1989, as I previously showed in Chapter 7, the reunion between Hob and Dream went as follows:
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Hob is nervous here, but in the show, in 2022, Hob has already had to deal with being stood up, and instead upon reuniting with Dream he keeps it light and playful, indicating to us that all is already forgiven - Hob's love for Dream shines through regardless of apologies and explanations. He doesn't need them, he's just happy Dream returned to him. Now unlike the comic, Dream apologises here anyway. This is particularly significant because Dream at this point in the comics is still rather resistant to apologies. It's another indication of how quickly the show is changing Dream. Where Hob clearly doesn't need the apology, Dream still gives it.
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After Dream sits down he reclines back in the chair, relaxing. His body language significantly different from every other meeting we have seen, where he always sat rigidly and uncomfortably - always at odds with his surroundings, never quite fitting in. This time it's different. In accepting Hob's friendship, he has found a place on Earth where he belongs, where he can find comfort and acceptance regardless of how "other" he may be. This is something that the comics do not show, ever. But it's clearly important for the show.
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I love the above gif because it gives such a clear indication of how happy they are to see each other again, the way they hold eye contact with each other and the scene ends with that gorgeous smile of Dreams. The smile that replaced this moment in the comics:
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That significantly changes certain foreshadowing in the text, which I wrote about separately in this meta. I won't go too deeply into those changes again here, but basically I believe that this change means Dream has chosen life (symbolised by his return to the friend that refuses to die) rather than death (symbolised by his going back to the birds to listen to the sound of wings and therefore longing to hear them in death) - It's potentially changing the trajectory of the story leading eventually to the events of the Kindly Ones, but we are in early days and I don't want to speculate too much on events the show won't be tackling for a long time yet.
What makes this reunion scene so compelling beyond anything I've mentioned above, is how it is a beginning. The audience does not get to see what happens next, but oh do we want to. This is a classic fanfiction gap in the making. After everything we have just been through, after all the highs and lows of their developing relationship over 6 centuries, finally they are reunited and ready to take their relationship to the next level, its compelling stuff. Added to this the conversation that Dream has with Death earlier on in the episode, we can assume that Hob finally gets that all important name, and an explanation of what Dream is after all these years. It makes sense that he would get this in the show based on the various clues and information given to us so far even though he never does in the comic.
So then we have to consider what this reunion scene is saying in the subtext that isn't immediately obvious in the text. Many shippers would have already picked up on these things without really paying too much attention, because fandoms always tend to be more savvy and able to pick up on what the subtext is telling them than a general audience.
Firstly, the red arrows - whilst it is never textually confirmed that Hob painted those arrows, it is heavily implied in the text. Who else would add directions to a new inn to the fence outside a pub that was closed 30 years ago? Who else would possibly be looking for the White Horse in 2022 and even need directions? Only Dream. So Hob MUST have painted those arrows. This then further implies that Hob had something to do with the New Inn. Once again the audience is asked to fill in the gaps here. Even the name The New Inn has implications behind it, because of how obvious it is. There is a clear message laid out here in the few shots we get - the red arrows directing from the White Horse to the New Inn, the name being the New Inn, everything here screams of Hob, forever waiting, forever hopeful, the eternal optimist, spending 30 years working out a way to send a message to his stranger, to please find him again.
This Hob is someone who saw his only connection to his strange companion lost to him, but who was determined not to lose hope. This Hob cared so much that it's implied that he has spent 33 years painting and repainting grafitti on an old fence, ensuring that he will be found again. This Hob found a new pub, or he found a good site to build a new pub, or he invested in a new pub, but either way, it is strongly implied that he has involvement in the new pub, since such a name as The New Inn is also a direction in itself. This is a Hob who waited in the new pub for 33 years. He is seen to be marking papers of some kind, indicating that he has students, that he is a teacher, and yet he is doing his work in the pub which is not all that common. It raises the question of how much time he spends in this pub? We don't know the date that Dream shows up to reunite with Hob - other than it being set in summer - so how often does Hob spend his days waiting here? Even if he does own the New Inn, and sticks around to keep an eye on it and manage things, he is still doing his other job from the table in the corner. The most obvious interpretation is that Hob has spent the better part of 33 years sitting in this new inn, hoping that Dream would find him again. Was he prepared to wait a whole century?
This is an insane level of devotion from Hob. This is the biggest deviation from the comic by FAR. The show moved the timeline and in doing so, they have drastically shifted the nature of Dream and Hob's relationship simply because no normal person would surely care that much about someone they only meet once a century, especially when that person got mad and deserted them when they dared to call them a friend. The only way such devotion can really be explained is by assuming that the devoted person is harbouring some pretty intense feelings for the one they are devoted too. It reads as pretty damn romantic in my opinion. The only time I have seen similar devotion is... well, in Destiel. (sorry to keep bringing it up but i WAS a Destiel meta writer for years and I keep finding comparisons which are driving me a bit mad).
It's difficult, in my opinion, not to read Hob's devotion to Dream by the modern era as more than platonic. It's easy to argue that he is pining for Dream, that he desires him in more than one way. It's easy to read it as love. Possibly even as romantic love. Whilst Dream's feelings are less clear, we can see from his body language and general comfort upon reuniting with Hob that he finds himself in a place he can relax. That the show chose Dream's reunion with Hob to be the ending of the show version of the Preludes and Nocturns Sandman book instead of his implied longing for death, just screams to me that this particular relationship is going to be more important in the show version of the story going forward. Dream is more comfortable in this moment with Hob than he ever is at any other point throughout the show - even in his own realm in his own throne room (seriously I went back and watched it all again, the boy never relaxes outside of this one particular scene).
But if that hasn't yet convinced you that the creators of the show are trying to tell us something about Dream and Hob, we only need to keep watching to get to the final scene of this episode. Before we have even cut away from Dreams smiling face as he stares lovingly at Hob, we hear the beats of a new song begin to play. Desire by Bob Moses introduces us to Dreams sibling of the same name.
We cut to the Threshold of Desire, where Desire themself stands in their gallery and says "attend sweet sibling. It is I, Desire. I stand in my gallery and hold your sigil..."
and who else initially throught they were talking to Dream? Because I think it's intentionally meant to be vague here. Despair uses she/her pronouns, so wouldn't it be clearer for Desire to call her their sister? But the gender neutral term adds to the confusion. Is Desire calling on Dream? Is Desire involved in Dreams reunion with Hob? Does Dream feel desire for Hob and that is why Desire is getting involved? (literally all these thoughts went through my head when I first watched the show and raised my eyebrows thinking maybe they really were going that way with Dream and Hob before finally Desire clarifies by referring to Dream as their brother who escaped his cage. It was a jarring moment.)
In the comic, this scene with Desire and Despair takes place at the very start of the Doll's House book, following Tales in the Sand. It makes sense to add moments like this to the end of each episode to leave a cliffhanger and encourage the audience to keep watching, but this particular cut to Desire has multiple implications. Yes its good to introduce Desire properly and therefore introduce the next arc of the season, but its also SO obvious to cut to Desire right after Dream and Hob's reunion. It's textbook subtext. Queer Coding 101. It's storytelling via clever editing. Six centuries of meetings, six centuries of building a tentative friendship that has included some pretty heated moments and finally upon the modern day reunion we see our main character truly smile whilst relaxed and happy and comfortable for the first time and THEN we cut to Desire. It's perfect. Chef's kiss.
Whilst we don't see Hob again for the rest of the season, the fact is that their reunion was left tantalisingly open ended for fans and audiences to speculate, imagine, and explore via their own works. The creators basically left fans with a delicious writing prompt to sink their teeth into and I 100% believe that was intentional. We will see Hob and Dream meet again in future episodes, and after seeing how well they adapted Men of Good Fortune, I am practically foaming at the bit to find out how they plan to adapt the dream meeting in Season of Mists.
As a conclusion to this behemouth of a meta analysis, I can only repeat what I said back in my introduction - the Men of Good Fortune sequence of episode 6 is a subtextual masterpiece of queer coding. It is writer acknowledged that they intended for it to come across as romantic and tropey. They full expected fans to ship the characters. Whether this means anything in terms of where the show will take Dream and Hob's relationship remains to be seen. The show is already extremely queer, and we've all seen the hilarious homophobic reviews bemoaning the fact that "all the characters are gay! ALL OF THEM!" so at this point I think the creators should just lean fully into it and bring Morpheus himself out of the closet. After all, he's a non human multi-billion year old personification of a concept, why on earth would he only have a preference for human shaped females? How incredibly boring for a creature of dreams!
I've separately talked about how Hob is technically already canonically queer (depending on how you interpret Jim's gender) so it's hardly a stretch for him either. There isn't really anything holding them back. The way their relationship develops in the comics already supports a romantic interpretation, especially the ending. But look, I'm not one of these people that needs to scream about ships "going canon" and I am fully against any harrassment or angry messages being sent to Neil or the creators because people feel that it SHOULD be canon based on the subtext already provided. I have no idea what they are planning with Dream and Hob in future episodes of the show, but wherever they take them, I am fully on board this ship.
Thank you for reading! If you have questions or comments please interact, I thrive on interactions! My ask box is open and I will try to answer any questions within the space of a few days (unless its a meaty meta ask in which case I will take my time and throw my whole meta brain into it).
Link to Dreamling Meta Masterpost and other chapters
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