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#but I really don't want to make something that is just. A big list of sites to report / shut down. The thought scares me immensely
avastrasposts · 2 days
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Big Sky Country - ch. 1
Cowboy!Frankie x OFC
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Hi!
I'm really excited to post the first chapter of my new fic after posting a little snippet of it almost a month ago! In it we meet a cowboy version of Frankie as he returns to New York to patch things up with his "maybe girlfriend", but he also makes a connection with another woman, who makes this lost cowboy feel welcome in her Brooklyn bar.
No age gap, OFC story, angsty as fuck in parts, some smut, and I'm putting poor Frankie through hell again (I love him, I swear...)
And a big shout out and thank you to @i-own-loki who made the beautiful banner!
Warnings can be found here - contains spoilers but please read if you know certain themes may be upsetting for you. This fic is dark in parts and I don't want to upset anyone.
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Prologue
The Greyhound bus rumbled away down the pin straight highway, heading west, towards the darkening mountain range. The sun slowly sank behind the highest peaks, soon their shadows would touch her feet. Looking back, east, towards a past she’d left on a whim, she sighed and let her eyes drift up to the indigo sky. Big sky country indeed. 
So alien to her eyes, so open to someone used to living their life surrounded by tall buildings, busy people, small trees in small parks. 
Here, the open prairie gave speed to the cold wind that hurtled down from the mountain range, whipping dirt from the road, tugging at her loose hair. She briefly closed her eyes against the particles of dust, inhaled deeply, tasting it on her tongue, dry grass in the air, a hint of snow from the mountains. No way back now, the bus too far away to stop. Only her duffel bag and a phone number, hoping he’d pick up and let her in. 
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He pressed his thumb to the button with her name, the taxi behind him rolling away down the crowded street. The buzz from the intercom added another layer of noise to the assault on his ears. 
He dropped his hand. 
Waited.
Glanced down the street, letting the tall steel and glass buildings pull his gaze upwards, to the thin sliver of dirty gray sky visible above them. With a sigh he dropped his eyes down, towards the end of the long street, where the buildings seemed to merge into one solid wall. He knew he was looking west, could feel it in his bones, in the way his feet wanted to start walking towards it. Towards the tall mountain range behind his home. 
He pressed his thumb against the button with her name on it again, the buzzer grated his skin. He had a way back, nothing stopping him from hailing a cab, climbing back on the Greyhound and heading west again. 
But she was here. If he wanted to make this work, he needed to be here. 
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Chapter One
A wall of warm air hit Frankie as he pulled open the door to the bar, chatter spilling out onto the street. His shoulders pulled up to his ears, the environment uncomfortable to him and he stopped just inside the door, scanning the room for something familiar apart from the smell of stale beer in the air. This bar was the first one he saw that looked like it would maybe serve someone like him, a Texas boy, fresh off the bus from Montana. He’s pretty sure he still has horse dung stuck to the bottom of his cowboy boots, his old army duffel bag slung over his shoulder. 
The door behind him opened again, cold air hitting the nape of his neck under the ball cap. 
“You growing roots, old man?” 
The line is followed by a man snorting and a hand on Frankie’s arm, pushing him to the side. He would snap, bite back with a threatening remark, or at the very least fix the man with his most intimidating soldier scowl. But he just took two steps to the side, his shoulders creeping closer to his ears as he tugged at his cap, the movement unintentional, a nervous habit. He knew he was out of place here, a stranger. 
The young man, a yellow backpack slung over his shoulder and long hair pulled into a bun, shoved his way past Frankie, catching the eye of the woman behind the bar. 
“Hey, dickwad! Behave yourself or I’ll have you barred,” she barked, her eyebrows furrowed as she jabbed her finger at the man and he raised his hands in a weak gesture of apology as he sauntered towards the bar. 
“Yeah, yeah, whatever,” he snarked, heading towards a loud crowd further in, walking away and ignoring the frown from the woman. She turned her attention to Frankie instead and looked him up and down, an appraising look, before meeting his eyes. 
“You coming or going, cowboy?” 
“Uuh..coming,” he managed to press out, picking up his feet and walking to the bar. He felt heat creep up his neck at being so easily pegged as a cowboy, an out of towner, swallowing down the urge to turn on his heel and bolt out the door. He rubbed his hand over the back of his neck and the woman behind it gave him a smile, setting down a coaster with a flick of her wrist. 
“What can I get you? You look like you’ve traveled far.” 
“Just a beer, thanks,” he said and she gave him a softer smile, pity flashing across her face. 
“This is Brooklyn, cowboy, I’ve got twenty beers on tap and forty in bottles,” she said and he felt fatigue set in, can’t even order a normal fucking beer in this city. He sighed deeply, dropping his head between his shoulders. But the woman just chuckled in a low voice, tapping her hand on the bar just in front of him. 
“Don’t despair, I’m a good bartender, I know what you’ll like.” 
He picked up his head as she stepped away, grabbed a glass, and moved to a tap further down the bar. Shooting him a quick grin, she began to pull the pint, amber liquid filling the glass, topping off with a creamy white head. He watched her from under the bill of his cap, shouldn’t really appraise her, but he couldn't help it. The fitted jeans on her curves, and the faded bar uniform shirt tied at the waist instead of tucking it in, made his eyes drop down over her ass in a way a man trying to save his relationship with another woman should avoid. And she clocked him, checking her out when she turned towards him again, making him snap his eyes to his hands on the bar. Heat crept up his neck as he rubbed the small bullseye tattoo next to his thumb. 
“Amber ale from a local brewery three blocks from here,” she said and placed the pint on the mat in front of him. 
“Thanks,” he replied, watching the bubbles rise to the bottom of the head, “looks good.” 
“One of my favorites, I’ve always had a soft spot for amber ale,” she nodded, picking up a cloth and returning to the never ending duty of cleaning glasses. 
Frankie picked up the glass and took a long sip, humming as the ale slipped down his throat. 
“Damn,” he said, “that’s good, that’s really good.” 
“Told you,” the woman smiled at him and he gave her a quick smile in return before he took another sip. 
She watched him from the corner of her eye as she moved around the bar, clean glasses getting wiped and stacked. Clearly a newcomer to the city, she’d called him ‘cowboy’ and he hadn’t protested, the boots and the duffel bag giving him away, even before she saw his uneasy eyes roam around the bar and his nervous shuffle. She’s used to assessing anyone who stepped in through the door, the loud ones, the quiet ones, the ones who are only coming to make trouble. 
This man was one of the quiet ones, she doesn’t think he’s loud even when he’s in his own element, surrounded by friends. 
As he took another long drink from his pint, she turned and picked up glass, catching his eyes on her. She smiled warmly at him, wanting to make him feel welcome, at least in this bar. The city outside is usually brutal to newcomers, and this one seemed to carry more of a burden than most. 
“So you’re new to the city?” she asked him, moving back to his side of the bar, pushing long strands of ginger red hair back behind her ears before wiping another glass. 
“Yeah, came in on the bus a few hours ago,” he replied and she nodded. He doesn’t look like he flew into the city, he’s got the tired face of someone who's spent too many hours leaning against a window, watching the Midwest slip past. But underneath the tired eyes there’s a warmth, a softness in the way he gives her a small crooked smile that makes a dimple appear on his right cheek. 
“Spent two fucking days on it,” he sighed, rubbing a large hand over his face before he lifted his cap and swept his thick curls back. She was temporarily mesmerized by how they bounced back around his ears as he squashed the cap back down. 
“Two days? Where did you come from, Texas?” she asked, her eyes widening at the thought of spending two whole days on a bus, but he shook his head. 
“No, I think Texas is like three days, I came from Montana,” he took another long drag of his beer. 
“I’m guessing this isn’t a weekend trip then”, she quipped, putting down the cloth, all the glasses done, and leaned back on the counter behind her. There’s more work to be done but the stranger chuckled softly at her joke and it pulled her in, making her smile in return. 
“No, I’m here to stay with someone, my..ah-a friend, of sorts,” he said, “Gonna see if I can find some work around here, try a different type of life.” 
“What do you do?” she asked, “Maybe I know someone who knows someone, that’s usually how it works here.” 
“Back in Montana I work with horses, on a ranch,” he replied, rubbing his thumb over the condensation on the beer glass, “Before that, I was a mechanic, cars, helicopters, anything really, I can usually fix it.” 
“That’s a pretty handy skill,” she replied, sounding impressed and he gave a little shrug, as if the ability to fix helicopters was something inconsequential, “I’m sure you’ll find work, especially if you can fix old cars, lots of those around here.” 
She turned and grabbed a notepad from next to the till, “What’s your name and number? I’ll keep it on hand and ask around for you.” 
“Really?” He sounded surprised as he sat up a bit straighter, “Uh yeah, I’m Frankie, Frankie Morales.” 
“Nice to meet you, Frankie,” she smiled back at him and slid the notepad across the bar, “Write it down, and your number. I can’t promise anything, and I’m not recommending you to anyone, I’ll just let them know you’re looking for work.” 
“Yeah, sure, of course, but anything helps,” he replied, grabbing the pen and jotting down his information. 
“What’s your name?” he asked, as he passed the notepad back to her. 
“Aisling,” she replied, slipping it in next to the till again. 
“Do you own this place,” he asked, looking around the bar. When he looked back at her she was shaking her head. 
“No, not at all, I’m just the bartender,” she said, “Give me a minute, I’m just gonna serve these guys.”  She gave him a quick smile and headed down the bar to two men who had just sat down. 
Frankie watched her as she took their orders, smiling and laughing easily as she pulled a beer for one of them. The men, her age, are both hanging on to her every word as she makes a joke,  the blonde one clapping the other one on the shoulder with a loud howl. She winked at him and turned, reaching for a bottle on the top shelf to serve the other man. As she stood on her tiptoes, stretching to reach, her shirt rose up, a soft sliver of creamy skin exposed in the dim light of the bar. Frankie couldn’t help but stare at the glimpse black underwear peeking out above the edge of her jeans, a flash of lace, his mouth suddenly dry as his cock reacted. He dipped his head, but couldn't keep his eyes away, she swayed on her tiptoes, refusing to get the stepladder and her breasts pressed against the shirt as it rode up higher. Frankie had an image of her underneath him, all that soft flesh, warm and smooth under his rough palms, sweet smelling and whimpering.  
She managed to slide the bottle off the shelf and grab a glass. Frankie peeled his eyes away, looking down at the now empty pint in his hands, pressed his thumb into the tattoo, forcing his thoughts in another direction. At the end of the bar, Aisling rang up the customers’ order and wiped down the bar before coming back towards him. 
“Do you want another?” she asked, nodding towards the empty glass. Frankie considered it for a beat and then shook his head. He wanted a clear head when he went back to the apartment, he needed to say the right things to save the relationship with the woman who lived there. He already knew that not even in his head could he bring himself to call her ‘girlfriend’, he’s far from sure that’s what she is anymore, not with the way they left it. 
“No, I can’t,” he said, “It was good though, what do I owe you?” 
“Fourteen fifty,” Aisling replied and he tried not to cough at the price as he pulled his wallet from the back of his jeans. 
She took his bills and he left her a tip on the bar that she deposited in the tip jar with a smile. 
“Uhm…tell me,” Frankie said, absentmindedly tugging at his cap, “Do I really look that much like a cowboy?” 
Aisling’s smile softened as she heard his nervous question, “Well…yeah, the cowboy boots are kinda a give away,” she replied, “It doesn’t exactly look like it’s a fashion choice, and the whole jeans, suede jacket, belt buckle look…” She motioned over his body as Frankie’s eyes dropped down to his jeans and belt, hidden from view by the counter. 
“You’re good,” he said, a small chuckle escaping him, “You got all that just from when I came in?” 
“Tricks of the trade,” she replied, “I need to know who steps into the bar and read them quickly.” 
“So you assessed me as soon as I walked in? What else did you pick up on?” He was curious now and leaned forward on the counter as she laughed. 
“Well, I’m cheating because we’ve been talking for a bit now. But you do look ‘new in town’ and I’d say ex-army maybe?”
“I guess the duffel bag gave it away?” Frankie smiled, glancing down at the old bag at his feet. 
“No, they’re ten dollars at the army surplus stores,” Aisling replied, shaking her head, “But you sat down with your back against a corner, and I bet you can tell me exactly where the exits are and how many people are in here and which ones could give you trouble.” 
Frankie raised his eyebrows in surprise at her and she shrugged. 
“You’ve been scanning the room since you walked in.” 
“Yeah, you’re not wrong,” he replied, letting his eyes roam across the room again, it’s instinct at this point, inherited from years in the army, “I quit the army years ago but it’s a habit I can’t seem to drop.” 
“What did you do? Mechanic?” Aisling asked and Frankie shook his head. 
“Helicopter pilot, which means I had to be able to fix anything, but mainly I flew things, anything really.” 
Aisling gave him a closer second look and the pieces fell into place, his quiet demeanor, the way he held himself, not exactly folded in on himself, but as if he was  trying to stay unseen and not be noticed unless he wanted to be. A strong, solid body gone slightly soft with age, betrayed by the gray in his beard and hair, small white scars across his knuckles, evidence of old injuries.
“What?” he asked as he noticed her eyes scanning him. 
“Just building the picture,” she said, a small crooked smile, “You know us bartenders, always trying to figure out the story of our patrons.” 
“Not much of a story,” he said, tugging at his cap and hiding his eyes, “just new in town, looking for work.” 
“Everyone has a story, Frankie Morales.” 
He shrugged at that and fumbled for his phone as it began to ring. Aisling gave him a quick smile and stepped away to let him answer in private. 
Frankie’s jaw ticked as he saw the name on the screen, Eva. He’s been expecting her to call since he left her front door. Their front door, maybe. The truth is, he doesn’t know where they stand anymore. They’d met in Florida, after a doomed mission to South America that left so much pain inside him, and a rift between old friends. She’d been a calming presence, someone who seemed to have his back when his mind spiraled out of control. But she hadn’t been enough, being in Florida became oppressive, and it wasn’t just the humid heat. The old haunts from the days he’d spent trying to numb his brain with white powder, bars and venues filled with memories of the friends he’d lost, both those who’d died and those who still lived, it all became claustrophobic. 
When Herb, his sponsor at the NA, first invited him to the ranch in Montana he’d scoffed at the idea. He was a pilot, not a ranch hand. But after a close call, nearly falling back into the habit, he’d taken him up on the offer and gone out there for two weeks. Herb had convinced him by talking about the clear, cool air making it easy to breathe, the open sky making the mind feel less claustrophobic. And he’d been right. The first evening they’d sat on the porch, the mountains at their back, the open prairie in front, and Frankie had looked up at the endless sky and it was almost as if he was back in a cockpit, flying close to the stars. Nothing encroached on his mind, no buzz in his ears, nothing tugged at his memories, just the open sky and an endless horizon. 
The two weeks of hard ranch work, aching muscles, blistered hands, sealed the deal. If he wanted to truly start over, he needed to leave Florida and come here. 
Eva had been enthusiastic at first, pulled in by Frankie’s talk of the horses, a new foal that had just been born, the small cabin they’d live in. He’d shared the pictures he’d taken, all rustic beams, sturdy wood furniture and a hammock on the porch. It looked like a romantic western dream and that’s what they both really thought it would be. And for the first few months they were happy. 
But when Frankie found peace and calm in the solitude of the isolated ranch, felt free and unrestricted, she began to feel claustrophobic and suffocated. The nearest town, a forty-five minute drive away, didn’t offer much of anything. She found work online and began to resent the life he’d trapped her in. That was the word she’d used, trapped. When the fights became a daily occurrence, Frankie felt the familiar itch of wanting to escape come back. Starting, as always, in his feet and crawling up his body until he spent more time out on the ranch than in the cabin. And for every hour he stayed away, Eva resented their life more, resented him more. 
Until eventually, one late evening when he came back after five days on the trails with a group of guests from a neighboring ranch, she’d left. Only a note saying she’d accepted a position in New York with the company she worked for. A line about needing a different type of life, no invitation to come with her, to follow her, just signed /E and that was it. 
He’d called her, spent hours on the phone when she eventually picked up, begged her to come back. Offered to move to a ranch closer to a bigger town, find a compromise where he could still have the peace of the ranch life, but let her live her life too. But she loved New York, after the silent cabin, she craved the noise and the tempo of the city. 
Eventually he agreed to come to New York, to see her new life and maybe find a place in it. But the city was an assault on his senses after so long on the ranch. The peace that his spiraling mind had finally found evaporated as he navigated the city, the metro, her friends, the bars. His feet itched, the skin around his nails was picked raw and he felt on edge, even in the apartment, his mind never getting a chance to be quiet. 
Eva called it his need for control, to always have a plan of escape, a way out. He knew it was the years in the army that had shredded his sense of safety, left his nerves ragged and too exposed to the mundane background noise of a city. Maybe he’d be able to deal with it some day, but now, he needed the silence. 
After two months in Brooklyn, he left. A loose promise from both of them to maybe try to patch things up, to try the long distance thing. But when he sent a text, saying he’d returned safely to the ranch, and she didn’t reply for two days, he knew it was over. And he didn’t miss her. He had loved her at some point, he thinks. But their lives didn’t match, their needs too different. And he saw that he should maybe not be with anyone while he laid down the foundations of a new life in a new place. He needed to find a way to live with himself, in silence, before he considered sharing his darkest sides with someone else. 
And then Eva called. Six weeks after he’d left Brooklyn. He could hear the heavy traffic behind her as she walked down a street somewhere, leaving a clinic that had confirmed what she’d suspected. 
“I’m pregnant, Frankie, and it’s yours.” 
The words floored him, sent a sharp jolt of dread through his system, his feet tingling, then his scalp. A baby. In New York. But his baby, their child. And the dread was replaced by nerves, how would they do this? Would she want to raise the baby in New York or come back to Montana? He had space for a child here, a guest bedroom with a view of the mountains. It would be a perfect nursery, he could paint it, build a crib with Herb’s help, the nearby town was a good place to raise a family when the child was old enough to begin school. Without even stopping to think, he built a new life around the unborn child. 
Or hell, even New York, he’d make himself put up with New York if that was what she wanted. The apartment only had one bedroom but maybe they could move further out, get a bigger place. He could renovate pretty much anything, he was sure of it. Maybe they could find a quiet neighborhood with trees, where his mind could find peace even in the city. Without even stopping, he built another new life around his, their, unborn child. 
“I don’t know if I’m keeping it, but I wanted to tell you.” 
Eva’s voice had been hard, letting him know that she was doing him a favor by telling him, letting him be part of it. 
“I’ll come to New York, I’ll get a bus today,” Frankie pleaded, “Let’s talk this through, a few more days won’t make a difference.” 
She’d conceded, and he’d thrown stuff into the old duffel bag, left a message with Herb, and driven to the crossroads where the Greyhound stopped. 
Now he was here, in a Brooklyn bar, looking down at her name on his phone as he pressed the green button to answer. 
Chapter 2
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A/N: And we're off! I'm so nervous, I really hope you all will love this and follow along as I explore this new version of Frankie! I hope to post a new chapter every Sunday so fingers crossed life doesn't get in the way too much!
Tagging the ususal suspects: @harriedandharassed @inept-the-magnificent @sheepdogchick3  @readingiskeepingmegoing @noisynightmarepoetry @survivingandenduring @vabeachazn @amyispxnk @oberynslady @vabeachazn @amyispxnk @thewiigers @laughing-in-th3-purple-rain @casa-boiardi
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pinkeoni · 2 days
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During his emotionally charged speech in the van, Will says one particularly potent line.
"When you're different... You feel like... a mistake."
This line is highlighted visually by the camera shifting positions to outside of the van, a shot that is only used one other time to punctuate the end of the scene. This line holds extra weight and the show wants you to know it.
I already made an analysis on the word mistake and what that means for Will, but I want to look at the word different, which feels emphasized in the delivery of the line as well.
"When you're [pause for effect] different..."
It's popular headcanon among st fandom that "everyone in Hawkins is gay!" which sometimes bleeds from into their belief of real canon. Sexuality headcanon lists suddenly are seen with an air of truth to them, and a number of fanon queer ships are accompanied with evidence of their supposed endgame status.
I realize that this is kind of a... weird post to make. I'm not really making this to tell people to stop doing something, this is more of just a rattling off of some opinions I've had for awhile.
I do wanna start off with the obligatory: Do whatever the hell you want. I'm not here to stop you from doing something or tell you that you are wrong for thinking that a character is gay or for shipping something. You are allowed to ship whoever you want, think whatever you want about any character, any ship I don't like I have filtered. But I'm also allowed to not like these ships, or disagree with how others view certain characters. Just as others are allowed to have and express their opinion, I'm also allowed to have and state my opinions on the opinion website.
I think the important thing regarding Will being different is the fact that he is different. As my good friend @karenchildress once put it, if everyone were queer, it would cheapen the message the show is trying to give. Sure, the show displays a variety of ways of being different, but being gay is, among other things Will has been through re: being taken into the Upside Down, is Will's way of being different in Hawkins.
And of course Robin is gay as well, and while there is some crossover, the lived experiences of a gay man is different from that of a lesbian woman, which the show does touch on. Will's story is part of an extended AIDS metaphor, and Robin struggles to gain the attention of women in a world that seems to revolve around the attention of men.
It might be nice to have a moment between Will and Robin, although that alone won't solve Will's problem, i.e. his belief that being different makes him a mistake. Cause that's the thing: the resolution is that being different is a good thing.
If everyone character were queer, this would cheapen the message. Suddenly the resolution isn't that being different is a good thing, but that he isn't different after all.
So then, are queer stories meant to have only token characters?
I think it depends on the type of story, and what it's trying to say. Heartstopper has an eclectic queer cast, but it's also a show that embraces finding community and other people like you. Sex Education has a variety of different sexual identities, but it's also a show that aims to explore a lot of different perspectives.
And there are also queer stories where the queer character's disposition, and their struggle because of that, is a big part of the story. I believe this is what this show is trying to do— highlight Will's difference and how that pertains to his personal struggle and the resolution of that.
One argument that I hear against Will with powers is the idea that making him more different would be bad for his character, because he hates being different. But the thing is, Will is going to learn that his differences are a good thing, which may include any possible powers.
Of course Will isn't the only one with powers, and he also isn't the only gay one. El, Henry, and Kali all have powers, and Robin, Vickie, and Mike (and maybe Henry? I haven't seen TFS myself so I'm not commenting on that) are all gay. So while he's not alone, these things are still a rarity. It's not a case of a headcanon list with mostly everyone gay and some token straights.
"Characters are not straight by default."
This sentiment isn't unique to the st fandom and also didn't originate within this fandom, but it is something that I hear often. And it's... not really true, although it kind of depends on the piece of media we are talking about. It might be easy to say this about a show made in the 2020's, although this same sentiment is hard to state about, well, most shows made before the 2020s. And even then, it depends on what the show is going for.
People being not straight by default is a true statement in real life. You shouldn't assume a sexuality for anyone, gay, straight or what have you. But characters are made by people, and people have different biases on how these characters should be written. Calling the Duffers "two straight men" would go against what I just said, although I don't think that the show was written with everyone being gay in mind. Aside from the 4 (maybe 5) I listed, the other characters are not written to be queer. They just aren't.
All of the queer characters have arcs that feature their queerness. Will's queerness has been mentioned since season one. Robin's romance becomes part of her plot in season 4, and Vickie is introduced as her love interest. Romance has always been an important facet of Mike's story since season one, and his failure in a straight romance is highlighted in seasons three and four. Chekhov's painting of season 4 seems to solidify a gay Mike.
Elmax and Ronance as endgame options not only have no lead up but are also mean spirited towards Lucas and Vickie. Elmax gets together, breaking up Lumax, which has been built up since season two, and Lucas is supposed to be okay with this because????? Ronance get's together, effectively writing off a queer character that the show had introduced, and she can't even fulfill the reason she exists in the first place? Rockie is not the most well developed relationship out there, but it's the one that the show has decided to go for. Maybe Ronance could work, in an alternate universe where the show actually wrote that in.
For those that argue that both Max and Nancy are queer I simply... disagree. And you can disagree with me too, we'll both just agree to disagree. I'm not against headcanons, which are usually harmless, but also usually driven by the desires of the headcanon-er and less so the canon of the show. Which again, is fine, but it's also these headcanons which are being used to drive an argument for actual show canon. Usually the argument for any character being queer that wasn't already listed in canon rests solely on vibes, not any concrete evidence that may suggest actual attraction to the same sex.
More substantial evidence usually comes when someone applies a queer lens to a certain character, but an interpretation can be different from authorial intent. And sometimes, the viewer may be so focused on the metaphorical, that they fail to see the literal.
I do think that you could easily apply a queer lens to El's story. Her story is about, in her words, "not belonging," in society, having to remain in hiding, and deviating from feminine norms. I can easily see how you can derive a queer message from this, but all of the traits listed above are a result of her having powers and being raised in a lab, not being attracted to the same sex. Metaphor alone cannot prove that she likes girls.
Going back to Nancy, Nancy's romantic options are between Jonathan and Steve, although the show seems to make it clear that it's going with Jonathan in the end, what with Jancy holding hands at the end of season 4. Steve get's brought up in conversation between the two, alluding two some unresolved tension that's likely to be brought up in season 5, and Robin is... at the high school with Vickie. That is the end of the season establishing the arcs and romances for the final season.
"Gay people didn't exist in the 80's."
That's an argument on the opposite end of things that just isn't true, although I've also heard the counter for this argument, that gay people did in fact exist in the 80's, as evidence that everyone is gay. I'm not really here to argue whether or not gay people existed in the 80's (they did) I'm just here to argue what I think the canon of the show is presenting.
That being said, the show taking place in the 80's is still significant. It may not be a hyperrealistic depiction of the 80's, but the show does seem to understand the idea that at that time, it was very difficult for gay people come out and to start relationships. It's the reason that Robin can't just go up to Vickie and ask her out, and it's the reason that Will can't just say that the painting is from him. It's the reason why Mike hasn't quite yet left his relationship with El and accepted himself. It's the reason why Rockie has to discreetly flirt through peanut butter sandwiches. A character who hasn't had queerness built into their plot, or a relationship that has no buildup, isn't suddenly going to become canon in the last season.
I was talking about this once with a friend who used the show Only Murders in the Building as an example. In the shows second season, Selena Gomez's character is revealed to be bisexual and dates a character that Cara Delevingne plays for most of the season. The show doesn't build up to her character being bisexual, she doesn't come out as such, the other characters don't make a big deal out of it, she just is. So why can this show do something like that but Stranger Things can't?
Well, Only Murders is a show that takes place in present day, and is a light-hearted comedy (albeit with murder). A character suddenly being bisexual with no set up makes sense for the tone that the show has established and when it takes place. Stranger Things takes place in the 80's and establishes within it's first season and maintains it throughout that gay people get killed and are seen as social pariahs.
It's not that I don't understand where the desire to have more characters be queer comes from, especially characters that people already like and relate to. I don't think it's harmful to think that these characters are queer, I'm making an argument purely with regard to authorial intent and the actual outcome of the show. Again, feel free to disagree with me and continue to do whatever you want, these are just some thoughts that I have had on my mind for a while and wanted to put out.
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notetaeker · 17 hours
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Hello!!! How did you become so dedicated to your studies? Do you have some advice?
I love your blog, btw✨️
Hi hi hi!! Thanks for the sweet message 💞💞
My BIG study tips (after 25 years of studying):
Accept your fate. This goes for anything but I used to procrastinate with studying a LOT and once you start it's actually not that bad. It's guaranteed. Automatically once you start, you have started, so you're already on your way, so it's already automatically not as bad anymore. Whining abt ur studies and avoiding them will not make them go away unfortunately. Just do it.
Make study time sacred. A few minutes of focused study is much more valuable than 5 hours spent at the library "studying" + scrolling + talking to friends + listening to music at the same time. Doing 5 hours like that is literally putting yourself thru hell because 1. you cant fully enjoy any of those non-studying activities and 2. you come out of that being like ugh I studied this page for 5 hours I'm tired of studying I need a break. Pomodoro method really changed my life pls try it out if u haven't already
That one tumblr post that says 'learning is basically being exposed to the same materials many times in multiple ways' is 100% correct. How many different ways can you expose yourself to the material. Memorizing facts- can you draw it? Can you organize the facts into lists? Can you attach a funny story to one of the facts? The more ways you interact with any material, the stronger it's saved in your memory. Find out if you're a visual learner- and then create visual tools, maybe color coding things helps you. Do a little digging and find out what works for you.
Diversify your life. Have some hobbies, spend time with friends/family, take a break. Let the computer of your brain sort out things in the background while you do other things. Once you go back to studying, you will feel refreshed (and not fatigued from 5 hrs in the library doing "studying") This also means that if you fail an exam, you won't be like 'oh no i spent my whole spring break studying for this exam and didn't even enjoy it and now I got a bad grade i must be horrible my life is nothing' and spiral. def not based on a true story :) Instead you'll be like yeah I failed but look at this scarf I crocheted look at mee i have mental health!
Sleep is magic- no matter what anyone else tries to tell you. 1. If you studied something during the day, just review those things right before bed and magically they will get set into your brain. Also 2. sleeping is when our brain sorts info so if you don't get any sleep at all it' the same as taking your study sheets and throwing them into the air, so when you ask your brain for the info during the test it's like lol it's around here somewhere. On the other hand, if you slept and gave ur brain time to sort it, when you ask for that info, it'll just open the right drawer and give u the info!
That's it for the big ones- if you want more specific advice feel free to ask! Also as a disclaimer, these 5 are all big life lessons that I had to learn thru trial and error, so consider these to be the advice I would give myself at a younger age. Pls don't be offended lol whenever I said 'you' I rlly was thinking abt myself.
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imaginespazzi · 2 days
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Totally agree with your anon. I will die on the hill that the draft was a soft launch including Azzi's IG post after. Everything about it screamed (to me) Paige was the invite and Azzi was the +1. I could write so much on it, but my observations were:
Paige's outfit was SO much more of the person to be looked at vs Azzis. Not saying she wasn't beautiful as always but they were different.
The press attention was primarily on Paige first, and then she'd bring Azzi in.
I'm convinced Azzi's outfit was coordinated with the white top, shoes, nails, etc to match.
Them wearing the matching necklaces, but Paige having hers under her shirt. This screams meaning to me. They have a stylist, so if it didn't work no need to wear it, but she did where no one could see it but they knew.
Paige wearing a ring on her wedding ring finger. This is like during the Paige injured szn she'd sometimes wear a ring of Azzi's on the same finger when Azzi was playing.
The video is so domestic and Paige paying attention to details to make sure Azzi looked good, plus no problem just picking something right off her boob lol.
Their body language in all the photos how they get so close there's no space between them shoulder to hip and angle toward each other with the matching head tilts.
No love for poor Carol and Aubrey who were god knows where, while these two got attention no other current college players did.
They looked genuinely happy and settled in all the photos, lots of eye contact and touching and big smiles.
The car photo is my new roman empire.
I'm sorry for spinning out of control with a long list. But I can't stop thinking about it and how pissed I am we only got to enjoy that for like a week. I want to still be basking in the glow of it.
Oh I could talk about Azzi's post and the picture selection for hours because really? REALLY?
But no notes babes, I agree with all of this.
4. This one's so amusing to me cause like if it didn't work with the fit, you don't have to wear it Paige but nooooo, she actually does in fact need to wear a matching necklack.
5. I DID NOT KNOW THIS? Someone come explain how we know this to me? When did she wear Azzi's rings? Is this common knowledge? Did I miss a chapter?
8. My poor beans, they deserved better. Like I deserve more of Aubrey's politician fit fr fr.
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kyouka-supremacy · 11 months
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Uhm..................
#I got an ask‚ and to answer I was bracing myself to make a big bsd content masterpost#And I did! I was already on my way to share all the manga reading platform I use for every manga‚ I had already listed them up#And I was going to add the additional content like anime streaming resources and art scans resources...#But now I'm having some serious reconsiderations#Like I was happy to make a masterpost! Making masterposts is fun-#and fuels the autistic need to put every little thing in little categories#But now I don't know if it's... Safe to have them all in one place?? I was very glad to share with people the resources I personally use-#but I really don't want to make something that is just. A big list of sites to report / shut down. The thought scares me immensely#And I thought it was safe to share manga reading platforms on Tumblr but what about‚ to name one‚ n/yaa? Would it be safe to link to that?#And it's something I'd highly want to include because some stuff that's there you won't find anywhere else‚#such as the Dead Apple official English translation‚ the official Beast English scans...#Same would go‚ to make another example‚ for m/initokyo‚ or anime streaming platform.#Is it safe to share those... Uhm... More hidden websites through Tumblr? And if not‚ do I have any alternative for sharing?#I'm quite sad because I was already half way through making the list-#but now I'm not sure it's worth to continue if I never end up sharing it.#But then again the safety of people who share content has the maximum priority to me– I wouldn't be able to do ANYTHING without them#Mmmmmmmmmmmhhhh...#I even contemplated sharing the masterlist through text file‚ but I'm not sure if that might work out.#For one‚ I will never EVER use g/oogle docs or any g/oogle service for the matter. I'd rather die#So... I'd really appreciate it if anyone could advice me on this / had any suggestion / thought#random rambles#Sorry for the long ramble. I'm stuck
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Video
youtube
............ ultimate somng
#i'll go a few months without hearing this and then for some reason I do again and I go insane#especially the very opening first section ....hhhhhhhhhhhhhhhh#I like the orchestral version too but the piano one just has a different vibe in some ways#again I'm not really a big music person (in terms of listening to/being a fan of stuff. I like to make music and experiment with instruments#but like I've never been in a band fandom or or been to concert or cared about anything in a pop culture type way) I just have like#a list of some hyper specific songs with specific tones that I listen to like 400x in a row until I get tired of them and then#choose to listen to somehting else 400x in a row until I enetually circle back to one of the ones I already listened to 400x in a row#I rarely ever put music on in the backgroudn while doing things or treat it as an activity it's more of like.. a fixation or something#I go through 'music phases' where I just feel like listening to music as an ativity for a little while and then dont again for a few months#and when I do it's like the same songs 400x in a row again but gyhbhj#or sometimes cycles through a few songs or something but all on repeat#NONE of which are ever like related to each other in any way but are jus what my brain wants to hear 4998898 times for some reason#my most recent music phase rotation was - 'moses fantasy' by paganini. 'luxury' azaleia banks. the fucking charles darwin natural selection#song from horrible histories. rock the casbah??? (idk why for a few days i just wanted to hear it ghhj). the succession opening theme.#'Ludacrismas' even though it's the middle of summer. and 'I just wanna dance with you' - starpoint..lol.. ALSO for a period of#like 2 days I was mentally preoccupied with that meme edited version of that genghis khan song that instead makes it say 'mingus kingus#' or 'i get a little bit dingus bingus' or whatever hbjhbhj.. If you don't know some of those go look them up. then put them all#in a youtube playlist and put it on repeat 6000x. this will give you a tiny snapshot into one aspect of my current mental landscape.#Really want to do a kazoo cover of Moses Fantasy. literally imagine how annoying that would sound on a loud abrasive kazoo#and ALSO how probably annoying parts of it would be to try to do ghhbjb.. the super high pitched violin but desperately squeaked#through the raspy cadence of a dollar store kazoo.... this is my design#okay im listening to it again HGHBHJ the fast parts.... just *frantic squabbling into a kazoo that's not even accurate*#ANYWAY.. I don't talk about music often because like most things I am also not capable of consuming music in a Normal Way and am defintely#not a cool trendsetter or someone with GoodOpinions to share. one of my favorite songs is something I heard in a commercial when I was#7 years old and nothing has ever topped it so.. ghbjhb.. .I am dictated not by popular media or trends but by an obscure series of algorithm#s performed by tiny squirrels that live in my brain who randomly pick and choose songs to suddenly resurfance into my conscious#'Remember that thing you heard a snippet of in school music class when you were 6? find it NOW on youtube. listen 500 times. now'#'then also literally don't listen to music again for 3 entire months until the next 4 day period where you listen to one thing on repeat'#ANYWAY ANYWAY.. obsessed with this ravel song again. also still in the grips of the charles darwin one unfortunately ghbhjbhj#brain is just a mix of *dreamlike ethereal piano* NA TU RAAAL SE LEC TIOOONNN *twinkling piano again* hGGMM... yeaaAA
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luveline · 8 months
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𝐡𝐞𝐚𝐫𝐭 𝐬𝐡𝐚𝐩𝐞𝐝 𝐢𝐦𝐚𝐠𝐢𝐧𝐞 —send me a shy!reader request for any character (with a plot) and I'll write a >1k drabble
sirius/james introducing shy!reader to remus. and shes just like quiet and in awe, but remus loves it.
luveline's 40k party ☆ tysm for requesting! remus x shy fem!reader
James is used to your personality after months of being your lecture neighbour, unperturbed by your quiet. "It's going to be fun," he promises, handing you a cold glass of cranberry vodka. "They're nice, okay? I won't let anyone irritate you." 
He's hosting a party and had the generosity to invite you round early. He's easing you in, so to speak. It took him two weeks of steady Hellos for you to work up the courage to say Hi back, another two weeks for small talk, a month before you felt comfortable speaking to him first. If you're that shy, a party is basically torture.
"It's not about irritating me," you say. 
"I know, I'm messing." James lists his head to the left. A second later, there's a knock at the door. "Aha. Wait here, shortcake, there's someone I want you to meet." 
"James," you say after him, wet from your glass leaking down to your sleeve, "what?" 
"I asked him to come early and say hello! He's quiet and handsome and you'll love him, just don't stare at his nose." 
What's wrong with his nose? you think, alarmed. 
James opens the door. Two new voices emerge, one scratchy and a little high, the other smoother. "I need to pee so bad," the scratchy one declares, followed by bounding footsteps up the stairs. 
"You alright?" the smoother asks.
You think there's patting, a hug, "I'm brilliant! You smell really nice, Remus, like a garden." 
"Lovely."
"In a good way! Come and meet my Y/N, you remember I told you about her nice gel pens?" 
James leads the smooth-voiced Remus into the living room. You hurriedly put down your drink and stand, wiping your wet hands in your shirt. You cringe at the darkening fabric but hide your grimace as they stop in front of you. 
"Remus, Y/N. Y/N, Remus," James introduces you both. 
Remus has a scar across his nose that seems cruelly cut. There's another beside it that starts in his upper lip, both of which end in his eyebrow. You know how self-conscious it feels to be looked at, so you manage to smile and offer your hand without too much of it. He's handsome with his scars, a nice nose with a ridge and brown eyes the colour of caramelised sugar.
"Hello," Remus says, shaking your hand. His is big enough to make yours feel small. 
"I invited her early because she's more fun than the rest of our lot," James says, throwing himself down on the sofa and kicking his legs out on the coffee table. 
Remus taps your elbow very gently as if to usher you to sit and sits down beside you, enough space to be casual but too little to stop the rampant nerves that blossom in your stomach. 
Remus asks about your life. What you're studying, where you're from, if James is being nice to you. While James is touchy in the rough older brother way, scrunching your shoulder and shaking you when you're not expecting it. Remus is touchy in a different way, you find, almost as if he doesn't know he's doing it. His shoe bumps your shoe, his hand falls down between his outer thigh and your own, his knuckles touching your jeans very lightly. He spins in his seat to talk to you. 
You don't notice other people arriving, nor the scratchy-voiced friends return. All you can do is look up at Remus with wide eyes. Your nerves meld to something warmer. 
"And what do you do?" you ask him. 
He smiles like you've wandered into a secret. "I'm trying to write a book." 
"He's being a bit much," Sirius says to James, the two now loitering in the doorway with matching beers. You and Remus chatter on, unaware of their running commentary.
"It's a very strong reaction. I knew she'd like him, but I didn't think she'd like him like that." James takes a sip of his drink. Remus asks you a quiet question. You duck your head, playing with your sleeves, and Remus, the bastard, ducks his head to follow your gaze, smiling at you all the while. 
James almost chokes, pointing his bottle toward you both as though Sirius isn't already looking. "He's eating it up. I forgot how flirty he is."
"She'll be nice to him, won't she?" Sirius asks, like it's a done deal. To be fair, Remus seems enthralled with you. 
"Definitely. She's very nice. Oh, look, that's sick, she's gonna pass out." James winces as Remus takes your arm into his hand. 
Remus wouldn't do anything cruel, but James wasn't joking when he told Remus that you were exceedingly, achingly shy. He's about to step in and rescue you, but you turn into Remus' touch and pull your leg up on the sofa to make yourself comfortable. Your voice is animated, if quieter than the average person's.
"Woah," James says, beaming.  
Remus flirts almost as a defence, like he wants to get the rejection over and done with so he can move on. You've yet to reject; you're looking up at him in moderate awe, your lips quirked into an easy smile. 
"Boo!" James calls, flicking his bottle cap at Remus, who brushes it away. "Took me three weeks to get a smile out of her," he mutters. "What a dick." 
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illdothehotvoice · 10 months
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Cannot wait to pretend to be normal tomorrow since the direct is literally 2 hours before my stream lmfao.
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theminecraftbee · 3 months
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"So, and I can't believe I have to be the guy to point this out," Doc starts hesitantly.
"Terrible start! Go on," Cleo says.
"But you seem to be one of the only sane people left right now," Doc continues.
"Even more terrible, although I appreciate your delusion," Cleo says.
"And I have to--you know, if you're going to make fun of me for bringing you a problem maybe I just won't. I can solve it myself. I basically solved the moon thing myself," Doc says. "I am trying to be responsible before this turns into a whole thing."
"Doc, you came to me. Did you want anything that wasn't me making fun of you? Because you know, if so, I really feel bad for you. I already feel bad enough for you that you think you actually managed to do anything at all about the moon thing."
Doc throws his hands up. "I am trying to warn you the ocean is evil! It's important! This is important!"
"The deep sea being evil isn't new," Cleo starts, "I was building Atlantis last season--"
"It sent, sent, salmon people to kill me!"
Cleo stops. They look Doc in the eyes. They search for any signs of deception at all. It's a little hard to tell, on account of Doc only having one eye even capable of expressiveness, and his face being the opposite of human, but...
"What?" Cleo says dumbly.
"It was like, like, Beef and Skizz, they were crazy! They were talking about a giant fish and how I shouldn't defy it. And I was like, what is a Big Salmon? I don't know, man, but they're ocean mobsters. And then I started looking. It's not just them. It's not just them Cleo, it's everyone. The ocean, man, it's evil, it's getting everyone. I've, I've made a list. Grian. Have you looked at Grian lately?"
"I think if we were worried about every time Grian got possessed then we wouldn't have any free time," Cleo says hesitantly.
"Right, right, but it was supposed to be Demise. The killing each other, all of the killing each other. I thought, oh, that'll get it out of their systems. But it's not just him Cleo! It's--have you seen Gem? She's all, oh, I will build a boat. Oh, I'll provoke the creatures of the deep. And then. Do you know what I saw all of Team ZITS doing? Fishing!"
"Doc," Cleo says, increasingly concerned for him. He looks... disheveled.
"And not just fishing, oh no. They were standing in the water fishing! And Pearl! Have I mentioned that Pearl is dressing up as a salmon? I mentioned that, yes? The salmon Pearl?"
"You hadn't, unless that was the big fish thing," Cleo says.
"No, that was something different, I think Pearl is maybe a different salmon."
"Sure, okay, more than one salmon, that makes sense," Cleo says dryly.
"And everyone, they are fishing each other around the ocean, yes? Etho is in the ocean! XB is in the ocean! I think I saw Joe crawl out of the ocean earlier, he was all wet and haunted! Surely that is a sign the ocean is evil."
"No, he's just like that," Cleo says. "Also, I did the fishing rod thing too. I think it's just... normal fun."
"They're getting you too. My assessment that you're the sane one. I've said too much."
"I think you need sleep," Cleo says. "Doc, there isn't an ocean-based conspiracy. It's the start of the season. You know we're just like this."
"That's the thing, I can't sleep," Doc says. "I can't. I sleep and I see it. I see it, lurking beneath the waves. It's calling for me Cleo. It's calling. And when it calls, it seems so--kind. But then. But then! I wake up, and I remember the shape of it, and..."
Doc shudders and stops talking. Cleo looks at him a moment longer and then, like comforting a nervous animal, takes his shoulder.
"You should take a nap. It's the start of the season. You're over-stressing yourself. Too much too fast?" they say, as soothingly as possible.
"It's coming for us," Doc says. "It's coming. I don't want to ignore it this time, yes? What's coming for us. We should--we should--"
"Even if it is, Doc, I don't think we can fight the ocean. Come on. Maybe sleeping in my base will help reset your brain."
Doc shudders, but lets Cleo guide him inside. They watch until at last he falls asleep fitfully before shaking their head and sighing.
"A giant fish that was trying to kill him. Honestly. I don't know where he gets these things from. Always a conspiracy with him..."
They decide to go to Ren. Ren knows how to humor Doc. Surely they can get in their ridiculous games again, and Doc will forget all about this. Doc would enjoy the Ministry of Ministries. Maybe he can be an anarchist or something. That would be good for him.
Doc cries out in his sleep. Cleo turns to him.
Then again, they have this strange sinking feeling in their stomach. Doc's... awfully worked up.
But it's Doc.
Surely it's nothing.
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salemoleander · 6 months
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I am BARELY resisting going full red-strings-corkboard on this season. And by barely resisting I mean not resisting at all here is an extremely long list of the events those pins would be marking out.
BigB getting a Task that was a different color than everyone else's. It's not just a randomly assigned Hard Task, bc Scar rerolled for a Hard Task and his was also just a white envelope. It's fundamentally different.
That task taking BigB away from socialization, and seemingly being an incredibly time-consuming and dull request. Of profound disinterest to any watchers.
The phrasing of his Task!!
Dig a big hole. All the way down. At least 3x3. Make it your base if you want.
Everyone else's are direct and formal - the only one with more than one sentence was Skizz's, with the rule clarification of "One attempt only." Bigb's Task is four short abrupt sentences. It is also the only Task to contain extraneous information, 'Make it your base if you want.' The requirements (at least 3x3) feel like an afterthought to mimic the numerical/specific demands of the other tasks.
Evo symbol on the face of the Secret Keeper statue.
The fact that there's a statue at all; the fact that there is a physical representation of what is assigning tasks that everyone must complete, when previously everything was always handled via commands and unseen RNG.
Grian talking to the statue, and (bc of his Actual Role as game organizer) acting as a mediator for the impartial decisions handed down, speaking for it.
Grian making one last bad joke and saying he doesn't know if it counted or not- depends on whether we the audience laughed.
Grian asking for task recommendations from the audience. The watchers are making the tasks. The Watchers are making the tasks.
Again I could be off-base, and I'm not usually even that smitten with bringing in Evo lore. I don't want a Big Bad really...but. It feels like something very unusual and intentional and cool is happening in this series. And I'd guess we'll know if theres something going on once we have more than one data point.
My largely unfounded suspicion is that there is another being (maybe Listeners, maybe something else) trying to reach out to the Players via decoy Tasks, and BigB was the first recipient. Get them alone, make them of disinterest to the watchers, and tell them something we don't get to know.
Because that's the really, really fucking cool part (if my wacky theory is remotely right): We're the bad guys. We're the ones giving out tasks - hell, we're the ones actively brainstorming harder and crueller tasks in Grian's comments!
If they actually made a story where the Players have to keep secrets from us I will be delighted. Bc that is the same genius bullshit that made Evo Watcher lore so fun
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hedgehog-moss · 4 months
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In previous years I've tried uprooting small fir trees in my woods to use as Christmas trees, making sure to be gentle in the process and keep as much of their root system as I could, but when I replanted them in the woods later it just never worked. The trees didn't appreciate being treated like this, so last year I didn't even try replanting my Christmas tree and just fed it to the llamas (who did appreciate.)
I meant to do the same this year, and on my to-do list this week I had "cut a Christmas tree" and "get rid of 10m2 of broom plants" (this is on my to-do list in perpetuity. They grow so rampantly, if I didn't fight back there would be no pasture left.)
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^ But then after I went and cut a bunch of horrible brooms I thought, well this is absurd, I'm going to kill a perfectly nice fir tree that I have no beef with, to have something green in my living-room for Christmas, when I could humiliate my plant nemesis by festooning its slain offspring with tinsel? I mean, shrubs are green. They fit the bill. I bet with a star on top they could pass for a Christmas tree.
At first I tried to cut a tall and large broom, then poke holes in its trunk with my drill to stick smaller broom branches in there like this: \o/ to give it a rough Christmas tree shape. It didn't work. Brooms as it turns out are extremely dense and fibrous and my drill didn't like drilling into them one bit.
So I lowered my expectations, and started gathering a big bouquet of younger brooms (the only positive aspect of broom invasiveness is that I have an infinite number of shrubs to experiment on. I cut a half dozen of them to try and drill holes into them and by the time I gave up, another two dozen had grown back in their place). I tied up my broom bouquet into something vaguely reminiscent of a fir and, I mean, with a star, it sort of looks the part?
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I had to do the tying-up part several times, because the pretty and festive golden string I initially used was too weak. This bouquet of broom branches may look placid and easygoing in photographs, but when tied together tightly, it is determined to free itself.
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But I managed to tame it using hay bale string. It didn't look happy with its fate, but I mean, it's a broom shrub. Its only ambition in life is to conquer as much pasture territory as possible and add it to its broom empire. It does not want to be a decorative plant in a living-room.
Take any historical figure who was mainly known as a ruthless conqueror and try to picture turning him into a Christmas tree. He won't look happy about it.
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I ended up making two Christmas Brooms, one for the greenhouse and one for my living-room. The greenhouse one was originally meant for the living-room, but it was made up of particularly obstinate Pampe-like branches and I was worried one of my cats would poke it and the "tree" would suddenly break its chains in an explosion of vegetal triumph and traumatise the cat.
It may look like a peaceful Christmas Yew in the below pic, but don't underestimate its very strong desire to free itself from even the tough hay bale string, which forced me to use my garlands to tie it up some more, wrapping them around the "tree" less loosely and festively than usual. But I put my biggest star on top and that means it looks like a Christmas tree. A Christmas tree with a restraining order.
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This tree is held together with tinsel, threats, and Christmas magic.
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In the dark and from afar you really can't tell it's a bunch of unruly invasive shrubs tied together <3 And here's the much thinner and therefore less angry version in my living-room:
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It was tilting to the left somewhat worryingly so I put a heavy stuffed hedgehog at the bottom to stabilise it, and a mountain goat at the top to dissuade it. All hands on deck. They both look somewhat petrified, like they are begging the faux-tree to remain a tree for the duration of the holidays...
Thus ends my Christmas Broom journey. It was a bit of a pain to set up but at least an innocent fir out there got to escape a grim fate (devoured by llamas), and a small gang of invasive shrubs get to be looked at with approval and joy for the first time in their life. It's a win-win.
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justonefeather · 1 year
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I didnt want to like derail or overtake a post by adding tags but my brain is trying to process this and I'm "talking out loud" about it here..
Regarding like unlearning all of the things society decided to imprint on me/us about black folks and poc. I wish had like. Concrete steps i could read so i could take them, if that makes sense. Like i try to be good at learning people-related things. But it's hard to understand when someone says you should just know [x] because it's not like i wouldn't love to know or I'm not trying to figure it out. I think it's one of those "things you don't know you don't know" situations. Like I understand that a lot of the way our society is built is detrimental to many peoples ability to live and live comfortably. And i understand some things will effect other people more than me because of things like their skin or heritage or some other trait. l guess i don't know how to find like. The answer to how do I make things better. Being considerate is cool but i feel like it's not enough. I just don't know how to get to what would be enough? And i don't know what string to put in a search engine in order to find that.
#Like i can try to tell my family hey that's really fucked up to say but does it matter if they don't listen to me? Because they never do#I can show up for events and protests and try to ~vote~ but does it matter when those don't produce change? Bc again- they don't#I wish I could really really read more like a whole book without taking a fucking Adderall so that my brain doesn't quit on me and i#End up reading the same paragraph over and over for 30 minutes but it stops looking like words and i can't understand the sentence#Although that last piece has gotten worse with whatever brain fuckery has been happening and idk if that's actually ADHD related#It's just i guess like ok what can I do as in what is there out there that would help that i could be capable of doing#I genuinely not-joking want to know because i feel like it's not enough but i don't know what enough looks like for an individual's actions#And i don't want to make someone do work for me by asking them like to make me a fucking list? Ideally someone out there has already#And i can look at things and be like ok this is something i can do right now and i can work on this one too and get better at this etc#But without examples i don't really know where to start and my brain gets kind of overwhelmed thinking about large things in general#Even little (relative to society) things like cleaning my whole apartment. If i don't break into smaller chunks of tasks i get panicky#so i would like to do the making big tasks into smaller steps thing with big things like this. But i don't know where to start#I will have to try to think on it but without having the experiences i might think.. not accurately (not sure how to phrase this)#Like i said this is me talking to myself and does not need a response I'm just wishing i was better at this#Also I'm sorry for people who read my paragraphs of tags. Idk if anyone does especially when they get long like this. But I'm sorry x.x
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stars-in-a-jam-jar · 12 days
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I don't think Buddy asks Helio any questions.
Kristen asked 'Why do bad things happen to good people?' because she believed in all the good things she was taught, but noticed the strange disconnect between the world as it was and the world as it was taught to her. So she thought, surely, if I can't come up with the answer, Helio will have it. And she hates him for dodging her question.
Buddy is far more deluded than Kristen ever was. And he is far, far angrier inside as a result, even if he deliberately conceals this fact from himself to protect himself from the inevitable mental breakdown this would cause. Buddy is not as altruistic and giving and caring as Kristen is. He wouldn't question why he was betrayed or dig into a question like 'Why do bad things happen to good people?' Those aren't the answers he needs, because of course he'd be betrayed by someone outside the church, that makes perfect sense. Of course bad things happen to good people, we simply live in a fallen world.
Or, well. He used to live in a fallen world. Now he's dead here. In Helio's divine domain.
I think Buddy, as he wanders through fields of corn to the big farmhouse where Helio is chilling out, privately thinks about the fact that Kristen Applebees' horrified expression was the last thing he ever saw before a sharp pain in his throat. I think Buddy assumes Helio knows he's thinking this and apologizes for bringing thoughts like that into paradise. I think he thanks Helio for recognizing his devotion and bringing him here once he died and dutifully deceives himself about his own rising emotions at contending with the fact that he's dead now.
After all, he was raised to die. He was raised to want to die.
To want to be here with his god whenever it was he called Buddy to him. So he doesn't feel upset, no, of course not. He's just a little surprised at how sudden it was. (How completely random. How unceremonious and unfair.) He's a little bit worried how his grandparents would react to the news is all. (He cracks a joke that maybe he'll see them here shortly after they do get the news. He doesn't laugh at it.) He had his own plans for how he'd spread the good word in life, but of course, Helio had other plans. (Nothing Buddy ever wanted really mattered. He knew that, he knew the will of Helio was the real thing that mattered, and everything else was just a small list of preapproved extracurriculars in the syllabus of his life.)
He can't be upset about this.
He shouldn't be upset about this.
This is his reward.
This place and these people and this god are his reward for a life of service and devotion and walking in the light.
It's not his place to be upset about his own reward. Kristen got upset when she went to heaven, when she met Helio, and look where that got her.
Look... look where that got her.
He thinks he hates her. For looking at him like that. All the ways she looked at him. Like he was something pitiful and contemptible. Someone she needed to threaten away from her little brother. Someone she has to double and triple check if he's going to revive her when he's under magical oath to do just that or lose his connection to a divinity she threw away after being chosen.
And then. In that last moment, she looked at him and he saw grief and horror and caring. Like his death was awful and unfair and tragic.
And he thinks maybe he hates her for that. For challenging him every conversation they had and looking at him like she knew something he didn't. Like she was above him. Like killing your own god twice in life is a preferable fate to living for the promise of eternal sunlight and cornbread in death. A promise which was kept to him.
Kristen was promised to Helio, too.
And he can't unsee her face. He can't move along and focus on what truly matters (Helio, the church, spreading the word, doling out divine punishment when needed) because he's reached the end. There is nothing left. Only this bright sunny cornfield and a god who... is nice. And who cares about him, personally. He got Buddy's name wrong the first and only time they held audience.
He thinks he hates Kristen, and he hates that that hatred isn't immediately squashed out of his soul just by being here. In paradise. Where he belongs. Where every follower of Helio belongs. Where he never has to have anyone look at him the way Kristen did ever again.
I don't think Buddy Dawn asks Helio any questions. Because how do you ask the god you devoted every waking minute of your life to, 'Why do I hate it here? Why does this feel like hell?'
(There's a part 2 now that the next ep is out >:3)
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inkskinned · 2 months
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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
i love you, keep going.
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mr-ribbit · 2 months
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gonna rant again bc im seeing a lot of trans women on my dash having to carry the heavy lifting to argue for their basic respect and a lot of other queer people who want to ??? get mad about that apparently. for the record as usual: im tme, im not speaking for anyone besides myself and my perspectives, but I am trying to reach out to fellow tme people to level with y'all from inside the house.
i thought we all got past the 'calling people gendered terms when theyve asked you to stop' thing in like. 2012. i swear we were allllll on board with not calling women dude anymore, nerfing sir and ma'am, neutralizing collective terms for groups, and all of that was like, during the onceler era. that's how we got off-putting shit like folx into the mix - remember???? why are we here again.
to those who I've seen claiming that they REALLY genuinely don't want to offend anyone, and that theyre trying to understand the dude thing, and they don't want to be seen as transmisogynistic when they aren't: ok. let's talk about it. step one, stop sending that really loaded anon to a trans woman you don't know, and close that in-group hatepost with 100 replies from people name-dropping trans bloggers they don't like. try to open your mind and assume for the duration of this post that I am not cynically trying manipulate thousands of tumblr users into making Bro the next big swear word, but a fellow queer human being who thinks you're all being pretty intentionally obtuse about an upsetting trend in our community
to be clear: this post is about the issue of trans women being called bro, dude, man, etc., particularly in recent tumblr discourse about transmisogyny, and the backlash they face if they get upset about it. this is also maybe moreso about the shitty ass excuses I see tme people make for why they supposedly can't stop doing this.
so let's go through some of the things I've been seeing people say they don't understand, supposedly in earnest, about this issue
"I DIDNT USE DUDE AS A MASCULINE TERM. I CALL EVERYONE BRO. MAN IS A GENDER NEUTRAL TERM"
I'm not actually going to exhaust my list of reasons why dude/bro/man are not strictly neutral, but you should be pretty aware that all words have context. Dude might be seen as neutral in many contexts, sure, but 'woman who is frequently called a man by others' is a situation where the context adds extra meaning to your words, just like calling someone "sweetie" might be neutral in some cases, but if you've got the context of knowing that's your coworker who's half your age, it's a bit less neutral. If you're not capable of reading that context and being tasteful about when you say dude, then you need to at least be ready to respond gracefully when someone asks you to stop. This is the part I'd rather focus on.
"BUT I DIDNT MEAN IT THAT WAY. IM NOT TRANSPHOBIC"
I think you should consider broadening your perspective *beyond* your intention behind the word. people may already understand that you meant the word neutrally and therefore didn't have transmisogynistic intent, but that's not really the entire scope of what people are saying. if that's your only concern, you're just trying to clear your record, not actually listen to what they're saying.
there are lots of words people don't enjoy being called, and in most cases, when they say 'pls don't call me that', people respect that and move on. even if the word isn't a slur, if it hurts someone's feelings, we all as a society have agreed that it's pretty shitty to keep calling them that. if your friend asked you not to call them 'buddy' anymore because their dead grandparent called them that, or something equivalently personal, you'd probably respect that instead of telling them 'but I call everyone buddy!!' right? even if you didn't really understand why it bothered them so much?
there is a prominent tendency for trans women to be denied this privilege, and when they ask not to be called dude or bro, people don't seem to respect this request as much as they would in other situations. when I accidentally use a gendered word and someone tells me they don't like it, I try to respond with something like "my bad, I didn't mean it as misgendering but I can see you were still bothered by it, so I'll try not to keep saying it. sorry!" and most people are willing to accept that. when trans women ask people this favor, a lot of people get VERY defensive, and treat the request as inane or unfair, instead of just apologizing and moving on. this is why people are upset when this happens, and it's why people are calling your actions transmisogynistic
also like you might not be doing this, but a lot of people DO use dude and bro in an intentionally gendered way to make trans women uncomfortable. it's a power play bigots use to talk down to them or otherwise maliciously harass them. do you know what arguments they use to defend that behavior when called out on it? 'oh I call everyone that' 'dude is gender neutral calm down' 'dont overreact its just a word'. by acting like this, youre all just giving credence to those same arguments.
"WELL THEY SHOULDNT GET SO MAD AT ME WHEN I DIDNT MEAN ANY HARM"
they can get as mad as they want!! also, are you sure they're 'mad'? or are they just expressing their feelings about a negative topic to you, and it makes you feel bad, so you have to make them out to be unreasonably emotional? how do you think they should have phrased 'dont call me that' to better spare *your* feelings?
also like, in most cases, these women do not knowww you. if your main response to someone saying you disrespected them is to say "I didnt mean it that way, I meant it in a friendly neutral way", well that's NOT YOUR FRIEND! she has no idea what your opinions are or what you think of her!!! she has no reason to assume you only upset her in a friendly way and not a bad unfriendly way! but she did get upset, and she did the one thing she can do which is *tell you what upset her* and your response is to say "well actually you shouldn't be upset at all"??????
and another thing:
it's not just the issue of using the word 'dude', it's because you're coming off extremely dismissive of women who have asked you to stop doing something that harms them, and because your argument is basically that they just shouldn't be so bothered by it. or that they're stupid, irrational, or otherwise crazy for telling you that it bothered them at all, just because you Technically used a gender neutral word according to Your Rules. be honest, does that seem fair? If people were calling you something that bothered you enough to ask them to stop, and they responded like this, how would it make you feel?
focusing solely on your intent and what the words mean when you use them is the same thing as saying "just get over it". no woman should need to Prove to you that 'dude' is gendered for you to care about what she's saying. the fact that you're asking people to do that sucks and makes you look bad, which is why people are arguing with you and calling you a misogynist.
especially those of you who are only doing this with trans women who are actively arguing with. you're wielding misgendering as a cudgel and we can all see it, grow up please.
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ghouljams · 4 months
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Sin Summer (Ghost) Rating: E (MDNI) Words: 3.8k Tags: Ghost x f!reader, tinder au, oral (f!receiving), piv sex, fingering, dirty talk, meet and fuck, pwp, reader sleeps around and no one blames them Summary: You finally meet up with your faceless tinder guy and he quickly takes the number 1 spot on your hookup list. a/n: When I say nothing is abandoned I mean NOTHING. Part 1, Part 3
You're a little nervous when Saturday rolls around, but not any more nervous than you usually are. You're meeting in a public place, and if things break bad you can always scream. Hell if things break good Ghost promised to have you screaming. So one way or the other you get to be loud.
You don't even know who you're looking for, standing outside the bar and waiting for someone to... grab you? Usually you have a photo and can look around but Ghost was insistent that wasn't going to happen. You stare at your phone, at the open tinder dm and the promise from Ghost that he'd find you. He better not be a catfish or you're going to have to do some serious soul searching on your ability to be fooled on this app.
A large firm hand touches your shoulder and you quiet your startle response to something more reasonable for someone camped outside a bar.
"Easy love," his voice is so deep and rough, you pray this is Ghost, because you have to hear this voice dirty talk you. You have to look up to meet his eye. Which is just about the only thing you can meet since he's wearing a mask. You recognize the bottom of it, sort of, from one of his pictures. If nothing else the skeletal jaw print sort of lends itself to a name like Ghost.
"Ghost?" You ask hesitantly, if it's not him you'll sound like an idiot but the way his brows raise at your question give the same answer his voice does.
"The one and only."
"Faceless in person too, huh?" You really don't know what to say, never know what to say at the initial meeting. You both know what you're here for, but it's not like you can really say it.
"Try to be. Still got a mouth under here though, don't you worry." You feel the heat bloom over your cheeks at the same time you notice his eyes crease at the corners. You think he might be teasing you.
"You pull it up to drink I guess," you fish for something to say. Ghost shakes his head.
"Only comes off for one thing tonight sweetheart, and it's not drinking." His voice, God his voice, you think he could read the ingredients on a shampoo bottle and you'd get off on it. Your stomach clenches, eyes darting to his army fatigues. You really hope those are just for fashion.
"What the fuck are we at a bar for then?" You ask a little breathless. Ghost stares up at the bar sign.
"Gotta at least pretend I'm a gentleman," he tells you, "you said we were near your hotel, yeah?"
You grab his hand and very nearly drag him back to your hotel. Fuck it. If he is army you're not getting fucked in a barrack when you've got a perfectly good mattress at the hotel. You're sure he'd appreciate a shower with just the two of you in it as well. If he even wants to spend the night... do you want him to spend the night? If it means morning sex then absolutely.
It turns out Ghost's mask goes up for more than one thing, though you're given very strict instructions to keep your eyes closed for at least half of them.
Eyes closed when he kisses you. His hands are so big, rough with scars and callouses when they cup your face and tip your head back. You think you feel scars on his lips too, the softness of them cut with a raised lines of something, but you can't bother paying too much attention to them. His kissing leads you to believe some very promising things about his head. Lips sliding against yours firm and hungry before you try to get a breath in and he doesn't let you, deepening the kiss with an insistent tongue that makes your head spin from more than just lack of oxygen.
You love a confidant man. A man who kisses you like you're all that he wants, that he needs. You both know you're more than willing, but he still kisses you like you need convincing. His tongue slides against yours, licks into your mouth; he groans when you suck on the wet muscle. Ghost makes a quiet noise into the kiss, soft and a little desperate. You don't know if you'd considered how much he might want you when you'd started this.
"Ghost," you sigh when his lips leave yours and attach themselves to your neck. He hesitates, like it's the first time he's heard his name said like that, before diving in to bite you, hard. You tip your head back further with a gasp, the ache of his teeth against your skin makes you squirm, makes heat pool between your legs. You shiver as his tongue rolls over the bruise, his hands tugging at the bottom of your tee. You're careful to keep your eyes closed when he lifts it over your head. "Pants too," you hum.
"Don't gotta remind me," he tells you, fingers already skimming your belt. He barely gets it undone before he pushes his hand into your pants. His tongue clicks admonishingly, fingers skimming your wet panties. You do your best not to follow the firm strokes. "You're really desperate for me, aren't you?" His low tone hits you right where his fingers do. You're glad you're looking at the ceiling and not him, the way he makes your skin heat.
"You're my type," you tell him honestly, hips following the rub of his fingers. Screw it, if he's going to tease you, you're going to enjoy it.
"You should get better taste." You wish you could argue with that, but considering who you brought home he's probably right. You settle on humming, not willing to make a solid noise of agreement or disagreement when he's got his hand down your pants.
You close your eyes when he moves, when he hauls you up to position on the bed. His hand covers your eyes, warm and calloused, and big. It's firm, steadfast, you're almost enjoying the makeshift blindfold situation. Ghost's lips latch onto one of your nipples, sucking and rolling his tongue over the hardening bud. The heat of his mouth makes you squirm, the bite of his teeth just at the edge of too hard. He sucks and laves his tongue over you like he can't get enough of the feeling. You let a whine slip free and he moves his attention to the other one.
His fingers rub you through your underwear, working you up to soaking with practiced precision. Three firm fingers dragging up and down your slit, stopping to circle your clit with each stroke. It's warm pressure that makes your hips cant, chasing the movement. He's teasing you, keeping you just at the edge of eager while he enjoys himself with your breasts. You squirm a little and his touch slides further up to occupy itself with the waistband of your panties. You pull your legs up to help him get them off.
Ghost seems to switch gears as soon as they're gone. His hand leaving your eyes to grip under your knees, settling your legs on either side of him and pushing them up towards your chest. He trails his mouth down your stomach, nipping and licking at the soft skin, leaving his mark against your hip before he slips between your legs.
Keeping your eyes closed makes it hard not to flinch when his tongue drags over your slit. Broad strokes as he tastes you, his fingers spread you open so he can wiggle it between your folds and you press your hips into his touch. The hot drag of his tongue as it circles your hole makes you squirm, which makes him chuckle, deep and dark.
"You want me to hold you down?" He offers, the sound of his voice making heat rush over your skin. You shake your head and feel his broad shoulders shrug, you slide your legs over them and squeeze your thighs around his head. You feel him turn and bury his teeth in the soft flesh of your thigh.
It distracts him, you think, when he releases his teeth he runs his tongue along your skin, kissing and sucking at your thigh. His lips are appreciative, even when you squeeze him again. He's teasing you, he's so close to where you want him, working you up without ever touching your pussy. Your stomach jumps, warmth from his breath ghosting against your wet cunt. "I know baby," He groans, "gorgeous-" He cuts himself off, his lips pressing against your leg again before they leave you.
You almost open your eyes again when he fastens his mouth over your clit. You're so on edge waiting for him to touch you that you curl into his mouth, your fingers gripping his short cropped hair. His tongue rolls over your clit sending shocks up your spine. Your stomach jumps and you gasp as he sucks at your cunt, tugging at your clit and kissing your slit. He stirs heat in the pit of your stomach with each stroke of his tongue. Ghost's mouth is like a furnace, one that seems desperate to avoid parting from you. You hardly get a break from his insistent tongue, the sucking kisses, and the groans of deep satisfaction.
Ghost doesn't stop for a second, and the constant attention winds itself tight in the pit of your stomach. You whine, tug at his hair to pull his mouth closer, to keep that delicious suction that makes you want to writhe. He hums around your clit as you feel pressure build quick, before you can even warn him. Your whining grows more insistent as everything goes tight then spasms against his tongue as you come. Ghost doesn't give you a break, tongue stroking your clit as you clench and shake under him.
You jerk your hips when you feel his thick finger circling your hole, and his mouth leaves you. Only long enough to click his tongue and settle a hand on your stomach. He pushes your hips down against the bed, and eases his finger into your still fluttering cunt. "Gotta open you up love, relax." He tells you.
His finger is thick, thicker than some of the guys you've slept with, and you let out a soft noise at the gentle stretch. Ghost hums his encouragement, pumping his finger in and out of your cunt. He kisses your thigh again; you tip your head ever so slightly down and he clicks his tongue again. "Eyes up," He reminds you. You tip your head back, though you ache to get a look at the mouth that so expertly took you apart. The mouth that seems to still be trying to take you apart, because as soon as your head is back he's licking your clit again.
Your too sensitive, you have to force yourself to stay still, though his hand holding you down helps. You can hear the wetness between your legs, from his mouth, from his fingers, from your drooling cunt. Ghost hardly gives you a moment to adjust to the feeling, crooking his finger to stroke against your walls while he sucks. You clench around his finger and feel his tongue lap a broad stroke over your cunt in return. He waits for you to relax again before easing a second finger into you.
The burn of the stretch, just a bit too soon, is perfect. His fingers tug at your hole, sliding slickly in and out of you. It's just enough to make you feel full without filling you. Fuck it's good. Ghost strokes your walls, his fingers easing the stretch with gentle movements. He presses up against your soft spot and you let out a breath. You can hear the smile in his voice when he mumbles,
"There she is."
It's the only warning you get before his fingers are thrusting into you with a purpose. Short, quick, and precise, hitting your sweet spot with every stroke. Your stomach jumps and you clench around his fingers. He sits back, his hand leaving your stomach to hold your legs up, keep you from gaining any leverage as your back arches and you moan. He seems to have a direct line to your pleasure center. Each stroke of his fingers tightens in the pit of your stomach and makes your hips squirm to try and get away from the unrelenting jab of his hand. He's quick and experienced, and your legs shake over his shoulders.
You suppose it should be a relief when he removes his fingers just before you come a second time, and settles your feet on the bed. "Wanna watch you squirm," Ghost's voice is rough, deeper than you've heard it before. His fingers are the same, only this time when you try to get away from them he follows you. You were already on edge but this pushes you over. You buck and squirm, forcing him to fuck his fingers into you harder and faster until you shake apart with a shout and a flood of wetness. It coats your thighs, you know it coats his hand. It makes him groan. It doesn't make him stop. "Again," He tells you, his fingers still working you up quick. You don't have time to recover, your legs only pull up against your chest, desperate to curl in on yourself as the pleasure turns to pain and then pleasure again.
You come with your head thrown back and your fingers gripping the sheets. You shudder as it rips through you without warning, and once again coats Ghost's hand. He draws his fingers from you, and you hear him suck them clean. Somehow the sound makes you shiver.
Catching your breath takes priority over trying to sneak another peak at your partner for the night. You're sticky with sweat, three orgasms in, and you haven't even been fucked yet. You're buzzing just at the edge of enough. A good dick would make your night. To your side you hear the rustle of fabric being discarded. Ghost getting undressed you assume.
"Can look if you want," Ghost's voice is ever so slightly muffled, and when you do tip your head to find him he has his mask on again. You must look confused, because he shakes his head with a chuckle, and glances down to unclasp his belt. "Wanna look you in the eye," He explains, "Hard to do that with your eyes closed."
It's hard to look him in the eye anyway when he looks like that. Your eyes scour over the swell of well maintained muscle and the soft layer of fat that covers it. There are scars too, a whole host of them. They cover every inch of him, slashed over his chest, stabbed in his side, bullet holes in his shoulder and thick biceps. If you had any doubt this man saw combat it was gone now. He must be military, maybe special forces, it explains the mask.
Ghost pushes his pants down and you... well you need to rethink some things.
In your experience men who are criminally good at giving head are making up for something. Men who know how to "open you up" even more so. You swallow looking at the cock hanging between his legs, so long and heavy that it didn't spring up when he shucked his boxers. His fingers wrap around it, giving it a few good strokes with your slick as lube, and you watch the motion hungrily. He's not compensating for anything, he's just a great lay.
"How do you want me," You ask, eyes focused on the movement of his cock as he bends to grab a box from his discarded pants. He hums, tugging a length of condoms out and ripping one off.
"I'll move ya," He responds, rolling the rubber over his dick. A little shiver rushes down your spine, you like a man who knows what he's doing.
Ghost does, in fact, move you. He grabs your hips and drags you to the edge of the bed, the movement so quick and self assured it makes you giggle. His eyes crease at the edges, he's smiling you think, and he keeps smiling as he settles a knee on the bed next to you. You're quick to wrap your legs around his hips, and he's just as quick to pull them off and settle them over his arms. His big hands knead at your thighs, the extra leverage lining you up perfectly with his cock. Despite the angle, you're not using any muscles to hold yourself up, that's kind of him. Less kind when he positions himself at your entrance and tells you,
"Need you to be a good girl and take it," You gasp as he pushes into you, splitting you open more than his fingers could ever hope to, "Think you can do that?" You nod quickly, warmth dripping like honey to pool in the pit of your stomach. He didn't stretch you enough, but you think that might be the point. The ache of his cock stretching you open lets you feel every fat inch of it, every vein that drags against your walls, eased by the slick of your orgasms. Your eyes roll a little when he stops and pulls out a little. You whine, clenching to try and keep him inside, to keep that delicious stretch. Ghost groans, swears under his breath and shakes his head.
You should have anticipated him thrusting the last few inches inside. The hard thrust slapping his hips against yours forces a moan out of you. You arch in his hold, shivery, and glance between your legs as he gives you just a moment to adjust. The thick curls around his cock brush against your overworked clit and you do your best not to squirm. Not that you have much opportunity to squirm when Ghost fucks his weight down onto you. Each deep thrust hitting something achingly good inside you that makes you moan and claw at the arms holding you.
Your brows draw together looking at Ghost, he holds your gaze, his eyes piercing, dark and hungry. He's almost daring you to look away as he pounds into you. You're pinned under him, your legs forced back as he leans over you and treats you to a fountain of praise: "squeezin' me so good," "takin' it so well," "pretty little whore," "made for my cock." Your eyes roll back, the hot punch of his cock against your cervix almost too much for you. He told you to take it, you can be good for him, let him use you after he got you off so many times. That doesn't stop your legs from shaking or your voice from screaming.
There's something covetous in his eyes, something animalistic in the way he fucks you. This round is just for him, and you can take it. You tip your head back, trying to arch your back. Ghost releases his hold on your thighs and grabs you by the back of the neck, folding you back onto his cock. "No, no, sweetheart," He rumbles, leaning to press his forehead against yours, "told you, you gotta take it. Show me how a proper slag gets fucked."
Somehow this angle makes his thrusts more precise, and you truly cannot move to try and escape. You can hardly breathe, his cock fucking all the air out of your lungs. His pace just keeps getting faster, and you can see the way sweat sticks to his brow. You dig your fingers into his biceps, his thighs, anywhere you can try to get a grip as everything starts to hurt too good. You let out a squeak as the heat compounding in your stomach drips out of you. A slow trickle of orgasm that breaks into a flood on the next stroke of his cock.
It's worth it the way he growls when you clench and flutter around his cock. Ghost's thrusts becoming sharp and uncoordinated as he groans out his own orgasm. He rocks his cock into you more gently, letting your greedy pussy milk him before he lets you go to pull out. You feel like a rag doll, the way you drop and splay on the bed to shiver.
You turn over onto your stomach in an attempt not to slide off the bed as you get your bearings. Ghost is quick to scoop you up and deposit you against the pillows, the condom tied off and tossed towards the trash. You're once again moved, positioned how he likes so Ghost can pull you against his chest. You sling a leg over him and cuddle close. He smells like sweat, musky in a way that makes you want to drag your tongue along his collar.
"Twenty minutes," He tells you roughly, "I'll talk about anything but work." You hum, occupied with dragging your fingers over his squishy pecs. He flexes a little and you tip your head to look up at him.
"What?"
"We still got a dozen condoms, no sense takin' 'em home." He raises a brow. You think you're getting better at reading him, you think he's smiling. The offer is light, but sincere.
"Long as I can walk in the morning," You smile. He tips his head, like he's thinking about it.
"We'll see."
When you wake up in the morning it's to a pounding at the door. You grumble and sit up to check the time. You're alone in bed, but the shower is running. Good, he hasn't left yet. Around round six you decided you were getting Ghost's number in the morning, maybe asking him out to breakfast, perhaps even dinner. The clock says six but your brain says it's ass o'clock and whoever is banging on the door needs to gtfo.
You drag yourself out of bed and swipe Ghost's tee from the floor. A souvenir, and a nasty habit you've picked up. You root around for a pair of panties and manage to tug them on as the shower shuts off. You're making your way for the door when Ghost pops out of the bathroom with a towel around his waist. You don't have time to admire the way drops of water trace over his back, or the way his hair sticks up at odd angles. He opens the door and leans against the jam.
"Dinnae dae that," Another low voice fills the room, there's something familiar about the accent, "Ya ask for a wakeup call, ya dinnae get ta glare at me."
"You're early," Ghost grumbles.
"Aye, was just so eager to see yer face LT." You pad behind Ghost and peak around his shoulder at the man in fatigues and an army green tee. You could recognize those eyes even if you didn't still feel his smile like an arrow through the heart. Icy blue in a way that makes you think he's from a different planet. Though you know it from your time in Glasgow.
"John?"
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