waaaAAAHHHH sreedie I’m so fucking pumped for this chapter you have no IDEA
jee out here crushing rasu’s hopes and dreams like the perfect grumpy uncle he is <3
rasu is the emotional fallout catcher and I love him for that
wheezing that katara’s most pressing concern when seeing zuko for the first time is THIS BITCH HAS HAIR??
zuko please why is your fight or flight response fucked up enough to become fight or insult the person trying to help you.
oh shit wait does zuko think katara is sokka???
yeah zuko definitely thinks she’s sokka lmao it’s giving major head injury
ugh NO just let sokka see zuko I hate it here
BUT ALSO!!! big win that iroh can tell the boys that zhao is dead at some point (it better be sooner rather than later, right sreedie??)
AT LEAST AZULA ISNT IN BA SING SE it’s the little victories lads, the itsy bitsy ones
also can sokka PLEASE tell SOMEBODY about the bending suppressants I’m like super concerned about that
aaaaaang not the yue bomb T-T
dude. the fact that aang has suffered so much loss- I can’t anymore
BATO T-T not zuko’s “glowing personality”
god I love chang he takes No shit whatsoever
I’m sorry but bato saying ara “had some issues” is such an understatement, why does this man have such a comedic thought process. he really said I do not want to touch This with a 10ft pole
LMAO pls it would be so funny if bato did end up kissing chang (especially if it’s accidental)
loving bato in his damage control era
CHANG “now that things are awkward I’m gonna go” T-T my guy said TOODLES
ah yes, return of the penis fingers trauma from the good old days <3
HES AWAKE and immediately making innuendoes
trust that jet decides to expose sokka while on his deathbed I shouldn’t have expected any less from him
AZULA
I love mai <33333333
sreedie WHO has been leaving you negative comments and WHERE can I find them (not bc I wanna defend you or anything haha not like I still care about you even though we’re divorced haha I HATE you actually)
anyways I’ve been ROBBED???!?!? wHere was my zukka reunion >:(((
sreedie it better be soon bc I’m losing my whole mind… but yes very very vibrating-out-of-my-seat about the potential of a zuko and chang reunion too :3 (if you kill chang I will throw a rock through your window and smash all your lightbulbs)
LOVE HATE YOU HEAPS <3
LEEEEEKKKKIIIIIEEEEE
the time has come I release your ask into the void and am no longer able to stare at it and giggle when I see all your silly but so satisfying words. (I’m sorry this one is so much later than the rest my life is enjoying kicking me around and I’m too tired to fight back)
Ok sooo…. I love/hate you let’s DO THIS!
I feel like Zukos hair was more important than his redemption arc so yes it must be acknowledged by everyone almost immediately haha.
I hate it here too leekie let’s move fuck the ending of this fic let’s do a new one
I think I just heard leekie is a Chang/bato shipper but it’s a trouple because lyns there so it’s a real party whoop whoop!
Zukka reunion is coming, its just probably…. Not….. next……. Chaoter………. Sorrrrrryyyy but SOON
I hope everyone realizes that aside from Crowley not being in heaven, Aziraphale will also not have anything else he likes.
There are no books in heaven. There's no tea or hot chocolate, no music, no crêpes or sushi. So not only does he lose the love of his life and has to operate without him, but he also isn't allowed any of his comfort things, all while I'm sure the angels are hostile against him (even if they pretend otherwise).
This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
Frame 1. "turn down the lights"
We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
Frame 2. "turn down the bed"
We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
Frame 3. "turn down these voices inside my head"
Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
Frame 4. "lay down with me"
Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
Frame 5. "tell me no lies"
An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
Frame 6. "just hold me close"
pspspspsps
Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
Frame 7. "don't patronize"
In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
Frames 8-9. "don't patronize me"
Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
Frame 10. "'cause I can't make you love me if you don't"
A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
Frame 11. "you can't make your heart feel something it won't"
Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
Frame 12. "here in the dark in these final hours"
Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
Frame 13. "I will lay down my heart"
A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
Frame 14. "and I'll feel the power"
Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
Frame 15. "but you won't, no, you won't"
A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
Frame 16. "'cause I can't make you love me"
We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
Frame 17. "if you don't"
But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
shoutout to that dude that said “the peggy scene broke my heart” as everyone was leaving the theatre and shoutout to the other dude with him that took ten seconds to reply and said “.........in half?”
[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
hi!! first of all, i just wanted to say i love your art <3 i was in the twst fandom for a while and i'm currently into toku, so it's a nice surprise to see you like both! this is kinda dumb but, out of curiosity, how have you been making your ride kamens predictions? i.e. what hints are you referring to to make your guesses? i saw some jp artists making their guesses as well so i feel like i'm missing something
p.s. i also want a meteor/fourze-inspired character but that's probably not happening lol
thank you! :> glad to see there are more of us with excellent taste out there (characters being idiots = the best).
I think we're all just working off of the silhouettes? there's the ones that are in the PV, and then the full-body ones from this tweet (plus a couple of as-yet-unreleased character logos on the bottom); if there's been any other info released, I haven't seen it. so...mostly it's just speculation and wild guesses!
based on the ones we've gotten so far, it's going to be literally impossible to tell who anyone is before they're revealed, but it's still pretty fun to guess! I'm still holding out a tender hope that maybe Fourze or Meteor is hidden in there...somewhere...😔
Ghost gifts a single tiny ear loop to Soap one day. Says he noticed Soap had pierced ears. That rings keep from handling a gun or a knife properly. He doesn't make eye contact, tries to hide his face, even as he's already wearing his balaclava.
Soap blinks. Ghost has already given him gifts and only behaved that way for the very first one. He doesn't understand. The earring is very simple, but seems to be made of expensive material and not only covered with a thin leaf of gold.
"Didnae it come with another one?" he says, jokingly.
But Ghost flushes, turns his head, and lifts his mask, only enough for Soap to see the glinting of the other earring on his ear. Suddenly he understands that it's not simply a gift. Ghost favoured practicality, but he wanted to give him a ring.
He grabs his hand as it falls back down.
"Simon, what is this?" he asks softly, not daring to be hopeful just yet.
With his other hand, he reaches out to gently turn Simon's head back towards him. His cheeks and his nose are flushed, it makes the warmth of his dark eyes, generally hidden behind a sneer or a bored expression, undeniable.
He looks nervous. Johnny's heart is beating faster. Could it really be...?
"I know", Simon starts then pauses, uncertain. "I know I'm probably not what you thought you'd have, when you were younger" Soap wants to interrupt, to scoff, to protest that Simon is way better than anyone he could have hoped for, but doesn't. He never wants to cut off his love when he's barely starting to open up.
"I know that I'm not easy to be with some days, that I'm not friendly and easy going like you, like someone you'd deserved to be with." he continues, unconsciously pushing his face more into Soap's hand. "But... I love you, more than I thought I could, and I'd like... I'd like to be with you, for as long as you'd have me..."
Johnny's heart is soaring. He has no idea how to react. He'd have to get all the giddiness out first, and the moment doesn't seem appropriate for jumping around and squealing.
"Officially," Simon continues, voice quieter, out of breath. "If you want to."
A gigantic grin splits Johnny's face. All of his limbs are buzzing, he needs to stand up, to run, to explode something. But he's terrified to spook Simon so instead he just squeezes the hand he's holding rhythmically and moves his feet back and forth.
"Baby, are ye asking me tae marry ye?" Johnny says. He's pretty sure his voice is wobbly, but can't really hear it himself as the blood in his ears is louder than the rest.
Simon's eyes do something, what is visible of his face looks like he has an expression on but Johnny can't analyze it now, doesn't dare to see the hope in his eyes, the pleading in his brows.
"I... Yes, I guess I am," the love of his life says finally. "If you want to. You don't have to."
Soap can't keep himself in check any longer. He's making a high pitched noise, jumping up and down where he's seating on the bed, and throws himself at Simon.
"Of course ah fooking want tae!!!"
Simon lets out an excited giggle, swept in Johnny's mood, and tightens his arms around his lover. No, his fiancé.
This is the best day of his life. He just has to deal with this mission tomorrow, and then they can start to plan everything.