Good Omens Aziraphale's Sad Bastard Breakup Playlist
After the breakup, Aziraphale has a new job in heaven, having taken Gabriel’s vacant position. Aziraphale is haunted by sad music reminding him of his time with Crowley. The songs are dramatic, tragic, melancholic, angry, wistful, romantic, and sentimental. How does he listen to music at his new job in the head office? Are material objects allowed? Does he keep a secret stash of tea, cake, and records and a phonograph player in his office? Does he have a celestial radio that can tune in Earth radio stations? Does he sneak off to Earth to hang out in record shops and bookstores? Or more dramatically and emotionally torturously, does he remember every note, every nuance, every feeling, of every song and replay them in his mind? He's stuffing his face with angel food cake and tea while crying and listening to sad bastard songs and hiding from Michael and the Metatron.
See note after list on song selection process.
Songs include:
“Lacrimosa” – Mozart, Requiem in D Minor, Vienna Mozart Orchestra
“Commendatore” – Mozart, Don Giovanni, Amadeus film soundtrack
“Ja, tot katoramu vnimala” – Rubenstein, The Demon, Nicolai Ghiaurov
“D’amour l’ardente flemme” – Berlioz, The Damnation of Faust, Maria Callas
“Liebestod” – Wagner, Tristan and Isolde, Waltraud Meier
“Ach ich fuhls” – Mozart, The Magic Flute, Gundula Janowitz
“Thy hand, Belinda … When I am laid in earth” – Purcell, Dido and Aeneas, Janet Baker
“E lucevan la stelle” – Puccini, Tosca, Placido Domingo
“Celeste Aidia” – Verdi, Aida, Mario Lanza
“Ich bin der Welt abhanden gekommen” Mahler, Dietrich Fischer-Dieskau
“Der Wanderer” – Schubert, Dietrich Fischer-Dieskau
“Love is a Plaintive Song” – Gilbert and Sullivan, Patience, D’Oyly Carte Opera Company
“I am a Courtier Grave and Serious” – Gilbert and Sullivan, The Gondoliers, D’Oyly Carte Opera Company
“The Gentleman is a Dope” – Rodgers and Hammerstein, Allegro, Blossom Dearie
“A Hymn to Him” – Lerner and Lowe, My Fair Lady, Rex Harrison
“Could I Leave You?” – Sondheim, Follies, Alexis Smith
“We Do Not Belong Together” – Sondheim, Sunday in the Park with George, Bernadette Peters and Mandy Patinkin
“On My Own” – Schonberg, Les Misérables, Frances Ruffelle
“As Long as He Needs Me” – Bert, Oliver, Judy Garland
“Stranger in Paradise” – Wright and Forest, Kismet, Richard Kiley and Doretta Morrow
“A Nightingale Sang in Berkeley Square” – Sherwin and Maschwitz, Vera Lynn
“Night and Day” – Porter, The Gay Divorcee, Ella Fitzgerald
“I’ve Got You Under My Skin” – Porter, Born to Dance, Shirley Bassey
“Bewitched, Bothered, and Bewildered” – Rodgers and Heart, Pal Joey, Sarah Vaughan
“They Can’t Take That Away From Me” – Gershwin, Shall We Dance, Fred Astaire
“Mon Deu” – Dumont and Vaucaire, Edith Piaf
“Non, Je Ne Regrette Rien” – Dumont and Vaucaire, Edith Piaf
P.S.: Aziraphale likes Les Mis because it reminds him of that time Crowley rescued him from the Bastille. Don't tell anyone. It's a big secret.
P.P.S.: “Bewitched, Bothered, and Bewildered” reminds him of the time he and Crowley got drunk in the backroom at the bookshop the day the anti-Christ was delivered to Earth. Basically, this song reminds him of every time they went out for drinks or stayed in and drank.
P.P.P.S.: “I am a Courtier Grave and Serious” was the song Aziraphale planned to play when trying to tempt Crowley into learning the gavotte. It reminds him of the ball in the bookstore when he finally danced with Crowley.
P.P.P.P.S.: “Non, Je Ne Regrette Rien” is as close as Aziraphale can get to telling the world and Crowley to eff off. He has no more effs to give. Or at least he’s trying to convince himself he no longer gives a f***. He’s going off to his new job at the head office and Do Good.
Note on song selection:
I selected songs that thematically fit with the relationship between Aziraphale and Crowley. I think the songs tell a story of Aziraphale’s struggle to reconcile his conflicted motivations. They reflect Aziraphale’s fears and desires. He fears being hauled off to hell for disobedience. He fears Crowley’s death and being alone in the world. He desires to be emotionally intimate with Crowley. (Dare he risk physical intimacy with Crowley?) He feels self-righteously indignant, but he’s soft and squishy and weepy and misses his best friend.
I don’t have much knowledge of opera or musical theater, but I have some experience with choir and solo performance. I did a lot of research into opera, art songs, musicals, showtunes, and standards to create a playlist on YouTube. Selections were based on availability, popularity, and sound quality. My big question was whether or not Aziraphale is a strict originalist or if he likes different versions of songs. In some places, I chose newer versions over original versions due to the sound quality of the recordings. I tried to keep selections accessible to a wide audience with varying degrees of musical knowledge. You may not like my choices, so your mileage may vary. You can make your own playlist.
Aida ~ Arabic, Italian, meaning "reward," "happy."
Aida is the name of a famous, tragic opera composed by Giuseppe Verdi. Set in Ancient Egypt, Aida is an Ethiopian princess who is captured and enslaved by the Egyptians. She and Radamès, an Egyptian military captain, fall in love.
pronunciation: ay-ee-da, aid-ah
Allegra ~ Italian, meaning "cheerful," "lively," "playful."
Derived from the musical term "allegro" indicating the tempo, or speed, at which a piece should be played. Allegro usually indicates a lively and fast tempo.
pronunciation: ah-leg-grah
Aria ~ Italian, meaning "air."
An aria is a piece of music written for a single voice or singer. Arias are most commonly associated with opera productions and refer to both male and female solos. Arias are usually part of a larger work and can be accompanied by instruments or sung without.
pronunciation: ah-ree-ah
Bell ~ Old English, meaning "to roar," "to make loud noise."
Most know this word as the name of an instrument. A bell is used in both music and in other parts of life. Bells are commonly used in Christian churches to signal the beginning of service, and bells are also known to come in many shapes, sizes, and tones.
pronunciation: bell
Cadence ~ Latin, meaning "a falling."
The term "cadence" is used, in Western music theory, to describe the end of a musical phrase in which a melody or harmony comes to a resolution. It always feels like closure, like a conclusion.
pronunciation: kay-dence
Calliope ~ Greek, meaning "beautiful-voiced."
Calliope, in Greek mythology, is one of the nine Muses; goddesses of the arts and music. Calliope was the leader of the Muses and ruled over epic poetry.
pronunciation: cah-lie-ah-pee
Carmen ~ Spanish, Latin, meaning "garden," "song."
Carmen is a French opera composed by Georges Bizet. Set in Spain, the story tells of a soldier, Don José, who abandons his post and sweetheart for the fearless, free-spirited, fiery, Romani girl Carmen.
pronunciation: car-men
Carol ~ French, English, meaning "circle dance," "joyful song."
A carol is a type of song that is usually festive and sometimes religious in nature. Originally, many carols were upbeat and easy to dance to.
pronunciation: care-ol
Cecilia ~ Latin, meaning "blind," also spelled as "Caecilia."
Cecilia is the Catholic patron saint of music. It is supposed that Cecilia was a Roman noble lady who was forced to marry despite her vow of virginity. At the wedding, Cecilia sang to God in her heart, and later, her husband Valerian promised to respect Cecilia's vow. Both she and her husband experienced Catholic martyrdom.
pronunciation: seh-see-lee-ah, kae-kil-ee-ah
Celeste ~ French, meaning "heavenly."
Sometimes called a "celesta," a celeste is a musical instrument similar to a glockenspiel and resembling an upright piano. More tinkling, soft, and bell-like in sound and tone than a piano, the most famous music piece using a celeste is Tchaikovsky's "Dance of the Sugar Plum Fairy."
pronunciation: seh-lest
Chantelle ~ French, meaning "singer."
Derived from the French verb "chanter," meaning "to sing," Chantelle is a wonderful name with a musical meaning. It can also be spelled as Chantel, and Chantal.
pronunciation: shawn-tell
Clio ~ Greek, meaning "to recount," "to celebrate."
Clio, in Greek mythology, is one of the Nine muses; goddesses of the arts and music. Clio is mainly the muse of history, but is also occasionally considered the muse of lyre playing.
pronunciation: clee-oh, cl-eye-oh
Demi ~ Italian, meaning "half."
In music, "demi" is rarely used on its own. In music theory, demi can sometimes be used to describe half of something. A demi-cadence (a half resolution), or a demisemiquaver note (half of a sixteenth note, so a thirty-second note).
pronunciation: deh-mee
Giselle ~ French, meaning "pledge."
Giselle is the name of a popular ballet. It is considered a masterwork in classical ballet, and is not only one of the most-performed, but most challenging productions in the world of ballet. It tells the tragic, romantic story of young Giselle and a disguised noble, Albrecht.
pronunciation: jih-zelle
Harmony ~ Greek, meaning "concord," "agreement," "joint."
Harmony is a huge concept and part of Western music, largely relating to the layering of complimentary notes and passages on top of a melody to create chords, textures, tonalities, and unique sounds in music. Harmonies can be both simple and complex. Sometimes the term "harmony" is used to refer to an ensemble line that is not the melody.
pronunciation: har-mon-ee
Hilde ~ German, meaning "ready for battle," "battle woman."
Derived from Hildegard, Hildegard von Bingen was a composer, writer, philosopher, visionary, and medical writer from Germany in the Middle Ages. She is one of the best-known composers of sacred Christian music in the world and one of the best-recorded as well.
pronunciation: hill-dah, hill-deh-gard
Kassia ~ Greek, Latin, meaning "hollow."
Sometimes seen as Cassia or Kassiani, Kassia was a Byzantine-Greek composer and poet who lived over 1,200 years ago. She is unique for being the sole female composer to exist in Byzantine liturgy with over 50 hymns and over 260 verses attributed to her.
pronunciation: kah-see-ah
Lauda ~ Italian, meaning "praise."
A lauda was the singular most important form of sacred music in the late Medieval to Renaissance times in Italy. The lauda is largely considered the precurser to the modern Christmas carol. Laude are characterized by their simple melodies sung in the vernacular, which at the time, was Latin.
pronunciation: lau-dah, lah-dah
Lyra ~ Greek, meaning "lyre."
Derived from "Lyre," Lyra is a feminine name related to the Ancient Greek stringed instrument. Lyres were usually played as accompaniment to epic poetry and story telling. The Ancient Greeks tended to strum the stings like a guitar, but other cultures plucked the strings like a harp.
pronunciation: lie-ra
Madrigal ~ Latin, meaning "song for unaccompanied voices."
This term has a couple meanings when it comes to music. The earlier type of madrigal was a Medieval, Italian music form composed for two voices. Later, during the Renaissance and Baroque periods, madrigals were secular compositions written for two to eight voices with no instrumental accompaniment.
pronunciation: mad-rih-gahl
Melody ~ Greek, meaning "singing," "chanting."
The term melody can describe the main tune of rhythms and pitches that make a song or piece. The foreground of a piece of music, the melody is arguably the most important element of composition.
pronunciation: mel-oh-dee
Meret ~ Egyptian, meaning "she who is beloved."
In Ancient Egyptian mythology, Meret is the goddess of music, dancing, singing, and joy. She helps maintain cosmic order through music. She is usually seen with a blue lotus flower or papyrus reed.
pronunciation: mehr-eht, mehr-iht
Musette ~ French, meaning "little bagpipe."
Derived from both "Muse," the name for the nine Ancient Greek goddess of music, literature, sciences, and the arts, as well as a type of French bagpipe, Musette is a great music-inspired name.
pronunciation: moo-zette, myoo-zette
Octavia ~ Latin, meaning "eighth."
Octavia is a name taken from the Latin octave, meaning "eight." In music, an octave is a range of typically eight notes. The first and eighth note are always the same, with one higher than the other in pitch.
pronunciation: oct-ehve
Scheherazade ~ Persian, meaning "exalted one," "noble lineage."
Known best as as the storyteller from the narrative A Thousand and One Nights, Scheherazade is also the name of an orchestral work composed by Nikolai Rimsky-Korsakov, which is acclaimed to have one of the most beautiful violin solos ever written. Scheherezade is not only a beautiful name, but also has nickname potential.
pronunciation: sheh-hair-eh-zahd-eh, sheh-hair-eh-zahd-ee, sheh-hair-eh-zahd
Sirena ~ Greek, meaning "enchanter."
In Ancient Greek mythology, sirens were humanlike beings who often took on the appearances of beautiful women. They lived in the seas, singing in alluring voices, and luring men to their deaths. In modern tales, sirens and mermaids are sometimes described as the same creature. Sirena is derived from "siren."
pronunciation: sir-een-ah
Symphonia ~ Greek, meaning "agreement."
"Symphonia" was sometimes used to describe various instruments, including bagpipes, drums, and a hurdy-gurdy. In more common knowledge, a "symphony" is an extended musical composition from Western classical music. Some of the most famous symphonies are Beethoven's Fifth, Mozart's 40th, and Dvořák's Ninth.
pronunciation: sim-phone-ee-ah
Thalia ~ Greek, meaning "the joyous," "the flourishing."
Thalia, in Greek mythology, is one of the Nine muses; goddesses of the arts and music. Thalia is the muse of comedy, or, stories that have happy endings. She's sometimes portrayed with a horn or trumpet in hand.
pronunciation: t-ah-lia, th-al-ia
Viola ~ Latin, Italian, meaning "violet," "of the arm."
The viola is a musical instrument slightly bigger than and lower in pitch than a violin. A traditional string quartet usually has two violins, a viola, and a cello. Overshadowed by the violin, violas are nevertheless beautiful instruments.
pronunciation: vie-oh-la, vee-oh-la
These name lists are intended to help writers and artists. There is no expectation of credit, and these lists aren't meant to be the end-all be-all lists of possible names. There are millions out there, and this is just for fun!
If you have a suggestion for a name list, or want to see something specific, feel free to submit a request!
And if you see something that is wrong (a pronunciation, a meaning, an origin), again, feel free to let me know!
Hi! It's me again, since my asks are pretty much a daily occurence to you , I might as well introduce myself, I'm Celeste or Bunny call me whichever you prefer
For the mysterious Ashk 27 , I think, The supernaturals weren't actually "normal" in that world , most of them referred to thier "real" story between thier dialogues
Kous friend saying "she was dragged to hell and died" Sumire saying " oh, you know"
Sumire was pretty much thrown in hell and died
Mitsuba telling story of dooplelanger and Sakura saying "Is that inspired by your life" or something like that
Like how mitsuba has been dead and reform for like 4?5? Idk time
Mei talking about a cursed painting
Aoi Knowing that a supernatural would come at 100th story and it did
Also, Aoi said a extra student would come
..Hanako wasn't there before and he arrived after 100th, Was he the supernatural according to aoi story?
Or was it Real nene or fake nene?
Any three of them could be the suspect
And if any three of them are the supernatural then why were the students able to see that person? Were they ( excluding nene ) all in this some mystery together? Do they know something we and nene don't?
Or were they all actually real human , and all were about to die , that's why they could see?
If this was hanakos plan then why did he do that?
And if you look at the cover then only two candles are blown out and other's are lit
Why?
Hahahahaha hello Celeste 🐇 nice to meet you :3
Yes! you are right!!! This is a very objective way of seeing things and I really liked it, sometimes I like to see beyond the lines, it's fun
The second Nene is mysterious, I really wondered about this chapter, Aida likes to leave us confused, doesn't she?
It's very mysterious, it could have been a nightmare, a journey through the timeline, anyway, I'm going to reread the chapter a few times to think about it better
who are some of your favorite trans and/or nonbinary fcs of color in the 21-28 age range? i'm trying to find ideas for a discord rp character, so gif or icon resources are not a requirement. thank you so much!
Jesse James Keitel (1993) - is a trans woman.
Eve Lindley (1993) - is a trans woman.
Ryan Cassata (1993) - is a trans man.
Summer Luk (1994) Chinese - is a trans woman.
Sky Teotico (1994) Tagalog Filipino and some Spanish, according to Sky himself he identifies as mestizo - is a trans man.
Zión Moreno (1995) Mexican of Unspecified Indigenous and Spanish - is a trans woman.
Sydney Mae Diaz (1995) Unspecified - is a trans man.
Miles McKenna (1995) - is a trans man.
Eva Reign (1995) African-American - is a trans woman.
AJ Clementine (1996) Filipino and White - is a trans woman.
Liniker (1995) Afro Brazilian - is a genderfluid trans woman.
Elliot Fletcher (1996) - is a trans man - has stated that if you roleplay using him as a faceclaim to not comment on his body.
Leo Sheng (1996) Chinese - is a trans man.
Nicole Maines (1997) - is a trans woman.
Asuka (1998) Japanese - is a trans woman.
Nakayama Satsuki (1998) Japanese - is a trans man and is asexual.
Georgie Stone (2000) - is a trans woman.
Quei Tann (2000) African-American - is a trans woman and a lesbian.
Tylan Grant (2001) Zambian / English - is a trans man - is autistic.
Josie Totah (2001) Palestinian Arab / Lebanese Arab, Italian, Irish, German - is a trans woman.
Casil Mcarthur (?) - is a trans man.
Third gender:
T'áncháy Redvers (1994) Denesuline, Metis, Unspecified White - two-spirit and genderfluid and pansexual (they/them).
here’s a masterlist of 75+ music - based names. names will be separated by music / musician / song. names based on music will specifically be based on musical terms or musical instruments. there will be twenty-five names (not including variations) in each section. if you found this at all helpful, please reblog / like.
I woke up with Celeste Aida stuck in my head and nothing wrong this far the problem is *this* is the specific rendition that's been replaying in my head
Êxtase Musical um Dom da Cura para a Humanidade - 2
NOTAS CHAVE PARA CADA RAIO DIVINO
A Lista de músicas abaixo, foi elaborada pelo grupo de estudos dos Mestres Ascensos da Summit Lighthouse de Minnesota EUA, baseada nos ensinamentos dos Mestres Ascensos.
Estas músicas ajudam muito na elevação das energias de cada um dos 7 chakras e de sua casa também. Quando tocamos a nota chave de um Mestre Ascenso, isto magnetiza a Sua Presença entre nós.
MÚSICAS DO 1º RAIO DA VONTADE DIVINA:
Albinoni: Adagio
Aloha Oe
Beethoven: Symphony No. 5
Beethoven: The Heavens Are Sounding
Bizet: Intermezzo from Carmen
Bruckner: Symphony No. 9
Dykes: Eternal Father
Elgar: Nimrod Variation
Elgar: Pomp and Circumstance March #1
Franck: Panis Angelicus
Gounod: Solidier’s Chorus
Grieg: Anitra’s Dance
Grieg: In the Hall of the Mountain King
Khachaturian: Adagio from Spartacus
Liszt: Hungarian Rhapsody #15
Respighi: Saint Michael, Archangel
Rimsky Korsakoff: Song of India
Sibelius: Karelia Suite (Intermezzo)
Smetana: Die Moldau
Sousa: Semper Fidelis
Wagner: Bridal Chorus
Wagner: Entrance of the Gods into Valhalla
MÚSICAS DO 2º RAIO DA ILUMINAÇÃO:
Beethoven: Ode to Joy
Bethoven: Symphony No. 6 (5th Movement)
Beethoven: Victory Symphony
Berlioz: La Marseillaise
Finden: Kashmiri Song
Foster: Beautiful Dreamer
Franck: All Music
Gliere: Dance of the Golden Fingers
Grieg: Dawn
Herbert: Ah! Sweet Mystery of Life
Nielsen: Helios Overture
Pachelbel: Gigue
Praise God From Whom All Blessings Flow
Puccini: Un Bel Di
Rimsky Korsakov: Invisible City of Kitezh
Romberg: Golden Days
Vaughn Williams: Greensleeves
Vaughn Williams: The Lark Ascending
Wagner: Evening Star
MÚSICAS DO 3º RAIO DO AMOR:
Bach: Air on a G String
Borodin: Polvestian Dances
Chopin: Piano Concerto No. 1
Frilm: Indian Love Call
Homing: At Dawning
Kreisler: Caprice Viennois
Lehar: Yours Is My Heart Alone
Mascagni: The Lord Now Victorious from Cavalleria
Puccini: Intermezzo from Suor Angelica
Puccini: Musette Waltz
Rachmaninov: Symphony No. 2 (3rd Movement)
Saint Saens: The Swan
Sibeluis: Finlandia
Sibelius: Symphony No. 2
Wagner: Isolde’s Transfiguration
MÚSICAS DO 4º RAIO DA PUREZA
Adams: O Holy Night
Bach: Toccata and Fugue in D Minor
Beethoven: Leonore No. 3
Beethoven: Nine Symphonies
Bethove: Symphony No. 9 (3rd Movement)
Gounod: Angel’s Chorus
Grieg: Piano Concerto in A Minor
Liszt: Benediction of God in the Solititude
Liszt: Christus
Liszt: Faust Symphony (2nd Movement)
Liszt: Hungarian Rhapsody No. 2
Liszt: Liebestraum No. 3
Mahler: Symphony No. 5: Adagietto
Mascagni: Intermezzo
Rubinstein: Angelique Reve
Schubert: Ave Maria
Schubert: Symphony No. 9
Verdi: Anvil Chorus
Verdi: Celeste Aida
Verdi: Triumphal Scene
Wagner: Fest March
Wagner: Parsifal Prelude Act 1
MÚSICAS DO 5º RAIO DA CURA E DA VERDADE
Beethoven: Moonlight Sonata
D’Indy: Symphony on a French Mountain Air
Franck: Prelude, Choral and Fugue
Glinka: Variations on a Theme by Mozart
Handel: Messiah Overture
Liszt: Un Sospiro
Loewe: Heather on the Hill
Mozart: Rondo Alla Turca
Mozart: Sinfonia Concertante
Pachelbel: Canon
Rachmaninoff: 2nd Piano Concerto
Sullivan: Onward Christian Soldiers
Wagner: Tannhauser Overture
MÚSICAS DO 6º RAIO DA PAZ E DO SERVIÇO
Adams: The Holy City
Anon: Londonderry Air
Bach: Come Sweet Death
Bach: Sleepers Awake
Batiste: Pilgrim’s Song of Hope
Bohm: Calm as the Night
Boito: Prologue in Heaven from Mefistofele
Brahms: Lullaby
Byrd: Pavane for the Earle of Salisbury
Deep River
Delibes: Coppelia Suite
Delius: On Hearing the First Cuckoo in Spring
Gluck: Dance of the Blessed Spirits
Handel: Joy to the World
Humperdink: Children’s Prayer
Leoncavello: Mattinata
Mahler: Symphony No. 2
McDowell: To a Wild Rose
Mendlessohn: Spring Song
Mozart: Laudate Dominum
Novello: Rose of England
Rachmaninoff: 18th Variation
Rimsky Korsakov: Russian Easter Overture
Romberg: One Alone
Straus: My Hero from The Chocolate Soldier
Tchaikovsky: Amen from Peter Noster
Verdi: Laudi Alla Vergine Maria
Vivaldi: "Spring" from Four Seasons
Wagner: Parsifal
MÚSICAS DO 7º RAIO DA LIBERDADE e CHAMA VIOLETA
Bruckner: Syphony No. 7
Hovhaness: Mysterious Mountain
J. Strauss Jr.: Tritsch: Tratsch Polka
J. Strauss Jr.: Voices of Spring
Mendelssohn: War March of the Priests
Prokofiev: Classical Symphony
R. Strauss: Der Rosenkavalier Watzes
Respighi: St. Gregory the Great
Rodrigo: Concierto Aranjuez (Adagio)
Schumann: Symphony No. 4
Strauss Jr.: Blue Danube
Strauss Jr.: Tales from Vienna Woods
Strauss Sr.: Radetzky March
Tchaikovsky: Trepak from Nutcracker
Wagner: Magic Fire Music
Wagner: Ride of the Valkries
Músicas Frequenciais
Estas freqüências sonoras foram aparentemente utilizadas em cantos gregorianos antigos, tais como o grande hino de São João Batista (…)
Acreditava-se que esses cânticos e os seus tons especiais tinham o poder de transmitir bênçãos espirituais quando cantados em harmonia durante encontros religiosos. Estas poderosas freqüências foram redescobertas pelo Dr. Joseph Puleo, como descrito no livro "Healing Codes" para o "Biological Apocalypse" de Leonard Horowitz.
PESQUISAS CIENTÍFICAS DIVERSAS COMPROVAM QUE O SOM AFETA A ESTRUTURA MOLECULAR DA ÁGUA.
NOSSO CORPO É 70% ÁGUA, NOSSO PLANETA É 3/4 DE ÁGUA, PORTANTO…
Os Seis "Solfeggio Frequencies" incluem:
UT 396 Hz - Libertando-se da Culpa e do Medo
RE 417 Hz - Desfazendo Complicações e Facilitando as Mudanças
MI 528 Hz - Transformação e Milagres (Reparador de DNA)
FA 639 Hz - Melhorando Relacionamentos
SOL 741 Hz - Despertando a Intuição
LA 852 Hz - Amor Incondicional/ Retornando ao Plano Espiritual / Reencontrando nosso EU SUPERIOR
As Músicas foram compostas por Jandy AKA
UT 396 Hz - Libertando-se da Culpa e do Medo
youtube
MI 528 Hz - Transformação e Milagres (Reparador de DNA) 528 HZ É A FREQÜÊNCIA : a) da glândula pineal (centro do cérebro) b) do chakra do coração (centro do corpo) c) da cor verde (centro do spectro luminoso) segundo observações laboratoriais, através desta frequência de SOM, tanto a ÁGUA como o DNA são "milagrosamente" REESTRUTURADOS / REGENERADOS.
https://youtu.be/tZrBRQn6K0A
FA 639 Hz - Melhorando Relacionamentos
https://youtu.be/hwrMn0_0Phs
SOL 741 Hz - Despertando a Intuição
https://youtu.be/YHM8-mT6CBo
LA 852 Hz - Amor Incondicional/ Retornando ao Plano Espiritual / Reencontrando nosso EU SUPERIOR.
https://youtu.be/SeMn69Alu8k
936Hz - PARA ATIVAR A GLÂNDULA PINEAL
https://youtu.be/3h2mJnvRbZ8
Invocação à Luz
A Invocação à Luz auxilia você a "prender" o Campo Unificado em posição e aumenta a absorção da Luz.
Eu vivo na Luz. Eu amo na Luz. Eu rio na Luz.
Eu Sou sustentado e nutrido pela Luz.
Eu sirvo alegremente à Luz.
Pois EU SOU a Luz.
EU SOU a Luz.
EU SOU a Luz.
EU SOU.
EU SOU.
EU SOU.
Arcanjo Ariel
CÉLULAS TUMORAIS EXPOSTAS À "QUINTA SINFONIA", DE BEETHOVEN, PERDERAM TAMANHO OU MORRERAM.
Mesmo quem não costuma escutar música clássica já ouviu, numerosas vezes, o primeiro movimento da "Quinta Sinfonia" de Ludwig van Beethoven. O "pam-pam-pam-pam" que abre uma das mais famosas composições da História, Descobriu-se agora, seria capaz de matar células tumorais - em testes de laboratório.
Uma pesquisa do Programa de Oncobiologia da UFRJ expôs uma cultura de células MCF-7, ligadas ao câncer de mama, à meia hora da obra. Um em cada cinco delas morreu, numa experiência que abre um nova frente contra a doença, por meio de timbres e frequências. A estratégia, que parece estranha à primeira vista, busca encontrar formas mais eficientes e menos tóxicas de combater o câncer: em vez de radioterapia, um dia seria possível pensar no uso de frequências sonoras.
O estudo inovou ao usar a musicoterapia fora do tratamento de distúrbios emocionais. - Esta terapia costuma ser adotada em doenças ligadas a problemas psicológicos, situações que envolvam um componente emocional. Mostramos que, além disso, a música produz um efeito direto sobre as células do nosso organismo - ressalta Márcia Capella, do Instituto de Biofísica Carlos Chagas Filho, coordenadora do estudo.
Como as MCF-7 duplicam-se a cada 30 horas, Márcia esperou dois dias entre a sessão musical e o teste dos seus efeitos. Neste prazo, 20% da amostragem morreu. Entre as células sobreviventes, muitas perderam tamanho e granulosidade. O resultado da pesquisa é enigmático até mesmo para Márcia. A composição "Atmosphères", do húngaro György Ligeti, provocou efeitos semelhantes àqueles registrados com Beethoven.
Mas a "Sonata para 2 pianos em ré maior", de Wolfgang Amadeus Mozart, uma das mais populares em musicoterapia, não teve efeito. - Foi estranho, porque esta sonata provoca algo conhecido como o "efeito Mozart", um aumento temporário do raciocínio espaço-temporal - pondera a pesquisadora. - Mas ficamos felizes com o resultado. Acreditamos que as sinfonias provocaram apenas alterações metabólicas, não a morte de células cancerígenas.
"Atmosphères", diferentemente da "Quinta Sinfonia", é uma composição contemporânea, caracterizada pela ausência de uma linha melódica. Por que, então, duas músicas tão diferentes provocaram o mesmo efeito?
Aliada a uma equipe que inclui um professor da Escola de Música Villa-Lobos, Márcia, agora, procura esta resposta dividindo as músicas em partes. Pode ser que o efeito tenha vindo não do conjunto da obra, mas especificamente de um ritmo, um timbre ou intensidade. Quando conseguir identificar o que matou as células, o passo seguinte será a construção de uma sequência sonora especial para o tratamento de tumores. O caminho até esta melodia passará por outros gêneros musicais.
A partir do mês que vem, os pesquisadores testarão o efeito do samba e do funk sobre as células tumorais. - Ainda não sabemos que música e qual compositor vamos usar. A quantidade de combinações sonoras que podemos estudar é imensa - diz a pesquisadora. Outra via de pesquisa é investigar se as sinfonias provocaram outro tipo de efeito no organismo. Por enquanto, apenas células renais e tumorais foram expostas à música.
Só no segundo grupo foi registrada alguma alteração. A pesquisa também possibilitou uma conclusão alheia às culturas de células. Como ficou provado que o efeito das músicas extrapola o componente emocional, é possível que haja uma diferença entre ouví-la com som ambiente ou fone de ouvido. - Os resultados parciais sugerem que, com o fone de ouvido, estamos nos beneficiando dos efeitos emocionais e desprezando as consequências diretas, como estas observadas com o experimento - revela Márcia.
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ODE À ALEGRIA - 9ª Sinfonia de Beethoven
Em vez de entrar nas atividades normais, você pode escolher entrar na Vibração Divina dessas 10.000 vozes. Dê-se um tempo, sem pressa. Esta será sua sessão de Cura. Fique confortável e ligue o som. Entregue-se. Abra todos os seus Chakras, Meridianos e Poros para receber em seus corpos (Físico, Emocional, Mental, Espiritual) as ondas sonoras emitidas. Conscientize-se de que essa vibração tem Poder e Cura. Coloque suas mãos aonde dói e onde Você sente que precisa de Energia. Percorra delicadamente com suas mãos todos os locais onde seu corpo está fragilizado.
Acredite. Agradeça. Deus está Presente.
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MÚSICA PARA EQUILIBRAR OS HEMISFÉRIOS CEREBRAIS (melhor se ouvido com fones de ouvido)
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852 Hz➤ LIBERAR MEDO, PENSAMENTOS REPETITIVOS, PREOCUPAÇÕES & ENERGIA
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Música Xamânica - Para ATIVAR ENERGIA DE CURA, Eliminar Ansiedade, Medo e Negatividade
To celebrate 300 followers, here I come with a new translation project; namely, for Italian songs.
I decided to start with lyrical music, which, next to popular songs, are the oldest I could find, to gradually move on to more recent times.
The aria I'll translate in this post comes from the Aida. A four-act opera by Giuseppe Verdi on a libretto by Antonio Ghislanzoni. It was commissioned by Ismail Pasha, khedivè of Egypt, with intercession by Auguste Mariette, first director of the Egyptian Museum of Cairo, in the occasion of the opening of the Suez Canal.
The plot goes as follows: Ethiopian princess Aida has been captured during an Egyptian campaign against her country, but nobody knows her actual rank and considers her just a serving girl. Her father is planning to invade Egypt to retrieve her,but she has fallen in love with the young Egyptian commander Radames. This guy is chosen to be the one to lead Egypt's army against Amonasro, Aida's father, leaving the poor girl torn between the love for her father and country and that for her lover; in the meantime, she is tormented by Amneris' the Pharaoh's daughter, who is also in love with Radames.
The Egyptian general wins the battle, and shows up with Ethiopian prisoners among whomst, unknown to everyone, is Amonasro. He manages to convince the Pharaoh to concede liberty to the war prisoners, except for Aida and Amonasro as hostages. But during a private conversation with Aida, he ends up revealing her information on the position of the Egyptian troops; Aida and her father escape, and Radames is left there believing he has betrayed his king and country. He is sentenced to death by being buried alive, but Aida reaches him to share his sentence; the two lovers accept to die together renewing their feelings for each other, and Amneris is left in tears on their grave.
This aria come from the first act; sung bt Radames, about his desire to be the general and prove himself to everyone - and especially Aida.
Se quell guerrier io fossi
Were I that warrior
Se il mio sogno si avverasse
Were my dream to come true
Un esercito di prodi da me guidato
An army of braves led by me
e la vittoria e il plauso di Menfi tutta
and victory and praise from all of Memphis
E a te, mia dolce Aida
And to you, my sweet Aida
Tornar di lauri cinto
Return crowned in laurel
Dirti: per te ho pugnato per te ho vinto
Tell you: for you I fought for you I won
Celeste Aida, forma divina
Heavenly Aida, divine form
Mistico serto di luce e fior
Mystic crown of light and flowers
Del mio pensiero tu sei regina
You are the queen of my thought
Tu di mia vita sei lo splendor
You are the splendor of my life
Il tuo bel cielo vorrei ridarti
I'd like to give back to you your beautiful sky,
Le dolci brezze del patrio suol
The sweet breezes of your native land
Un regal serto sul crin posarti
To place a royal crown on your head
Ergerti un trono vicino al sol, ah
To build you a throne next to the sun
Celeste Aida, forma divina
Heavenly Aida, divine form,
Mistico raggio di luce e fior
Mystic ray of light and flowers
Del mio pensiero tu sei regina
You are the queen of my thought
Tu di mia vita sei lo splendor
You are the splendor of my life
Il tuo bel cielo vorrei ridarti
I'd like to give back to you your beautiful sky
a throne next to the sun
Le dolci brezze del patrio suol
the sweet breezes of the native land
Un regal serto sul crin posarti
to place a royal crown on your head
Ergerti un trono vicino al sol
To build you a throne next to the sun
Un trono vicino al sol
A throne next to the sun
Un trono vicino al sol
a throne next to the sun
Check the reblogs to hear the music, because this hellsite of Tumblr doesn't show posts in the tags if there are external links.
hi cat, hi mouse! i hope your day has been lovely! i'm working on a mw queue for my rp, and i need more non binary fc's with resources! could you help me out? <3 thank you so much in advance!
Sara Ramírez (1975) Mexican and some Irish - non-binary, queer and bisexual (they/them) - has spoken up for Palestine!
Leah Lakshmi Piepzna-Samarasinha (1975) Tamil Sri Lankan, Burgher Sri Lankan / Romani, Irish - is non-binary transfeminine and autistic (they/she).
Ser Anzoategui (1979) Argentinian, Paraguayan - is non-binary (them/him/she).
Andrew Gurza (1984/1985) Jewish - is non-binary (they/them) and has cerebral palsy.
Asia Kate Dillon (1984) Ashkenazi Jewish / Unspecified - non-binary and pansexual (they/them) - has spoken up for Palestine!
Pidgeon Pagonis (1986) Mexican and Greek - is intersex and non-binary (they/them) - has spoken up for Palestine!
Janelle Monáe (1985) African-American - is non-binary (has said "pronouns are free-ass motherfucker—and they/them, her/she.")
Elliot Page (1987) - is trans non-binary (he/they).
Jonathan van Ness (1987) is non-binary (they/she/he) - has spoken up for Palestine!
Poppy Liu (1990) Chinese - is non-binary (she/they) - has spoken up for Palestine!
Olly Alexander (1990) - is non-binary and gay (he/him) - has spoken up for Palestine!
Vico Ortiz (1991) Puerto Rican - non-binary (they/them) - has spoken up for Palestine!
Jacob Tobia (1991) Syrian - is non-binary (they/them).
Alok Vaid-Menon (1991) Malayali and Punjabi from Malaysia and India - is gender non-conforming and transfeminine (singular they) - has spoken up for Palestine!
E.R. Fightmaster (1992) - is non-binary (they/them).
Alex Newell (1992) African-American - is non-binary and gay (he/she/they/all pronouns).
Emma D’Arcy (1992) - is non-binary (they/them) - has spoken up for Palestine!
Theo Germaine (1992) - is non-binary (they/them).
Jesse James Keitel (1993) - is a non-binary trans woman (she/her).
Olive Gray (1994) Zambian / White - is non-binary and queer (they/them) also has ADHD dyspraxia and dyslexia.
Dua Saleh (1994) Tunjur Sudanese - is non-binary (they/xe).
Bilal Baig (1995) Pakistani - non-binary, queer trans-feminine (they/them).
Mason Alexander Park (1995) Spanish and Mexican - is non-binary (they/them).
Emma Corrin (1995) - is non-binary (they/them).
Kehlani (1995) African-American, Blackfoot, Cherokee, Mexican, Filipino, Choctaw, and White - non-binary womxn, lesbian and polyamorous (she/they) - has spoken up for Palestine!
James Majoos (1996) Black South African - is non-binary (they/them).
Aida Osman (1996) Eritrean - is non-binary and queer (she/they).
Quintessa Swindell (1997) African-American / White - is non-binary (they/he) - has spoken up for Palestine!
Blu del Barrio (1997) Argentinian - is non-binary (they/them) - has spoken up for Palestine!
Misha Osherovich (1997) Russian Jewish - is non-binary (they/them).
Celeste O'Connor (1998) Kenyan - is non-binary (they/them) - has spoken up for Palestine!
Ryan Simpkins (1998) - is non-binary (they/she).
Chella Man (1998) Hongkonger and Jewish - is deaf, trans genderqueer and pansexual (he/they) - has spoken up for Palestine!
Sabrina Wu (1998) Chinese - is nonbinary (they/them).
Alin Szewczyk (1999) - is non-binary (they/them).
Pedro Vinícius (1999) Brazilian - is non-binary (she/her).
Sivan Alyra Rose (1999) Chiricahua Apache / Afro-Puerto Rican, Creole - is genderfluid and pansexual (they/them).
Lizeth Selene (1999) Mexican [Black and Unspecified Indigenous] - is genderfluid (they/she).
Zoe Terakes (2000) Greek - is a trans-masc non-binary guy (they/he) - has spoken up for Palestine!
Ari Notartomaso (2001) - is non-binary (they/he) - has spoken up for Palestine!
Lachlan Watson (2001) - is non-binary (they/them).
CG / Queer as Folk (?) African-American - is non-binary (they/them).
Hey anon! I have a masterlist of non-binary faceclaims here too but I've copied them here for ease.