[ Achilles singing a moving ballad about a forgotten love ]
From the moment Achilles walked into the room, Nathaniel had not been able to focus on anything else. But when he started singing the song... It was something else entirely.
Nate was vaguely aware that he was in the middle of a conversation with Calypso, and that his sister was still talking to him, but he was unable to shift back his focus on her. He had never been good at controlling where his attention was headed, but for once he didn't care.
His mind was racing - and going nowhere - with thoughts on how to proceed. This time, he knew what was happening. Achilles didn't remember him. Not yet. It was a good thing, because it meant they had time. But it was also a bad thing because it meant the love of his life had no idea who he was. And an even more terrible thing because Nate had to make a good first impression - and judging by the previous times, it was not his forte.
The siren was still debating his strategy when he noticed something that immediately put him in movement: the minute Achilles stopped singing, Aeron went to him. And even from across the room, Nathaniel could clearly see him flirting.
He should probably take some time to breathe and to think. He did not. Instead, he raced to them.
"Prince Aeron, I'm sorry to interrupt this conversation" (he was not) "but my sister is requesting your presence."
Nathaniel was fully aware that Calypso had no desire to talk to Aeron more than necessary, and that he brutally cut her mid-sentence to come deal with the situation, but he could deal with an angry Calypso. What he couldn't deal with, however, was Aeron flirting with his man.
The same Aeron who, at the present moment, looked at him like he grew another head.
"I doubt that very much."
"And yet it is the truth." Nathaniel turned his head to look at Achilles. He tried not to let his heart rhythm quickens too much, and he failed. "Good evening. Your song was mesmerizing. Did you write it yourself?"
"I did, actually. It came to me in a dream."
Nathaniel smiled at that. "What a beautiful dream it must have been-"
"Yes, actually..." Aeron cut, and just from the look on his face, Nate understood that he revealed too much of his game, and that Aeron would be more than happy to tease him a little bit. "I invited our new bard to sing more of his mesmerizing songs in the afterwards party I'll be organizing in my private chambers. I would invite you, but I know how you princes of the Sea feel about such parties. Such a shame you'll miss out."
"Oh, are you a prince too?" Achilles asked. "I'm sorry for not greeting you properly, your Highness."
Nate would have found it cute if he didn't see red. Aeron 'innocently' put his arm around Achilles' shoulders and Nathaniel felt a violent urge to detach this arm from Aeron's body.
"I don't find this appropriate considering your engagements towards my sister. You know, your wife."
"Well, what a curious thing for you to say. It's the first time I see you advocate that I should spend more time with her. What seem to be the problem?"
"Maybe I'm just not in a mood to let you disrespect her again tonight."
Nate's anger was fueled by Aeron's nonchalance. The bastard even had the audacity to smile, like he was enjoying himself - which he probably was.
"Now, now. No need to be this hostile. We're all allies here, remember?" He smirked as he got a bit closer to Achilles, making Nate's blood boil. "If you're feeling left out, I'm sure my brother will be more than happy to welcome you in his chamber again. You want me to get him for you?"
Nathaniel couldn't tell what it was exactly that made the urge to wipe Aeron's smile. from his face so strong, but the next thing he knew, he was pushing the fae prince in the extravagant cake the High Queen ordered for the night.
The brutal silence that followed is what brought him back to reality. Silence only broken by Aeron's laugh (that little shit). But a silence that reminded him that he was still in enemy territory, and that he just disrespected the favorite son of the High Queen.
He was in for a big serment from Malachai. His brother was already walking in his direction. Which is why he quickly turned to Achilles, who seemed to have no idea how to react.
"How rude of me, I didn't even properly introduce myself. Hi, I'm Nathaniel. Please stay in the castle. I promise I'm not crazy, and I'd love to discuss about your songs."
As he was dragged away by Malachai, watching the guards try to control the chaotic mess he created and looked at Calypso's shocked expression, he realized one thing: After all these times, after all his meetings with Achilles, he was still terrible at first impressions...
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we were girls,
together– tight as the hair ties we borrowed from one another.
but even those break, too.
a part of me grieves every day, even when I think I’m not.
when is it supposed to stop hurting?
when can I delete the video on my phone from your thirteenth birthday?
never in my life had I had a friend so ready to drop everything to be by my side when they were over two hours away from home. that when I was barely able to choke out the words of my pain, the first words of yours were, “I’m coming right now.”
saying you were my twin flame wouldn’t be enough.
you meant so much more than that to me.
I think there will always be a part of me that feels empty, and in that hole lives the memories of those seven years.
seven is my lucky number, anyway.
I still tell stories about you– about us– with smiles and laughs, but I don’t think anyone can really see how much it tears me up inside knowing that’s all I have left.
I still don’t know how to feel some days. sometimes it’s anger, other times it’s sadness. I ask myself questions that I’ll probably never get the answer to, and that’s okay.
because at least we were girls,
together.
- anna
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I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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