#but my point is still valid

[astronomical-bagel]

anyways, shout-out to the fic writers who write so slowly that by the time the fic is done that whatever Event the fic was about is long gone. shout-out to the authors who's fics are now irrelevant due to progress of the source material's plot. shout-out to the guys who post a fic literal years after they started and now no one even remembers the moment the fic was about.

Post the fics anyways, fellas -- an old-fashioned cake is still a cake!!! And anyways it helps fight back against the planned obsolescence of fandoms. Revisit old content and ideas! Increase the longevity of the fandom!

#astronomically random #astro writes #am I saying this because I have not been able to post a fic on time Ever? yes. #but my point is still valid #old fics encapsulate the vibes of the fandom at that point in time yk? #like the plot formula of a s6 fic is vastly different from the plot formula of a s9 fic #and we could all do with a bit of diversity to shake things up!!!

[sleepy-achilles]

I nearly forgot to post this!

Now, I'm not a meat eater, but if an extinct animal comes back from being, you know, extinct, should our first question truly be: should we eat them?

#woolly mammoth #once again #vegetarian #so idk if you meat eaters think differently #and im kinda a vegetarian because ive never physically been able to eat meat or fish so dont take this as a extreme vegan approach #im not the vegan teacher #or vegan but whatever #but my point is still valid

[softavasilva]

wait bestie could you share why you think maeve & jackson are soulmates?

for the sole reason that they are my beloved couple jfnjrnrjr <3 hope this helped

#no but seriously besides this i havent rewatched and i binged the shows new season in like one night so my knowldge and recall is vvvvv bad #so i cant really back up with hard evidence besides that i extremly love them both together and individually #and i do think the break up was neccessary to showcase their character but i dont think it should havw been done to the extent of the -- #whole love triangle thing #i think after learning about themselves was important and they needed to grow from it which is why i strongly dislike the way thwy made - #maeve constantly be in a lovers quarrels with boys #ANYWAY dont get me started on that ... &;&&; #i just think maeve and jackson had a really good deep and complex dynamic #the golden boy and goth girl trope was elite LIKE the whole singing love really hurts without YOU legit fuck off #that was so romantic and ms i dont do big gestures wiley was loving every sexond #and the fact that jackson still has pics of him and meave and uses it as inspiration for the play #i was literally on the fucking floor eating these crumbs up kfnkdnr #maybe when i do my rewatch ill actually have a proper answer to this #but my point is still valid #ask

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

#linguistics #gen z slang #english #as people in the reblog pointed out! #most gen z slang comes from (or was appropriated from) aave #honestly I was just excited to talk about how people in my field actually get excited about non standard uses of English #instead of ridiculing speakers #and I tagged incorrectly and didn’t point out the very real issues of language and power and appropriation inherent in modern slang #in that much of it was appropriated #and even that which experiences language change in the wider culture still originated in aave #aave is just as linguistically valid as any other English dialect because it is a proper language #and the grammar is incredible!!! #habitual be is fantastic and an excellent example of how a richer case system or a certain case can render an adverb unnecessary #and the phonology is just beautiful #anyway I’m very sorry #I fucked up

[twinstxrs]

the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.

being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.

it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.

so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.

#gorgug thistlespring #fantasy high #dimension 20 #fhjy #fhjy spoilers #btw these r just my personal opinions u r 100% free to disagree #gorgug & his rage interest me so deeply because of how deeply that rage existing seems to be against gorgug’s own will #like mechanically classes are choices & you can switch stuff around any time. but gorgug as a barbarian always felt like an unwilling choice #like that 14 y/o kid did not want to have rage. & that really interests me. #i’ve seen people before be like ‘what if gorgug dropped barbarian & went full srtificer’ but i feel like that simply can’t happen?? #mechanically yea sure but it always felt like a core part of gorgug that the rage will always be there & it’s a matter of how you channel it #idk. dnd classes narratively being treated as ‘you can not lose this part of you’ even though you technically can #gorgug could be lvl 19 artificer & he’d still have 1 level of barbarian. because that is part of who he is. #btw i don’t think porter truly cares about gorgug valuing his rage only as a way to be a human shield #i think porter just sees that as ‘wrong’ but like. not as in ‘you need to take care of yourself’ & more ‘you aren’t conforming’ #he thinks it’s wrong for the wrong reasons. the nastier ‘this is how you should be’ reasons #ppl being like ‘we r being too hard on porter. it’s an 150% courseload gorgug will be overwhelmed’ i think r missing the point bc like. #that is 100% a valid reason to not approve gorgug for multiclassing! but that’s also 100% not the reason porter rejected him. #that whole interaction was basically porter shoving his percieved version of conformity down gorgug’s throat. was v neurodivergent kid coded #no hate to anyone saying that last point btw these r all just opinions #thinking about last ep wilma & digby being like ‘you’re a great barbarian. you’re so great at it. but look at what you made!!!’ like. #they would never mean it like that. but when you only understand half of your son he is going to prioritize the half you do.

[cherry-waves66]

everyone who absolutely fucking VILIFIED and demonized Steven Lim, and reacted to Ryan (and Steven) with such visceral racism don’t deserve to watch their new content btw 🥰🥰🥰

#watcher entertainment #watcher #steven lim #ryan bergara #shane madej #ghost files #worth it #sometimes I forget how much I hate mob mentality and then stuff like this happens and I’m reminded #people on the internet should like actually just not sometimes #jesus christ #didn’t know how many toxic people were in the watcher community #btw this isn’t me saying there wasn’t valid criticism #bcuz there definitely was #but my point still stands

[its-your-mind]

HEY. HEY.

HEY @re-dracula WHAT GAVE YOU THE RIGHT TO HAVE JONATHAN ACTUALLY READING THAT PASSAGE OUT LOUD BEHIND SEWARD DESCRIBING THE SCENE, HUH? WITH THE TEARS IN HIS VOICE AND THE PAUSING AND THE SHORT LITTLE INHALES AND THE VOICE CRACKS? WAS IT TRULY NECESSARY??? I WAS ALREADY CRYING. I DIDN'T NEED THIS TOO. WHAT THE FUCK.

#dracula #dracula daily #re: dracula #re dracula #to be clear this is meant in sarcastic jest this episode was a beautifully crafted piece of art and I'm blown away by the cast and #the producers and the editors... holy fucking shit I know today's was a short episode but I think it's taken its place as my favorite so fa #it beat out jonathan fuckin dropping out of the sky in front of drac with his fuckin knife out in order to protect his wife which was ALSO #very good and made me cheer out loud in my car but THIS #also why does jack get to narrate all the dope ass dramatic scenes #I wonder if Mina was like #no really y'all this dude has the best voice and grammar structure for storytelling #we gotta let him keep doing the phonograph thing and I'll just keep copying it down later #tbh she's so valid for that also y'all are so valid for casting jonny sims in this role bc he SHINES when he's describing emotional shit #he NAILS the middle ground between conveying the emotion of a scene and still being a separate narrator #it's almost like he did a whole podcast of that one time ANYWAY my point is y'all are incredible and I am so fuckin glad y'all decided to #start this project

[silverwhittlingknife]

snippet: post-Batman 654

(I was reading this and wanted to write the inevitable phone call with Dick afterward sfdsfds)

Tim's calling. Dick snatches up the phone. He's been waiting impatiently for this call. Please let Bruce not have screwed it up, please -

"Hey," Tim says, voice wry.

"Hey," Dick says. And he can't be absolutely sure, because Bruce has been so weirdly nervous about this and dragging his feet, but the warmth in Tim's voice is encouraging. "Any news?"

"Well," Tim says. "Bruce says you would like me to have your room. Even though there are, like, six thousand rooms in this place."

He has to laugh. "I told him - oh, God, never mind. Please tell me he managed to spit out the rest of it."

What Dick had actually said was, Well, offer him my room, then! Bruce, you can't let him live in the stable, come on. I thought you were gonna talk to him as soon as you got back to Gotham. And Bruce said stiffly, 'Stable' is a misnomer, I've had it converted into an apartment and professionally cleaned, and Dick said, I don't care, you have a house, and Bruce said, It's what he wanted, stiffer than ever, and Dick said, Did you actually ask him, or did you psych yourself out, and Bruce was silent.

At first, Bruce's complete inability to talk to Tim about something that Tim would obviously want had been a balm over the old wound of how long it had taken Bruce to offer adoption to Dick. But it had dragged on so long that Dick was torn between amusement and exasperation. It had been several months since the cruise, when Dick had awkwardly broached the subject in private and Bruce had said he was going to offer once they got back to Gotham. Dick had assumed he meant as soon as they got back to Gotham, so it had been baffling to hear from Tim that he'd moved into the stable (the stable!!!) and was apparently planning on staying there indefinitely. So Dick called Bruce, a few times actually, and every time Bruce said that he was planning on it.

"He offered to adopt me," Tim confirms, a smile in his voice. "I mean, he said a lot of other stuff trying to work his way around to it, but, uh, yeah. That was the general point. Spill. What did you say to him?"

"We weren't talking behind your back," Dick clarifies. "I mean, okay, only temporarily. I provided moral support. But somebody had to, Tim. I've never seen him dither so much, it's like he thought you were gonna shout at him."

"Seriously?"

"Seriously."

It's been eye-opening in terms of all the things that Bruce never asked Dick and should have, honestly. Tim used to insist that Bruce wanted to ask Dick to be Batman after the Bane thing, and that he only didn't because he thought Dick wouldn't say yes, and Dick was never entirely sure whether to take it at face-value. But he's been reassessing the possibility that the World's Greatest Detective is genuinely just thickheaded, at least in some situations.

"Explain the room thing," Tim says. "And, um. I mean. Are you sure? Because I'm seriously fine in the stable."

"Are you dissing my generous offer of my room?" Dick says. "I offer you my own personal housing, carefully decorated by a person of the best possible taste - that's me, by the way - and you prefer to live in a stable?"

It isn't, honestly, Dick's room in any meaningful sense. The house got rebuilt from the ground up after the earthquake. Same floor plan, none of the memories. But it's still the-room-where-Dick's-room-used-to-be, second floor at the end of a corridor on the east side, the best spot for sneaking out. Alfred repopulated it with some of Dick's stuff that survived the 'quake, and it's cozy, in its own way. Dick's stayed there overnight a few times, when he visits Gotham.

It's a nice thought, if he's honest with himself. Tim there. It doesn't really matter, Tim could pick a different room if he wanted to, there are tons of them. But. Tim likes hand-me-downs.

"I mean, I'm not dissing it," Tim says.

"Better not be. Don't make me come down there."

"Yeah, yeah." Tim hesitates. "But, like. You really don't mind?"

Oh man. "Tim Drake. I formally bequeath to you my room. By the power vested in me, etcetera. Please move out of the freaking stable."

Tim's laughing. "Okay, okay."

"Now, I do require that you maintain a certain standard of care -"

"Oh my god."

Dick relents. "I'm sure you can pick whatever room you want. I'm just saying. That room is objectively the best one. Also, you didn't hear it from me, but it used to be right next to a wiring hub, so if you open a small hole in the wall you can disable some of the perimeter sensors without having to go out in the hall."

"You make a good case," Tim concedes.

"So you're gonna move in, right?"

He holds his breath. The truth is, Bruce isn't the only one who's been tentative about this. Tim's been skittish, too. And... there's probably all kinds of reasons for that, and it's not exactly Dick's fault, but... he didn't handle it well, when Tim first mentioned the idea of adoption. They've talked about it since, and he's pretty sure Tim gets that he's supportive, but... It'd be good, to be able to offer something. Tim's such a little liar himself that it can be hard to reassure him with words. Dick doesn't really have anything concrete to offer on his own behalf, not like adoption. But ... Tim likes symbols, and this is a silly one but at least it's something.

"I... you're sure?"

"I need a caretaker, Timmy. Think of my poor room, languishing, abandoned -"

Tim's giggling. Victory. "Have you ever even actually stayed there?"

"I feel a profound emotional connection," Dick says. "My room's connection to me transcends space, time, the Richter scale, and Bruce's frankly awful decision to paint all the new walls in a different shade. We're spiritually bonded. I'm counting on you. Also, I ran into Clancy again, and if I have to tell her that my honorary little brother is living in a stable, I may physically expire from shame."

Actually, wait.

"My official little brother," Dick corrects.

Shit. He should've asked that first.

"It is gonna be official, right? Please tell me you said yes." Is that too pushy? "Unless you really don't want to, which I respect, I just-"

"Dick, relax!" But there's a note in Tim's voice that's something like relief. "I said yes."

Oh, thank God. "Good."

"Yeah?"

"Yeah."

They're quiet for a while. It is good, so good that it doesn't quite feel real yet. Dick's been waiting for this for a few months, but in a weird way, it feels like he's been waiting for it for years. And... it's been a hard year, it really has. But there have been good moments. This is definitely one of them.

"We gotta do something," Dick says, past the lump in his throat. "To celebrate. We can go camping or something. You like camping, right?"

This is an educated guess. Tim once talked his team into a camping trip and then way, way, way overprepared for it, which was probably at least partially anxiety but also seemed to involve a lot of enthusiasm. And Dick used to go camping with his Titans, too.

"I like camping," Tim confirms.

"So I'll take you to the Adirondacks. Tell Bruce. He's gotta get his celebrations scheduled in, because next weekend, you're gonna be gone on a camping trip." Hmm. "I mean, unless you'd like to invite him?"

"No," Tim says. "That sounds perfect. I..." A long silence. "I'm really grateful. I really am. I just... I'd like to do that, Dick, really."

They haven't talked about Jack Drake. But.

It's not like Dick can read Tim's mind or anything. And the situation is different. He knows that. He has to watch himself, and actually pay attention to Tim, and not just project on him. But... he does like to think he can read Tim pretty well. And it doesn't take an expert to guess that an official new brother might be a little easier to handle, to make peace with, than an official new father.

Adoption is the right thing for Tim, the obvious thing, Dick feels sure of it. He doesn't want Tim to be left guessing for ages, the way Dick used to feel, unsure if he was really part of the family or just an incidental ally. But just because it's the right thing doesn't mean it'll be easy all the way through. So maybe Dick can ease that transition, a bit.

Plus. Selfishly. It'll just be nice. To see Tim. To have a bit of time that's just for them.

Officially brothers. At last. For real.

"See you soon," he says.

"Thanks," Tim says. "Really. I'll tell Bruce." And then, a bit impish, "And on the trip, you can tell me about you and Clancy."

Ooh, so he caught that. The best defense is a good offense. "Sure. And you can tell me about your new study buddy. What did you say her name was? Zoanne?"

"Or I can catch you up on cases," Tim pivots.

Heh. "See you soon, Boy Wonder."

#my fic #dick grayson #tim drake #dick & tim #i don't remember if tim had met zoanne by this point tim's love life is complicated let's just pretend he has #anyway doylistically i THINK the weird phrasing of what dick 'would want' is because this was written #when the writers thought dick was gonna be dead #and obviously doylistically the writers are also just ignoring that the house collapsed and got completely rebuilt #which is valid! they are valid #but i find it funny to imagine that the whole house collapsed but there's still one room that's 'dick's room' as far as bruce is concerned

[norsesuggestions]

That is not how eurovision popularity works....

Listening to a usa based podcast talking about eurovision and the host was like:

"It is lucky usa do not compete in eurovision because with our pop - culture dominance we would win everytime"

Oh honey..... that is NOT how getting high scores in eurovision works. You would share last place with UK, every single time. LITERALLY

#they were like we would just send beyonce #it is still not gonna work... #uk keep trying their version of that and keep getting zero points #this is some sort of; #super powers former and current being confidently incorrect about how they are perceived #uk and usa reakly share that trait #i am not even talking about people disliking these countries #often for a 100% valid they literally attacked my home country etc #i am talking about being so trapped in your own cultural bubble that you keep being hileriously incorrect about #how people in other countries perscive ones country #eurovision #eurovision song contest

[hephaestuscrew]

The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359

TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.

Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.

“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation

The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:

[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.

This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.

By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:

Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.

The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.

It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.

Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.

When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.

“When in doubt: whip it out”: Hilbert’s use of the DSSPPM

In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.

In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.

When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.

Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.

“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic

The next mention of the DSSPPM is in Ep17 Bach to the Future:

MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!

I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.

Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.

Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.

Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.

It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:

EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.

There's only one tip Minkowski doesn't seem to remember, and that's revealing too:

EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.

Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.

Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.

“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter

The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.

Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.

Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:

MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.

Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.

In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:

CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.

Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.

For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.

The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.

In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:

MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.

Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.

At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.

In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.

“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival

In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:

MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.

Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.

In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.

“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM

Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.

Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.

Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 

The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:

EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!

This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.

In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:

HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.

It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.

The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.

And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.

“One thousand and one pains in my ass”: The authorship of the DSSPPM

In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:

EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 

It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.

By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.

Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.

"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it

Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:

EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-

No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.

The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.

I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.

But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.

Conclusion

The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.

#Wolf 359 #w359 #Renee Minkowski #Doug Eiffel #Renée Minkowski #I guess I lied when I said I was halfway through at 1000 words #I hope that those who liked my preview post were up for a long read #This is over 5000 words and I still haven't said everything! #You could write a PhD thesis on this #Honestly I feel like this is full of typos and mistakes cos I was kinda tired as I proofread it but I just want to get it posted today #Otherwise I could spend even more time on it and make it even longer... (and also I want it to be out in the world) #But please do lmk if you spot a typo/mistake. I won't be offended #I'd also be interested to hear people's thoughts on any of this #Unimportant point but I'm shaking my head at Minkowski if she wouldn't let Eiffel listen to the DSSPPM instead of reading it #Audiobooks are a valid method of reading. Don't deny a man with ADHD his own approach to absorbing info! #Then again. it might have been an unfounded assumption of Eiffel's that Minkowski wouldn't have accepted him listening to it #I think in school he definitely got in trouble for boasting that he's actually read the book this time when he just watched the film #the empty man posteth

[skinnypaleangryperson]

Bojack Horseman is the last piece of media that I would have expected to have a consistently enduring fandom. It's pretty much non-existent on an average day on Tumblr, but it's obnoxiously popular on other forms of media daily, and it kind of feels like tumblr is dying out in most content anyway, and even on here there's still a decent amount of content that's posted daily that is decent enough for a piece of media that was canceled years ago and wasn't super popular or mainstream even when I was out. It impresses me daily, it's a good thing, since BoJack is the love of my life anyway and is boring as it is, really all that I need for the rest of my sad, lonely, pathetic life.

#I keep trying to cling on to Rick as a comfort character too but honestly it's just not the same #whenever I just cling on to Bojack 100% I fall into this weird headspace where it just feels right #it's perfect for someone that loves niche bright colorful but at the same time depressing medium #with BoJack being my perfect type as a partner #as a mentally ill fanfic maladaptive daydreamer #and a someone who struggles severely with alcoholism and suicide and is looking for validation with that struggle daily #ans ALSO #has been looking for a sense of online community for years that doesn't just randomly die out #I've been checking Bojack culture everyday for literally 3 years straight without missing a single day and there's always something going on #granted the fandom does not care about me but actively despisees me and has made me suicidal more times I can bother to remember at this #point but considering how bleak and resourceless my life has become it's still a pretty good deal #it's much more preferable to that dead inside #utterly empty neurotypical feeling that comes with most media fandoms

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

#crazy that the mindset some people on here have is that theyre the only ones allowed to post their opinions #ive repeated this a lot on this blog but i rlly think people forget that the person on the other side of the screen is in fact a person #if ur harassing people and publicly making fun of them then ur just as bad as any real life bully #that shit isnt as funny or harmless as u like to pretend it is #not once have i ever targetted anyone or went on someones blog to harass them over my opinion #yet people think its fine to do the same to me and treat it as if its like. revenge or something #like ? me saying 'i dont like toxic yaoi' is not equivalent to someone going on someone elses page and going 'how tf do u like toxic yaoi' #I DONT CARE !! all ive ever done is sit in my own little bubble and had opinions and that makes people mad #honestly though the people who will publicly talk and post abt it are significantly meaner #and i want to act like im not bothered by it because i know most of them r just angry that someone has a different opinion #and they want all their followers to bandwagon off of them (idk why maybe for validation or whatever-same reasons anyone would bully) #but seriously if u actually do think that something i said was out of line and crossed thise boundaries- just fucking tell me ? #im a person bro. ur solution to disagreeing with me shouldnt be 'lol im gonna post abt this and make everyone harass them' #have a conversation with me dude i dont bite ? if u cant talk to me like a person then just dont fucking say anything wtf #its so cowardly to be like 'well no i didnt wanna say anything to u cuz i didnt wanna be rude.. so instead i publicly made fun of u!' #LIKE WHATTTT STOPPPPP </3333 #ok anyway this post wasnt supposed to get THAT serious. #MY POINT IS just be considerate of other people and dont base ur hatred off of assumptions #ur deflecting the blame onto someone else because u dont want to admit that ur just a fucking bully lol #being inconsiderate on here is something ive also been guilty of back when i first joined the fandom and was clueless #but grown ass adults who have been on here way longer r still doing that shit which is crazy #and i cant say anything because they have so much leverage over me and idk if its on purpose or if they dont even realize #ok im putting fandom tags cuz i want people to see this sorry. this is my one post thats actually targetted but its at a lot of people #so if u look at this and think 'hey i do that' pls evaluate urself<3 #i mean its also targetted at everyone who does this anonomously so i dont know who it is OKOK IM DONE BYE SORRY HOPE THIS IS UNDERSTANDABLE #watch nobody read this fr #saiki k #tdlosk #the disastrous life of saiki k. #meows post

[carlyraejepsans]

you've made posts before about shipping charisk, but toriel is frisk's mom pretty much and chara was considered a member of the dreemurr family (frisk can call them mom, she calls frisk "my child", and she adopts them on the surface in some playthroughs) (it's said that chara and asriel were "like siblings" and it's implied that the "mr. dad guy" sweater that asgore owns was made by chara)

i am feeling like "oh no, if this person realizes that the characters they are shipping together are pretty much siblings and is doing it anyway, i will be disappointed and will have to stop liking their cool art" so i am really hoping you just do not realize

begging you people to go outside

#i saw the beginning of this ask when my phone was about to die and i spent the entire bus ride writing up an analysis #about why I don't interpret them as siblings and that there are dozens of valid readings of the characters and why that should be the case #and then i saw the rest of the ask and just deflated. like wow talk about a disappointment. your attitude is incredibly immature #I'm not wasting my analysis on something like this #either you like my art or you don't. whatever weird parasocial complex you built up about me is none of my business #love how you saw a post about how people CAN write fucked up stories as long as they're aware the topic is fucked up #& still decided to come into my inbox like ''i hope you just haven't realized that this topic is fucked up bc if you did and liked it anyway #it would make you Bad'' like if you disagree with the starting point of the discussion what are you even still doing here. leave. #answered asks #biscia hater moment

[jeennieluv]

the caution signs at onew's concert saying jinkijoshim instead of jeonkijoshim (be careful of electricity) is the cutest thing i have ever seen

#it's cheesy but still funny #i was talking to all my friends like woah i'm so smart that i noticed #and then i realsied he's pointing to it and the caption comments on it... #진기조심 is such a valid warning though #onew condition is a real thing #shinee #onew #lee jinki #dlstmxkakwldrl

[emelinstriker]

bro i'm actually fuckin crying

i was having anxiety the entire night over more random people from the other blog pulling up in my inbox and harassing me over shit i've already explained, but i woke up to like 4 messages and all rather wholesome and aren't accusing me

the fact that i haven't cried a single fuckin time the past 1-2 weeks of me knowing about this bullshit and just bottled it all up- and it just all comes all crashing the fuck down after seeing the sudden overwhelming support of people that actually read and understand context

it's literally only 6am here and i'm bawling my eyes out

i love every single one of you who isn't blindly jumping in on the fuckin hate train i wasn't even supposed to know about :'D

will be responding to them once i'm back in my room after school! fghfndghdfg already read through them tho, but i gotta go in a bit and can't type it all out hgfdgnfdhgnhdfg

#emelin qna #esau qna #been practically crying for an entire hour at this point #the entire fucking time i felt like the only ones defending me were my friends i talked in vc with #and they all got pissed the more we saw of this #like we talked about the entire thing since the start and i was even going to post an entire response to the first vague rant #to clarify things and tag the blog involved since they didn't tag me #i literally still have the entire finished response in my drafts #but then the 2nd rant dropped and i saw how many people were just randomly agreeing with them fully #even when you could literally tell they never even investigated anything themselves #even people that used to interact with me decided to blindly join in #again- without anyone telling me about it even happening #and they're probably still looking for excuses to rant on me about “pedophilia” and “slaves” when i've literally already clarified shit #which is why i said that at this point the topic has hit a brickwall #cuz at this point they're just invalidating my own points just so they get more validation themselves

[spinsun]

give her some time guys

[ID: two sketches of Amy rose from sonic. In the first she looks deep in thought, thinking "I admire him deeply and want to be like him and I want to be closer to him....". In the second she looks resolved and determined, thinking "clearly this is a crush!" With clearly in all capitals. An aromantic flag is drawn, with an arrow pointing at it from her. End ID]

id by @kensa-undercover

#the 'wanna b like him' bit for me is bc he's strong and independent but if u wanna see this as transmasc go right ahead #i personally see Amy as transfem but transmasc Amy is so valid <33 #sonic the hedgehog #amy rose #my art #pride #this is kinds old by now but its ok! the point still stands!!