Random ask, do you love ChengGuang because somehow their dynamic remind you of SatoSugu and because both ships (can/have potential to) end up tragically?
Also, is there a certain story or fairy tale from your childhood that made you love storytelling.....
P.s
Hi, I'm new to your blog and until now your blog is the most unique one I ever see and your metas are so great (especially from a new fan of JJK). I've been a JJK fan for almost 3 years and I can't ever wrote metas even half as good as you...(Also because I know something in my mind but somehow can't wrote them down).
Thanks for this blog of yours....🌷🌻
mklJKLJDKFLJSDKL:FJLK:DSJFKLDSG J
ALKSFJIADJFLKADJFDAK L
THANK YOU SO MUCH THIS MADE ME HAPPY STIM SO HARD I HIT THE TABLE /pos
Okie dokie, I shall address the ps first, because (a) thannkkkk youuuu and (b) there is a method to my madness.
As a storyteller, I see other storytellers often build characters in themes with the same sort of narrative logic, which can usually be predicted across stories (to a certain extent due to people's different storytelling styles, but it works fairly well regardless of which story you're looking at.) In knowing how to tell stories myself, I only have to work backwards to figure out the 'deeper meaning'
(ALTHOUGH, analyzing stories is only part of the fun. I see nothing wrong with reading/watching stories like poetry is read, with the words appreciated not for the content alone, but for the subsequent feelings imparted. Stories with ease of comprehension and that vicarious way of experiencing different ideas and concepts are - in my opinion - the ones that hold the true essence and wonder of storytelling.... mmm that was too fancy... hold on...
NOT EVERYTHING NEEDS TO BE ANALYZED IN ORDER TO FIND WONDER IN IT BUT IT'S FUN TO ANALYZE NONETHELESS.
There we go.)
In essence:
The themes dictate the characters, the characters dictate the plot.
The way I tell stories is to have a theme/question and use characters as different perspectives on that theme. The characters then get a backstory relating to that theme, one that 'teaches them' that certain perspective, which they will utilize to tackle the issues the plot throws at them. (the plot should also 'poke and prod' at the character's internal conflict to showcase and test the extent of it, but one can discern most internal conflict from the backstory.
Which is why JJK was sooo hardddd, especially for Itadori and Gojo - who get little to none compared to all the other characters - and even still, Gojo's takes some inference but someone could figure out his backstory... Itadori's? All we get is the faint idea of how his grandfather raised him.)
Usually for analyzing it's easiest to pick out the themes or main character conflict first (although themes can help figure out the main character conflict, so it depends on the story really.)
Take Link Click as an example. The overall theme/concept to explore is that of 'ambition and goals getting in the way of relationships and love, leaving one with the regret of loneliness'.
ANnnddd I have yet to actually write down my thots for Lu Guang and Cheng Xiaoshi, but here we go. (characters have the basic structure of - perspective, and a desire and fear that contradict each other based on that perspective) :
Cheng Xiaoshi: he represents the aftermath of this, with his parents leaving him, and the loneliness and pain lingering through his every action. He then clings to the love he receives - and that often manifests when he possesses others - which causes him to never stop waiting for his parents to come back. Overall, his perspective is something along the lines of - 'the people I care about are the most important thing, and the ambitions and goals should support that'
(the best screenshot I have right now... I'm rewatching and will probably screenshot nearly everything.)
Desire: For his parents to come back mostly, but also to experience that same love and comfort again. He often tries to vicariously experience this through helping others.
Fear: That others - like his parents - will leave him alone, and he can't face his overwhelming fears and emotions on his own.
He's silly and jovial yet also quite strategic (he figured out what's-the-brother's-name's powers with a word alone, and upon a rewatch, he does often try to deduce how to find whatever it is they are looking for, yet his trust for Lu Guang and the overwhelming emotions from possession 'dilute' that a bit.)
Lu Guang: ... his is more unknown, so I won't be doing a full analysis until I have more information, buuuut there's a lot you can get on a rewatch of his 'moment by moment' reasoning. He wants to protect Cheng Xiaoshi at the expense of everyone else, and he doesn't like it when CHeng Xiaoshi is in danger/is upset with him.
But my random musings for his perspective are something like: 'stick to the plan, for it's the only way for things to turn out okay, even if others and their emotions get hurt along the way.' (Cheng Xiaoshi is the exception to this. ALSO Lu Guang then becomes a REALLY GOOD foil for CHeng Xiaoshi alkajdfkjalsdf the analysis I will do of them later aljkflaksdfjas)
(I get to use dividers eeee)
Okay now for your first question.
Do I like ChengGuang because their dynamic reminds me of SatoSugu and they both end tragically?
... Initially.
(They both got that 'kuch kuch hota hain' (did I spell that right?) basketball scene.
(yes my mom wanted to show me all the classic Shah rukh khan - did I spell his name right? - movies and yes I liked the first half before female love interest got.... docile? More 'oh she'll be good wife material yada yada' and blah blah blah they should argue over basketball more... and yes I think the classic structure of the classic movies - being full of backstory and such - are better than the modern ones. At least the Dunki movie brought that back.
Anywho, my point:
If you got a tragic ship, they need to play basketball apparently. No I do not know why this is a thing.)
But to be honest... I kind of like ChengGuang better than SatoSugu, which is my own personal preference really. (Also the platonic ship in my story reminds me of ChengGuang, whereas SatoSugu reminds me of the way I cling to other people)
I like the way SatoSugu were each other's comfort people, the only ones who could understand each other, and how they both teased and comforted each other.
But they got... so little time together...
I do LOVEEEEE them a lottt, but like.... ChengGuang...
They get to tease each other and be around each other and aljdfaklsdfsadf they are just so comfortable in each others' presence and IDK they give more of a queer platonic vibe than SatoSugu does and er, I just love them a lot.
I would list my reasons but that would take too long.
So instead, enjoy the beginnings of my screenshot collection:
(I reached my image limit)
To be clear, I don't think narratively one is better than the other, and I don't like ranking things I like; I'm just weak for fluffy character dynamics of any sort and Cheng Xiaoshi, Lu Guang, and Qiao LIng have my favorite character dynamics ever. (Not shipping Qiao LIng and the other two. ALso also... 'Cheng Xiaoshi, his sister, and his queer platonic bf get traumatized while breaking all of time and space' is now my favorite 'trope' and akldfjaksldfjaskdnfskdlfj.
BUT YES THE FACT THAT THEY ARE TRAGIC AND TRY TO COMFORT EACH OTHER THROUGH THAT is MY EVERYTHINGGG KLDSJFLKSDJF. THEY LITTERALY BROKE TIME AND SPACE FOR EACH OTHER.
Okieee after all that writing, we get to the second question!
What stories made me love storytelling?
I don't know if there's a story that got me into storytelling per se per se, because I've been doing it since I was little... perhaps Wings of Fire?
But the stories that most heavily inspired the stories I want to tell are these:
Song of the Sea was my childhood. It has ~ siblings ~ and ~ whimsical magic ~ and the soundtrack is all my comfort and nostalgia. The animation and the gentle pacing and the absolute wonder this movie is.
(I got the book recently and aijfaskdfaksldfaklsdf askdfjasdkfjasdfl, I love it so muchhhh)
What to say about the Little Prince? It's a masterpiece. The soundtrack is also all my comfort and nostalgia. The back and forth between the original book and the 'current timeline', the themes and the whimsy interwoven throughout, it's my everything.
______________________________________________________________
Thank you so so much for the ask!
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Character song that I desperately need to put out there: Heart's Content by Brandi Carlile for Chengqing
Maybe you thought I hung the moon, maybe we thought we were Johnny and June, maybe we thought it was just us two, maybe we spoke too soon.
We never lie and we don't tell tales, we bite our tongues and our fingernails, we fall in love and we don't fall out, maybe we speak too soon.
Here's you and me, and in between, we draw a line but we can't see where it's bent, we scratch our heads, and race against the heart's content
Maybe we hurt who we love the most, maybe it's all we can stand, maybe we walk through the world as ghosts, break my own heart before you can.
...
Maybe we know how the story ends, maybe it's not even about us, we both retreat to opposing stands, and love lives on without us
Hhhhhhhnnnnnnngggggggggg......
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Very late promo on tumblr, but here's the AU fic I finished for the MDZS WIPBang event last year!
(Note: Full 22 chapters are up, but the link is for the first chapter)
🌟 Basic idea: Cardcaptor Sakura AU with Meng Yao as the main character.
🌟 Sort of a sequel to the canon CCS story in-universe, set about 100 years into the future
🌟 Category: General audiences
🌟 Rating: Gen
🌟 Fandom: MDZS
🌟 No Archive Warnings Apply (although noted in tags that certain near-death incidents and fairly mild violence do occur on certain chapters of the fic)
Other details below the cut --
🌟 Character tags: Meng Yao, Nie Huaisang, Kero/Kerberus, Jiang Cheng, Song Lan (Song Zichen), Xiao Xingchen, A-Qing, Lan Xichen, Yue
Qin Su, Luo Qingyang, and Lan Wangji also pop up as recurring relatively minor characters
🌟 Relationship tags: Meng Yao + Nie Huaisang + Kero/Kerberus friendship, Meng Yao and Jiang Cheng (Rival to friends to possibly something more), background Songxiao and past Song Zichen/Lan Xichen
🌟 Word count: 154,892
🌟 Accompanying artwork's artist: Chris
🌟 Beta: 2chi
🌟 Summary (also on AO3):
Meng Yao was just an ordinary 14 year old junior high student in Jin’an district of Qingdao, adopted by his mother’s friend Sisi after his mother’s death. That is, until he accidentally stumbled upon a peculiar book. Tasked by the Guardian Beast Kerberus (Kero) to reseal 19 magical cards called Sakura Cards before disaster befalls the world, Meng Yao must now find a way to successfully reseal the cards’ spirits, aided by friends.
On the surface, this task seems fairly straightforward. But unbeknownst to Meng Yao, there is more to resealing the Sakura Cards than it seems…
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