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queerpumpkinnn · 9 months

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You Snooze You Lose

3.9k words

Summary: you're just about to give up on the dating scene altogether, so who better than your neighbor friend to show you how good dates usually end? can you tell this is my favorite trope

Pairing: Eddie Munson x reader (can be interpreted as older!Eddie)

Warnings: piercedtongue!Eddie, softdom!Eddie, mention of reader having an awkward date, alcohol (both consume but they're not drunk), Eddie refers to reader as princess/pretty and reader is afab but pronouns and clothing style is up for interpretation, Eddie picks up reader, thigh riding, choking, brief weed mention, fingering, oral sex, singular biblical reference?? (not counting someone saying 'oh god' or something of the like, kinda vague i think it'll probably go over a lot of people's heads), overstimulation, multiple orgasms, hair pulling (eddie receiving), mentions of voyeurism, reader begs a lot a lot a lot, unprotected sex and creampie (this is fiction, wrap it before you tap it), nipple play, panty sniffing and stealing, scratching (eddie receiving), Eddie's mouth (however you're interpreting this the answer is yes), heaps of praise, sprinkle of dumbification, squirting, Eddie is a pleasure dom through and through, let me know if I missed anything

While reading, I recommend you listen to the altar is my hips - a Spotify playlist by me!

Your head fell back against the car, inhaling deeply and heaving a long sigh that devolved into something of a groan. Your social battery was impossibly drained.

You had just come from another pitiful excuse of a date, someone from work that a mutual friend had set you up with. It wasn't a total disaster, but it didn't leave you with butterflies either. But you were home now, so you could forget about the experience for the timebeing.

A voice calling your name pulled you from your thoughts. It was one you recognized immediately as your next door neighbor, Eddie. When your eyes located him you saw him sauntering out of his open garage towards your driveway, beer in one hand and jean pocket over the other. His chunky boots set in stone his walk, so casual and powerful, and oh god he's right in front of you now.

"You must be doing some serious thinking out here," Eddie chuckled, leaning on your car opposite you. "Either that or there's more to that tree than meets the eye because you've been staring at it for the last five minutes."

You chuckled back at him. "You've been watching me?"

"With a face like that, it'd be a crime not to."

There it was again. That little game you and Eddie played. Even from your first day in the neighborhood Eddie welcomed you with his abrasive charm and an open invitation to his services on a car. Which he seemed to exercise often- his garage door was often open during the afternoons, blasting music as he sat under his car doing god knows what. He never failed to wave and wink at you as you pulled into the driveway every day as you came home from work.

As you became more accustomed to him, your friendship evolved into frequent Friday night hangouts, sitting on the ground in the living room with a six pack talking about anything and everything.

You hated to admit it, but it didn't take long for your cheeks and ears to start to get embarrassingly red in front of Eddie, especially when your conversation topics became more, well, intimate. Whether or not he'd picked up on it, you didn't know- nothing had ever come of your little crush; you'd been content to leave that between you and your vibrator.

"Kid? Y'alright?"

There you go again. You shook your head, blinking a few times before shooting him an apologetic smile.

"Yeah, sorry."

"You seem a bit on edge. Wanna talk about it?"

You shrug. "It's nothing, really. Just got home from a date."

"Assuming it didn't go well?"

"It wasn't bad, it just- I don't know, it felt forced."

Eddie hummed, nodding lightly. "I hear ya. Tell y'what, take ten to get settled and let me clean up, then come over, we'll break out a couple of bottles and you can tell me all about it, yeah?"

"Sounds great," you agreed, and Eddie gave you a playful salute before sauntering back to his own driveway- which you may or may not have watched for a little too long.

Once you'd changed into more casual attire, you took the short walk down the street to Eddie's house. By this time, the sun was half set, and his garage had been shut, the only evidence that someone was home being the lights on in the kitchen.

"There you are. Was starting to worry," Eddie grinned at you as soon as the door swung open. You noted a flash of silver behind his teeth as his tongue swiped against his side teeth, and the tickling in your lower gut a moment later.

"Aw, you worry about me?"

“All the time, sweetheart,” the man flashed a grin, stepping aside to welcome you inside. "So, what's gotcha down?"

You heaved a groan, plopping onto his couch. "It's such a long story, I'm not even sure I have it in me to tell the whole thing. But he treated me like one of the guys. I mean, I want us to be friends too, but..." you clicked your tongue and sighed, words escaping you.

Meanwhile Eddie just watched you, arm slung over the back cushion across from you on the other side of the L of the couch. His beer bottle rested on his knee, balanced by his hand. "You wanted to be romanced."

"Yeah, I guess so. He didn't even make sure I got to my car safely."

Eddie's eyed widened, head cocking in disbelief. "Are you kidding?" When you shook your head no, he flung his hands in the air. "That's not even romantic! I do that for my friend's kids I drive around because I don't want them getting kidnapped!"

"I know, I know. That's not even the worst part."

Eddie scoffed. "What could possibly be worse?"

"Let's just say I know more about his bowel happenings than I would like to."

Eddie wrinkled his nose, sucked in a breath through his teeth. "Yeah, y'know princess, I get the feeling he's not your soulmate." He set his bottle down with a clink on the wood, running his hands up his thighs. "Man, even I could do better."

Something in your stomach turned over at the thought. Eddie seemed to notice your change in demeanor, however slight, and set his bottle down.

"Could you?"

Although it was after a few long, heavy seconds, the words escaped you faster than your brain could process them. Eddie's eyebrows twitched in something mixing amusement and bewilderment.

"I could," he mused. You swore that when he shifted his legs opened a little bit wider. "'Least your night wouldn't end complaining to a friend over a beer."

"Oh yeah? How would my night have ended?"

Eddie cocked a brow, lips curling.

You tilted your head to the side, eyeing him. Another long, heavy moment settled between you two, where you sat staring at one another.

Then your mouth moved of its own accord.

"Show me."

Slowly, so slowly, Eddie stood. sauntered over to where you sat. He watched you like a hawk, mischievous eyes captivating yours. A single, calloused hand reached out to your jaw, tilting it up a bit so that you were facing him. Eddie's mouth quirked up at the new sight.

"Y'want me to show you how your night should've ended, princess?" He crooned. You nodded dumbly, earning another chuckle. "Show you how you deserve to be treated, hm?"

Before you could give a response, Eddie's mouth was on yours, slow and deliberate and relaxed, seeming to simultaneously pull tension from your bones and set your skin on fire. Your fingers reached for his jacket, tugging him closer. Eddie gripped the couch back behind you to hold his weight, other hand coming to cup the back of your neck, slinking into your hair. His thumb rested on your pulse, smirking a little when he felt it racing.

"Pretty thing," he murmured in between hot kisses, "are you sure about this?"

"So sure, Eddie, please," you breathed, tugging his jacket off; the leather was cool to the touch, nice on your searing fingertips.

You could feel his mouth quirk up at your desperation. The hand that held the couch came down to your legs, lighting fire in their wake and finding the crook under your knee, tugging outwards. Heat brewed in your core at the implication- fueled even more so when Eddie pulled back with a grunt to tug his jacket away. Your eyes seemed to be locked in on his, somehow darker and lit with something primal. His kiss-bitten lips hung open in a lazy grin.

"C'mere, pretty." Eddie's hands grip your thighs with a searing mix of worship and need, pulling them apart and tugging you towards the end of the couch by the crooks under your knees. You let out a squeak, breaking quickly into a stifled hum of pleasure as his mouth found and made quick work of your neck, kissing and nipping and licking with that damn ball of metal down the front of your throat, hands splaying over your thighs appreciatively all the while.

"Eddie," your voice had risen into a near whine, but you couldn't bring yourself to care. All thoughts were clouded with his storm- his breath fanning your jaw, warmth radiating onto your body, almost chest to chest, hands teasing dangerously high.

"Hm?"

"Please, please Eddie..." you weren't sure what you were asking for, really, you just knew you wanted more of him. However he would give himself to you you would gladly take.

"Please what? Y'know I'm all yours, honey, I'll give you everything you want and then some but I can't help you if I don't know what that is."

"More," you huffed, reaching for his wrists.

"More?" Eddie teased; the condescending lilt in his tone was overwhelmingly obvious, but in your frenzied state you only nodded limply. Your hand tugged at his, and he followed your lead as you dragged his hand towards your neck, pressing at the back of his hand to indicate what you wanted him to do.

"Oh? Princess likes choking, huh?" The excitement in Eddie's voice was hardly containable, but he managed to play it off cooler than how he really felt- like a dog who just heard dinner being poured into his bowl. "That is interesting."

Eddie's grip on your neck wasn't really that strong, but it made your head spin nonetheless, eliciting a weak, content noise from you.

"There we go, fuckin' love hearing that." Eddie gave a kiss to your cheek, his other hand occupied with sending shock waves down to your gut as his fingers walked up the back of your leg. "What else does princess want, hm?"

You only let out a whine, too engrossed with the building, unbearable heat in between your legs, which, at the sound of his nickname, twitched further open.

Lucky for you, Eddie picked up on that immediately. "Aw, sweet thing, shoulda told me." He tuts, moving both hands under you and rearranging the two of you so that your crotch was hovering over his thigh, other leg hooking onto yours so that you were spread open for him.

"Here we go honey, y'wanna use my leg, hm? Get yourself off?" His words were muffled by the skin of your shoulder.

Realistically you knew you wouldn't be able to orgasm from dry humping his thigh alone, but God you were so eager for friction you were willing to try. You whimpered an 'mhm', setting yourself down on his leg- even that small touch made you gasp. Eddie's hands reached for your ass, helping you grind down onto him, nearly knocking the breath out of you when the contact you so desperately craved turned into a wildfire of need.

"That's it, sweetheart, keep going. 'S'it feel good? Yeah?" He mimicked your whimper of response, proud grin never faltering, even as he nipped at your jaw. His hands, firm, surprisingly gentle for how rough and calloused they felt, traveled from your ass to your waist, fingertips slinking under the hem of your shirt.

"Can we take this off, princess? Want to see you, pretty please let me see you." His voice was low and sultry and had goosebumps rising on your back. You whined an 'mhm', the thought of what he was going to do when you were topless spurring you to pull it over your head yourself.

Once your chest was bared to him, Eddie's hands, trailing lightly enough to tickle, found your poor, sensitive nipples, thumbs brushing over them enough to make you jolt, gasping in surprise.

"Eddie, Eddie- fuck, more, need more, please," you cried, hand flying to his hair when his head dipped to lick over your chest. Whether it was to tug him away or keep him there, you didn't know.

"Aw, I know, you're just insatiable, aren't you?" Eddie gave you his best faux sympathetic voice, and for a minute you actually thought he might feel sorry for you, like it wasn't his plan all along to get you worked up like this.

Eddie's hands worked under your legs, pulling you closer to him before hoisting you up, stomping somewhere in the house you'd only visited a handful of times and never under this circumstance- his bedroom.

It was a dimly lit room, smelling faintly of weed, but you weren't given much time to take in the sights because Eddie plopped you down on his bed, immediately towering over you, caging you in with his arms. His curls tickled your face, then your neck when he moved there. A few sloppy kisses quickly turned heated again when his leg wedged itself between yours. You took the opportunity, however fleeting, to rut yourself against the material.

But this time Eddie gripped your hips, pinning you down. "Patience honey, I'm getting there." The glint of warning in his eyes had you nearly shaking in excitement. A glimmer inside of you wondered what he'd be like if you ignored his warnings.

Eddie slithered down, slowly, kissing his way down to your navel. You willed your hips to stay down, not to lean into his touch, but they did anyway. Your eyes fell shut, head falling back and fingers finding the pillow for something to weakly grip onto.

But a tap on your hipbone snapped them open, looking down at a pair of big brown eyes staring up at you, hovering over your cunt. Knowing what he was asking, you responded with lifting your hips, making it easy for Eddie to slip your bottoms down Your phone nearly fell out of your back pocket from the force with which he flung them, as if he detested the fabric for its audacity to cover you up.

"Good, doing so good." Eddie gave your thighs a squeeze, smiling up at you with something a little kinder, more endearing than the smirk he'd donned the whole evening. With another squeeze, his head dipped down close to your clothed cunt. You swore you could hear him inhale, but your train of thought was halted when Eddie licked a fat stripe up the front of your underwear, sending shocks to your already hypersensitive clit.

"God- fuck!" You tried to clap a hand over your mouth, but Eddie tugged it away as quickly as it came.

"Y'doin' alright, princess? You seem a little tense." Eddie's teasing lilt came from somewhere under you, you could see the grin even through closed eyes. You opened them anyways. His smile was turned into something more playful, a glimpse of the boyish humor he always charmed you with. His head leaned against your thigh like a puppy, pouting up at you with false concern.

"Wonder fuckin' why," you gritted through your teeth, throwing your head back in exasperation.

"Easy tiger," Eddie chuckled, fingers pulling your underwear down- this time you definitely heard an inhale. You heard him mutter something along the lines of "saving these for later."

Eddie's fingers were quick to find you again, thumbs brushing over the joint between your thighs and your pussy, as if he thought the action was soothing and not setting you on fire.

You let out a strangled sound. "Eddie, I swear, if you don't fucking touch me-"

"You'll what?" Eddie's brow raised. His gaze alone made any snide remark die on your tongue.

As if on cue, your phone, long forgotten on the edge of your bed, lit up with an incoming call.

"Well?" Eddie prompted. You reached for the phone, seeing the absolute last name you cared to see illuminating the screen. You gulped, a tinge of guilt seeping in.

"Ah, I think I know who it is." Eddie chuckled, forehead knocking into your thigh as he made a poor attempt to hide his thorough amusement. "Well? Y'gonna answer it?"

You paused, made a face. You didn't even want to talk to him, really.

Eddie barked out a laugh at your reaction. "Shame. He could've learned a thing or two."

You giggled, but it quickly turned into a loud moan as Eddie's tongue, followed by that damn metal ball in the middle, began teasing circles over your clit. Somehow you were both infinitely relieved and worked up even more. Your phone was long forgotten, flung a little too far as, somewhere in the back of your brain, you heard it clatter on the wooden floor. Not that you could be brought to care, not with the way Eddie's tongue felt tracing your weeping hole.

"Fuck, all this for me? Sweet thing, if I knew how good this pretty pussy was sooner." You wondered momentarily what the end of that sentence was, but with his lips around your clit you weren't too worried. Ceaseless and electric his mouth was, bringing you slowly but surely towards that high you'd been chasing fervently for an hour now.

"Eddie, Eddie, I'm gonna- fuck! So good, Eddie, I'm gonna come, pleasepleaseplease-" You could barely understand yourself speak, so lost in your cloud of pleasure. But Eddie seemed to understand perfectly, cooing sweet praises into your cunt as he shook his head back and forth.

"Gonna cum, princess? Go on, you've earned it. Been so good, so patient f'me. Good, good, let go." He pulled both of your hands towards your lower stomach, interlacing them with his.

The noises you made as you unraveled under his marvelous touch were downright pornographic, downright sinful. One might be tempted to say you'd forgotten how to blush, but the heat in your cheeks would have shot down the theory. Waves of pleasure crashed over you, pulling pure electric heat from your sex as you writhed and shivered from Eddie, Eddie, Eddie.

But when the pleasure subsided into jolts, Eddie didn't stop. His tongue continued tracing your clit languidly, and- oh- a new sensation at your core had you squeezing his hands.

"Eddie, ohmygod-" Quickly you realized what he was doing, one finger prodding around your entrance before sinking into your embarrassingly wet cunt, which welcomed him. Your back arched when his finger curled, a guttural sound ripping from your throat as he pushed deeper, searching for that spot, the one that would ensure a noise complaint from a few neighbors.

"Shh, you're okay, you're doing so well, hm? So well, yeah, relax- just like that." Eddie hummed, another finger joining the first and a high-pitched moan from you following shortly after.

And then he found it. That damn spot deep in your gut, and he bullied it with his fingertips over and over and over again.

"Eddie!" His name fell from your mouth like a hymn, moans almost swallowed by the pillow you tugged to cover your face when the brief thought of the neighbors made you a slight bit guilty. Your second orgasm of the night was coming at you full steam ahead, much easier to find from your oversensitivity as well as the new sensation that joined his thumb swiping over your clit.

"That's it, princess, give me another. G'na get you nice and ready, yeah?" Ready for what, you had an idea that sparked, if possible, even more delicious heat in between your legs.

You were animalistic at this point, nearly screaming for him to make you come again. You almost sobbed when his fingers pulled out from you, hands reaching weakly for him.

"Easy, easy, I know. Gonna make it worth your wait, mm? You want my cock, sweet thing?"

Your mouth salivated at the mention, and you immediately propped up onto your elbows to watch him line himself up with you.

"Please, Eddie, please," you sighed, head lolling back.

And there it was, that delicious stretch that had your mind reeling and fingernails digging into Eddie's inked shoulders.

"Oh, oh oh, so good, so good, Eddie, right there!"

Your hands were grabbing for every bit of him you could find. Tugging his hair, scratching down his back, pulling his neck down into a searing, heavy-breath kiss.

"Fuck, princess, keep clenching and I won't last." Eddie grunted into your mouth. His hand, previously pressing onto your lower stomach, pulled your legs so that your ankles rested over his shoulders, bending down a little so that he could move deeper, and did it have you seeing stars.

"Keep- ah- keep going, please, 'm gonna cum, gonna- Eddie!"

Your cunt convulsed around Eddie's cock, throbbing inside of you as you felt white-hot release wash over you. You sobbed into Eddie's pillow, chanting his name as he overwhelmed you with praise. Eddie fucked you through it as best he could, but you could feel he was slowing down, spurts of wet heat in your gut moments later.

"Oh, baby... didn't know you could do that." Eddie was grinning like an idiot, incredulous grin staring down at his thighs. Dizzy, you looked down where he was staring like he just won the lottery.

His thighs were splattered with what you could only guess was your own arousal, even a few drops on his stomach.

"Oh my god," you flopped your head back, hand covering your eyes and trying to cover your embarrassed smile.

"Hey, that was hot." Eddie pulled your hand away, giving you that same sweet smile, squeezing your thigh before pulling himself out. You winced at the feeling, guilt following as you realized his sheets were definitely soiled.

You let out a long exhale, mind still racing. Eddie, having tucked himself into a new pair of pants, watched you. When he concludes you've had a moment to sit and think, he strokes your arm.

"Hey, cutie. You alright there?"

"Uh huh."

Eddie chuckled at the stupid smile you're sure you wore. "C'mon, gotta get you cleaned up."

"Yeah- sorry about your sheets."

Eddie pursed his lips, shrugged. "It was worth it, don't you think?" You attempted to stand, but Eddie held up a hand. "Allow me."

Eddie carried you into his bathroom, seating you carefully onto the toilet before excusing himself. He came back a moment later with your phone, wet wipes, and a glass of water.

You and Eddie fell into more casual conversation- the latter participant heavy on the cocky jokes- it was comforting. He'd offered you to stay the night; not like you hadn't conked out on his couch before anyways.

Brushing your teeth with your finger, you tapped your phone to check the time- and almost knocked it from the sink.

"FUCK." You nearly sprayed toothpaste foam all over Eddie's mirror, holding the phone inches from your face in case your vision had somehow failed you the first time.

"What, what what??" Eddie shouted from the shower, a bottle clattering on the tile shortly after.

You spat your foam out, coughing. You pulled the curtain open enough to push your phone into the shower to show him the time and name of your most recent call.

A pfft noise followed by loud cackling echoed off the tiles. "Oh shit! Y'think he got a show too, sure it wasn't FaceTime?"

Meanwhile you sunk your head into your hands in utter mortification.

Although a tiny part of you was laughing too.

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#eddie munson smut #eddie munson x reader #eddie munson fanfic #eddie munson #eddie fanfic #eddie munson one shot #eddie munson x you #eddie munson x fem!reader #eddie munson x gn!reader #eddie munson x y/n #eddie munson x female reader #eddie munson imagine #eddie munson stranger things #stranger things fanfic #stranger things 4 #stranger things fanfiction #stranger things #eddie stranger things

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fyorina · 15 days

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ᡣ𐭩 FIRST LIGHT

FEATURING: beast dazai osamu

SUMMARY: dazai severely overestimated his self-control. it takes approximately six days and thirteen hours for him to break, seeking you out again. when he does, he knows that nothing will ever be the same. {wordcount: 14.5k; fem!reader; romance & tragedy}

AUTHOR'S NOTES: PART TWOOOOOOO, we have one of my fav parallels in this one, i know you guys will catch it immediately but u still must tell me when you do. also, there's another hint about badlands!reader & dazai's relationship in this chapter that happened after the events of the last installment so u must let me know if you catch that too. reblogs are always appreciated! thank you guys & i hope you guys love this as much as i enjoyed writing it

GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. + we have a bit more of unhinged thought processes on dazai's end. as always please let me know if i forgot any warnings!

SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A

He understands now the temptation that Eve must have felt in the Garden of Eden with the forbidden fruit dangling right in front of her face. Traditional interpretation of the Bible places the expulsion of Adam and Eve from the Garden on day six of creation; Dazai’s restraint has thus far rivaled that of the two Biblical figures. He’s on day six now, in fact; it’s been exactly six days, twelve hours and forty six minutes since he met you in the hallway of the club and each passing second has been more agonizing than the last.

He isn’t sure how much longer he’s going to last.

His office is dark and suffocating, the atmosphere so cold and unwelcoming that it has him craving the return to your warm and homely apartment so intensely that he thinks it might be making him sick. He turned off the light earlier when he felt a migraine coming on, hoping that the darkness would let his eyes and mind rest enough to catch it before it fully came on, but he’s realized that it probably wasn’t the light causing his headache, rather it was you.

He sighs as he tilts his head back, willing the migraine to go away even though he knows it's to no avail. But he can’t even rest his eyes in peace, because every time they slide shut, the image of you burns the inside of his eyelids—your soft gaze and bright smile, the way you held your hand out to take his and the way your lashes fluttered as you leaned into his touch.

Six days, twelve hours and forty seven minutes.

He thinks he would prefer the nightmares of his other lives to this. At least with those, they fuel his drive to press forward with his master plan, the reminder of your fates in the other worlds would scorch away any desire to seek you out in fear of bringing it upon you again in this one.

Now, every night for the past six days he’s been plagued with dreams of you—pleasant dreams. Dreams that when he wakes from them, he finds his cheeks wet and his chest heavy with such an intense longing for you that it makes him physically ill. He dreams of having you in his arms, kissing the top of your head as you do your best to study even with him making every effort to distract you. He dreams of watching sunrises with you, seeing the way the early morning colors wash over your face, your skin glowing and eyes glittering in such a vivid way that Dazai swears he can even picture it now. He dreams of a ring, and he dreams of his palms sweating as he walks with you down to the beach you met on to watch another sunrise, and he dreams of getting down on one knee in front of you just as the sun breaks over the horizon. He never dreams of a wedding, so Dazai theorizes that you never made it long enough for one to take place.

And the realization of that alone should be enough to make the yearning for you evaporate but it’s not, because dangerous thoughts have been circulating through his head since the night he left you. Thoughts of how maybe this could be different. Dazai is the boss of the Port Mafia in this life, he has enough resources to protect you—more money than god and enough armed forces behind him to rival the nation’s government. He has the power to keep you safe in this life, more than he ever had in any other.

If there was any life that he could be with you and ensure your safety, it’s this one.

Six days, twelve hours and forty nine minutes.

Does he really want to give this up?

Dazai rests his arms on his desk, lowering his head down, eyes sliding shut again. He can see you again, the image of you from last week, laughing wildly at something he’d said—he can’t even remember what it was, he was so nervous that he can’t even recall half of the night, but he doesn’t really care at all what he said anyway, too enraptured by the way you react to it.

He wonders if you’re there now. At the bar. Because what he does remember, of course, is your teasing grin as you tell him that of course, you’re scheming out a second meeting between the two of you because naturally you’ve decided that you already like him. And he remembers the hope thinly veiled behind your eyes, as you look over him, knowing that if the two of you are to meet again, it would be reliant on whether or not he decides to come back to the club, because you’ve already made your intentions clear.

Six days, twelve hours and fifty minutes.

Dazai’s throat feels swollen, his nails dig into his palms. He imagines you waiting there, he imagines the disappointment on your face as you slowly realize he’s not going to show up. And you’re so damn beautiful, radiant even beneath the shitty lighting of the club—he’s sure you saved a seat at the bar for him, and you’ve probably had dozens of interested men who’ve offered to buy you drinks, asking if you’d come to the club alone. And you’ll probably turn them down at first, telling them that you’re waiting on someone, but he wonders how long it’ll take for you to finally take one of them up on their offer after you’ve realized that Dazai isn’t going to show. He wonders if you’ll follow them out to the dance floor, he wonders if you’ll give them the same teasing smile you gave him. He can picture slim fingers caressing your hips, pulling you closer. He can picture your lashes fluttering as they lean their head down to ghost their lips against your neck, swaying to the music. He doesn’t want to picture anything else, but his mind, as always, betrays him.

He wonders if you’ll take them back to your apartment—would you get right into it or would you sit and talk with them for a while? His head spins as his thoughts take an increasingly more dangerous spiral. It’s a bitter cold night out, maybe you’ll take the opportunity to make them the hot chocolate you’ve made him hundreds of times, thousands of times before—no, he corrects as the lines start to blur in a treacherous way, you’ve never made it for him in this life. Maybe it’s so cold out that you’d forgo small talk altogether, instead seeking out the warmth of someone else’s body—you’d take them by the hand, lead them into your bedroom and lay them back on your bed.

Would you be gentle with them? Like you were with him? No, he reminds himself again, you’ve never been with him like that, not in this life. The pages of the Book pile around him, memories flooding him with an intensity that he’s never experienced before; he can hardly even remember what his reality is, all of the others blending and shifting together in his mind, making it impossible to decipher the lines between them.

You’re dragging him to the beach to watch your first sunrise with him and you’re telling him that you want to see as many as possible with him—he wants to tell you that he thinks he might love you but he doesn’t know how to say it You’re laying him back against a bed, asking him if he trusts you—of course, he does, how is that even a question? You’re leaning your head against his arm, standing before a familiar grave and accepting him for all that he is even after he strips bare down to all of the worst parts of himself for you—you shouldn’t, he wants to say desperately, but instead he’s telling you that he loves you, even though he knows it might kill you. And then-

And then he’s ripped violently from his fall into the pages of the Book as his phone vibrates and it’s not him anymore, it’s someone else, someone unworthy and undeserving, a stranger that you’d turned to because Dazai wasn’t there.

Dazai nearly heaves. He never should have indulged in you that night. He should have known he was never going to go back to normal after it. The difference between the memories and actually having seen you and heard you and touched you and smelt you was so much more severe than he ever could have expected. Now, the memories aren’t enough; he wants a life with you, he wants it to be his reality. He thinks that it’s not fair that he’s the only one who can’t be with you. He wants to make new memories with you so he no longer has to struggle with the blurred lines, so he doesn’t have to yearn for a life that he’ll never be able to experience, having to watch every single other Dazai get to have what he can’t.

Six days, twelve hours and fifty eight minutes.

He can do it, his thoughts are a bit manic as he tries to ground himself after the spiral. He has the knowledge. He has the power. He has the resources. If there’s any life that he’s able to be with you and keep you safe, it’s this one. He doesn’t have to hide from you, he doesn’t have to deny himself of you to protect you—he has the knowledge, he has the power, he has the resources. He can keep you safe. Instead of being the only Dazai who never gets to be with you, he’ll be the only Dazai who can actually spend his life with you—a long one, a happy one. He’ll have what none of them did. He can do it.

Before he can stop himself, he speaks.

“Gin-chan,” Dazai calls softly, knowing that he doesn’t have to speak any louder for the girl to hear him. As soon as he hears the door to the backroom open, he continues with, “Have Albatross be ready downstairs with one of the cars.”

“Of course. Where to, sir?”

To Gin’s credit, she doesn’t sound at all caught off guard by Dazai’s sudden request, as if it’s normal for Dazai to randomly decide to leave the Port Mafia base even though he can count on one hand the number of times he’s left the base since he ascended to the position of boss four years earlier.

“... The club we own in Naka,” Dazai says after a few moments, fingers thrumming against the mahogany of his desk for a moment before he adds, “... Don’t tell Chuuya.”

“... Yes, sir. I’ll have Albatross get everything ready immediately.”

At exactly six days and thirteen hours, Dazai’s self-control shatters.

You sigh.

The seat next to you remains damningly empty despite the many attempts of handsome strangers trying to join you at the bar. You’re sure you must’ve turned down half a dozen by now in hopes that the stranger from last Friday will end up showing up but those hopes are very quickly disappearing. You want to convince yourself that maybe you’ve just missed him—it’s a rather large club, after all—but it’s not half as packed as it was last week; you think that if he were here, you would’ve spotted him by now. Or he would have spotted you.

Dazai Osamu, you remember his name, eyes sliding shut briefly as you take a sip of your water, wondering if you should just switch to alcohol and drink your sorrows away, seek out one of the men who’d approached you already so you don’t end up spending the night alone. The thought leaves you unsatisfied, a pout rising to your lips around the rim of your glass as you finish off yet another glass of water.

You swear that you’re not usually this pathetic—especially not over a man—but there’s just something about this Dazai Osamu that has you acting up. Like honestly, who even are you? Going to the club alone on a Friday night with nothing but some faint hopes that the man you’d met here last week would show up too? It’s so embarrassing, you think you might die—but somehow you’re not embarrassed enough to leave because you’re still hoping that he shows up.

God, you think again, who are you anymore? You barely even know this man. You know his name and you know he’s handsome. And that’s just about it, but here you are, sitting bummed at a club because he isn’t showing even though he has absolutely no reason to.

The bartender raises his eyebrows with a small smile and you pass the glass over to him, letting him refill it. He’s the same one from last week and he recognized you as soon as you took a seat at the bar, making sure to get you what you need and keep you company whenever there’s a lull in patrons flagging him down. It’s a stark contrast from the treatment that you got early in the night last week, where it had taken you twenty minutes to get a single drink and even then you could barely hold his attention long enough to tell him what you wanted. You can’t help but notice that he seems hyperaware of the open seat next to you.

As the bartender passes you another glass of water, you flash him a wavering smile, unconsciously sparing another awkward glance to the empty seat next to you. While the club isn’t quite as packed as it was last week, it’s not exactly empty and you’re starting to feel bad hoarding the seat when plenty of others probably want to sit down too.

“I’m sure he’ll show,” the bartender tells you before he’s waved down by another patron. You wonder if he’s guessed who you’re waiting for or if it’s just meant to be some general comfort. “Probably just running late, he’s a busy man.”

Oh, you think, eyes widening, but before you can question him as to what he means, he’s rushing to go refill the drink of a blonde man on the opposite end of the bar.

A busy man.

Who are you, Dazai Osamu?

Even in your drunken state, you knew from the moment you met him that there was something off about him. The way he held himself, the way he looked at you, the way people treated him—it all screamed danger. Once you’d sobered up, you remembered all of the things you didn’t notice while you’d been intoxicated. You remembered the way people would rush to get out of his way or show him complete deference, eyes a bit wide and faces a bit pale. You remembered the way Takeda looked sick and scared when Dazai told him to go, and Takeda is usually a bull-headed and fearless man, it takes a lot to make him back down. You remembered his driver—he had a driver!—and how when he stepped out of the car to open the door for the two of you, you swore you caught a glint of gunmetal holstered at his waist before Dazai gave him a cold look and he quickly covered it up.

And you’re not usually a girl who seeks danger out, for as much as you went on your spiel about living life on the edge the last time you spoke to him, you’re usually a pretty careful person. If you were smart, you would have woken up the next morning and pretended that you were too drunk to remember the night before, forget all about Dazai Osamu and his dangerous smile and intense gaze.

But you aren’t smart, evidently, because instead of forgetting about him, you spent half of the next day mourning because he didn’t even leave you his number and the other half of it scheming out the best way of running into him again.

You sigh, resting your cheek on your hand as you prop your elbow up on the bartop, idly tracing the rim of your glass.

What is it about you, Dazai?

One meeting and you’re captivated. He must be some kind of witch, or siren, there’s no other explanation for how you’re so utterly enchanted by him. He spoke your name with the familiarity of a lover, watching you with gentle eyes even though they become cold and empty whenever they avert to someone other than you. And you—you felt as if you’ve known him your entire life. You’ve never had such an instant connection with someone like that before, you’re convinced that it’s fate at work, even if he’s adamant against the thought.

You want to see him again. You wonder if it was maybe just your drunken brain misconstruing things, although somehow you doubt it. You need to talk to him again to know if the connection is real, and if it’s real-

“Is this seat taken?”

At first, the voice doesn’t register as familiar, so you let out a soft puff of air, trying to figure out if you should deny another person. But as you turn to face the newcomer, your eyes widen a bit as you catch sight of the long, burgundy scarf hanging in your peripheral, stark against a long, sleek black suit jacket.

Your lips part in shock, head snapping to the side so you can fully look at the person to your left. Dazai Osamu stands there, hands resting comfortably in the pockets of his jacket, head tilted to the side, a small smile curving at his lips and a soft look in his eye as he looks down at you, comforting and warm compared to the cold emptiness you vaguely noticed from him at certain points last night.

You try to say no, it’s not taken, but no words leave your lips, so instead, you shake your head, eyes following Dazai as he takes a seat next to you at the bar. The bartender rushes over, all but abandoning the couple he’d been helping on the opposite side of the bar, pouring Dazai an expensive glass of whiskey and giving him a nod before going back to who he’d been helping before. Your eyes follow the man curiously before you turn your gaze back to Dazai, not speaking for a moment as you observe the way he stares down at the glass of whiskey for a second, the warmth in his eye slowly dissipating.

You don’t like it, and not because it makes you uncomfortable or anything, but rather because you just don’t like how alone he seems. So, you lean forward, smiling, and say, “Fancy seeing you here.”

Dazai turns his gaze back to you and the warmth returns, pools of honey rather than the endless void. You melt beneath it.

“I vaguely remember a beautiful woman mentioning scheming out a second meeting,” Dazai drawls, dark eye lidded as he looks down at you, a half-smile decorating his face. “It would be quite remiss of me to be the cause of her failure.”

Your cheeks feel a bit a hot as you grin down at your drink. “While we’re on the topic of things I may or may not have said last week, I have to be honest with you. I totally lied about something,” you say with a laugh, leaning on the bar. He raises his eyebrow curiously. You give him a sheepish smile as you continue with, “I have absolutely no idea how to charm someone, drunk or sober, I was entirely speaking out of my ass, so keep your expectations low.”

The smile that curls to the corner of his lips is soft enough to make your heart skip a beat. “I think you just being yourself is plenty charming,” he murmurs.

You let out a noise caught between a groan and a whimper, face going hot. “Oh my god, you’re the charmer,” you accuse loudly, burying your face in your arms. “I’ll never survive. Handsome and charming, a deadly combination.”

As you peer your eyes open to look at him, you can’t help but notice the way his smile briefly falters at your words. You promptly decide to change the subject with: “Thank you for making sure I got home safely last week.”

“You don’t need to thank me for that,” he says, one pale, lithe finger tracing along the rim of his glass. Your eyes linger for a moment on the digit, mind wandering, before you force your gaze up; you can see the bandages peeking out from beneath the sleeve of his dark coat as your eyes drag his arm back to his face. There’s a knowing expression on his face, the smile on his lips a bit more sensual. Your breath catches as you avert your gaze, feeling quite like you’ve just been caught doing something bad.

“Sure I do,” you try to make the words sound casual and easy but despite your most sincere attempts, your voice is strained. “Not many people would go out of their way like that for someone they just met.”

Something akin to amusement flashes through his eye. You’re not sure what he finds amusing, but you decide you don’t care because you very much prefer it to the distant look that had been painted in them before.

“An unfortunate world we live in, then,” he says softly, but there’s a lilt to his tone that makes you feel like he knows something that you don’t. He doesn’t give you much time to dwell on it though as he asks, “Are you going to have anything to drink?”

You startle slightly at the question, glancing down at the glass of water you’re drinking before you tell him with a laugh, “I don’t know if I want to force you to deal with me drunk twice. Didn’t I promise I’d stay sober this time?”

“If I remember correctly, you only said ‘not quite as drunk,’” he says, lips tilting up a bit and god, the way he’s looking at you has you flustered, gaze lidded and intense, as if you’re the only one in the room and not in a club with hundreds of other people. “Let me order you something, I think you’ll like it.”

“Oh, that’s bold,” you warn, tossing him a teasing smile. “I'm very particular about my drinks, I’ll have you know. I’m almost curious what you have in mind that makes you so confident.”

“I have a good feeling about it,” Dazai says, tilting his head to the side as he waits for your decision.

You give a heavy sigh, pretending like it’s a difficult decision even though you know it’s not. “Fine, but only if you promise to cut me off after two. Whenever I hit three, I hit the floor.”

You extend your pinky toward him, waiting for him to take it, and when he does, you swear a jolt of electricity shoots up your arm. As he wraps his finger around yours, your heart skips a beat, your eyes meet his and you think you might get lost in the dark pools, you don’t think you would mind if you do and that scares you. You’ve never had someone make your heart flutter and mind haze like this, especially not so quickly.

“Promise,” he breathes out, barely audible above the thundering music and crowds.

You dip your head down to press your lips against your thumb to seal the deal, and you think you fall even more when you don’t have to tell him to do the same, following your lead and kissing his own thumb to seal it. And you briefly wonder if this man might be your soulmate because he didn’t give you a single odd look and didn't hesitate for a second whereas when you’ve made pinky promises with some of your other friends and past partners, their expression always twists a bit in confusion or oddity at the second part.

Rather than letting go of your hand, he swaps to his other hand, intertwining his fingers with yours and resting it on your lap before he flags the bartender down—quite easily, might you add—and leans over the bartop to say something quietly to him. The man nods and rushes off, and you give Dazai a scandalized look as he turns his attention back to you, hyper aware of the warmth of his fingers against yours.

“You won’t even tell me what it is?” you gasp in mock offense.

Dazai rests his other elbow on the bar top, resting his chin on his hand as he watches you through his lashes. You couldn’t drag your gaze away if you wanted to, tunneled onto him.

“It’s a surprise,” he says with a smile. “You’ll like it, trust me.”

“Quite confident for someone that hardly knows me, aren’t you, Dazai?” you giggle, raising your hand to cover your lips, and god, he looks so amused again, and so handsome. You might die. “That’ll be for me to judge.”

“Very confident,” he agrees, and you think he winks but you can’t tell because one of his eyes is covered by bandages.

“So,” you begin, waiting for the drink. “You’re from around here then?”

You hope he is, at least, because you’d like to keep seeing him. Something about him is just so intoxicating, like a drug you just can’t get enough of. You think he must be, from the way he seems so familiar with the bartender and other patrons, but you could always be wrong.

You hope you’re not wrong.

“Mhm,” Dazai agrees, humming around the rim of his glass as he takes another sip. You hope the excitement you feel doesn’t flash across your face. “Yokohama born and raised… you?”

Distantly, a part of you feels like the question is just an afterthought, as though he already knows the answer and you wonder if you’re that obvious, but you pay no mind to that, instead nodding. “Same,” you say, and then, “... I wonder if we have crossed paths before then. You’re so familiar, I can’t imagine that we’ve never met before… Maybe uni? Did you happen to go to UTokyo? I graduated there last year.”

Dazai seems to hesitate at the question, as if considering his answer. You wonder why, but he leaves you little time to figure it out because he finally replies, “No… I was in Tokyo for business for a while a couple years ago though.”

Your eyes light up. “Really?” you ask, leaning forward as you speak. “Where did you work? I know the area pretty well.”

He hesitates again, this time more blatantly, and you can see the confliction that briefly flashes across his face. How curious.

“It wasn’t a particular storefront, or anything, just my line of work had me in the area for a while.”

You’re about to press into what his line of work is, desperate to know more about the man sitting in front of you, but you’re interrupted by the bartender returning with a martini so stunning that if it tastes half as good as it looks, you might fall in love.

But you’re not going to make it that easy.

“Go on,” Dazai says, leaning a bit back in his seat as he watches. He looks at you as if he already knows that you’re going to like it and you’re adamant on destroying his assumptions, you will hate this drink if it’s the last thing you do. “Tell me what you think.”

You lift the martini glass up to your lips carefully, the dark liquid so close to the brim that you’re nervous it will spill over the sides. He watches you expectantly, you pointedly hold his gaze as you take a sip of the drink and-

“Oh my god.”

Dazai looks utterly vindicated, raising his chin as you take a sip of the drink and stare at it in shock. It’s so… tasty. It’s creamy, and sweet, and you can hardly taste the alcohol but you can feel the tingle on your tongue and the light burn in your throat. All thoughts of the conversation you were having before the drink showed up disappear, and you’re focused solely on the glass in your hands and the man before you.

“So?” God, he’s evil. He almost purrs the word, as if he knows exactly what your response is going to be. He leans forward a bit, looking down at you through his lashes. “Give me the verdict, Your Honor.”

“It’s good,” you say, raising your chin in spite, hoping that your expression doesn’t betray but from the way his lips spread into a wider smile, you fear that you completely failed.

“Just good?” Dazai croons.

You pause for a second, debating on lying and telling him yes, just good, but the words you intend on speaking do not leave your lips. Rather, you say, “Okay. It may or may not be one of the best drinks I’ve had in a while. You have to tell me what it is so I know what to ask for.”

“Hmm.” Dazai lifts a finger to his chin, as if considering your words. “I don’t think I will.”

“What!”

His smile becomes a bit softer, his expression more teasing. “I think I’ll hold that information hostage, so you have to come out with me again if you want to drink it.”

A jittery feeling spreads through your chest, heart fluttering, cheeks hot. “Oh? Look who’s scheming out our third meeting already,” you taunt lightly. “How the tables turn.”

“Of course, I’m scheming out our third meeting, maybe our fourth and fifth too,” he mimics your words from last week shamelessly. “I’ve decided I already like you, bella.”

The pet name rolls off his tongue easily, as if it’s second nature to him, and your face is on fire but Dazai looks like he’s shocked even at himself. You fumble with your words for just a second, it takes you a moment too long to recover but you think that Dazai doesn’t even notice in his stunned state.

You decide to return fire.

“I hope all of our dates aren’t just going to be at clubs,” you tell him with a smile that edges on flirtatious, cocking your head to the left.

Your words hardly register until you notice that his cheeks have become bright and rosy, hand instinctively coming up to hide his face. He looks entirely like he’s at a loss for words, lips parting and closing several times. It’s so endearing that you think you might really die now, but then the gravity of your words hit you like a train.

Oh god. A date? A date?? This is only the second time you’ve met, that was way too soon. You-

“I’ll make sure the next place we meet is somewhere special,” he finally says, voice smooth and gaze gentle and-

And just like that, you’re a goner.

You’re not sure how long you sit there talking to him. Hours, probably. It feels like no time at all and forever all at once. You lose yourself in his gaze, and his smile, and you think the whole world could be burning around the two of you and you’d have no idea just because you’re so tunnel visioned on him. The music drowns out, and all you can hear is his voice. The people around you blur out of focus, and all you can see is him.

It’s insane, you think. You’ve never felt like this with anyone before. You’ve had so many flings and so many boyfriends over the years, but the way your stomach twists and turns and the way your head feels fuzzy with Dazai is so incomparable to how you felt with anyone else.

You feel like you’ve known him forever.

You feel like you’ve only just met him.

How is it possible to feel like you know someone you’ve only just met so intimately? When you know you don’t actually know much about him personally but it still feels like you can read into the depths of his soul?

God, you don’t know, but you do know one thing, and it’s that you never want to lose this feeling.

And that’s how it began.

Every Friday for weeks, you find yourself at the club, sipping cheap martinis at the bar until a certain handsome man in a dark suit decides to finally grace you with his presence. Sometimes, the two of you would just sit at the club’s bar until the sun threatens to rise, when you finally go your separate ways and you make your way back to your apartment, falling asleep with a smile on your face and waking up with a giddy feeling still sparkling in your chest. Other times, he only comes by the club to pick you up, fulfilling his promise of making sure to take you somewhere nice when you find yourself fine dining at the fanciest rooftop restaurants in the city.

He never stays over your place, even when he does drop you off. Sometimes he’ll hang around for an hour (you made him your favorite hot chocolate, he liked it so much that he nearly cried although he vehemently denied that was the reason why his eye got all misty), but he always leaves. You try not to let it bum you out, convincing yourself that it’s just because he doesn’t want to keep his driver waiting (albatross, you remember his name, he’s funny. you like him), but sometimes you can’t help the heavy feeling set over you when he makes his abrupt leave, wishing for just a bit more. He hasn’t even kissed you yet, for god’s sake.

You also distantly note that you don’t really know much about him, even after all of these weeks his personal life remains a mystery to you. The closest you were able to get to prying anything out of him was when he showed up so late that you were on the verge of leaving because you doubted he would even show, he apologized and said a work meeting ran late. You asked him what about and he hesitated, as if he was about to say it, but then gave you some vague response and steered the conversation to something less personal.

That’s what’s happened every time you try to learn a bit more about him. You don’t really notice it in the moment because he’s smooth and charming about it, but he always manages to turn the conversation to you or some other general topic. You want to respect that he doesn’t want to talk about his personal life because maybe he’s coming to you to have some sort of escape from it, but you also want to know him beyond just the flirting over drinks and the slim things you can gleam from his reactions, words hidden between the lines of what he actually says.

Your friends think you’re crazy. They think he’s bad news. They’ve come with you to the club a few times to wait with you until he shows up and every time they see him you can see the weary looks that they shoot at one another. You don’t care what they think—or well, that’s a lie, you do care what they think, you’re just too enamored with Dazai for their words to have any weight. Which probably should be concerning, but that’s something for you to think about another day.

Because now, you’re focused on him again. He’s been talking more tonight than he usually does—most nights, he’ll spend the majority of the time just listening to you, a soft smile on his face and a captivated look in his eye, but tonight, he’s been rather vocal, people watching with you and making sly advances that you think is just plain cruel considering he hasn’t even kissed you yet.

But tonight, you’ve decided, will be the night.

You’ve been trying to figure out how to go about it, if you should just invite him back to your apartment—something you’ve done before, so there shouldn’t be any nerves but you still find yourself wavering because you don’t know how you’re going to proceed once you get to your apartment. You are not a seducer. You have no experience in seducing. In fact, you are usually the one being seduced. So every time your lips part to ask if he wants to leave the club, you find yourself withering and faltering, waiting for a ‘better’ chance as if one will magically arise.

It does.

It’s when a fight breaks out on the dancefloor a bit too close to where you’re sitting, certainly the result of some sleazy man trying to put his hands on a woman who already has a date, when you finally force yourself to stop pussying out. You let out a shriek as you stumble forward off your barstool when one of the men careens a bit too closely to you, and it’s only by Dazai’s swift reaction, arm wrapping around your waist as he pulls you to him and steadies you, that you don’t go toppling onto the floor.

Your eyes widen as you watch the fight escalate, a bit entertained now that you’re safe in his arms from becoming collateral damage, but Dazai looks distinctly unimpressed by the scene taking place a few feet away, lips twisted into a deep frown. You watch as he shoots a sharp look to one of the bouncers lingering by the door, and you note how the man immediately moves forward to break up the fight. Interesting. You’ve noticed that the people at the work tend to be respectful to him, but that’s the first time you’ve seen them seemingly take a silent order from him.

You steel your nerves and you decide to try your hand.

“Would you… maybe want to get out of here?”

You look nervous, Dazai watches you carefully as he leads you across the club to the exits, so he figures that there’s something else going on in your head right now. You’ve been quiet most of the night, he realizes, and he wonders if something is wrong. If something happened. His mind immediately catapults to the worst case scenario: that someone found out about the two of you, despite how careful he’s been in making sure that the places he’s brought you to were locked down by the Port Mafia before you arrived with him, and you’re being threatened.

His thoughts race. Albatross should still be waiting where Dazai left him, so if something goes wrong, he’ll be ready. Dazai glances at you again, and he slowly realizes that you don’t seem nervous because you’re fearful of something, and his anxieties slowly are edged away.

But that only gives rise to new anxieties because then what’s making you so nervous then? What did you mean by get out of here? Do you want to go somewhere else? (but where, the longer he’s out in the open, the more of a risk there will be without him taking precautions beforehand like he usually does) Do you want to be dropped off back at your apartment? (that’s what he initially assumed, but he doesn’t want the night to end yet) Do you want to invite him to your apartment? (it wouldn’t be the first time, but it doesn’t leave him any less nervous. he’s terrified of making the wrong move) Do you want him to invite you to his apartment? (god, he hopes not)

The last option cannot happen. You’re already suspicious from the way the bartender and the other club patrons have been treating him the past few weeks, and now you’re doubly suspicious, Dazai can tell from the way your eyes squint as the bouncers at the entrance of the club nod their heads to him. If he brings you back to his place, the tallest of the five towers making up the Port Mafia base, there’s no way you won’t put together that something’s up with him and the last thing he wants is to scare you away. Even if you don’t know what the buildings are exactly, you’ll definitely question him about his occupation, go back to the dangerous line of questioning you’ve been treading on lately, and when he can’t give you a straight answer, it’ll become all the more apparent that it’s something shady and if you’re smart, you’ll make an excuse to leave and then never seek him out again.

Realistically, he probably won’t be able to hide this from you for long, but it just has to be long enough for him to woo you so the news isn’t so jarring that it makes you cut off all contact with him. Although, Dazai isn’t sure if any amount of time will make the knowledge that he’s a mafia boss not jarring enough to flee. His heart feels a bit heavy, wondering if this is all a mistake because how the hell is he supposed to just accept it when you inevitably decide to leave? And isn’t that what he should want, anyway? He wants you to keep yourself safe, no matter what the cost, and if you’re the one to cut him off, then he won’t be tempted to come looking for you again. He can protect you from the distance as he initially planned with the memory of the nights he’s spent with you pushing him forward. So maybe this is for the best.

You accepted all of the other Dazais, the traitorous part of his mind tried to convince himself that isn’t a hopeless cause, even though he knows that there’s a stark difference between who he is in this lifetime, the face of Japan’s underworld, drenched in blood and rotting from the inside out, and who he was in all of the other lifetimes, desperately trying to make himself a better man so that Odasaku would be proud of him.

Maybe you’ll understand, he thinks weakly as the two of you leave the club. It’s drizzling now, and his eyes cut across the parking lot looking for Albatross, but his thoughts are lost—you understanding would mean he would have to tell you everything. He can’t do that. Not just because you would probably think he’s delusional, or psychotic, but because it would put the very fabric of this reality at risk. He can’t tell more people than necessary and stage five…

His plan.

Dazai’s gaze shifts back over to you, the sudden remembrance of what he’s been planning since he came in contact with the Book so many years ago spreading like ice through him. He should take you by the hand and lead you to the car, the rain is going to start coming down harder any second now, but Dazai is frozen because in his manic state, when he’d decided he can protect you in this life, be with you in this life, he hadn’t even given any thought to what would become of his plan, and he’s been so consumed by thoughts of you the past few weeks that it’s hardly crossed his mind.

He has to force himself to move forward, ignoring the way his mind is reeling—if he decides to live, what does that mean for Odasaku? For Atsushi and Akutagawa and Chuuya? For the world? Would he be condemning everything he’s worked to protect? He still thinks he can do it—protect you, that is—but would it be at the cost of everything else? He feels sick, trying to figure out if he’s going to have to plot out a whole new plan, as if this one hadn’t taken him years to come up with and implement.

But you don’t move to follow him to the car where Albatross is waiting when he steps forward. Instead, you tilt your head up to the sky, lashes fluttering as rain begins to drizzle down from the dark sky.

And Dazai’s spiraling thoughts halt.

He thinks you look beautiful—you’re always beautiful, but he thinks there’s something magical about the picture of the small smile on your lips as rain drops slide across the smooth skin of your face. He tries to force himself to look away so he doesn’t seem creepy staring at you, but he can’t bring himself to.

You don’t seem to mind though, because you turn your attention to him, eyes lit up in a way that makes his heart race. “Dance with me,” you say suddenly, holding a hand out to him, the soft smile on your face is a bit mischievous now.

Dazai looks down at you, raising his eyebrows. “Here?” he asks, voice tainted with a hint of incredulity. “Now?”

“Mhm,” you say, unperturbed, holding your hand out more insistently.

Dazai thinks he isn’t capable of denying you much of anything, but he can’t help but hesitate. Not because he doesn’t want to dance with you—he would sell what’s left of his wretched soul for just a single dance with you—but because the longer he’s out in the open, the more of a chance there might be an assassination attempt on him. Every time he goes out, he’s gambling his life. It would put you in danger, and it’s not like he brought Chuuya along for if something goes wrong. Albatross is capable enough, but his ability is not combat centric.

Being seen with you in general could put you in danger, doubts begin to sprinkle through his head again, his heart lodged in his throat as remembers that Fyodor Dostoevsky and Agatha Christie aren’t the only threats to your life. He’s been as careful as he could be but even with all of the precautions in the world, there are still risks. He’s made new enemies in this lifetime, hundreds of them over the years, and if any one of them caught wind of you and his apparent attraction to you…

“If you wanted to dance, shouldn’t we have done that inside?” Dazai drawls instead, trying to play it off. Inside, where it’s significantly safer. Inside, where Dazai knows that there’s less of a chance of unsavory eyes falling upon the two of you because the club is owned by the Port Mafia and everyone let in is screened. Inside, where Dazai can still convince himself that he has the power to keep you safe. You’re entirely unbothered by his question, so he continues before you can shoot him down, “Where it’s not raining, and where there’s actually music.”

“Haven’t you seen all of the romance movies?” you complain, smile widening. “Dancing in the rain is romantic, Dazai. Who needs music anyway? C’mon, dance with me.”

And how is Dazai supposed to say no to you when you look at him like that? Eyes wide and imploring, smile gentle—you look at him in a way that Dazai’s only dreamed of, and he knows that he’s a goner. Well, he’s known since he first met you, but it’s being made abundantly more clear right now with the way his heart, which he usually has such keen control over, beats rapidly in his chest. His lips part because he still wants to try to deny you—for your sake, not his—but no words leave them.

You don’t wait for his response anyway, hand darting out to catch his so you can drag him out into the parking lot. His eyes widen, stumbling forward and trying to catch his balance—you only laugh, intertwining your fingers with his while your other hand finds his waist, spinning the two of you in a reckless circle.

“Keep up!” you tell him with a smile that causes his breath to catch.

Dazai thinks he might die. His head feels fuzzy as you lead him in a wide ballroom dance, sweeping across the vacant parking lot with ease. He thinks he must look like a fool being dragged along in your dance like a puppet, hardly able to keep himself from tripping over his own feet.

He’s not sure how you’re able to keep yourself so graceful, heels splashing in puddles as you lead him through spins and turns and pivots, but Dazai thinks you’re beautiful. Again. Extraordinarily so, even. Rain is pouring down over the two of you, the drizzle quickly becoming torrential, and your hair is wet and matted to your face, mascara a bit smeared underneath your eyes, but you’re laughing, and Dazai thinks you’re divine. Heavenly. Too ethereal to be tainted by the likes of him and yet here he is, the putrid skin of his fingers intertwined with your untarnished ones. You raise your arm and his, beckoning for him to twirl beneath it.

He does, and it’s awkward and clumsy because he’s too tall to comfortably perform the move, but you giggle loudly so it makes up for the embarrassment. And for a moment, Dazai can almost convince himself that this isn’t a life where he’s been forced to let the dark consume him for the betterment of the world; rather, it’s a world where he’s gone unsullied by the dark, his blood still runs red and you’re beautiful and you’re alive, and he’s just a boy who’s fallen so terribly in love with a girl so far out of his league that he thinks he might be dreaming when you return his interest. As he spins, he notices that his cheeks feel a bit strained and sore, and he realizes that there’s a smile on his face that matches your own, the muscles of his cheeks and jaw unused to stretching in such a manner and he hopes, anxiously, that it doesn’t look quite as unbearable as it feels.

If it does look unnatural, you don’t seem to mind. The rain blurs his vision and he’s forced to blink away the raindrops that keep falling into his eye, and for a split second, you’re standing before him in a pretty red dress on a sidewalk, and he’s the one leading you in the theatrical dance, dipping you down as lightning webs across the sky above the two of you, and he’s about to beg you for a kiss, he knows it but then-

He’s drawn out of his thoughts when you pull your hand back from his, but you don’t give him time to mourn the loss of your touch because then you’re slipping your arms around his neck, loose and casual. You’re pressed up close to him, chest brushing his and head tilted back so you can look up at him—a slower dance, swaying to the music of the wind and rain—and Dazai can hardly breathe. You’re so close. So close that he could kiss you if he wanted to. God, he wants to. He’s wanted to for weeks but every time he tries to gather the nerve to do it, he backs out.

“Where’d you go?” you ask softly, and he can barely hear you as thunder rumbles in the distance, brows furrowed in confusion, unsure of what you mean. You tap his temple twice gently, “Left me for a second there.”

Oh, his throat feels a bit dry, realizing that you must’ve noticed when he started to slip back into the pages of the Book. Terrifying. Beautiful and terrifying, that’s what you are, if you can read him that well after meeting him once a week for a few weeks, he dreads to know how well you’d be able to read him once you start spending more and more time with him. But would it be so bad? To have someone that knows him so profoundly? He’s so alone all the damn time in this world, and you’re giving him a taste of a life where maybe he wouldn’t have to be. It’s terrifying. Tempting. He forces another smile onto his lips, and this time your eyes narrow, as if you know this one isn’t as genuine as the last.

“How rude of me,” he murmurs, lifting his hand to tuck a stray strand of hair behind your ear. He’s so close, he realizes again, hyper aware of the way his lips are almost brushing yours. He could kiss you if he wanted, he repeats, and he wants so badly but he doesn’t want to scare you away. “To leave behind such fine company.”

You don’t look content with his apparent attempt at avoiding the subject, and Dazai’s throat feels tight because it’s not really a conversation to have with you here. Now. Ever, really.

For once, mother nature appears to be on his side, because before you can press on the subject, lightning strikes dangerously close to where the two of you are standing, making you jump, eyes wide. He takes the opportunity to wrap an arm around your waist, guiding you over to where he left Albatross earlier in the night.

The car is already running, Albatross is leaning back in the seat scrolling on the phone and Dazai nearly commits an atrocity when he sees that the man has his gun laying haphazardly on the dashboard. As if Albatross can feel Dazai’s murderous intent, he looks up from his phone and his eyes shoot open when he sees you with Dazai and he scrambles to holster his gun back at his waist.

Luckily, you don’t notice. Or maybe unluckily, because your attention is still fixated on him and Dazai is not ready to have that discussion with you because how the hell is he supposed to say “Sorry! Lost in some worlds that don’t exist, and just so you know, we almost got married in some of them! And just so you know, I got you killed in all of them!”

Yeah. That would go over well.

Instead, he opens the door to the car for you, letting you hop in the backseat. He follows after. Albatross slides his glasses to the bridge of his nose, an unscrupulous smile on his face that instantly has Dazai suspicious. He hopes the man knows that no friendship with Chuuya will save him if he decides to purposely embarrass Dazai in front of you.

“You’re back!” You recognize Albatross immediately, a smile spreading across your face at the sight of him. Dazai is almost jealous until he remembers that you’re still holding his hand. “You weren’t driving last time.”

Right. Because of the raid on one of the Scarlet Gang’s warehouses in Tokyo. A mission that Dazai definitely should have been more available for on the off chance that something went wrong, but he was far too busy indulging in you. In his defense, he had no doubts that the mission would go according to plan—the Scarlet Gang is dangerous, yes, and Kawabata is a force to be reckoned with, but he’s simply not Dazai.

“D’aw, didn’t think you’d recognize me, doll,” Albatross grins, tossing you a wink. “Good to see you again too. You’re significantly more sober tonight, aren’t you?”

Dazai’s eyes narrow a bit at the pet name, but he’s more focused on the way you throw your face into your hands with a groan, reminded of just how drunk you’d been the last time Albatross was playing chauffeur. You’re a messy drunk, he remembers fondly, he doesn’t remember ever seeing you drink in any of his other lives with you, and he feels a bit giddy at the thought that he gets to experience a side of you that the others never did. Even if he was spending half of the night holding your hair back while you threw your guts up, spluttering apologies through sobs and heaves. He would do it again. Without even the slightest hesitation, he would do it again.

“I wasn’t that bad, was I?” you ask, peeking one eye between your fingers to look at Dazai for confirmation.

Dazai doesn’t even have the chance to assure you that no, you weren’t that bad, because Albatross is speaking again. Of course.

“You were pretty damn bad, doll,” he grins, and you groan even louder, leaning your body over to rest your head on Dazai’s bicep. Dazai’s heart nearly leaps out of his throat. “S’alright though, boss took care of you.”

“Did he?” you ask with a teasing smile, eyes glittering as you look up at Dazai, who suddenly feels a bit embarrassed, but Albatross rescues him.

Maybe he does deserve the vacation he’s been bitching about wanting.

“Where to?” Albatross asks, putting the car in gear, gaze flickering between you and Dazai briefly.

Dazai is about to tell him your apartment when he catches the sudden apprehension on your face. He hesitates and waits for you to say whatever you want to say, but you don’t, instead you let out a puff of air and let your eyes slide shut.

“Where do you want to go?” Dazai asks you.

You still look uncertain, but then you finally say, “I was meaning to stop and get some groceries at the convenience store on the way home. There’s one a few blocks away from my apartment. I can just walk over there if you drop me off at my place though, it’s fine.”

As if. The idea of you walking anywhere so late at night makes his skin crawl, especially considering there’s been a rise of violent crimes in the city that the Mafia has yet to get a handle on. He needs to push for that to be taken care of if he has to worry about you leaving your apartment to wander around so late. He makes a note to himself to bring it up to Chuuya later.

“We can stop there on the way there. It’s no trouble.”

Albatross gives him a look, as if he’s asking if the boss of the Port Mafia is really about to go grocery shopping with a civilian in the middle of the night, forcing the Mafia’s best getaway driver to be their chauffeur. Dazai only gives him a cold, sharp look in return—if you need groceries, then they’ll stop for groceries. Simple as that. In a life where Dazai thought he’d never even be able to look at you, the chance of doing mundane chores like grocery shopping with you is not something he’ll just pass by.

He can pretend to be normal. If only for a little longer.

Until he has to go back to the base, and his lungs are clogged with corrupted air, being slowly suffocated by his surroundings.

Until you figure out who he is, and he’s alone again, being consumed by the void in his chest once more.

He hardly considers the fact that he’s going somewhere with you where his subordinates haven’t made extensive efforts to ensure that no one suspicious is around to see the two of you.

“Alrighty,” Albatross agrees, backing down as soon as he sees the expression on Dazai’s face. “To the convenience store.”

Your eyes brighten, a smile lights up your face. “Thanks,” you say relieved, and Dazai wants to say that you don’t ever have to thank him for everything and that he’d give you the entire world if given the chance, but he thinks that might be a bit weird so instead he settles on just giving you a small smile. “I’ll make you the best hot chocolate of your life when we get to my apartment. Just wait.”

Dazai’s chest feels warm. “I don’t doubt it.”

“Wait here,” you tell both Dazai and Albatross as Albatross pulls into the parking lot of your apartment complex and stops the car outside of your building. Dazai, who’d been about to follow you, pauses from where he’s ducking beneath the doorframe to step out of the car, looking at you and waiting for an explanation. “... My apartment is a mess… I, um, wasn’t expecting company. Let me just… tidy up before you come in. I’ll only be a few minutes.”

Dazai’s visible eye crinkles up in amusement as he sits back down in the backseat of the car and you immediately take off up toward the steps leading up to the second floor of your apartment, giddy and excited, grocery bag swinging and bumping against your hip as you make your way quickly up the steps. You don’t know what’s gotten into you. You feel like a schoolgirl dealing with her first real crush, flustered and giggly, hardly able to hold a conversation without stuttering over your words.

He’s just so… you don’t know how to describe it. Intense. But intense isn’t even the right word, because he’s not so intense that it makes you uncomfortable or overwhelmed, and that’s usually what you think of when someone is intense. Or maybe overwhelmed is a bit fitting, because you swear every time he sets his soft gaze down on you, your heart might leap out of your chest. Intense. Familiar, you don’t know how it’s possible to feel like you’ve known someone you’ve only met a few times your entire life.

Your fingers fumble as you try to unlock your door. One, two, three, it takes three attempts for you to finally slide the key into the lock, pushing open your door and stepping inside, free from the torrential rain and wild wind outside.

You sigh and rest your back against the door as you shut it behind you, eyes sliding shut.

Who are you, Dazai Osamu?

Someone important.

Of course, you noticed how he was treated by the workers of the club—the bartender, the bouncers, even just the regular patrons. The restaurants he’s brought you to the past few weeks, they all treated him the same way. There were plenty of men there that were dressed in expensive clothes and held themselves highly, but none were treated the same way Dazai was.

Someone dangerous.

You’d also caught a glimpse of the gun on the dash of Albatross’s car. (His driver, another point to note because who has a driver except very important people) Only three types of people have guns in Japan—military, police, and criminals, and you’re pretty sure he’s not part of the military or police force…

Someone you probably shouldn’t be so drawn to.

That should be enough to make you run. It really should be. You have no explanation or excuse for why you’re not besides the fact that you might not be as smart as you herald yourself to be. You shouldn’t feel giddy when he smiles softly at you, you should be nervous. You shouldn’t be longing for his touch, you should be avoiding it. Instead, you’re leaning against your door, smiling like an idiot after making him wait for you to clean up your apartment so you don’t embarrass yourself.

Oh, you’re such a fool. But how could you not be with how he treats you? Tucking hair behind your ear, setting a gaze so soft on you that you think it might make your heart stop, dancing with you in the rain clumsily with rosy cheeks and wide eyes. How is it possible for you to reconcile the way the man acts with you to the way others treat him? Or maybe that’s just delusion speaking. It could be, honestly. You think if your brother was living with you, he’d be horrified, might lock you away for the rest of your life; you think your friends already want to put you in a psych ward and they’d only become all the more insistent if they knew half of the things you’ve noticed.

But your brother left you and your friends don’t know, so nothing is stopping you from making what might be a terrible decision.

You let out a breath as you push yourself off the door, placing down your grocery bags on the table by your door so you can scramble to pick up all of the stray clothes you’d tossed around your apartment as you frantically tried to find an outfit earlier in the night. You reach over to turn on your light, flicking the switch once, then twice, and then three times.

No way.

You sigh deeply, head falling back against the wood door of your apartment, knocking the back of your head against it twice in frustration. Letting out a irate puff of air, you push yourself off of the door and force yourself to get to work. It’s not the end of the world, hopefully it'll come back soon, the providers are usually quick with getting the outages fixed, even in your shitty area.

You force yourself to move forward, frowning deeply as you scoop up all of the paperwork spread out on your coffee table, making sure to keep it all in order as you move them over to the desk you have by your window seat. You drop the pile down and cast your gaze out to all of the clothes strewn haphazardly around your apartment, cursing yourself for having been so messy earlier when you were trying on just about every outfit you own and then flinging them around frustrated when you decided they weren’t good enough.

You scowl as you bend down to pick them all up, deciding you’ll just stuff them messily in your closet and fold them later when you don’t have company. As you zoom around trying to snag all of the dresses and different pairs of bras and underwear scattered about, your mind races. Your stove should still work because your landlord refuses to install any modern appliances into your apartment, for better or for worse, so you have an old model that shouldn’t be affected by the outage. But you think it’ll be awkward sitting in the dark, you think you have a few candles stored away in your room—you’ll have to find them and set them up.

Candlelit evening, how romantic! you think to yourself, a bit dreamily. You wonder if Albatross will be coming up to join the two of you in your apartment, you’d offered to make him a drink too but you figure it’ll be Dazai’s decision if he’ll be waiting outside or…

Or maybe, he’ll send him home.

You get giddy at the thought—candlelights, slightly tipsy after a night out, you take a peek under your dress to try to figure out which underwear you’d decided on earlier and if you should change into a different pair but are delighted when you realize that you’d gone with your pretty red ones.

You think he’ll like them.

Hopefully.

You like them, they’re your favorites.

Oh, you have to clean your bedroom too, you think to yourself in partial agony because you don’t know how the hell you’re going to clean up everything in there without making Dazai wait out there for an hour. You get anxious at the thought, worrying that if you take too long, he might leave, so you pick up the pace. You snatch the last stray bra hanging on the arm of your couch before taking off into your bedroom.

You hardly get a step into the room before you’re freezing in your tracks.

No way.

You stare at your bed, arms falling loose to your side, lips parted in shock. The clothes you’d cleaned up all drop aimlessly to the floor around you. Your bed is drenched with water—your sheets soaked, your mattress soaked, the ceiling heavy with rainwater from a leak you didn’t know you had.

“Oh my god,” you breathe out to yourself, unsure of what exactly you should do, never having had a problem like this before.

You think this is what you get, seeking out the cheapest possible apartment complex to stay in because you’re trying to save all of the money you have for school. Now, your mattress is ruined, your ceiling looks like it’s on the verge of collapse and oh my god, you left your laptop on your bed.

A noise caught between a whimper and cry of frustration leaves your lips as you dive forward, fishing your laptop out of the massive pool of water flooding your bed. You hold it in front of your face between two fingers, watching as water drips from it down to the ground.

There goes your laptop too.

You think you might be sick.

Now, you have to deal with a landlord who is decidedly not helpful when it comes to issues in the complex and you have nowhere to sleep. Maybe you can call one of your friends to stay at their place, but it’s already the middle of the night and you know two of them have their own entrance exams tomorrow for the programs that they’re applying to.

Unless…

Your gaze shifts to the window in your room, looking between the blinds to see Dazai and Albatross still waiting outside in their car.

Okay. Most urgent problem temporarily fixed. Maybe.

Dazai has a place. He has to. He’s clearly rich. It’s probably a much nicer place than yours too. You can go there, at least for the night. He wouldn’t just leave you with nowhere to go… right? No, of course he wouldn’t. You need to pack then, instead of cleaning.

Okay, this is fine.

It’s fine.

It takes you about five minutes to grab a few spare pairs of clothes into the duffle bag laying at your bedroom door, occasionally tossing dirty looks at the leak ruining your bed. When you finish throwing your clothes in the duffle—unfolded and hastily, of course, they’ll be terribly wrinkled—you rise to your feet and swing the bag over your shoulder, making your way back to your door and grabbing your groceries.

You don’t know what to say to him when you get back to the car. You’re probably being a bit presumptuous. Okay, a lot presumptuous—Dazai has never invited you back to his place, you’ve invited him to yours—but you don’t really have another choice.

You exhale as you step back into the rain, locking your apartment and making your way back down the steps to the complex’s parking lot. You don’t let yourself hesitate as you dart across the parking lot toward the car, fearing that if you take a second to actually think about what you’re doing—inviting yourself into someone else’s home!—you’ll probably back out.

You open the car door. You slide back inside, taking a seat behind the passenger seat. You drop your duffle bag on the floor between your feet and place your groceries back down between you and Dazai. You can feel both Dazai and Albatross staring at you. You stare ahead.

“... My apartment is flooded,” you finally say after a few moments.

Dazai doesn’t say anything, brows furrowing as he watches you. You can hardly bring yourself to look at him, trying to peek at him from the corner of your eye as best as you can without being too obvious about it. He’s not responding. Albatross isn’t moving the car. You’re getting the urge to bolt, to run upstairs and drown yourself in the puddle of water on your bed.

Finally, Albatross clears his throat. “Boss?”

Dazai still doesn’t respond. You think you might be doubly sick now, and embarrassed. An awful combination, really. You know that he knows what you came back here hoping for, and you realize that he might just send you back to your flooded apartment instead because he obviously did not sign up for taking in some random girl that he’s met a few Fridays for the night because she has nowhere else to go.

You finally turn your face to look at Dazai head on and you can feel that your eyes are glassy, chewing on the inside of your cheek. You don’t know how pathetic you must look for Dazai’s expression to shift the way it does, his conflicted expression crumbling as he turns away from you. You don’t want to know how pathetic you must look, you’d only feel even more humiliated.

After what feels like an eternity, Dazai finally says: “Drive.”

Albatross’s eyes shoot open, he physically turns to look at Dazai, “But-”

You don’t catch the look that Dazai gives Albatross, too busy basking in the relief of having somewhere to stay for the night, but whatever it is, it makes Albatross turn back to face the wheel without another word, turning the car back on and shifting it into gear before pulling out of the parking lot.

As soon as you’re on the move, you turn your attention back down to your phone, trying to figure out if you should message your landlord now or in the morning, dreading the inevitable argument you’re going to have with him. You fiddle with the device, occasionally sparing looks at Dazai, but the man is lost in thought next to you, visible eye distant and conflicted.

You can’t bring yourself to say anything so the whole drive to Dazai’s apartment is long and quiet. Even Albatross, who’s had no difficult sparking conversation the whole drive to your place, stays silent.

You’re bummed, all of the excitement you felt about bringing Dazai back to your place is long gone, feeling the stress of having to replace everything that’s been ruined by the leak and the anxiety of dealing with your landlord; all you want to do is sleep and die. Okay. That’s dramatic. But you’re exhausted and you really do want to sleep. Maybe not die, but definitely sleep.

You lay your head against the window, eyes starting to droop shut, and you can feel Dazai glancing at you now but you can’t even bring yourself to look over at him. Instead, you keep your eyes trained outside the window, only perking up when Albatross finally starts slowing to a stop.

And then, you’re suddenly not tired at all. Your eyes widen as he pulls to the front of the tallest of the five black buildings that tower over the Naka ward, lips parting as you crane your head to look up out the window and then look pointedly back at Dazai, stunned.

Dazai refuses to meet your gaze, staring ahead.

… You think that your instincts about this man must be spot on.

Too bad you’re not listening to them.

“You’ve gone crazy.”

Dazai’s gaze draws up from the paperwork he’s definitely not doing, far too preoccupied with thoughts of you; it’s cold and cutting as it lands on Chuuya. His executive enters the room without any type of announcement, his voice just as cold as Dazai’s expression—he supposes it’s testimony to how angry he is, because Chuuya is only frigid in his anger when he’s really been pushed to the brink.

Naturally, Dazai only smiles, a slow and taunting one that he knows presses all of Chuuya’s buttons from the way the man’s bicolored eyes flash with fury. Chuuya storms over to Dazai’s desk, making his way until he’s standing right in front of him.

“How so?” Dazai drawls, folding his hands over his lap as he leans back in his chair, tilting his head to the side questioningly.

“How so?” Chuuya spits out, slamming his hands down on Dazai’s desk. Dazai raises his eyebrows and then lifts his chin, looking pointedly down to where Chuuya’s hands are splayed against his desk. Chuuya doesn’t flinch—of course he doesn’t, he’s Chuuya—but he does pull his hands back to himself, albeit snarling as he does it. “The hell are you bringing some random woman back to our base? Back to your room? Going out alone the past few weeks when you know you’ve got a bounty on your head higher than most world leaders? I was letting it slide but this is too far, why the hell is she here? You’ve gone crazy, what the fuck is wrong with you?”

“Careful, Chuuya,” Dazai warns, voice quiet, expression growing a bit flinty when he brings you up. Dazai doesn’t care if Chuuya wants to rail on him for being reckless, but he’s not allowed to drag you into it. He decides to not acknowledge the comment about you, focusing on the end of his tirade, “I was with one of the Flags, I wasn’t alone.”

“Albatross isn’t cut out for that type of combat and you know it,” Chuuya snaps, glaring at Dazai. “If one of those bounty hunters came after you, you both would’ve been killed. What’s gotten into you? Never took you for the type to be this reckless. You get a taste of a woman’s c-”

“I said careful, Chuuya. Know your place,” Dazai repeats, voice icy. The warning is gone, only a threat remains—Chuuya doesn’t need to finish his sentence for Dazai to know where he was going with it, the way the man’s eyes darted over to Dazai’s bedroom was more than enough to confirm it.

“Is this a goddamn joke to you?” Chuuya asks, keeping his voice low, his lips flat and his eyes narrowed. “I don’t get it. You’ve always been so careful, more than anyone else. What the hell does one random woman have that’s making you risk all of this?”

“I’m not risking anything,” Dazai tells him coolly, “and she’s not just some random woman.”

Chuuya’s expression shifts, brows furrowing deeper; Dazai can see the tiny cogs working behind his eyes as he thinks. He wonders if Chuuya has been drinking tonight, catching the pink hue to his cheeks and the hazy look coating his eyes.

No wonder he’s so angry then, Dazai muses, he must have been out with Kouyou when he got word that Dazai left the base again without any protection detail and then brought someone up to his room who in Chuuya’s mind, could be an assassin for all he knows.

Suddenly, the confusion clears and something closer to realization sweeps across Chuuya’s face. His gaze turns back pointedly in the direction of Dazai’s bedroom.

“That’s her,” Chuuya says, disbelief dripping from his tone. “The girl you’ve had Kouyou looking over for years. What the fuck, Dazai? I thought the whole point of having Kouyou look after her was so that you kept away from her.”

Dazai stares at Chuuya, only for a moment, because then his gaze drifts back to the door leading into his bedroom, mind drifting. He supposes that he shouldn’t be surprised that Kouyou told Chuuya about it—Dazai wasn’t explicit enough with his orders, only telling Kouyou to ensure that Dazai himself never knew anything about her. Of course, the woman would bring it up to Chuuya, probably hoping Chuuya had some insight into why Dazai is so insistent on your protection.

Chuuya didn’t, of course, but he guesses that only made the topic of you and Dazai’s apparent random attachment to you even more of an interesting topic for their wine sessions. Honestly, he’s surprised that Chuuya didn’t realize earlier that the girl he’s been seeing is the one he’s had Kouyou assigned to. Kouyou surely should have known by now.

You’re fast asleep by now. He got lucky because of how exhausted you were over the stress of the whole situation: he didn’t have to deal with the questions that he was certain would arise as soon as you caught sight of the Port Mafia base. You were all but falling asleep on your feet as the two of you stood in the glass elevator leading up to Dazai’s apartment, the penthouse in the centermost of the five buildings consisting of the Port Mafia base. Dazai thought he was about to have a heart attack when you swayed on your feet and ended up resting your head on his bicep, eyes drooping shut. You only managed a few sleepy protests as he led you to his bedroom, asking where he was going to sleep if you take his room (the fact that you worry about him when you’re even on the brink of falling asleep on your feet made his fingers tingle), but you gave in quickly at his insistence.

He should feel some sort of pity, or sympathy, because he could see the weariness in your eyes and the fatigue plaguing your body. Dazai might not be capable of feeling pity or sympathy for most people, but if he could feel it for anyone, it would be you. But he does not, and it’s for a selfish reason, of course: your misfortune led to you turning to him for help, and the thought of that alone makes his chest feel light and giddy.

Yes, he’s going to have to figure out some sort of excuse tomorrow for when you wake up and inevitably have questions—he is not ready for you to know about his position in the Port Mafia—but right now you’re sleeping in his bed and you’re relying on him for help. His fingers thrum against his desk, jittery with excitement, he almost forgets Chuuya is there until he hears the man let out a sharp noise of disgust at Dazai's apparent exhilaration.

Distantly, very distantly, he knows this is bad. You’ve been smart and observant in every universe, you’re going to put together that something is seriously wrong—you were not supposed to come back to his place, but how was he supposed to say no to you when you were looking at him with teary eyes and nowhere else to go? The thought itself feels like sacrilege.

“You know what we are and what we do,” Chuuya says, voice calmer now as he shakes his head and fishes a cigarette from his pocket, lighting it with his free hand before he turns to leave. “I don’t know what the hell you’re doing, but you’re putting this girl in danger after the lengths you went to keep her safe. I don’t get it.”

He squints a bit as Chuuya’s words ring through his head. That’s what he had thought too, but he’s the last person to admit to Chuuya that he might be right. A cold feeling starts to set over him, spreading through his chest like ice. If he’s going to think about this realistically, you’re probably already in danger just from being around him. The likelihood of someone catching sight of the two of you the past few weeks is higher than he’s comfortable with, even with the precautions that he’s taken, especially with tonight outside the club and at the convenience store. The thought is terrifying, enough to immediately kill off the jittery excitement that had been running through his body.

Dazai’s index finger traces the outline of his lips, his mind races. What does he do? If you’re in danger, he can’t just let you go back to your apartment and leave you undefended in a sketchier part of the city. His enemies will jump on it. They’ll target you. But he can’t just keep you here. It’ll be too risky, you’ll figure out who he is and what he does, and that’s not even considering the fact that maybe you won’t even want to stay. You might wake up in the morning and head to someone else’s place—you’d made a vague comment about not wanting to intrude and going to a friend’s house tomorrow but the thought makes his stomach twist a bit.

God, he’s so conflicted.

But the first thing to handle is making sure that you don’t go back to your apartment alone. The rest he can figure out later on—he has to decide if he’d rather try to keep you around the base and risk you figuring out what he does (god, he wants to keep you around) or if he should just send you off to a “friend’s” (he still stands by the fact that your ‘friends’ are shitty because what sort of friends leave their drunk friend alone at a bar with a stranger—even if he knows that he’d rather let the world burn than see harm come upon you, they don’t know that) with an extra protection detail. One that you wouldn’t know is there, naturally.

But how does he make sure you don’t go back to your apartment after the leak is fixed?

He thinks to himself, an idea coming to him swiftly. It’s a bit dark, yes, and he’s sure that if you knew, you’d run for the hills but… to keep you safe, he would do whatever it takes. Even if you’d hate him for it if you knew.

But what you don’t know won’t hurt you.

“Chuuya,” Dazai says before the man can leave his apartment. Chuuya stops dead in his tracks, not turning to look at Dazai, but waiting for whatever he has to say. “I’m going to text you the number of her landlord… make sure he doesn’t get her apartment fixed any time soon. And let Gin-chan know I might have a guest for the next few days so she’s not caught off guard tomorrow.”

Chuuya scoffs. “You’re a freak, Dazai.”

Dazai only smiles idly to himself, eyes sliding shut as he leans back in the chair at his desk, Chuuya leaves without another word, Dazai loses himself in thoughts of you.

A freak? Yeah, maybe. In love? Definitely.

Should he convince you to stay with him? The thought bounces around his head frantically. He doesn’t know the answer. The more careful part of him screams no, tells him that it’s too dangerous to keep you around. It’s dangerous for you, because the longer you’re around here, the more at risk you’ll be of getting hurt. It’s dangerous for him, because the longer you’re around here, the more at risk he’ll be of getting exposed,

But the less logical part of him, the one that’s consumed by the idea of you, and the chance he has of being with you, is much louder.

You came to him, he reminds himself. You found him. He tried to be good. He did everything he could to stay away from you, but you still found him. And you chose to seek him out again. You chose to. It’s easier to blame it on you, convince himself that you brought this upon yourself, as if you had any idea what sort of sick and fucked up person Dazai really is, as if you have any idea what’s happened to you in every other universe because of him.

He can never go back to how he was living before meeting you; he can’t.

You came to him.

Why should he have to let you go now?

With that thought in mind, Dazai thinks the answer to his question is made abundantly clear.

#dazai x reader #dazai x you #dazai osamu x reader #dazai osamu x you #bsd x reader #bsd x yoju #bungo stray dogs x reader #bungo stray dogs x you

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midnight-els · 7 months

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It is a truth universally acknowledged that the West Wing would have been even better if they'd had a White House cat. Some headcanons bc I was thinking about it today:

Jed gave the cat a very grand, biblical name. Everyone else has shortened it to something very stupid.

Obviously all of the press and the public adore the cat. There's a minor upset in a polling themed episode when Joey confirms that once again the cat has higher approval ratings than the president. Josh is cross that they are polling on this at all.

There is one chair in the Oval Office that is The Cat's Chair. The staff know not to sit there as you'll get a. covered in fur and b. screamed at by an irate cat trying to force you off. They never warn any of their least favourite congresspeople about this.

The cat wanders around in the background of episodes, often being chased or petted by the extras.

The cat is not allowed in the situation room. The cat is always in the situation room. They had to come up with a special bug detecting protocol for the cat in case anyone tried to take advantage of this.

Ripped from the headlines plot about a congressional investigation into something related to the cat, based on the incident about Clinton's cat's postage.

The cat LOVES Air Force One. The Secret Service do not love having to get him on board or captured to get back off.

Leo and the cat are best friends. They're basically this meme. Leo's the grandma. Jed is the mom.

Aside from Leo, the cat loves the secretaries best. They always have lots of treats for him in their desks. Debbie is the only one he doesn't get on with; she has resorted to using a plant mister to spray him when he tries to get on her desk.

Josh thinks he and the cat are archenemies. The cat hasn't paid more than 2 seconds notice to Josh in his life.

CJ and the cat are archenemies. CJ was very pro-cat until she caught it fishing in Gail's bowl one day. Now she's at war to keep it out of her office. She's still trying to convince Danny to write a piece exposing the cat's dark side to its adoring public. Carol is very tired.

Sam wants so badly to be best friends with the cat. The cat thinks he's trying too hard. Will ends up exactly the same way.

Toby and the cat have never properly interacted and both are very happy to leave it that way.

The cat is supposed to stay in the residence during big events. Abbey stopped enforcing that after he got out and scratched Lord John Marbury when he picked him up against his will.

The cat has a secret service code name. One time, the code names are changed and an overenthusiatic reporter tries to break a story on the first lady's 'unusual activity' by following what he thinks is her code name. It's the cat's. CJ dines out on this for weeks.

The cat occasionally goes missing. The secretaries and Charlie have a recurring B-plot where they have to go and recover him. Somehow, the cat has always ended up somewhere relevant to the A-plot.

The cat properly goes missing after the incidents with the Thanksgiving turkeys and the goat in CJ's office (aka prime cat territory). Each time she claims she'll be nicer to the cat when it returns. Each time it lasts about two days.

Margaret thinks the cat has psychic powers and frequently provides warnings based on her interpretations of 'the signs'. Usually she's right.

The cat somehow makes off with the final edits for the state of the union one time (of course they were only handwritten on one piece of paper). Chaos ensues.

Jed tries to send the cat to Manchester partway through the series. After large-scale outcry from the staff, press and public he is returned to the White House. Unfortunately, after a couple of months as a barn cat he is even more badly behaved than before.

The cat is in both Jed and Abbey's official portraits.

#I am taking suggestions on both the names and more headcanons #I have not been active in tww fandom in a VERY long time but I love you guys still #and clearly I'm always thinking about it #the west wing #mine

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queerfables · 7 months

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I'm still working out what the significance of this is, but I'm now surer than ever:

In season 2, Aziraphale's bookshop is the Garden of Eden.

What first tipped me off was the end of 2x01, when Gabriel asks about Outside, and Crowley urgently warns him that he needs to stay inside the bookshop. It reverberated against the themes of season 1, where choosing freedom over safety is symbolised by Leaving the Garden. Supporting this connection, one of the songs on the season 2 soundtrack is called Leaving the Bookshop; it plays in 2x06 when Crowley escorts Nina and Maggie outside.

There's an even clearer indicator of the symbolism, though, and I am so fascinated by the implications. When Gabriel first arrives at the bookshop in a state of undress, one of the things he says to Aziraphale is:

"Who told you I was naked?"

It's a funny line but it's also surprisingly biblically significant. In Genesis, Adam and Eve's loss of innocence after eating the fruit of knowledge is shown by their realisation they are naked. In this scene, Gabriel is like them before this transgression, innocent and unconscious of his own nakedness.

But it's even more on the nose than that, because in Genesis, when God appears to Adam after he eats the fruit, Adam hides, and then admits he's afraid because he's naked. And I quote directly, Genesis 3:11 (New International Version):

And [God] said, “Who told you that you were naked? Have you eaten from the tree that I commanded you not to eat from?”

I'm sure this reference is intended. It's too similar to be a coincidence. So Gabriel's memory loss is comparable to the innocence that preceded the Fall of Man, and that's fascinating in its own right. This also makes the bookshop, where he is protected so long as he stays inside its walls, a clear parallel to Eden.

In relation to Gabriel, I think Beelzebub is Eve, offering Adam the knowledge of good and evil in the form of a fly holding his hidden memories. An argument could be made that they are the serpent to his Eve, but I think the partnered dynamic makes this a more fitting interpretation.

I'm still thinking on the roles that Crowley and Aziraphale play in this analogy. I keep coming back to Gabriel's line, "I don't go outside, and now I have two friends." If this is Eden, who are his friends? Are Crowley and Aziraphale reprising their roles as the serpent and the guardian? Are they God and Satan playing games with their own little universe, perhaps? Or are they Adam and Eve?

Obviously, if the bookshop is Eden, this has major implications for Crowley and Aziraphale too in the context of their break up. With this framing, Crowley telling Aziraphale, "You can't leave this bookshop" becomes a fascinating twist on his traditional role. He's asking Aziraphale to stay with him in blissful ignorance, rather than confront the truth of their world. I'm not arguing that this is the only level at which this line should be read, but it's one that's worth considering.

You may also notice that in light of this biblical reference, "Who told you I was naked" becomes the first time amnesiac Gabriel echoes the words of God. I'm really not sure what these echoes mean, but they sure do intrigue me.

#good omens #good omens meta #fable talks good omens

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direquail · 1 month

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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like

John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").

He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.

So the name "Alecto" alludes to the nature of John's mission and how he sees it.

It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.

And that's why you get statements from Tamsyn Muir like:

“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."

So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.

And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?

And does it matter?

#the locked tomb #tlt meta #john gaius #i really wish there wasn't such an intense desire to find the worst possible interpretations of johns' actions #because like. they're plenty hurtful on their own! they're plenty shitty!#there IS however something tamsyn muir is trying to express through the series and it's fairly complicated-otherwise it wouldn't be a serie #and i don't think it actually helps us to turn john into a cardboard cutout labeled 'evil'#or apply tropes we've marinated in from radfem-informed segments of online wlw culture about how men are parasites on the Divine Feminine #or apply the messages of other shows with a big emphasis on queer and wlw themes--like spop--to something that just fundamentally isn't the #there is more than one way to talk about lesbian religious trauma and there is more than one narrative around it #and more than one perspective on it #i wish that people would try harder to experience the story on its own terms

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drchucktingle · 9 months

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DECONSTRUCTING DAMASCUS #1

hello buckaroos chuck tingle here to talk on my book camp damascus. i am very ADVERSE to spoilers and even though i LOVE discussing art i never want to discuss a book too soon, gotta give buckaroos a chance to read. i have been trying to find a balance of WHEN and HOW to have these talks because there is a lot to discover in camp damascus, and i finally think i have found safe way to do this.

i am going to write some posts talkin about various subjects relating to camp damascus themes and symbols and ideas. i will title these posts DECONSTRUCTING DAMASCUS and give them all the hashtag: "deconstructing damascus". if you do not want to be tempted you can go into your tumblr settings and MUTE hashtag "deconstructing damascus" until you are ready to come back and trot in this way.

i am also going to put all spoiler content below a READ MORE line so that buckaroos will not stumble upon it. you must click below to open these words up.

(EDIT: PART 2 IS HERE)

(EDIT: PART 3 IS HERE)

(EDIT: PART 4 IS HERE)

alright buckaroos lets trot. WARNING: SPOILERS BELOW

DECONSTRUCTING DAMASCUS #1: NEVERLAND

camp damascus is about SEVERAL things thematically, but i think in BROAD STROKES you can narrow this story down to two ideas. the first is about control through infantilizing victims of religious or conservative organizations, keeping them 'young and naive' forever, and the second theme is about taking a story and using the same text to pull out whatever viewpoint you want. in other words, there are MANY readings within a story and us readers see whatever story we want.

i will dive deeper into these topics in later DECONSTRUCTING DAMASCUS talks, but both of these concepts relate in some way to THIS discussion, which is the story of peter pan and neverland

camp damascus is about text having many interpretations, and so as a sort of META ART PIECE i wanted camp damascus to have many interpretations. i did this by creating thematic layers on top of each other in the SAME STORY, like a cake. in the case of camp damascus we have BIBLICAL LAYER, FAIRYTALE LAYER, and LITERAL LAYER.

today we are going to talk about the fairytale layer.

peter pan is the story of wendy darling, who is whisked away to a magical place known as NEVER NEVER LAND by peter pan, who is an eternally young boy. nobody ever grows up in never never land. in camp damascus we have rose darling, who is a resident of neverton, a small town in montana where all of to children are kept young and naive to their own true adult nature for as long possible. this is done in many ways, for instance all of the KINGDOM OF THE PINE kids act and talk like teenagers when they are technically adults (rose is 20). they are all still in high school due to intervention of the church. the practice of oppressing someones natural sexuality and growth into adulthood a way of keeping them young and 'innocent'. the KINGDOM KIDS are perpetually stuck between childhood and adulthood. when you are reading the book, there should be something about this age and behavior discrepancy that feels a little strange.

to capture this effect i also tried to create a book that was both categorically YA (young adult) and adult horror. there are topics and conversations and situations that should feel like you are reading a 'younger book', then moments of violence and layers of complex themes that feel like an adult book. it should straddle this line in an uncomfortable way.

now to the story itself. camp damascus is NOT a retelling of peter pan in any way. the plots are not the same at all. however it uses peter pan as a literary allusion in order to discuss the themes listed above. these references are to reinforce the idea of keeping buckaroos young and under the churches control by any means necessary.

many do not realize that the original peter pan character was quite a bit more sinister than the cartoon version. here is a quote from the original text about HOW neverland worked to keep the lost boys young:

“The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out; but at this time there were six of them, counting the twins as two.”

yes CAPTAIN HOOK is the big villain, but peter pan himself is just as brutal. this is where we get PASTOR PETE BEND, the current head of camp damascus. in his own way he is HIP AND COOL AND ETERNALLY YOUTHFUL just like peter pan, but he also falls into the roll of a ruthless captain who will do whatever it takes. to pull apart his name we have pete, as in peter, and bend. what is another word for bend? hook.

kingdom of the pine members wear a red band round their left wrist, which is where the hand of their prophet as severed. you can also note that when pete bend he uses a weapon he uses his left hand, which is pretty notable for someone who is right handed. consider where a certain captains weapon is permanently affixed.

also working for kingdom of the pine and camp damascus, under the direct orders of pete bend, is DR. SMITH. dr smith is a jolly henchmen with a white beard and glasses. despite his drab office he sits in a blue and white striped chair. i should also point out that a version of the name smee is smeeth. just SAYIN.

WILLOW is another interesting one. after her time at camp damascus she gets into photography. she turns to NATURE and TRUTH and as she takes these photos her finger is steady and rhythmic like a clock. click. click. click. click. click. could these photos eventually be the downfall of pete bend?

when we see willow early on she is drinking for a coffee mug with a certain reptile on it. her last name is crogall, which translates to the name of a specific animal in scottish gaelic. rose also goes to meet willow where she lives, one town over from neverton in a little village named lebka rock. i will let the buckaroos figure out what that means.

there is actually much more than this (who is saul for instance?) but i think i have said all that buds need to know to enjoy this layer.

thank you for reading. FEEL FREE TO REBLOG but try not to put spoilers in the tags. i will talk on OTHER aspects of CAMP DAMASCUS soon and i hope this has inspired you to look at the text in a brand new way. LOVE IS REAL

#deconstructing damascus #spoilers

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actual-changeling · 4 months

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I have written many meta posts and s3-theories, and read even more, but I got hit by an idea I have not seen before. (If there is another post, please link it!)

After vibrating for an hour and losing my mind in my dms, I have no scraped together enough brain cells to present what is probably my first actual 'main-plot meta'.

Welcome to another edition of Alex's unhinged meta corner, today with a title to honour Crowley's James Bond obsession and the possibility of another heaven heist.

I give you:

From Jesus with Love - You Will Live Twice

Now, let's get right into it.

I think Neil might have told us more about the main s3 plotline in the announcement article than we previously thought. We all got stuck on 'they're not talking'—for good reason—but it is the part before that which has been bugging me ever since then.

The plans are going wrong—and this time that is a problem for earth and humanity. Turning that around, it means that whatever that plan consists of would be the way to go and beneficial for everyone, the opposite of the main plot of s1.

"They need to prevent the Second Coming (SC)" is pretty much the only and most popular idea I have seen, hundreds of fics and metas and whatnot have been written about it, but I think there's a good chance we're wrong. If we're not, well, I will honestly just be happy to be watching season 3.

Whatever the Metatron is planning will have negative consequences for everyone, or as Michael puts it: "And so… it ends. Everything ends. Time and the world is over, and we begin Eternity… forever and ever."

It sounds very much like Apocalypse #1 - Same Old Plan, same expected result, yet if we look at different interpretations of scripture we find that the SC is not entirely about complete destruction and death for all of humanity—it is about creating a new world/migrating to the kingdom of God.

This is taken from the Wikipedia article about the SC

Resurrection and life in a world to come are a direct contradiction to the result Michael is explaining—total annihilation of humanity.

Now, I am neither religious in any way nor have I ever received any sort of biblical education. Luckily, Christians seem to love talking about the bible because there are dozens of bible website to wade through. If I get anything wrong, please point it out, I have never touched a bible in my life.

So, after reading many, many quotes by a bunch of different guys, I tried to create a somewhat coherent picture of what the SC might look like based on the assumption that the end result is positive. I will talk about how they can be interpreted more in-depth later, otherwise this would turn into a string-net very fast.

Additionally, we can also see where these points overlap with the statement Jimbriel gave in the bookshop in episode three.

What is Jesus' job description?

only God knows when and how exactly it will begin/happen, no one else does, including Jesus and the Metatron

a lot of different catastrophes are mentioned or quoted as something Jesus said, like earthquakes and storms -> Jimbriel mentioned a tempest and great storms

there is also the line "All these are the beginning of birth pains." Birth pains dictate that there will be a birth—birth of the world to come perhaps?

dead people will be resurrected/leave their graves so that they too can be judged (I'd say participate in it but that sounds like the Second Coming is a summer camp activity)

there are also mentions of stars and the heavens in general falling from the sky and the sun going dark -> Jimbriel also mentions darkness as one of the signs

great lamentations, as Jimbriel says, are also a part of many different passages, with humans mourning the world as it was

the Lord will descent with the voice of an Archangel and the sound of a trumpet/the trumpet of God; the grammatical structure of that sentence seems to be interpreted differently depending on who you ask, but the voices of angels/an Archangel and some sort of trumpet are common terms

once everyone is in heaven/wherever the 'main even' will take place, a judgement call will be made for every single person in relation to the book of life, which decides whether they will be punished forever or not (one passage talks about a lake of fire and mentions it several times in a row)

And this is where it gets tricky. To figure out what the SC looks like, we first need to understand a) what the Metatron's capabilities are, b) what he has to lose, and c) what exactly would be a threat to him.

If you ask me, all of this comes down to the Metatron wanting to stay and be in power for eternity with full control over angels so he can do as he please, aka keeping the system running as it is.

We know the book of life (bol) is a thing in the Good Omens universe, whether it does what Michael said is an entirely different question. So far, we have also only got confirmation that hell collects and tortures souls—in such large amounts that they are understaffed—while heaven looks completely empty.

The Metatron runs heaven as an institution, he seems to be the highest power any of the angels have access to and the one they defer to. He refers to himself as the voice of God and combines judge, jury and executioner, making him one great celestial dictator.

From what we know of hell, they do things a lot more democratically, having different councils, dukes, and ranks that are responsible for different levels of command.

We also know that that the Metatron wants the world to end, his goals can probably be summarized as the statement Michael makes, which would leave him in charge without any opposing forces.

We also also know that he sees Crowley and Aziraphale as a threat—why exactly remains a mystery for now—and that the success of his plan hinges on having a Supreme Archangel (SA) he can control. Gabriel decided to become princess of hell and Beez' sugar baby, so he was out of the equation, and after the Armageddon disaster, I don't think he wants to risk failing because of an unfamiliarity with earth (plus, y'know, getting our two idiots away from the plan).

It's interesting to me that right at the end, he says to Aziraphale "We call it the Second Coming"—call, not it is or it will be, CALL. We know that nothing Neil writes is a coincidence, definitely not with such an important line.

Just because you CALL something a specific name doesn't mean it IS what you call it, e.g. Aziraphale calls Crowley a foul fiend when we know he very much isn't.

The Metatron is selling his plan as part of the "Great/Ineffable Plan", so any questions can be blocked by saying it's God's will, it's ineffable. Whatever his plan is, he hides it behind the concept of the Second Coming, which angels know just enough about to understand the basics without having in-depth knowledge of what exactly it entails.

It is a good fucking strategy, I'll give him that, and it WORKS because angels—even if they have doubts—do not question. They simply don't; fear of punishment and millennia of conditioning have left them in a horrible place. When they encounter something unknown, their response is "I already knew that" as to not ask questions.

Crowley questions, we know that, and Aziraphale, ohhhhh, Aziraphale ALSO questions, but he does it in a less dangerous and obvious way. The Metatron is vastly underprepared for that.

(Side note: That alone would be its own meta post, but the gist is that he questions heaven's plans and then adjusts his assumptions of what God might want to what he WANTS God to want, e.g. Job, the Arch)

To summarize everything I just said, the Metatron wants to do what Armageddon failed to do—destroy earth and the universe—so he can be supreme dictator of all remaining celestial beings and gorge himself on power.

But instead of calling it his Big Evil Plan, he calls it the Second Coming, making everyone play along without resistance.

We cycle aaaaall the way back to the sentence I quoted—the ACTUAL plans are going wrong since the Metatron's would mean total destruction.

But what is the SC supposed to be if not the Apocalypse 2.0?

When I look at all the different aspects of the SC and assume a positive outcome, then the end result to me would be a new world that is pretty much like the old world, or maybe even literally the old world but with any destruction reversed. Heaven and hell get dissolved since now that everyone has been "judged", they as institutions are no longer needed, they have fulfilled their purpose.

No more judgement means there is no reason to keep track anymore, so why do you need to run celestial corporations whose only job is doing exactly that? You don't—and THAT is what I believe is the biggest perceived threat to the Metatron, losing full control over everyone and everything, losing his position, his title, and whatever else he has.

On top of that, Good Omens has told us again and again that God doesn't seem to give a fuck about good and evil anymore, and that without heaven and hell being all wrapped up in it, humanity would have 100% free will without any consequences.

Maybe the BoL is empty, maybe it isn't real, maybe Jesus stole it to straighten a wobbly table, who knows. There is a chance it is what Michael says, but I would admittedly find that a bit. too obvious and boring since it would boil the plot down to "they save their own asses again" and not "they save humanity at all cost".

Regarding Crowley and Aziraphale's role in this—I have Thoughts TM but those definitely need their own post. In short, they have to get the SC back on track, the real one.

If you have made it this far, thank you for working through what I hope are more or less coherent rambles. Any spelling or grammar mistakes are my own.

Questions? Thoughts? Corrections? Expansions and additions?

Feel free to add to this post however you like (and I can't believe I have to mentions this but if you clown on my post or behave like an asshole you will be blocked).

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mybeingthere · 4 months

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SISTER GERTRUDE MORGAN, 1900 - 1980, born in Alabama, USA.

“I guess my paintings spread the word; they represent something. They get me a living, of course, and help out the mission here … I am a missionary of Christ before I’m an artist. Give all the fame to some other artist. I work for the Lord. Now don’t forget to give Him credit.”

A street preacher who became an artist, poet, and musician, Sister Gertrude Morgan was guided throughout her life by visions from God. Her artistic talent was a conduit to express her religious fervor and illustrate her teachings. Self-taught, Morgan created artworks when the Spirit moved her, using found materials such as cardboard, window shades, wood, signs, and more. Her imaginative compositions often incorporated text to emphasize important themes or to cite Scripture verses. Later in her career after 1970, Morgan devoted the majority of her paintings to biblical scenes from the Book of Revelation, which focuses on the second coming of Christ. Her recurring imagery depicts the Book of Revelation’s theme of the New Jerusalem, which represents the Holy City for Christ’s followers and the fulfillment of all God’s promises. Morgan’s interpretations of this abstract, spiritual concept often include a large multistory building shown in cross section to reveal empty chambers and Christ preparing for His marriage to Sister Gertrude, as shown in New Jerusalem Court and Untitled (New Jerusalem). “And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband.”

Born on April 7, 1900, to a poor rural family in LaFayette, Morgan moved to New Orleans in 1939 to begin her missionary work as a singing street preacher and soon joined the Holiness and Sanctified denomination, a church where the services praised God through music and dancing. In the early 1940s, Morgan adopted the title “Sister” when she worked with two other street missionaries, Mother Margaret Parker and Sister Cora Williams. The three women built a chapel and opened a children’s shelter; the center closed down when it was destroyed by a hurricane in 1965. Morgan then moved to St. Bernard Parish where she became a nurse to a woman whose house later became Morgan’s Everlasting Gospel Mission.

– Vicki Phung Smith

https://www.juxtapoz.com/.../outsider-artist-gertrude.../

https://www.bridgeprojects.com/art.../sister-gertrude-morgan

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the-catboy-minyan · 9 days

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I am glad to know the death of the Egyptian kids isn’t celebrated

But taking the story literally it feels like it could’ve been easier for g-d to just kill the pharaoh and his army, don’t murder their kids as, like, revenge for for them killing kids,

From a storytelling perspective by today’s standards it seems like an odd choice, I mean I get the symbolism and all that but if he’s all powerful you’d think he’d have more options lol.

don't come to my inbox with your atheist superiority complex. "why didn't he just kill them from the start if he's all powerful lol" for fuck's sake, just say you think we're sinners who believe in a false g-d and move on. and why are you looking at a biblical story from a modern storytelling perspective in the first place? it's thousands of years old, not Harry Potter.

this was a last resort, G-d didn't just wake up one day and decided "yo Moses I'm gonna kill all their birstborns" "why" "it's funny", it was a display of g-ds strength as a series of warnings to the pharaoh, "let my people go or face the wrath of our g-d, you don't want to know what happens when he counts to 10". killing their firstborns wasn't revenge for the murdered children of the Hebrews.

you can argue all you want about what should have happened in the story, but that won't change what the story itself. what we can do is learn the story and interpret the meaning and symbolism.

and we both know that if the story was just "g-d killed the pharaoh and his army and in the chaos the Hebrews escaped" you'd be here whining "why didn't they try peace first? 😭 why did they have to kill them when they could have tried to ask to leave? 🥺🥺🥺".

#asks #passover #pesach

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thedecadenceofwar · 9 months

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Elle Argent as Jesus Christ: Heartstopper art analysis.

Yesterday, I made this post where I wordlessly compared Elle's art piece for the Lambert School to the painting that draws her attention at the Louvre, Caravaggio's Supper at Emmaus, a depiction of Jesus breaking bread for his disciples after his crucifixion and subsequent rising.

Elle's perspective on the painting / a full view of the painting (source)

The first thing I noticed that helped me draw the connection between these two paintings was their composition, the basic triangular lines that guide the eye in each painting; from Jesus and Elle in the center to the innkeeper and Tao at the top.

Heartstopper also clearly wanted us to make some connection between Elle and this Caravaggio: they focus on her face before they show us the painting, so we wonder what exactly it is she's seeing, which increases its narrative importance. I assumed she recognized herself in a painting; she did, but not in the way I expected.

The National Gallery (see above source) has this to say about the Caravaggio:

On the third day after the Crucifixion two of Jesus’s disciples were walking to Emmaus when they met the resurrected Christ. They failed to recognise him, but that evening at supper he ‘... took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight’ (Luke 24: 30–31). Painted at the height of Caravaggio’s fame, this is among his most impressive domestic religious pictures. He brilliantly captures the dramatic climax of the story, the moment when the disciples suddenly see what has been in front of them all along. Their actions convey their astonishment: one is about to leap out of his chair while the other throws out his arms in a gesture of disbelief. The stark lighting underlines the dramatic intensity of the scene. Typically for Caravaggio, he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.

Jesus, in the story, opens the eyes of his disciples in more ways than one (I pulled my Bible out for this!). First, in the scene depicted in the painting, the disciples do not know that this man is Jesus until he blesses the bread and breaks it for them, revealing himself as Christ. Second is the context in which Jesus comes to share dinner with his disciples: they meet him on the road during the day before, and he interprets the Old Testament for them: (stay with me I promise we'll leave the Biblical stuff and get back to the gay stuff soon)

Luke 24:13-16 Now on that same day two of [the disciples] were going to a village called Emmaus, about seven miles from Jerusalem, and talking with each other about all these things that had happened. While they were talking and discussing, Jesus himself came near and went with them, but their eyes were kept from recognizing him. Luke 24:25-27 Then he said to them, "Oh, how foolish you are, and how slow of heart to believe all that the prophets have declared! Was it not necessary that the Messiah should suffer these things and then enter into his glory?" Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures.

If Safe Space is an exact analogue to Supper at Emmaus, then Elle takes the position of Jesus, and she draws from the story of Christ's crucifixion and rising a trans metaphor.

Death does not always mean death. For example, in the world of tarot, the card of Death does not signify literal Death, but a transformation: that the idea of death is a catalyst for change. If you're trans or non-binary, you understand the idea of the person you were being dead; that's why they call it a deadname. For me, the girl I was is dead. The person I am now, a living, breathing, non-binary person, is alive.

Jesus died and lived again; the boy Elle was died and the girl Elle is lived. Elle takes the spot of Jesus. Elle is risen.

There's another half to this metaphor: of the disciples that don't recognize Jesus. See where I'm going with this? At first, after Jesus had undergone his transformation, the disciples do not recognize him; literally "Their eyes were kept from recognizing him." The fault is not on them – it is another stronger force that maintains their blindness. But Jesus stays with them, despite the fact that they don't know who he is, and he talks to them about the scriptures.

We don't know much about Elle, pre-transition. But we know that Elle, Tao, and Charlie, at least, were friends before Elle's transition, and she had to come out to them at some point. So, in essence, she is Jesus on the road to Emmaus; unrecognized, a stranger, until she reveals herself for who she is.

She takes the moment Jesus tells his disciples who he is and shows what happens when Elle stays. We don't all have the luxury of being the Son of God, who can just pop away at a moment's notice after coming back from the dead (which is what he does, in the story: once the disciples have their eyes opened, he leaves). But this is Elle, out, resurrected, staying.

"So. There've been a lot of changes in my life over the last couple years. But with this piece I guess I wanted to capture a place that holds a lot of happy memories. Even in the darker times. Somewhere I always felt safe."

Safe Space comes after the moment of realization, after Elle comes out, after her friends' eyes are opened. But implied in its source and its inspiration is the moment of truth, the moment of coming out. There's been a lot of that, this season, coming out. There's people that want to and are scared, and people that refuse to and walk away. We never had to go on that journey with Elle. But she's telling us about it, now. She's telling us that it was glorious, that it was godly, that it was religious, that she died and was resurrected.

Before I leave, I want to touch on Tao's importance in this piece. The disciples in Supper are the two men that are seated; the man standing is the innkeeper, who is not quite a part of Jesus' world. Interesting, that Charlie and Isaac, the two people of Elle's group who are part of the queer community, take the place of the two disciples, and Tao, the token straight friend, is standing in the place of the innkeeper; not a follower of Jesus but a witness to the miracle of his resurrection anyway. They are all different people in this painting; different identities, different lives, different loves. But they were all there to witness Elle revealing herself in her resurrection. Tao, afraid of being left alone, is brought into this inner sanctum of Elle's world. Into her safe space.

#heartstopper #heartstopper spoilers #heartstopper analysis #heartstopper meta #elle argent #tao xu #charlie spring #isaac henderson #heartstopper season 2 #my stuff #i am absolutely in love with this analysis #and i hope that everyone else likes it too!!!#userbarrow #userelletao

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trashcanlore · 9 months

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Kabbalah in the Worldbuilding of Genshin Impact; Part 1: The Tree of Life, the Universe, and Everything

Edited for clarity, 12/6/23

Written by Schwan (@abyssalschwan on twitter) and Sabre (trashcanlore, @paimoff on twitter)

During the Sumeru Archon Quests, we learned that the Irminsul is a (real! (ish)) tree that grows upside down, seemingly underground, and that the roots of the tree are the Ley Lines, which extend throughout Teyvat and the Abyss. Irminsul stores all knowledge and memories in the world, and the Ley Lines are the mechanism by which the tree acquires this information. Ley Lines move elemental energy through Teyvat, and this energy acts as both a storage medium for information but also a resource that can be utilized for combat, alchemy, an energy source (Azosite), etc.

The origin of the name Irminsul (unique to the Western localizations) in combination with the many names from Norse mythology associated with Khaenri'ah, suggest that the inspiration for Irminsul is Yggdrasil, the world tree and central axis of the cosmos in Norse mythology. Here we propose an additional inspiration for Irminsul and the associated worldbuilding and elemental system of Teyvat: The Kabbalistic Tree of Life. In this model, Teyvat’s elemental energy is comparable to the creative energy described by Kabbalah as the foundation for the creation of reality and the spiritual world. Specific attributes of elemental energy can be channeled by unique individuals in Teyvat and these attributes manifest as distinct elements, which can be directly compared to the 10 sefirot, or emanations, described in Kabbalistic literature.

What is Kabbalah?

Kabbalah (lit. received, tradition) is a school of thought originating in Jewish mysticism. In general, Kabbalah focuses on the relationship between the infinite (God) and the finite universe and how it was created. The goal of studying this mysticism can vary depending on the school of thought and their motivations. Many of the esoteric and religious influences on Genshin lore and worldbuilding were influenced by Kabbalah, or vice versa. These include Gnosticism, Hermeticism, alchemy, Freemasonry, the occultist branches of Theosophy and Thelema (Golden Dawn), astrology, symbolic interpretation of the tarot (also specific to the Golden Dawn) and more [2]. In short, Kabbalah is everywhere. Additionally, its concepts are used as symbolism in several pieces of media that directly or indirectly inspired Genshin and other games in the Hoyoverse.

If you have frequented Genshin lore topics, you might have heard that one of the main sources of inspiration for its worldbuilding is Gnosticism. The problem is, Gnosticism is a bit vague or contradictory when it comes to how the world was created and how the whole existence thing works. At this current moment in the storyline of Genshin, we have very little information on the very beginning of existence in Teyvat. This information seems to be a crucial part of the “truth of the world” and appears to be purposefully hidden by powerful factions like Celestia. This entire theory was born out of trying to make sense of what little we know about the creation of Teyvat and comparing it to esoteric commentaries on the well known creation myth of the Torah (Old Testament). The “Biblical world structure” interpretation of Teyvat has been around since the early days of Genshin lore and with good reason; there are frequent mentions of the firmament, as well as the name Teyvat sounding very similar to the Biblical Hebrew word for ‘ark’ (although the grammar is a bit mangled). There are also several references to stories from the Bible in in-game texts, including Before Sun and Moon.

Kabbalah literature spends a lot of time trying to understand and describe the process of how the world was created and the underlying principles of reality, as well as how spiritual practice can change that reality (either metaphorically or literally). Kabbalah intends to describe the “true nature of God,” which is equal to the entirety of existence, as something very vast and completely impossible to grasp. This incomprehensible infinity emits an “limitless light” that is the origin of all creation. Elemental energy (the ubiquitous source of everything in Teyvat) is often found compared to light, something we’ll discuss in more detail later. The “limitless light” of Kabbalah is way too powerful for existence to bear, much like how elemental energy is to normal, non-Vision having humans. That’s why this light needed to be “filtered” down. This happens through the process of creation, which passes the light through the spiritual attributes that form the Tree of Life, which is like a sort of diagram for how the universe came into being [3].

The Tree of Life

The tree of life and its 10+ nodes, known as sefirot, is one of the most well-known concepts from Kabbalah to make its way into popular culture. As mentioned previously, the tree has been used as rule-of-cool symbolism in anime such as Neon Genesis Evangelion and Fullmetal Alchemist, two pieces of media that likely are significant influences on Genshin (If you doubt that HYV loves NGE, play some Honkai). The sefirot are also depicted on the floor of the Schicksal HQ map in Honkai Impact 3rd, for some reason.

The sefirot and their organization and interactions with each other can be found depicted in many ways, such as the tree format that is the most popular, or a spiraling nested scheme that is really cool, or even very stylized, like the work of Robert Fludd.

Sefirot

Sefirot comes from the root word in Hebrew meaning “to count,” but you can also find it translated as “sphere” in some texts. The term originated in a book on Jewish mysticism called the Sefer Yetzirah, or “Book of Formation/Creation.” which describes the combination of the “sefirot of nothingness” and the 22 letters of the Hebrew alphabet as the foundation of reality (remember the hypostasis codenames?).

The Sefer HaBahir (lit. the book of brightness, 13th century France) introduces the idea that the sefirot are emanations of the divine. Interestingly, this book refers to the sefirot as ma’amarot (sayings), which builds on an important concept in classical Jewish philosophy – the idea that God spoke the world into existence. [We’ll get back to the Sefer Yetzirah and the role of language in creating the world in a subsequent part of this theory]. Fontaine 4.2 era edit: HELL YEAH stay tuned for more about Oceanids!!

Historically, Kabbalah might have taken this rough concept from a very different school of thought: Pythagoreans or neo-Platonists. Briefly, the connection between the Pythagoreans and the Kabbalistic sefirot is that both groups considered the world as being made of numbers. This ties back into Genshin worldbuilding because of how much Platonism is related to Gnosticism. Something else to keep in mind is that Pythagoreans (who had a cool history that connected Egypt and Greece to the magic of ✨math✨ but also hey Genshin lore hello Deshret) were known to use lyres as their instrument of choice while making mathematical studies of music. More sus Venti lore for the collection? This is also interesting to consider in the context of Nahida, who is deeply connected to the Irminsul, and has animations that are reminiscent of computers.

Later in the 13th century, the Kabbalist Isaac the Blind would 'canonize' the list of sefirot (there’s still some variation to this day) and organize them into a sequence that would become the basis for the famous Tree of Life structure. His writings described the sefirot as attributes of the divine and their role in the creation of the world. In his model, the sefirot originated from lights that emerged from a primordial soup of potential, and these sefirot/lights would then ‘flow’ and emanate into each other. His student, Azriel of Gerona, expanded on this with a neo-Platonic lens and introduced the concept of the Ein Sof, the infinite nothingness that cannot be comprehended and is the origin of everything. In this model, being flows from an infinite resource of potential, which the divine can utilize through the framework of the sefirot, eventually creating the world [4]. In simple terms, the Ein Sof, which contains everything, emits a primordial light that then differentiates into the sefirot. In our Genshin analogy, this primordial light would be like extremely pure elemental energy that differentiates into elements, like light passing through a prism.

Moses Cordovero, an important figure in the development of Kabbalah, described the process of the sefirot differentiating with the analogy of light shining through a stained glass window:

Imagine a ray of sunlight shining through a stained-glass window of ten different colors. The sunlight possesses no color at all but appears to change hue as it passes through the window. The light has not essentially changed though it seems so to the viewer. Just so with the sephirot. The light that clothes itself in the vessels of the sephirot is the essence, like the ray of sunlight. That essence does not change color at all, neither judgment nor compassion, neither right nor left. Yet by emanating through the sephirot -- the variegated stained glass -- judgment or compassion prevails. (Pardes Rimmonim by Moses Cordovero, translated in Essential Kabbalah by Daniel Matt)

Cordovero considered the sefirot to be completely independent of each other, but the later Lurianic school of Kabbalah (we’ll get into them more in later parts) considered the sefirot to be constantly dynamically interacting with each other and also assigned them personas.

Achievement grinders amongst us may recall the descriptions of the namecards you get upon completing the Elemental Specialist achievement series:

Achievement: Colors of the Rainbow: Light can refract into countless colors, but people stop at seven because they're too lazy to count. Perhaps the elements are like that, too. Achievement: Seven Lights: Anyone can play a tune that belongs just to them, and like the dew under grass, can reflect the seven lights of heaven.

Another example of the elements being compared to light is the Latin text found on the magic circles on the door of Mona’s future house in Mondstadt and generated by the hypostases during their missile attacks. The text reads:

Ex culmine lucis in magno elementorum, which translates to "From the peak of light, to greatness of the elements."

It’s interesting to see this text appearing in association with the hypostases since they are described as “life forms which have completely abandoned their former appearance and biological structure, making them able to reach the highest level of elemental purity. They are ultra-compact structures with a high mass, and are the highest forms of elemental structures.” The hypostasis code names are also all Hebrew letters, as mentioned earlier.

Mona’s astrolabe during the Unreconciled Stars event features a similar text:

Ex culmine locis in magno elementorum; Lux se effundat in mentes dei, which translates to "From the peak of light, to the greatness of the elements; May light pour out, into the minds of god."

The Abyss Lector catalysts contain a text that mirrors these two examples:

Ex culmine lucis in mango obscuritas. Lux se effundat in mentes abysso, or “From the peak of light, to the greatness of darkness. May light pour out into the minds of the abyss.”

The Genshin elements are also described as flowing. For example, a loading screen tip specifically describes the Ley Lines as “A mysterious network that links the whole world together, within which flow the elements.” The Silver Twig description states: "All knowledge, memory, and experience flow through this giant tree, just like a stream flows into a river, the river joins a sea, the sea turns into clouds, and the clouds rain onto the ground — just like life itself."

Sefirot and the Genshin Elemental System

The 10 (sometimes 11) sefirot are:

Keter: Crown (this one is even more symbolic that the rest, is described as “the most hidden of all hidden things" in the Zohar, represent things that are above the mind’s comprehension and the very beginning of the process of turning potential into reality)

Chokhmah: Wisdom

Binah: Understanding/Reasoning

(Da’at: Knowledge, as a fusion of Chokhmah and Binah)

Chesed: Loving Kindness or Mercy

Gevurah: Strength/Severity, (sometimes Din, Judgement, or Pachad, Fear)

Tiferet: Beauty/Harmony, is associated with balance of the Tree of Life

Netzach: Eternity/Endurance

Hod: Splendor/Glory

Yesod: Foundation (as in, foundation of reality)

Malkhut: Kingdom/Sovereignty

You’ve probably noticed by now that while we are claiming that the concept of the sefirot applies to the elemental system in Genshin, there are 10 sefirot and only 7 elements (for now). Fortunately for us, the Kabbalists love metaphors and categories. In addition to the sefirot representing the procedure used to ‘emanate’ and create the world, there are other methods of interpretation that further subdivide and rank the sefirot. For example, one metaphorical interpretation of the Tree of Life assigns each of the sefirot to a part of the human body.

In some Kabbalistic traditions of interpreting the tree, the 10 sefirot are divided into two categories: Intellect (Keter, Binah, Chokhmah) and Emotions (they’re actually more like character traits), which contains the remaining seven. These categories are meant to parallel how the soul is also divided into the intellect and emotional components. The first three sefirot are also referred to as the “three mothers,” because they are the source of the lower seven [5].

Having a group of seven sefirot is very convenient for comparing their traits to the elements and their ideals, but what about the role of the higher three in Genshin worldbuilding? This next section requires a bit more conjecture than some other comparisons here.

The source of all elemental energy in Teyvat, whatever that actually is, could be compared to Keter (crown), the most hidden and incomprehensible of the sefirot. (Big stretch, but think of the crowns over the Irminsul trees in domains.)

Next, we have the Ley Lines, which contain dreams and memories (these are basically the same in Teyvat, see Dream Solvent description), and these can be compared to Binah (understanding/reasoning) and Chokhmah (wisdom). During the Sumeru Archon Quest, Rukkhadevata says that dreams are the source of the wisdom she upheld as her ideal. Memories play an important role in discerning the truth of the world, as the traveler has now found themselves to be the only person to remember certain people/events, and has been told to trust their memories rather than what they can see.

Comparison of the 'Lower' Sefirot to the Genshin Elements and Their Ideals

Chesed (loving-kindness); Cryo (unknown, theorized to be love)

The Cryo Archon’s ideal is theorized to be love, as it’s the only characteristic mentioned in relation to her in the Travail trailer. Wanderer’s voiceline about her directly mentions love and describes her as being kind and benevolent, while Childe describes her as extremely gentle. These are the characteristics of Chesed, which represents the trait of completely selfless love: the all forgiving, all giving love of a god towards their creations. When it comes to the Cryo element itself, two things are worth mentioning: one is the way that all of Snezhnaya is perpetually covered in snow, as if this were the (ironic) physical expression of the Tsaritsa’s love blanketing them. The second is the promise of a world-encompassing snowstorm that will envelop everything as the Fatui advance on their war against Celestia. Although it’s hard to find one absolute constant in Vision granting stories, it’s notable that most Cryo users got their Vision at a moment when they had to selflessly be there for others (Diona, Chongyun, Mika), or after a decisive moment where they put aside their personal comfort for an ideal that would result in benefit for others (Kaeya, Eula, Layla).

Gevurah (Severity); Hydro (Justice)

Gevurah is associated with divine judgment, the kind that punishes humanity and causes world-altering catastrophes like the flood or the expulsion of Adam and Eve from the Garden of Eden. The Hydro Archon organizing her nation around a Court that attempts to judge both deities and humans parallels this. In a more positive sense, Gevurah is also related to moral judgment that allows one to tell good from evil. Likewise, Hydro in-game is often associated with purity and separation of clean and unclean matter. When it comes to Hydro Vision wielders, one common characteristic is that they all live by a personal ethical code, and their commitment to it is what granted them their Vision.

Tiferet (Beauty/Harmony); Anemo (Freedom)

Tiferet balances the other sefirot on the tree and has direct connections to almost all of them (except for Malkut). Similarly, Anemo can facilitate many elemental reactions via its Swirl reaction. In our opinion, something almost all the Anemo characters share is that their moment of receiving a Vision coincides with a moment of balance and harmony with themselves or their environment. See Jean and Kazuha’s Vision stories and the cutscene where Scaramouche/Wanderer gets his Vision. As an aside, comparing harmony to Anemo is funny because Venti is a bard and harmony is also a musical term: in music theory, harmony is the way we analyze the interactions between different voices that can be heard at the same time.

Netzach (Eternity); Electro (Eternity)

The quality of “Eternity” in Netzach is related to victory against enemies, referring to eternity as being the most powerful combatant remaining among defeated adversaries. Likewise, in Genshin the story of the Electro Archon features many battles during the Archon War where Ei and Makoto ended up victorious. As for Electro users tend to have their Vision granted at a moment when their ambition “defeated” the obstacles of reality, as was the case with Fischl, Kuki and Lisa. Cyno’s Vision story makes sense when you compare it to the illumination of Buddha during meditation, and how this was victory over the temptation of the demon Mara.

Hod (Glory); Pyro (War)

Natlan and its Pyro Archon are possibly the most mysterious of all the regions, so we can only speculate. We know that the Pyro Archon is called the God of War, and that the Pyro Gemstone mentions battles, pilgrimages and truth. The sefira of Hod, translated as Glory or Splendor, is linked to being able to connect with God and therefore also associated with prophecy (as in the way a human can carry a message from God). In the Travail trailer, the Pyro Archon tells the traveler that “the rules of war are woven in the womb.” It's also theorized Natlan will be based on Mexica culture (where sacrifice of both enemies and self sacrifice was a way to connect with the gods) and via Iansan's name, the Caribbean diaspora version of Yoruba religion (where many rites involve the gods making themselves present in the material world).

Yesod (Foundation); Dendro (Wisdom)

Back when we started to think about this theory during version 2.8, we decided on Yesod largely via process of elimination. One piece of our rationale was that in the Jewish tradition, each of the lower seven sefirot are used to represent a primary personality trait of seven archetypal figures in the Torah. The person related to Yesod is Joseph, who is well known for his prophetic dreams, and because of the events of the Golden Apple Archipelago, we decided that was close enough. However, the 3.x version confirmed that a) Irminsul did actually exist, b) Dendro as an element has a deep relationship with the tree, with the Dendro Archon acting as its avatar, c) the ideal of wisdom as both Dendro Archons interpreted it has a lot to do with dreams, and d) Irminsul and the Ley Lines act as the foundation for how reality is perceived in Teyvat. Yesod is also associated with biological life, as it represents the reproductive organs in the human body scheme of the sefirot.

Malkut (Kingship); Geo (Contracts)

Malkut is associated with the connection between the spiritual "above" of the Tree of Life and the concepts it contains, and the "below" of the material world, where these concepts manifest into material reality. For this reason, Malkut is associated with the earth [6]. In many Geo item descriptions, like the Geo Hypostasis drop or Albedo's elemental skill, the motif of geo trying to reach the sky is a constant. From a religious POV, the relationship between the divine and humans living in the material world has also been one of "covenants," or "pacts", in a similar way to how the Geo Archon is the God of Contracts. Furthermore, contracts are the basis to have a working state (government), and a kingdom is one of the first forms of a state. Malkut also being related to earth and everything material parallels how Geo is an element that works in making constructs. Geo Vision users are likewise involved in making or maintaining structures, like the Knights of Favonius is for Noelle, or the tradition of alchemy is to Albedo, as well as opera to Yunjin and in a way, even the Oni identity for Itto.

The Origin of Evil and Why Irminsul is Upside Down

Tighnari tells us that Irminsul is a tree that “grows downward rather than upwards,” or in other words, it’s upside down. This isn’t the only time that we’ve encountered things in Teyvat being described as upside-down or mirrored, and as it turns out, there is a similar scenario described in Kabbalah. Throughout Kabbalistic discussions on the origin of evil in the world (both material and spiritual), a central idea developed is the existence of a mirrored or inverse Tree of Life that forms the demonic realm of evil. The Zohar, a foundational work of Kabbalistic literature, spends a considerable time discussing the origins of evil - there are more than 5 creation myths for the concept of evil! Two of these myths describe the formation of an inverse Tree of Life, called the Sitra Achra (literally “other side”). This tree is constructed out of corrupted fragments of divinity that did not make it through the creation process, and therefore became evil forces [7]. Evil is typically represented as either a shard (like of broken pottery) or as a husk/shell (Qlippoth in Hebrew). Sound familiar? We actually have an enemy with this name in-game; the "shadowy husks" (the CN name for these enemies literally translates to "empty shell").

Unlike the very well defined 10 sefirot of the Tree of Life, Kabbalists don't agree about the identities or number of the demons that form the Sitra Achra. Some names for these demons are consistent; such as Lilith, Samael, and Asmodeus, who make a sort of "mother, father, son" trio. As for the rest, scholars generally agree that Kabbalists blended traditions from nearby cultures depending on where they lived, leading to Arabic, Spanish and Germanic legends mixing into the Jewish tradition [8]. There's a strong possibility Hoyoverse did something similar and filled in the missing names with the names of the demons of the Ars Goetia, creating a system where the mirrored sefirot are “ruled” by demon gods, aka, the Archons. This implies that the reason Teyvat is upside down is because it is actually on the “other side.”

Neuvillette, About Us: Witness: Since you hail from beyond the stars, I invite you to be my witness as I judge this upended world…”Though we live in a world of disarray, I shall undertake to restore all that has been broken”.

[Fun Fact: The Zohar describes the construction of the Sitra Achra as a series of knots that arrange the demonic equivalent of sefirot, called either crowns or “breaths,” into a mirrored Tree of Life configuration [7]. ]

The primary goal of the Sitra Achra is to steal and absorb the divine energy of the Tree of Life to maintain its existence, in the hopes of gaining enough energy to destabilize the system [9]. The way Genshin's Archons use their Gnoses is similar to this system. In the Flower of Paradise Lost artifact lore, the Goddess of Flowers explains to Deshret and Rukkhadevata that when the Seelie race was disgraced, they lost their connection to Heaven and their power of "enlightenment". Later, Celestia would facilitate the Archon War with the promise that each winning god would be granted a Gnosis that would give them exceptional power. Both Nahida and Venti have described the Gnoses as being a very advanced tool that concentrates elemental energy. So far, Archons have had inherent elemental powers related to their nature, but when it comes to using large amounts of elemental energy through their Gnoses, they aren't creators but channelers of it, just at a much larger scale than humans who have Visions. Edit: and yes, there is the most recent revelation about the origin of the Gnoses that is extremely relevant to this comparison, but deserves its own space to be properly expanded on.

However, this doesn't mean Teyvat is condemned. Just as the Traveler has slowly been setting the chaos of elemental energy back into order (by, for example, returning the elemental Oculi to the Statue of the Seven, among many other things), so too is there a concept in Kabbalah describing the importance of righting the wrongs of the universe so that the sefirot are stable and creation is in harmony with the divine. This is called Tikkun Olam, or the repairing of the world.

Stay tuned for part 2 where we go into wayyyyy more detail about what this means for the Traveler's journey through Teyvat! 4.2 Edit: and of course will we will be talking about the most recent Gnosis revelation, as well as the Narzissenkreuz Ordo antics :D

References:

https://www.chabad.org/library/article_cdo/aid/170308/jewish/What-is-Kabbalah.htm

https://en.wikipedia.org/wiki/Hermetic_Qabalah

Kabbalah - Origins of the Sefirot and Tree of Life - Isaac the Blind Saggi Nehor & Azriel of Gerona

Mystical Concepts in Chassidism - Schochct, Jacob Immanuel, chapter 2

Mystical Concepts in Chassidism - Schochct, Jacob Immanuel pg 66-67, Tanya ch. 3

Rebbe Nachman of Breslov, Likutey Moharan I, 12:1 via Wikipedia

The Origins of the Klippot / Qliphoth & Sitra Achra in the Zohar - Kabbalah on the Problem of Evil

https://www.jewishvirtuallibrary.org/demons-and-demonology

9. Evil in Early Kabbalah - Emanations of the Left Hand Side - Origins of the Qliphoth / Klippot

#genshin #genshin impact #genshin lore #please tell me you get the joke in the title XD #the kids do not know about 42

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