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#catherine x mary
femininemenon · 7 months
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KATHERINE OF ARAGON and MARY TUDOR THE SPANISH PRINCESS (TV Series 2019—2020)
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21stcenturyroyals · 4 months
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INCORRECT ROYAL QUOTES | 21ST CENTURY ROYALS (2000-2099) | 1x24: “There's a new King in town”
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dailyreigngifs · 5 months
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"Reign" Pulling Strings (TV Episode 2017)
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chrlvctius · 7 months
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they literally said let's exchange gifts fr
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Future au
Mary (16): *trying to annoy Anne* hey Anne, how old is your girlfriend?
Anne (26) : like, 42. Why?
Mary: Damn. She’s so old she could be my mom.
Anne:*drags Lina out* that’s because she is your mom.
Mary: MOM?!
(For legal reasons, they have only been dating for a year. For my safety purposes, this is a joke. Please don’t kill me)
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gulnarsultan · 1 year
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How would Yandere platonic Catherine of Aragorn react to see Reader (Henry’s 8 eldest daughter) holding baby Mary in her arms, saying “Don’t worry baby sister, your older sister will protect you from any dangers.” And she’s rocking Mary back and forth, so she won’t cry and starts singing a lullaby (Reader’s mother was singing the same lullaby, before she died). The same goes for Yandere platonic Anne Boleyn and Jayne Seymour and Henry 8 to see Reader holding baby Elizabeth and Edward rocking them back and forth, singing lullabies.
I think yandere platonic Henry’s 8 wives only wished that Reader would be their daughter. Also this sight would warm their hearts.
So how would Yandere platonic Henry 8, Catherine of Aragorn, Anne Boleyn and Jayne Seymour react to the scenario I wrote above? Can you describe their feelings and what would they do? Something tells me that Mary, Elizabeth and Edward would be obsessed with their older sister.
The Princess is King Henry's first child born to his precious first wife. She's the only Princess who doesn't mind being a girl. Henry has always been the perfect father to the Princess. In fact, Catherine is very happy and emotional at this sight. She's most likely supporting Princess Catherine every time she miscarried and lost a baby. That's why the Princess means a lot to Catherine. For Catherine, the Princess' consolation is the only support for her disappointment and sadness at not giving birth to a man. I think Anne Boleyn will treat the Princess better than Mary. At first it was because she was afraid of the King. However, as she loves the Princess in a short time, she tries to get along with her. When Anne gives birth to a daughter, she finds solace in the Princess. The only shelter of the mother during the miscarriages and baby losses is the Princess. It will likely prevent Princess Anne's execution. However, even if he cannot prevent it, he will protect Elizabeth. The princess will ensure that both Mary and Elizabeth have titles. Thanks to the princess, Mary will be able to see her mother. Mary and Elizabeth become very attached to the Princess after the loss of their mother. Jane loves the Princess very much. She dreams of having a daughter like a Princess. The Princess supports her until Jane gives birth. The princess takes on the role of mother for Edward after Jane dies. Mary, Elizabeth and Edward see the Princess as mother and older sister figures. I expect all three of them will be yandere. The assurance, support, love and attention they receive in their lives comes from the Princess. The Princess takes the place of their mother, who never existed in their lives. So it's not surprising that they developed unhealthy tendencies for the Princess.
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eobard-thawne · 10 months
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"I don't want your promise. I don't need it. Perhaps no one will understand my marriage to you. But I speak to you, and you answer. I ask you to do things. Sometimes you do, sometimes you don't... but you do at least listen. To my thoughts, to my decisions. As if I were a person." CATHERINE PARR IN BECOMING ELIZABETH (2022)
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imobsessedwiththeatre · 4 months
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Catherine and Mary fanart! In tudors outfit again but not as six cast :_)
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hiatuswhore · 1 year
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Viper IV
Reputation: The Princess of Conde, said to be a lover of games. Perhaps chess, a game requiring one to think many steps ahead and anticipate your enemies next move. For every missteps brings you closer and closer to defeat.
VIPER III: Versatility
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YOU NEVER KNEW FRENCH COURT TO BE SO DULL. The privy council drolling on about issues they will never resolve. No plots or ploys, you settle on a ceasefire allowing the Queen Consort a period of reprieve. You busy yourself with strolls with Sebastian and feigning interest in many high Lord's pursuits of your hand. This does not stop the Queen Mother from focusing on your every movement. Nor are you a fool to the servant in your ranks who reports to her. All information they receive perfectly curated to your liking.
Sitting at your vanity, you huff like a child on the verge of a tantrum. Whispers containing scandals so minuscule you are certain the histories will write you as the first to truly die from boredom.
“Dahlia, any news on the parchment I sent to my brother?” You ask. The shake of your handmaiden’s head garnering another huff. “He wants me to come home, but I have far too much to do here.”
“Princess, you must stop fussing so I can finish your hair,” Dahlia’s silvery voice and gentle touch gaining an apologetic smile. The light tapping of your chamber door stills your handmaiden, your head turning toward the door. Dahlia crosses the room. Opening it, she bows respectfully before lowering her gaze and stepping aside.
“My King,” You rise to your feet, a grin on your lips as you curtsy. Francis chuckles, shaking his head as you ask what you can do for him.
“My wife seems to believe you have a vendetta against her. I am no fool of the deep care you hold for your brother. This afternoon you will invite her on your evening stroll, just the two of you,” Your head tilts to the side, a wide smile taking your features, hiding the thorns beneath rosy-colored petals.
“While I admit I was not very fond, I thought to have clarified my intentions with your wife. Very well, we will have a lovely evening at once,” Clasping your hands in front of you, stepping forward, you peck his cheek. His nose grazes your cheek as he turns to meet your gaze.
“We are not children anymore. You know this is not appropriate,” His words leave him in a breathy whisper. You wet your lips, offering a warm smile.
“I meant nothing untoward, Francis. You are dear to me. I would never have you jeopardize your honor,” Only run it off a cliff, the heat of his skin warming your own at the proximity. His head tilts forward so slightly you nearly miss it as he stiffens. You pull away first, brushing past him with a knowing smirk.
The long corridor from your chambers holds a sea of faces that matter little as you make your way to the kitchens. Fetching to chalices of wine, your smiles large as Mary and Catherine’s eyes land on you. They stand in the throne room, speaking quietly amongst themselves.
“Queen Mother. Her grace. My apologies for the intrusion. I hoped to steal the Queen for a stroll. I even brought us wine,” You say, holding out the chalice. Silence dances between the three of you. Both Catherine and Mary eye the cup in your hand warily, the smile on your lips wicked. She knows she cannot refuse. To do so slights the Princess of Conde--another slight against the De Bourbon family, her kin-in-law.
“Of course, Princess,” Mary swallows thickly, her voice wavering as her fingers brush your own against the cup. She glances at Catherine a final time before joining your side. You wear a kind smile, your airy aura filling the halls. You ramble to Mary just as you do with a dear friend, noting how the chalice in her hands has stayed there.
“What a lovely day. Isn’t it lovely?” Stepping outside, you turn to Mary, her strained smile and stiff posture fueling your amusement. Catherine stands with Francis on the second-floor terrace watching the two of you.
“Very lovely indeed,” Mary mutters, following your toothy smile up the terrace. She’s greeted with differing expressions. Francis wears one of encouragement as Catherine stands as though a guillotine awaits.
“Mary, you are not very good at this game. You went to Francis of your fears, rightful fears, but now here we are. Let me help you understand your particular situation. This is a game of reputation. I very publicly invited you to wine and a stroll. The part the people do not know is that it is at the King's behest. Now imagine if word spreads, you refused my efforts for peace after all you brought upon my brother? What a lecherous cunt,” You scoff, speaking barely above a whisper, shaking your head, a smile painting your lips. Mary’s eyes narrow, her shoulders falling at her side. Stepping into the trap before it was even set.
“I am the Queen. You are my subject in my court!” The ferocity of her tone unlike anything you ever expected of her. You would have commended her in another life, but now your smile falls as you stumble back. Mary’s frown distinct as your eyes well with tears. You shift your gaze down sharply, cowering like a frightened child—the antithesis of your nature.
“My apologies, your grace. Will you excuse me?” You curtsy, wiping the faux tear from your cheek. Mary’s eyes bounce around the open grass field. Ladies and Lords alike lounge around different fixtures watching the exchange. Realization cuts through like a blade to skin, your sorrow not reaching your eyes. Oh, how this game suits you.
“Princess,” Mary breathes out, watching as you fiddle with your fingers. The comely and giving Princess standing before the aggressor, the cruel Queen.
“My apologies, your grace. I know our histories are—” You cry out, the approaching mop of blonde hair arriving with impeccable timing.
“Mary, a word,” The clench of the King’s jaw clear despite the mask of calm he wears. You offer a respectful curtsy heading back toward the castle with your head low. Inside, Catherine greets you with a sneer; taking her hands, you smile.
“I detest you. You wretched girl,” Catherine squeezes your hands tights, to onlookers a warm exchange between family. The Queen Mothers' smile as warm and deceitful as your own.
“Oh, Catherine. To hate me is to hate yourself. I learned all I know from watching you,” You lean forward, kissing both her cheeks. The softening of her glare was not lost on you before excusing yourself. Like wildfire, the word spread of your exchange; invitations of tea and strolls pouring into your chamber like water to a glass.
By noon, you receive word of a private family supper. You naturally assume it to be the workings of Francis but still consider others. While Mary navigates your game as well as a blind man at sea, you await Catherine to guide her hand. You wear a courteous smile as the hundredth invite for tea arrives, your empty promises of soon arranging a meeting becoming almost instinctive.
“(Y/n)!” Your eyes widen at the squeal. Claude rushes down the corridor, her arms wide open. She nearly tackles you to the ground in a hug, squeezing so tight it may very well suffocate you.
“Thank god! This place is so terribly boring,” You exclaim, stepping off to the side. Claude smirks. “I was so upset to learn I had just missed by mere hours the day I arrived.”
“I hear my brother's wife made you cry, and I know for certain that is not the case. You must tell me your machinations at once,” Claude whispers, leaning in close. The two of you stop at the corner, appearing like giddy children.
“That would spoil the fun dear cousin!” You say, crossing your arms and mirroring her smirk.
“The Scottish Queen is doomed then, but that must wait. We have much to catch up on,” Claude hooks her arm in your own. She leads you down the hall, her animated rambling taking the whole of the conversation as you listen intently.
“You slept with Ser Harlin?” You gasp, stopping in your tracks. The French Princess bit her bottom lip, grinning like a madwoman. She spares you not a single detail of her exploits with the pagan warrior, a burly man of few words.
“How have you not? I know, no Lord who looks like him. We must have our fun before our brothers decide to try and marry us off,” Claude says, shrugging your shoulders, your matter-of-fact tone dripped in certainty, “I believe my brother knows if he forces a husband upon me, that poor soul will not make it to our marital bed.”
“Well, if Francis makes me marry, can I count on your diligence in my indoctrination to widowhood?” Claude teases. Nodding your head, you stand straight up with a playfulness to your tone, “I swear this oath to you in perpetuity, my princess.”
“I see you two muck about once more,” Francis greets his sister with a warm hug, his eyes meeting yours with a long pause. Claude’s gaze bounces between the two of you, chuckling shamelessly.
“All these years and nothing changes. Well, you two clearly need a moment. Mother!” Claude calls out, skipping away before either of you can say a word. You bite the inside of your cheek, certain you will not lead this conversation.
“I wish to apologize on behalf of Mary,” Francis says, studying how you render your face expressionless.
“It’s clear the Queen does not seek forgiveness, but who I am to ask that of the Queen. I do not believe she likes me very much. I think I should soon leave,” You shrug your shoulders, pursing your lips. A huff leaves him, taking the bait as easily as you threw it.
“You will do no such thing. I want you here, so that is where you shall be.” Francis taking your hand in his own, the closeness intoxicating—inviting far too inappropriate for the open hall. You wet your lips, watching his eyes travel to them.
“Of course, my King.” The batting of your lashes and low hum of your voice garnering a deep sigh. Francis closes his eyes, rolling back his shoulders as he releases your hand. “Are you unwell, your grace?”
“You very well know what I am at this given second,” He tilts his head, giving you a knowing look. Leaning in closer, your pointed stare and lopsided grin doing the young King no favors.
“You are King, Francis. It is well within your right to reach for what you want. Who you want,” Placing your hand on his shoulder, you trail your pointer finger up the side of his neck and back down at a tantalizingly slow pace.
“I will not be my father,” Francis says, disappearing into his own mind before you. Your hand travels up to his cheek, pulling him back to the present, testing your limits with your thumb tracing his bottom lip.
“You could never. Far too honorable. Too good,” You draw your words out, the slow whisper and dark eyes evaporating those around you from view. The few who linger in the corridor pretend as though you both are not the center of attention. You lean up, pecking his cheek once more, resting your cheek against his, your breath tickling his ear. Your eyes on the dark mop of hair down the hall, “I am your first love. Mary shall be your last, it seems. Your grace.”
You step back, noting how he stares at you, the adoration clear as day. Curtsying, you brush past him. At the end of the hall, you stop shoulder-to-shoulder with the Scottish Queen. Her glassy staring forward as though someone has commanded it. You do not spare her glance on even turn to address her, your face now one of stone.
“Please, Princess. Ask anything of me, and it is yours.” Mary swallows thickly, her eyes on her husband's back as he continues down the hall. When he turns the corner, she turns to you, your gaze still forward.
“Your demise.”
MASTERLIST
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Please Don’t Hate Me
I need to start by stating that I really liked the Red, White, and Royal Blue movie. The cast and crew were amazing and this was a sorely necessary movie in the queer community as far as representation goes. I am also really bad at separating a movie from its source material. So this is just an opinion on some representation, both feminine and queer, that I wish had been in the movie.
First, with the female representation. Most obviously, the fact that June was written out, Princess Catherine was absent, and Queen Mary was switched to King James III.
Even while Alex is the main character, June is the heart of the Claremont-Diaz family. Alex and Ellen are too wrapped up in caring for the nation that they can sometimes forget that they need looking after themselves.
Combine this with keeping Ellen married to Oscar (she and Oscar are too similar, but Leo took care of her) and taking away some of her more nurturing characteristics (good thing bad thing), Alex’s family seems less supportive in the movie than the book.
This is similar to the problem I have with removing Princess Catherine. Henry has Bea’s support, but with the watered down Bea, that’s almost an empty corner. Princess Catherine is what forces the Queen to support Henry and Alex, and that is the first time Henry has felt a parent’s love since his father died. It’s just so important to his story, but I can understand why it was cut.
But why did they have to water Bea down so much? I don’t need the Powder Princess scandal, but if Bea is Henry’s only support, show that she is strong enough to back him for real. Throw her in a leather jacket, send her out to a party with the group, and show an electric guitar in the corner of the music room. It didn’t have to be anything big, but give her back her fire!
Then there’s Queen Mary, which I don’t really mind the switch since it gave us Stephen Fry as King James and the prime minister was a woman. I just felt like it lost some of the symbolism of the female heads of the nations and their opposite viewpoints on FirstPrince and tradition.
Lastly, there’s Nora. I liked her, I really did, but I wish they had mentioned that she went to MIT, even just Alex calling her MIT like he does in the book. There are places of higher learning, particularly in STEM, that kept women out for far too long. It would have been a great boost to show a woman being a graduate of the most well known technical institute in the country.
The only woman I was completely satisfied with was Zahra, they kept her as tough as nails!
Before I start on queer representation, remember that I do realize how important this movie is as a mainstream representation of queer love. However:
By taking out June, they took away the June/Nora/Pez relationship. I personally think that June and Nora were in a relationship and Pez just joined in while he’s in town. But still, a polyamorous secondary relationship in a rom com would have been nice.
That also takes away Nora’s bisexuality, which is just bi erasure! (And I know Alex says he’s bi, but that scene when Zahra calls him and Henry homosexuals bothers me! It erases Alex’s bisexuality!)
Rafael Luna was a huge impact on Alex, and showing an openly gay senator would have been amazing.
I am glad that, since they only kept one secret service agent, that they kept Amy. However, I do miss Cash and his pansexual jean jacket!
Moving on to Amy, I don’t mind that they didn’t mention that she is trans, especially since she is played by a trans actress and that was only brought up in Alex’s thoughts in the book. I do wish she had brought up her wife. There was such a good window of opportunity when she and Alex are talking about her dog. “You know my wife and I named our dog Jonathan.”
The addition of Miguel Ramos brings in the “gays are evil and vindictive” stereotype. Especially considering he was the only other openly queer person in the movie
On a lighter, headcanon note, I see Bea as at least ace, if not aroace, which sucks that it wasn’t included, but it makes sense since it’s not canon. Also, Princess Catherine cuffs her jeans, so she’s obviously bi lol
Again, the book is perfection, and I love the movie in its own right too. These are just some things that were missed or added that I wish changed in the movie!
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ladywatereton · 19 days
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HUZZAH!🥂💥💖🫧
🎥 The Great (2020-3).
🎶 National Anthem, Lana Del Rey & Andrian. (Audio Edit).
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femininemenon · 1 year
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KATHERINE OF ARAGON and MARY TUDOR THE SPANISH PRINCESS — 2x06: Field of The Cloth of Gold (2020)
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21stcenturyroyals · 2 months
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VALENTINE'S DAY BLOOPER REEL | 21ST CENTURY ROYALS (2000-2099)
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athousandtales · 2 years
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What happened, Catherine?
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peachyjareth · 3 months
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period multicouples | Lonely Weather
I made a fanvid of my very long list of period drama ships :')
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*everyone is resurrected(including the kids)*
Anna : can I date your daughter?
Lina : what?
Anna : can. I. Date. Your. Daughter?
Lina: it’s 2023 why the hell do you need to ask me? You know what, you can’t . Sword fight me first. We’ll see if you’re suitable.
Anna : “well I’m fucked”
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