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#lazuli talks
lazuliquetzal · 5 months
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I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
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Someone in a witchy fb group posted asking others to comment a picture that shows the energy they're bringing into 2023, and I posted this soup I made the other night. Literally the heartiest and most protein rich and nutrient dense soup I have EVER made. A ham bone, two boxes of chicken bone broth, onion, potatoes, pinto beans(which I had cooked from dry before adding to the soup), and lots of dark leafy greens were involved in the making of this soup. It's so comforting and nourishing that I can feel something in my soul actively healing as I eat it. That's the energy I'm bringing into 2023 with me. Nourishment for the body and soul, healing, and pride in my work.
Check reblogs for recipe if you're interested in making it yourself!
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momentary-moss · 11 months
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We don't talk about the moon
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chorus-the-mutate · 8 months
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Annette is literally nicer than most of the characters in Steven Universe and you think she's mean. Lmao, you've never been bullied if you think her being rightfully upset about her time as a slave and being a bit snippy is the same as being mean.
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mrfroag · 9 months
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HEY HOWDY I heard it was gemsona time point right point left
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nerosdayinanime · 4 months
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su au lets fucking goooooo
edit: TUMBLR ARE YOU FUCKING SERIOUS. WHY THE FUCK DO YOU SCRAMBLE SHIT WHEN I USE A READ MORE YOURE A FUCKING CUNT GOOD LORD
edit2: it added the edit but not the fucking read more. im tired
i had the brush set too small at first & didnt realize until i was already too far along- full body diamond authority is ok w the shaded fit & wings but the headshot is just. eh. kinda dislike it. im fucking obsessed with the other headshot tho
giyuu's a lapis along w tsutako, normal lapis terraforming job but some shit went down, tsutako got shattered, giyuu was left to fend for herself until she ran into a lost kunzite fresh out the ground (she had a slight imperfection, showed up as a spot along her cheek (corner of mouth to center base of ear) that looks like raw kunzite/ yk when a helmet or somethn gets shaved down sliding against a road? that)
they tough it out in the wilds for a while, they got attacked and accidentally fused to defend themselves, kept fusing when they were in trouble after that- yadda yadda meet makomo (also a gem) & sakonji and learn how to be their own person, getting their own names (giyuu got Giyuu, the kunzite got Sabito) and meeting a group of other rogue gems & making human friends
sabito got particularly interested in the concept of human masculinity & highly respected the closest man she knew, sakonji- transed his gender & chose to dedicate himself to protecting those he cares about. giyuu is very close to him and also changed pronouns & vibes bc sabito loved it so much, though he doesnt really care about human perceptions of gender (hes a pretty rock made of light, the fuck does he need a gender for? (sabito doesnt see it that way, he never got indoctrinated/had a formal gem education or whatever, so hes just vibin))
something something giyuu found a way to precisely control water, and what is ice if not Structured Water. sabito never got whatever his job as a kunzite was, but he has a similar ability as Pearl where hes able to summon a blade from his gem (rectangular cut, back of his left hand). when theyre fused they become Hawk's Eye (also know as blue tiger's eye), able to both control water(& subsequently ice) and form blades along his arms and feet; the blades on his feet allow him to ice skate, the blades on his arms are attached at two points on the forearm and is curved over the hand- the blade's allowed to spin around the arm, tip of the blade is at the point of rotation so itll be in the same spot above the hand no matter what side of the arm its on
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yeehawfolk · 3 months
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Jesus, nearly a decade since the show aired and so much of the SU fandom still can't understand that Jasper wasn't an antagonist simply because she was the most evil Gem in existence, but rather she was ALSO victimized by the Authority and traumatized by the "death" of her Diamond. Like you can't tell me her whole thing when Steven offers to help her when she is corrupting and she says he comes to people after they've failed, because doing so makes them feel like less of a failure wasn't directly inspired by Diamond leadership, lmao. White even says something similar to Steven in Change Your Mind. "You like surrounding yourself with inferior lifeforms so that you can be the best of the worst."
Yes, Lapis and Jasper were in a toxic relationship in the form of Malachite. No, Lapis was not UNIQUELY victimized by this and Jasper is pure evil. It's been said many times by Rebecca Sugar that Lapis and Jasper had a mutual toxic relationship going on with Malachite, and that this was equally bad for both of them; this doesn't make Lapis completely innocent, nor does it make Jasper completely innocent. It's two abuse victims going at it with one another because its the only coping mechanism they can afford at the moment. It's messy, its ugly, and so many people only want to talk about how horrible Lapis had it because she's a more palatable character than Jasper.
I'm not saying what Jasper did wasn't awful. It was. But you also have to look at her character and realize that a lot of it came from being under the Diamonds. Jasper is also a victim of the Diamond Authority, but because we don't see her resolution with it all on screen like Lapis, lots of fans gloss over the fact that she's also a victim, and isn't uniquely evil.
Like. Can y'all please use nuance when talking about Malachite, Lapis, and Jasper instead of jumping to "OOOOOHHHHHHHHHH LAPIS WAS JUST AN INNOCENT UWU BABY ABUSE VICTIM AND JASPER IS THE MEAN EVIL TOXIC ABUSER" because that's absolutely not accurate and even Rebecca Sugar has said this isn't an accurate portrayal of what happened with Malachite. Rebecca Sugar herself said that they were in a mutually toxic relationship, and that that was by design on the part of the crew.
Jasper isn't uniquely evil and people defending her aren't abuse apologists, or trying to frame it as JASPER is the innocent person in the equation. Most people defending her are instead saying "Yeah, she's a shithead, but she also had her own issues that caused a lot of it, like Lapis."
And before anyone tries to come for me in the comments/reblogs: I'm also a victim of abuse. I know at least a little bit about what I'm talking about. You don't have to like Jasper, just don't show your ass when someone defends her or says they like her, or get rude about abuse apologism when someone points out that they were, in fact, in a mutually toxic relationship.
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dootznbootz · 5 months
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With how I'm planning my fics, since Menelaus and Agamemnon spend some years at Tyndarius' palace, I kind of have them all be childhood friends in a way before Agamemnon and Menelaus take back their kingdom (Aga is around 19, Menelaus 15 when they leave. 5-6 years later they get married.) With how their marriages work out when talking about "Old times", Odysseus is the "odd one out" as he was the only one who didn't grow up alongside them. The poor guy is left out.
Odysseus: "Wait, why is everyone laughing? What does that mean? I don't get it." Penelope: "Well you see-" Goes on about a silly story but the inside joke is dumb. "...You probably would've had to have been there to get it" Odysseus:
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queencaramilflinda · 2 months
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The Caramelinda video essay script I’m working on may never actually be finished or see the light of day but it has proven just how not normal I am about Caramelinda. I am writing this off the cuff and just citing full quotes and scenes from the top of my head bc I’ve just seen it so many times and am obsessed.
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heyitslapis · 2 years
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Ough
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lazuliquetzal · 1 year
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Comedy Is A Lie: I’m Going To Explain The Joke And It’s Going To Make Everything Worse
A buddy asked me why I cut a good joke from one of my fics and my immediate answer was “it killed the tension,” which, upon reflection, is a pathetic answer that is mostly inaccurate and does not even come CLOSE to how much thought I put into comedy in my writing. So I guess I’m going to write this out and excise the demon of over-explanation. 
Part The First: What Is Funny
The biggest thing I try and keep in mind when writing editing comedy (and anything, really, but especially for comedy) is rhythm. Lots of parts to rhythm! Most obvious is the word-to-word/sentence-to-sentence flow. Timing is a really important aspect of verbal comedy, which is why performance is a good medium to use. You get to control the delivery of every sentence and the spaces in between. But when you’re writing, you have significantly less control over how a reader will interpret the rhythm: all you can do is word your sentences as best as you can and give them rhythm cues via punctuation. (This is why I use so many em dashes and commas… I'm working on that…)
The other part to rhythm is on a more macro scale. There are jokes that will roll along with the flow of a story. For me, these are jokes that don't deviate from the context of the scene too much. They connect one subject to the next, or they build off of each other (a ‘yes, and’ sequence, for example). Alternatively, the joke is delivered in a really understated way. Like passing off something objectively batshit as status quo. Either way, they flow!
Then there are jokes that will halt a scene in its tracks. These are jokes that recontextualize a situation, or make a particularly large leap from the current topic. Or, you've been setting up for this punchline for a while and this joke is payoff. Or the joke is just really, really funny. These are the kind of jokes where you need to give the characters (or the reader) a beat to process them. Sometimes. We’ll get back to that.
Part the Second: How Is Funny
So the point of all that rhythm stuff is that comedy has a flow! If every line is a witty one-liner, none of the lines are witty one-liners! If every joke is a one-hit-KO, you have left your reader unconscious. Basically, if you are constantly being #Funny, you become repetitive and predictable, and that is the death of tension (and humor is a tension-driven element). 
One way to think of comedic pacing is setup (AKA building tension) and punchline (AKA payoff). It’s a balancing act: the more you build up tension, the more satisfying the payoff is going to be, but if you spend too long building up, you start dragging. You want the reader to think, “I can’t wait for the punchline!” and not, “oh my god, PLEASE get to the punchline already.” 
Fun way to make the tension last longer is to put all those flow-y connector jokes along the way. The reader’s anticipating the Joke, so by giving them little jokes, it meets their expectations in little ways so that they don’t get too antsy.
Hey, what’s tension, you ask?
Part The Third: Why Is Funny
When I read a book, there are two emotions that get me to turn the page:
I don’t know what’s going to happen next, and I’m curious!
I know X is going to happen, and I’m anticipating it!
That’s tension. (Something something semantics—I’ve never taken a creative writing class, I don’t have a vocabulary) 
You can have the calmest, low-stakes fluffiest fic in the world but as long as your readers are experiencing either curiosity or anticipation, Congrats! You have tension! I, however, like putting readers on fast-paced rollercoasters, so that’s the lens through which I’m tackling this section, which is: how do I use jokes in a story structure context? What purpose does a clown serve?
I mentioned earlier that some jokes are bricks to the face: they demand to be processed. Most of the time, I put high-impact jokes in places where I need the story to “reset” in a way: force a beat so the reader can process both the joke and the plot. That’s using humor to release tension. Literally. Laughter relieves stress.
But! You can also use those jokes to make the tension even worse! If you drop a bomb and immediately press forward, no processing allowed, you get stressful comedy. You want to laugh, but also a bunch of other stuff is happening and it feels kind of rude to laugh, so you get stressed. Sometimes humor can undermine a climactic moment, but if you use the right joke in the right spot you create shrimp emotions. If you’ve read DotF ch8 you know what I’m talking about.
Jokes also just make for good plot points? A lot of jokes are built on recontextualization. Everybody loves a good twist/reversal/surprise in a plot. Just make a joke and re-frame it, and bam! You’ve plotted! (Everything I’ve ever written started off as a joke.)
Wait, What Was The Question?
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Why did I cut the joke? It was a waste of a brick to the face. It was too referential, it required the audience to know/agree with something completely unrelated to the story, it didn’t build upon what I already established. It ruined the rhythm.
I need to emphasize that, despite all my Thoughts on this, the way I appraise my jokes is 80% vibe-based. I probably could have kept the joke, and it would have been totally fine. But I would know. I would know that my intended rhythm is broken… it would haunt me until the end of time…
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lapiscallout · 2 years
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What’s your shirt
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pixpirs · 1 year
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wikipediadogdotnet · 9 months
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sketch of laptop and prion
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harp-bo-barp · 3 months
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Steven Universe ask.
How do you think Lapis and Peridot would get together?
well. I have a very strong opinion that they SHOULD have had some sort of romantic interaction when lapis came back from hiding out on the moon from the diamonds. Cause peridot was so excited to see her and missed her so much the whole time she was gone. like literally was at such a rock bottom that she was listening to country music like cmon now /h and same for lapis. She missed them and peridot so much as well that she spied on them from the moon and pretended to be there with them. there was so much emotion there that they should have had some sort of meaningful interaction when lapis came back besides the super short and pretty much nonexistent one that they did have in that episode 😭
i don't know exactly how they would get together, but I think that episode should have been the start of something romantic between them, and I think it would be cool for a lapidot relationship to have been left on a cliffhanger until steven universe: future came out and then it's confirmed that they are a couple in like the first episode or something.
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puppygirldanhowell · 10 months
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Hand. the. headcanons. over. NOWWWWW.
AAAAA AKSBWKBDEK🫡🫡🫡
pearl is the second person lapis has ever fallen in love with (the first being peridot), and the first person to ever have an even half healthy mutual relationship with (can go into more detail on the issues of her and peri w in the universe in my head but this isnt the ask for that JSBSJS)
lapis would be the first person that pearl falls in love with that is completely unrelated to rose (ie doesnt remind pearl of her)
i dont think they would ever fuse tbh unless it was some kind of dire emergency. lapis didnt have to worry abt that w peridot since peri was avidely against that for herself, but tried to make herself for pearl. it did not go over well
pearl absolutely infodumps to lapis all the time. pearls the talker lapis is the listener (not always ofc, but)
lapis would have sm fun w the ungodly amount of water that makes up pearls room
they cuddle and nap together sometimes<3 pearl doesnt as often as lapis, but will whenever lapis has an especially hard day and needs the closeness + escape
they absolutely lose track of time talking abt how much they love steven JSBSKS
they have plant children together absolutely. huge plant mom(s) energy
to be honest i do not see either of them as the jealous type, and i think theyd absolutely use eachother as therapist/free ears to talk about all the fucked shit theyve gone through
they get together after lapis comes back from the moon, i personally hc that she briefly lives at steven's house between the barn being destroyed and little homeworld being built
pearl LOVES to keep her hands on the small of lapis' back. or just wrap her hands around her at all (she loves all the exposed skin from lapis' outfit lmaoo)
pearl is sooo the gift giving type w how she can keep and treasure things in her gem, she totally gets lapis copies of camp pining hearts and they watch them together to bond<3 (i think this would be early in their relationship, when theyre still learning to be friends and pearl is trying to make up for the mirror thing)
lapis's love language is physical affection (smth that gets supressed pretty heavily from all the trauma), so when she's comfortable enough she is ALL OVER pearl sldbslnw
honestly i think they would be in a sort of semi open relationship. i think that would be good for both of them to have like. casual mates and such since they both (pearl especially, obviously) dedicate themselves so entirely to one person (this might be projection for lapis so correct me if im wrong there LMAO)
going off the last one i dont think theyd ever rlly call themselves like gfs or anything. theyre just in love<3
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