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#but this is in the new post type
wyattjohnston · 1 year
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all fic | universe | gifs | exchanges
(alphabetical order by team, then by player)
updated: 27 Jan '24
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* = contains smut
boston bruins
charlie mcavoy
kiss it better now
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buffalo sabres
erik johnson
only all the time (series of one shots)
jeff skinner
your eyes look like coming home
tyson jost
it’s me & you
out of ten
this is getting good now (series of one shots)
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calgary flames
noah hanifin
the one who needs saving
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carolina hurricanes
andrei svechnikov
kinda hope they catch us
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colorado avalanche
gabriel landeskog
‘til you give me all your love
nathan mackinnon
the second time
you always did feel just like home
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columbus blue jackets
nick blankenburg
need a little company
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dallas stars
jake oettinger
the saddest thing i know
roope hintz
no sound worse than silence
tyler seguin
ain’t no sunshine (#1, #2, #3, #4, #5, playlist)
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edmonton oilers
leon draisaitl
lock in your love
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florida panthers
matthew tkachuk
don't want to miss you like this
you gotta kiss somebody (sometimes)
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los angeles kings
pierre luc dubois
never said a thing
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montreal canadiens
josh anderson
what am i to you?
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nashville predators
anthony beauvillier
into moonlight (series of one shots)
taylor hall
better at leaving* & i just keep coming back to you*
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new jersey devils
dougie hamilton
i’ll bet you didn’t even know
jack hughes
make it weird
we all have our secrets
we don't have no time to waste (series of one shots)
nico hischier
late nights in the middle of june (series of one shots)
not perfect (but we were)
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new york islanders
mat barzal
all eyes, they're on you (series of one shots)
uh oh
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new york rangers
chris kreider
toward a feminine sea
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philadelphia flyers
joel farabee
fell in love with you in stages
travis konecny
take me as i am (series of one shots)
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pittsburgh penguins
ryan graves
never saw you coming
to hold your hand (would be the bravest thing)
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seattle kraken
andre burakovsky
dreamer (just like you)
we look good together*
jamie oleksiak
my picket fence penguins
your eyes look like coming home
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st louis blues
colton parayko
open your heart to me
kasperi kapanen
let's get these wheels in motion*
kevin hayes
got a hold on me* (series of one shots)
how those rumours fly
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toronto maple leafs
mitch marner
give the stars something to watch
morgan rielly
sache que je serai la tienne (series of one shots)
william nylander
let's get these wheels in motion*
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vancouver canucks
brock boeser
and i had silly dreams
take you one day at a time (series of one shots)
elias pettersson
been a long time coming
quinn hughes
let's finish what we started
until the light shines through
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vegas golden knights
nolan patrick
found the cure for a broken heart
say that we'll be together (series of one shots)
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washington capitals
nicklas backstrom
give up the game
tom wilson
in the shadows & still want more
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winnipeg jets
adam lowry
breaking all the rules
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wasyago · 3 months
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a random cleo in armor
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azurechicken · 5 months
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It is a good thing that the BG3 team is attentive and we get updates all the time, but where does it end? If they are going to continue changing stuff about the game per request, what will be there left of what they envisioned in the first place? Especially for character traits and dialogue, like making them kinder and more likeable, just because there were two more people asking for it and they happened to see it. I just don't want to see characters shift into generic ones just because of a need to respond to everyone's ideas
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robotpussy · 4 months
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aregebidan · 1 year
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i love you goncharov mythos, i love you innate human urge to make things up, i love you tumblr blorbos created By tumblr, i love you meta insight into current internet attitudes toward character archetypes that's inherent to this process of creation, i love you opportunity of witnessing yet another major event for very online people, and most of all i love you katya
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heliianth · 4 months
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uh 💥
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beescake · 4 months
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Sorry for the spam (^o^;) I just really like your blog
no need to apologize ayy!
in this corner we welcome all forms of enjoyment, regardless of whether you're a
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happy to have yall here w me,
headin into homestuck 2024 :^)
#was debating if sollux truly was lurker type but then i rmbr'd him quietly reading all of karkat's memos for a good laugh HAHAHAHAAH#ask#aleemie#homestuck#karkat vantas#sollux captor#solkat#2024#vioart#but o. regarding the etiquette learned frm other socmed#spamming here is safe+good! it does not harm the op by shadowbanning like instagram#and its not 💀 like twitter where ur likes/following are permanently set to public#ur tumblr experience is within ur control it can be as free/empty/curated as u want!!#((tho ofc i do encourage rbing for ppl who've been hoping to start that habit!!#s'cool to slowly work ur way up from the extra special posts that hv lingered longest in ur heart and quietly build ur cache trove :-)#for example back when i was struggling to rt on a new twt acc i just started setting nonsense criteria for myself LOL#like “breaking this void is scary holy fuck ok i shall start by rting posts w brownish/reddish clrs bcs its inspo vibes for my art”#and gradually after a while of deliberate sharing i gained more confidence to share a larger variety of posts that make me feel things!!!!#no more training wheels i may be scared but i love loving more!!!!#same goes for engaging w fics too it takes energy to think of how to comment and thats ok‚ do ur best to explore what works for u!!!!#take screenshots of ur fave paragraphs & start annotating in gallery/notes app if that helps!!!!#also tumblr's customizable queue means u can stack posts and bolt hgehehe. my preferred form of existing on the net))
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crazyw3irdo · 10 months
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okay, i think any time anyone asks what superpower we’d like to have most everyone on this website would say shapeshifting but what kind of shapeshifting would you like
type 1- wild shape, you can turn into any animal, real or fictional
type 2- mystique, you can turn into any real person
type 3- cosplay, you can turn into any humanoid fictional character
type 4- jake the dog, you’re super stretchy
type 5- character creator, you can alter your own appearance- like changing voice hair length texture color, changing height and weight, transing gender, etc, but you can’t add anything non-human (ie horns, wings, claws, etc)
type 6- additional features, you can add things like snake eyes, horns, cat ears, tail, claws, wings, mermaid tail, but you remain humanoid overall and can’t change things like height or gender presentation or hair color. you can still change your voice tho
type 7- were-wolf, we all know what a werewolf is, lads. can be any kind of animal. can be straight up wolf or more monstrous wolf form that’s up to you.
type 8- furry, you just become your fursona. or any kind of fursona really you can change between them
type 9- antman, can become small or big
type 10- other, say what kind ya want
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shirecorn · 1 year
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Gay horse man looks like a princess
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Gay horse man learns to respect trans butch lesbians and various other people who won't date him
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hcmoeroticisms · 8 months
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Natasha O'Keeffe as Lanfear/Selene in Wheel of Time
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seventh-district · 7 months
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Midnight Hour
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With the warm haze of sleep fading from you, your brow furrows as your right hand presses lightly against his lower abdomen, your thumb sweeping up and down in a small attempt at a comforting motion. You quietly call for his attention, voice still thick with sleep.
“Star? Is everything okay?”
His typically silent breath suddenly hitches, and his head angles down to face you. Now that he’s turned toward the light, you catch the way his eyes shine, and the way the light reflects off of what you quickly realize are tear tracks, running down his cheeks.
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You awake in the middle of the night to find your lover in tears.
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Pairing: Astarion x Reader
Word Count: 3,139
Content Warnings: [crying (obviously)] [non-specific mentions of Astarion's past trauma] [this fic was written by someone who hasn't actually played the game and that might show in the details/the lack thereof]
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Blinking your tired eyes open, you squint at the light of the crackling fire in front of you. Closing them again, you let out a soft sigh as you try to guess at the current time. Given that you woke on your own, you’re assuming it’s likely close to, but not quite, time for you to take over tonight’s watch shift.
Your group has fallen into a routine where you pair off into teams of two, and a different team keeps watch each night. Tonight’s turn belongs to you and Astarion, and he’s taken the first half of the shift as usual. You usually, ironically, sleep your best on the nights that he keeps watch, in spite of only getting half the amount of sleep as you do on the nights another team has the job.
You suppose you can credit the fact that, at the end of the day, Astarion is a creature of the night. Something about knowing he has the upper hand when it comes to any unwanted nighttime visitors your group may encounter is… reassuring. To you, as well as to the others in the group, loathe as some of them may be to admit it. That is, once they all felt confident in his promises to not make a surprise midnight snack of them, at least.
Tonight is a bit of an exception, though, and you’re not quite sure what woke you early this time. You typically sleep soundly until he gently coaxes you awake, nails combing through your hair, voice soft and apologetic in your ear. He’s always somewhat reluctant to wake you, but he does so nonetheless, having learned his lesson after the first time he made the executive decision to let you sleep the whole night through. His arguments of “You really looked like you could use the rest.” and “What’s one sleepless night? I can sleep when I’m dead.” didn’t hold much water in the face of the way he dragged ass through the entire next day.
In “the spirit of fairness” and “proving that he can stick to an agreement,” he never tried to take the whole shift by himself again. It definitely didn’t have anything to do with how guilty he felt when he heard the disappointment in your tone when you awoke that first morning and discovered he hadn’t stuck to the plan. Definitely.
Laying there in the quiet, you try and fail to pinpoint what feels different about tonight. You don’t hear any strange noises, nothing feels unusual, and blinking your eyes open again you raise your head a bit to look around the fire. The rest of the group are circled around the other sides of the heat source, sleeping soundly. You figure that you’re probably just getting used to this routine by now, and your body simply woke up around your usual shift change time on its own.
Still, that doesn’t explain the vague, unplaceable feeling that something is just… off.
You let out a sigh that turns into a yawn as you stretch and roll away from the fire onto your back. Letting your head roll further to the left, your eyes land on the familiar sight of your lover’s back as he sits in his usual position beside you, diligently watching your six.
He’s taken to placing his bedroll right next to yours, insisting that you lie between the fire and himself. You couldn’t really argue with his point that he can’t feel the cold anyways, so there’s no need for him to be the one next to the fire. Nor could you argue with the benefits of having him as a line of defense between you and whatever lurks beyond the reach of the firelight.
The feeling of security and protection that he provides you with is still relatively foreign to you, and a soft smile blooms on your face at the warm feeling it brings. Your smile then falls a bit as you remember the silent question you ask yourself on the regular, of whether or not you provide him with the same.
You roll the rest of the way to your left, and shuffle further toward him, closing what remains of the small gap he’d placed between the two of you. Lying halfway on your bedroll and halfway on his, you curl your body around his seated form, bringing your right arm up and gently placing a hand on the right side of his waist. He flinches slightly, and if this were earlier on in your relationship, you’d retract your hand. He’s long since informed you though that his reaction to unexpected touch is simply involuntary, and as long as it’s you, you’ve no need to pull away.
You recall the quiet, restrained desperation in his voice when he first explained it to you, all but begging you not to pull away. He can’t control the way his body reacts to touch, given that before you, he couldn’t recall the last time being touched meant anything other than pain. In spite of that though, he wants it. He wants you. That’s obvious in the way that he, without fail, immediately relaxes under your gentle touch once his mind and body process that it’s coming from you. The way he’s come to not only relax, but to lean into it. Lean into you.
You’d never push past his boundaries, never in a million years, but he’s made it quite clear after about a thousand of your quiet requests for consent at every minor touch, that he’s entirely welcoming of your non-sexual physical affections. Getting the man to verbally admit that he actually enjoys cuddling with you, without the truth being concealed beneath a heavy layer of playful banter and practiced, honeyed words didn’t come easy, but he came around to it in his own time.
So, you don’t pull back, instead following through with the motion and slowly snaking your arm around his waist. You press your front against his lower back and curl around to rest your left cheek atop his left thigh. You can’t help but notice that he doesn’t relax into you in the way he usually does, and your head turns to the right a bit, struggling to get a half-decent look at his face as you’re both turned away from the fire light.
He remains tense, still, and unresponsive to your movements, gaze seemingly locked dead ahead of him, staring out into the dark forest.
With the warm haze of sleep fading from you, your brow furrows as your right hand presses lightly against his lower abdomen, your thumb sweeping up and down in a small attempt at a comforting motion. You quietly call for his attention, voice still thick with sleep.
“Star? Is everything okay?”
His typically silent breath suddenly hitches, and his head angles down to face you. Now that he’s turned toward the light, you catch the way his eyes shine, and the way the light reflects off of what you quickly realize are tear tracks, running down his cheeks. He’s actively crying, tears dripping from his chin, and now with his head tilted down at you they take a different path, running down to converge and fall from the tip of his nose.
You nearly bolt upright in your shock, quickly unwrapping yourself from him and clambering around on all fours until you’re sat down in front of him, your hands gripping tightly to your upper thighs in worry. His wide-eyed gaze followed your every movement, and even now that you’re sat still in front of him, his eyes still dart around, frantically scanning you, for what, you don’t know.
“What- what’s going on?”
You keep your voice as quiet as you reasonably can in spite of your shock and concern, not eager to wake your companions and have everyone witness… whatever this is.
He doesn’t respond, looking just about as lost as you feel, shaking his head in silence as more tears fall. It’s one hell of a sight, and it suddenly hits you that this is the first time you’ve ever seen him cry.
Unsure of what to do and what even caused this, you resist the urge to wrap him in a hug, not wanting to overstep in this unfamiliar territory. Instead, you glance back over your shoulder and once again see and hear nothing of note before trying another question.
“Is there a threat? Did you see something that scared you, honey?”
He takes a long moment to answer, seeming unsure, before eventually settling on another shake of his head. His lack of confidence in his answer isn’t the most reassuring thing at the moment, but given that you aren’t detecting any danger either, you decide to believe that he really didn’t see any threat. At least, not here. Not right now, in the present moment, in front of him. He seems about halfway here and halfway gone, and if your growing suspicions are correct, he’s probably been sat here lost in the dark corners of his mind for a while now, given the state he’s in.
You catch movement to Astarion’s right side and watch as Karlach raises up from her prior position sprawled out face-down on her bedroll, propping herself up with her forearms beneath her. Her expression of concern is too aware and her eyes are too awake for her to have just now woken up, and you quickly gather that she’s probably been awake and laying there long enough to have heard your questions and Astarion’s lack of any verbal response. She doesn’t say anything though, and doesn’t move, just letting the situation unfold and keeping a watchful eye on the darkness behind you.
Relaxing slightly at the knowledge that someone else is awake and helping to keep watch now, your focus shifts back to Astarion, who’s gaze has moved to his lap, tears still falling fast. It’s almost unsettling, the way he cries. There’s no sound, no movement, his breathing is hardly even affected, nothing more than the occasional shaky breath to give away any sign of struggle at all. You don’t have to guess why it’s like this, given what he’s told you about his past. You’re sadly certain that he learned to cry like this ages ago. Silent and still, sat alone in the dark so no one would notice.
You don’t want to think about the sorts of punishments he’s endured as a result of showing such pain and emotion, but your mind pulls from what experiences he’s shared and offers up a few anyways, making you begin to feel sick.
Leaning down and trying to catch his gaze, you ask another question.
“Astarion, are you with me right now?”
He blinks, more tears spill, and his lips finally part as he responds to you with a strained whisper.
“I’m trying to be…”
You smile in spite of your current emotions and the general mood of the situation, doing your best to be something positive, something gentle, something safe for him to focus on.
“There you are…”
You say it to yourself as much as to him, relieved to finally hear his voice, as laced with pain as it sounds. You hold out your hand near where his lie balled into fists in his lap, offering him contact without forcing it on him.
“I want you to keep trying, okay? Do your best to come back into the present with me. You can take my hand, if you’d like?”
He stares down at your offered hand for a long moment before shakily unballing one of his fists. He hesitates, fingers trembling, before reaching out and placing his hand in yours. His skin is even colder than usual and slightly damp to the touch, and you couldn’t be less put off, or give less of a fuck about the messy state of him right now, or ever, if you’re being honest. You just want to help him, however you can.
You curl your warm fingers around his palm, wanting to pull him into a hug so badly but restraining yourself, letting him call the shots.
“You’re okay now, Star. You’re safe right now, here with me. We’re safe.”
He’s quiet for another long moment as he shuts his eyes tight, taking in your words. His other fist unfurls, and his body trembles almost imperceptibly.
“I… I’m sorry… I’m sorry…”
Your heart breaks.
“Honey, you have nothing to apologize for. Nothing at all, I promise you.”
He shakes his head in disagreement, his voice an insistent whisper.
“I shouldn’t be doing this.”
Your shoulders drop from where they’d been tensely held up, body slumping with a silent sigh as you watch him still try to hold this wall up between the two of you. You’d made it past a number of his walls already, but this one… this one you’ve yet to be granted access behind.
“It’s okay to cry, you know?”
Another shake of his head, this time with far more force behind it, almost vehement.
“No.”
You soften your voice, insisting.
“Yes. It is. You can cry now, Astarion. No one’s gonna hurt you. No one’s gonna judge you. I swear on my life, that’s the truth.”
His breaths become more labored, uneven and shaking.
“You aren’t his anymore. The old rules don’t apply. You can let it out, now. No one, and I mean no one, is going to punish you for it.”
His eyes pinch closed and his head shakes hard side to side, like he’s fighting his own mind, and his hand opens and closes like it wants to grab onto something. He then moves, wrapping his free hand around your arm and suddenly you’re being pulled toward him, desperately, insistently.
You follow the motion as he continues to tug at you, first leaning forward and propping yourself up with your other hand on the ground as he continues to pull you closer. You quickly gather what he wants as he lets go of your hand in favor of latching onto your other arm, pulling you upward, choking back tears all the while.
You raise up on your knees and his hands move once again to hook beneath your arms as you allow yourself to be pulled up onto his lap with physical strength you keep forgetting he possesses. Hooking your legs around his waist, you wrap your arms around his shoulders and pull him into you. His arms wrap tightly around your waist and he buries his face into the fabric of your shirt at the collar, muffling the soft sound of his crying which has now turned to full-blown sobs.
He’s still shockingly quiet in spite of it all, and you imagine it’s a mixture of being unable to let go of what’s ingrained into him, and not wanting to alert the entire camp to his current breakdown.
Your thumbs stroke up and down in place on his back, not wanting to let go of your hold on him but still wanting to give him some sort of comforting motion to focus on. Besides, you figure petting across the entire expanse of his scarred back might do the opposite of calming him down, so you refrain and keep your arms wrapped firmly around him. Turning your head down toward his, you whisper to him in between soft kisses to his temple.
“That’s it, love. Let it out.”
“You’re safe now, Astarion, I swear.”
“There’s nothing wrong with this.”
“I’m so proud of you.”
“You have every right to cry. No one ever should’ve taken that away from you.”
He grips you even tighter as you shower him with painfully unfamiliar affection and acceptance, comfort unlike anything he’s ever felt before in his horribly long life. His forehead presses against your right shoulder as his crying slows, trying to ground himself and catch his breath. You make a point of holding him securely against you, breathing slow and deep to give him an example to follow.
You catch movement in your periphery and glance over at Karlach as she quietly sits up and makes a series of silent lip movements and hand gestures that you don’t entirely grasp. You work them out to mean that she’s gonna take over watch for the rest of the night, and you can rest with Astarion. You send her a grateful look and mouth a “thank you,” to which she waves you off with what you think you read as a silent “don’t mention it” on her lips.
After a short while spent focused on slowing down his breath and bringing him fully out of his memories and back here with you, you whisper quiet words in his ear.
“Your work is done, Astarion. You can rest now.”
You mean it in both possible interpretations of the words, and he seems to understand that, his body finally relaxing against yours for the first time tonight.
“You wanna lie down with me, love?”
He seems like he almost nods, but stops himself, whispering back in an exhausted voice, scratchy and thick from crying.
“Someone has to keep watch.”
You hesitate to inform him that Karlach has already taken over that role for tonight, sure that he’d get no sleep at all if he knew she’d witnessed this. You know you’re gonna be awake watching over him for the rest of the night anyways, so instead, you offer a compromise.
“I can hold you and keep watch at the same time, love. Just… let me sit and you can lay against me.”
He gives the suggestion a moment of thought before nodding his head, reluctantly loosening his hold on you. You maneuver the both of you carefully so as to avoid allowing his tired eyes to catch sight of your obviously awake companion sitting behind him.
It isn’t much of a task considering his eyes are halfway closed already, his only remaining focus locked on you. You settle down at the head of his bedroll, guiding him to lie down and bringing his head to rest in the center of your lap.
Your hands take turns gently combing fingers through his white curls, and you feel his tense shoulders begin to relax at the feeling. You bring a thumb down and gently stroke over the lines creasing his brow, quietly encouraging him to release the tension he likely doesn’t realize he’s holding. You watch him pull in a deep, albeit still slightly unsteady breath, and you can practically feel the relief that washes over him when he exhales.
Words aren’t necessary between the two of you at this point, not in this moment, but you offer him a few anyways, hoping they’ll resonate in his tired mind as he slips into sleep.
“You’re safe here, Star. Rest easy.”
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A/N: Like I said in the CWs, I haven't played the game for myself (yet!) so I only know what I've seen in the hours of (mostly Astarion-focused) scenes I've watched on YT. As a result, this might have read a bit funny if I've gotten certain details wrong. For instance- I have no idea how resting at the camp actually goes, whether or not someone keeps watch all night, etc. Also I'm not sure if Astarion even needs to actually sleep or if he meditates/falls into a trance and just calls it sleep, but for the sake of simplicity, (and me being clueless,) when I say he falls into sleep just assume he's doing whatever he'd normally do to rest. On a different note- this little fic was inspired by a combination of two things. The lovely art and additional commentary on this post, by @velnna , and also by me listening to Midnight Hour by Sierra Eagleson on loop for like, an hour, and daydreaming up this specific scene before proceeding to write it out. It is a beautiful song that is now the title and theme-song for this fic, and I encourage you to go give it a listen if you haven't heard it already. Header Image Source: x
#astarion x reader#astarion#baldur's gate 3#baldurs gate 3#bg3#astarion bg3#bg3 astarion#astarion fic#astarion fanfic#my writing#man. this may be the quickest turnover/turnaround whateverthewordis on a fic that i've ever made happen#i usually sit on an idea and then a draft for ages before posting smthn. so given that it's only been a couple days#between the initial idea and the finished posted fic. wow. groundbreaking speeds for me#the power of hyperfixation (and love)#y'know. i've noticed a trend#why is it that nearly every time i write for a new character the first scenario i place them in involves crying#and having Reader hold/comfort them#i did it with Eddie i did it with Venti i'm doing it with Astarion. who's next. who's next in the Reverse Comfort lineup huh#idk why that's my go-to scenario it just is. maybe i do have a type. (characters that need to have a good cry in their beloved's arms)#or maybe perhaps it is i that needs the good cry and i am projecting. who knows. 'tis a mystery (it's both)#anyways i know this fic is a bit short but i just. had one little specific scene i wanted to write and that's it!#i do plan on making more for him though. i've already got another idea brewing in my brain#also sorry if 'honey' and 'love' aren't your go-to pet names. or if you wouldn't call him Star#my own style of speech heavily influences what i have Reader say in my fics and i can't help itttttt. everything i write is self-insert lma#*lmao (i’m on mobile rn i’m not retyping all of that just to add the last letter)#(yes i’m posting this from mobile cause i took a nap and overslept and missed the time i wanted to post this at. so now i am In A Rush#smthn smthn self imposed deadlines smthn smthn ‘i know the guy that made the rules and he’s a total pushover’ anyways it’s fine. post draft
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ch1zzie · 1 month
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The original in the bottom
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Plus the picture I mainly drew but decided to draw the rest for funny
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#thats not my neighbor#milk man#just tried to draw something in my mind to post along with saying some updates#monday the people are gonna give my grandma the keys to the house! while i have to stay at my aunts place for wifi for school#(online school)#my moms gonna be moving things out of storage into the house! AAAA I CANT WAIT#also little welcome home update#im not sure if i said here? wait nevermind i just remembered while typing (it was that i got barnaby and the pins) AAA silly me#also im making a little julie out of clay (if i wake up and their messed up i am NOT redoing that😭)#the legs are a little messed up because julie was gonna be the size of an hatsune miku figure on accident so i chose to shorten her a bit#only because im not sure if im gonna make the others too AND because theres no way hes gonna be THAT tall😭#also! im making easter art#yes its barnaby and wally again just for fun! but a few changes like keeping their regular outfits because i cant think of anything else!!!#why not the ones in the old easter drawing? welllll a follower said that wallys outfit looked a bit familiar to another not so good thing#it wasnt on purpose just an accident because i hadn't notice BUT im glad i know now so i can be more careful!#im not sureeee if im gonna finish the easter art OR the julie clay thingy but I'd love too! and honestly HOPE to#high chance i will (well maybe the easter art could be late or not)#maaaaaaaaaaaAAAAAA trying to think if theres anything else but cant! ill try posting this hoping my wifi wont hate me...#also i know i said this account was for welcome home posting but i didnt have any cool welcome homey things to put here gahhhhh#ehehehhe once i get my new room and its allllll just me#imma post like crazy (wellll that IS the plan so i hope)#even if its little dumb posts#by the way this post was gonna say on top “i know i said this account is for welcome home posting but TAKE THIS FOR LITTLE UPDATES”#just removed it because i dunnooooo just didded#hehe didded
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kinnbig · 2 months
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✨ Simple Gif Colouring for Beginners ✨
I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.
when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!
a couple of things to begin with:
I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!
I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.
as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).
I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.
this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.
okay, full walkthrough beneath the cut!
contents:
1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!
1. intro
the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.
if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!
* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)
✨ natural gif colouring goals
part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!
in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:
brighten dark scenes
remove muddy, yellowish lighting or filters
saturate colours
correct any skin lightening filters or overexposure
make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos
this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!
✨ very very basic colour theory
[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]
the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).
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so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.
in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.
it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.
looking at the colour balance sliders on photoshop can make it easier to visualise:
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so making a gif more red also means making it less cyan.
removing green from a gif means adding magenta.
taking yellow out of a gif will make it more blue.
tl;dr:
neutralise yellows by adding blue (and vice versa)
neutralise reds by adding cyan (and vice versa)
neutralise green by adding magenta (and vice versa)
2. super simple colouring (the essentials)
starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)
some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.
I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.
so here is my base gif!
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it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.
colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:
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there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.
I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.
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✨ curves layer
the first thing I always do is a curves layer. when you first open one it will look like this:
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first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.
if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.
the next step is selecting the white and black points with the little eyedropper tools.
the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.
here's what that did to the gif:
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then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.
here's what the gif looks like after picking the white and black points:
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this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.
and this is what the curves graph looks like now:
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you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.
next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.
‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.
✨ selective colour (and skin tone correction)
skin tones are made up of a mixture of yellow and red.
removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.
adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.
selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.
I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.
in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.
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the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.
here's the result. Kim's skin is a lot less pink toned and much more natural looking:
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✨ hue/saturation
this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.
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I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.
clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.
I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)
then I increased the 'master' saturation of all the colours to +5:
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I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.
‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.
done!
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✨ saving and reusing colouring
you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.
each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.
I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.
✨ another one! (speedrun!)
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HI KEN!
the white point for the curves layer was in the window behind them.
the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.
3. other adjustment layers
imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.
✨ brightness/contrast
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pretty self explanatory!
I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 
the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.
✨ levels
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levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.
use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.
levels is a good place to start if your curves layer isn't working.
(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)
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on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!
✨ vibrance
vibrance... makes the colours more vibrant. it's more subtle than saturation.
it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.
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vibrance is much more subtle!
✨ colour balance
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colour balance affects the overall balance of colours within a gif.
it's good for scenes with heavy tints.
I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.
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✨ channel mixer
I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.
basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.
kind of the reverse of selective colour?
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so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.
this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)
(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)
4. troubleshooting
‼️curves
usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(
for example, with this base gif:
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using many of the brightest points as a white point turn it wacky colours, like this:
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yikes :(
some options for these cases:
try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.
try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.
skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.
‼️over/undersaturation
if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.
oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.
5. fin!
and done! I hope this was coherent helpful to somebody.
if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.
happy gifmaking 🥰
✨ some links!
photoshop basics by @selenapastel
gifmaking for beginners by @hayaosmiyazaki
gifmaking guide for beginners by @saw-x
dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)
beginner's guide to channel mixer by @aubrey-plaza
how to fix orange-washed characters by aubrey-plaza
colour correcting and fixing dark scenes by @kylos
does resampling matter? by usergif
how to put multiple gifs on one canvas by @fictionalheroine
watermarking using actions by @wonwooridul
resource directory by @usergif
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cinimuffin · 7 months
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svsss-fanon-exposed · 4 months
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Examining SVSSS Canon: 1/∞
SHEN YUAN'S PIDW-READING TIMELINE
One question and argument that comes up frequently in SVSSS fandom is, how long did Shen Yuan read PIDW for? Was he following it from early serialization, or did he simply binge everything toward the end?
This question isn't exactly one that is easy to answer either-- considering that there are actually various direct quotes that could be read in contradiction to one another regarding it.
Based on the information in the novel, we are left with several potential theories as to Shen Yuan's reading timeline. In this post, I will be presenting these theories, along with supporting evidence from the novel.
Theory #1: Shen Yuan picked up PIDW and binge-read it from beginning to end for the first time in 20 days before dying
This theory is directly supported with a quote:
He’d spent twenty days binging the novel from start to finish, so he had clean forgotten that whump-filled arc of pointless abuse that covered Luo Binghe’s beginnings at the sect, okay?! (7 Seas, Ch. 1)
In the original text, this line is 他可是看了二十天才看完的. Broken down, this is literally "he indeed read it (他可是看了), it took him twenty days (二十天才)to read the whole [novel] (看完的)."
*note 可是 may also be equivalent to "however" or "but" in some circumstances, but is generally used to provide emphasis.
However, depending on where one puts the emphasis and pairs syllables in the last part, there could be different interpretations. If read as 看 完的 it implies "read the entire thing," but if read as 看完 的,it implies "finished reading." I read it the first way, but I don't know if that is the "most correct," so there is some ambiguity there.
It is also implied later that PIDW was already very long and full of plot holes when he began reading it:
So, if back when he’d just opened this baffling book, this Proud Immortal Demon Way, which was so full of landmines that it was practically high art, to the point that those landmines had become its very style... He would definitely have grabbed the brick that was the entire fifty-volume set and showed them what their brains looked like when splattered across the ground. (7 Seas, Ch. 21)
Though this could be related to the final length of the novel, and the "fifty-volume set" is likely exaggeration or metaphor. In one of his forum posts, he also says:
I understand what OP is feeling. I’ve been reading this novel lately, and it’s so damn long—long and pumped full of filler... ...All my fellow readers have already roasted the setting for the last three hundred thousand words, so I won’t say more on that. (7 Seas, Ch. 26)
This part where he says he has been reading the novel lately, implies that he began not too long ago, rather than following it for years. Of course, Airplane already at this point finds his username and comments familiar:
His eyes automatically highlighted that familiar ID “Peerless Cucumber.” (7 Seas, Ch. 26)
So it could also be said that he is downplaying his dedication with that statement. He does, however, state that the other readers have roasted the setting, but doesn't mention that he himself has done so. Additionally, the "three-hundred thousand words" mentioned may refer to the comment section, not the novel itself, so there is still some ambiguity to that point.
Theory #2: Shen Yuan has been reading PIDW long-term throughout serialization
There are multiple quotes directly supporting this theory:
He could guarantee it on all the youth and frustrations he’d wasted following this twenty-million-word-plus serialization for years. (7 Seas, Ch. 6)
and
Everything that had happened before was as unto smoke. From today forth, as he walked the jianghu, he would use this ID, which had been plastered all over the comments section for years. (7 Seas, Ch. 9)
The second quote may refer to comments sections on Zhongdian literature in general, but the first one is more directly referring to PIDW. There is a slim but unlikely possibility that he referrs to the years he has spent within the PIDW universe, rather than just reading the novel. That possibility is made even less likely by the following quote:
Next, let a veteran reader of this novel, Shen Yuan, omit the countless fanservice-y details and concisely summarize the million-word epic for everyone… (7 Seas, Ch. 1)
Where it refers to him as a veteran reader of PIDW specifically (and this TL is consistent with the original implications). It's unlikely for him to be referred to as a veteran reader if he had only been reading the novel for twenty days.
As one can see, if you go by either of the above theories, there are direct conflicts and contradictions, and arguments to be made either way. This could be written off as inconsistency. However, there are two additional options and theories which can resolve those conflicts.
Theory #3: Shen Yuan had been a casual reader of PIDW for years, but rushed to finish reading it through to the end in 20 days
One possibility is that Shen Yuan had been reading PIDW casually over several years, but wasn't caught up by the time his death drew near. Shen Yuan's cause of death is a matter for another post, so I won't discuss it here, but the following quote lends some support to this reading:
“Dumbfuck author, dumbfuck novel!” With his dying breath, Shen Yuan spat this final curse. Who could have imagined that an upstanding young man like him—who had properly purchased the website’s VIP currency and read the novel’s official version—would find himself persevering before his untimely death to finish a novel so stallion, so money-grubbing and overly padded, that it left him speechless with rage? How could he not curse? (7 Seas, Ch. 1)
Here, it seems that Shen Yuan may have been aware of his upcoming death, and so he may have wanted to hurry and finish reading the novel before he died. In the original text, the phrase is: 临终之前坚持看完的, which can be broken down as "before his untimely/sudden death (临终之前), he persisted to finish reading [the novel] (坚持看完的), though this may also be read as "he persisted in reading the entire novel," depending on how one puts emphasis in the sentence (same issue as the first quote in theory 1). 临终 means literally "near the end," but is a term for death or one's deathbed. Another way to translate 临终之前 would be "before meeting his end."
So, because he was persisting/persevering in finishing the novel (either the whole thing or just to the end), it may be that he expected his incoming death, or that he simply wished to persist in reading the novel to its end and his death still occured unexpectedly.
坚持 implies some level of urgency or steadfastness, but it may not refer to reading the novel quickly, but simply dedication to slogging through all of the bad porn and reading it to the end, rendering this theory a bit shaky.
Theory #4: Shen Yuan had been reading PIDW since early serialization, but re-read the entire thing in the 20 days before his death
This theory would resolve all potential conflicts-- making it true that he both followed PIDW's serialization for years and read the whole novel in 20 days. As to why he re-read the full novel, perhaps it was because the final chapter had been posted or was coming up, and he wished to reread from the start in preparation for that-- this could also drive him into an even greater rage about the contents of the novel and how repetitive and filler-heavy it is, as this would become more and more obvious on a binge-reread from start to end.
One weakness in this theory, though (pointed out by @verycharismaticdragon) is that if he read it twice, it would be less likely for him to completely forget details as mentioned in the first quote. Not entirely impossible-- one can still forget details even after multiple read-throughs, but just less likely to completely forget.
Theory #5: When Shen Yuan began reading PIDW, he binged all available chapters in twenty days, before following it consistently afterwards.
(theory courtesy of @verycharismaticdragon)
While this would not be particularly likely if the quote from theory 1 and the quote from theory 3 were linked together, those two quotes don't necessarily have to be linked-- it's possible that Shen Yuan would have binged the entire novel as it was at the time he found it in twenty days, then decided to continue reading as it updated, persisting and persevering because he wanted to reach the end despite the novel's trashiness, and then ended up dying.
Particularly, this makes a lot of sense in the context of the following quote:
Even though this famous Lord Cucumber spewed criticism constantly and without end in “Great Master” Airplane’s comments sections, his subscription payments and demands for updates never waned. (7 Seas, Ch. 26)
If Shen Yuan hadn't been caught up with the novel (as theory 3 would state) then it wouldn't make quite so much sense for him to be demanding updates, and if he hadn't been reading it for even a full month, there was no reason for him to make consistent subscription payments.
*******
Ultimately, which theory you choose to believe depends somewhat on the way you view canon-- whether the seemingly contradicting statements were intentional, or whether they were merely a consistency error.
These are the only theories that I can think of, but feel free to add any additional theories + support quotes and analysis if you have them!
One final note, in regards to WHEN DID SHEN YUAN START READING?
If it's true that Shen Yuan began reading PIDW earlier in serialization, how early was that point? Was he reading it from the beginning, or did he start later?
I personally believe it was later. Though he says he was following the novel for years, that could mean anywhere from two to four years since the total serialization of PIDW took place over four years:
How could someone who’d cursed “dumbfuck author, dumbfuck novel” remember ancient content from the beginning of a serialized novel that had been running for four years and covered an in-narrative span of two hundred years? (7 Seas, Ch. 1)
While it's hard to place exactly when he started reading, it seems that Shen Yuan began to read PIDW before the Immortal Alliance Conference arc, as he discusses the novel's online performance before that point:
Before this event, Proud Immortal Demon Way’s performance online had been steadfastly lukewarm. But once the Immortal Alliance Conference Arc debuted, the reviews, comments, subscriptions, and tips all soared into the heavens. It wasn’t only because from that point forward, “Great Master” Airplane Shooting Towards the Sky abandoned the last of his already minimal moral principles... there was another important “it” factor. It was, in fact, the main element that had first compelled Shen Qingqiu to follow the novel until the end. The demonic beasts! (7 Seas, Ch. 4)
It also seems that he wasn't entirely dedicated to reading the novel before then. However, he may have caught up with the serialization a bit later-- for example, if he started reading just before the conference, he would have known that it was a little-known novel before, and been able to watch the rise in popularity in real time even if he himself hadn't caught up to the conference just yet, before only deciding to dedicate to reading the full novel once he caught up to that part.
There are many possibilities and uncertainties in regards to Shen Yuan's reading timeline, but I do think there is enough information here to form decently solid theories-- so I will leave it to my readers to decide, now that the information has been presented, which ones they think are most likely and which they wish to use in their analysis.
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the Klavier-Edgeworth parallels of I Don't Care How You Feel, the Truth Is the Only Thing That Matters™ are very interesting, but the Klavier-Phoenix parallels of nothing bad has ever affected me in my life idk what you're talking about that didn't mean anything I'm not talking about it I'm not thinking about it I'm not acknowledging it they may not be dead but they're dead to me and that's how I like it I'm never looking at them again because they're dead they're gone they're a ghost and this is a perfectly healthy way to live look at me I'm thriving I'm thriving I'm thriving are also very interesting, do you get what I'm saying.
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