Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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What are your ryomina headcanons? I've loved these two since I played P3 FES, and I'm so excited to get back into the fandom^^
hi!! thank you so much for the ask, welcome back to the p3 fandom, it's always a delight to see new and old ryomina fans alike! 🥺💛💙
as for headcanons, here's a "few" i that i tend to come back to a lot! my interpretations of them are influenced from both the source material and other's fanworks, so i've linked to them as i saw fit! hcs in no particular order under the cut because oops this got long (900 word bullet point list, mentions of reload content up to 1/1)
minato's hair is dyed blue (hair originally brown, you can see it in his roots!) and he has a beauty mark on under his left eye. i like mirror imagery and there's definitely a few arts i've rb'd that portray them this way :) (e.g. this one by feliichu and this one by marasschino)
as far as i'm concerned the bathhouse scene from the manga where ryoji's hair down = similar shape to minato? that is canon to me. this art from xierru is a fun depiction of hair down ryoji :D
ryoji is homeless. everyone say thank you foxmulder_whereartthou for this awesome fic it's why i have the headcanon! but like seriously. we have no idea where ryoji lives and i could believe this.
minato dying at the end of the game is sad to an outsider's POV BUT!!! ryomina gets to be together in death for the rest of their lives (this illustration from mafuwara is a gorgeous representation of them as nyx avatar + the seal)!
speaking of the seal, they are like telepathically communicating to me in the great seal together. (mymp3 had a comic wip with this. give it a looksie :D)
ryoji likes cuddling with minato because he's warm :) (something something orpheus has fire affinity, minato is warm by extension and ryoji is cold because he's death)
ryoji's camera roll is filled with pictures of minato! ryoji... loves life, to me. and i feel that photography and journaling are perfect ways of expressing gratitude and capturing the moments in life that are most important to you :3
my other favorite activity for these two is stargazing- i feel like it's something they could appreciate either in life or death (looking at the stars from the great seal...)! they do a bit of this in the fic eurydice's vow by crescentmoontea (P5R spoilers, takes place in third sem it's a very fun fic concept).
between ryoji and minato i feel like ryoji was the one who fell in love first- and it doesn't really click in place for minato that he loves ryoji until december hits (appriser reveal + ryoji transforming into thanatos). its about the realization that ryoji was with him for his whole life and that he gets him like no one else does.
ryoji is like a sad and wet puppy who is so scared minato won't like him back. he is so scared of being rejected by minato to me like. this boy straight up deflates after he does his "i know i said i wanted us to be friends, but... i actually want to be something more." / "what about you?" on 12/1 ???
AND SPEAKING of wet puppy ryoji. ryoji is like. every animal in the world to me. he's a bird. he's a cat. etc. and also ryoji knows every language in the world ever and uses it to express his love for minato. see this fic from superheroics to see what i mean.
both of them are lactose intolerant. "this isn't lactose, it's milk!" i definitely think ryoji would make himself sick eating ice cream and milk he doesn't know what lactose is. (i made a silly poll about this once and the tags were very entertaining.)
i see minato as transmasc or nonbinary depending on the day (schrodinger's headcanons babey they're simultaneously true and not true at the same time!!). either way he's not cis to me and ryoji is like. His Gender. anyway go read this fic by nail_gun for t4t ryomina :D !
ryomina are WEIRD GUYS TO ME!!! they are so strange and they understand each other better than anyone else because of the circumstances of their relationship!!! if you asked them to do the "i wonder what i taste like" meme i think they'd start biting each other (affectionate) tbh but that's just me.
after ryoji gives minato the music box in 12/31 on reload, minato listens to the music box every night in january. this boy has insomnia and also chronic illness to me (things that housing death does to you). but i think he finds comfort in the melody and memories he made with ryoji.
in general, i think it's fun to imagine minato taking ryoji to places and show him things he's interested in! i feel that ryoji takes a lot of interest in minato's life, this isn't really a hc because in reload, minato DOES give ryoji a tour of the school (11/9) and possibly port island (11/12). but ITS CUTE OK! (tangentially related fanwork: this series of doodles from vinnigami: 1, 2, and 3)
not a hc but minato's kindness is like the backbone of their relationship and i think we would not have the ryomina we know and love today if minato wasn't such a kind soul. oh minato.... we can learn so much from you... like ryoji did!
anyway! that's all the hcs that i could think of, thank you for the ask! i had a lot of fun answering this, these two mean a lot to me 💛💙
i hope you don't mind the links to the fanart and fanfic as well, the fanwork people have made for ryomina have really made an imprint on me! if you want to see more of them, i definitely recommend looking through my tag for them because oh. i got a lot of them reblogged alright 😂 (<- SOOO NORMAL)
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.” to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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☆ lost in orbit
{☆} characters tsaritsa
{☆} notes cult au, drabble, gender neutral reader
{☆} warnings violence [ implied ], unhealthy relationship
{☆} word count 0.6k
She had resigned herself to apathy – to burying her love beneath the cold, hard soil and letting it rot amongst the graves of a long dead civilization, burned to ash in only a day. Yet how quickly it all fell apart in her hands, slipping through her fingers like sand, no matter how desperately she tried to cling to it.
Was she not diligent enough? Was she so weak that she faltered at the first person who showed her genuine trust and affection? Had all her work been for naught?
A part of her revolts – the same woman who watched the sky burn and the ground beneath her feet crumble into ash. It would be so easy to wrap her hands around your delicate throat, to squeeze until you finally saw her as the monster she knew she has always been.
Yet she doesn't think she could. The look of betrayal, of fear..oh, it would ruin her, she knows.
Perhaps that makes her weak. Perhaps you have made her weak.
Perhaps she does not mind as much as she should.
You trust her, after all – enough to sleep in her bed like she couldn't just kill you before you ever knew what was happening to you. Your body was so..fragile, in this mortal shell you descended in. How easy it would be to snuff out your life, here and now.
Yet she doesn't.
Instead, she looks at you like an old lover – with all the love of a woman who had died in the ashes of a dying civilization, of a woman who thought she could love no longer. Emotions she fought so hard to suppress well up in her chest and fill the empty space where she knows her heart should beat. Try as she might – and oh, how she tries – she can never quite stem the affection that consumes her every waking moment when she sees you.
It is like an addiction that she cannot rid herself of, no matter how she tries. She always finds herself back at square one – back to you.
Her hand lingers against your cheek, undue affection filling the empty spaces in her chest until she feels like cannot breathe. She traces her hand along your jaw, her vision narrowed on the softness of your lips.
Yet that same thought rises unbidden to the forefront of her thoughts. Love was a dangerous thing – you both knew that. To let it fester and rot her from within..she would be throwing her plans out the window, and for what?
Because she was too weak? Because the affection and trust in your eyes whenever your looked at her made her feel whole, like she was more then just an Archon playing God with the fate of the world?
You do not even stir as her thoughts toil like a brewing storm. She swallows the lump in her throat, removing her hand like she'd just touched a piece of hot metal. A part of her still screams that it's for the best, that you've corrupted her enough, torn apart her plans in the span of a week, a mere blink in time..
But it goes silent as she leans in, pressing her lips to your cheek. She will not let the thought fester, tonight – she will let herself be weak, if only for another day. If only to covet the affection that she finds herself drowning in for just another day.
And when you stir, she pretends that she had never thought of it at all, that she has only ever known love with you. Even if her heart that does not beat leaves a stabbing pain in her chest in the agony of knowing that even this is futile..
She lets you wake, let's the recognition and the affection fill your vision until she is all you see – two stars locked in orbit, unable to break away.
And when the day comes that you collide, she will be holding the blade that drives into your chest, and she will know nothing but love when she does.
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