ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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okay but the realization that Howdy is actually a little bit of a scoundrel? a scammer even?? was like the BEST part of the update for me!!! his got a bit of spice to him i like that!
idk if it’s just me but it feels like it’s very important that Eddie was the only have like a extra audio thing on his character sheet in the neighborhood besides Wally and the You page?? like that feels significant somehow right??
i just really loved both Howdy and Eddie in these updates they were so great
GOD i know i know he's got some Kick to him! he's got Flavor! i love how he turned the common perception of his character on its side - everyone expected him to be wholesome and helpful and sweet, and then the update came in with the fuckin steel chair-
hmmmm i can see both sides of the beetle on Eddie's bio - the significance, and the possibility of it just being There because most pages had 1-2 bugs, and the audio was about Eddie. but ALSO its so so likely that is Was significant! i honestly thought so as well!
i mean, the beetle is very uhhh, Valentine looking? the prevalent heart shapes, the soft pink-yellow-white coloring, plus its an audio centered on Eddie and Frank. we already know FranklyDear is going to be an established Couple - so i'd agree that the significant is There! and if we lived in an alternate world where we didn't know about FranklyDear, we'd all be losing our collective shit over this and theorizing the hell outta it
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oh sometimes i'm overcome with the realization of just how sentimental a bitch i am
like i really am straight up just playing make-believe with these characters like they're digital barbies
okay so in Iona's inventory, i've had this necklace
since very early in act 1.
it was in Aradin's chest at the Grove, and it was the first thing "we" managed to get with the "I distract them with conversation/busking and you steal everything that isn't nailed down" act/trick I had thought up for her and Astarion. I thought it'd be kinda cute for him to, at the end of this test run, present it with a ~theatrical flourish~ once just out of earshot of its original owner, and for her to ~graciously allow~ him to drape it around her neck, as a hamfisted and silly act of mock-courtship they both know is false. (it was kind of a... "we both know what this is all about and where it's headed, but wouldn't it be fun to play make-believe and pretend it's something entirely different" type of thing.)
I thought it'd be cute, if a touch bittersweet for her to keep it, just slotted away in her little "sentimental items" pouch, like.... next to the dog toy, her old wedding band, and the other useless junk she couldn't bring herself to throw away or sell.
and then today, i found this as I was selling stuff in the Glittering Gala.
it's the same design. and i like to describe Iona's eyes as "amber" when I write about them (they're kind of a reddish/yellowish, pretty medium brown). and she looks much better in golds and reds than she does in blues and silvers.
so. um.
guess who got this bloody thing "sneaked" into her inventory at the long rest.
if you think i won't 1.) exit a trading screen abruptly, 2.) switch controlled characters, 4.) buy a silly and utterly useless junk item AS that character (thought about just picking her pocket but.... we have 35k gold. why would i.), and 4.) keep it in that character's inventory until it "seems like" the PC isn't "paying attention", and then 5.) drop it into their inventory "unnoticed", all for LITERALLY NO GOOD REASON other than just to act out a silly little gesture and support the little fanfic in my head, well.
you'd be very wrong.
((and i was grinning and giggling downright embarrassingly the whole time too))
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