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ordinaryschmuck · 3 days

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What I Thought About The Owl House Pilot

Huh. Never thought I’d get to do this again, but oh well.

Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.

And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?

Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.

But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.

With that said, let’s get into it.

Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…

There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.

And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?

There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)

I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.

Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.

The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos.

And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.

Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.

Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.

In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.

Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!

The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.

Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.

But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.

Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.

EDA WORKS FOR THE EMPEROR?!: WHAT?!

I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!

But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.

The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.

But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.

#the owl house #luz noceda #camila noceda #eda clawthorne #king clawthorne #amity blight #lilith clawthorne #the owl house pilot #what i thought about #the owl house reviews

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quil12 · 1 year

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Honestly, this game feels like drugs sometimes

#persona 2 #persona 2 eternal punishment #just the fact that absolutely no one is phased about this #this is the additional scenario btw #the last part of it #katsuya is very much a catboy though #'catsuya' if you will #hes also like really smart though too #like man was talking so much to do with like philosophy and psychology and i had no idea what was even coming out of his mouth #i do feel like there are so many similar themes and ideas particularly between p2 and p5 though #like not even just the talking cat #but like how in is there was the moral question about if its right for people to not have to work toward their dreams #thats literally just third semester in p5r #which i always thought was one of the best written persona plots #but to find out that p2 did it first #and more as a subplot than anything else #p2 just has good writing #im gonna be one of those people now that ive actually played it #but like i think its my favorite story in the whole series #havent played 1 yet #so i cant say for sure #but like...

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spacedlexi · 2 months

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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭

#twdg #i love the way s4 connects back to lees whole 'murderer' thing back in s1 😭 guilt...atonement.....systems of punishment #i love thinking about s1>s4 themes and crying #anyway this is partially why i hate when i see the ericson cast reduced down to 'just some teens' its so much more than that #them being abandoned in a boarding school for troubled kids is SO IMPORTANT its not 'just some school'#anyway its also probably why theyre my favorite cast #theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with #because they actually love and care about each other. even when theyre mad. because theyre all they have left #i do think the vote was a fair way to handle it even tho i still ultimately find it cruel. they couldve talked it out #but this is still a story that needs conflict to resolve so is what it is #they would rather they leave than have to face their confused feelings. the most immature thing they do. but understandable #they did such a good job crafting that cast for clem GOD an entire ensemble built around her and aj....delicious #zombie/post apoc media about love and community my beloved 😭#sorry but get tf out of here with that 'humans are evil and everyone dies' lame ass bullshit we are nothing without community #the amount of love pouring out of s4 is like getting my ass kicked but then they give me a big hug and kiss after and send me on my way #s4 my absolute beloved i really love it more and more every time. so much to appreciate even with it the way it is #the themes bro the themes........ the connections between seasons 1 and 4 you are everything to me #it speaks

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iamaweirdbeing · 4 months

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changes in the pjo show that are better than their book counterparts (from a chronic over analyzer who has been obsessed with this series since age 12)

sally working morality lessons and her own opinions into explaining the greek myths to percy (sally is amazing any details included that allow more of her character to be shown are fine with me i love learning more about her thought process. i also think its a really interesting and more subtle way to show that the mortal parents of demigods are also impacted negatively/are victims of the gods actions.)

stating outright that luke sees annabeth as his sister (bc luke seeing annabeth as anything other than his sister defeats the point of the series in a lot of ways. it makes him irredeemable and is disgusting which overshadows all of his valid arguments and the way percy mirrors him. it's like when an author makes a morally gray character commits some vile act that is out of character but is so bad readers can't ignore it in order to turn that character into a "true villain".)

BRINGING UP THALIA (thalia is one of my favorite characters in the whole series so of course i'm ok with any mention of her, but it sets up future events so well. we understand characters motives sooner, its probably a way that luke can gauge whether a demigod will join the titan army based on their reactions to the story, WE SEE HOW DIFFERENTLY IT EFFECTED LUKE AND ANNABETH)

the medusa and annabeth parallel (that change shows the truth of the gods in one parallel. it sets up annabeth's change in mind set that we get to by the last olympian. i can't explain how much i love this parellel.)

annabeth being the one to watch luke's string be cut (he is her family, it will be her dagger, it is only fair she be the one to see it. that is all i have to say about it.)

GROVER MANIPULATING A GOD (i love this so much bc i think it shows his desperation in a way. he knows how much is riding on this and after finding his uncle and percy falling from the arch he is willing to do anything to succeed. no more thalias.)

there's probably more but that all i can think of atm

#pjo #percy jackson #percy jackon and the olympians #pjo series #pjo tv show #pjo spoilers #grover underwood #annabeth chase #percy jackson spoilers #luke castellan #thalia grace #pjo ares #sally jackson #pjo medusa

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oatmealaddiction · 17 days

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Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

#Fma 03 #FMA #fullmetal alchemist #Fma:b #fullmetal alchimist brotherhood #fma brotherhood #Legitimately though the original is so fucking good #The music alone makes it worth the watch #Also the art direction is better fight me #mild spoilers

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azulpitlane · 5 months

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boss' daughter I ln4

pairing: lando norris x brown!daughter reader summary: lando is down bad for zak brown's daughter but shes a little hard to get notes: I know this isn't pt 3 of my other mini series BUT i thought of this idea and had to do it immediately hehe, I really like this one masterlist

y/nbrown

liked by landonorris, zbrownceo and 21,492 others

y/nbrown nyc living

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user i wanna see her at races shes so cute😭🫶

y/nbrown vegas! ill be there🤭 liked by landonorris

user help why's lando in his boss' daughter's likes

landonorris 🤩

user norizzzzz user is this him shooting his shot AHAHHA user NO LANDO SHES MINE

user IT GIRL

user landooo👀

y/bff/n pretty girl

y/nbrown love u babes

posted september 2023

y/nbrown

liked by danielricciardo, landonorris and 19,384 others

y/nbrown college student by day, dj by night😝

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y/bff/n ur so unserious babe

y/nbrown i ate, the people loved me

landonorris as a retired dj maybe you can give me some inspiration to start again

user LANDO??? user he's crushing so hard OMFFFF user zak brown reading this: 🤨🤨

zbrownceo dont have too much fun!

y/nbrown 🫣 user such a dad reply lol

user y/n brown slaying once again

user so excited to see you back in the paddock soon🫶 liked by y/nbrown

danielricciardo you're perfect for him

y/nbrown who???

posted october 2023

y/nbrown

liked by landonorris, danielricciardo and 30,341 others

y/nbrown vegas babyyy

tagged zbrownceo, danielricciardo, y/bff/n

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user gorgeous girl

danielricciardo finally reunited with my favorite brown

y/nbrown was too busy girlbossing sorry danielricciardo what a shame, there's someone who's been waiting to meet you... y/nbrown hm, i didn't meet anyone new🤷‍♀️ danielricciardo next race then user is daniel hinting that lando didn't meet his crush sjsjkskks user wait he hasn't EVEN MET HER?!?! user im guessing not, shes been pictured with other drivers but never lando

user here for landos comments

landonorris maybe you should come to a race where I'm not crashing😅

user norizz strikes again user its the fact that she never even replies and he's still trying HAHA user hes fr out here risking his seat for her just not to respond back

mclaren 🧡

user shes finally back in the paddock!!!

user im surprised she doesn't go to more gp's, her dad's literally the ceo of mclaren😭 user i think she's mentioned shes very busy with uni so her schedule usually never aligns with the races

posted november 2023

y/nbrown abu dhabi, UAE

liked by landonorris, zbrownceo and 25,482 others

y/nbrown escaping cold new york weather

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user OMG shes gonna be at the gp again this weekend!!

user landos got one more chance to shoot his shot before the season ends😭

landonorris hope to see you at the paddock!

danielricciardo thanks for letting me borrow that $10 mil bro I owe you🤝 maxverstappen1 thanks for saving my cats out of that burning building, you're a true hero🤝 alex_albon thanks for paying off my whole family's debt mate🤝 carlossainz55 thanks for gifting me that mclaren, i love it mate🤝

user ALL THE DRIVERS IN HER COMMENTS IMDEAD

user his rizz was so bad they had to step in omg. user and she still hasn't acknowledged lando AHAH user a true girlboss, I love her

user i need to know what zak brown thinks off all of this😭

user next season of dts gonna be craZy

user everybodys focused on the comments and not at the fact that these lyrics sound a little sus...

posted november 2023

landonorris posted a story

dannyyyy🤠 y/n wyaaa im in the mclaren garage rn

y/n aren't you suppose to be in umm idk YOUR OWN GARAGE?

dannyyyy🤠 yeah but I need to do something real quick so come

y/n does this have anything to do with lando?

dannyyyy🤠 maybe...

y/n im sorry but he's exactly why im not in the garage rn

dannyyyy🤠 WHAT WHY pls dont tell me I hyped him up just for you not be interested...

y/n im not NOT interested but he's my dad's driver danny this can get messy so fast and what if he doesn't approve

dannyyyy🤠 oh you americans and your dramatics hes already talked to your dad dummy

y/n wait really?

dannyyyy🤠 you really think he would PUBLICLY hit on his boss' daughter without asking first?

y/n idk never really thought about it

dannyyyy🤠 JUST COME DOWN HERE YOU MUPPET

landonorris

liked by y/nbrown, danielricciardo and 830,391 others

landonorris didn't win the race, but i won her heart

tagged y/nbrown

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user FINALLY

y/nbrown cheeseball liked by landonorris

user HE ACTUALLY GOT HER

danielricciardo youre welcome

y/nbrown you pushed me in front of him then ran away...not the best wingman danielricciardo its not like landos rizz was gonna get you together🤷‍♂️ y/nbrown true landonorris hey! I wasn't that bad... y/nbrown whatever helps you sleep at night hun!

user y/n blink twice if you need help

y/nbrown blink blink landonorris 😔

user obsessed with y/n bullying lando in the comments

user I know I love them already

zbrownceo better take good care of her lando

landonorris sir yes sir🫡

user we can no longer make norizz jokes. sigh.

notes: what did y'all think of this one? I loved making it🤸‍♀️

#lando norris #lando norris fanfic #f1 x reader #lando norris imagine #lando norris smau #lando norris x reader #lando norris x y/n #lando norris x you #ln4 #f1 fanfic #f1 imagine #formula 1 #mclaren #lando norris imagines

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auteurdelabre · 13 days

Text

SO MUCH TO LOSE part 10 - dark!Joel x f!reader

rating: 18+

words: 7.5k

TW: HEAVY EMOTIONAL CHAPTER. MENTIONS OF TRAUMA. Allusions to oral sex, m receiving, allusions to f/m penetrative sex.

a/n: I told y'all this chapter's a doozy. Well it is, but maybe not for the reasons you think. . . To me its one of the most important chapters of this whole story.

series masterlist

REBLOGS, COMMENTS, ENGAGEMENT ARE WHAT KEEP US FIC WRITERS GOING. PLEASE REMEMBER THAT IF YOU ENJOYED THIS.

-----------------------------

SO MUCH TO LOSE CHAPTER 10

You visit Maria the following week with a plate of cookies in hand. She’s the one to answer the door and you are relieved when you see that she is showered and dressed. Things must be improving. She brings you into a tentative hug when you arrive, urging you inside out of the fresh dusting of snow.

“Tommy has Douglas out for a little walk. I’ll make you a coffee.”

“I’m fine,” you insist. “Just came to drop off some baking. I’m heading to Ellie’s later this week and needed to get some practice in. I haven’t done much baking lately and wanted to make sure I wasn’t rusty.”

You join her on the couch, watching as she wraps her hands tightly around her coffee mug. She takes tentative sips between munches of cookie. At the first bite she literally moans.

“This is so good.”

“Thanks. They were Charlotte’s favorite.”

Maria licks the crumbs from her lips before leaning back on the sofa. She’s always been slender and she looks almost as she did back before she gave birth, except for the small pouch at her lower belly. You think she looks better with it.

“Was Charlotte your daughter?”

“Oh no. I never had kids.”

“We’re you ever married?”

“Me?” you almost laugh. “No.”

“Oh,” Maria blinks and her mouth tugs to the side. “I thought you might be. You have a nurturing quality about you.”

“I think you give me too much credit.”

Maria grins, taking another bite of cookie. The two of you chat amiably a bit about the changing weather, of the way the inhabitants of Jackson City get along so well. Of how she feels the pressure of being Jacksons’ ‘First Lady’. Of how the bandits that fuck with the dam that supports the city stresses her daily.

“It’s a fucking nightmare some days,” she cites with a grumble. “Thank goodness for Tommy.”

“He’s a good man,” you tell her.

“He is,” she smiles indulgently before shooting you a lingering look. “What do you think about Joel?”

“How do you mean?”

“You do patrols with him, right?”

“Can’t say I was always his biggest fan,” she says, taking another sip from her mug. “But he’s grown on me.”

“Yeah.”

You hold in the scoff that’s already begun in your throat.

“My friend Jennifer seems to think he’s pretty wonderful,” you offer instead. “She was delighted to help him repair the window last week.”

“She the blonde one? Used to do textiles?” Maria knows everyone thanks to her position.

“Yeah.”

“Not his type,” Maria insists with a shy grin. “She’d eat him alive.”

Jennifer doesn’t seem like she would eat anyone alive.

“Joel is all harsh edges,” she explains when she sees your confusion. “He needs someone soft to balance him out. That Jennifer girl is hard.”

You don’t think that you would consider Jennifer hard and you don’t fight Maria on it because the conversation quickly turns to Jackson’s continued increase of population, the place swelling with new life.

“Plenty of single men,” Maria says with a quirked brow in your direction. You give a soft laugh.

“Not really interested.”

“Single women too.”

“No no,” you laugh again, cheeks pinking. “I like men, I just . . . I don’t think I’m the partnering type.”

You think of Luke and his sweet features and his muscled forearms. For him you could perhaps be the partnering type. Perhaps. The thought of romance appeals to you; it just doesn’t seem realistic at times. A crush feels fun and safe.

“You must have had your share of dates,” Maria insists. You can see her relaxing and you think she must be enjoying what she views as girl time. You think she must not have had much of it lately.

“Normal crushes and stuff,” you shrug. “But I was a late bloomer and then the outbreak started when I was a teenager so I didn’t have a chance for a lot of firsts back then.”

“Sex,” Maria nods.

“Uh yeah… that…” you say, trying to appear nonchalant. “And uh, kissing, dating, all that stuff.”

“But you did eventually,” Maria cites smiling.

“Sex? Oh yes,” you nod. You weren’t a monk or anything in your time before Jackson City.

“What was your first time like?” Maria settles back against a cushion, nibbling at her cookie looking at you eagerly. “I remember mine was all fumbling in the backseat of his truck before curfew.”

You laugh and think Maria must be starved for company to be intrigued by your limited romantic experience.

“Uh… fast,” you say with a laugh before allowing yourself to be transported back to that time. “He worked at one of the bakeries that I assisted in. I remember he had the longest eyelashes I’d ever seen on a man. They were so blond you could only see them if he turned at a certain angle. He made me laugh. One night he invited me back to his apartment and… that was that.”

“How old were you?”

“Uh, twenty two, twenty three?”

“And you didn’t date after?”

“Nah, my family left that QZ kinda in a hurry.”

You aren’t expecting your voice to hitch on that last sentence, but it does. Maria grows somber, her dark eyes expressive.

“Can I ask why you left?”

You blink back the sheen of tears starting and gaze around the room, trying to land on something that will steel you. You find it in the small carving of a horse on the bookshelf nearby. You tell your story to that delicately made creature instead.

“We moved east through the QZ’s for about ten or eleven years. Stayed in a few of them before we’d pick up and keep moving to the next one. Hard to make connections and date with all that. I didn’t trust that I’d have the time.”

Maria looks like she wants to ask more when the door is opened and Tommy’s cheerful voice rings out announcing he and Douglas are home and ready for lunch.

“We have company!” Maria says cheerfully.

Tommy turns the corner to see you and he greets you. He wears Douglas strapped to him with fabric, snuggled under his large jacket. Jackson is sleeping soundly and barely notices when Tommy unwraps and hands him off to his mother.

Douglas squirms, his tiny head burrowing into Maria’s neck. She smiles and for the first time you’ve known her it looks sincere. There is a lightness in the house you realize, something that had been missing before.

“He enjoyed being out in the fresh air,” Tommy announces. “Everyone who saw him wanted to kiss him.”

“Tommy!” Maria looks horrified.

“But I didn’t let ‘em,” Tommy finishes, pressing a gentle kiss to his wife’s worried brow. “I’m gonna make some soup. You two want a bowl?”

“I’m alright,” you say. “I just brought by dessert. I’m actually heading over to Ellie’s to do some baking.”

“Joel’s letting you use his place to bake?”

You still, brows raised. “Uh… yeah. Is that… should I not be?”

“No, I’m just surprised,” Tommy admits after a pause. “I don’t think he’s ever let anyone in that house aside from me and Maria. Think the only reason he and Ellie don’t kill each other is ‘cuz she’s in the garage.”

“Oh.”

You don’t know what else to offer besides that.

Tommy nods and for a moment you see something in his expression, a pinched look when Maria looks away from him. You realize that Tommy looks harried, running a hand through his glossy curls.

“What’s up?”

“Nothin’,” Tommy replies too quickly.

You see the panic in his eyes as his gaze darts from his wife back to you. You understand immediately. Maria is doing well, if there’s something stressful in Jackson City he doesn’t want to bother her with it.

“Thanks for the tea Maria, but I better head out,” you inform them both.

Maria wraps you into a side hug, one arm around your shoulders, the other holding her son. You run your knuckles down his spine gently.

“Come back soon,” she whispers.

“I promise.”

“I’ll walk you out,” Tommy says, feigning manners. The two of you walk to the front door around the corner. As you toe on your boots you look up at him expectantly.

“Well?”

Tommy looks over his shoulder anxiously before dropping his voice to a conspiratorial whisper only you can hear.

“Rumor is Raiders were spotted by A Patrol this week,” Tommy says with a sigh. “Up by the traps.”

“Fuck,” you breathe. “Really?”

“Not positive. A Patrol isn’t always the most reliable. They spook easy and are overly cautious. But I’d rather that than the alternative.”

“Of course.”

“Just make sure you and Joel are extra cautious,” Tommy says. “I know you’re both responsible but, you know…. Just be extra responsible.”

You nod, feeling your heart thrumming in your chest as you make your way to Rancher Street.

///

You didn't really want to go to Joel's house today. But Ellie had found you last night heading home from The Tipsy Bison and had guilted you into it when she told you that Joel had brought back all the supplies needed.

You'd tried to sway her into baking at your place but only the burners on your oven work. You'd never really considered getting the main oven fixed, since you take most of your meals in the dining hall.

But in moments like this, you heavily regret that choice.

You feel like even your footsteps sound timid as they make their way up the wood steps.

Ellie is at the door, pulling it open before you can even knock. She must have been looking for you at the window, counting down the seconds until your arrival. The thought warms you. She gives you a broad smile that lights up her face.

"I got everything set up!"

She takes off down into the kitchen and you venture into the Miller home tentatively, still anxious about what happened last time.

A sound to your right draws your attention and you take in the tall form of Joel coming into the room. He's dressed in jeans and a sweater, obviously feeling the chill despite the cheery fire that roars behind him.

"Mornin'," he greets.

"Morning." You lick your lips nervously. "Thanks for letting me bake with Ellie."

"'Course. She's been looking forward to it for weeks. Can't stop talkin' about it.'

Joel gives you a whisper of a smile but the thing that really throws you about this interaction is that he looks almost nervous. You've never seen Joel look nervous.

He'd been so stiff after last patrol, not even saying goodbye to the group after you'd all disembarked off the horses.

It had been embarrassing. Him storming off like you'd all done something wrong. Only Jennifer seemed to still be under Joel's spell citing that watching him hammer the window would fuel her fantasies for months to come.

You're still really irritated with him but it's lessened slightly because his greeting isn’t hostile. You could almost relax if it weren’t for the intense way he’s staring at you.

You hear your name being called by Ellie in the next room so you toe off your shoes and head into the kitchen. She's got an apron on, borrowed from the kitchen or Joel because it's far too big for her small frame.

"Alright," you give her a warm smile as you enter. "You got everything?"

"Yep."

You place the bag you brought on the counter. You remove your own apron, baby blue with ruffles on the end. A recent gift from Jennifer who told you “since you’re a real chef you need your own apron”. You tie it as you speak to Ellie.

"So what I like to do is set up all my supplies on the counter just to double check I have everything. Nothing worse than being halfway through a recipe and finding out you you’re missing ingredients."

The sentence isn't even out of your mouth before Ellie’s opened up her cupboards and ice box and begun to take everything out. Flour, eggs, bowls, milk and more, all the items you gave Joel on the list. She places them on the counter before looking at you like a proud student.

"You'll need measuring spoons."

The two of you turn at the same time to see Joel standing by the entrance to the kitchen, lingering. His hands are in his jean pockets, standing like a chastised student outside the classroom.

"I brought some," you inform him, trying to hold in your irritation. You pull them from your bag, putting them next to the eggs.

You feel Joel's eyes on your back and you're sure he's silently judging you, eager to point out what you're doing wrong. You stiffen under the perceived scrutiny. Ellie must sense the change in the room because she whips around to shoot him a jeering look.

"Joel you don't need to supervise," Ellie says rolling her eyes. "We won't break the damn stove."

Joel looks at his feet mumbling something about needing to do stuff upstairs anyway before he's making his way out of the kitchen.

You go back to your lesson with Ellie who turns out to be a very focused student.

She asks smart questions, measures everything perfectly and takes her time. It's only when you put her in charge of cracking three eggs into the bowl that she gets frustrated.

"Fuck, it cracked wrong. Shell got in."

Her fingers pinch into the egg bowl, trying to grasp the fallen eggshell. Of course the viscous nature of the raw egg makes it impossible and it’s not long before she pushes at the bowl angrily, her face is set into a deep frown.

“S’fucking bullshit.”

"Happens all the time," you tell her kindly. "Don't stress about it. I’ll show you a secret my mom taught me and my sister to get ‘em out."

Ellie watches as you take the empty shell half still in her hand. Her brows knit in confusion as you lower it into the bowl, using it as a scoop. Unlike with her fingers, the egg shell piece floats easily into the makeshift scoop. You pull the shell from the bowl, tossing the mess into the garbage.

“Holy shit that actually worked.” Ellie smiles at this and it transforms her pale pinched features into that of a warm, approachable teenager.

You smile, feeling strangely proud. You’ve never baked with anyone else before, aside from the kitchen. But that was following the same boring recipes given by the head chef. You were usually boiling rice, cutting onions or apples. Baking is a different beast, a calmer, more relaxing one.

After that hiccup Ellie is more patient with herself. She's keen to learn about baking but she's very eager to talk to you about you. When you pop the formed pastries into the oven and set the timer she decides that now is the time to chat.

"What kind of music did you used to listen to before?"

Memories of Joel’s warning float in your mind. The reminder not to tell her too much. To make her long for a life that he can’t give her.

"Enough about me,” you deflect. “I want to know about you."

At this Ellie balks slightly, the smile wavering just a fraction before the mask is replaced and she nods. Her mixing increases but now her eyes are on the batter.

"Whadda you wanna know?"

"What was your life like before Jackson?"

"I was in the QZ back in Boston,” she says slowly, as if she's trying to make sure she doesn't give too much away. "Hated it."

"Parents?"

"Never met 'em."

"What brought you to Jackson City?"

"Joel."

She doesn't offer you more or less than that. You understand it, you don't push it.

"How'd you end up here?" She asks, mixing the dry ingredients.

You realize the stupidity of you asking her those questions. How easily you opened them to be doubled back on yourself.

"You asked me what kind of music I listened to before?" You smile, hoping that this will distract her. "I remember I saw Chicago about a billion times," you laugh. "I was obsessed. I listened to the soundtrack over and over."

"Chicago," Ellie says slowly as if trying to recall before a light seems to go on. "Oh, I've heard of Chicago. Joel likes ‘em."

Them?

It takes you a minute to understand what she's talking about. You finally answer giggling.

"Chicago the musical, not the band. The musical had great songs. And dancing."

"Do you dance?"

"Not very well."

Your dual laughter combines and you can't help but enjoy the sound. Ellie really does make you laugh. She reminds you of how life was before. When everything seemed new.

You can tell Ellie wants to know everything about your life before the outbreak. And you want to indulge her but Joel's words rub their imprint on your the inside of your skull.

"Hey I promised your D- Joel that I wouldn't keep talking about this stuff with you," you explain quietly. "He's worried it makes you want stuff you can't have."

"Jesus," Ellie says rolling her eyes. “Overprotective much?”

"No he's right," you insist truthfully. "I mean, I get where he's coming from. He doesn't wanna keep disappointing you."

"Joel could never disappoint me."

The timer goes off and you peer into the oven. The pastries are a golden brown. You smile before taking them out with the oven mitt. Ellie closes her eyes, inhaling.

"They smell so good."

"Just wait until you put icing on them," you encourage with a grin. "Delicious."

The two of you get to work making the icing while the pastries cool.

"It's gonna snow," Ellie comments out of nowhere as she peers out the window, mixing idly.

"Hate to break it to you, El, it's already snowing."

Ellie gives you a smirk along with her side eye. You don't know if it's from your sarcastic comment or the fact that you called her El.

"I mean I think it’s gonna snow a lot." She explains. "I heard some of the other kids talking about it at school."

"Huh," you offer noncommittal as you look at the consistency of the icing. "Wonder how they can tell."

"They said they could smell it," Ellie says with a grin, pushing up the sleeve of her shirt so that it doesn't drip into the icing bowl. "They said tha-"

You can't hear anything she's saying after that. All you can focus on is her now bared arm and the ugly bite mark. Blood rushes in your ears and you cry out before giving a blood curdling shriek.

“No!”

Ellie jumps, startled at your sudden screams. She throws herself back against the wall, eyes wide and glancing around as if she expects hordes of infected to come streaming in.

"What? What is it?"

You know she's never seen you be loud, never seen you scream and the sight must terrify her.

But all you can focus on is the clear outline of bite marks on her forearm visible after she rolled up her sleeves. The clear sign of an infected’s mark. She’s going to turn into a clicker before your eyes. She’s going to become soulless and inhuman and you need to go. You need to get somewhere safe.

Joel. He’ll be so devastated.

You can hear the heavy footsteps of Joel approaching the kitchen but all you can think of is escaping and getting yourself safe. You have to warn the town. You run towards the front door, your socks slipping over the smooth floor.

You're still screaming incoherently, your voice cracking as you lunge for the doorknob, tears in your eyes. Your hand closes around the brass knob just as two muscled arms go around your waist, pulling you back harshly. A hand covers your mouth and a deep voice is at your ear.

"Quit," he repeats, shaking you slightly in his arms. "Stop screamin'."

There's an increasingly paranoid thought that believes this was all a trap. A way for Joel to get his daughter fed. You feel it, Joel's arms wrapped around your entire body, pinning your arms to your sides. His body is warm and solid behind you, terrifying in its strength. It takes you to a time you've tried to forget.

"Get the fuck off of me!" You shriek against his palm, trying to wriggle out of his grip but he holds firm. You're screaming expletives, trying to kick out. You shake his hand off your mouth. "She's bit, Joel! I saw it!"

Ellie hasn't moved from where she stands cowering in the corner of the kitchen. But you can only imagine how soon it will be before she turns. You can't be here for that. You can’t watch that sweet girl turn into one of them.

"I know," Joel rumbles against your temple, hands still gripping you tightly.

"You know," you repeat and now a dread begins in your feet and floods the rest of you.

Joel knows she is bit. Joel welcomed you into his home knowing she was bit.

You are going to die.

"Let me go!"

High on fearful adrenaline you give a frantic kick backwards, elbowing into Joel's abdomen at the same time you thrust the ball of your foot onto his socked toes. Joel gives a strangled grunt and his arms loosen in pain momentarily allowing you a chance to break free from him.

You tug open the door and speed out without your boots. You feel the snow on the porch under your feet, freezing your toes immediately. You throw yourself down the porch stairs, feet slapping the wood as you hold back sobs. The street is deserted; the houses all empty as they usually are on bright Saturday afternoons. You go to cry out for someone, anyone, when Joel's arm bands around your waist.

You give a devastated howl of defeat before Joel is dragging your struggling frame back into the house, telling you to calm down.

Ellie is by the sink, her eyes on the ground.

But you still struggle, trying to get away from this house. Joel gives a frustrated growl before he pushes you up against the wall, pinning you there with his hips. His hands hold your wrists on either side of your head, pressing them into the wall.

"Stop fuckin' strugglin'," Joel seethes when you jerk against him, his chest pressing you so tightly to the wall you can't breathe.

"Please let me go," you beg brokenly as you continue to struggle in his arms. "Please I just-“

"She's immune," he rasps in your ear. "She's fucking immune! Stop!"

Immune. Immune.

"What?" You stop your screaming just long enough to twist your head to face him. "Immune? That's not possible."

But you’ve stopped struggling as hard.

You take a closer look at Ellie’s arm from where you stand, noticing that it doesn’t look particularly fresh. In fact it looks scarred. And yet something in you is still terrified. So terrified that you yelp when you feel Joel's wide hands go to either side of your face, forcing your face up and eyes to his.

"Everything is okay," Joel tells you in a husky rasp. "You're safe, I promise. I've got you. You're safe."

His eyes are locked with yours as he says this and you don't know how those words work their way into your body, but they do. The same way they wind around you as you allow yourself to get lost on patrols with your mouth on him. That sense that someone else is in charge, someone else is protecting you.

You're safe.

Your entire frame goes boneless in his arms and when he finally releases your face your head drops to your chest. He continues to press you gently against the wall with one heavy hand holding you there.

"What if it's slow acting or -" you whisper quietly, "or what if you can still pass it on with saliva or-"

"The dogs don't detect it," Joel tells you, his hold on you not lessening. "Ellie and I've shared drinks plenty a' times. She's immune."

You stare at the girl at the table, her entire countenance shifted. You can see the devastation, the fear and anger floods out of you immediately, like a deep sigh. You sag in Joel's arms, feeling as he slowly loosens you.

"She's had it for months," Joel tells you, no longer pinning you to the wall.

"Months?"

You're still stunned by the developments but it doesn't stop your eyes from traveling over to Ellie. You see now that tears are slipping off the end of her nose as she silently cries. She’s pulled her sleeve back down, covering the scar.

Your heart immediately breaks because it's you who did this to her. This girl who trusts so few. You treated her like she was a monster.

"Ellie I'm sorry, I just..." You trail off, your heart still beating wildly.

But Ellie has tears in her eyes, her neck blotchy. She's raced to the garage, slamming the door after her. You flinch at the sound of it.

Then it’s just you and Joel in the quiet kitchen.

"How long have you known?"

"Since I met her," Joel explains quietly. "Was bringing her to the fireflies with a friend in exchange for a battery. Rumor was there was a cure."

"Guess not if you're both here," you say absently, missing the pain in his dark eyes when you say it.

"Not a lot of people know about it. We'd like to keep it that way."

You nod, your mind whirring. You realize you've never seen Ellie in anything but long sleeves. Never seen her wearing bracelets or anything that would draw her attention to her arms. She’s been hiding in plain sight. You think of the friendships she hasn’t made, the way she keeps to herself, the hostile way she is with most and it all clicks into place.

"We were thinking of gettin' her a tattoo to cover it up,” Joel continues. “Haven't found anyone to do it yet."

You nod again, eyes falling on the pastries now lying squashed on the floor, the warm berries oozing out onto the wood.

“I’ll take care of this stuff,” Joel mutters, dropping to his knees and starting to pick up the supplies you brought. You think of how excited Ellie had been to recreate the pop tarts, how devastated she’ll be when she realizes they’re all ruined.

"I- I think I should go talk to Ellie."

"She doesn't wanna talk. Trust me."

"Just lemme try."

Joel looks as if he's about to protest but you're already walking quickly until you've reached the door to the garage. You knock gently.

"Ellie? It's me. Please don't be upset ... I was just startled."

There's a pause, then a sniffle that makes your heart lurch.

"Can we talk? Please, Ellie?"

You hear shuffling and then finally the door to the garage is opened a crack and you see Ellie peering through. Her eyes are swollen and red, the end of her nose pink. She glares at you through the small slit in the door.

"Fuck off."

"I just want to explain. Just let me explain and then I promise I'll leave."

She doesn't move, doesn't attempt to close or open the door. She just stands there like some sentry.

“Five minutes. That’s all I need.”

"You think I'm a freak."

"I don't," you insist, palm on the door as if you could transfer your emotions by osmosis to her. "Ellie I was having fun right before all this. I really was. Can we talk? Please? I want to explain properly."

Ellie’s glossy eyes scan your body and with a labored sigh she steps back, opening the door and allowing you entrance.

"Come in."

You follow her into the warm space, watching as she drops onto her made bed. Ellie hugs her knees to her chest, wrapping her arms around them as you look at her. Ellie's eyes drag from the floor up to your face and you see her chin trembling as she holds in tears.

“Can I sit?” you ask motioning to beside her on the bed. She nods, shuffling to give you room to perch there.

“I know you’re not gonna come back after this,” Ellie says, eyes wide with a quiet pleading as you look over at her.

“Of course I am.”

“No you’re not,” Ellie says shaking her head and rubbing angrily at her eyes. “You’ve seen my arm. You think I’m a fucking freak.”

"Ellie I swear I don't think you're a freak," you emphasize as you shuffle on the edge of her bed. "I was just... That bite took me back to a really scary time."

"Yeah," Ellie says with her chin balanced on her kneecap. "No one wants to think about... All that stuff."

You see the desolation there in her eyes. She's hurt and even though you didn't mean to do it you did. You feel responsible for her sadness. Your eyes go to her closed door, wanting to make sure you have privacy before you turn back to her.

"Ellie, can I share some stuff with you?"

"Yeah.”

"It's not happy stuff," you tell her.

"Figured." Ellie shrugs again like it doesn't matter. Like she's seen it all. Maybe she has, but you doubt it. She doesn’t make eye contact with you.

“It’s just. . . I’ve never told anyone this stuff before. Ever.”

Ellie’s eyes go to your face now. She can see how serious you are and she straightens slightly. She goes from being hunched and holding her legs to sitting cross legged across from you on the bed.

"Okay..." You take a sharp inhale. “So, I was about your age when Outbreak Day happened. I was with my Dad and my sister. My mom was visiting my Aunt in Wyoming-“

“How come?”

“Ellie you gotta let me get this all out quick okay?” you say gently. “No interruptions.”

“Okay.”

“Okay,” you breathe deeply again. “She was visiting my aunt because my aunt was getting a divorce and my mom wanted to support her. Anyway, about ten years ago my dad and my little sister and I were travelling between QZ’s. We were looking for my Mom because my Dad was convinced she was still alive and she’d be out in this direction.”

You swallow; hating talking about this but knowing that Ellie deserves this truth. So far she looks intrigued, her eyes wide.

“So one night we were exhausted. We’d been travelling for days and we were low on food and water. We see this old cabin and it looks like it’s abandoned. We figure it’s a good spot to hunker down and get some energy before we keep going.” You exhale a shuddering breath.

“Except it wasn’t abandoned. It was a trap set up by this group of Raiders. I called them The Group. They killed my dad and they were gonna kill me and my sister when one of the guys had the bright idea that they could use us as bait.”

"Bait?"

Ellie seems to remember she’s not supposed to say anything because she ducks her head slightly.

"Yeah. they made us go into new places first," you explain detached, as if you’re talking about another woman in another life. "So if there was anything dangerous it would get us in enough time to give The Group a chance to escape.”

Ellie is staring at you wide-eyed, all her teenage ambivalence lost as you detail the most terrifying years of your life. You omit lots of the more gruesome details and you definitely don’t tell her about Rock River.

"Once they hung me from a tree," you tell her, trying not to sound emotional. It's not hard. Years of hiding how that part of your life affects you makes you good at it. "They tied me to a rope and hung me on a branch to attract clickers."

"Jesus."

"Yeah," you nod. "It worked really well. There was a big group and they piled underneath me, trying to grab at me, their mouths all black and their teeth gnashing and...” you stop yourself when you see Ellie’s eyes widening. “Anyway, The Group got ‘em all and managed to get some good supplies in the town because of it. I just... It just left me kind of..."

You wince when you realize you’ve trailed off, your focus blurred.

"The point is that when I saw your arm it just all came flooding back and I reacted out of instinct. Not because I think you're a freak. I could never think that about you.”

Ellie is quiet, digesting all that you've told her. You think you hear a creaking outside her door, but you're not sure. Your attention is drawn back to the girl who’s eyes hold such a myriad of emotions; pain, empathy, fear, anger.

"How did you end up here?"

You think about not telling her. But it feels so good to be getting some of this information out, like you’re coughing up a thick black piece of flesh that’s been festering in your lungs for years, making it so you can now finally breathe.

"One guy, Chiyo, he joined up with our group a few years after I was taken. He owned a shooting range before everything.... You know…. Well, he'd broken his ankle in a recent raid and couldn’t really move much. If we hadn't come upon him when we did he probably would have been killed by another group of raiders. But as it was he had this giant stash of weapons and The Groups ranks were thinning so..."

You trail off, thinking of how you'd come upon him first when you and The Group got to town. How the leader you thought of as Red due to his hair (you never learned their real names), shoved you brutally by the shoulder.

Always the bait.

But after what had happened only the week before you didn’t care anymore. Red pushed you and you entered willingly, your feet not even dragging as you walked. It was either be shot by one of The Group attempting to escape, or see what resided inside the shop with the boarded up windows.

Chiyo’s gun was trained on you the second you walked in. The way you held your hands at your eye level when he told you he was going to shoot.

“I’m gonna blow your head clean off if you take another step.”

And suddenly you’d decided that you were done. You were so tired. And at least this way it would be quick and it would be away from The Group. And so you’d taken another step towards Chiyo, hands still raised.

You can still recall the furrowing of his thick brows and the lowering of his weapon as he stared at you.

"You want to die?"

You hadn't answered him but that had been answer enough for Chiyo. He'd hobbled over to you, dragging his lame leg, dark eyes fixed on your face.

"I'm not gonna hurt you."

And when he'd said it, you'd believed him.

You remember the way you'd convinced the rest of The Group they needed someone like him. A crack shot, you told them. You'd had no idea of knowing if it was true. But there had been warmth in Chiyo's eyes that was missing from the rest of The Groups. Something that you clinged to in the coming months.

"Thankfully he was a really good shot,” you explain. “He joined up and we stripped his shop of his guns and eventually his ankle healed thanks to the medic in The Group and he was suddenly part of the team.”

“Was he nice to you?”

“Yeah. He was really kind. Whenever they used me as bait he insisted on going with. He said it was so we could save me for really bad missions, but I knew it was to protect me. They let him get away with it because he was such a good shot, I think. Everyone liked him. When the rest of The Group was asleep we'd talk by the fire. Chiyo was afraid of horses," you tell Ellie with a small smile. “Was about the only thing he was afraid of.”

You don't tell her everything. You don't tell of the tender way he fucked you in the wee hours of the morning before The Group rose most mornings. How he whispered that he missed his dead wife and would never dishonor her memory by kissing you. But you hadn’t minded, you understood and you’d both been gentle with each other.

You’d enjoyed getting lost in the sensation of him. Of his cock in your mouth, of your cunt stuffed full of him. The rhythmic sensation of sex that took you out of your body and away from your every day horrors.

You remember how he would hold you, tears sliding onto your collar as he spilled himself onto your belly whimpering his dead wife’s name. How he would thank you over and over with your hand at the base of his skull, mouth against his shoulder while you quietly sobbed your own gratitude.

"After a few months he told me he was escaping. He'd heard about Jackson City and that's where he was headed. He wanted to bring me to see if we could find my Mom."

"Holy shit,” Ellie breathes. “Where is he now?"

"He didn't make it," you tell her tightly.

And now the shield is back in your voice and eyes and she must sense it. Ellie doesn’t press this, seems to understand that there is more there. With a teenagers’ sensibilities and a teenager’s romanticism she asks you her next question.

"Were you in love with him?"

Chiyo is a faint memory, a watercolor blur if you think about him in too much detail. When you try to recall things like the scar over his left eyebrow or the dragon tattoo on his inner thigh. But these are just pieces of him. They aren't him.

When you think of Chiyo there is a warmth. But it's the warmth that comes from having a benevolent savior. One who never told you that you were in his debt. Yes, you cared for him. Of course you did. He was gentle and he was kind and his heart was soft.

"No," you say firmly. "He was nice though and I cared about him. Probably as close to love as I'll ever get."

You and Ellie are quiet for a long time.

“I tried saving a bit boy once,” she finally offers. “His name was Sam. Tried rubbing my blood on him. Thought it would save him. It didn’t. He turned and his brother had to kill him before he killed himself.”

You don’t allow yourself to cry. You know that isn’t what Ellie needs right now.

“I’m the reason so many people are dead,” Ellie explains when you say nothing in return. “My Mom died having me. Riley… Tess… Sam…Henry... Ellie’s voice is doing that same detached thing yours does. “Sometimes I honestly think it would be better if I was never born.”

You can’t help the way your arms leap out in front of you to gather the girl into your arms. She tries to fight you on it, flinching from the contact before your unrelenting arms pull her into a tight squeeze, tugging her into your lap. Angry tears slip down her red cheeks, her cries breaking free as you wrestle her into a bear hug.

“I’m so glad you exist, Ellie.”

And then all the fight is gone from her body and she’s sobbing quietly into your shoulder, her tiny frame shaking. You hold her against you, wanting your adoration and affection to move through your body into hers so she knows how much she’s wanted.

“The world would be so much worse without you in it,” you assure her honestly. “You’re special, Ellie. And not because you’re immune. Because you’re smart and brave and funny and you make people like me feel like we’re worth something.”

Her arms wrap around your neck, face in your shoulder and she allows you to continue holding her, rocking her gently in your lap as if she were your own teenage daughter.

“And yes you’re stubborn and you can be annoying,” you add, trying to lighten the mood. “But there’s no one I like talking to as much as I like talking to you. You made me look forward to breakfasts in the dining hall because it meant I got to speak to you.”

“You’re just saying that,” she sniffles, arms loosely circling your neck.

“You don’t like liars, right?” You remind her. “Well I’m not lying. Plus, I know Joel loves you and he doesn’t seem like the kind of guy that loves many people so you must be pretty great.”

Ellie gives a shallow huff of amusement in your shoulder.

“And I know Maria and Tommy adore you just as much if not more than I do. And if you opened up a little more with the kids around here I know they’d love you just as much as we do because you’re a wonderful person. The world would be so much worse without your light, Ellie. You bring light to the darkness.”

You continue rocking her for several moments, waiting until her sobs turn into hiccups and then gentle swallows. Finally she pulls back from you, almost embarrassed at the emotional display. She shuffles back onto the bed, picking at the loose string hanging from her pillow.

“I think I’m cursed.”

“Hey now that’s not true,” you insist. “I’m here aren’t I? How is that a curse? If anything it’s a blessing.”

She gives you a weak smile that you return.

“C’mon, let’s go and finish the pop tarts.”

“We’ll have to start all over again,” Ellie almost whines.

“Then I guess I’ll be staying here a little longer.”

Ellie wipes at her blotchy face, running her hands down her cheeks before nodding and standing abruptly. You two make it back into the kitchen, surprised to see Joel standing there. His broad shoulders ripple as he works on something in front of him, his back to you.

Ellie sails over to him, her eyes wide when she sees what he’s done. “Wait are those the pop tarts?”

“Yep.”

“I thought they were ruined.”

“Yours were,” Joel shrugs, spreading icing onto one of the homemade pop tarts. “Mine went okay.”

You feel as if you’ve been physically pushed.

Joel baked?

Ellie snags one of the still warm pastries from the plate as Joel starts running the cloth over the counter and wiping the crumbs into the sink. You look at the joy on Ellie’s face as she takes a bite.

“Holy shit, Joel, these are so fucking good.”

“Language,” Joel admonishes over his shoulder, though there’s nothing harsh in it. He turns around, hip resting against the counter.

“I’m gonna have you do all my baking,” Ellie continues as if she hasn’t heard him. “I’ll just be your taste tester.”

You want to grin at this but all you can do is stare at Joel and the soft way he’s smiling down at Ellie. This open look of adoration you so rarely see. Like there’s this secret Joel inside the mean Joel shell that the privileged few witness.

Joel could never disappoint me.

Joel seems to feel your eyes on him because he blinks over at you, dark eyes darting around your face. His expression is unreadable, but there’s nothing cruel or cold in it. He’s just looking at you, almost as if he’s trying to figure you out as well.

“Well looks like we’re all set here so I should go,” you start awkwardly, suddenly feeling strangely light headed. Joel steps towards you, brows rising.

“You could stay for a dr-“ Joel begins, but you’ve already made your way to the front door, pulling on your boots and jacket.

Your hands are trembling for some reason and you think it must be all this emotional turmoil you’ve shared with Ellie. It has you feeling vulnerable and exposed and you want to escape home to the safety of your bed, away from soulful brown eyes and soft smiles.

“Ellie you wanna grab breakfast before patrols?” you ask, studiously ignoring Joel who stands next to her looking at you. You don’t want her to think you’re rushing off and forgetting about her.

“Sure,” Ellie says brightly before motioning to the plate of pastries. “You want any of these to go?”

“Nah, you enjoy them,” you insist with a flash of a smile. “You worked hard.”

You don’t look backwards as you rush out the door of their home and down the sidewalk of Rancher Street, convinced you can feel Joel’s dark gaze on you the entire way.

-----------------------------

secondary a/n: The other parts I wanted to include in this chapter were gonna bloat this installment into over 10k and I wasn't even finished so I had to break it up!

CHAPTER 11 SPOILERS BELOW THE JOEL

in chapter eleven there be smut.

TAGLIST:

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@joeldjarin

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@cosmic006533-blog

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tears-of-amber · 8 months

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Tarot Lessons I Wish Someone Had Taught Me:

The Major Arcana is NOT ISOLATED from the Minor Arcana in its symbolism. They are INTERCONNECTED. They give context to each-other. For example, the High Priestess is the 2nd card of the Major Arcana, and rules all the 2s in the Minor Arcana. This applies to so many cards. Plus, the symbolism like flowers, fruits, emblems, colors, etc. are inseparable from each-other.

If your question is super complex, its typically good to break it down into separate questions or aspects of the question, pulling a card for each aspect.

Death is not literal death. Its actually one of my favorite cards to get because its about the end of a cycle, and the rebirth into something different. I know its my zodiac's card (im a scorpio) but i like it for more reasons than that.

The cards are neither uplifting, nor should they make you despair. Think of it this way. A certain card might be a great card to pull in one situation, and a very negative card in others. ITS ALL ABOUT CONTEXT.

LINE THE WHOLE MAJOR ARCANA UP IN ORDER AND STARE AT IT. Its a journey. The individual cards will make more sense if you know what comes before AND after them in this "journey" or "story". The Star comes after a series of notoriously troubling or chaotic cards. This is to show there is hope after great darkness and troubles.

#witchblr #tarotblr #tarot #tarot witch #tarot tips

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patrasche-enjoyer · 4 months

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Yknow I think Re:Zero is one of the few Isekai stories that ACTUALLY uses the isekai aspect in its story, so many isekais could just be normal fantasy stories, if you removed the isekai aspect from them the story wouldn't change much.

In my opinion, Re:Zero really makes full use of the isekai genre, in a way that almost no other story does.

One of the big ways it makes use of a isekai'd MC is by making Subaru fucking weird, I mean Subaru was weird for normal earth human standards too, but in Lugunica he's a fucking freak, barely educated but weirdly smart, literally illiterate and also socially inept (like I said, he was that way on earth too, but in Lugunica he's basically incomprehensible to some people), which of course makes everyone suspect him of being some spy or literal cult member but he's also kinda too stupid to be that so nobody quite knows his deal.

One of my favorite parts of R:Z is the scene in arc 4 (Season 2) where he can confront his past in one of the tombs trials, and this is another thing that R:Z does that makes it stand out from other Isekais: it shows us his past, that his past has meaning and still shapes him to this day, a lot of isekai manga are like "what if a guy who can do cool stuff with wood was reincarnated and given cool wood skills" and that's about where any mention of the MCs past end. In R:Z it is given actual weight, you read about Subarus past and it immediately informs you why he is the way he is.

The big part about this is, of course, that he misses his parents dearly, and regrets the way he last parted with them. That alone humanizes him so much and it's something that many other isekai stories fumble or don't attempt at all, which can often make the MCs seem uncharismatic or unsympathetic (mind you I don't think every isekai has to do that, it wouldn't really work in every series, like konosuba for example).

It's also fun that, very occasionally, someone was isekaid before Subaru, which often makes him the only one to understand something or other (which also makes him more weird to the others lmao) but its very cool to tie the more mundane aspects of earth knowledge back into the story (the whole witch cult = star signs thingy)

Anyway yeah I just needed to get that off my chest

#re:zero #natsuki subaru #subaru natsuki

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roidepoison · 9 days

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Reo Mikage is Actually Great BPD Representation- Some Thoughts

So I had the extremely unfortunate experience of being exposed to Blue Lock (unfortunate because it's all my tiny pea brain can think about now), and while it is absolutely full of silly guys whose brains I want to pick, this little bugger really stood out to me. The second he came onto the screen, I KNEW I smelled the borderline on him. As I watched the series and read the manga, I noticed he is actually an incredibly well-written depiction of someone struggling with BPD. Reo is a super layered character and my favorite hobby is picking apart those layers and yapping incessantly about them, so here we are. I want to write this analysis for a few reasons:

1.) Too many people misunderstand Reo and categorize him as dramatic or childish without any elaboration and he deserves a proper character deep-dive. I think him being borderline explains a LOT of his reactions/choices throughout the story.

2.) Borderline representation is extremely important to me. I'm diagnosed borderline and have struggled with this disorder for around ten years now, so I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). This disorder can be so isolating, especially when the majority of people will never even bother to research or understand it. I know that some people like to chalk Reo's emotional reactions up to him being a moody 17-year-old, but I think I have enough evidence to prove that this is undiagnosed BPD that's festering in his noggin. Not to mention, literally nobody else acts like this in the series. Reo is incredibly unique and distinct in the way he behaves through this narrative and I think it's way past the point of normal teenage angst. Regardless, believe what you want. He'll always be my borderline princess tho <3

3.) I have a master's degree in English and what good is that if I don't write long, painful, pointless essays on anime guys? Not that this is exceptionally well written, I just like to laugh at myself for getting a whole M.A and then this is the shit I publish online lmao

By the end of this, I hope I can shed some light on wtf is going on inside of Reo's silly little head. (I'm also obviously not a psychologist, don't use any of this to diagnose yourself pls I don't need the scandal)

If you want to read, buckle up, because this is gonna be a long one!

First, let me define BPD- It's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. At its core, it is a disorder categorized by emotional dysregulation (the inability to regulate one's emotional responses) People with BPD feel everything EXTREMELY hard. That's important to keep in mind IMO, because while their reactions may seem dramatic or extreme, what they're feeling IS dramatic and extreme. Everything they're feeling is amplified, so their reactions are amplified. Obviously from the outside, people assume it's an overreaction since they can't see what's going on inside the borderline's head. When you sit down and dissect the thought process of someone like Reo, it becomes a lot easier to understand why they react the way that they do to certain situations.

(Also, I'm not going to reiterate more than once that an explanation is not an excuse to treat people poorly. I cannot read ANYTHING on BPD without hearing every 2 minutes how the disorder isn't an excuse to hurt other people. We get it!! I'm explaining it, not excusing it. This enter essay is an analysis of why someone acts the way they do, not whether or not it's excusable)

So then, what behaviors/signs does somebody need to exhibit to receive a borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

Someone would only need 5 of these to receive a proper diagnosis. Just with the main story and the spin-off manga that is currently released, I think I have enough evidence to argue that Reo has 8 out of 9 criteria for a BPD diagnosis. For the sake of organization, I’m gonna group some of those together though, indicated by a + symbol. I also want to define a few important terms before I start yapping, so that y'all without BPD can understand wtf I'm even talking about.

Favorite Person (fp) - This is someone who holds massive significance in a borderline's life. They emotionally depend on this person a lot and to a certain extent, their worldview almost revolves around them.

Splitting- the change in perception of someone or something caused by black-or-white thinking or dichotomous thinking. It is the devaluation of someone who was once idealized and vice versa.

Mirroring (aka: the chameleon effect)- the constant, unconscious change in one's identity or sense of self by imitating another person’s behaviors, characteristics, or traits. It is common in people who have a vacant or distorted self-image which is a general symptom of BPD.

Now, time for me to break down the most prominent moments where Reo showcases borderline behavior. As I mentioned, I'm going to try and organize this under each criteria point (with some being grouped together)

Unstable self-image; struggles with identity or sense of self:

Before I delve into Reo's relationships, I want to start with his baseline sense of identity. It’s established early on that Reo is a very bored, empty, unsatisfied person. Nothing excites him, nothing motivates him, and everything is handed to him. He’s frustrated because his parents notoriously try and buy his affection even though he doesn't want anything. For most of his life up until the narrative starts, he's wandering through life empty and frustrated. That is, until he finally sets his sights on soccer and decides to dedicate his life to winning the World Cup:

The wording, 'proves my existence' is interesting here. I think this is the first instance Reo has felt alive. So far, the only notable thing about him has been his family and his money. He hasn't achieved anything exceptional for himself, but now he has that opportunity. With this goal, he can really build something up from nothing and make it his own. It's almost like he's clinging to this dream to prove that he has some purpose in his life other than being the family heir.

Now, this dream changes when he meets Nagi, of course. I'm not gonna focus too much on their relationship in this section, but I will mention that meeting Nagi shifted Reo's entire dream, and not for the better. Through the narrative, his dream went from:

Winning the World Cup

Winning the World Cup with Nagi

Proving to Nagi that leaving him behind was a mistake

Improving himself and becoming a good striker on his own

Being a tool for Nagi to become the best striker

Had Nagi not come in and ask for Reo to come back to him, I think Reo could have done a great job at establishing his own sense of identity without Nagi. But no matter how much he works on himself, with Nagi in the picture, he's never going to value himself more than Nagi. Reo lets Nagi cloud his identity to the point where Isagi calls him out and asks what he's even doing at Blue Lock in the first place, since he clearly can't survive on his own, he needs Nagi with him.

After dealing with the turmoil of being abandoned by Nagi, Reo goes through a few stages. He starts with wanting to become somebody worthy of being beside Nagi, somebody that Nagi would want to choose. Devoting himself to becoming stronger and more versatile, his end goal is to have Nagi realize he made a mistake by leaving him behind. After a few more matches, Reo starts to realize that he needs to grow and change and become a stronger, better version of himself for himself and not for other people.

He decides that the fight was all his fault to begin with, that he should have never forced Nagi to play soccer and now he is going to get back to what his dream was originally, combined with his new desire to be a stand-alone player (and person, for that matter). Reo accepts the mistakes that he made, admits that he shouldn't have forced his ideals onto Nagi, and resolves to become a better person for HIMSELF. That's excellent!

Of course, Reo can't be happy for TOO long. Nagi comes out of the woodwork saying that he can't beat Isagi on his own and asks for Reo's help. Reo does stand up for himself a bit, saying that Nagi is being inconsiderate of his feelings and mentioning how long it took for him to recover from Nagi leaving. Now, the BPD trait here is how Reo not only forgives Nagi and is jumping on him and hugging him THE NEXT PAGE, but he also just disregards everything he said in this sequence. In a matter of two minutes, he no longer wants to be a player that can fight on his own or improve for himself, he wants to improve for Nagi. He starts ruminating again about how hurt he was when Nagi left, but now he's saying all of it wasn't so that he could get stronger individually, it was so that he could be reunited with Nagi again. Nagi asking for his help and saying that now they can play together again motivate Reo more than anything we've seen so far. (Nagi notoriously throws Reo little affection crumbs like this that Reo eats up, but I'm not trying focus on that) Now, Reo's alright with being a tool for Nagi's success again. Everything that happened was supposed to make him stronger so he could be a better partner to Nagi, right? Reo also says as the chapter ends, to please let him be a part of Nagi's dream until Nagi becomes the world's best striker. That's literally so sad!

He's also immediately back to the 'our' 'we' 'us' talk as well. If he can master his chameleon style in order to keep Nagi above the rest of the players, he wont get left behind again. If he devotes his time and energy into being a solo striker like the rest of these guys, Reo knows that he wont be able to keep up. This was always supposed to be his role, right? Building Nagi up to his full potential! :*)

I also like the detail that Reo is back to hugging Nagi and holding him, but Nagi never really touches him back. I think Reo's love language is touch for sure, not that it's incredibly relevant, but I do think it shows that Reo is back to being 100% comfortable around Nagi as if their fight never happened. I hear a lot of fans asking how Reo could have forgiven Nagi so easily, and I say this with my entire chest, it's the BPD. The black-and-white thinking combined with Nagi being Reo's fp and the excruciating pain of being abandoned by him in the first place ?? Of course he's going to take him back. Also, I've seen people blame Reo for not saying no to Nagi when he asks for help and I have to say that is an absolutely insane take. How are we gonna look at a panel where Nagi asks for help and then blame Reo for helping him?? I'm not going to focus on it too much in this post but in my opinion, it is crazy how little accountability both the narrative + fans give Nagi. Reo is pegged as responsible for both of their downfalls and it's nuts tbh.

Currently in the story, I think Reo's identity is still centered around Nagi. It's really easy for borderlines to structure their entire lives and personalities around their favorite person, but I can only hope that these two keep having open and honest discussions with one another. Hopefully, Reo will eventually learn that he can exist without Nagi and that he's more than just 'his arms and legs'.

Unstable or Changing Relationships:

The most notable relationship in Reo's life is Nagi. They're both each other's first real friends, which already sets up a less-than-ideal dynamic. Nagi has no idea how to communicate and he has pretty weak emotional intelligence. On the other hand, Reo is great at communicating, but he isn't used to regulating his emotions. For a lot of borderlines, they can go a very long time without experiencing any symptoms when they don't have a favorite person. When you think about it, the bulk of the disorder is shown through those interactions with other people. If Reo has never had a real friend in his life, I don't think he'd be used to the emotional turmoil that comes with having a fp.

The minute Reo meets Nagi, he's attached. All his classmates notice it, too. They question why Reo is suddenly so obsessed with this random kid who has no interest in him. Reo is ignoring everybody that isnt Nagi.

Very quickly, Reo boils down his view of the world to being him and Nagi versus everybody else, and he makes that very clear. It also depicts something that I think is incredibly crucial to Reo’s character that a lot of people overlook; as Nagi develops to be Reo’s favorite person, Reo’s dream isnt ‘playing soccer’ anymore. It’s Nagi. It’s being with Nagi, playing soccer with Nagi, being useful to Nagi, taking care of Nagi, and being somebody important to Nagi. He doesnt teach Nagi the rules or how to actually play, he teaches Nagi how to play with him. He literally re-writes and re-structures the game so that it can center around him and Nagi. Nagi calls him out on this in the spin-off manga:

Reo doesnt care about the structure of the game, he cares about Nagi. The other people on the field don't matter. The other team doesn't matter. He also starts to unknowingly put Nagi up on a pedestal, which is another borderline trait. He starts reiterating that Nagi is special, he's different from everybody else, he's destined to achieve great things. The more he raises Nagi up, the more he isolates the two of them in his mind, reiterating the idea that it's them against everybody else. His language reflects this too: Reo exclusively talks with 'us' 'we' 'our', insinuating that they're going to do everything together.

When Ego says that there can't be two winners, Reo says that he'll make Nagi the best striker. His 'ego' will be making Nagi successful. Along with putting Nagi on this pedestal, Reo also very early on establishes the fact that he'd pick Nagi over himself any day of the week. He's the only person in Blue Lock who really couldn't care less about becoming a striker himself: his dream is to be a tool in Nagi's success. Or, in simpler terms, he wants to be useful and make Nagi happy.

These two were in trouble from the very beginning. Nagi is lazy as all hell, has 0 motivation to do anything, and his dream is to live a life of luxury and never have to work. Reo, being the borderline baddie that he is, is more than happy to do EVERYTHING for Nagi. Borderlines love extremely hard! It's one of our best traits and I think it's important to showcase that Reo is a massive sweetheart at his core. He clearly loves Nagi a lot and goes to extreme lengths to make sure he feels taken care of. To someone with BPD, NOTHING is too big of an ask for a person they love, especially if that person is their fp. I also disagree with the argument that Reo 'made' Nagi codependent. Nagi likes being taken care of, he says it all the time. If you ask me, I would actually argue that Nagi takes advantage of Reo a little bit because he knows that Reo will do anything for him. But regardless, I think that Reo starts to develop an unspoken expectation with Nagi that he'll provide him with everything he needs, and in turn, Nagi will stick around. I don't think he's doing this intentionally, nor do I think it's being done in a manipulative way. I just think that Reo has a dormant fear of being abandoned that he doesn't totally know he has yet.

It isn't just Nagi that Reo showcases having unstable relationships with, though. Zantetsu is another good example. Reo starts out disliking Zantetsu, he snaps at him a couple times, and calls him a moron more than once. He starts to warm up to him because Nagi tells him to. The favorite person has MASSIVE sway in the borderline's life. If Nagi likes someone, Reo likes them too. (This is, of course, on the condition that they aren't a threat, looking at you Isagi).

In the immediate next chapter, Reo is acting like they're all best friends. He's climbing on top of them in their big bed, saying that the three of them are gonna win their matches, being a little pookie. He goes from not liking this guy at all to considering him one of his close friends super fast. Also on the topic of Isagi, when they're making up the teams for the second selection, Nagi doesn't initially want to tell Reo that he wants Isagi on their team bc he's worried Reo will be upset. But, when he does finally say it, Reo is literally fine with it because like I said, who Nagi likes, Reo likes! On the condition that they don't replace Reo, which clearly happened soon after.

On the opposite side of the spectrum, Reo also shows how he can go from loving someone to despising him very quickly. After Chigiri and Kunigami tell him to get back up in the game post-Nagi's abandonment, we can literally see the switch flip in Reo's head:

Suddenly, he hates Nagi. Nagi's a jerk who abandoned him; he never cared about him, and he threw him away. Dude literally says "Let's kill the bastards that betrayed us". This act of unintentional devaluing is called splitting. What Reo's essentially doing is going from one extreme to the other: if Nagi isn't his perfect treasure, he's the devil that broke his heart. There's no room for a grey area. The reasoning behind borderline's developing this black-and-white mindset is rooted in self-defense. If Reo devalues Nagi into being nothing more than a traitor, then he's stripping away the power that Nagi has to hurt him. If he looks at him like a rival or a villain, it's protecting him from being hurt by Nagi again.

That doesn't mean that he genuinely believes any of this, more so, he's trying to convince himself that it's true. We see that at his core, the reason he's acting like this is because he's hurt. I'll go more into it later on, but he's constantly thinking, what does Isagi have that I don't? What do I have to do in order to win Nagi back? This black-and-white thinking is an automatic self-defense mechanism that I think he's doing subconsciously. Regardless, the shifting he's doing here can cause a little whiplash, which brings me to:

Varied or random mood swings + Problems with anger, including frequent loss of temper or physical fights:

I can’t think of a better way to describe Reo's temperament than the wiki, so let me quote it: "Generally, he seems to feel every emotion with full force and is extremely aware of his own faults and shortcomings, which is evident in several instances of painful breakdowns shown in the spin-off manga. Due to his high emotionality, he can even get violent when he loses his temper."

Reo is characterized as being emotionally unstable. When he's happy, he's elated! When he's sad, he's miserable. There are a ton of scenes between the manga and spin-off manga that show how fast his emotions can flip, but this one was one of my personal favorites:

In this scene, Reo has developed a little scheme in the dining hall where the guys are trading their side dishes. At face value, a throwaway moment. But, I think it's worth looking at because not only does this show Reo's emotional response being triggered in an opposite, semi-extreme direction, but the root cause for the reaction was that he felt rejected by Zantetsu. In his own weird way, he's asking Zantetsu to come over and hang out with him. He's not being exceptionally clear with that message, but I can still pick up on it. "You wanna join in, don't you?" He's extending the invite, making himself vulnerable, and Zantetsu shoots him down by saying nah, I'm fine with my noodles. Reo JUMPS on him like YOU KNOW WHAT? I TOOK THAT PERSONALLY! lol. Jokes aside, I think this moment is a great one to argue Reo's BPD tendencies because it's such a seemingly mundane interaction. Even Zantetsu is surprised by Reo's random outburst. This also sets up the fact that one of Reo's most obvious triggers is being rejected/abandoned/betrayed, an extremely common one between those of us with BPD.

Other instances of Reo having a bad temper are a lot more obvious. In the match against teams V and Z, Reo straight up elbows Raichi in the throat, and then tries to go throw hands with Kuon for hurting Nagi. He only stops because if he gets into any more fights, he’ll get thrown out of the game and won't be able to play with Nagi anymore. He’s visibly pissed though and calls Team Z a joke. Hell, even Reo himself can recognize on a certain level that he can't control his emotions: they control him. They cloud his judgment and make him react in ways that he wish he didn't.

He is constantly plagued by these extreme emotional reactions that are out of his control. Not to say that people with BPD are unable to ever control their emotions, because we can! It takes time and therapy and practice though, which Reo hasn't had. His lack of regulation is also why he has such a dramatic and extreme meltdown when Nagi abandons him.

Fear of Abandonment:

Reo's biggest trigger and the cause of his inner turmoil throughout Blue Lock is his fear of abandonment. I mentioned before that I think he's had this fear dormant inside of him for a while as so many borderlines do, since he hasn't had the chance to experience it before. He alludes to it early on when they first arrive at Blue Lock:

The thought of leaving Nagi for somebody else? Reo considers that heartless. They came together, after all. They're going to win the world cup together. Nagi could break both of his legs and Reo wouldn't leave him, because again, Reo isn't there to team up with the best player and become the best striker in the world: he's there to play with Nagi!! And, like I said, in Reo's mind it's him and Nagi vs everyone else-

Reo exhibits a lot of signs early on of being jealous while they're playing in Blue Lock. I mean, as we discussed, everything should be focused around him and Nagi. When Nagi passes to Zantetsu in the team V and Y match, Reo pulls up like 'hey, why didn't you pass it to me?? ):' There are a lot of little moments like that, but Reo's jealousy is a lot more relevant to my argument after he gets abandoned by Nagi.

Let's talk about that word: abandoned. It seems dramatic, right? Reo uses that term constantly and exclusively. Every time he brings that moment up, he uses the word 'abandoned', or he'll say 'betrayed' or 'chose'. These are very definitive words. He’s not saying Nagi ditched him or flaked on him or blew him off, no; he has abandoned him. That word choice may seem disproportionate to the situation, but that's Reo's reality. This was the ultimate betrayal to him. The constant use of that vocabulary reiterates that in Reo's mind, there is no grey area. Either Nagi chooses him, or he chooses someone else. In choosing someone else, he abandons Reo. Reo is paranoid that Nagi isn't ever going to come back to him and it's because of something that Reo is lacking. How can Nagi like Isagi more than him, anyway?

Now, I do fault Nagi a bit for not communicating better at that moment. I understand that he's bad at communication, but I don't think Reo could have been more obviously upset if he tried. The dude was in TEARS. Nagi saw him devastated and then expected everything to be fine when he met him in the bathhouse? Idk. I'm going to give him the benefit of the doubt and say that he didn't realize it would upset Reo to such an extreme: maybe he thought that they would miss each other, but Reo wouldn't take it personally. I'm doing my best not to harp on Nagi since this is about Reo.

Abandonment is detrimental to people with BPD. It causes extreme inner turmoil that we see with Reo as the story progresses because it is the only thing he can think about. If he isn't trying to cover up his hurt feelings with this idea of revenge, he's self-destructing over being abandoned. He becomes obsessed with wondering why Nagi chose Isagi over him. Was there something wrong with him? Isagi isn't that impressive, why would Nagi rather be with him? These thoughts torture him endlessly and fuel his desire to 'steal' Nagi back. He literally says to Isagi, that he's going to steal Nagi back. Much to his dismay though, Reo starts to notice that Isagi is bringing out some positive traits in Nagi. Nagi's entire vibe is different with Isagi. Nagi is having fun playing soccer without Reo. In fact, he's having more fun. He's making plays he's never made before. His face is visibly different; he's more excited than before.

This is heartbreaking for Reo. Not only was he right that Isagi did have something to offer Nagi that he couldn't, but Reo is having a massive self-hate spiral during this point as well, so he's internalizing all of his flaws and mistakes while the thought is sitting in the back of his head: did Nagi actually have a good reason for abandoning me? Was I not enough to satisfy him? Did I only drag him down? This gets significantly worse the longer he watches Nagi and Isagi play:

Everything is falling apart. Nagi is doing completely fine without Reo, and Reo is an absolute mess. We're circling back to Reo's lack of identity here as well. He's watching firsthand that he's losing Nagi to Isagi: what does he do? What happens to him if he loses Nagi, who is he without Nagi? He's overwhelmed during this match and at one point Reo literally screams that he's going to tear apart their connection. Jealousy is consuming him, but it's also those feelings of inferiority and wondering if he really did deserve to be abandoned. If Nagi is so happy without him, maybe he really did have a reason. These are the thoughts that are circling around in Reo's head. Not to mention, he is constantly tortured by the flashbacks of Nagi leaving him, which I think is a great detail. Some readers might say it's just pointless recapping but I disagree, I think it's depicting how traumatic that was for Reo. As a borderline, being abandoned by your fp IS traumatic. Reo relives that moment so many times because so many things trigger it for him throughout Blue Lock. He can't even look at Chigiri and Kunigami without thinking about him and Nagi. It's a really devastating experience that quickly deteriorates him emotionally.

Constant feelings of worthlessness or sadness + Suicidal behavior or self-injury:

One of my favorite things about Reo is the fact that he is self-aware that he's behaving somewhat irrationally, but he doesn't know how to stop. When we look at one of the several times that Reo is curled up crying over Nagi, he mentions how he really did want to tell Nagi to go and have fun, but he didn't. He couldn't. The visuals shift for this too:

Reo doesnt want to be acting this way, but he can't help it, and that's frustrating to him. It makes him start feeling ashamed of himself. His inner thoughts start to spiral and he feels weak and alone. He's reflecting here on what his true feelings really were at that moment, and how scared and lonely and weak he felt as a result of Nagi leaving him behind.

These feelings quickly evolve into Reo feeling worthless and falling into bouts of self-hatred. He's so ashamed of the way he's feeling and behaving but it feels so out of his control. He says, "maybe if I hadn't gone to Blue Lock in the first place, I wouldn't have to experience this feeling." As I said before, borderline's feel things EXTREMELY intensely; the disorder is described as living with third-degree burns all over your body. Everything hurts. His feelings are so intense and all-consuming right now, it's all he can think about:

I saw some posts in the fandom reddit asking why Reo is acting like this. One in particular reads: "I get that he is betrayed and stuff but he is acting like it’s the end of the world, is it explained later why he acts like this? Is it because he doesn’t think he can win without Nagi?" Not to call this person out, I just want to answer the question in this post-

It has nothing to do with winning; it was never about winning. It was always about Nagi.

If we're looking at Reo through the borderline lens, it IS the end of the world for him. Nagi was his world. What's worse, he's fully aware that he's not acting rationally and he doesn't know why, which is making him feel ashamed and weak and embarrassed. Now I know why he's acting like this, but there are no Blue Lock psychiatrists sitting around to wack him with the mood stabilizers or the DBT handbook, so he's gonna stay feeling like a monster.

He lets these thoughts, along with the resentment and anger from being abandoned in the first place, fuel him for the second selection match. As he's watching the game play out, as Nagi is about to score the winning goal, Reo's mind starts racing with intrusive, negative thoughts.

He's praying that Nagi fails, that he gives up, that he stops trying, anything to stop that solidifying moment where he scores the winning goal and proves once and for all that not only was Reo not strong enough to stop him, but Nagi doesn't need him anymore. He catches himself really quickly, because he realizes he's sounding just like his parents. Everything is spinning out of control so bad, Reo wants Nagi to end up in a vulnerable position so that he isn't the only one falling apart. As he catches himself thinking this, he's disgusted with himself. He calls himself 'utter trash', and as he watches Nagi score the winning goal, he falls to his knees, wishing he was dead.

As he sits there decomposing in emotional turmoil and suicidal ideation, Nagi's team chooses Chigiri to join them, and it's the nail in the coffin. This is probably Reo's lowest point in the entire story IMO. Nagi comes up to compliment him on his plays and Reo shows us another classic borderline move: he's anticipating how bad it's going to hurt to be abandoned by Nagi again, so he's trying to push him away before it can happen. We see the dichotomy of his spoken words and inner thoughts here, where he's talking big game to Nagi, saying things like 'you clearly don't care about me anymore, you're throwing me away, if you're going to abandon me just do it properly', while internally he's thinking 'I'm the worst, I wish I was dead, please take this bait and break my heart so that I can self destruct in peace'.

i LOVE the visuals during this moment. This is what Reo thinks is his last line of defense, the last thing he can do to preserve any part of his dignity is to make Nagi hate him so that he'll stop throwing these crumbs of affection at him. It's also really telling that despite his switch in behavior and the devaluing of Nagi, the root of all of that is STILL that he was so hurt by the abandonment.

I don't think I need to analyze the suicidal ideation because he just straight up says he wants to die like three times in this scene but, aside from that, the visual of his inner thoughts vs what he's actually saying is so powerful. Not to mention the chameleon imagery which i'll geek out about in a second, this is another example of his black and white thinking along with the reiteration that being abandoned was literally traumatic for Reo: he says they can never go back to what they were before. Speaking as a borderline, this is painfully true. When people break my trust even in a small way, I can never view them the same as I used to. I can forgive them and let it go, but I'll never be as open with them as I once was. In Reo's shoes, he had Nagi up on this pedestal that he was perfect and would never do anything to hurt him, but he did hurt him (in the worst way possible).

After Nagi tells him he's a pain in the ass and that he doesn't care anymore, Reo thanks him for 'finishing him off'. In his mind, they're done now and he can suffer in peace and quiet without dragging Nagi down anymore.

Bonus Point: The Chameleon Effect

I LOVE THE FACT THAT HIS THING IS CHAMELEONS AHHHH

The chameleon imagery with Reo makes me INSANE dude. As I mentioned towards the beginning of this post, a part of borderline that is seldom talked about is the tendency to take on 'the chameleon effect', or mirror the people around them. REO'S ENTIRE THING IS CHAMELEONS LIKE BFFR ?? That image where he was trying to get Nagi to hate him, was before he even started using his chameleon style, it was just something the authors thought was necessary to include during Reo's mental breakdown. Aside from the cool imagery, his chameleon style is a reflection of his relationship with Nagi. He gets called a jack of all trades and a master of none early on in reference to how when he’s without Nagi, hes not really exceptional at anything. He never really took the time to master one specific thing because he was always so concerned with helping Nagi. This rings my BPD bell for a couple reasons: first of all, when you have no sense of identity and you’re worried it means you have no real personality ?? Steal one!! Take the closest person to you and copy that one. That’s something us baddies know VERY well. Also, think there’s something about you that your fp doesn’t like? Change it! You can morph into anything they want as long as it means they won’t leave you !! :*) Before he makes up with Nagi, he copies moves in hopes that it'll make him stronger and appear more desirable to Nagi. After they make up, he copies whoever he has to so that he can get Nagi to that goal and make himself useful, make himself somebody that Nagi wants to have around. It is a literal direct metaphor for him changing anything and everything about himself for Nagi and graaaahhhh it’s so cool

Reonagi ?? Some thoughts-

I want to close this yap session with my thoughts on Reonagi as a ship. I do think that they can work and I want to make that clear. I'm not on board with the 'borderlines arent capable of having loving and fulfilling relationships' crap. That being said, they both have to put in a bit of effort. Reo has already recognized a lot of his own issues. He admits that he was wrong for pushing his ideals onto Nagi, that he needs to let Nagi grow and be his own person, etc. Nagi really hasn't accepted any fault. I stand by the fact that Nagi needs to be more sensitive with Reo. Way too often when a relationship like this fails, all the blame is put on the one with borderline. I'm gonna be the outlier here and say that if Nagi cares about Reo, he needs to learn about Reo's triggers and be mindful of them. I'm not saying that since Reo is sensitive to abandonment that Nagi should just isolate himself from everybody else, but what I am saying is that when he's going to do something that doesn't involve Reo, he needs to learn how to communicate that he still loves and values Reo. "I'm gonna go play soccer with this person right now, but I haven't forgotten about our promise. When I come back, we can play together. I still love you and I'm not going to leave you for whoever tf I'm playing with rn." (sneaking that 'i love you' in bc like..they're literally canon at this point asdfghjkll) But, I do think that Nagi loves Reo and cares about him in his own way. The two of them just have to keep working on their communication skills. Nagi has the potential to have a hot rich husband who will literally bend over backward for him and buy him all the robux he could ever want, he's gotta put in a shred of effort!

I also like to think that Nagi didn’t totally get the fact that Reo doesn’t gaf about just playing soccer. Nagi thinks soccer is what they do together, it’s what makes reo happy, right? He’s always pushing him to train harder and take the game more seriously because he likes the sport, RIGHT? It would make perfect sense to go play with isagi so that he can get better at soccer and come back to reo a more improved player. Maybe that’s why he was surprised when Reo was so mad in the bathhouse, bc he wasn’t making the connection that Reo cares more about him than soccer. That Reo puts all that energy into him playing soccer because he thinks it’s something that they can have as their own, and once Nagi notices how good he is, he’ll start enjoying it and the two of them can hold hands and run around the soccer pitch!! I think Nagi missed that part tbh, and I don’t think he know that even now in the story. Maybe Reo doesn’t even notice it.

Anyway, a shameless plug to my reonagi playlist if that's your thing (i cooked with this one, i fear) https://open.spotify.com/playlist/5CsvSqmuI4cxOl1nTaV4GJ?si=737a0f21e0bd482a

Closing Thoughts:

Reo is a bpd baddie and I love him very much. I think he's a sensitive guy with a lot of feelings who would benefit from taking time to work through his trauma and his emotions. I hope that he eventually is able to build an identity for himself that doesn't involve Nagi, but baby steps, I suppose. I think Reo is a great balance of positive and negative borderline traits and he reads as a really believable and sympathetic character. He is, however, definitely that friend that you have to slap to stop them from running back to their ex.

Jokes aside though, BPD can be extremely hard to live with, even more so when it's undiagnosed and untreated. If someone you love has BPD, take the time to read up on it and do your best to understand them. I promise you, it will mean the world to them.

If you managed to get this far, thank you for reading! This was a messy stream of consciousness and I appreciate your support by listening.

#blue lock #reo mikage #reonagi #nagireo #nagi seishiro #bpd

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