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#but I wanted to draw something but without need to think too hard so redrawing something old felt good enough
sketchy-tour · 2 months
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Redrew some of my old daycare attendant doodles as stress relief today
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mo49ko · 2 months
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hi, firstly, i love your art so much!! fengqing make me so weak ;-; secondly, do you have any tips for lack of motivation/fear of failure? like that feeling when drawing seems scary because you’re not sure if it’s going to look the way you want it to or it’s hard to get yourself to produce something just because drawing is difficult?
hello!! thank you for your kind words 💖✨ fengqings will always be here for us!!
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i think that if you are not motivated to draw, there's no point in forcing yourself just to produce something, because pressuring yourself will just make you stressed. i think you can get more motivation in many ways, but you should just give it time.
for me, even doing something unrelated to drawing can give me motivation/ideas to draw!! for example, if i go shopping and i see some cute outfits, or a nice cafe, or i went somewhere fun with my friends, it will make me want to draw my fav characters doing it too hehe🤭🤭 in any case, you dont have to feel bad about not drawing. not drawing for 6 months can seem long, but its nothing in comparison to all the years that you are alive 🫡🌟
for the avoiding failure part, you can consider that a drawing doesnt ever have to be finished. one secret about drawings is that you can fix them how many times you want and you can spend months on one drawing if you want !!
i think it's the best thing to accept that you will never nail a drawing in one try. if the arm looks wrong then it just looks wrong and you can just draw over it again. if the face looks bad then you can just erase it and redraw from scratch how many times you want. in my case, i will absolute have like 60 layers of sketch before i colour lol
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me duplicating my layer and redrawing each part until i get it right (2)(2)(2)(2)(2)(2)(2)(2) etc. etc.
you can't fix a thing without putting something down on the canvas first so i say just draw it however. then you can see what looks bad and fix it one by one. just work towards making it look the way you want it to.
i often post a "finished" drawing, and then come back to it months later and redraw some parts and post it again. i just think it's nice to think that you can always decide that you can still work on it!! my drawing is a dear plant that i grew myself by watering it and giving it sunshine over the days. 🌿
for a concrete advice, i would say to look up references even for things that you think you know how to draw.
it gets soso more easy when you stop relying on your brain waves to hallucinate a picture onto the canvas. if you don't know how to draw a hand holding a phone, just google "hand holding a phone stock image" and then copy the position!!
i drew both of these in under 1 minute ↓
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seeing the reference pic made it easier to identify where is mistaken, and helps you improve the drawing easily.
it doesn't have to look exactly the same as the ref, but it helps you visualize better.
ALSO!!!! i will never stop recommending "PureRef" to everyone!! (a software to paste all your reference images to have them on your screen while you draw) !! you can move around the little board window and no need for a second monitor 🌟✨
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in any case, keeping yourself interested in a lot of things will also make it easier to find reference pictures (by searching more precisely) + have more ideas/inspirations to draw!!
in think overall you should just let let your interests take you where they will.
happy drawing !!! 🤭💖🌟
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loveundrwrld · 2 months
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Yan artists x artist.. reader
(One is a painter the other is a singer make up your mind)
hi anon! i hope that this lined up to what you were thinking of re: your request- you didn't specify a gender for the yans, so i made it a female painter yan, and a male vocalist yan. i also have the reader as someone who both is an artist as well a singer. i hope that that's alright with you!
poly yans- female artist yan x hobbyist gn reader x male vocalist yan
(cw: implied stalking, implied sabotage, dubiously consensual kissing, gaslighting (kinda?))
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- eva goes to your college, and she’s an art major. she’s a painter, and quite a good one.
- she’s a very serious, cold type of person. a straight-A student who acts better than others.
- in her eyes… it’s justified that she acts like she’s above all the rest. she knows her paintings will be shown in galleries, after all.
- her future is all planned out for her, with thanks to her parents. a wonderful childhood friend who’s become her wonderful boyfriend will become the perfect husband. the perfect internship she got will become the perfect first job.
- even though she’s assured a great future, she’s still very careful. she doesn’t want to risk her perfect plan, after all! so she's going to make sure that she does well in college too, so everything lines up well.
- she had seen you a few times around campus. you were bouncing around, talking to friends, not seeming to be taking anything seriously. you were in so many different clubs, with none of them having anything to do with your major. they were clearly just an excuse to spend more time around your friends, she thought.
- she didn't think you were the type of person that she would get along with. the opposite, in fact. you seemed too silly, too carefree. she couldn't imagine spending so much time out of classes just hanging out and not studying- it was like you weren't being careful about your future.
- then, she saw you in one of her classes- drawing 101. by chance, you were also taking it as one of your electives.
- she first internally scoffed at you for taking it as a non-art major. she pegged you in her head as someone she didn’t need to remember- someone who just thinks of art as a fun little side project, not as something worth consideration.
- in your class together she watched you draw from time to time, looking over to your sketch pad. you seemed to be struggling a bit with some things like perspective, but to her surprise, you showed clear potential. your artwork was really good for a non-art major. and you were improving fast.
- when the teacher said that the class was doing portraits for the next class assignment, eva picked you. it was out of curiousity, at the time. she wanted to see what you were like, and this was a good opportunity.
- you were to draw her, and she was to draw you. you both were to spend all of class staring at each other, basically. it was the best scenario for one to get to know each other better.
- and she did indeed get to know you better. she saw that, staring at you while you were looking at her to study her features. you were studying her intensely, and kept erasing what you drew to redraw it, perfecting your details- you really cared about improving your work.
- it changed her opinion of you completely. you put your all into learning things, she realized, and didn’t see art as some little casual thing on the side. rather, you were earnest in your efforts to improve yourself.
- and of course… she also realized at the same time, that you were rather attractive. every minute she spent looking at you to memorize the details of your face, she realized how lovely each little part of your face really was.
- she felt a strange feeling, deep in her stomach... something she had only ever felt for her boyfriend. and yet, now, she was feeling it for you...
- without thinking, she presses too hard on her sketch pad with her pencil.
- after you two are done with the portrait assignment, eva feels like she still can't let you go. even though she knows it's wrong to enable herself in doing this when she has a boyfriend... she feels too strongly about you.
- she wants to know everything about you. she's scoured all of your social media accounts that she can find but... it just isn't enough. she needs more.
- instead of using her time between classes to study like she used to, she instead uses it to go around campus, looking for you...
- when she ends up finding you frequently "by coincidence" you just figure that she's lonely, and you don't think much of it.
- even if the accuracy to which she's predicting your locations and moods is becoming... a little worrisome. it seems like she knows when you’ve skipped lunch, when you’ve spent an all-nighter, when you have a big test you’re preparing for in one of your classes…
- she'll often spend a lot of time waiting for you. too often for someone who already has a partner, you think.
- you think you maybe should tell her boyfriend, but you think better of it. you feel bad for claude- you know that he really loves his girlfriend.
- claude, her boyfriend, was the shining star of the music department. he was a former child prodigy at the piano, and still plays it beautifully. but what he's really known for is his angelic, soothing voice.
- he’s a very handsome, polite man, someone who is able to charm both teachers and students alike.
- and yet, although he could get with anyone he wanted, he was steadfast in his devotion to eva. constantly keeping an arm on her while at social events and always doing favors for her to make her happy.
- but right now, little did you know... claude himself wasn’t feeling too loved.
- he had been noticing that his girlfriend had been spending even less time with him, and was evasive when she was asked who she was with.
- she already didn’t spend much time together with him, as she was studying and painting for most of her time out of her classes. now, it was like he barely saw her at all. and when she did, she seemed different, distracted even.
- she was smiling and blushing to herself while she was thinking. far moreso than she normally would than she was around him. it made his heart hurt, seeing his normally stoic girlfriend act like this about someone else.
- clearly, she was starting to have feelings for someone else. but he didn’t feel that he had the right to say anything about it right now. after all, he too was falling for someone else.
- he’d met someone in one of his basic singing classes. they’d been taking it so they could get better at singing, since they liked doing so as a hobby.
- he’d fallen in love with their voice, thinking it was beautiful. an amateur sound, sure, but it sounded so lovely alongside his own.
- he’d try to convince them to let him tutor them. after all, it would be a waste for them to not perfect this talent of theirs, no?
- even though he had a girlfriend, he insisted on spending more time with them. he felt like he needed to spend as much time with them as he could, savoring the lovely sound of their voice.
- he had thoughts about them that he had only had for eva, before. his head swarmed with an obsessive need to just have them, keep them to himself. even though, he already had a love of his own already…
- he felt guilty, thinking he was betraying one love for another by holding both in his heart. he has started to follow eva, wanting to remind himself that she was his love, and not them.
- to his surprise, though, the mystery person that eva was meeting behind his back turned out to be you. you, the person that he fell for as well.
- and then, the gears started turning in his head.
- maybe it wasn't a problem that his girlfriend had a crush after all... after all, it's good to share in a relationship, isn't it?
- once the two of them decide to work together to gain your affection, your life becomes very different. though you don’t know why, both seem to be acting more open and friendly with you in public. they’re both very touchy with you, gently putting their hands on you often.
- when you’re singing or drawing with them in private, you don't feel creeped out or surprised when they put their hands on your arm or back to correct your posture... though, you do feel like they are touching for longer than they should. aren't you already in the right position by now?
- the two of them end up being very supportive of your interests, urging you to do duets with claude, draw eva while she's posing for you, and show the two of them your sketchbook.
- they give you a lot of special things, too- including making you special tea for your voice, expensive art supplies, sheet music, etc.
- you end up being signed on as the understudy for a role in a musical a lot, and the two of them say that they'll watch you perform. you shake your head saying that you probably won't get on stage. but oddly enough, accidents happen frequently enough that you often do.
- you feel a bit overwhelmed by their attention, and all the odd occurrences happening around them are starting to creep you out... but, both of them are in the clubs and classes that you want to join, so you also feel that you can't avoid them.
---
claude put his fingers gently on your throat. you weren't sure that this was really necessary, but his cool fingers felt good on you. you gulped a bit as he pressed his fingers up near your jaw, and uneasily you looked towards eva sitting on the other side of the room.
she was looking at the two of you with an unreadable expression. you flitted your eyes away, worrying that she was (understandably) jealous about the close contact you were having with her boyfriend.
she seemed mad earlier too, when you had said that you were auditioning in the role of one of the leads in the next musical the theater department was holding. you didn't understand why she was upset with you for that, but you had hoped that she wouldn't be mad at you for long- she was a little frightening when she was upset, and you would really like to get on her good graces.
you had just come over since claude had offered to tutor you a bit in the song you chose for your audition. you had no idea that eva would even be here, let alone that claude's lesson would be so... hands on. you blushed slightly, unused to the strange situation.
"mm, your tonsils are a bit swollen. that's not good for someone who's supposed to sing on stage, you know," he said to you softly, giving you a sympathetic smile.
"really? you think i got sick?" you say, surprised. “i feel just fine, though. are you sure?”
claude nodded.
"mhm, trust me, i've been singing for a long time- i know tonsillitis when i see it."
you look at eva to see if she'll say anything, but she nods in agreement.
"well, you shouldn't audition if there's any chance of you being sick, right? after all, doesn't this play have a kissing scene? you wouldn't want to pass on your germs to them during rehearsal."
"eva's right, you shouldn't do it."
you frown a bit. you really feel fine... doesn't tonsilitis feel much worse than this? your throat doesn't even feel sore.
"well... okay," you say, grumbling slightly. "i guess you do know better."
he seems to preen a bit at this, standing up straighter. he smiles at you widely.
"just stay here, you'll be fine soon. you can just get some medicine here and rest up. we'll take care of you," claude says, patting the top of your head gently. to your surprise, he pressed a gentle kiss to your lips. you make a sound of surprise, and look at eva and then back at him. your eyes are wide with shock, but they're both acting like this was just a handshake.
"wait, hang on, what was that about-" you start saying, but he's already off to another room. you turn to eva, frowning slightly in confusion.
"eva, i'm sorry, i don't know why he would-"
before you finish your sentence though, she's already walked up to you and placed a kiss on you as well.
"don't worry about it.”
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emerxshiu · 1 month
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FORGOTTEN LAND'S SECOND ANNIVERSARY :3
I AM SOOOO BACK
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I started this drawing yesterday around afternoon and finished it just a few minutes earlier.
I went with a messier type of drawing instead of more clean like the elfilin one from yesterday, i find it fun doing it like this, mostly cause i dont have to worry about making it perfectly so i dont get as frustrated as normal. Id place this one as my second best digital drawing. im pretty sure i havent posted what i consider my best digital drawing here, tho i do have it in instagram, i might post it here one day, tho these two are way too tied up, i love how this came out, its not exactly like how i imagined it but its really close to it, and also itd say that since i dont tend to play around lighting that much, this was such a joy to draw and i cant help but stare at it a lot, at least until i start hating it because i made quite a lot of errors. i also changed my elfilis gijinka just a tad bit from last time, but its not that big of a difference, mostly.
ofc i had to draw elfilis for forgotten land's anniversary, i tend to deny it in my head but yeah they're my fave of the kirby characters even tho i hate them a bit. I wanted to draw some more doodles, like, elfilis eating cake, kirby car, a bunch of other stuff (not elfilin cuz i already drew him yesterday) but when i tried i couldnt draw anything more, guess this drawing burned me out a lot, huh?
you can definitly tell i spent all the efforts on him cuz if you look a bit closer to the bottom part you'll see its almost barely detailed, but i mean, they're the focus so make sense i guess for me not add that much detail there. um also, maybe because i dunno i had OVER 130 LAYERS jeez no wonder firealpaca was slowing down so much, i need to manage my layers better next time, tho i did do something i keep forgetting, wich is naming them (most of them at least) that was a real life saver
Also, antares (fecto elfilis' spear/cadaceus), as always, was a pain to draw, but this time its probably been draw the most accurate out of every other drawing ive made with it in it, i didnt notice it was like, a little curved when it reached the blade
some close ups since his face is a bit hard to see
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silly :3
fun fact! actually, this is technically a redraw, somewhere around between february and march i started a fecto elfilis drawing for the first anniversary, but i couldnt finish it in time, and i never finished it
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thats...quite the improvement! (i remember being so proud of it)
also his wings are like that cuz i did not want to draw the pattern, its way too hard, i literally copy pasted it, wait, i was talking about the 2024 version but i looked at the 2023 one and i just noticed it also has the pattern copy pasted, i guess some stuff never changes since i still abuse the ctrl+c ctrl+v to this day
Also i ended up making a huge error there, i was planing to add the phantom spears from orbital pulsar (the attack he does first when you battle them at lab discovera) but theres an innacuracy, when they do the attack, they always close their eyes, i had actually sketched him (well i mean both these drawings are basically the first sketch (2023) or second sketch(2024) with some color, shadows and lighting. i didnt do lineart in the 2024 one cuz i wanted to be a bit like the og i made (too bad i sketched that one with black since the og was sketched with white due to me drawing the bg first)) with his eyes closed but them decided to make them open for a reason i cant remember, maybe i thought itd look nicer? idk
ive had the idea of redrawing this for quite some month now so it was kinda already planned
background cuz i think it came out really pretty
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doesnt have the little stars since without elfilis and the structures it looks fucked up. the actual sky in game is more blue, but the clouds have some orange, in the 2023 ver. i made the sky orange, and in the 2024 ver i wanted it more accurate, but i didnt wanna loose the orange sky, so i did a gradient. pretty...
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also here's a screenshot i took when i was like halfway trough it, its barely noticeable but i changed his mouth in the final drawing
I really love katfl, like a buncha whole lot, its basically almost my first mainline kirby game. 100% the demo, finished the game in almost one day, i literally play it monthly, like, every month i put the card in my switch, start it up, get morpho sword, and go shred elfilis in lab discovera. i would probably not even be here on tumblr and the kirby fandom if it werent for it. and i love it so much i genuinly cannot express how much i like it and treasure it with words or anything
Thank you for reading my unnecesarily long rambles lol
I hope i'll post tomorrow and dont forget like usual
Jambuhbye!
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deoidesign · 3 months
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Just wanted to say I absolutely adore your comic! It reminds me of all the comics I would read when I was little (except now they're gay), the style and shading is amazing.
What would you say is your favorite part of creating your comic, and do you have any tips?
Thank you I'm so glad to hear that!
I think my favorite part of making comics is the way it sort of feels like a puzzle. It's super mentally difficult but it's extremely rewarding to figure out plots and work out my best execution of it! I also LOVE editing, it's where things get to really pull together.
As for tips, I'm not sure what you mean! so I'll just share a few tips for a few different ideas...
Saving time
to save time I save every head I've ever drawn in a file so I can reuse the head (I redraw the face) which allows me to skip the sketching stage, since I only need to sketch for heads!
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I also make my backgrounds a single very large image so I can reuse parts of it throughout the whole scene, recolor it for different times of day, etc, which saves a TON of time for me. Then, I just add in some spot blacks on top to make it feel cohesive with the character art! (this ALSO has saved me a TON when I've been converting my pages from scroll format to page format, as I have a high quality version of the background to use when I need the panels to be wider!)
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But the biggest thing that saves me time is my line confidence.
So, next I'll talk about lineart tips!
most important is to draw from your elbow and your shoulder, instead of your wrist and fingers. this will get you cleaner lines, but will also save your body in the long run! The wrist is extremely fragile, so start learning to draw with more of your arm NOW rather than later.
Next is practicing line confidence! this basically is what gets you to draw the right line the first time, saving you a ton of time! These two tips sort of go hand in hand.
writing tips
First and foremost, you should be having fun! and I'm so serious, if you are working on a scene that feels like a drag to you, it will drag to your readers too. Whatever you feel like that scene HAS to be there for can almost definitely be accomplished in a different way!
but, really, I like to try to keep the big picture in mind. What is this scene accomplishing, what needs to happen to force these character changes, what needs to be revealed, what information about the world is canonized, etc, rather than thinking about your story as "events that have happened and will have to happen"
building off of that, my personal rule for establishing information is 3 times: If you've mentioned something three times, you can expect the audience to remember it. If you've mentioned it once or twice, it's really pretty likely they'll have forgotten by the time it's relevant.
This is getting really pretty long, I could get into character design tips, worldbuilding tips, tips for characters emoting, layout tips, marketing tips, business tips... there are SO many skills that go into making a comic, it's extremely hard to offer tips without knowing what you're looking for!
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zelenbug · 4 months
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GUESS WHAT!!! a tutorial for rayman origins texture mods like how i made uglette
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this is for origins only for now, ill make a separate post for legends later (but itd follow most of the same steps)
first of all. use rayman control panel, if you dont have it somehow then what are you waiting for?? make sure its updated to the latest update too (14.0.0.9 as of writing this) for improved modding support
updated on january 10 2024 for the dds portion
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step 1: getting the textures
in control panel, click origins and then open the archive explorer
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youll get a whole directory of a bunch of folders, what you need for the textures is just the itf_cooked folder. if you want all the textures just right click the folder, click export & convert, and convert them to png or something for convenience
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if you converted all the images and dont need any things that arent images, just use windows search on the extracted folder to prune all the remaining .ckd files to save on space, but this isnt as necessary
you can also extract just the sprites you want to work with, or heck get them from spriters resource if you want, but still keep control panel in mind as you need the original directory of the files
if you want to replace the playable characters, their textures are are in the following folders
rayman sprites: itf_cooked/pc/actor/playablecharacter/rayman/animation globox sprites (you will also need mosquito sprites for him): itf_cooked/pc/actor/playablecharacter/globox/animation itf_cooked/pc/world/common/shooter/playablecharacter/shootermoskitoglob/animation teensy sprites: itf_cooked/pc/world/1_jungleworld/friendly/teensy/animation ui icons for everyone: itf_cooked/pc/world/common/ui/ui_bar
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step 2: the art itself
once you have the original textures all you need to do is to edit them, or redraw them. this may be a tedious process though! what i did is painstakingly edit each original spritesheet to be 2x size, then aliased to put it into a format that i can easily work with and edit, i mostly did so with a whole bunch of magic wand usage and tweaks
i did finish all the templates for all playable characters, i will see if i can release them somehow eventually? but yeah for now figure out your own way to edit them for now
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either way you can figure out some way to draw new art for them. save it in a folder separate from all the other assets obviously. here for example i made a more rayman 3-like grand mimimus. i also frankensteined an icon together
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step 3: dds things
now that youve done the textures for the mod, duplicate them and save them as .dds files
this isnt necessary, as larger resolutions will also work (probably as long as the dimensions are still a power of 2), but you can resize the textures to the original resolution as well. i will be doing that personally
if you dont have a program that supports dds files, i just use paint.net. i provide a save configuration for it specifically, you can get it here if you need
this is updated!!! after much experimenting this one looks the best to me. the most important settings are outlined in orange, but try to match the rest too
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make sure you have generate mipmaps on specifically or else the sprite will end up pixelly
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however some additional, more jpeg-y crust will be applied onto the sprite from the mipmaps themselves. so heres the technical part thats probably complicated... if you dont wanna bother with this try to copy the rest of my save configuration, i think it works the best here
i experimented a bit with what looked best and picked fant with no gamma correction, but you can try saving multiple dds files with different settings, viewing them with whatever lets you view the mipmaps themselves (windows image viewer does) and just picking which looks better at a smaller scale
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(to see the differences look closely at the eyes specifically, its probably hard without overlaying these one over another and directly comparing though)
one thing i can say is bicubic and fant are definitely the best for matching the original sprites' mipmaps, as theyre not too blurry (like bicubic smooth or bilinear) while remaining fairly good looking
these are the original dds files' settings as viewed in dxt viewer. most of this doesnt seem to be applicable for the save settings but the compressed format is specifically dxt3 (which is also present in its header if you view it in hxd), so for the first save setting you probably have to pick BC2 (Linear, DXT3) as i have
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TLDR: i know this is complicated, try to just copy the dds save configuration from the start of this step i guess???
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step 4: renaming things
once you have done that, the weird thing you need to do is to rename the .dds into files that the game can actually read (even though theyre still dds files, and can be renamed back to .dds for them to function). for convenience you can just duplicate the files again
pay attention to the original file formats which you can see in control panel! as you can see, you should rename the majority of the extensions from .dds to .tga.ckd
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windows will stop recognizing them, likely the same for the programs you use, but that shouldnt be a big deal. if you want, you can rename them back to .dds to make them usable
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the important part here, dont miss it!!! is that all the ui icons are not tga.ckd, but png.ckd!!! even though theyre actually still dds files under the surface. just rename them correctly and pay attention to the right extension, or else the icon wont work
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obviously make sure they have the same filename in general ALONGSIDE the extension
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step 5: actually making the mod
now that you have the relevant files, click create mod in control panel
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select the files module, and then make and select a folder to use as the mod folder, which should give you this result
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the files folder should have these two
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you should create a GameData folder in added_files, after which the entire regular filepath follows, starting from bundle_PC.ipk, then itf_cooked, then so on. for example, these are (nearly) the full directories of my files
\mod\files\added_files\GameData\bundle_PC.ipk\itf_cooked\pc\world\1_jungleworld\friendly\teensy\animation\teensy_a1.tga.ckd \mod\files\added_files\GameData\bundle_PC.ipk\itf_cooked\pc\world\1_jungleworld\friendly\teensy\animation\teensy_e1.tga.ckd \mod\files\added_files\GameData\bundle_PC.ipk\itf_cooked\pc\world\common\ui\ui_bar\ui_bar_teensy_a3.png.ckd
obviously all the textures should have the same filename and the same file path as the textures theyre replacing
then go back to the base mod folder and edit the metadata.jsonc file in something like notepad++. the file itself has commented-in extensive instructions so just follow them
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as the mod creator thingy says you can also optionally create a thumbnail
anyway once youve done all of that, select all the files in your mod folder and zip them. you cant just select the folder WITH the mod things and then zip that, as then control panel wont read it because the base of the zip directory doesnt have the metadata file
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step 6: finally implementing the mod!!!
now that you have the zip ready, click the mod loader and select this in the lower left corner
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navigate to your zip and select it. it should appear here under installed mods
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make sure you press the checkmark to the left of it and then press the apply button in the lower right
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after a short wait for the mods to apply you can go turn on the game and test it
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and it should hopefully work !
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also yeah ill release the minimus soon enough on gamebanana
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if you want to make any further edits to the textures, youd have to resave them as .dds files again, and rename them to tga.ckd/png.ckd and such, then just replace them in the mod's directory (or add new files to it) and just zip it again. its fairly easy to work with i hope
this is overall kind of a complicated tutorial but its not too bad once you get the hang of it
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comicaurora · 2 years
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I'm very much enjoying the recent pages and just how much character is pouring out especially through body language and facial expressions. My favorite being how Tess is just so nonchalant like this is a normal Tuesday and Tynan's mix of confused and pissed. So I wonder how do you draw facial expressions? I do pencil and paper art as a hobby and for me they're one of the harder things to get down right.
Ahh, facial expressions, the backbone of a character-driven story. I can't remember ever sitting down and perfecting How To Draw Faces, but while I struggled with it a lot early on, I don't remember having much trouble with it in recent years, so evidence suggests that the faces I draw were in large part refined naturally during my chibi-drawing video-making process, which makes me think that the skillset can be refined even if the faces in question are incredibly stylized. Eyes, eyebrows and mouths are apparently all you need for the basics.
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Cartoon facial expressions have a benefit of modularity - you can get away with swapping out or tweaking individual parts of the expression without having to do any redrawing of the underlying head shape (a difficulty faced by more realistic or more squash-and-stretch-heavy styles, as faces can be VERY flexible and a mouth shape or eyebrow arrangement can reshape the entire profile of the head). This can help us see how extremely complex our ability to read facial emotions really is. Tiny changes can communicate entirely different vibes.
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It doesn't take much repositioning or tweaking to get across a potentially very complex emotion.
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Every time I try to think of a hard list of do's and don'ts for this, I fail. Facial expressions can be arbitrarily complicated. Rules like "make sure each part of the expression is communicating the same emotion" might sound good on paper, but in practice you can get a lot of mileage out of an expression where every part is saying something different - a big smile with sad eyes, a small smirk with a calm open gaze, etc. We parse facial expressions as a whole, not as a sum of parts. Like a lot of art, getting an expression to say what you want it to is mostly a matter of tweaking it until it looks right. Suppose we want to make our example elf dude look devastated.
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Pretty good, but maybe a little too subdued. This gives me "you just told me something horrible that I haven't fully processed yet" vibes. Let's tweak the mouth to pull the corners out more, putting more tension in their face.
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That makes them seem a little less frozen. It looks like they're breathing in, getting ready to say or yell something. But maybe instead of SAD devastated, we want FURIOUS devastated. So let's tweak the eyebrows, where anger is stored.
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The other expressions give a feeling of open devastation, perhaps witnessing some incomprehensible tragedy - this new expression looks more focused. Maybe they're currently staring down the person who got them so upset, waiting for them to stop monologuing. Maybe once they're done processing, they'll look a little more like this.
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That's a powerful face, but we've strayed pretty far from "devastated" by the end there. Maybe they've started their "you can never win" speech against whoever got them so upset. There's determination in that expression - whatever they were feeling before, they've sharpened it down to a knife's edge.
I wish I could give better advice than "just draw about a million little chibi faces and eventually you'll work it out through sheer numbers" but I really can't think of a better way to get good at pulling together specific emotions to match what's happening in the character's head.
sidenote this ask reminded me how much otherwise solid superhero comic art absolutely blows at facial expressions and how much that annoys me, it cannot be that hard to draw nightwing pretty
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obscuremechala · 1 year
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testing testing 123
i just got here so i wanna test things out, probably won't keep this post in the long run but maybe i'll forget this is up or something idk
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this is my profile pic, i drew it myself real quick and i don't feel like elaborating why. the url is a tad different bc i was thinking of sharing it on instagram (i didn't tho) and tumblr doesn't allow underscores apparently
but i digress
i don't have much to talk about but that's 'cause i don't have a prompt or anything this was just meant to be a test
one day i'll ramble about my story stuff bc there's a lot going on there but there's still a lot i need to figure out
hmm maybe ill do an intro or something
but probably not here i don't think it'll fit
ill test things in the meanwhile
italics? oooh yes
bold
[redacted] (huh would that be unredacted or what is this a paradox)
awelkhfas ooh different fonts too
point 1
point 2
there are no points
what am i doing
idk man
i just got here and want to learn and maybe interact
i tend to just lurk on socials but i am capable of interaction
i just usually don't
friends are nice, i wish i could interact with mine more
testing testing one two three
bigger
biggest
moths are cute, i like moths
one of my fantasy races/species are inspired by moths but that's for another time
i don't expect anyone to actually read this
tho i do expect it'll take me some time to get used to things here
ive seen a lot of posts on pinterest while looking for writing advice and character design inspo, tho now my feed is 1/3 transformers, 1/3 pokemon, and 1/3 misc. tumblr posts
i also like robots and transformers
what if moth robot
hmm lemme think
i could def make it work in my universe, i shall ponder
anyway more tests
ooo smol
wonder what this does
color text nice
this song is great i found it a few days ago and have listened to it several times on loop
however i don't have spotify i just have youtube music
sad that they deleted google play music, at least i could listen to music outside of the app and with my screen off without paying money
youtube
i haven't actually played undertale, i watched a neutral run playthrough and have played deltarune, if i get the game id probably do a pacifist run
undertale music is good tho
h
there is no 2
what did that do
i don't really get it
maybe it'll do something when i publish this
ooo i should post some art
i don't have a lot tho
maybe i should redraw my old art bc i looked at some last night and yikes
apparently i only recently discovered decent anatomy/proportions and that was via mostly guesture poses
i have recently been shown the way of shapes and im watching a lot of character design and redesign stuff along with my hermitcraft
i never really got into miraculous ladybug but for some reason watching people tear into it and redesign the characters tends to pull me in like a moth to a light
it's funny bc i have no investment in what people are complaining about but im interested in how they make things better/different
also taking notes on what not to do so
i wish i could draw my characters, a good chunk are robots and hard to design, 90% of the rest of them are homemade fantasy races/species i have to actually conceptualize, and then the humans are kinda just there
bc i do have humans there just arent a ton bc i must make everything hard for myself
dw its fun for me it just takes a long time to actually hammer out
i wanna talk more about them but im thinking of better ways to actually organize my thoughts that just vomiting words on a page that no one will see anyway
it's gonna take some tome to figure out this place
maybe ill make separate blogs for original and fandom stuff idk ill explore the features more and get back to
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ufoparty · 2 years
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How did you get into art and what's the best way for people to get into it?
being bad at video games
GENUINELY i got the kingdom hearts manga because i couldn't get very far in the game and as i looked at the art i thought "i want to make stuff that looks like this." so i began with copying and then started drawing freely with obvious references to KH art (eyes mainly lol). pretty much every skill leap i've experienced since then has also happened once i discovered an art style i wanted to borrow something from. plus series with very engaging characters+plot makes me want to explore it more (i.e. i get hyperfixated) so i've ended up practicing a TON with little frustration because it's usually catharsis/Jokes™ that are the driving force rather than making something that looks good.
(not to say i don't ever doubt myself, because there are pieces in my head i wanted to make years ago but didn't because i lacked the technical skill)
i can only really give advice about getting into character art, because i've never been very interested in making abstract or photorealistic art or whatever. they definitely have their place but that's just my preference. that being said:
being super invested in something whether it's your own story ideas or someone else's is a great gateway to art. if you ever have the thought "haha it would be funny/cool if this happened" and the imagery/expressions stick with you moreso than like, Phrasing (personally different ideas i've had have struck me as being more suited to written work vs. drawn, or vice versa), just go ahead and draw it. and do it every time you think of something else. you don't have to show anybody. i drew fruits basket comics in 6th grade and never showed a soul. those drawings are for You
looking at other people's work.. novels, manga, cartoons, paintings, design, typography.. even if the work as a whole is something you're not that into, if there are stylistic choices you appreciate then take them. you can just straight up redraw someone else's art if you want to get a feel for how it all fits together, as long as you don't post it/claim it as your own (my rule is: no posting copies of a peer's art without permission, but yes to a famous/dead artist as long as credit is given). when you mash influences together it becomes something unique to you very quickly because no one else is going to be drawn to the exact same things as you
a major DON'T is second-guessing yourself. it's super easy to compare yourself to others especially as you get older, because if you start making art at like. 45 you may think you need to be at the same skill level as another 45-year-old who's been doing it for 30 years. it can be hard not to think this way especially if you're looking at other people's art like i suggested lol but get in the habit of hyping up your own ideas to yourself. "this such a good idea." "wow i'm so funny." "this is silly but no one has done it before so it's my job to make it."
there are people who could say all of this more eloquently and succinctly, and who follow their own advice more often--i haven't followed the third bullet in a while :o) but when i think of the most productive periods in my life these are the things that stand out the most. so i hope even just like one sentence is useful. also having adhd or autism can make this easier so try that too 👍
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practically-an-x-man · 11 months
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For the random asks. I know you're a traditional artist and draw mostly animals as far as I know. But do you think you'd ever draw something based off your fics? I'm not sure what but plenty of people design covers for their fanfics. Would you ever attempt small edits? Like maybe using photopea (free browser photoshop) or are you perfectly fine just sticking with traditional? /gen
oh interesting! let me think on this one...
So yes, you're right that I'm a traditional artist, and you're right that I mostly use animals as reference for my realism pieces. I've done a teeny tiny bit of digital art too (namely, I did a cool Venom wallpaper for my old laptop, and sadly I do not still have a picture unless I scroll wayyy down my Facebook or something) but overall I find traditional art more comfortable
I've drawn my fair share of fanart too (hell, my banner is fanart, and in terms of original compositions I've done a few tattoo designs and at least one Good Omens piece), and when I was younger I would draw some of my characters. In my old sketchbook I believe I have drawings of a few old OCs - funny enough, the OCs survived (though they're ones I haven't written about yet), but they've gone through a bit of refinement. I've even done a picture of one of my OC's pets, since he's a species I completely made up and I figured a visual would be useful. I'd like to redraw that one, actually.
I suppose if I needed to, I'd be comfortable with little edits. I've used Photoshop before and I know the basics, but I'd definitely feel more comfortable sticking to traditional art. I don't think I'd necessarily make covers for my fics, but idk, if I ever need inspiration or art references you might see drawings of my OCs' faceclaims or canon characters in the movie or show.
The biggest hurdle for me drawing content from my fics is that I can only draw human beings effectively if they're full realism with a reference.... which means I can't really draw a scene from a fic I made up, especially without faceclaims for most of my characters.
And idk, I feel like whatever I draw isn't going to match up to the imagination of the scene from the writing itself, so I don't want to risk that and taint the image in my mind. If I spend hours drawing a scene, the drawing is then always going to be associated with that scene, and it's never going to have the same realism in my head again. it's hard to explain.
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silima · 2 years
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Do you have any tips for small artists?
i have no idea what level of technical skill u have so these are some pretty general tips but here u go! these are also mostly focused on fanart lol cuz that's what i like to make.
number 1 rule of art is that people like art that is interesting!!! it's gotta make them feel something or they will ignore it!! i used to draw so much art that was just like, a character standing there doing nothing. and i would try very hard to have nice lineart and pretty shading and all that good stuff but in the end a character standing there doing nothing is boring. if you have really good technical skills, then some people will still be like "wow pretty art!!" or "so photorealistic! how cool!" but generally speaking it's gonna take soooooo long to actually reach that level of technical skill if every drawing u make looks like this 🧍. if you wanna improve fast, you're much better off experimenting with all sorts of types of art.
so, what do people find interesting? lots of things!
ship art is an easy way to make an "interesting" drawing, b/c people like ships and b/c you've got a character interaction happening there. even if they're just leaning on each other or holding hands or something, there's personality in that. even when i was really shitty at art i always noticed that my ship art got more notes than art of just 1 character.
in general, character interactions always make things more interesting. u certainly don't have to only draw romantic ships--draw some characters who are friends hanging out and having fun, or draw characters who are family hugging each other, or something. or draw people fighting!!! if you're not yet used to drawing characters interacting, it can be a bit of a pain at first, but it opens up so many fun possibilities (and reference photos can always help you!! google images is honestly the best of all resources for that lmao although more specific stuff like adorkastock is great too).
even without character interactions, u can make drawings that try to evoke an emotion of some sort. dark and angsty? lonely? happy and cute? this is one of my favorite drawings ever and i think it's super, super visually interesting and tells a story without the need for more than one character or any sort of words/dialogue, just from the pose and the background and the whole vibe of it. it feels so peaceful and lovely. of course, it makes a difference that this artist clearly has a lot of technical skill, but if this same artist drew a picture of aang looking like 🧍 on a boring white background i would definitely not love this art nearly as much lol.
screenshot redraws are also pretty popular!! personally i would strongly advise that if ur gonna redraw a screenshot, you should be adding something interesting to your version. if you colorpick the exact same colors from the drawing and try to copy the style as closely as possible, it's a little boring, right? why would i want to see the exact same picture twice? one artist who does screenshot redraws really well is viorie (who i think has removed/deactivated a lot of her stuff, thus the repost, sorry):
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like this is very clearly an artist that had something of her own to bring to the screenshot she was redrawing!! that's what makes it cool, appealing art, even though it's "just" a redraw.
and of course my absolute favorite thing to make drawings "interesting" is to make comics. comics are the best!! u get to draw a whole story!!! lots of types of comics that you can make, too. a lot of the comics that i've made lately are my own writing and tend to be more serious, but if you're looking for something easy, fun, and simple, try drawing incorrect quotes or make art/comics that are based off of other people's posts, fics, or ideas that you thought were really cool (w/ appropriate credit obviously).
on that note, drawing fanart for other people is especially effective for putting yourself out there because it's often hard to get your foot in the door on social media when you literally have 0 followers and no one is seeing your stuff. you draw something for a popular fic writer or a humor blog, they're happy because they've gotten fanart and they reblog your art, you're happy because now all their followers are seeing ur stuff. lol this sounds so transactional but it's really a lot more fun than it sounds. make art for other ppl! make some friends! join discord servers, join group chats, comment nice things on other peoples' work, & check out fandom events, like big bangs or ship weeks or whatever. it's good stuff.
also, use different social media. it might seem like what tends to be popular in one corner of the internet is gonna be pretty well-received everywhere else but that's not always the case lol. tumblr, for example, usually puts a lot of emphasis on consuming content "from a fandom" rather than consuming content "from an artist"--it's hard to build an individual brand, people just want More Insert Popular Fandom Content and don't really care who it comes from so long as it fits a certain type of art; in my case, atla is a way more popular show than lok, so my atla art gets significantly more attention than my lok art does, despite the fact that i don't make that much of it. on the other hand, on instagram, people really like my lok/red lotus art because that's sort of my "brand" and my atla art tends to get less attention. (this works out for me because i like lok way better and i also have way more followers on instagram than i do here.)
& ofc when you talk about becoming a "popular" artist... i mean, i'm not gonna be the person who tells u "oh you should ONLY be doing this for yourself!! if you're doing it for attention you're doing it all wrong!" because obviously i love attention and i love making art that people like. i would not draw nearly as much if i didn't have fun sharing it! but if you let yourself get too sucked into the idea of making "popular" art, you're gonna feel super drained and fucked up and you eventually will burn out hard (ahaha.............). there's a balance to strike between "i'm making this art because it's fun" and "i'm making this art because i know people will like it." on tumblr, my atla art is way more popular than my lok art, but i don't care abt atla nearly as much as i care abt lok, so i'm never gonna like, make an in-depth comic about the atla main cast the way i have for the red lotus, the lok main cast, and kyoshi. what a waste of time! even when you're looking for advice about how to become a "big" artist, ultimately, you've gotta make the art that's fun for you, and with luck you'll eventually find an audience that also enjoys that type of art.
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soap-ful · 3 years
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Art advice from someone who needs art advice but the specific kind that only I know how to give
A 2am write up by a burnt out artist with nothing better to do :)
Okay so let’s rate the typical tutorials people will look up (generalized)
Anatomy
Features (hair, eyes, lips, etc)
Bodies (in terms of shape)
Anatomy is one of the MOST IMPORTANT things when drawing!! It comes before stylizing and basic features - you need to know anatomy before you branch off into your own style! (Take as long as you need. I started out without any knowledge regarding anatomy - it’s how it goes. You’re never perfect.)
Second to anatomy is FEATURES! Eyes, hair, lips, clothes/folds, shading - those are second. I once asked a professional painter how she got things so perfect, and she said she would just repeat what she needed to understand. She filled an entire sketchbook with eyes, another with lips, another with hair, and so on. (She additionally did this with anatomy - one for hands, one for feet - then onto more complex shapes with heads, arms/legs, torsos). She would then fill an entire sketchbook with everything added together - basically she would redraw puzzle pieces until they ‘fit’.
Now, body shape is a rather stigmatized thing in the community of young and growing artists. I’m sure you have seen the classic ‘women are round/men are square’ or the ‘hourglass vs. rectangle shape’ or the ‘girl eyes vs. boy eyes’. While I do believe these help with basic anatomy skills and helps artists convey the cookie cutter gender alignments, you need to remember that boys have eyelashes and girls can be square. Don’t be too worried about conveying yourself properly! It comes with practice!
REMEMBER! Learning is a mess! You can learn in so many ways - I’m still learning, Picasso was still learning, that two year old with crayons is still learning.
Find your own rhythm. It’s frustrating and you’ll cry and the pictures in your head won’t come out as beautifully as you imagined, but you need to realize that not all tutorials work for every person, and that you don’t need to hyper fixate on a singular piece of advice from one artist.
There’s no holy grail of knowledge on how to make things look ‘good’. Time and patience and lots of crying is the only grail you’ll get - and that’s okay! It’s okay to rip your paper and throw your book and scribble over something and throw something out. It’s okay to give up and do something else, it’s okay to discard an idea you really liked, it’s okay to never get to an idea you really liked.
It’s okay to say that you can’t, but you need to also think that you’ll be able to someday. ‘I can’t, but someday’ gives you something to look forwards to. I cant colour clouds the best, but someday I will and boy howdy they’ll be tasteful.
HOW DO I GET INSPIRATION?
This is something specific to me - it doesn’t have to be followed religiously. But I like to watch things. Sometimes a mild existential crisis brings me ideas (I.e. wow, I’m here and breathing and the universe is expanding a billion times over but I’m touching scratchy grass rn and the temperature is just right and look at the fuzz on that bee). Recognize the things around you and how you’re present to recognize it.
Visualize the colour wheel! Where would damp grass sit? A blush on the skin? A honey bee’s yellow? One of the most surprising things I’ve found from colour picking is that purple clouds in an orange sunset almost always get picked out as grey. Lighting is important to your colours and you need to consider that! Sunset grass is different from morning grass!?
I’ve also found that watching people’s sped up art processes have helped me develop. You get to watch their ways of blocking in shapes and making things look natural, no matter what style it’s in.
WHAT DO I DO IF IM IN AN ART BLOCK??? HELP??????
Do a daily doodle. I know you want to draw that masterpiece you have in your head and the pencil just won’t work and maybe you just suck - no, open a notebook book or file, and draw something simple. Something to smile at. A frog, a flower, an eye, a stupid face, a dinosaur - draw with the aim of satisfying your need to put pencil on paper. Write your masterpiece idea down for later. It can wait.
Just remember that all tutorials are to help you grow and not for you to base your entire art life on.
If you don’t like how you draw your eyes, try something else you come up with. Don’t like your shapes? Try something different. It won’t hurt you, it won’t make you stop drawing. If you mess up on something new you’re trying, that won’t end your hopes and dreams, even if it may smush them. (I try so goddamn hard with my clouds that I can’t even begin to explain how badly I NEED TO GET IT RIGHT)
It’s not easy! You’ll hate everything you do!
But I think the moment you draw something, even if it’s a tiny part of the piece, and you say ‘huh. what a pretty thing.’
That is what you’re supposed to aim for. Creators usually see nothing truly beautiful in their pieces, so relax, go with the flow.
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yaboylevi · 3 years
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Shingeki no Kyojin's Ending Interview (May 2021)
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Translation commissioned by @goldsword07​, DO NOT REPOST in full, always include credits and a link to this post if you use or share any parts of it.
Question: Congratulations on completing Shingeki no Kyojin’s serialization! How do you feel now that you have finished writing the final chapter?
Isayama: There’s still some work left to do when it comes to putting together the final manga volume*, so I don’t actually know how a “life without deadlines" feels like yet (laughs), but by publishing the final chapter, I feel like I can finally breathe again. However, there are still several things that need to be done.
(*Translator’s note: usually, putting together a volume includes: fixing drawing mistakes, sometimes even redrawing certain scenes if the author wasn’t satisfied with how they looked/their composition, fixing text (both wording or simply changing the Japanese characters used), drawing omake/extra pages, like the High School Caste fake previews, which usually take up 2 pages, and so on. So, of the 8 extra pages he mentions below, probably only 6 at max will be used to add new original story content.)
Q: What?! What else is there to be done?
Isayama: At first, the draft for the last page of the chapter was neatly divided into 5 panels, but I was feeling quite indecisive about it. At the time, that last page was a scene of 3 people running towards a tree on a hill. After having a meeting about that with Bakku-san and my other editors, I decided on a last-minute change, and I turned it into the one that is now published in Bessatsu Shonen Magazine. The limit for each printed chapter in Bessatsu Magazine was 51 pages, but since up to 8 extra pages can be added in manga volumes, I want to finish up everything that I couldn’t draw in the printed magazine and add it in the final manga volume.
Q: As for the serialization, which spanned 11 years and a half, have there been any changes about the way you think about mangas?
Isayama: Up until recently, I had drawn as if sexism wasn’t a thing, but when drawing the Marleyan military, which was comparatively more modern, if I had added, with no explanation whatsoever, female soldiers like I did for Paradis Island, it could’ve given the impression that Marley was quite a developed nation. It would’ve felt out of place. That’s why, as long as I was drawing a story set in an era of the past, I couldn’t draw female characters as part of the top brass of the military, because it would’ve meant acting as if there was no actual history of gender discrimination at the time.
It might be a story set in a fictitious world, but if you don’t connect it in some ways to the real world, it could end up becoming a story people cannot relate to.
Q: The unraveling of events that led to the final chapter has been quite shocking. Especially when it comes to Eren…
Isayama: I have been frenetically checking any and all reactions to that. There are as many honest opinions as there are people, and they’re all correct. With how I portrayed that part, it’s not so strange that it was interpreted as if Armin accepted the massacre. My portrayal was lacking. Armin didn’t approve of the despicable measures taken by Eren, but he ended up benefiting from the mass slaughter, regardless of his intentions. Armin, who couldn’t possibly understand Eren, faced their last farewell with a firm “Thank you for becoming a mass murderer for us”, essentially conveying how he himself was also an accomplice. He wanted to feel closer to Eren, even if just a little. I realized the final stage in particular had too difficult themes, and my portrayal was inadequate. I deeply regret that I wasn’t able to fully express them in the manga proper.
I’ve been drawing this manga for 11 years and a half, and when I completed the manuscript I truly believed that “everyone will be happy with this”. I was conceited. I apologize to those who have supported me until the end but have felt let down by the ending.
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Q: During these 11 years and a half of serialization, have there been any memorable events?
Isayama: I’m happy that I could deepen the relationship with my assistants, as “manga friends”. When the serialization started, everyone was in their twenties, but now some of them are married and have even become parents, and we have become close family friends.
Q: Was the manga becoming an anime a memorable moment, too?
Isayama: The anime adaptation can certainly be considered another part of Shingeki no Kyojin. Lots of people got to know this story through watching the anime. Personally, it was refreshing for me too, as I could experience the story anew. In addition to that, the characters were taken out of my hands - in a good way - by the directors and voice actors, they began moving as independent “existences”. It was a first and interesting experience.
Q: Do you have a favorite scene?
Isayama: As far as drawings go, the scene I like the most is the one in chapter 104, “Victors”, when the Jaw Titan claws at the Attack Titan. Besides the fact that I feel like I can’t draw anything better than that, there also haven’t been that many action scenes with titans after chapter 104.
Q: Well then, what about your best chapter?
Isayama: One of them is chapter 71, “Bystander”. I feel like that chapter exceeded my abilities at the time. I like the way it doesn’t feel like “Shingeki no Kyojin”, as the spotlight was on the life of a single character who isn’t involved with the original story.
Q: Chapter 69, “Friends”, also depicts some characters’ personal life.
Isayama: I like that chapter, too! At the time of drawing its draft, I flattered myself with words such as “Uh? Aren’t I so mature?!”. Normally, I would draw the main story’s continuation, but in chapters 69 and 71’s case, it felt like I was drawing stories that were complete on their own.
Q: With the start of the Marley arc in chapter 91, “The other side of the ocean”, both titans and modern times’ weapons made an appearance in battle.
Isayama: That battle scene was the time I had the most fun while drawing mangas, I was in a state of total concentration and full energy.
Q: How has Shingeki no Kyojin been for you?
Isayama: It’s as if youth has come a bit late, a third of my life has been packed into this work. …Of course, there have been hard times, too, but it’s been a chapter of my life that normally you wouldn’t be able to experience and even now I struggle to think it was real. Although I’ve been spoiled by my readers, I had planned to draw all the while accepting even harsh opinions.
Q: Finally, a message to the readers, please!
Isayama: Through Shingeki no Kyojin, I could connect with an unfathomable number of people. I’ve been happy to share this time of my life with my readers, which is something that, if I had had a normal life, I would have never experienced.
Also, now that the serialization is over, I have been freed, so I want to stroll around a small city with a can of One Cup sake in one hand. That’s what I would call freedom.
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SO!!!! FINALLY drew a solid full body design for felix, but believe it or not that this is like his 5th??6th??7TH?? idk design because i was. just. So unsure of his design for so long but thankfully!! i have pulled through and actually drew a design for him that im sure and proud of! And as a lil bonus i wanna share some of his earlier designs👀[these are all old art but im being very brave for this🙏] be careful tho this is scrolling intensive HAHA
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I believe this was a second design of his! the firstest first is like. In an old sketchbook i will never share >B] but yeah i really really liked this design because of the one eye vibe and myteriousness✨ but i felt like that. This way way too hard to draw and i wanted to make comics with this guy, so yeah had to scrap the idea out :”] maybe ill use this design again one day!
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3rdest? design? He looks like hed be in a bicycle anime. So nah.
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now, this! this is a design i was really into because of the simplicity, but it was effective for his personality! Swooshy, yet sharp. This would be a design id be using for a while but a l as it was hard to draw again HAHA And this deisgn atcually looks super similar to one now! so like. it seems ive circled back xD
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here have an extra doodle of him being edgy and cute 👀 on the house. I still had no idea what to do for his outfit so. uhh. vague cloak wins the day!
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HEHE im just gonna slip in a cute lil comic i did back then, i still like it😎
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Okay this is DEFINITELY not number 2 what the fuck past berri smh!! ALSO I HATE THIS DESIGN SO MUCH HE LOOKS TOO SOFT AND GOOD BOY NOW,,, SMH!!! HE LOOKS LIKE HED ASK ME IF I NEED KETCHUP OR OSMETHING,,, But yes good thing someone told me they looked baby and i was like oh shit youre right
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And so THIS!!!! AND ITS NOT THE 3rd DESIGN I SWEAR TO GOD PAST BERRI ButYes i tried to revert him back to the crimminal he was suppose to be but alas. this design looked/ off to me. like he was more of a tired detective? So i was still unsure! so back to the pinterest board
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WAHEGEGHEH have a. Good doodle with him without his coat. This was a super fast doodle but im tempted to redraw it.
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aaaANNDD have another one of him being cute! if youre wondering what necklace he has on its like something something important to his backstory like a friend of his gave it to him and so he thinks it gives him luck since his best friend gave it?? Like awwwhhh i wouldnt hesitiate to snap the necklace out of him tho <<3
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aAAnnnDDD a bonus design!! if ever my characters were put in like a fantasy story, like in dnd! And god i REALLY LIKED THIS DESIGN BECAUSE ITS LIKE. THE ONLY FULL BODY DESIGN I HAD OF HIM LMOOOAO
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Now this design is more frequent as you know! But alas i made his hair too s o ft like and ro u nd  and i felt like it doesnt really fit? So yes!! Changed it back, and reverted to the more swooshy and spiky. This is the second to the last design before the one i just posted!
So Thank you? If youve read this far?? Just listening to berri ramble about her oc and their designs?? I have A tonnn more doodles of him but like :] i dont want to hurt yall scrolling fingers than it does! So yea, uhhhh MAKE SURE TO LIKE AND SUBSICUREBE AND HIT THAT NOTGIFUCATION BE;
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ryuichirou · 3 years
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Lord God Savior of All Ryu, I ask for but one noble request. lol i just wanna see all your AUs. Like, I always here about them in replies and stuff but I've almost never seen what they actually look like. So if you could just tag pics of them or doodle (they can be super bad 30 sec doodles too, it don't matter to me) them, I would be the happiest, most joyful little shit ever.
Anon!! Thank you for being so interested in our AUs and wanting to learn more about them. It was a very good excuse for us to go through the list of the AUs, doodle them, revisit some of the older ones, etc. So yeah, your wish is granted lol
Here’s the majority of them, we decided not to include those that we’ve barely talked about and thought out... I’ve put tags for those AUs where we have at least something posted. Most of them are something we haven’t even talked about at all and they don’t have a single sketch, but I liked drawing chibis for them way too much. Sorry, I used your ask lol
We have a general tag for our aus and specific ones for some of them, but sometimes an au from here is not tagged separately, so you might have to use this general tag...I tried to fix it, I don’t think I missed anything, so it should be ok now! ;w;
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1. Space AU. It’s a story about a space expedition.. which turned out to be not exactly what everyone planned thanks to Erwin. What a commander! 
2. Tribal AU. It’s a story about Eren becoming a part of the tribe where Erwin and Levi live. 
3. Babysitter AU. Levi is a babysitter to Eren and Zeke, unfortunately for Zeke, who’s 17 and not exactly thrilled about being babied. Sometimes there’s kid Erwin too. We’ve never posted anything related to this AU, I think, and I don’t think we will. There’s another AU related to this one, but 19yo Eren from the paths (he has the memory of the manga events) keeps kid Eren company as an invisible ghost, while others think that kid Eren is cursed or something.
4. SnK AU. A classical one, where Eren has dreams about the plot of SnK, but when the story stops progressing, he decides to kidnap Levi to make the plot go on. Erwin finds out later... and keeps Levi in the basement because he wants to know the ending too lmao plus it’s hot.
5. Mines AU. Erwin gathered a team for his wonderful plan to find a treasure, but it’s not like the rest of the team needs to know where they’re really going. Zeke’s particularly terrified to find that out. Despite its name, they spend the majority of time in the forest. Also, there’s a timeskip of 11 years. 
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6. AU with Neetwin who’s a history teacher. We don’t tag this one though, it’s not like it’s our AU. So now it’s a Neetwin tag, although one of the drawings is with adult Levi... eh, who cares. 
7. CC AU (cleaning company). Levi works in a cleaning company and cleans up Neetwin and hobo Eren’s apts. They need a lot of work. Yes, they make their apts even dirtier to make Levi spend more time there. 
8. Prison AU. Damn this one is good... we came up with it before reading the timeskip in the manga, so Eren’s appearance doesn’t really match his age, he’s 17 lol Levi is a mafia member who goes to prison because he need to kill one of the inmates (who later became Zeke) on Erwin’s (Levi’s boss) request. Eren’s his personal guard, although Eren works as a regular guard too.
9. King Kong AU. It’s an AU where the Beast Titan is King Kong lmao Zeke is having fun killing dinosaurs... Levi, not so much. Thank Erwin for his wonderful plan of going to this island.
10. Rus AU, basically just characters living in Russia. Because ofc we will have this type of a setting... Damn, I thought we drew this one more often, huh. 
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11. Sea AU. Mainly our modern AU, we use it as a base for other modern stuff for the most part. Levi’s getting two boifrond rings, he lives with Erwin, Eren visits them often, Zeke bitches a lot, fun times with and without Zeke, stuff like that. There’s also a subplot (11.5) where Eren gets “kidnapped” by a witch, so Zevi have to find him and bring him back. Titans exist in this AU, Eren and Zeke are titans, and all of them have military training, but Erwin and Levi retired some time ago. We don’t have a tag for just a modern setting, though. 
12. Cult AU. Eren lives on a farm and has a whole village of his followers. He also has cursed animals... and I think we’ve told about some of the plot points in replies. Erwin’s really into all this cult stuff because it affects reality for real, so he asks Levi to follow rituals, although Levi came to ask Eren to go back to normal life and finish the fucking school. 
13. Serial killer AU. Eren’s a serial killer, duh. Never posted anything with this one, unfortunately, but Eren got disappointed in the police when he was a child, so he decided to fix the situation himself, while Erwin and Levi, as a part of a special department, investigate his “fixing”. It also has a time skip. I really need to redraw at least one sketch...
14. Hospital AU. Levi gets into Marley trying to make Eren go back, but it’s not that simple because Eren doesn’t want to lol Basically canonverse with this small change.
15. Hobo AU. Eren and Levi are hobos, Zeke wants his brother to stop living under a fucking bridge. Later Erwin takes both of them under his roof because he really likes Levi, but he can’t leave Eren alone.
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16. Doggies AU. AU where Eren’s a wolf and Erwin’s a doggo. Levi got Erwin because he was a retiring trained dog and sniffed enough drugs in his life, and Eren... his “owner” found him on the streets and lied to Levi about Eren being a dog. Later Eren turned into a magnificent beast and now he doesn’t want to leave. There’s also Zeke, but he belongs to Xavier. 
17. AU where Eren wants to become a mangaka. The first post is self-explanatory, although I’d probably make some changes now if I cared enough. There’s also a time skip where Eren ditched his manga and became hobo!Eren. His editor was pissed lol 
18. Scolopendra Eren AU. You know the drill, and I’ve talked about the plot in some of the replies. 
This post doesn’t show up on the tag for some reason.
19. Ghost Eren AU. I should’ve named it combini AU... Anyway, I’ve talked about this one a lot, although poor Erwin gets neglected a little bit lol it’s hard to compete with a ghost when you’re just a mere stalker... but a very invested one. Eren likes Erwin here, they’re vibing on the same malicious-towards-Levi wave. 
20. Shark Eren AU. It’s just for us for funs, Eren’s a shark, and Levi’s there to help him fight depression. Eren later escapes into the sea.
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21. Midsommar AU. Levi and Erwin get an invite to go to the village from Yelena, Eren’s a part of a cult who is kinda attracted to one of the newcomers... Such a good movie, we need to draw them properly. Both Yeagerists and Eldians are a part of the cult, they don’t have any specific rules by which I categorised them... Although not all characters are present, and some of them (Jean, I think) are newcomers who will join the cult later. Sorry, I don’t remember much. 
22. Silent Hill AU. It started with Erwin peeking into Levi’s apartment, but now there’s Eren too... We haven’t thought out this one, I’m bad with Silent Hill AUs for some reason. 
23. House Eren AU. Eren’s a house, and we’ve explained how it works too, so just check out the tag. Levi actually lives there with Erwin, but I don’t remember if we’ve mentioned it or decided to skip this info. 
24. Eren pack AU. It’s an AU where Erens of all ages (6 of them, I believe) are a little bit feral, and they have wolf ears and tails, and they live in a specific place and Levi visits them every day and takes care of them. They love Levi. Here’s the only post that survived, and here’s a link for a twitter post which I never got back on tumblr after it got deleted. 
25. Trailer AU. The story is about Levi who has to live with Zeke for a month as his slave because Erwin lost him in a game of cards lol To be fair, Erwin lost a lot of money and their whole flat, and Zeke gave them a choice between that and Levi (he’s horny ok), and Levi agreed. Zeke even put Levi on a chain, although Levi doesn’t even try to escape...
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26. Flower shop AU. Eren’s a plant, and he brings death to the whole planet. He keeps Levi alive though, as a treat for himself. We’ve explained some of the stuff in the replies. 
27. Blair Witch AU. It’s pretty much explained in this post, and if you saw the movie, there’s nothing for me to tell you. Everything that’s different from it is in the post lol 
28. Corpse AU. Eren’s a corpse, Levi’s a pathologist who works on difficult and mysterious cases alongside the police. Eren later comes to life along with a couple of other bodies...
29. Antichrist AU. Zevi adopt baby Eren, but Eren’s a fucking satan. He loves Levi, but Zeke... not so much. Zeke loves Eren to death, though. Eren would love to organise that, but first he needs to grow up a little bit. It doesn’t mean that he won’t torture his parents during his journey. And everyone else who interact with them.
30. This one doesn’t have a title, but it’s an AU where kid Eren went missing, and Levi goes into the forest to find him. Levi owns Erwin who’s a good doggo and helps him find Eren. It turns out Eren killed two adult dudes, and he has paths!Eren telling him what to do and how to do it... Paths!Eren has the memory of the canonverse.
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31. Zombie apocalypse AU. There’s only one drawing with it though, but basically Levi builds himself a wonderful place to survive the apocalypse, and he keeps Zombie Erwin in the basement in hopes of Hange finding a cure. Then Eren joins just because he can and because Levi’s very awesome. Eren has a boner for the apocalypse and enjoys every second of it. 
32. No title, but Eren was casted away from the canon universe for the rumbling, and now he’s a mythological giant wolf who lives in a deep very old forest. He was very surprised to find out Levi exists in this universe... So he kidnapped him ❤️
33. Halloween AU. You’ve seen this one, it’s a story where Jean, Connie, Sasha and Eren get into the wrong house and find a ritual instead of a Halloween party... So after saving the child who, as it turns out, is not really a victim, they decide to ditch him at Eruri’s place.
34. Okusan AU. Levi’s a housewife, Erwin is a cuckold who’s really into adultery. He invites both Zeke and Eren from time to time to act as Levi’s husbands, and they (Levi and Erwin) almost get caught because the “husband” suddenly came home... Sorry, we’ve read too many doujinshis lol
35. Island AU. Erwin loves sending Levi to dangerous places to get souvenirs for himself, and now it’s time for Levi to get a crystal from a very isolated island full of strict rules in terms of interacting with outsiders. We have a cool idea for a two part drawing (like with our flower shop au), but it’ll take us ages to complete anything at this rate... I have like two sketches on Patreon for now, but damn this AU has so many cool visuals we wanna draw... It’s another cult AU with people living on Paradis (more like one village in the middle of the island), isolated from the rest of the world. They don’t welcome strangers, and Levi has three months to find and steal that crystal, although it’s not that simple.
36. Erewan. Not exactly a full AU, but Erewan’s a cursed animal plushie who kills people and loves Levi a lot. 
37. Cat AU. Everyone’s a cat (duh). Not really our AU, but it has its own tag, and it’s only asks. 
38. Tiny founder Eren AU?? Again, not really our AU, but now it has its own tag. 
I’ve also found the reply where I talk about how characters’ relationships work in some of the AUs, you can check it out too. I thought it was fitting for a master post. 
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south-park-meta · 3 years
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Brontide – The low rumbling of distant thunder. stanman
Kind of one-sided Stanman (or at least Stan being nervous about Cartman's intentions) and Style.
General psych horror warning I guess in that I find Cartman to be physically/psychologically/sexually abusive and it causes fear but he doesn't do anything he hasn't done in canon.
[Stan saw once on those court shows, like Judge Judy or something, that a guy ended up winning possession of part of his neighbor's property because he put in a new fence three feet left of the old one, and the neighbor let it go for too many years before complaining that it was on his land. He's letting Cartman redraw his property lines, giving himself up three feet at a time. "Just go to sleep," he says to Cartman in the dark. They're sharing a blanket and he thinks of ripping it off of Cartman and rolling up in it, just to stake a claim in what's his.
He doesn't.]
Cartman does this thing, pushing boundaries. He pokes and prods at them. He figures out which ones are fences made of steel and which are those paper ropes; ceremonial and easily snipped with scissors. He started inviting himself over at ten when things started going sideways in their group. He invited himself over to Kyle's, too. Cartman kept them apart, enjoyed their time all to himself, all while saying how important it was to keep the group together. How terrible it is that the broship is splitting up, Cartman would lament, shoving Cheesy Poofs into his mouth, before telling Stan how much fun he and Kyle had playing a game on their new X-Boxes.
Divide and conquer.
After the four of them tied themselves back together, Cartman started doing it again. He got better at it, cornering them each alone. He's good at it now at sixteen years old. It's strange, knowing so well what Cartman's doing this time around, but it's still somehow hard to stop it. Cartman forced a place for himself in their lives once and it's easier for him to find that place now because of it; he walked the path so many times that his feet can find it even in the dark.
It's just lucky that Stan and Kyle have gotten better at navigating, too. They aren't tripped up so often anymore.
Cartman realized when the Jeffersons were their neighbors for a couple weeks that sleepiness is a weakness to be exploited. He crawls in through Stan's bedroom window in the middle of the night and right in bed beside him. Stan wakes up and startles.
"Dude, get the fuck out of my bed," Stan says. "You're wet."
That's the reason he gives. Not that Cartman came in without asking, that he broke into the house in the middle of the night, that Stan doesn't want him there at all. The thunder rolls outside. He's making the bed cold, uncomfortable.
They look at each other in the dark. Lightning cracks close outside the window and brights the room, and Stan's breath catches. He gets the idea, that half-second of being able to see Cartman's eyes clear as day, that Cartman will suggest taking his clothes off and laying together, dry.
"Forget it," Stan says quickly, before Cartman can say anything. Just in case, so he knows Cartman will be keeping the clothes even if he's giving up the bed. He turns over, turns away. He knows he shouldn't. Not because the actual act of turning his back on Cartman is letting himself be weak, though it is; being stabbed in the back is more of a betrayal because you can't see it coming. He's aware of the vulnerability but not exactly afraid to give it. Cartman's never hurt him before. He sort of thinks Cartman won't ever try to because he's him and Cartman's Cartman and something about those two facts prevents it, and he sort of thinks he just hasn't ever given Cartman a good enough opening to take.
It's because turning over, letting this stand, is saying it's allowable. Still allowable. He let Cartman get away with sneaking into his house as kids plenty of times despite never wanting him there.
Stan saw once on those court shows, like Judge Judy or something, that a guy ended up winning possession of part of his neighbor's property because he put in a new fence three feet left of the old one, and the neighbor let it go for too many years before complaining that it was on his land. He's letting Cartman redraw his property lines, giving himself up three feet at a time. "Just go to sleep," he says to Cartman in the dark. They're sharing a blanket and he thinks of ripping it off of Cartman and rolling up in it, just to stake a claim in what's his.
He doesn't.
He doesn't shut his eyes right away. He stares at the wall and listens to the thunder. He feels the house quiver with it. He's waiting for something, but he's not sure what that something is. There's a creeping fear, but he's not sure what he has to be afraid of. Other people have reason to be scared of Cartman, because he's actually done something to them somehow. From other people, Cartman has fed off of their humiliation, over dominating them or belittling them. All Cartman's ever taken from Stan before, really, is a physical presence.
Closer and closer.
Here's the lion, knocking at your legs, trying to cut you off from your herd. Better keep up.
Don't be divided, don't be conquered.
Stan rolls back over. He has to because Cartman's in the way of his night stand. Cartman hasn't closed his eyes, either, and they stare at each other up close and personal. Stan lifts himself onto his elbow and leans over Cartman to grab his phone.
Cartman grabs his wrist and says, "Using your phone in bed is bad for your eyes," with a funny kind of smirk. Stan got his first pair of glasses this month. They look at each other for a moment longer, and then Cartman lets him go.
Can I come over? he texts Kyle, I miss you
If they were still neighbors he wouldn't have asked, but it's not a two-minute walk anymore. It's something he needs to drive to now, in the cold and rain and dark. He holds his breath. They've changed notifications and turn them on high at night, so they can wake each other if they need to. But it's no guarantee.
A few beats.
You saw me all day.
He can read the tone. It's not putting him off; it's teasing him, and he makes himself not-smile so Cartman can't catch this weakness. He and Kyle have been shifting their boundaries, too. It's nothing yet, undefinable but different than it had been before.
So? I miss you anyway
Yeah. Come over.
He has to swing over Cartman to get up. Cartman doesn't do anything with that fact besides quirk his eyebrows. No funny comment, no stopping him, no....whatever. He doesn't try anything in those last moments where he could, at the time that would be the worst. It's not that Stan wishes he would, but it's easier to draw hard boundaries with Cartman when he does something really awful. those moments that are 'Enough is Enough' moments, the ones that could do him real harm. There's been a few of those moments through the years, where he can see that what Cartman's going to do might really, irrecoverably hurt him and he clamps down on it hard to stop it. He ends their friendship clean and fast.
And then he lets it creep back up on him, because he's never been hurt by Cartman, not really. Maybe it'd be better if Cartman does hurt him, for real, just once. So he has the pain for reference and knows why he doesn't want to do it all again. So he has the reality instead of the possibility.
But maybe that's why Cartman's never really hurt him, and maybe he never really will.
He walks out, leaving Cartman alone in his room. It feels like a loss, because he's not sure at all what Cartman wanted, and he let Cartman have free rein over all of his things. But he wakes up with Kyle's arms around his waist and face pressed between his shoulder blades, and that feels like a victory.
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