The Revenant Wife
Pairing: Joel Miller x Fem!Reader
Warnings: Mentions of grief and death.
Summary: Ellie knows very little of Joel and even less of the wife he had before the outbreak. When she finally meets you, its just as much as shock to her as it is to your husband.
Word count: 1.6k
Note: ficlet is based off of this previous post about Joel getting separated from his wife during the outbreak and assuming you died until you find one another years later. Reader is described to look like Sarah. Title came from the ever lovely @djarin-junk <3
Tagging those I think would enjoy: @pedrostories @thesadvampire @joel-mlller @softanon @max--phillips @captainsamwlsn @hooplahoopla @moondirti
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Ellie didn’t know that Joel had a wife.
Granted, she didn’t know much about his old life at all.
She knew he built things. That he had a brother named Tommy and a daughter named Sarah, but didn’t like to talk about the latter that much. In one fleeting conversation, full of mumbles as her eyes began to close while they rested under the night sky she heard him mention you but was far too gone to truly hear what he said. Nothing more than the vague rumble of his voice saying “my wife” before her eyes opened once more.
“You’re married?”
She asks with such incredulous shock it sounds more like “somebody married you?” but girls at her age hardly ever have filters.
“I was.”
There’s the same bristle in his throat and far off look in his eyes as when she first asked about his daughter. An open answer but one that carries enough unsaid to tell Ellie of your fate. To warn her that she should change the subject or simply shut her mouth and go to sleep before plucking his raw nerve one too many times until he snaps-
“What was she like?”
But Joel learned early on that Ellie wasn’t one to follow warnings.
“Kind.” His breath stutters. “But not a pushover- she didn’t take shit from anybody.” He stares up at the sky, feeling his chest grow tight and fingers twitch by his side until there’s a rustling, the girl next to him rolling over to face him and he turns to find Ellie peeking out from her sleeping bag with a smile.
Damn this girl.
“Not even from you?”
Joel scoffs. “Especially from me. The amount of times she gave me and Tommy and earful-” he shakes his head, Ellie watches a smile grow on his face in silence, as if worried she may frighten it away.
“Did she cook?”
Ellie thinks of the stories the older kids would tell her. The ones who remembered life before the Outbreak, who told her of freshly baked pies on weekend and fluffy pancakes in the morning.
Joel remembers the first time you tried to bake him a cake for his birthday back when he was sixteen. How he opened the door to your forlorn face and a store bought sheet cake in your hands because as your mother told him over the phone, you damn near burned the whole house down trying to bake for him as a surprise.
“From time to time.”
There was only so much she could get out of him before his voice became clipped and eyes full of an emotion she didn’t quite know the name of that he told her to get some rest. Leaving her with nothing to do but to stare at the sky and wonder about these stories in the shape of a woman who unveiled a little bit more about the mysterious man she traveled with.
Of all the silence and secrets that made up the man that protected her, she created stories to fill them. Stories of Joel Miller, husband, father, brother and badass contractor that everybody loved. Of his soldier brother, of his wife and their smiling daughter between them both.
In Ellie’s mind, you didn’t work.
But not in a ditzy lame way like some boring housewife. But just because you didn’t have to.
Joel said that everybody loved contractors so that means he probably got paid like, a ton of money to build stuff for people so you got to stay at home all day. Ellie imagined your house to be ginormous. Maybe Joel made it himself for you when you guys first got married. It was big enough that when Joel came home everyday he’d call out your name and it’d echo through the hall as you called him into the kitchen, where your daughter sat reading as you set dinner on the table. Sometimes you’d get upset if he came home late but then he’d kiss your cheek and you would roll your eyes but smile before you all sat down and ate as a family.
Ellie imagines Joel’s daughter, she wonders if Sarah looks more like her mother than her father.
Ellie wonders as the sleep takes over her body, if they could have been friends.
When it happens, months later after she’s come to think of Joel as something akin to family and he thinks of her as something he can’t say out loud just yet, she’s shocked. She’s face to face with a woman holding her at gunpoint that looks nothing like the smiling mother she dreamt of during cold nights.
You don’t match the stories Ellie made up in your head.
You’re mean.
No. Mean isn’t the right word.
Cold. Yes. you're very cold.
Ellie watches in shock as you ask where they're headed, gun focused on the center of her chest while the two boys at your side point their own at Joel, who has yet to speak.
She waits for him to answer, but he just stares at you in awe. The same man she’s seen kill and threaten to keep her safe day in and day out is rendered speechless until all he can do is utter your name and she realizes that he knows you. More than that, judging by the way he surrenders his gun to you with no fight, something she had never seen him do.
You lift your head to look at him, the brim of your hat raises just enough to clear the shadow cast over your face and Ellie can finally see your eyes and the snarl on your face.
You’re also very pretty.
“I won’t ask again.”
The two boys standing on either side of you have your eyes. Same color and intensity, narrowed into slits like guard dogs waiting for an order and Ellie sees the way Joel stares at them.
She wonders if Sarah had brothers.
“Out west.” He manages. “Takin’ her to her family.”
Your eyes move to her and she holds her hands higher in the air.
“That true?”
“What?”
“Is he telling the truth?”
The taller one, Duke, she had heard you call him, had already ripped the bag from her back and emptied its contents onto the ground, she had nothing else to hide from you.
But then she sees something in your eyes. A concern for her that she hadn’t seen since Tess or Marlene.
And she understands.
“He’s telling the truth.” Ellie forces out.
You watch her for a moment and there’s a moment of panic where she thinks you can see right through her lie.
But then you lower your gun and jerk your head over your shoulder.
“C’mon.” is all you say before you begin to walk away. The boys gawk at you for a moment before you give them a look of warning and they follow in your step, occasionally casting glances behind them at Joel and Ellie who follow suit.
She’s quick to grab onto the sleeve of Joel’s jacket and pull with a harsh whisper as the other’s march forward.
“You know this psycho?”
Joel flinches at her voice as it pitches up. If any of you heard her, which he gathered you did because Ellie didn’t have an inside voice to save her fucking life, you didn’t care enough to react.
Ellie whispers his name again. Insistent and angry for answers but he just keeps looking forward. He can’t take his eyes off of you or the boys ahead and it fills her with worry but she doesn’t know why.
“She’s my wife.”
You lead them to a cottage. Its paint is chipping and the fence is reinforced with wiring around the perimeter but it looks like a home. She can vaguely hear the soft clucking of chickens nearby and there's a flash of fur behind the fence with a pair of pointed ears that duck away just as fast as she saw them.
Ellie has seen the remnants of homes before the outbreak. The plates still stacked in the sink and the jacket still hung up on the hook. A story telling a family that once lived within its walls and is now nothing more than memories that ghosts along its foundation.
But this one is real. It’s yours.
There is a rickety wooden table in the dining room. Each chair around it seems to have been brought from a different house and is varying shades of faded brown. You kick the leg of one and nod toward it.“Sit, both of you.”
Ellie looks to Joel before sitting. He follows suit, choosing the chair closest to her.
“I’m gonna get some bandages for that leg-”
Joel shifts forward. “I don’t need-”
“I wasn’t fucking asking, Joel.”
You’re not stronger than Joel, if she had to guess. You both look the same age, but she’s seen his strength, his violence, all done for her safety and knows if it came down to it, you might not win in a fight against him.
But at your order, he sits back in his chair.
You turn and set a shoulder on your son’s shoulder.
At least. She thinks he’s your son.
Softly spoken words are exchanged while the other keeps his eyes on Joel and his hand on his holster. The boy says something back in insistence, but you tilt your head and he nods.
“If either of them try moving or taking anything.” You offer them one final look over your shoulder before slipping out of the room. “Shoot them.”
They listen to your footsteps slowly retreat until there’s nothing but the subtle creak and groan of the wood floor beneath them. Ellie leans forward to look at Joel, setting her hands firmly on the dinner table in announcement.
“Dude-” The young girl breathes out. “Your wife is a bitch.”
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I think it genuinely cannot be overstated how important that kiss in season 2 of Good Omens was.
From a plot standpoint, that kiss showed Crowley's desperate attempts to keep Aziraphale, to reel him in and back to the Us that they had built upon.
But from just a show standpoint, they. fucking. kissed.
Obviously their love transcends physicality, and Neil has said that Good Omens is a love story even before season 2, but the outright confirmation of a widely popular queer ship ON SCREEN is just so... Unheard of.
Every fandom or show has their trademark gay couple that aren't-really-gay-but-also-kind-of-are-gay: Merlin and Arthur, Sherlock and John (very heavy offender), Dean and Castiel (okay this one was canon, but we all know what happened IMMEDIATELY afterwards), and I suppose at some point Ineffable Husbands had just been included in the same category as the rest of them.
And to have it be moved from mostly fandom and fan work fuelled to outright canon - like 'they fucking kissed on screen' canon - is just so fucking fantastic.
It's not vague, it's not lines that are blurred for the sake of being on the fence of appealing to two audiences at once, and it's not only canon because the creator just said it's canon without rhyme or reason purely for the sake of appealing to a queer audience (looking at you, Ms J. K. Rowling) - it's undeniable, blatant evidence that Crowley and Aziraphale are in love.
And yes, at the moment it's devastating, but it's also devastatingly real. And that's so important.
Especially with the release of Our Flag Means Death, I really do hope we are entering a new era in mainstream media where queer ships finally aren't treated as some sort of mysterious prize that the writers dangle in front of you like a carrot on a stick, and are just simply treated like any other ship out there.
Because if so, then queer kids will be growing up to these shows, see this new era of unabashedly queer media, and won't have to hide away their ships like some dirty little secret. They won't have to wonder if their representation is even representation. They won't have to get excited over being able to see the small chance of themselves represented in a character only to be let down so incredibly badly, because queerness is good only when it's marketable.
So sure, ending season 2 like that is fucking crazy, but you know what's crazier? Whatever the fuck Neil just did with that kiss.
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I think Freminet has some of the most interesting dissonance in his self perception of any Genshin character.
Like, of the Hearthlings we know, he's one of the most emotionally mature and intelligent. Lynette might still have him beat, but after playing her hangout... I dunno. I think they're tied. Lyney is Crumbling, Alrecchino is. Well. Arlecchino. Everyone else is a deeply traumatized child or adult and Freminet seems to pretty regularly be people's emotional support. His character stories talk about getting his vision by saving a bunch of other kids on a dive that went bad. The Selkie event literally had him being a therapist for a grownass woman, citing his past experiences with all the other Hearthlings that have died or killed themselves. And he handled that situation WELL. Yeah, he seems to live in a fantasy, but goddamn he's alive and a lot of people in his position aren't so clearly something is working.
Either his or Lyney's character story talks about the time Freminet had reached out to Lyney to try to ease his burdens, which resulted in Lyney blowing up at him. That probably contributed to Freminet thinking he's not good at it, but I think the reason Lyney reacted so badly was BECAUSE Freminet is actually a good support. He can't allow himself that from the little brother he's supposed to protect.
Freminet seems to both cry and dissociate often, but like... Kiddo you are in fact the only person in this family actually processing your emotions. Lynette dissociates 24/7. Arlecchino. Lyney lies and tells everyone he's fine and would literally rather die than admit otherwise. In comparison, Freminet is doing FANTASTIC
Freminet also gets a lot out of helping people! Like anyone, he needs to feel useful and needed. He seems to be an excellent mentor to the younger Hearthlings and perfectly competent on his own, but when you put him in a room with Lyney and Lynette who baby him and insist that THEY take care of HIM, he withdraws into himself.
Like, Freminet by himself feels like a young man and Freminet with the magician twins feels like a teenager. I have no idea how old he actually is. Logically, he would be OLDER than them! He's been with the House much, much longer and his experience shows. I think it's fascinating that they love him SO MUCH and yet, they just Cannot let him help them. Which is hurting him.
(Lynette is much better about not babying him and that is probably why their relationship is so much better than Freminet and Lyney's. Also why she keeps having to mediate between them. Because Lyney charges off trying to Fix Everything and that just makes Freminet feel useless and he doesn't want to get in the way and- you get the point)
Idk. It's hard to tell what things the previous director said to him vs what Arlecchino has said to him. I'm inclined to think our Arlecchino was the one that said he cries too much, but in a "crying in front of your enemies will get you killed" way and she herself is too fucked up to realize how "you cry too much" could be damaging.
Also I try not to consider gameplay stuff when it comes to story, but Freminet also has some of the most BRUTAL animations. He SMASHES HIS EMOTIONAL SUPPORT METAL PENGUIN INTO HIS ENEMY'S FACE. He doesn't think he's the most amazing fighter, and by Fatui standards he probably isn't, but he is winning fights against most grown men.
Tldr Freminet thinks he cries too much and is a burden and isn't good at helping people when he's actually the most mentally stable Hearthling send tweet
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