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#but don't undermine the drama!
lazuliquetzal · 9 months
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Hey speaking of fanfiction/writing asks, I have a weirdly specific writing question: How do you manage to balance comedy and drama so well in your writing? I've read other stories straddling comedy and drama genres, but I often felt that the comedy cheapened the drama, and the drama made the jokes fall flat. But I've never felt that with your writing? In fact, the drama often makes the jokes funnier, and the jokes make the drama more impactful. Maybe it's contrast? How do you do that?
OH BOY DO I HAVE THOUGHTS ABOUT COMEDY ALL THE TIME!
So the idea behind juxtaposing comedy and drama is kinda like putting coffee in your cake--the bitterness draws out the sweetness and makes it stronger. The contrast highlights the presence of the other. But if it's too unbalanced, you either get cheap drama or flat comedy, as you mentioned.
The first thing you need to decide what flavor (genre) you're going for. For example: I consider Dawn of the Fourth to be heavier on the drama than the comedy. I crack some hilarious jokes all throughout DotF, but the moments that I build up to are dramatic moments, even before the mystery kicks in! Ch1 builds up to baby Time screaming about the moon, Ch2 builds up to Wind lying to Time, Ch3 builds up to Wind being seriously suspicious about Sky, etc. The important, plot-moving moments are consistently played straight. So even though I crack a ton of Very Funny jokes, the thrust of the story is actually a mystery-thriller.
In contrast, I would consider Dinked Up to be more comedy than drama. The scenes are all comedic situations. Most of the moments of payoff are jokes. Every scene has a bit of sentiment to it, though (they all circle around Dink's very sincere teenage angst) which is why, when we hit the turning point, it's (hopefully!) not out of place. The drama hits harder in this case because ideally, the reader would have gotten used to the comedic flow, so when we swerve into drama, it's a surprise. Then we get to the climax, which is pushed along with comedy (Time being super nonchalant, Dink tripping and yelling super pathetically, etc). While it is running off of drama, it's a return to the comedy of the earlier scenes. I'm still ending the story with the same tone I established early on.
So basically: while I may be pinballing back and forth between comedy and drama, there's structural consistency going on underneath.
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royalarchivist · 4 months
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Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.
Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.
[ Full Transcript ↓ ]
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Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.
Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.
Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.
In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.
That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.
Thank you for all the love and support, I love you all so much.
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emcads · 2 years
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if i trusted myself to complete a big project i’d write the mutiny era sequel myself
#✘; I HAVE SEVENTY TWO EXAMS AND I HAVE NOT STUDIED FOR ONE ( ooc )#// tbd#HHH  sometimes i just wish i could look at ann's notes. i know she had it all plotted to unfold so perfectly.#the way barbossa and esme both being so experienced and being pirate lords would TREMENDOUSLY undermine jack's self confidence at being a#rather new pirate captain. as an eitc captain his word was basically *it* at sea (subject to company oversight and all. but merchant#captains had rather complete control over the crew) vs as a pirate captain constantly being subjected to the crew's and officers' whim#he would be so frustrated and yet ALSO desperate to impress them.  making him perfectly vulnerable and an easy target for barbossa to lead#the mutiny against him#and barbossa would win esmeralda's trust so so easily#charming her with fancy dinners and nice clothes and long stories ( i say to you: who do you think taught barbossa the monologue abt the#aztec gold that he delivers to elizabeth? it wasn't jack )#but i think he would realize that having esmeralda and venganza there was a danger to him when he was plotting and he would absolutely#instigate drama to drive a wedge between them#poking at jack mooncalfing over a lady and trusting her with the coordinates but not his own first mate ? tsk tsk#-->  this is to say i think esme was involved LEADING UP to the mutiny but i don't believe she was present.#for one because she would have fought for jack. for two because i can't see her participating in a quest for the gold except to return it#for generational trauma reasons and also bc she doesn't want that curse lol#so maybe barbossa betrayed her first ? but managed to convince jack that he wasn't involved. selling venganza out to the navy or smth and#staging it as a helpless capture#or they just had a dramatique break up. WHICH WOULD INCIDENTALLY MAKE A GOOD TIME FOR BARBOSSA TO INSTIGATE A MUTINY#when jack is heartbroken & defenseless :)#anyway im sure mutiny fics are out there i'm just thinking out loud here
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hotvintagepoll · 1 month
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Propaganda
Yvonne De Carlo (Frontier Gal, The Ten Commandments, Casbah)— Although most famous for playing Lily Munster in The Munsters, Yvonne De Carlo had a successful movie career throughout the 1940s and 1950s, appearing in such films as “The Ten Commandments”, “Sea Devils” and two Munster movies later in life.
Setsuko Hara (Tokyo Story, Late Spring, The Idiot)— "'The only time I saw Susan Sontag cry,' a writer once told me, his voice hushed, 'was at a screening of a Setsuko film.' What Setsuko had wasn’t glamour—she was just too sensible for that—it was glow, one that ebbed away and left you concerned, involved. You got the sense that this glow, like that of dawn, couldn’t be bought. But her smiles were human and held minute-long acts, ones with important intermissions. When she looked away, she absented herself; you felt that she’d dimmed a fire and clapped a lid on something about to spill. Over the last decade, whenever anyone brought up her lips—'Setsuko’s eternal smile,' critics said, that day we learned that she’d died—I thought instead of the thing she made us feel when she let it fall." - Moeko Fujii
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut]
Yvonne de Carlo:
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The woman who brought Burt Lancaster to his knees.
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Setsuko Hara:
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One of the best Japanese actresses of all time; a symbol of the golden era of Japanese cinema of the 1950s After seeing a Setsuko Hara film, the novelist Shūsaku Endō wrote: "We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?"
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One of the greatest Japanese actresses of all time!! Best known for acting in many of Yasujiro Ozu's films of the 40s and 50s. Also she has a stunning smile and beautiful charm!
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She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.
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"No other actor has ever mastered the art of the smile to the same extent as Setsuko Hara (1920–2015), a celebrated star and highly regarded idol who was one of the outstanding actors of 40s and 50s Japanese cinema. Her radiant smile floods whole scenes and at times cautiously undermines the expectations made of her in coy, ironic fashion. Yet her smile's impressive range also encompasses its darker shades: Hara's delicate, dignified, melancholy smile with which she responds to disappointments, papers over the emotions churning under the surface, and flanks life's sobering realizations. Her smiles don't just function as a condensed version of her ever-precise, expressive, yet understated acting ability, they also allow the very essence of the films they appear in to shine through for a brief moment, often studies of the everyday, post-war dramas which revolve around the break-up of family structures or the failure of marriages. Her performances tread a fine line between social expectation and personal desire in post-war Japan, as Hara attempts to lay claim to the autonomy of the female characters she plays – frequently with a smile." [link]
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Leading lady of classic Japanese cinema with a million dollar smile
Maybe the most iconic Japanese actress ever? She rose to fame making films with Yasujiro Ozu, becoming one of the most well-known and beloved actresses in Japan, working from the 30s through the 60s in over 100 hundred. She is still considered one of the greatest Japanese actresses ever, and in my opinion, just one of the greatest actresses of all time. And she was HOT! Satoshi Kon's film Millennium Actress was largely based on her life and her career.
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grendelsmilf · 1 year
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i still find it so interesting how jackie is (was?) largely defined by her niceness, her friendliness. she's not the strongest, or the smartest, but she can bring people together. so when she is mean to the other girls, you notice it. she's mean to taissa when she feels like her position as leader is undermined; she knows that taissa is just as much of their leader as she is and it scares her. she's mean to shauna when she finds out about jeff; understandable considering what a huge betrayal it is (at least on the surface). but the girl she is by far the meanest to is nat.
and there is no good reason why anyone should be mean to nat. she is kind of treated as a punching bag, and taissa especially resents her because she doesn't like the idea of nat threatening the team's performance with her day-drinking or whatever. but nat is by far the kindest, sweetest, most compassionate, genuine member of the team. even as an adult you can see that she might be jaded and grieving and ruthless, but she's still at her core a good person. young natalie especially though is someone with a very strong moral center and uses those guiding principles of kindness to define who she is.
she's more mature, capable, and sure of herself than the rest of the group, because before ever landing in that forest, she's had a much harder life than the rest of them. we see that van probably doesn't have the best home life, but the rest of them are living comfortably. even if they don't have great relationships with their parents, they still live in middle to upper class households. nat grew up in a trailer park with a father who horribly abused her and her mother (until the day she witnessed him accidentally shoot his own face off). these circumstances made nat more resilient, braver, and more empathetic than the other girls.
and i think jackie recognizes that, whether or not it's a conscious recognition. she knows that nat is everything she herself is not. nat is confident in herself whereas jackie is terribly insecure and relies on external validation to uphold her own identity. where nat comes from poverty, jackie grew up in a huge house. where nat is comfortable having sex with boys, jackie is too repressed to have sex with her longterm boyfriend because she's terrified of having to confront the fact that she won't actually like it. natalie expresses herself through alt/grunge fashion, music, and culture, whereas jackie is as preppy as it is physically possible to be. natalie is jackie's perfect opposite: a poor outcast who is nevertheless comfortable enough in her own (hetero)sexuality to present in a (gender) non-conforming way and not care what others think of her to jackie's rich popular prom queen soccer captain who is debilitatingly insecure and sexually repressed, conforming perfectly to society's expectations of her to the point that she'd rather die than explore the possibility that she might like girls.
jackie has negative interest in travis, but she breaks him and nat up and steals him from her anyway. and the thing is, nat doesn't even care. she forgives jackie. when lottie locks jackie in the closet (ha), nat is the one who comes to her rescue. when travis apologizes to nat for sleeping with jackie, she says it doesn't matter to her. jackie is horrible to nat, but nat is genuinely mature enough that it doesn't even bother her. jackie wears her insecurities on her sleeve, and nat sees right through her. she doesn't put up with jackie's bullshit, but she's also gracious enough to not gang up on jackie with the rest of the girls, even though she's the only one who actually has any right to be mad at her. nat is generally apart from the rest of the team, not only because she's an outcast, but because she's simply above their petty dramas.
jackie doesn't have a good reason to be mean to her. she's the kindest, sweetest girl on the team. but jackie is mean when she feels threatened, and nat's existence threatens her very identity.
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dragonsbluee · 1 month
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So I've recently been re-reading TCF And chapter 196 is such an excellent example of how Cale interacts with the people around him, how he views himself and how they view him. This is also at the point in the novel where he hasn't really accepted that he is Cale now, not KRS, because he doesn't feel like he can.
So anyway, we start the chapter seeing the people of Rain City react to Cale's shield and they say something important!
"Won't he faint is he uses such a large shield? Why doesn't he just activate it when the northern bastards come?" "Can't you tell? He doesn't want to see us or the territory getting hurt at all."
At first, I thought this was just the regular drama of people reacting to Cale, but then Choi Han, the kids, and Ron tell him he's being ridiculous, and I realize the townsfolk are right.
The Wyvern Battle is only the 2nd or 3rd major battle Cale has been in so far but only as Cale. As KRS, he's done this before, and having read later chapters, we know Cale holds so much guilt over those battles and how he wanted to keep those he cared for away from it all but couldn't. After all, record only gives him information to guide them and make plans; he often couldn't physically protect them. How many times has he defended a shelter or teammates and wished he could have just covered them all with a shield instead of giving commands from the back? We know how guilty he feels over Choi Jung Soo and Lee Soo Hyuk's deaths.
He knows he doesn't have to keep it up, and he's the one who spreads a rumour that it's taking all of his energy, but he's already considering himself a "bad person" for taking military command and only giving orders. (except that's what it means to take military command?) There is absolutely another motive for keeping the shield around the city. Cale wants the opposing forces to view him as weakened, or he doesn't want people to think his power is as strong as it is. However, at the same time, he's absolutely protecting them because, just like the townsperson says, he doesn't want to see any of them get hurt by an attack he could have blocked.
Cale is doing what he can to undermine himself while claiming he's going to make everyone else the hero of this battle, but he won't drop the shield, which means no one can disregard or forget his involvement. It's not intentional! He's just literally made himself the first line of defense as a direct parallel to every time he was the last line as KRS. He wants to stay at the back, he does not plan to get involved unless he has to, but Cale won't let himself stay out of it. So the shield goes up and stays for multiple days.
Meanwhile, all Choi Han, Ron and the kids see is Cale surrounded by paperwork (because taking command of the entire Northeast is a lot of work), keeping a shield up that's known to make him cough up blood (they don't know about it getting stronger or the vitality of heart), and only sleeping 1 to 2 hours a night (thank you crybaby), so they assume it's a combination of work and concentration to keep the shield up. As usual, they're worried and frustrated at Cale's self-sacrificing tendencies.
We haven't even gotten to the actual battle yet, but this is such a great setup of how it's going to go and how the novel goes.
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erinkeifer · 3 months
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The Informant
[Anakin Skywalker x Padawan!Fem Reader]
Masterlist | Wattpad | AO3
Summary: So, Anakin found out that you informed on him and Padmé at the Temple, leading to the end of his romance? Oh, your mistake. Just wait until he barges into your quarters to settle the score fairly.
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Warnings: 18+ MINORS DNI | brutal smut | hate sex | angst | mirror sex | slapping | reader's serious injury during sex (head smashed against the mirror) | blood | PiV unprotected | hair pulling | cursing | degradation | dom!Anakin | sub!Reader | reader is toxic af | no comfort | no aftercare Author note: Yes, I haven't written many warnings before, but I consider this story to be one of my favorites that I've written. I've edited it many times - today I'm sharing it in a completely different form than it was meant to be, and it was supposed to be much darker. However, I don't want any content drama- I'm coming back after a long break and I want peace, so I assure you that every brutal move described in this story is motivated by immense sexual frustration on BOTH sides.
Word Count: 3,5k
Anakin stood behind the corner when you were selling him. He was there, gazing at your face, which seemed to be proud of itself and could barely restrain its foolish grin because you thought you were executing a perfect plan. "General… Unfortunately, they were there again, together… I want the best for Master Skywalker, and I can't help but be concerned that perhaps he puts… THOSE feelings above the gravity of the mission..." you spoke to Kenobi with that artificially emphasized solemnity from beneath which protruded the most insidious idea. Anakin clenched his fists, struggling to listen to your report deliberately designed to undermine him. He didn't know you had seen him with Padme. You didn't know he had seen you when you were informing. For a while, you were entangled in blissful ignorance, but soon everything was about to end in the worst possible way. ................................................................................................................. Weeks had passed since that incident, weeks during which Anakin ceased to be himself towards you - yet he had no intention of telling you why. In the first days, your training sessions became more intense - when you fell, he wouldn't lend you a hand, and when you took a hit too hard, he had no intention of apologizing, and your days didn't end with a smile he used to give you. You were sure that maybe he had worse days, perhaps the Council was giving him a hard time… There was also another option that you considered, and although you couldn't say it out loud - you counted on it the most. Troubles with Padmé.
Your unhealthy desire to take the place of that woman overshadowed your common sense, and you convinced yourself of it day by day, implementing increasingly risky and far-reaching ideas into your life. Your latest one was soon to show its effects- it was about to explode when early this morning, you learned that the senator you despised had left the Order's gates. The relationship between Anakin and Padmé had come to an end, and you were glowing.
On that day, you didn't encounter Anakin in the Temple. Your usual training took place with Kenobi instead, and although the older Jedi tried not to convey any negative emotions that day, you felt a crisis atmosphere in the air. You didn't know the details and were unsure of what exactly was happening. In the morning, you questioned your friendly, usually well-informed guards if they knew where your Master might be, but each person you asked seemed to have the same rehearsed version they were allowed to share. Were the details crucial to you? Probably not, as the only thing that mattered to you was to sense the right moment to implement your next plan. A plan titled: a caring, concerned Padawan who gets what she wants.
As you returned to your quarters in the evening, the corridors seemed darker than usual. With no significant missions left for the day, you had lingered a bit too long in the cantina, and it would be a lie to say that during your time there, you hadn't thought about Anakin. Where he was, what he was doing, what he was feeling… But what did his feelings truly mean to you, when your hands reached for the knife that, though invisible, stabbed Anakin straight in the heart? You didn't know yourself, but ironically, you were certain that the pain that would accompany your achievement would be swept under the rug. At this hour, you passed no one in the corridors- the atmosphere was so chilly that you instinctively quickened your pace to reach your quarters as soon as possible, to freshen up and forget all the tension. The doors, which you always had to unlock first, turned out to be unlocked- you probably forgot to do so the last time you left your place, and knowing your absent-mindedness well, you didn't dwell on it too much, simply closing them behind you and shedding your outerwear without hesitation as you made your way to the bathroom.
Though you felt like you were shining, you weren't shining at all. When you looked at your reflection in the mirror, you focused on the dark circles under your tired eyes, and your hair was a mess. So, you reached for the comb and painstakingly untangled each strand of your hair, helping yourself with your fingers. Finally feeling that your hair was suitable for a neat ponytail, you grabbed the nearest hair tie within your reach and tied your hair back enough so it wouldn't bother you while washing your face. The first splash of water was a relief for your face, but before the water reached the temperature you expected, the clogged sink managed to fill halfway with water. However, this didn't stop you from finally being able to apply your favorite cleansing gel to your face and wash away the dirt from the whole day. Sudden pain. Sudden pain stole your senses as you bent down under the running water. Instinctively, you grabbed onto the porcelain countertop when you choked on the water - not from a single drop, not from a stream accidentally spraying into your nostrils. Your face submerged in the water standing in the sink, and there was a hand on your neck that didn't belong to you.
For a moment, you felt like you were in nightmares, which, although rare, when they did occur, manifested in their most intense form. You thought someone or something was using the Force on you, but the touch squeezing your throat was real. Desperately, you gasped for air as the mysterious hand impulsively pulled your face out of the water, and when your lashes were finally free of water, the answer to all your questions was found in the mirror. "M-master…?" you mumbled with a muffled voice, feeling water rushing into your sinuses. Anakin stood behind you, his face practically devoid of any emotion, which probably scared you the most in this picture. His eyes, with dilated pupils that seemed darker than ever, stared at your reflection in the mirror lifelessly and without a hint of empathy. "What do you want to happen next?" he asked in a cold, hoarse voice. "Master, I think I don't underst…" "I'm asking clearly. What do you want to happen next?" he interrupted, sensing that you were playing dumb by responding this way to his words. "I… I… Really…" you started to stammer, lowering your gaze from his reflection in the mirror, but he was quicker to interrupt you again. You felt the strong grip of his second, mechanical hand on your shoulder as he turned you towards him, so that you leaned back against the sink, and your face, though much lower due to your difference in height, was inches away from his face.
"You know what happened. No one had to tell you. You know she's gone, and you know who's behind it." he continued, his hand that was previously on your throat now gripping your chin. "Master, I really don't…" you began, wincing in pain as his hand tightened almost to the point of bruising on your chin. "You damn well know who… And I damn well know who… All I want is to hear it from you." he added through gritted teeth, and at that moment, you felt a hatred unlike any you had ever felt before - not even when facing the worst, hostile scum on missions.
"I… I…"
"Exactly. You. You. And if something had tempted me earlier… I would have been done with you long ago, but I decided to wait, maybe nothing would happen, and I'd ruin your life…" Skywalker continued with deadly seriousness, and you realized how utterly hopeless your situation was.
"Anakin… I didn't want to! I didn't want it to happen this way! I…" you could have continued shouting, if Anakin's finger hadn't found its way in a silencing gesture over your lips.
"This way… Funny. Funny, because you did. You wanted it to happen, but according to your delusional script." Anakin spoke, and you preferred to stay silent. You listened and wished the ground would swallow you whole, most of all, terrified by the realization that everything he said was true.
"And you know, delusional scripts of filthy bitches like you rarely come true, don't they?" he continued, holding onto his terrifyingly serious tone.
Overwhelmed by shock, all you could manage was a numb nod of disapproval - you couldn't squeeze out a single word, and Anakin didn't even expect you to. "Let's consider, though… How it would look in your little, stupid head…" he added after a moment, lowering his hand from your chin, leaving your delicate skin reddened from the strong grip. "Assuming I didn't see or hear what you did in the council, and I lived in blissful ignorance… You'd now play the hero and pretend in front of me that you have shreds of humanity left in you and want what's best for me, wouldn't you?"
"But… I didn't say that I…"
"And you didn't have to. Just thinking it was enough, wasn't it?" Anakin folded his arms across his chest as he spoke these words, and you would be inclined to admit that beneath his controlled demeanor, he seemed on the verge of exploding at any moment. You wanted to run away, but you couldn't. You wanted to defend yourself, but you had nothing to defend yourself with. You wanted to speak, but you had no words. "It's nice to ponder like this… 'What if'… But we're here and now, and you still haven't answered my first question..." Anakin continued, and upon hearing the mention of the question, you raised your gaze to look at him. "What do you want to happen next?"
Skywalker left you in complete emptiness, posing the question once again. You felt so depleted that you had no idea what to expect - from him, from yourself, from everything. Your heart rate quickened with each moment of silence, and this time, Anakin seemed genuinely eager for your response. "Oh, don't bother. Especially since I know very well what you want to happen next." Barely had you processed your Master's words in your mind when two strong hands grabbed you at hip level and turned your figure back towards the mirror. You leaned against the porcelain sink with your front while he stood behind you, just inches from your back, his gaze fixed on your figure in the mirror wild and filled with hatred. "Do you know you've hurt me?" he asked after another moment of silence, placing his both large hands on either side of you, enclosing you. "And you know it's going to hurt?" he added shortly after, not giving you time to respond, assuming you knew well what you had done.
"I know." you answered with a trembling voice, not really aware of which of the two questions you subconsciously answered to him. "Good." he replied with a terrifyingly calm voice, then you heard the clinking of the belt from behind, sending shivers down your spine. "Bend over." he growled, and you did as he commanded, trying to sneak glances at him in the mirror opposite. "Give me that." he added after a moment, pointing towards the bandage scissors lying closer within your reach, and you obediently handed them to him. Anakin snatched the scissors from your trembling hand and without further hesitation, swiftly cut your thin jumpsuit at the waistline with one quick motion, without considering whether it would injure your skin. You hissed sharply as you felt the blunt blade irritating your skin, and just a few seconds later, a shallow, bleeding cut on your skin could be seen from the hole.
He had no interest in bothering with the zipper on your jumpsuit when he had a sharp tool at his disposal. The material split precisely at the cut, allowing him to tear it further and rip it around the circumference, so Skywalker didn't wait any longer. He yanked on the exposed fabric, and when he could afford it, he began to pull down the lower part of your torn jumpsuit. "You fuckin' slut…" he muttered when he saw that the part of the material he was pulling down revealed your bare ass without any underwear. You had your head bowed down, but upon hearing his words and being aware of what was happening, you smiled to yourself at the corner of your mouth. Your overly confident, slutty smile quickly vanished from your face as you opened your mouth in shock when Anakin entered you without warning - so quickly and desperately that part of the carelessly pulled-down fabric of your jumpsuit irritated his balls as he tried to bottom out. "Fuck…" he muttered through clenched teeth as you let out a long, dull moan. From his throat emanated a range of sounds that you had never heard before - even before he fully filled you, his breath was heavy and distinctly audible, but it was only now that you could hear the frustration pouring out of his vocal cords. His gaze in the mirror, aiming straight into your eyes, was both humiliating and arousing. You wanted it, and you couldn't hide it. If anyone was to destroy you after the failure of your plans, it was him - Anakin Skywalker. The man who was currently destroying you in the way you had dreamed of. "Anakin!" you yelled, your voice growing increasingly breathless by the second as he began to rhythmically pound into you. "What do you want? Should I go harder??" he grunted, gripping your hips tightly, occasionally tugging down on the shreds of your jumpsuit material that bunched up from his movements in frustration. He initiated it sloppily and desperately - without any preparation, standing behind you in his black robes, his cock protruding from the unbuttoned fly, teasing you with every dangling stride. Hopelessly, you nodded in agreement to his words, slowly allowing yourself to be completely consumed by the sensation he was giving you, but your lack of a clear response only fueled his frustration further. "Stop nodding and speak. I want to hear it." he demanded in a louder tone, his teeth almost constantly clenched. "I want… I want it harder…" you mumbled, unaware that you had just revealed to Anakin what he feared most - pleasure from what he was doing to you. He didn't want pleasure - he wanted a lesson that you would remember for the rest of your life - a lesson that would engrave into your mind that those who live by the sword, die by the sword. "You want it harder, you'll fucking get it harder." he whispered gruffly into your ear just before he began to thrust into you with all his length. With each forceful thrust, his partially exposed lower abdomen collided with the tattered fabric of your jumpsuit top, and with each deep penetration and withdrawal, you screamed in ecstasy. He wanted to see how he filled you inch by inch, so at one point, he hiked up part of his robe and looked down, proud of depriving you of your sanity.
"You fucking wanted this, huh? You fucking wanted this!" he grunted, instinctively quickening his movements, causing your body to arch to the point where the torn seams of your jumpsuit began to give way. When your eyes met again in the mirror, Skywalker couldn't resist and grabbed your tied-up hair with one of his hands that wasn't occupied with your hips. As you felt the intense tug, something inside you snapped – you didn't want to fight Anakin, but instinctively, you raised one of your hands, previously resting on the sink, and without knowing where you were aiming, you struck him in the neck.
"Whoa… woah… What? Don't like that anymore? What were you trying to do? Go on!" he paused his movements for a moment, holding onto the spot where you hit him for a few seconds before slowly continuing, leaving you completely disoriented and unsure how to explain. "Come on, slap me! Slap me!" he continued in a terrifyingly excited tone, and the slower he made his movements, waiting for your reaction, the more he motivated you to fulfill his demand. You swung your open hand towards his face, but from the angle you were in, you couldn't do it with force, and your hand barely touched and grazed his cheek.
"I said slap me, not grab me! Come on, try again, show me what you've go..." he interrupted as you made a second attempt, managing to slap him with an open hand to the face in the manner he expected. Initially, he fell silent in surprise, then let out a psychopathic laugh.
"Was that so hard, bitch?" he muttered through laughter, not giving you a chance to respond, completely disconnecting you from your senses as he began to fuck you with a speed your body couldn't handle. You bounced off him like a lifeless ragdoll as he used you like a fleshlight. Your babbling and moans were pathetic and unintelligible- clearly showcasing to Anakin how empty-headed you were at that moment, and he seemed newly recharged, ready to drain every last bit of energy from you. Both of you screamed, the mirror fogging up from your aggressive breaths, and your hands trembled, struggling to find stability on the porcelain sink. You saw sweat flooding him, his curly locks sticking to his forehead, framing his wild eyes, whose beautiful blue irises were barely noticeable with his dilated pupils. You saw the trace of your small handprint on his cheek, but the more aggressive thrusts you took, the blurrier your vision became.
"An… Anakin… I'm gonna… I'm gonna…" Sudden impact. A sudden impact momentarily cut you off from the world, and you began to see stars. Not from a spectacular orgasm, not from pleasure. His mechanical hand pushed the back of your head towards the mirror as your forehead shattered it into pieces, creating a spiderweb of glass adorned with your fresh blood. Perhaps both of you were shocked at that moment, so Anakin slowed his movements, but he had no intention of stopping, wide-eyed as he saw you disoriented and bloodied in the reflection of the shattered mirror. Seeing yourself, you felt like screaming, but you felt a hybrid of physical pain and the beginnings of an orgasm that robbed you of your voice. While adrenaline surged in Anakin to a dangerous level, he began to tremble. He began to pulse inside you, feeling on the brink of his own orgasm even amidst the awareness that he might have seriously injured you.
"M-master… I think… I think I'm bleeding." he heard your words as if through a fog, hearing only the buzzing in his own head signaling that he was about to climax. Your elbows buckled beneath you as his weight involuntarily pressed down on your body, and Anakin began to gasp chaotically with his head on your shoulder as his movements became erratic, and his warm seed filled you from within. You groaned with him, unsure if it was from pain or from finding yourself on the edge but not even attempting to explain it to yourself. Skywalker froze inside you for a moment, still pulsating, fearing that if he pulled out, his unstable trembling knees would give way under him, so he breathed warm breaths on your neck, unable to utter a word.
As soon as he pulled out, and you lost the support on his silhouette, you slid down, banging your knees against the cabinet under the sink and landed half-sitting on the floor. You saw Anakin tripled, looking up at him with tears-filled eyes as he stood, his hands trembling against the edges of the sink, and gazed at you with a hint of fear in his eyes. But as Padme returned to his mind, fear subsided, and he saw a successful revenge. He saw a conquest that wanted to be conquered, and he achieved it in the most unexpected way - unexpected even for himself.
"Anakin…" you whispered with a broken voice, smudging the blood flowing down your eyebrow with the tip of your finger, and he just watched, at a loss for words.
"It hurts… Can you…"
"I warned you it would hurt." he interrupted with a hoarse, dark voice as he fastened his belt and adjusted his clothes, clearly preparing to leave. Initially, he intended to leave without a word, took a few steps, casting a final glance at the shattered mirror, but paused at the door upon hearing your sobs.
"Grab a towel when you go to the Med Bay. Nobody wants a mess." he uttered in a cold tone without even making eye contact with you, then tossed you one hanging on the nearest hanger.
"Tomorrow morning, you're expected at training. I don't care what condition you're in. Alive or barely alive." he added before disappearing and slamming the door behind him, leaving you alone with your worries. You sat there, wounded and exhausted. Bruised and broken. Your Master - Anakin Skywalker - destroyed you, and you'll thank him for it.
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doumadono · 4 months
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Emergency Request! Could you possibly do headcanons for Dabi and/or Gojo going with reader to a family dinner and how they would react to reader’s mother just tearing her down at every opportunity? I’ve spent the past few days being eviscerated (with extremely brutal words) and the thought of one of these characters standing up for me is so comforting. Thank you.
Dabi & s/o with mother tearing her down
A/N: I'm truly sorry to hear that you've been going through such a difficult time. Words can be incredibly powerful, and it's understandable that you're seeking comfort. I hope these headcanons will bring you some comfort.
EMERGENCY REQS MASTERLIST
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Dabi reluctantly consents to join you for a family dinner, setting aside his typical disdain for such gatherings. His aversion is rooted in the tumultuous relationships within his own family, having witnessed too many dramas unfold over his own childhood dinner table.
He's dressed in his usual dark attire with an uninterested expression.
You introduce Dabi to your family, who eyes him with skepticism and disapproval.
The atmosphere is tense as you arrive at your home, where a seemingly normal family dinner awaits.
Dabi remains reserved, observing the dynamics at play while subtly noting the tension in the air.
Your mother initially appears polite but quickly reveals a passive-aggressive demeanor.
As the evening progresses, Dabi picks up on the subtle jabs and undermining comments directed at you by your mother.
His irritation simmers beneath the surface, and he becomes increasingly protective of you.
Your discomfort is palpable, conveyed through subtle glances and nervous fidgeting.
Dabi, attuned to your emotions, senses your distress and begins formulating a plan.
When the mother's comments escalate, Dabi decides he's had enough. He doesn't raise his voice but delivers sharp retorts, exposing the flaws in the mother's arguments while maintaining his composed demeanor. "You talk a lot for someone who doesn't know a damn thing, lady."
Your mother scoffs, "You know, dear, you could have done so much better. Why are you with someone like... him?"
Dabi cooed, "Funny, I was thinking the same thing. Your definition of 'better' needs a reality check. You really think insulting your own blood at the dinner table is the height of sophistication? Must be a charming family tradition, tearing each other down over mashed potatoes."
You, initially shocked by Dabi's boldness, finds solace in his defense.
As the evening concludes, Dabi, having made his point, chooses to leave without causing further disruption.
He wraps an arm around your shoulders, offering a last piece of advice, "Don't let anyone belittle you. You're worth more than this. If you ever want a real family dinner, one without the passive-aggressive drama, my place has a better ambiance." He then kisses your forehead.
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yeen-meteor · 6 months
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I want to take a moment to try to express why i appreciate Haru's sadism as an actual serious part of her characterization and not just a funny contrast joke and 'yay girl violence!' don't get me wrong i love me some yay girl violence for the sake of it, but like. i think there's a lot to work with there for genuine drama writing, too, not just comic relief and i want to talk about it! (cw sugimura)
for all of haru's backstory and her life with her father, sure she's rich and has a lot of privileges, but the one thing she completely lacks is any sort of control. Everything about her life is being decided for her, her father has decided on the shape of her entire future, and she can't do anything to change it - she's being raised just for the sake of being outright sold as a sex slave trophy wife to a perverted creep who is certainly too rich and powerful to ever face legal trouble for marital rape. She's going through the motions, enjoying what she can of the life she has while she still has it, completely hopeless in the face of this horrifying future that other people are forcing her into. Her will means nothing, what she wants means nothing.
And then the Phantom Thieves come along, and they give her the power to make her will matter, to fight for her own freedom and happiness. And that power comes in the shape of violence, physically fighting images of all the things and people standing in her way.
But more than that, she starts to feel 'shivers of excitement' when she hears shadows begging and pleading beneath her. She feels what it's like to have something absolutely, pathetically desperate to make her stop, to deny her what she wants - and to bask in the feeling that she doesn't have to listen, she's the strong one, she can shut them the fuck up with an axe through the skull because their will, their selfish desire, their plan for her doesn't matter anymore, her will, Haru's will matters. It's catharsis, it's intoxicating, it's a rich and indulgent feeling of real actual control and the freedom that comes with it, something she's been denied all her life, and it's probably an unhealthy way to get that feeling but who cares? these are just shadows!
And that catharsis and relief and self-assured confidence she gets from that just makes her better able to be her sweetest, kindest, purest self around the people she loves! It doesn't undermine the sweet person she is, it helps it!
And then, she makes the choice to try to cure her father's brain-rotting greed and see if there's anything worth salvaging in his heart. It might not be the best choice, it could certainly be argued about, but it's her choice, it's her will, and she finally, finally feels like she's able to make that mean something-
and Akechi takes the choice away from her, and forces her to live in the future he decided for her.
I think when people write the dynamic between Akechi and Haru, they can sometimes miss the forest for the trees - 'you killed my father', without the underlying 'this was the first time i believed i ever had a choice in my own life, and you took it away from me and fucking crushed it before my eyes'. I've also seen it done very well too, and I love it! but i think a lot of writers are sleeping on the potential a bit, of haru & akechi focused stories, or even of haru as a source of drama and an interesting supporting character in shuake stories. In general, haru's potential for anger, frustration, violent desires and just a need to feel in control of her own life has a lot of potential in drama writing!
Atlus certainly dropped the ball on the akechi and haru dynamic, and kept the sadism thing as mostly comic relief, but Persona canons are all half-realized outlines of good ideas just begging for fic writers to come and actually flesh them out, anyway, so ah well!
all i hope for is that if you're a persona writer that doesn't know what to do with haru or how to use her, or doesn't pay her much mind, maybe this might inspire you or give you a clearer idea of how to write her dramatic side!
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Yesterday I bought ice cream for the first time this year and thought, huh, what if Nine had icecream as well, wouldn't that be nice :]
[703 words]
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"You ever had ice cream?" Tails gently elbowed him and pointed towards the open terrace window to a nearby patisserie.
"No...no I don't think I have."
"Well then we gotta change that, my treat!" Without further question or prompt, Sonic jogged towards the shop and stopped in front of what seemed to be a large horizontal freezer, at least it sounded like so.
Nine wanted to stop him, give a second opinion, anything. But at this point it would be way too embarrassing to continue stalling, especially with Tails practically dragging him by the sleeve.
Though the notion of a cold and sweet treat on this painfully sunny day didn't sound too bad, so perhaps it wouldn't hurt to try. Just out of curiosity.
"What are the options?"
"Well for a few unbiased recommendations, the chocolate chip mint – personal favorite, green apple, cookie and tiramisu aren't a bad start!" Tails explained all chipper while counting each of the examples on his fingers, clearly overly excited at the prospect of getting said ice cream.
By the time the two foxes made it to the shop window, Sonic was already holding a two-scoop tall icy treat of his own with a bear-head shaped cracker stabbed into the top of it. Then, with a thanks to the mobian behind the counter, handed Tails his apparently pre-ordered green two-scooped ice cream as well. "Or we could get you the Smurf one."
"What the hell is a Smurf."
"Add that to the list of things to show him, partner." Sonic used the cracker as a stand-in for his index finger as he pointed at Tails who only rolled his eyes but nodded.
Nine snorted while quickly skimming through the colorful selection of the freezer before him.
He figured there was a big-time press on him since they were no longer the only ones in line, so he picked the cookie one, to the silent dismay of Tails.
And wouldn't you know it, it tasted exactly like if you froze over Amy's hand-baked cookies he didn't have that long ago. Though he should stop being so surprised, the food in this universe was always nothing short of a delicacy.
The cracker was maybe a bit too much but hey, it made a good spoon for the parts of the ice cream that threatened to fall off from the sides. It also tasted almost as sweet as he anticipated.
"Just be careful so you don't get a brain freeze." Sonic playfully jabbed at him after paying and bidding the seller person goodbye.
Nine rolled his eyes.
"Oh what would I do without your boundless wisdom, thank you for warning me, Sonic."
He knows what ice cream is and was actually lying before, he did try it once. But to no one's surprise it was just as underwhelming as most edible things in New Yoke. Not to mention he rarely could afford or remember to indulge in such a luxury back there.
"Hey, that was in good faith why must you undermine me so!" Sonic gripped his chest in a theatrical manner and Tails laughed.
"Tch, drama queen." Nine poked his tongue out and then properly gave his attention to the treat at hand.
"Right?" Tails perked up with a cheeky grin that Sonic returned with a comically deep scowl.
"Unbelievable! Traitor!" Sonic cried, but an anamused Tails only returned it with a low kick to his shoe.
Yet another thing Nine was fairly new at was this sort of friendly banter. Usually when he snarked, it was genuinely meant to hurt the person which it was directed at, except now he constantly feared accidentally going overboard with something he intended as a playful jab. Thankfully, Tails is way more vicious than Nine could ever expect so it is yet to be the case.
The overall lighthearted and cooling atmosphere between the three of them couldn't help the genuine smile it put on his face.
They continued their merry way through the bright and clean city streets. Despite his protests in the morning, Nine didn't mind following the two as they now kicked and tripped each other, and amidst their giggles tried to keep their respective ice creams intact.
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vincord · 3 months
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Borderline Kotoko and why.
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(I'm not a psychiatrist, a specialist, or anyone else. Everything that follows is just my own vision of the character as a person with bpd. I like to headcanoning to my favorite characters what I have, especially if I see similarities with their feelings/behavior/relationships. I don't headcanon to the characters and my kins what I don't have myself and what I don't know much about. It's just a hedcanon and you may disagree with it, if you want.)
Since her second MV has been released, I can finally put all my thoughts together and write this post. (thanks to my mutual who told me to post this here. Without her little support, I wouldn't have done it)
I would like to start by saying that it is obvious that Kotoko divides the world into black and white, good and evil, allies and enemies. This is one of the main themes that can be traced throughout Kotoko's narrative. There is no middle ground for her, It's either this or that. This hinders Kotoko in her relationships with others, it hinders her in her relationship with herself and the perception of everything that is happening around her.
A pattern of unstable and intense interpersonal relationships characterized by extremes between idealization and devaluation.
During all this time, it has been shown how Kotoko is able to idealize people or just treat them well, but then push them away from her if they do or say something that undermines her trust in them. She takes a defensive position, because an opinion different from hers is equated with a threat and danger.
"Lucky"
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Kotoko treats the rescued girl quite well only as long as she doesn't read the news.
_ Kazui
The 1st trial. Question 6.
"Who's the prisoner you have the most interest in?" Kotoko: It's hard to say. As of now, if it's about whose character I can't quite grasp, it'd be Kazui with his strong sense of intellectual curiosity.
The 2nd trial. Timeline (2022/08/05)
Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time. Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you. Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets.
She is interested in him and communicating with him. They really have common topics to talk about and maybe they could even get along. But he does something that she doesn't like and is directed against her and her ideals. Kazui stands up for those whom Kotoko planned to punish, thereby turning her against himself, despite the small number of common themes that seemed to make her a little more loyal to him. This act alone is enough for her to instantly begin to see him as an enemy, not an ally. _
Es
Kotoko's idealization and disillusionment with people are best manifested in her relationship with Es. In the beginning, she offers them cooperation, seeing that Milgram is somewhat similar to what she adheres to, only to push them away when her opinion was not agreed.
The 1st trial. Voice drama.
Kotoko: Some scenes.. you can only see it in a cell. Because you and I are the same, always observing the other prisoners.
Es: Kotoko. A person like you.. What have you planned? Kotoko: Heh. Me, I want to be like you. There's no way I can tolerate sin.
Kotoko: To be honest, I don't know your true intentions. And I don't know whether you are a similar person with similar thoughts. Who knows, maybe it's just my delusion of wishful thinking.
The 2nd trial. Voice drama.
Es: Listen to me. You're wrong. Kotoko: What? We've decided to work together, so i've become your fangs.
Es: That's enough. We have different views on it. I'm not continuing to work with you.
Beginning. They make it clear to her that they disagree with her and consider her wrong.
Es: Kotoko. I will not do what you say. I will determine the way i see both sin and punishment as i want it. It may seem wrong from your point of view. And that's understandable. I'm pretty aware of it.
Kotoko: How ridiculous... It's always like this... All of you weaklings always act like this... All of you enjoy seeing someone getting hurt...
Kotoko: You keep asking for it, but as soon as it happens near you by your own choice, you all start complaining and evading your responsibility... You're always like this... Always such idiots!
Kotoko: You have no power, and yet you make no effort to gain it! You're talking about justice, but it just doesn't make sence! You're invested in people's disasters, yet you take a position of "i have nothing to do with it"! You can't even face your true selves!
Ending. After they disagree with Kotoko, she instantly forgets everything she said before. Now they are no longer similar people with similar interests. Now Es is the exact opposite of that. _
It is also worth recalling that since her birthday in 2022 to birthday in 2023, Kotoko has never contacted any of the other prisoners. She isolated herself from her surroundings for quite a long time, only to then offend them all. She didn't trust any of them before, but now, when she sees that no one agrees with her, she has done everything to build a barrier between them and herself.
Most people with BPD react sharply to rejection, disagreement with them, actions directed against them, and so on, which they can interpret as betrayal and something that threatens their own safety. Sometimes it doesn't matter what a person has done or said. The reaction to this can be strong and vivid. ___
Transient, stress-related paranoid ideation or severe dissociative symptoms.
Here I focus only on paranoia and stress. Kotoko doesn't trust anyone, she's always tense and wary. Even in simple conversations with prisoners, she may feel threatened and something directed against herself. Actually, there is already a post that would fit this point and which is a little more detailed. It says more about PTSD, but still.
The 1st trial. Timeline (2020/05/30)
Mahiru: Hey, Kotoko-chan. There’s something that’s really been bugging me, so do you mind if I ask? ……how do you style yourself so well? Have you always dressed like that? But it also looks like something you’d wear for training. Do you play sport? Ah, or maybe some kind of martial arts? Kotoko: ……you really are carefree. Everyone in here is a “murderer” right? Is this really the time to be asking questions like that? Mahiru: Hmm, I guess so. That’s what they said. But nobody here seems particularly scary or anything, right? If I had to pick someone, then maybe you’re the scariest! Ah, wait, do you do like yoga or something? Kotoko: ……I can’t tell if you’re making fun of me or are just an airhead.
The 1st trial. Timeline (2020/07/09)
Kotoko: Kazui, you do martial arts right. ……what type? Judo? Kazui: Ah, my main is…… judo, and kendo. I also know a little bit of karate. You must have some martial arts experience too, right, Yuzuriha-chan? I can tell by looking. Hmm… probably a combat type…… I’m guessing not karate…… is it Taekwondo? Kotoko: ……I’m not telling you. Stop ogling me like that. It’s gross. Kazui: I-isn’t that a bit unfair?
+ Literally this moment.
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Inappropriate, intense anger or difficulty controlling anger (e.g., frequent displays of temper, constant anger, recurrent physical fights) +
Emotional instability in reaction to day-to-day events
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or
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or
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In both of her MVs, from time to time there is a sudden transition to wolves, the red moon and Kotoko's inner world, during which she gives free rein to her emotions. It's like emotional outbursts and outbursts of aggression, the appearance of which you cannot predict, which is why they cause damage both to the one who has them, and, perhaps, to those who are around.
Not that I can say anything about symbolism, I don't think i understand it. But since this is my post and my headcanon, I can interpret what is happening the way I want.
For all its secrecy and unsociability, most of Kotoko's outfits are quite open, compared to the outfit with the red jacket. When she's in this outfit, she's either in her inner world, or with an emotional outburst, or hurting someone. Wearing a hood is an attempt to protect yourself from the outside world and the people around you, to keep all your emotions to yourself, which are already suppressed. Kotoko, with her hood up, is cold and aloof from everyone. She builds a kind of wall between herself and the others. When she removes the hood from her head, she breaks down these walls, allowing a bunch of different emotions to break out and mix.
I would also like to mention how she sounds in her second voice drama and second song. She goes from emotion to emotion and pretty quickly. The way she quickly goes from laughter to intense anger, from intense anger to utter despair and is on the verge of tears, only to then return to anger again, and then suddenly quiet down. ___
Identity disturbance with markedly or persistently unstable self-image or sense of self +
Chronic feelings of emptiness
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The 1st trial. Question 1
"Just who are you?" Kotoko: Yuzuriha Kotoko. Someone who plans to fight for your sake. Well, that depends on you too, though.
Kotoko doesn't perceive herself as a person, but rather as a tool to achieve a particular goal. Someone who will do the dirty work that others won't do. She has a first name, last name, age, and that's all. Her whole definition goes through her own ideals, which she desperately clings to and clings to. Kotoko's views are radical and in most cases don't imply compromises. She's either a hero or nobody, so she always needs a reason to follow her ideals and do everything according to them.
Otherwise, there will be nothing left of her. ___
What can I say at the end? Well, this is my headcannon and that's it. I could have forgotten something, made a mistake somewhere, or not completed it. It's hard for me to keep track of it.
Kotoko is one of my favorite characters and some of the things related to her evoke a strong response in me, even if these things show the negative side of the personality and cause a pang of guilt/dislike. It's like you're being shown those disadvantages of yours that you're trying to ignore.
I like to think that she crushes a lot of emotions inside herself, trying not to let them escape. I like to think that sometimes she's afraid of herself, and sometimes she's not. Her cooperation with someone is both a feeling of being needed, and avoiding loneliness, and a moment of socialization. But she can't stand it, because any little thing or the wrong word triggers a survival mode in her head, which is why she builds high walls between herself and the environment again.
I have a lot of thoughts about her. I just wanted to pour at least a small part of these thoughts out of my head into a relatively structured post and that's all. Thanks for reading it. I've been carrying it all in my head for quite a long time and I don't want to wait for the release of her answers to the questions, you know...
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vagabondangel · 3 months
Text
Hazbin Hotel Live Q&A
Interesting notes from today's Hazbin Hotel live Q&A session with Viv, Erika (Charlie's VA), and Amir (Alastor's VA):
Alastor's fatherly tendencies towards Charlie aren't genuine; Viv said Alastor feels threatened by Lucifer's power and wants to get under his skin in any way possible, and undermining Luci and Charlie's relationship is simply the easiest way to do that
So apparently, someone on twitter asked Amir how Alastor can be aroace when he has so many cute lil gay poses, and Amir's response was "you don't have to fuck to be fab", which I guess someone made into a t-shirt? Lol
(Side note: people in the chat are paying money to ask questions about romantic Alastor ships through superchats and I'm so mad grrrrr let him be canonically aroace in peace you absolute ghouls)
Amir shows off the Oh Deer mug someone made for him!
They talk a bit about the fan screening - audience members were clapping along to the "My name is Charlie" drama game scene, and people were audibly grossed out at seeing Al eating a dead deer
Charlie has a really cool outfit in the finale episode!!!
Alastor and "I'm not the stepdad, I'm the dad who stepped up" jokes, apparently Amir laughs at those kinds of shitposts and he loves the jokes and the fanart and the cosplay, so much love for the fans!
Erika and Amir love the art of their characters in their red carpet outfits
Viv says that a lot of the theories floating around about Hazbin Hotel, especially stuff regarding the finale, is super accurate, and she doesn't engage with accurate theories on social media because she doesn't wanna spoil anything
Eventually, Viv will answer the question of whether or not Al has a tail. Sadly, today is not that day.
Viv and Erika imply that Charlie's perspective on redemption and her worldview will develop and grow more complex over the course of the next few episodes.
The next few episodes will offer a peek into Al's relationship with Nifty; Viv says that Alastor is very fond of Nifty and he finds her to be fun and endearing in his own way
When asked who their favorite Vee is, Erika says Vox, Amir says "no comment" lol
Amir says "Alastor enjoys Vox the way he enjoys his area rug" THE SCREAM I SCRUMPT
Viv, on the finale: "Someone dies, but I'm not saying who" ...she implies that Angel Dust won't die in the Season 1 finale, so we can sleep easy tonight
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hotvintagepoll · 12 days
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Propaganda
Barbara Stanwyck (Ball of Fire, The Lady Eve, Double Indemnity)—I hope someone else has submitted better propaganda than I because I don't want my girl's prospects to rest on me just yelling PLEASE VOTE FOR MY TERRIBLE HOT GIRLFRIEND. She is a delight in everything! She is often a sexy jerk! (It's most of the plot of Baby Face!) Even when she plays a "good girl" (as an example, Christmas in Connecticut, which more people should see) she's still kind of a jerk and I love her for it! She won't take men's shit and she sure wouldn't take mine!
Setsuko Hara (Tokyo Story, Late Spring, The Idiot)— "'The only time I saw Susan Sontag cry,' a writer once told me, his voice hushed, 'was at a screening of a Setsuko film.' What Setsuko had wasn’t glamour—she was just too sensible for that—it was glow, one that ebbed away and left you concerned, involved. You got the sense that this glow, like that of dawn, couldn’t be bought. But her smiles were human and held minute-long acts, ones with important intermissions. When she looked away, she absented herself; you felt that she’d dimmed a fire and clapped a lid on something about to spill. Over the last decade, whenever anyone brought up her lips—'Setsuko’s eternal smile,' critics said, that day we learned that she’d died—I thought instead of the thing she made us feel when she let it fall." - Moeko Fujii
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Setsuko Hara:
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One of the best Japanese actresses of all time; a symbol of the golden era of Japanese cinema of the 1950s After seeing a Setsuko Hara film, the novelist Shūsaku Endō wrote: "We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?"
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One of the greatest Japanese actresses of all time!! Best known for acting in many of Yasujiro Ozu's films of the 40s and 50s. Also she has a stunning smile and beautiful charm!
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She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.
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She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.
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"No other actor has ever mastered the art of the smile to the same extent as Setsuko Hara (1920–2015), a celebrated star and highly regarded idol who was one of the outstanding actors of 40s and 50s Japanese cinema. Her radiant smile floods whole scenes and at times cautiously undermines the expectations made of her in coy, ironic fashion. Yet her smile's impressive range also encompasses its darker shades: Hara's delicate, dignified, melancholy smile with which she responds to disappointments, papers over the emotions churning under the surface, and flanks life's sobering realizations. Her smiles don't just function as a condensed version of her ever-precise, expressive, yet understated acting ability, they also allow the very essence of the films they appear in to shine through for a brief moment, often studies of the everyday, post-war dramas which revolve around the break-up of family structures or the failure of marriages. Her performances tread a fine line between social expectation and personal desire in post-war Japan, as Hara attempts to lay claim to the autonomy of the female characters she plays – frequently with a smile." [link]
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Leading lady of classic Japanese cinema with a million dollar smile
Maybe the most iconic Japanese actress ever? She rose to fame making films with Yasujiro Ozu, becoming one of the most well-known and beloved actresses in Japan, working from the 30s through the 60s in over 100 hundred. She is still considered one of the greatest Japanese actresses ever, and in my opinion, just one of the greatest actresses of all time. And she was HOT! Satoshi Kon's film Millennium Actress was largely based on her life and her career.
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Barbara Stanwyck:
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"THE leading lady of the golden age of hollywood. One of the only actresses to work independent of a studio, making short-term contracts that enabled her to make movies wherever she wanted. She had so much range, and could act in basically any genre. She's been rumored to be a lesbian literally since she was active in Hollywood; most notable is the rumor that she had a long time on-and-off relationship with famously bi Joan Crawford, her "best friend" for decades (They lived right next door to one another). She also lived with Helen Ferguson, her "live-in publicist" for many years. She was the quintessential femme fatale in Double Indemnity, and really pushed sexual boundaries in her pre-code films like Baby Face, and the famous screwball The Lady Eve, where she plays basically a downlow domme. Allegedly, when a journalist asked her if she was a lesbian, she straight up threw him out of her house. She even played a lesbian in Walk on the Wild Side"
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"THE queen of screwball comedies. I adore her, I'd kill for her, I will cry if she's not gonna win this poll."
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"listen ok she had awful politics she was a mccarthyist right wing wacko BUT she's so incredibly hot that i've deluded myself into believing i could fix her. if you see her onscreen she carries herself in a way that's just so effortlessly sexy AND she has just a stunning face. imo she was at her hottest in the 1940s but even as early as the late 1920s she had a rly captivating screen presence and just a beautiful face, and then post-1950 she was just irresistibly milfy so really she was just always incredibly hot. she was also an incredibly talented actress who was equally stellar in melodrama, film noir, and unhinged screwball comedy. the blonde wig they made her wear in double indemnity is notoriously silly looking but she still looks sexy in it so that's gotta count for something. i've watched so many terrible movies just for a chance at seeing her that i think her estate should be paying me damages."
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"Not often thought of for her sultriness, Barbara Stanwyck was incredible in that she could actually choose to be hot if the role called for it, and then have a glow-down to look ordinary for another role. She wasn't the most beautiful or effervescent, but damn did she have rizz. Watch her with Gary Cooper in Ball of Fire teaching him about "yum-yum" or with Henry Fonda in The Lady Eve whispering huskily into his ear."
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"She is always the smartest woman in the room. Watching her play Henry Fonda like a befuddled fiddle in The Lady Eve was a highlight of my life. Femme fatale in Double Indemnity, comedy queen in Ball of Fire. She can do anything."
"She was part of my gay awakening"
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"SHE'S A PRE-CODE QUEEN. She did everything, drama, comedy. The most beautiful woman in the world to watch weep. Beg for to step on you with those legs. Fun Babs story: Ginger Rogers was offered the role in Ball of Fire but said, “Oh, I would never play that part, she’s too common.” So they called Barbara Stanwyck and they said “We offered this to Ginger Rogers but she’s turned it down, would you be interested?” And she read the script and she said; “You bet! I LOVE playing common broads. [link]"
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apple-and-berry · 2 months
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Bahrain GP 2024 was the first ever race that I watched and I enjoyed it.
I have watched all seasons of drive to survive on Netflix to get into the mindset and have read alot about each driver and their performance. I don't support a particular driver or a team but the sport. And I loved watching Max Verstappen absolutely annihilate. To be honest I relate to Max on a personal level. He is truly good and deserves everything. He is talented there is no denying in that.
Also Carlos Sainz was good too. I didn't expect P3 but hoped for a podium for him. I can't wait to see what he does for 2025.
Charles Leclerc showed what he is capable of. He has really matured over the time and last night's race was incredible to watch considering what went down with his car.
It was a bit disappointing to watch Lewis Hamilton considering his previous dominance. Also it's confirmed he packs an ass to break chair.
Overall a good experience.
One thing that I would like to mention that people are angry and divisive nowadays. You can appreciate someone without tearing down other, it's possible. Why don't we take the sport as how it is and keep the unnecessary drama out. I have seen people saying bad stuff about the drivers and so much negativity. Just because someone is talented and has a better car and is dominating, suddenly you hate him or the sport is boring to you. Just because your favourite didn't win you go after a guy undermining his win. Just because your favourite won, you are rubbing it in a mean way on someone else. This is not right. A true fan of sport would never behave like this. It's all about healthy competition and sportsmanship.
I truly believe the fandom culture should stay out of sports.
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teecupangel · 10 months
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Another Desmond reborn as X, but this one is as Uberto Alberti's kid. Who we don't know anything about but "family" is the reason he betrayed his friend supposedly so I'd be interesting if Desmond could try and avoid it this time around.
According to the transcription of Uberto’s database in ACII:
Now, I found a backdoor into the Templars' database server, I've been combing it for some kind of smoking gun. I found it. Apparently, Uberto's family was evicted by the Medici bank. Uberto's been aching for revenge ever since, and the Templars promised him support. Ezio's father was standing in the way AND Uberto was jealous of his influence over the Florentine government. Two birds with one stone, isn't it? It looks like Uberto used his election to the Signoria as his opportunity to strike.
Apparently, he joined the Templars because the Medici evicted his family.
If he is part of the real House Alberti, there is no mentions of any evictions in wiki nor any mention of an Uberto. The Albertis were allies of the Medici as far as I read.
Returned to Florence, in the 15th century they were first allied to the Medici against the Albizzi. Main members of the period include writer Antonio Alberti, cardinal Alberto di Giovanni Alberti and architect and Renaissance theorist Leon Battista Alberti.
But wiki did say that they “divided into different lines, who owned several houses and towers near the modern Ponte alle Grazie” and “Some of them were admitted in the Venetian nobility late in the century” so maybe Uberto’s family wasn’t one of those few fortunate Albertis to gain nobility.
So, really…
Giovanni died and dragged his two sons with him because of his ties to the Medicis.
And Desmond would point that out.
In this setup, Desmond would probably think of Uberto as a good father as he did stress he did it for his family (although another setup is that Uberto is using the whole “I’m doing it for my family” to hide his greed and thirst for power but that would be a bit boring so we’ll go down the ‘a good man wishing to avenge his family’s misfortunes’ route instead).
So Desmond would want to protect his new family (especially if he has younger siblings). When they get evicted, Desmond understood why Uberto did what he did. Maybe add in the drama of the eviction being all of a sudden or not given any warning before they were evicted during a time when Firenze was having ‘money problems’.
Desmond knew that the Templars would contact Uberto then and tried to stop Uberto from saying yes to the Templars but he’d say that this was their only choice if they wish to protect their family.
(If you really wanna drive in a conundrum, one of Desmond’s siblings or his mother falls ill during this time and the financial support the Templars gave them is what kept them from dying or maybe said mother/sibling was already ill and almost died had it not been for the Templars’ money)
In the end, Desmond tries to leave the Auditores alone but, instead, Ezio found him and started to talk to him. Desmond couldn’t help but form a bond with Ezio anyway, maybe become a close friend who doesn’t really like to be seen with others.
Ezio knows Desmond spend most of his time caring for his ailing sibling/mother, and he remembers Petruccio so he has a soft spot for Desmond.
Anyway…
Uberto still becomes a Templar and Desmond tries to undermine him, first by trying to save the decoded message that Giovanni needed but that failed because Uberto knew that Desmond was trying to stop him so he’s become more ‘suspicious’. He never scolds Desmond though and he understands what his son is doing so he tells Desmond to continue to try and stop him…
“This way… no matter which sides wins, our family will be safe.”
And Desmond realized then and there that Uberto was ready to die if it meant their family would be safe and financially secured.
In the end…
Desmond helped Giovanni, Federico and Petruccio escape by unlocking their cage and telling them that Uberto’s a Templar. Desmond begs Giovanni to not kill Uberto, that he’ll be able to make Uberto understand that they have failed and they’ll leave Firenze, hell, they’ll leave all of Italia, just…
“Please… don’t kill padre.”
Giovanni promises not to kill Uberto if they leave Firenze as soon as possible.
And Desmond is able to persuade Uberto to do just that, telling him that revenge means nothing if it would lead to his death.
.
Now.
The happy ending would be that Desmond and Ezio would see each other and there will be this strain in their friendship because of Uberto’s betrayal that they will slowly get past.
But…
The more angst-filled route would be…
Lorenzo wants all the conspirators of the Pazzi conspiracy to be killed and Uberto was one of them. He orders Giovanni to kill Uberto and Giovanni tried to say no, at first, only to acquiesce once Lorenzo reminded him who he was ‘allies’ with.
Desmond finds an Assassin standing in front of his father’s bleeding corpse and the darkness and his shock made it hard for him to see the Assassin clearly.
All he knows…
… was that the Assassin was wearing Ezio’s robes…
.
.
In this setup, Desmond would be torn between wanting to take vengeance or being the person to cut the noose of revenge that keeps looping and looping around all of them.
His trust in the Auditores would be destroyed and Desmond would want to believe that it wasn’t Ezio, that maybe it was Giovanni or even Federico but a part of him would whisper that it could have been Ezio. Ezio wasn’t there when Desmond begged for his father’s life.
Last time he saw Ezio, he was wearing those robes…
And Desmond can’t…
… will not kill Ezio even if a part of him wished to avenge Uberto’s death.
They had no reason to kill him.
His family had exiled themselves away from Firenze, living as normal farmers of all things.
He…
He needed to know the truth.
And, once he knows it…
That’s when he’ll decide how to end this chain of vengeance.
With blood spilled… or not.
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Just finished Seianus Augustus, an article by Edward Champlin, which argues that Sejanus was not merely an outsider who connived to undermine the imperial family and insert his own descendants into it, but a rising heir-apparent who may or may not have been responsible for all those murders and conspiracies. Thought-provoking stuff, and it's nice to see a "flat" villain figure get more fleshed out.
I am also rotating in my mind the fascinating parallels Champlin draws between Tiberius/Sejanus and Augustus/Agrippa. The "partner of my labors." Saving the emperor from the brink of death. The second-in-command who gets things done, is great at administration and has an interest in the arts. There's even passages strongly suggesting that Sejanus was attracted to men.
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But while Agrippa and Augustus' relationship appears to have been solid all their lives, something went terribly wrong between Tiberius and Sejanus. The usual narrative emphasizes Sejanus' manipulations, teachery, and even killing Tiberius' son. Champlin doesn't evaluate how true or false that narrative is, but he does hint that Sejanus might have been destroyed for a different reason: that he too openly revealed his ambitions, and Tiberius came to see him as a threat.
Agrippa, in contrast, usually avoided the spotlight and redirected people's attention back to Augustus. His marriage into the Julian family also appears to have been Augustus' idea, in contrast to Sejanus who actively sought a marriage tie. And Agrippa had an extensive track record in a variety of contexts by the time Augustus granted him the tribunician power (i.e. made him clearly the #2 guy in the empire), while Sejanus' record appears to have been mostly personal service to Tiberius. And, of course, Agrippa's personal life was virtually drama-free - although Champlin points out that we don't know how many of the allegations about Sejanus come from his enemies' smear campaign.
Anyway, a super interesting article, makes me want to reread my biographies of Tiberius and examine Sejanus' role again.
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