Also gonna be real
The moment you spread a harassment post about someone with their whole url attached for the express purpose of bullying them behind their back you have already lost all respectability. Like if you cant even handle someone disagreeing with you online without attacking them in a way that they cant defend themselves against then i do not want you running the fucking government
Its amazing how many of people on this webbed site will genuinely say that they should run things when they cant even handle the "i dont agree with your tweet" level of dissent without telling the other person to kill themselves.
But sure, you wouldnt be a dictator. You are personally above how much power corrupts, internet user
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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i haven’t seen any gifsets of this scene yet, so i bring you more shitty screencaps but this moment felt like it was important me ?
loki walking past sylvie with mobius AGAIN with zero hesitation. (two eps in a row) hmm what does it mean.
(this time loki leaves first and mobius stays behind to look at ravonna, before following after loki - a parallel to last episode with loki & sylvie. and the second time they mirrored those dynamics in this episode! interesting.)
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something about qbad mentioning how much horror he put red team thru every time purgatory gets brought up... something about how proud dapper was of him.
like this is just my late-night read but- it feels like guilt qbad is trying to twist into pride. he keeps needling away at it. “i killed them all, over and over and over again.” “they were hunted by a monster.”
it’s like- reassurance. like a nail he’s trying o beat into his head. he’s had SO much trouble with legitimately hurting his friends, despite making that vow all the way back when the eggs first went missing, despite all the tree talk and the promises to save the kids no matter what. He never faltered with elq, and that protected them. He keeps faltering now. Sometimes he doesnt remember the code, or cucurucho, or skeppy. But that doesnt matter, right? Because he’ll protect the eggs. He’ll be the monster. he is the monster. he can and he will protect them even as his seams start ripping and he keeps breaking further and further apart. even at his worst, he’ll do whatever he needs to protect the eggs.
he’ll be the monster. wont he?
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ageswap au made by @tenretsuzan on twitter! there's a brief explanation beneath the readmore
your name is hikari ku, age 30. you were banished from your home nation of ku at a young age and led a failed rebellion against your treacherous brother, laid low by a harsh betrayal.
"even if it means harnessing this darkness... i will see my country freed from war."
marred by scars left by your once erstwhile friends and plagued by a darkness that grows uncontrollable, you grasp onto the small hope that you may one day reclaim your nation once more...
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your name is temenos mistral, age 21. you led a peaceful life in flamechurch until one day your brother disappears after leaving you with an ominous message about the church.
"roi... what could have led someone like you down a path like this?"
despite your father's protests, you follow after his footsteps in hopes of uncovering his whereabouts, as well as the church's secrets that forced his departure...
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Why did they create such a useless character to show Cinder's backstory when Salem is literally right there AND the real question the audience wants answered???
Imagine if it had been Salem who stayed at the hotel and saw something of herself in the scrappy servant girl. She saw how the Madame treated little Cinder and offered a way out only if Cinder has the power to be useful to her. Maybe she put Cinder to a test of how far she was willing to go for freedom, or maybe Salem wanted something from the Madame that she wouldn't give so it was up to Cinder to provide
Either way, Salem gets a young disciple that's ruthlessly ambitious and easy to manipulate and Cinder gains the illusion of freedom under a new master
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I would never harm an animal but clear sky.............. I'd kick that thang like the football
You see, it is because Clear Sky is no animal, he is simply a beast.
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