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#basically shark bois parallels
spacefinch · 2 months
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Magic School Bus/Wild Kratts crossover masterpost
Basically, @daiohficblog and I have been coming up with lots of headcanons that cross over the shows.
WARNING: This post is by no means organized.
How does everyone know each other?
First of all, Ms. Frizzle knows everyone. So of course she would know the Kratt brothers and the rest of the WK team (Aviva, Koki, and Jimmy).
The MSB kids are introduced to the Wild Kratts team during a whale-watching trip off the New England coast.
Phoebe's uncle, Dr. Cecil Byrd, is a traveling ornithologist from Australia and often bumps into the WK team.
Creature powers:
The kids all have their own creature power suits (which Aviva made them for Christmas one year).
Color schemes:
Phoebe: Red
D.A.: Violet (different from purple!!!)
Carlos: Dark blue
Tim: Cerulean
Ralphie: Green
Arnold: Yellow
Wanda: Pink
Keesha: Fuchsia/Magenta
Other hc's
Carlos and Mikey's sibling dynamic parallels Martin and Chris's dynamic. You have the older sibling who likes to goof off and the younger bro with slightly more brain cells.
First creature power the kids used:
Carlos and DA: Peregrine falcon
Ralphie, Arnold, and Phoebe: Red fox
Tim: Pine marten
Keesha: Rattlesnake
Wanda: Bullfrog
Family/pets/whatnot.
Phoebe and Ralphie are step-siblings in this universe. They also have the most pets:
Brandy (a grumpy old tortoiseshell cat). Dr. Tennelli (Ralphie's mom) adopted her before Ralphie was born. Former stray.
Joxter, a black-and-white tomcat. Brandy's son. Adventurous, but also lazy (rather like his namesake from the Moomin books). Good swimmer.
Renee and Megan: Two red foxes, rescued from a fur farm. Renee has the "normal" reddish-orange coat, and Megan is leucistic.
Jeanette: An old border collie (female). Another rescue.
Loretta: A black-and-white Newfoundland dog. 6 years old.
Charlie: a piebald ball python. (Not sure whether Charlie should be a boy or a girl.)
Fang: a male red-kneed tarantula belonging to Ralphie.
HC's continued (not in any particular order)
Carlos is very arachnophobic-- so he tries to avoid spiders at all costs. However, most other "scary" animals (sharks, crocodilians, snakes, bats, etc...) don't frighten him.
Martin and Chris have become somewhat of "elder sibling figures" for the kids.
Wanda is the water-lover of the MSB gang. She brings her snorkeling/scuba gear WHEREVER she goes.
Phoebe and Ralphie (AKA the Terese-Tennelli siblings) like to visit Ralphie's uncle Brian at the lake to go fishing. It's the same lake where the "Bass Class" fishing contest took place.
Uncle Brian (Dr. Tennelli's younger brother) is an expert fisherman.
In the fishing contest before the events of "Bass Class," Brian won first place in the local fishing contest, and Gavin came in third. Fortunately, Brian is a lot nicer about winning and losing than a certain cheater named Zach.
The WK kids of Frogwater Pond (Gavin, Ronan, Jenny, Katie, Aidan, and Nolan) are in this AU, and they know the MSB kids. (Since they know Phoebe and Ralphie, who come to their forest every summer).
Carlos has two younger siblings: Mikey (one year younger) and Maria (three years younger).
Mikey is a computer/tech prodigy, and as such, often helps Aviva with her inventions. He also makes his own inventions (for which Carlos is usually the test subject). He uses a wheelchair to get around.
Maria is the math expert of her siblings. She is also deaf and uses American Sign Language (ASL) to communicate.
Mikey might not be able to walk, but he's good at a lot of things: fishing, kayaking/canoeing, playing the piano, and more.
Phoebe and Carlos (the most avid birdwatchers of the MSB gang) have developed a "secret language" composed entirely of birdcalls. One key part of this language is that anyone using it has a birdcall that stands in for their name.
For instance, Phoebe's bird name is the eastern phoebe's song, while Carlos uses the northern cardinal's song for his name.
They also teach the birdcall language to Martin and Chris, who use the calls of the purple martin and pileated woodpecker, respectively. It does not go well.
Phoebe might seem harmless, but she isn't. She's been taking karate classes since she was little, and if you hurt any animals around her, RUN. In fact, she's rather like her avian namesake: small and unassuming, but a fighter through and through.
Wanda is even more of a fighter-- leading to the bird nerds in both crews comparing her to a kingbird.
The Ice Cream Run is a time-honored tradition of both the MSB gang and the Wild Kratts team. Some details:
The best Ice Cream Runs are at night. Everyone get in the car/bus/Tortuga and head for the ice cream store.
You do not want to interrupt the Ice Cream Run. Under ANY circumstances. (The WK villains learned this the hard way.)
Phoebe and Martin bond over the fact that they share their names with birds. (The eastern phoebe and purple martin, respectively.
Any time either of them sees one of those birds, they'll send each other a picture of said bird with the caption "this you?"
Wanda can pilot the Cheetah Racer and the Amphisub and the Buzz Bikes. She is not allowed in the Tortuga's cockpit.
Carlos can pilot most of the underwater vehicles (the Amphisub and the Manta sleds), but he always crashes the hoverbikes.
Mikey usually helps Koki with system maintenance of the Tortuga. (At least in the early days, when he's still learning how to make computer programs without any bugs.)
How each of the kids handles being captured by any of the WK villains:
Arnold: Carlos shows up and frees him. (The two of them are rock bros, and rock bros always have each others' backs.)
Carlos: Annoying them with horrible puns and messing with their tech.
DA: Smacks the villains with her books.
Keesha: Also resorts to punching.
Phoebe: Fury of the bird she's named after.
Ralphie: Smacks the villains with his baseball bat.
Tim: Escape artist.
Wanda: Crowbar to the face. (Nobody knows where she got the crowbar.)
Wanda has only been captured once. After that time, none of the villains dare to capture her again.
Pretty much all the MSB kids (Arnold included) will resort to violence or trickery if they're captured.
Carlos might be the goofball of the MSB gang, but he can switch into serious mode very quickly-- especially when one of his younger siblings or friends is in danger.
MSB kids from oldest to youngest: Carlos, D.A., Wanda, Tim, Keesha, Arnold, Ralphie, and Phoebe.
There is a 6-month age gap between Carlos (born in October) and Phoebe (born in April).
By contrast, the shortest age gap is between D.A. and Wanda, who were born one week apart in November.
Carlos's favorite creature power to use is peregrine falcon power-- to the point where he always keeps a falcon feather with him.
Tim is the climbing expert of the MSB gang. Wanda is the swimming expert.
Tim is also the only person in the "I Injured Myself Falling Out of a Tree" club (which comprises himself, Phoebe, Wanda, Carlos, and Chris) who has never broken a bone.
Every now and then, Carlos (dinosaur nerd) will contact the Tortuga to tell them he's seen a dinosaur. They know full well that he means birds.
Wanda rescues her pet bullfrog Bella from a shady pet store while Bella is still a tadpole.
As in the "Hopes Home" MSB episode, Bella escapes and goes off to live in the wild. However, Wanda can't help but worry about her.
HC that Bella escaped to Frogwater Pond, and the kids there keep an eye on her.
The "Gets Swamped" episode of MSB is also canon to this AU. After the events of that episode, the swamp Carlos helped save is made a nature preserve in his honor.
Carlos and Wanda are practically adopted twins, and they share a brain cell.
Wanda technically has two brothers, but she doesn't get along with them very well. She argues a lot with her older brother Henry (they both get on each others' nerves), and there isn't a lot she can do with her younger brother William.
Martin and Chris have substitute-taught Ms. Frizzle's class a few times. It ends up being just as chaotic (if not more so) than the days when the Friz is there.
This is all I have. Will post more headcanons if I think of more.
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Hi. I was talking with my best friend and we were going over the rogues of Young Justice and who had which person as their common adversary such as Tim with all of Batman's rogues being his and the point of it was that when they were all adults who would be their own personal nemesis? Batman has The Joker clearly, Superman with Lex Luthor, The Flash and Reverse Flash, Wonder Woman and Cheetah etc but what about the YJ crew especially Bart? Who would be Bart's main nemesis when he's an adult?
Did you forget about Thad Thawne?
Thad Thawne is absolutely Bart's main nemesis NOW in current, no matter how much Thad deserves and SHOULD get a redemption arc (which likely will never happen considering Fastest Man Alive is canon again).
I also really am hesitant to say Tim's rogues are just Batman's rogues because he ran into a lot of other people and themes in his own comics on a fair basis that there are other options available. Also it looks like the one responsible for Young Justice Dark Crisis (Mxyzptlk's son, allegedly) has already decided Tim is his nemesis (see Tim Drake's Pride Special).
***Edit*** Mickey was in fact NOT the person who Tim is currently up against in his comics. When this was written, it was assumed they were going to be the same.
King Shark (yes, he's a Superboy character) with Kay Fury as well as Amanda Spence (allegedly dead) are Kon's in his own comics but having them extend into the future with him as an adult is... iffy. His 2011 solo comic had Simon Valentine (his FRIEND) being setup as his Lex Luthor with a parallel narrative as well but meh, I really liked Simon and I just want these heroes to have fucking civilian friends and have their own rogues not just mirror their assumed mentor's.
Bart however is a little more tricky because in his own comics he rarely had reoccurring villains (Thad) that truly wanted to harm him (Thad), and many of them were more Max's adversaries anyway or were guest rogues.
We do have a few however but I do not foresee them as being a problem for Bart when he is older. But they could be brought back for fun.
For fun let's just explore a few interesting people from Bart's run that were presented as villains, see if they are a candidate for future rogue-ness, then I will tell you my own personal pick for his true nemesis that isn't Thad.
White Lightning
The first 'major adversary' we see is White Lightning who has some mild 'pheromone mind control' that allows her to manipulate men just like Poison Ivy, only she has not shown any murderous intentions.
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Impulse #80
She shows up early on in his series, and she shows up every now and then and is predominately a thief who uses adolescent boys to assist her in her heists.
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Impulse #4
She would make a GREAT current 'rogue' because she's basically a social media influencer. She uses the internet of 1995 to attract potential 'gang members', and she even has her own merch! This would translate VERY WELL for today for a morally gray rogue.
She's FUN, but she's not really a villain so she's out for being Bart's nemesis. She's more like a Robin Hood character than a true crook (a Robin Hood that KEEPS the money).
Likelihood of being a future rogue: 6/10
lmfao white lightning has her own merch but bart doesn't
Evil Eye Eddie/Wilfred Parker (once called "Danny" by his dad)
His first appearance is in Impulse is in issue #27 and he shows up on the regular up until the near end of the series. He's a very well written character that when he first shows up he is a thug and a bully that wants nothing more than to follow in the footsteps of his father, and grandfather (Dr. Morlo) and be a super villain, and a gang member.
As time progresses with him in the series, we see that he does not actually have the disposition to do what he needs to do in order to be that, but he still retains a shitty attitude which makes him more likable. He also has a friendship with Rolly that from everything we see is genuine and he does care about him. One day I'll make a meta post about Eddie because he's fascinating as fuck.
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Impulse #47
Evil Eye also finds out on his own who Bart is later and doesn't tell anyone about it so he's not a good candidate for being a rogue of Bart's later. Dr. Morlo couldn't even keep up with being Max's rogue and they instead have a divorced spouse relationship. It would be fun to have him back though. I want him to meet Stephanie Brown.
Likelihood of being a future rogue: 1/10
Pocket Pal
A better contender is Pocket Pal who was penned for issue #60 by the legendary Dwayne McDuffie (yes, Milestone's McDuffie. RIP).
His particular abilities were similar to Chester Runk's aka The Chunk in that he had a pocket dimension in which he could put an infinite number of things into. He was slick, angry, and a young thief who could definitely grow up into a regular rogue for Bart to deal with later.
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Impulse #60
I could absolutely see him coming back as an adult rogue for Bart to deal with on occasion. There's a lot of writing potential for a character that has a bag of infinite carrying.
Name's gotta change though. I like Supermassive (as in black hole) but I do not write for DC and I likely never will so Pocket Pal it is.
Likelihood of being a future rogue: 8/10
Honorable Mention: Shanela
Shanela first shows up in Issue #82 and she and her twin sister Shantay both have the ability to manifest illusions. Shanela is just an A N G R Y teen, and her sister Shantay is seen as the one who is constantly trying to keep her in check.
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Impulse #83
Shanela has a great narrative and she deals with a lot of internal teenage negativity and low self esteem. She does not really use her power to physically hurt anyone but she definitely has enough anger and hatred towards her peers to get to that point and probably would have had Bart not intervened. Her weakness it turned out was dogs as she is petrified of them.
She was a fascinating 'villain' and it would be fun to see her and her sister again; whether working together as some sort of hero team, working against each other, or simply being civilian metas.
Likelihood of being a future rogue: 5/10 (it's circumstantial)
And now... The person I feel personally strong about being Bart's rogue (other than Thad)...
Bedlam/Matthew Stuart
There's something about a Speedster having an adversary that has infinite power and ability through use of magic that just offers infinite potential when it comes to possible stories. It's terrifying and exciting. When it comes to this particular character however we have established history AND motivation and this character has already mentioned that he HATES Bart (and his friends) and will absolutely given the opportunity wreck his life just out of spite.
Good god don't let him team up with Thad.
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Impulse #85
For context here we first meet Matthew in the story that started Young Justice. JLA: World Without Grownups and he is supposed to be a brat even before he comes into his powers.
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Now, you can make the argument here that he is justifiably irritated that his father almost did not make it back in time for his 13th birthday, and that his family dynamic is not the best here, and there is probably some toxic dynamic but he's also a moody teen with some anger at the world that helps him along the path of being Bedlam. You can read this scene as him being a brat, or you can read it as him just being a normal kid dealing with loneliness and acting out. Either way, things go bad quick.
He comes into his powers by accident from that clearly stolen archeological artifact his father dug up, someone get Arthur because the Atlantean artifact contains the magical power of Garn Daanuth.
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He becomes possessed by this entity Bedlam and immediately changes reality to mirror something he finds fitting; one without grownups where children rule.
Eventually he is apprehended by Tim, Kon and Bart and it is Bart who is key to finally beating him.
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Matt remembers Bart very fervently when he shows back up 2 years later without the entity, but with all of his powers roiling through him (TLDR the actual entity was able to be born as a mortal human being and he ditched his magical powers and they went back to Matt).
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Impulse #85
Matt to me would be top tier level for an original adversary for Bart specifically considering he targeted Bart (and other members of Young Justice but not the the same extreme as Bart).
He has history, motivation, and a kick ass power that would be nothing short than mayhem any time he showed up.
Now YES he did technically lose all his powers (Bart again, foiled him) and they jumped into Bart's body, but there is no real reason to not have Matt regain the abilities in some way. These are comics, after all.
I feel that in a hypothetical scenario where Bart had to have primary rogue that was not Thad it would be Matt Stuart 100%.
So these are just my own thoughts and Bart certainly dealt with a lot more than just those I have listed but this was still fun to explore and I hope this got you thinking into the subject of hypotheticals and maybe it inspired some fan works.
Thank you for the probing question!
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moregraceful · 11 months
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if you could pick any inter-team pairing out of all of the professional sports teams in the bay area who would be involved? what is your personal most ambitious crossover event of the century lmao
omg amazing questions, thank you 🫡
Under a cut bc I suffer from can't shut up on the internet disease
1. This is such a good question because for a metropolitan area that is absolutely dripping with sports teams and social media admins who are up in each other's grill constantly, we truly do not have that many juicy inter-team pairings. like obviously you are a scholar who has opened the minds and hearts of hundreds to the truth of Tony Kemp/Mike Yastrzemski and that one is elite. And why are the San Jose Barracuda and San Jose Giants' cursed fucking mascots always acting out with each other. BUT I think my favorite might be Buster Posey/Steph Curry for the NARRATIVE PARALLELS bc u know I love a parallel. drafted to shit tier teams! dragged them to greatness! the fall from grace and then the return! and they are both so cute in such an American way! idk if you read that Tim Kawakami dream diary piece on the two of them a couple years back in the Athletic but it literally rewired my brain. Like I had a legit mental breakdown reading it.
the parallels have become less powerful with Buster Posey retiring, but I literally dream every day of a urban fantasy fic where they are arranged married at draft bc the Bay Area faultlines are held together by ARRANGED MARRIAGE and SPORTS MAGIC and they have to right the sinking ships of their teams to stop the Bay Area from being destroyed from an earthquake (just roll with it) and along the way kind of grow into love and grow into companionship. I don't trust myself to write it bc I do not know anything about the Dubs in the early 2010s and also am too cheap to subscribe to the number of local newspapers' archives I would need access to to pull this fic off. but I want it so bad
2. This is ambitious bc your team is in hell and my players are in hell and while I am starting to feel hope that the Vegas deal falls through I am NOT feeling hopeful about my hockey blorbos' chances of success in the Sharks franchise now or like ever... but basically I want Nick Cicek of A's Hat Wearing Fame to fall in tender love with an A's player (unsure who, I need to familiarize myself better with your boys) and for both of them to either spend their careers in the Bay Area forever OR for both of them to absolutely firework for a season and then they both get traded and all I am left with are memories and my tears, as is typical of a sharks fan.
This is also very ambitious bc hockey and baseball is a hard crossover event since their seasons don't overlap and most North American hockey players somehow all end up in either Michigan or Toronto to train during the offseason so why would Nick be in the Bay Area during the offseason?? How would they meet?? But I dream of him being an A's wag and riding the Bart in anonymity to see his boyf 🥲 Need another public transit romance. Like I romanticized Caltrain, it is now time for me to turn my attention to Bart!!
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ebaeschnbliah · 2 years
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FROM WATER TO WATER ... THE SIX THATCHERS
An attempt to unravel the Sherlock BBC Tapestry based on metaphorical reading
As mentioned in previous posts, this modern Sherlock Holmes adaptation seems to tell the story about the great detective in several cycles. In a very Matroshka-like way one cycle always leads to another. Based on the idea that The Sign of Three serves as the big turning point of the whole story, everything that happens before can be viewed as the basic cycle, the first cycle of the show. The following episodes, His Last Vow and The Abominable Bride, both individually take up certain motives prior to the ‘turning point’ in TSOT, in which Sherlock’s great ‘I’m in love’ revelation happens. 
The HLV-cycle (On behalf of AMO) focuses mainly on the ‘twin starting points’ of the story - ASIP&ASIB. The episode spans a bridge between the beginning and end of this modern adaptation as well as the beginning and end of the original canon tales. The following TAB-cycle (From plane to plane) takes Sherlock back to the Victorian Era, the time of Sherlock Holmes’ birth as a literary character. This episode deals first and foremost with the crux of the matter around which Sherlock’s whole case actually revolves. Jim, John and a supernatural monster from hell, represented by hound and bride, are brought right onto centre stage. At the end of this Victorian detour Sherlock willingly dares to face the challenge of the Reichenbach Cauldron - Rich Brook’s Cauldron - Jim’s Cauldron (Pot-Kettle-Cauldron). Baker Street 221b becomes a surreal place where two parallel worlds exist side by side and Sherlock takes up the investigations regarding his ‘pink case’ again in yet another cycle. 
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TBC below the cut .....
Series Four of Sherlock BBC consists, as usual, of three parts. It starts with The Six Thatchers, an episode that is significantly placed under the signs of water and change. Once again Sherlock deals with several main themes from previous episodes. Most noticable among them are a turbulent five-part case, very similar to the one in TGG, there are clear Baskerville-Thatcher-Hound connections, a differently revenge/hiatus repetition and  Mary’s death in the presence of sharks, that mirrors Sherlock’s from HLV. Those themes aren’t just repeated though, they get changed as well. Rewritten one might say. The motive of ‘rewritten and changed stories’ is even used as introduction for this episode. It starts with the announcement that the shooting at Appledore has been altered as a means to bring Sherlock back to London again ... back into the game. Immediately afterwards, alongside with the opening credits, Sherlock tells his childhood story ‘Appointment in Samarra’ while he walks through the tunnels of the London Aquarium. Later in the episode Mycroft explains that his little brother never liked that particular story and therefore changed it into ‘Appointment in Sumatra’, in which the main character never meets death but survives, becomes a pirate instead and is perfectly fine.
Themes from previous episodes ... repeated and changed:
THE GREAT GAME ... that’s undoubtly the episode from which a great part of the TST structure (five to six) has been taken. More detailed information about the busts and their owners can be found in  Who’s a fan of Maggie T?  and Batches of six  
TGG:  Five pips in combination with six bombs connect the cases and two out of six bombs explode. TST:  Five bust owner and six busts connect the cases and all six busts get smashed.
TGG:  Sherlock is targeted by Jim the bomber. Revenge seems to be the motive but an actual reason for Jim’s obsession with Sherlock is never given. TST:  Mary is targeted by Ajay the bust smasher. The motive is clearly revenge, although unjustified in Mary’s case, as it turns out later.  (A little story in Ypsilons)
TGG:  The first bomb explodes, destroyes an empty house and leads to Carl, a boy who had a fit in the water and drowned. TST:  The first smashed bust is linked to an explosion that destroyes a car and leads to Charlie, a boy who had a fit in this car, died and burned.
TGG:  The third pip is linked to the only case in which the victiom gets killed by Jim the bomber. TST:  The third bust owner is the only one who gets killed by Ajay the bust smasher.
TGG:  Sherlock aims his gun at the last bomb but the explosion is supended because of a phone call. TST:  Sherlock is the one who smashes the last bust and reveals its secret.
TGG:   Sherlock, Jim and John meet next to a swimming pool. A memory stick gets thrown into it.  TST:   Sherlock and Ajay meet near a swimming pool in Jack’s house (Jack=diminutive of John). A memory stick is found next to it.
THE HOUNDS OF BASKERVILLE ... again the creators of the show play with the double meaning of names/words while the trail of something ‘airborne’ leads to a hound/dog.  The smell of the hound
THOB:  Margaret Thatcher makes an appearance in the form of six books owned by the facility’s commander (“The Downing Street Years” + one, two, three, four, five separate biographies of Thatcher) and ‘Maggie’ turns out to be the password which provides access to the informations about project HOUND. Sherlock knows exactly who Margaret Thatcher is.  TST:   Six Thatcher busts, owned by five people, get smashed. Sherlock doesn’t know anything about Margaret Thatcher nor her profession as PM anymore. Instead the original meaning of the word 'thatcher’ seems to have been moved into focus now ... in the sense of ‘to thatch=to cover’ ... and the busts seem to represent masks/facades that are breaking and crumbling.
THOB:  An aerosol triggers the vision of a monstrous hound and affected by it, Sherlock comes face to face with the imagined ‘monster hound’ in Dewer’s Hollow, which is explained as ‘an ancient name for the Devil’. TST:  Sherlock sniffs on a note and affected by the smell, he remembers his lost childhood dog Redbeard and fragments of a melody that will later lead him to Sherrinford, a place that is called a ‘map reference for hell’.
THE REICHENBACH FALL ... it’s always the ‘fall’ and it’s always John and Jim around which the story revolves. And each new version of the ‘fall’ reappears in a new and different setting. (Developement of the fall)
TRF:  Sherlock and Jim meet for their great confrontation on Bart’s roof, while John has to watch from the street below. It’s solely a contest of words. Both men successfully talk each other into suicide. Jim shoots himself and Sherlock takes the fall down from the roof to save his friends. TAB: Sherlock and Jim fight at the edge of the Reichenbach Falls. At first Jim gains the upper hand but then John turns up and with Sherlock’s approval, he kicks Jim over the edge of the waterfall. Then, out of his free will, Sherlock follwos Jim down the Falls. John stays behind. TST: The joint fall of Sherlock and Ajay into the swimmingpool in Jack’s (John’s) house looks very much like another version of the previous Reichenbach Fall confrontations. This time the famous fight takes place against a background of waves in the shape of snowcapped mountains (swiss alps) and a small artificial waterfall (Reichenbach Falls) that gushes into the swimming pool. The water of the pool seems to boil as in a heated cauldron because of both men’s fierce fighting. 
TRF:  Sherlock goes undercover to protect his ‘family’ and to confront Jim’s remaining network alone. Only Mycroft and Molly are in on his plan. TST: Mary goes undercover to protect her new ‘family’ and to confront Ajay alone, who once had been part of her former ‘family’. Unlike Sherlock, she leaves an explaining letter to John.
TRF:   By the end of the episode Sherlock and Jim are ‘dead’ because both men commit suicide. Sherlock’s is faked, Jim’s is still an open question. For the rest of the show he exist solely on electronic data, a memory device that seems to resemble brain memory (’You can’t kill an idea, can you? Not once it’s made a home there.’) TST:   By the end of the episode Mary and Ajay are dead as well. Like Sherlock, Mary sacrifices her life for her ‘family’. She gets shot by a character who seems to be linked to Mycroft (Vivian Norbury).  Ajay gets shot out of nowhere and without any explanation by some unknown police officer.
TRF:  The first Reichenbach solution includes a mask of Sherlock’s face that is used as disguise for Jim. (This is revealed in TEH but thematically it belongs to TRF) TST:  Dr Barnicot’s smashed Thatcher bust covers half of Sherlock’s face like a mask before it starts crumbling down. 
THE EMPTY HEARSE ... Sherlock works through the consequences of the fall once more in a different setting. Now Mary, the facade, takes Sherlock’s place.  (Mary’s hiatus)
TEH:  Sherlock’s hiatus ends somewhere in Serbia, east of GB. TST:  Mary’s hiatus ends in Morocco, west of GB (same longitude as Ireland)
TEH:  Sherlock is brought back from hiatus by Mycroft and no one else is informed, TST:  Mary is brought back from hiatus by Sherlock and John. Mycroft is informed and waits for their return in London.
TEH:  Sherlock prevents the explosion of a bomb at the forgotten Underground station ‘Sumatra Road’ that would destroy the Houses of Parliament. TST:  Mycroft tells that Sherlock once changed the story ‘Appointment in Samarra’ into ‘Apointment in Sumatra’ and Sherlock is walking on a road now ‘that will become a river with only one destination’.
TEH:  The phrase ‘mind the gap’ can be heard linked to the doorbell-sound of train ethusiast Howard Shilcott. He provides the vital clue that reveals the bomber who wants to blow up the Houses of Parliament. TST:  Sherlock notices an ‘ugly gap’ where the first Thatcher bust is missing. This starts the bust-smasher case, which leads not only to Ajay but also unveils a very clever double-agent, who betrayes the government.
HIS LAST VOW ...  in parts this episode is already an altered repetition of ASIB. (Strange similarities   On behalf of AMO). In an altered version Sherlock is once again confronted with dangerous women. 
ASIB:  Sherlock is confronted with Irene. She lives an undercover life under a false identity and blackmails the government. HLV:  Sherlock is confronted with Mary. She lives a private life under a false identity at John’s side, while secretly working for the government (stated in TAB). TST:  Sherlock and Mary are confronted with Vivian Norbury. She officially works for the government, while secretly spending her privat life as a double agent, caring for her own profit.
HLV:  Sherlock is shot by Mary, who is a cat lover. Sherlock assumes that the gun she used to shoot him is a ‘CAT’ (a brand of that name doesn’t exist). TST:  Mary is shot by Vivian Norbury who is a cat lover and owns three cats.
HLV:  The location of the shooting is located high up on the top floor of a London office building with big glass windows and the owner is introduced as ‘shark’. TST:  The location of the shooting is located below ground in the London Aquarium, surrounded by the big glass windows of shark tanks.
ABOUT KILLINGS AND THERAPISTS
A very interesting change happens in TST regarding the characters ‘killed’ by Sherlock in previous episodes.
TRF:   Sherlock kills Jim (the bomber) by talking him into suicide. HLV:   Sherlock kills Magnussen in HLV. This incident is oficcially altered by the government in TST. In the new version a nameless ‘squaddie’ with an itchy trigger finger kills Magnussen. TST:  Neither Sherlock nor Mary (his facade), kill Ajay (the bust smasher).  Ajay gets shot by a nameless police officer who suddenly turns up out of nowhere (’I’m not a policeman’ says Sherlock in the same episode).
But the most significant change happens regarding Ella Thompson, John’s therapist from the beginning of the story in ASIP. 
ASIP:  The episode starts with John who awakens from a distressing nightmare of the war in the East and later visits his therapist Ella. She advices him to write a blog about everything that happens to him. TST:  Near the end of the episode it is Sherlock who visits John’s therapist Ella to get her advice about John. In the very next episode it will turn out that Sherlock has taken over John’s blog and a new therapist enters the stage.
The main themes of TST are undoubtedly ‘rewritten and changed stories’ along with a strong ‘water’ connection (emotions). The episode beginns with Sherlock mirrored in the big glass window of a shark tank, reaches its climax in front of the same shark tanks in the London Aquarium and it ends with Sherlock completely surrounded by blue water ... obviously walking a road that becomes a river.
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The overall impression of this episode strongly leads to the assumption that Sherlock is - after he followed Jim down the waterfall in TAB - still deeply submerged in the floods of the Reichenbach Cauldron ... Rich Brook’s Cauldron ... Jim’s Cauldron. And the road Sherlock has chosen to walk will again take him back to the very start of the story in ASIP - to John, bad nights, therapists and a talkative serial killer.
From the beginning, then .....
.
Thanks @callie-ariane​ for the scripts
July, 2022
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pb-dot · 4 months
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Film Friday: Annihilation
My journey through my most notable influences in my writing of The Clockwork Boy continues, and today's entry initially felt like a bit of a cheat because the moment I was thinking of was actually from the sequel to the original novel that today's film was based on, but once again, on the rewatch, I did pick up on some more parallels. Join me, why don't you, as I tiptoe around spoilers and talk about Annihilation.
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Annihilation is the story of Lena, who joins a secret government organization to explore the Shimmer, an enigmatic zone that her boyfriend, and everyone else who ever set foot there, disappeared into without a trace. The soujourn into the unknown takes them to a world that emphatically doesn't make sense in the way we expect it to. The Shimmer distorts space and time, or ones ability to comprehend the same, and causes some truly staggering mutations and changes in both flora and fauna. An alligator has shark teeth, plants sprout into other plants or into human shapes, and that's not even getting into the creature of pure terror that is that fucking bear.
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Neither word nor picture captures how terrifying that thing is, but rest assured that the audio and editing and blocking makes it so, so so much worse. Anyway. Lena and her team struggle against the physical dangers of the Shimmer, but also the emotional toll of their increasingly doomed expedition and how the world around them subsumes them piece by piece. The strange radiation of the Shimmer is changing their very bodies, whether it twists and turns their minds in the same way it modifies their DNA is left up to inerpretation, but one thing is certain, they will not finish this expedition as the same people they started it as, if they're even people at that point.
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As far as adaptations of books go, Annihilation does something very interesting, and I dare say fresh with the task of adapting. The original novel is powerfully strange stuff, starting with the protagonist waking up from a hypnotic trance due to the alien influences and basically just getting weirder from there.
What filmmaker Alex Garland did with this, together with author of the original novel Jeff VanderMeer, started with the worldbuilding and characters of the original and just telling an entirely new story with it. While the Shimmer is strange warping and unsettling in both stories, it's more of a meditation of the incomprehensible and alien in the novel, while it's more of a metaphor for trauma in the adaptation. Every member of Lena's team has their own trauma and the way the Shimmer changes them both mirrors and amplifies their woes. It's really cool to see not only a new voice, but the original creator play in the space the original work created.
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Now, as for how this ties in with His Impossible Brushstrokes, it's a bit vaguer than the more direct inspirations from before, with the sole exception of a scene from Authority that I have extracted judicious amounts of inspiration from. That said, there is something about the drive that borders on obsession or even self-destruction in Annihilation that I find very similar to Oscar's.
There's also the Shimmer, which does eldritch and incomprehensible in a way I find very relevant Brushstrokes. It's not hostile, if nothing else because hostility would require a level of shared experience space with human sapience that the Shimmer and the eldritch component of Brushstrokes simply does not have. There is a question of degrees though, as the eldritch presence I've come to call The Impossible, because you have to call the damn thing something, at least can be interpreted through a lens of a humanlike intelligence, although it is ambiguous as to how correct this interpretation is. The Shimmer, meanwhile, is too alien to be understood, perhaps even through the lens of narrative.
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majosullivan · 3 years
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About a month ago, we reached the mid season finale for Castle Swimmer season 2, and what a season it has been so far. This recent set of episodes with Siren were absolutely incredible, an excellent way to come to the climax of Siren’s part of the story. While I do want to talk about those recent episodes, for now, I want to talk about something that’s been on my mind for a while, Lord Ogo. Lord Ogo has been both the catalyst pulling Kappa’s part of story forward and the catalyst that has quite literally been pulling Kappa around. At the moment, we still don’t know what prophecy Ogo is linked to and why exactly Kappa is being pulled around. This is the topic I’m planning to discuss.
Before we go into what I think is going on with Ogo’s prophecy, I think it would be good to cover everything we know about Ogo at the moment. While he first appears in episode 42, we first learn of Ogo’s name in episode 62, where Herm describes him as the following:
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Right at the start of the next episode, we get Ogo’s backstory: with him starting off the same size any normal carb, but was much more aggressive than the rest of them.  This aggression led him to fight the creatures around him, with each victory causing him to grow in size due to his power’s as a minigod. All of this battling, of course, leading him to being the size he is at present time. In addition to this ability to grow upon victory in battle, Ogo also possesses the ability to disappear under the sand and reappear somewhere else, as seen quite a few times in the series so far. From what Herm has said, he has been wandering through the Purple Peaks for years, having built his home there
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As for his personality so far....let’s say that Lord Ego would be a better fitting name for him, with him immediately trying to crush Kappa for being ‘unworthy to speak his name’ and him mocking the witches as he talks about his strength.
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Now with the basics about him covered, what exactly do I think could be his prophecy? Well with all our information on him and from what we’ve seen in the story so far, I think Kappa has to fight Ogo and possibly kill him. To start off with my evidence from inside the comic, I first started suspecting this with Herm’s first description of Ogo, ‘the great fighting beast’. With this description, Ogo’s backstory and Ogo’s own dialogue on his abilities, whatever the prophecy is, it would only make sense for it to be linked with Ogo’s title and abilities as the ‘Great Fighting Beast’. In addition to this, a piece of evidence that points to this outcome is Kappa being stuck to Ogo in the first place. As Kappa stated in episode 7, there are two different types of catalysts involved with prophecies: objects or people....or in this case, it would be better to just say living creatures. With Kappa being stuck to Ogo, in order for him to complete this prophecy, he has to interact with him in some way, with Kappa assuming in episode 44 that he needs to talk to him. However, considering what we have just discussed about Ogo’s title, it seems much more likely that what Kappa actually needs to do is fight and defeat him or possibly kill him. 
Another factor that can play into this idea is seemingly no one being linked to this prophecy. During episode 62, Kappa asked Herm about Oho being involved with a prophecy and if there was any castle around that could need him, to which they states the following: 
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Kappa himself states how strange this is, with Ogo lacking a connection with any possible castle and castles purposely avoiding him. Even with the possible destruction Ogo could cause, you would think a castle would still want to stick around the area if they are in need of him. And that brings me to my point, what if no one is in need of Ogo? What if the prophecy is to get rid of Ogo? And was not a solution by one castle, but a collaboration of them? Image this, you’re living a peaceful existence in the Purple Peaks, when a giant mini god comes along and takes residents, causes massive amounts of destruction. You and the rest of your people try fight back against him but due to his powers and sheer size, you fail, causing the problem to quite literally grow even bigger. Not wanting to abandon your home, your people decide to team up with other castles in the area to come up with a plan of attack. At this time, the elders all come together and purpose a solution....a prophecy. Within this prophecy, the beacon would come and defeat the mini god and bring peace to your land. However, as possible years go by, the beacon never arrives. Your people finally decide there’s no point on waiting for the beacon any longer and for the safety of your people, you finally leave, to go and find a safer place to build a new castle. 
Perhaps, if this theory turns out to be the case, could play into Ogo trying to crush Kappa. If he ever found out about the prophecy, it would make sense he would want to kill Kappa the second he could, before Kappa could learn about it. However, I don’t think that is the case and his reaction was purely based on Kappa ‘being unworthy of saying his name’. Maybe he doesn’t even know he’s involved in a prophecy or just doesn’t care about it? It could be possible that he didn’t even realise Kappa was the beacon. With all of that aside, the idea is still good food for thought. 
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Now that I’ve covered most of my evidence from in the comic, now it’s time to move out to outside sources and the thing that heavily based this idea for me. To those that follow Wendy on tumblr (or those that have been following her work for a long time), you may already be familiar with her old comic ‘Kappa’. Castle Swimmer is actually a reboot of this comic, with it following old characterisations of both Kappa and Siren, along with a race of mers called Näkki. If you haven’t checked it out already, I would highly suggest you do. Not only is it interesting to see how far the original story has developed, but it’s also amazing to see how much Wendy’s art has changed and developed over the years. But on to the topic at hand, those who have read it will know that season 2 of Castle Swimmer has taken a lot of inspiration from this comic. This can be seen with the Octaila, being a reboot of the Näkki and the witches being reboots of some of these Näkkis characters, with the obvious example being Nethimir, being a reboot of the Näkki queen who shares the same name. But more importantly to the topic of Ogo, the conflict of the comic centres on a group of crabs who have endangered the Näkki kingdom and Kappa having to fight their giant leader to get the crabs to leave. Sound familiar? Taking this previous plot point and also looking at the evidence I have present so far, we seem to get a clear image. Speaking of Kappa’s mission to kill this giant crab, there’s another line in season 2 that can link to this past comic. During episode 71, we get this conversation between Kappa and Mucku 
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While this knife comment is probably gonna play into Kappa’s backstory and may cause an interesting interaction between him and Siren, due to him having a knife, this dislike of knives could play into a possible parallel between Kappa and Siren when looking at what weapon Kappa was given to kill the giant crab in that Kappa comic
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A spear.
With both boys having a dislike of a weapon due to a past traumatic event and taking on a different weapon because of that, only for the weapon they take on being the one the other has a dislike for would be interesting to see. 
With season 2 taking inspiration from the Kappa comic and the evidence that has been laid out in the actual comic, I think it’s a solid conclusion to say that Kappa has to defeat or kill Ogo in a fight to break the prophecy involving him. But this brings on the question and the start of my speculation on if Kappa could actually do it. Considering he was almost crushed during their last encounter and him having no fighting experience, I doubt the witches would be okay with Kappa fighting Ogo and with his new knowledge from the god mouth, his people’s past experience with minigods and his general protectiveness of Kappa, Siren is definitely going to be even less okay with it (and that’s even before he eventually finds out about the whole Kappa almost being crushed thing). And for Kappa himself, he’s probably gonna try to go through with it due to his guilt over whatever his failed prophecy was. However, instead of just going in to do what would basically be a suicide mission, I think he’s going to work around the prophecy while still following how it was written. This idea brings me back to episode 63, with Herm explaining how minigods get their powers:
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Now how Herm has that fossil in the first place is a conversation for another day, considering the fact for them to have it, whatever minigod it was originally in would have to be dead. While I do have an idea, which happens to involve a character our dear shark boy is looking for but like I said, a conversation for another day. This line and the Kappa comic have given me some ideas on what may happen.
Kappa gets eaten by Ogo and kills him from the inside like in the Kappa comic
Kappa gets eaten by Ogo and steals the fossils inside him to take away his powers and defeat him
Kappa gets eaten by Ogo and not only kills him from the inside, but also steals the fossils inside him to take away his powers
Which event occurs will probably be based on if Kappa has to kill or just defeat Ogo, but at the moment, I’m more on option two. If does turn out to be the case, what ever option happens, our poor boy Kappa is gonna be adding ‘being eaten alive’ to the traumatic experiences card. As I have mentioned, this last section has been more of my speculations on what could possibly happen if my theory turns out to be true. 
Whatever the truth turns out to be, I’m very excited to see the rest of season 2.
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lvi-o-sa · 4 years
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Week 3: Day 5
Oops! The multiverse opened up!
I’ve always been a fan of Avatar : The Last Airbender before I’d stumble in the world of Yugioh Zexal & srlsly, sometimes I find so many similarities between these two that a crossover au is rlly possible. The characters for instance bears striking similarities. So here it is:
What could’ve been if Yugioh Zexal characters got transported/reincarnated into the ATLA universe.
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𝙰𝚣𝚞𝚕𝚊 ↷ 𝚃𝚑𝚘𝚖𝚊𝚜
Starting off with these two extremely sassy and savage teens. Both share the same sadist, cruel, psychopaths who deeply yearns for their father’s approval & love. Only, Azula led onto her despair whereas Thomas was redeemed & was able to got what he wanted.
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𝙼𝚊𝚒 ↷ 𝚀𝚞𝚒𝚗𝚝𝚘𝚗
Both were the eldest amongst their siblings & both always shared this stoic, steely look onto their eyes not to mention they’ve both come from very influential families & liked to act cold but is deep down caring & protective onto their loved ones.
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𝚃𝚢 𝙻𝚎𝚎 ↷ 𝙼𝚒𝚌𝚑𝚊𝚎𝚕
In contrast to Mai & Quinton, Ty Lee & Trey were both the youngest on their siblings. Both were cheerful but hides deep sadness from within. Both were also similar into achieving their goals to make a difference for their family. Ty Lee wants to make her own mark as she grew up looking exactly the same as her sisters & her talent in circus were her only chance of shining on her own while Trey duels Yuma even if it cost him his crest to prove that he can bring his family back. Both were successful in achieving their own aspirations though.
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𝙾𝚣𝚊𝚒 ↷ 𝚅𝚎𝚝𝚛𝚒𝚡
Now with the fathers on both sides. Ozai is known to be the “worst father in the history of fathers” as said by his son, Zuko as Ozai were a cold, sadist, power seeking & manipulative father onto his sons, heck, he even banished her wife & his son when he gets in his way. This didn’t really were the same with Vetrix. Vetrix, although manipulative & sometimes tends to be sadistic, had a perfect reason to be in this way, he is vengeful because his family is torn apart & although he used his sons as pawns, he did regretted it & seek redemption. If there’s a huge similarity between the two, it’s their antagonistic acts but what sets them apart is how they viewed their families. Vetrix got redeemed & lived a happy life with his sons while Ozai, like his daughter Azula were thrown in jail for their sins.
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𝙼𝚎𝚗𝚐 ↷ 𝙲𝚊𝚝𝚑𝚢
These two, although supporting characters, almost have no difference apart. Meng loved Aang the way Cathy loved Yuma. Both were always supportive of their lovers even if it’s unrequited type of love.
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𝚂𝚘𝚔𝚔𝚊 ↷ 𝙵𝚕𝚒𝚙
These two shitheads characteristics almost falls in the exact way. Sokka, in his younger years yearned to be one of the greatest warriors in their tribe, Flip on the other side, yearned to make friends by dueling. Both failed miserably by then but as time passes by, these weaknesses both made them reach their truest friends that will stick to them till the end. Not to mention both shares the same attitude of being the comic relief of their own respective bands. Both also shares this whimsical witty attitude that often led them to trouble.
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𝚉𝚞𝚔𝚘 ↷ 𝚂𝚑𝚊𝚛𝚔
If Zuko were a firebender, Shark was on the opposite using his water deck. However both of these two shared the same trait of being “I’m never happy” with a plastered frown or sneer onto their face. Like others, family were the ones who fuel their goals. Zuko yearned for his redemption as the banished prince while Shark wants to avenge her sister making them act like b**tch boss to everyone but deep down their kind, shy beings who get all dorky around their friends. Just like Zuko with the gaang & Shark with Yuma & company.
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𝙺𝚊𝚝𝚊𝚛𝚊 ↷ 𝚃𝚘𝚛𝚒
The main character’s emotional support person, the titular “mom friend”, the fierce female in the group of her boy friends, the primary friend of the MC; I could go on and on for the list but the main point is that both served & acts as the one female who encompass everyone while going onto their journey. Not to mention both Katara & Kotori shares being the focal love interest of both MC as it has been canon that Aang loved Katara by those kisses although it was much subtle with Tori & Yuma as friends but come on, it was evident in the way they blushes everytime.
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𝙰𝚊𝚗𝚐 ↷ 𝚈𝚞𝚖𝚊
The main characters for both series. These two shares almost all the same characteristics that a protagonist should have. Even their goal lies the same. To bring peace and friendship in their own ways. What’s more, both goes onto many duels/encounters & made new friends along the way that only strengthens their beliefs into achieving their utmost goal to which both did at the end. Now intriguing enough, it is funny to think that both of these shows ended with a shared stark resemblance: Aang shared the last moments of the series while standing in a balcony enjoying the view with all of his friends while the sun sets whereas it was canonically parallel with Yuma flying with all his friends enjoying theirselves also, while the sun sets onto Heartland as the series finale.
BONUS
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𝚃𝚑𝚎 𝙵𝚒𝚛𝚎 𝚗𝚊𝚝𝚒𝚘𝚗 𝚕𝚊𝚍𝚒𝚎𝚜 ↷ 𝚃𝚑𝚎 𝙰𝚛𝚌𝚕𝚒𝚐𝚑𝚝 𝚋𝚛𝚘𝚝𝚑𝚎𝚛𝚜
As if all those canon parallel isn’t enough, these three ladies & gentlemen poses the same way from the youngest to the oldest. Also I’d like to point out that I could definitely see the Arclights reborn genderbent now, being these ladies above. As their characteristics is just too perfect with each other. With all that power & sass together combined make them so a deadly, fearsome group.
Now, what I’ve done above is basically a canon crossover parallel 😅 to each respective characters of both shows; that perfectly resembles & act the same way. I also lowkey hoped 🤞🏻that if you haven’t watched ATLA still, I suggest you better do cause it’s a great show just like Zexal 🥰
Note: I didn’t paid much attention to the elements that they’ll have/part of but more of their humane characteristics. I believe the idea of to which element they’ll lie was free as the imagination of the readers (on how they’ll perceive them) but for me their traits was much more important as it defines who they were.
@zexalmonth
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Connections Review Part 1
Happy 2021 everyone! Well…the year’s off to a terrible start due to how bad last year was but I hope that most of 2021 will be good and not be 2020 Part 2: Electric Boogaloo. But enough of that, another arc ended, another review due. Now I am quite conscious of length here and I’ll try to make these reviews a bit easier to read, it will still be split into 3 parts as there I can cover the main themes which are; Time Travel, Harems and Maverick ‘Motherfucker Hellspawn’ Storm. My initial plan was to have a quick lightening recap of everything that doesn’t fit into these categories and then review the Time Travelling and Harems but Storm became so big he needed his own part. Oh, and it should go without saying, but I will not cover the Mistletoe Asks. They are not relevant to the arc and are basically shipping fluff. No in-depth analysis required there. And with that said and done, let’s get right into it.
Its Recap time
So, as I mentioned before we get into the 3 big themes of this arc, I’ll cover really quick, and I promise it will be really quick here, anything that doesn’t fit into those categories. So firstly, we see that Kazuichi went around the Void Warehouse and helped fix their lights. Now that all of Class 77-B are aware of Void’s existence, they can help out with any problems they might have in their living quarters, which leads to a funny scene of Kazuichi getting attacked by a crow. This could be random but given what has happened with another seemly random event (more on that later) and the fact that Monocrow exists, this could be sinister foreshadowing for things yet to come. We also see Kazuichi getting ideas to build a robot with Chihiro as that’s his way of romance. Given Chihiro’s crossdressing tendencies, I wonder when the truth comes out and how confused our shark boy would be. But yeah, Kazuichi out all of the new Class 77-B members seems to have the most focus in this arc, not that I’m complaining as he was the most ‘pointless’ survivor from DR2 so him getting actual character development and focus I’m more then welcome for! There’s also Yoruko rekindling her relationship with her mentor Minako. This went better than expected then again it happened years ago, both Yoruko and Minako had time to reflect on it and both wanted to make up, but thought the other wouldn’t accept it. We also see some parallels here with Hiroko from UDG as Kizuna is revealed to be the result of a teenage pregnancy. As I mentioned in an ask, not to bog you down with personal details but teenage pregnancy is a serious problem where I live and too many people I know fucked as teens, didn’t use protection, and boom! Babies! Good thing I have a passion for Danganronpa so I DON’T get wrapped up in that kind of stuff eh? So, I completely understand Minako’s rational here, and Kizuna’s more troublesome behaviour as one of my RL friends was also the result of a teen pregnancy, and this led to her having…issues. And yeah, Kizuna shamelessly flirts with the Anons and talks about Josuke, no not THAT Josuke, simping hard for her. Naturally we have bigger problems to content with but once the weather calms down, we need to sort out Kizuna, especially now that Yoruko and Minako have made up. And that’s the two things that happened which weren’t relevant to the main themes. Now they are out of the way, time to move onto Wibbly Wobbly Timey Wimey Stuff. Hey, Emma made a Doctor Who joke already, so it’s okay!
Back to the Visions
Despite Time Travel being one of the main themes of this blog, not a lot of research has gone into it at the moment, so in this wind down time, it’s the perfect time for Umeko to do some experiments into time travel. Last Arc dropped the reveal that Mikako has being getting dreams of the future, and as Koroko and Umeko pull up at the Kisurugi household, we see that Mikako just had a dream of the Tragedy, which understandably horrified her. Because of this Umeko and Koroko were forced to tell Mikako, Yamato and his father the truth about the future. They omitted Kasugano and him changing the timelines as its not needed but well…when one dreams of an apocalyptic future you know is coming, there’s no sense in lying about it. Umeko then explains about the time travel and basically that since the brain surgery, Mikako’s brain has become a tachyon receiver that can pick up tachyon from different timelines, not just the one you are on. But it goes beyond being able to see the future via her dreams as if Mikako focuses, and someone touches Mikako during this time, they are hit with a vision of the future that involves them. The first vision was with Koroko and she caught a glimpse into a future much more distant then the 2017 that Hajime, Yoruko, Sora and the other 2 time travellers came from, as it seems to be from the Year 2020-2022 so pretty close to our time then. Here Koroko and Kanata, who not only went through a growth spurt like Hiyoko (Poor Hibiki, she is forever going to be the short one) and has married Nagito, are giving vaccinations to a young girl named Sayuri Hinata. Sayuri herself is very familiar to some people as during the last Arc when Akane was trying to comfort Nikei, one Anon asked about a timeline where she and Ayame had a child. This was a reference to Nextgenronpa which is a Nextgen AU on Instagram created by Mikwithnoando, if you happen to have an Instagram account, I highly recommend reading it, it’s really good! The character in question is called Sayuri Otonokoji the Ultimate Sculptor and in Nextgenronpa she’s the child of Hibiki and Iroha. Koroko looking through her medical records noticed her mother’s name is Hibiki Hinata so Hibiki obviously changed her last name, makes sense as she wants to probably be as far away from Otonokoji as possible now but no mention of the father and yes Sayuri looks a lot like Iroha. This has a few possibilities.
The first theory is that Sayuri is Hibiki and Hajime’s child, but both are very busy. Hibiki would have very likely restarted her musical career around this time and we don’t know what Hajime would be doing but he would be very busy as well, and thus not a lot of time to raise Sayuri. Now Iroha would have a very sedimentary lifestyle and given she is looking after Jataro at the moment, this would probably make Iroha one of the more experienced caretakers/mothers of the cast, so maybe Sayuri was often babysat by Iroha, and if Sayuri was spending a lot of time with Iroha at a young age, she would start to view Iroha as a second mother and start copying her behaviour and mannerisms. But that doesn’t evade the fact that Sayuri PHYSICALLY looks like Iroha as well. The second theory is something happens to Hibiki or Hajime and they are unable to reproduce but want kids. With Kyoji, making kids would not be an issue, but a surrogate mother would be required and maybe Iroha volunteered to be a surrogate. However, the big issue there is that Iroha is much younger than the Goodbye Despair cast, and as Mikan later points out legally, you need to be 21 to be eligible. Sayuri looking to be 8-10 years old means Hibiki and Hajime must have banged around now-2014 and Iroha won’t turn 21 until 2017 and Sayuri looks way older than 3-5 years old. But there is one more theory and the one I believe in. Just because Mikako can see the future, doesn’t mean it’s the timeline we are currently on, and you guys remember that awful, awful period during Oncoming Storm when Iroha was crushing on Hajime and wanted to join the Cuddle Puddle despite there being a significant age gap between him and Iroha? In our timeline, Yoruko was able to slap some sense into Hajime, he was able to see he was developing a Saviour’s complex and was able to grow and develop, and it also system shocked Iroha as well as she learnt that she needed to grow up as well. But what if that didn’t happen? I think that timeline is from one when the sense slapping didn’t happen and Iroha did wind up being part of the Cuddle Puddle, and Sayuri was the result of science from Kyoji and Iroha and Hibiki wanting kids. In addition to this we also see Kotoko in her teen years and she looks brilliant all grown up and the way she talked about ‘our mothers’ and Sayuri referring to Kotoko as a big sister, makes one believe that Mikan is successful in adopting Kotoko. Overall, while Sayuri is going to be a headache to decode, that future was nice and sweet, even if it gave Mikako mild seizures.
After Mikako recovered, Yamato wanted to see the future as well, and thus we get the second vision which is from the OG Timeline in 2014, as it shows some Class 79 tomfoolery with Haruhiko ‘testing’ Yamato’s jetpack and crashing into a tree, and Teruya being concerned for his bro. I know its 2014 because Class 79 was formed then and they didn’t bond for long before Utsuro showed up with an army of Monokumas and was like ‘Knock knock, it’s the upupupu train’ and we get the Proto Killing Game. At least Yamato gets to see his future friends for the first time. And Mikako doesn’t get that much of a headache this time so it seems that the further in time she looks, the bigger the side effects. The first vision was a decade into the future so the side effects were quite big but the second one was only a couple of years so the effects were reduced.  It remains uncertain if Mikako has to trust the person in question for the vision link to be done because as much of a force of good this seer ability is, it can also be used for evil. Overall, lots of discoveries on Mikako’s abilities and some hope that not every future out there is filled with despair and there exists a timeline where the Quantum Crew do win. Now it’s a case of seeing if that’s the timeline they are on or not.
That summarizes part 1 with the recapping of minor details and the time travelling science! It’s a longer part then I wanted but with the recap at the beginning it cannot be helped. When we come back, I’ll talk about the Harems and the events surrounding them and hopefully that would be the new length I wish to aim for because this is more of my old length. Stay tuned people! - Review Anon
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rosethornewrites · 4 years
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Fic: The Rebellion of Adrien Agreste, ch. 6
Relationships: Adrien Agreste | Chat Noir & Gabriel Agreste | Papillon | Hawk Moth, Juleka Couffaine/Rose Lavillant, Adrien Agreste | Chat Noir/Luka Couffaine, Marinette Dupain-Cheng | Ladybug & Kagami Tsurugi, Adrien Agreste | Chat Noir & Luka Couffaine, Lila Rossi/karma, Gabriel Agreste | Papillon | Hawk Moth/aneurism, Marinette Dupain-Cheng | Ladybug/Kagami Tsurugi, Plagg & Tikki
Characters: Adrien Agreste | Chat Noir, Gabriel Agreste | Papillon | Hawk Moth, Lila Rossi, Jagged Stone, Plagg, Marinette Dupain-Cheng | Ladybug, Luka Couffaine, Penny Rolling, Anarka Couffaine, Rose Lavillant, Juleka Couffaine, Kagami Tsurugi, Alya Césaire, Chloé Bourgeois, Wayhem, Nadja Chamack, Nathalie Sancoeur, Sabine Cheng, Tom Dupain, Tikki, Fang, Principal Damocles, Caline Bustier, Ms. Mendeleiev, original minor character, Alec Cataldi, Lila Rossi’s Mother, Sabrina Raincomprix, Roger Raincomprix, Mylène Haprèle, Le Gorille | Adrien Agreste’s Bodyguard, Nino Lahiffe, Nooroo
Tags: Lila Rossi salt, Fake/Pretend Relationship, Teenage Rebellion, Swearing, Bad Parent Gabriel Agreste, Crack Treated Seriously, Lila Rossi’s Lies Are Exposed, Cuddling & Snuggling, Luka Couffaine Needs a Hug, Paparazzi, Parentification, Marinette Dupain-Cheng Needs a Hug, Gabriel Agreste Needs an Aneurism, Uncle Jagged Stone, we’re all queer here, the spirit of punk is sometimes just being allowed to be yourself, Kagami Finds Her Groove, punk rock fashion, Savage Kagami, Marinette protection squad, Good Parent Sabine Cheng, Good Parent Tom Dupain, Protective Kagami Tsurugi, Protective Luka Couffaine, Bisexual Marinette Dupain-Cheng, Pansexual Luka Couffaine, Sharing a Bed, Pet Names, LGBTQ Character, LGBTQ Themes, Instagram, Bullying, Social Media, Anxiety, Makeover, Hugs, will cure your acne, Face Punching, Bad Ass Juleka Couffaine, Rumors, Protective Juleka Couffaine, Protective Adrien Agreste, Lawyers, Hijinks & Shenanigans, Holding Hands, accountability, mental health, Jagged Stone’s well-paid pet shark, How to Make the Evening News, Sexy eyeliner for days, one fish two fish Lila is a screwed fish, How to have fun and piss Gabriel off, Fuckery, sweet litigious karma, Alya sugar, lawyer shark doo doo doo doo doo doo, Schadenfreude, Bad Ass Alya Césaire, Gaslighting, abuse denormalization, Jagged likes his lawyers like he likes his pets: toothy af, Blood in the Water, Everything you didn’t know you wanted and some things you did, Gabriel Agreste is shark bait, Denial, Consequences, Principal Damocles salt, caline bustier salt, the impotence of Gabriel Agreste, snarky Nooroo, lies and the lying liars who tell them, Lila’s brain is a narcissistic hellscape, Lila’s mind is built like an Escher piece, Alec Cataldi salt, Adrien Sugar, wholesome salt, Fu Salt, Kwami Shenanigans, Nooroo is a little shit
Summary: The Social Media Coup
Notes: Meant to put this on Tumblr days ago but yay depression.
AO3 link
Chapters 1-2 | Chapter 3 | Chapter 4 | Chapter 5
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Adrien was waiting for the dye to set when the girls returned, his hair securely under a shower cap. Apparently the stylist had decided to start by dying his entire head green, and the black would be applied to his roots afterward, with the logic of start with the light color, then apply the dark.
He’d never had his hair dyed, so he had just nodded. Luka hadn’t known if that was typical—apparently his normal hair color was black, and he just bleached and dyed the tips. It was amazing how much he was learning about his friends in just one evening.
The girls were carrying three large parcels, which they unpacked for them to take a look at. Several different styles of jeans—“We can return anything that doesn’t work,” Marinette said—a studded leather jacket, a hoodie that he just loved, and some jewelry.
“Chat Noir studs?” he asked incredulously. “They had those?”
Marinette nodded. “Kagami found them, and you mentioned Chat colors. We kind of changed that a little, but it seemed in keeping.”
Adrien grinned. “Thanks, girls. I really appreciate it.”
Kagami pulled out a large box. “There are also these boots. Marinette asked for my input on the choice, so I hope you find them to your liking.”
He stared after opening it, amazed to find what were basically stomping boots with huge buckles, reaching probably mid-calf.
“My father is going to have a heart attack,” he said after a moment, sounding not at all bothered by this. It was, after all, the point to freak the elder Agreste out. “You really went all-out! How much do I owe Jagged, Penny?”
Jagged was the one who responded. “Just some pics, I think. Hanging out like we’re jamming, yeah?”
That brought a bigger grin to Adrien’s face. If he had pictures, dressed in some of this and with his hair completely dyed, with Jagged Stone, it would be even more amazing. Not only for the sake of having those pictures, but for the reaction.
Luka brought it a bit further. “What about a video of the three of us jamming? Released to social media?”
Jagged and Penny exchanged a look, and she sighed. “Should I get a videographer?”
Marinette shook her head, a grin playing at her lips. “I think phones—we don’t want it to look set up. Just random. But we will need a keyboard for Adrien, and a guitar for Luka. And I know the perfect person to send it to first.”
All eyes turned to her.
“I babysit Nadja Chamack’s daughter, so I have her cell phone number.” Marinette’s voice was filled with glee.
Jagged grinned. “Bring out the big guns on this one.”
Penny nodded. “She may not be able to interview you without parental permission, but the video and news could make the rounds.”
“We’ll ruin my father’s announcement,” Adrien said with a laugh. “Serves him right.”
Kagami glanced at her phone. “We do not have a significant amount of time. Perhaps posting teasers on social media would be an apt way to start?”
“His hair isn’t finished yet,” Luka responded. “That will take perhaps another hour or so…”
Marinette nodded. “We can do other things. Adrien, you need to pick out a pair of jeans, and get dressed. We can get a shot of you and Luka cuddling, but without your heads in the shot. Start with a teaser to rile up social media.”
“We will want to drape the sofa with a sheet in order to hide the location. These sofas have a… distinctive color,” Penny added. “I have no doubt M. Agreste would recognize them, and then we would have difficulty.”
They got to work. Adrien chose a pair of the jeans that had silver decorative zippers randomly placed on the legs, moving to the bathroom to change out of his normal jeans.
As he did, something occurred to him. “Uh, Plagg?”
His kwami was nibbling on a bit of Camembert that had been in his jeans pocket. “Hm?”
“The hair… It’s not going to reveal my identity, right?”
Plagg laughed. “No way. I can change that without breaking a sweat. It’s worth it to see your dad’s face.”
Adrien relaxed—he’d been afraid he’d really screwed up. That was the last thing he wanted; Ladybug would kill him if he revealed his identity so stupidly.
“Anyway, I wouldn’t let you do anything that exposed your identity. But you’ll have to take off the studs before transforming—not sure if I could do much with those.”
When he left the bathroom, one section of the sofa was covered. Marinette eyed him critically before she nodded, muttering about fitting.
“You might need help with these boots,” Luka commented, holding one up.
“Definitely welcome. Do those lace, too?”
Kagami answered. “Yes. The buckles appear to be primarily decorative. Marinette was torn between these and a pair with three buckles and chains above and below. However, that seemed unnecessarily complicated.”
Adrien blanched at the idea. “Yeah, definitely.”
Luka helped him get the boots on, while Marinette snapped a leather bracelet on his right wrist. Kagami slid the green beaded one after that. Once the boots were securely buckled, he started to grab the box with the studs before realizing they wouldn’t show in the picture and could get ruined with the dye.
“Do you want to wear the leather jacket, or the hoodie?” Marinette asked.
While the leather jacket was tempting, Adrien didn’t think it was right for this. “I think the hoodie is more casual, and it’ll look better.”
“I agree,” Kagami said. “It will match with Luka, and add the appearance of being a couple further through the parallel dress.”
Marinette handed it to him, and then she and Luka fiddled with the sleeves so his bracelets would show.
Finally, they were ready, and Adrien and Luka sat on the couch. Not that Adrien knew what to do beyond that.
At Marinette’s urging, they slid closer together. After a few minutes of rearranging, Luka’s leg wound up bent behind Adrien, with him snuggled against the older boy’s opposite shoulder—he was careful that the shower cap didn’t slide up and cover them both with dye. Kagami rearranged one of his legs to be a shadow of Luka’s. It was a bit of an intimate position, but not too much; just enough to imply.
Then they played with arm positions, trying several options before deciding on one of Luka’s arms around him, and the other propped on Adrien’s bent knee.
“Adrien, lace your fingers with Luka’s hand, the one at your waist,” Penny interjected.
Adrien followed her instructions, hoping this looked natural. He was used to modeling, but had never done a shoot like this before—and Luka wasn’t a model, so hopefully it wasn’t making him uncomfortable.
Finally Marinette nodded and smiled. “Now just relax your muscles. Enjoy cuddling with your boyfriend. Both of you.”
“I feel like a mannequin,” Luka muttered, and Adrien couldn’t stop himself from laughing, easing against him helplessly. Luka’s fingers squeezed his slightly before easing, and the older boy pulled him a bit closer.
He barely registered the flashes from the girls’ cell phone cameras as they moved to different angles, catching multiple possibilities, even standing on different parts of the couch or the table.
A knock on the door interrupted them, and they hurried to hide in the kitchenette area. It was the hairdresser and some hotel staff carrying a specialty sink for washing the dye out, the time already come. He took off the hoodie so it wouldn’t stain.
While the stylist washed the dye out and applied the black, the others crowded around the two cell phones to decide the best picture, murmuring amongst themselves. Eventually they had a photo cropped and filtered.
When they showed it to Adrien, he was amazed they were able to get it to look so good with just a quick set-up. It showed his smile and Luka’s, but nothing above that, and the position looked natural. They looked happy, close. Just like it was a candid shot. He loved the way Luka’s painted nails offset his unpainted ones, their rings resting together in their interlaced hands. He wanted to get his nails done, too. Why not go all the way?
Marinette was born to do fashion, clearly, if she could put together a shoot like this in minutes.
One the stylist finished, Adrien used the computer to upload it to Instagram. It took a while to consider what message to include with it, but he settled on, “Someone very special in my life. Been keeping it quiet, but decided to go public finally. ♥”
He quickly shared it to all his official social media.
“Anyone want to bet on how long it takes my father to call?” he joked.
As it turned out, it took barely ten minutes, and Adrien’s phone was blowing up with social media notifications within the first minute. He rejected the call, and all the subsequent ones, and ignored the text messages. Especially the ones from Lila.
“You may want to turn off your phone so he is unable to track you,” Kagami commented.
The cacophony stopped once he followed her advice.
Luka smiled when his own phone pinged. “Juleka figured it out. She wants to know how long we’ve been dating.”
Marinette laughed, pulling out her sketchbook again. “Okay, on to the next phase. Details. How long, how many dates—and probably when you were supposed to be doing other stuff, Adrien, but Kagami and I can cover some of that. Maybe we can say we knew and helped you two spend time together?”
Then she got a wicked grin. “And you need to figure out pet names for each other, maybe?”
Adrien and Luka exchanged a look.
“I’m guessing Magic Fingers is inappropriate?” Luka drawled.
It took a while for them to stop laughing.
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I know this is a really niche au and no one probably cares but I’ve been mulling over it all day.  Shark puppy au but the band creates Six The Musical.  Now, hear me out. It’s a crazy idea, I know. But just wait for my song list, because I've been obsessed with this concept ever since it came to mind: No way- Imagine Eddie singing this song. We all know for a damn fact that this little gremlin can one hundred percent nail that angry and fed up aesthetic. I can see Eddie channelling his feelings in to this song, and I get very strong ‘being mad at Richie for flirting with other girls’ vibes. Imagine him strutting across the stage, pretending to feud Richie (which makes sense when you hear who I've casted him as) whilst high-key being seductive and giving him some very serious fuck-eyes.  Eddie: Strutting around Richie, basically singing to him Richie: Trying not to get a boner on stage  Don’t Lose Ur Head: Richie. Duh, who else would it be? He’d have so much fun with it, puling silly facial expressions, skipping around the stage innocently and just generally over-exaggerating the whole thing. This role was made for him.  Heart of Stone- A soft, gentle love ballad? It’s gotta be Ben. He’d have heart eyes the whole time, high-key serenading Beverly. Imagine this boy being soft, his little blush and heartfelt delivery. Finally, some good fuckin’ food.  Haus of Holbein- Obviously, Richie wanted this song, but his accent is so god awful that he got Dont Lose Ur Head instead. When he found this out, he was excited to have such an energetic song, but he was definitely a little disappointed. Thus, in clear Richie tradition, he complained about it incessantly (’My accent is flawless!’), to a point where the losers were starting to get really annoyed. One night, Stanley just looked him dead in the eyes and went through the whole song, accent and all, telling him that it ‘isn’t that hard, Richie.’ to make fun of him. But, as it turned out, his accent was pretty perfect, and so that’s the song Stanley ended up with. Imagine this stoic, stone-faced kid just moaning in to a microphone and crying ‘Daz good!’ Perfection.  Get Down- Are you kidding me? Mike, Mike, Mike. It’s such a sexy and powerful ballad and I would LOVEEEE to see Mike fucking going for it. He would kill it. This song was made for him, in my opinion.  All You Wanna Do- As we all know, there’s a pretty heavy-handed rumour in Derry that Beverly sleeps with a lot of boys. She has experienced being valued for her sexuality, and i can see her 100 percent channelling this in to the song. Imagine her POWERFUL voice as she basically screams the lyrics by the end of it, shedding a couple of tears as she relates her experience to the song.  I Don’t Need Your Love- All that’s left is Bill, who has gone most of his childhood being ignored by his parents since his brother’s untimely death. That makes for some perfect parallels in this song. I can imagine him nailing it, incorporating softer vocals.  Please, I beg of you, listen back to the musical with all of this in your mind. Honestly, I think it’s a perfect fit and I need to tell the world about this. 
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grusinskayas · 4 years
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i was tagged by @msariadneoliver. thank you! :)
this or that
coffee or tea | early bird or night owl | chocolate or vanilla | spring or fall | silver or gold | pop or alternative | freckles or dimples | snakes or sharks | mountains or fields | thunder or lightning | egyptian mythology or greek mythology | ivory or scarlet | flute or lyre | opal or diamond | butterflies or honeybees | macarons or eclairs | typewritten or handwritten | secret garden or secret library | rooftop or balcony | spicy or mild | opera or ballet | london or paris | vincent van gogh or claude monet | denim or leather | potions or spells | ocean or desert | mermaids or sirens | masquerade ball or cocktail party
instructions: tag 10 people you’d like to know better
name: mari
starsign: aries
hogwarts house: hufflepuff
height: 153 cm (that’s 5' 0.25" apparently)
sexuality: lesbian
favorite animal: probably cats
average time of sleep: usually 7 (i try)
current time: 9:40am
dogs or cats: cats
blankets you sleep with: one that i always sleep with no matter the temperature because i need the emotional support it gives me
when you made your blog: october 2018
followers: 2337 but i’m pretty sure there are many many bots hidden there
why you made your blog: the old hollywood people are nice here
reason for your url: greta garbo is pretty great
rules: answer 21 questions and tag 21 people you would like to get to know better
real name? mariana
nickname? mari
zodiac? aries
favorite musicians or groups? i’m very weird with music, i usually listen to a bunch of random stuff from very different people.
favorite sports teams? none
other blogs? @effanineffables
do i get asks? when i do those ask games, yes
how many blogs do i follow? a lot. 747.
tumblr crushes? none
lucky numbers? 3 and 9
what am i wearing? i’m still in my pajamas lol
dream vacation? i like sweden. england too
dream car? no cars please
favorite food? pasta
drink of choice? juice
instruments? mainly piano
languages? english, my first language is portuguese and i understand spanish if you speak slowly (but i think most people who speak portuguese do). also i did swedish for some time and i can understand VERY BASIC stuff lol
celebrity crushes? bjebvjhev the concept of celebrity crushes is such a weird one to me and i would like to say i don’t have any but the image of rosemarie ford popped into my mind involuntarily when i read the question so yes.
random facts? elaine paige is only 2 centimeters shorter than me and i think about this a lot. we’re practically twins.
20 random facts about yourself that may surprise people
1. do you make your bed? yes, very neatly
2. what’s your favourite number? 9
3. what’s your job? i wish i had one
4. if you could, would you go back to school? i’m actually at uni lol but if we’re talking about high school, i would NEVER go back to high school
5. can you parallel park? what does this mean (ok i just searched it, it’s a car thing 😂 i only knew the portuguese word for this so i was very confused lol but i can’t, i don’t drive)
6. a job you had which would surprise people? i don’t think i had any surprising jobs? i used to tutor a little boy and i once worked in a newsstand
7. do you think aliens are real? yes
8. can you drive a manual car? why are there so many car questions here
9. what’s your guilty pleasure? idk?
10. tattoos? don’t have any
11. favourite colour? red and pink
12. things people do that drive you crazy? demand that i reply to messages fast because omg i can’t do that to save my life. messaging takes me a lot of mental strength and half the time i think i said the wrong thing and you hate me so please be patient, i love you a lot but i am an anxious munchkin 💕
also when people raise their voices in a discussion. it’s actually not difficult to keep your voice down you know
13. any phobias? no
14. favourite childhood sport? swimming
15. do you talk to yourself? that’s all i do tbh
16. what movie do you adore? so manyyyy, but the red shoes is a pretty cute one
17. do you like doing puzzles? i don’t do many, but yes
18. favourite kind of music? the only thing i’ve been listening to lately is musical theatre stuff
19. tea or coffee? tea
20. the first thing you remember you wanted to be when you grew up? a veterinarian
i tag @imaginerium @she-went-all-cylon @an-elephant--never----forgets @celluloid-dame @theoldsoulsclub and @historically-inclined
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mamusings · 4 years
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Supernatural Season 4 thoughts
Well it's a big season cos: angels. But what's really key about the angels here is that they are just another flavour of monster. A lot of criticism that spn favours a Christian outlook should really have a think about that. The supposition that angels must be good sets up a great mislead all the way into a least Death takes a Holiday where both reaper Tessa and Pamela tell Dean to use his instincts, rather than blindly hope angels must be good as there are no miracles. Arguably Dean struggles with his need for or angels to at least be better than demons right until the finale.
Looking at it that way, Castiel is a parallel character to Ruby. Our contrasting brothers, get contrasting sidekicks one demon and one angel. Ruby comes in looking powerful and impressive, providing info and guidance in episode 1, last season. Castiel fills the same space in episode 1 season 4. With both characters there is the ongoing question whether they can be trusted. Cas does plenty of questionable things in season 4 and Ruby is a demon. How exactly that plays out relates to the type of being they are. Ruby as a demon embodies pleasures of the flesh. Theres sex and (symbolic) drugs and shes deceitful in that she discloses things deliberately to manipulate. On the opposite side are the angels. They are of the rational. Cold, calculating. It's not random that the top angel we see is Zachariah in his business get up. They play on Dean's sense of honour and duty. They also mislead and manipulate although it's done by omission.
The big theme this season is what does it mean to be a monster - directly relating to the question whether Sam is one. Lots of episodes give us the monster's perspective showing us monsters as lonely, persecuted, and even innocent (Monster Movie, Jump the Shark, Metamorphosis). Sam is drinking demon blood, he's using his psychic powers: is he becoming something hunters would want to hunt?
But the season also gives us a fundamentally changed Dean. For all his flaws and doubts Dean has always been a 'good man'. However, he comes back from hell carved into something new. He is no longer fundamentally good, what he is we don't know. Dean enjoyed torturing. He liked it. That's key and too easily forgotten because we like Dean and we want to give him excuses. He doesnt excuse himself and he shouldn't. He still wants to do good and he tries, but he is no longer good in a core sense. He has lost something he will never get back is the point of his dialogue with Tessa.
Much of this season complicates our understanding of the boys mission and the moral meaning of that mission. They find themselves in situations where their actions are intended to make sure good people die. It's the Great Pumpkin shows us that moral choices look very different depending on the locus to take for moral action. If your locus is the family or the town then done things matter more than if it's the planet or the galaxy. How do you know what the right scale is? Within this the brothers are set up along another set of contrasts. Sam tries to work out his course of action by focusing in the ends, while Dean focuses on the means. It leads them to opposing positions on the demon blood thing.
In terms of Sam and Dean the surprising thing this season is that the relationship is essentially back to season 1. They basically need to get to know each other again. Both have changed and changed a lot. And because that's so difficult they are lying to the other about who they are now. The point of Sex and Violence is to make clear the distance between Sam and Dean. The episode also makes clear what they want from each other. Dean wants Sam to follow him again, Sam wants Dean to protect him again. Neither is possible.
The continuing theme is the absent father/absent god. This theme is often easiest seen through Dean. Dean sees himself as failing to live up to the standard he sees his father setting by breaking in hell. It's a familiar theme for Dean but On the Head of a Pin ties it explicitly to failing God. "I am not the man either of our fathers wanted me to be". The corrective comes from Dean's adoptive father Bobby in the finale admonishing Dean not to be like John, not to be stubborn and to call Sam because he is a better man than his father ever was. I see this as telling Dean not to confuse being stubborn with being righteous. Dean has just repeated JWs famous 'dont ever come back' line to Sam. This turns back round not through unconditional love in the sense of I love you no matter what. It matters hugely what, but the point is not to stop engaging with each other over it. Dean's apology voicemail makes clear they will continue to fight over this difference but they need to tackle it together and not by one chucking the other overboard.
For Sam the absent father reconfirms a tendency towards self isolation. This obsessive secretive part of Sam is the part of him Dean is usually capable of reacuing across into - because hes family probably in the most annoying sense. It's also a part of Sam that resembles his father. John also managed to isolate himself in service of his sense of mission. Not just from his sons but in falling outs with allies and friends. Over the season we see Sam resigning himself to seeing himself as a freak, as a monster undeserving of help, support or understanding. He stops the effort of communicating because he sees it as pointless. Instead he lies and conceals. It's only when he believes he no longer has any chance of receiving this from Dean that he makes the final push to kill Lilith. And when Dean shows up for him in spite of that, Sam is able to change course - although that's not entirely clear because its too late and hes already killed Lilith.
Anyway I see season 4 again as being about solidarity. Standing together. The brothers fail at that this season until its too late and Lucifer is freed. But I think the message of standing together is confirmed in Deans words to Castiel: "it's all a bunch of lies..its a way for your bosses to keep you and keep me in line. You know what's real: people". This reminds me fo strongly of Marx's religion is the opium of the masses that it feels convincing for a hit second that spn is both an atheist and a socialist show - just people don't seem to get it. How wierd is that? Particularly as the season seems to flag up disappointing creators - not least Chuck. Although my favourite is the teddy in Wishful Thinking railing 'is this all there is' against the little girl who wished him into being for the purpose of tea parties. More poignantly, the angels are revealed as baffled and exhausted by the silence at the top of their chain of command.
The existentialist bent of the show, for me, is highlighted across this piece of dialogue shared across three angel characters. In a fight over what action to take in the wake of God's continuing absence and non-communication:
Castiel: I still serve God
Uriel: you haven't even met the man. There is no will, no wrath, no God.
Anna: Maybe, or maybe not. But theres still me.
I see that me has having a twofold meaning. It means me as Anna who kills Uriel as she speaks. And it means me in the abstract. As the individual who needs to keep going, making choices, taking action even if there is no God.
Next stop: Team Free Will
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hitchell-mope · 5 years
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Just put on the movie
And there we go. The dedication is there.
Oh god the rapping.
My palms will be bloody by the time this is over.
But I like the parallels to the first movie
To much auto tune
There goes my heart Disney.
Oh lord that’s high
Bbys. Smee twins
WHY WASNT DIZZY THERE FROM FILM TWO
There’s my child Celia
MY BOY!!!!
I mean Mal has a point.
He thinks it through
I love him so fucking much
Loving Doug’s hair
Rat bastard. Rat bitch. Rat fairy (Adam belle Verna)
Fuck off leah chad Audrey
😍😍😍😍. This version is better then d1
SUCK IT PASTEL COW
YAAAAAAAAAAAAAY
Oh Evie love. Just tell him you love him
FUCK OFF YOU GERIATRIC BITCH
YES WE WOULD PREFER MAL TO YOU YA BITCH
I hate you Adam and belle
Ben and the other three are adorable family
Still hating Audrey. So. Fucking. Much
Love the purple limo
WHY IS TREMAINE NICE. IT MAKES NO SENSE
Bal parent vibes are strong
They shoulda painted the limo roof purple
Dying of cuteness
Proud fiancé Mal. Love it
Fuck off leah
Here’s papa hades. And the ham.
DRAGON MAL. WHOO HOO
Ah well. Nice while it lasted
NOT HER JOB PASTEL COW
So. Much. Ham.
Poor girl. Ouch.
🤮🤮🤮🤮. I still hate her and her geriatric bitch of a grandmother
Oh bitch please. First words out of your mouth were creel. And it ain’t abated
I’m supposed to be sorry for this sad act? I don’t think so
So. Much. Rapping
Oh. SPARE ME WOMAN
Still theft. Throw her on the isle with her grandmother
Lonely and friendless. Because Mal is so much better then you ya limp noodle
Gotta be bad on the back
YOU DESERVE A SLAP AROUND THE FACE YOU SPOILED BRAT
Seriously though. The actual singing is better then the rapping. So gotta give satah her dues
Fuck off grown ups.
YOU PUT THEN THERE IN THE FIRST FUCKING PLACD
Blue bitch. Just like always belle
Ok. People. You can see it’s hurting bal to do this. KILL THE BEAST
DONT CRY BABY BOY. PLEASE. LAST TIME ALMOST KILLED ME
Murder. The fucking. Parents
Evie. Evie’s sensible. Listen to your sister Mal.
And here comes the guilt. Like always. The narrative blames Mal
That darn cake
Ah. Pain. Hug them now
And jump scare
Oh god. Shut up Audrey. You’re a sore loser
Eh. The prosthesis look ok
Audrey. Nutter. Ben was more then ready to start the honeymoon when Mal was a dragon. Do you really think a hag would stop him?
😂😂😂😂
Oh boy
That’s a lie and you know it bluey.
At least the bikes have an explanation
Why the red for Evie though
And the mutt speaks
Fuck off Chad. I hate you so much
This bitch again
So shrieky.
Kiss ass
Real original
Jump Jane jump!
So many neck cricks
No one tells him anything
Cella’s right Mal
Overly long gag. But cute
Awww 🥰🥰🥰🥰. At least he’s a good dad
Nice reference
And the fear mongering begins.
And here’s the cryptid. He shoulda died in it’s going down
Psycho bitch pirate whore
Cella’s a troll and I love it
The vehicle needs an oil change
At least he’s sleeping. Though that position can not be comfortable
At long last the reveal.
He’s funny. And hot. (I can see where @mochacake2016 is coming from)
We know! We know
And here’s the music
😂😂😂😂.
He’s got a point
Ok.
THERES NO PHONES ON THE ISLAND QUEEN MAL
She actually sounds like jade west here
So far. Besides the proposal. This is my favourite song. Mostly for Hades great looks. Great voice
And the tambourine
Would be better with purple and blue fire effects. But no. We can’t have nice things. They spent the budget on pirate whores make up
She’s got a point. They both do
LISTEN TO HIM
Proud papa
C’mon girl. Cry
Of course she told her sister
He’s a good king.
T-shirt should be ripped.
🤮🤮🤮🤮. Hate her so much
And. Here. We. Go.
Benny. I love you. But did you not hear what she said to Evie when you first met the vks. Of course not. You were lost in Mal’s eyes.
Oh god. PLEASE SOMEBODY GO AND MELT HER
Whore man is probably skunk drunk. Gil’s cute as ever though
Throw hook in the water. And keep it there.
🎶she’s back🎶
And there screwed
He makes feel physically sick
Uma. I love ya. But honestly. Mal owes no one anything. It’s not her job.
No it ain’t
Jay’s got a point
Oh honey
Hook. In the words of the irreverent Captain Jack Sparrow “if the bikes be crashed properly. You be crashed along with it”. Not you Gil. I like you
Mother hen strikes again. Uma ain’t buying what she’s selling
Pure child Celia. (I don’t use this very much but) Gil’s babey (it feels wrong to type£
Chicken arms. No brains. No wit. No dance skills. No rapping skills. Ya basically a walking corpse hook
The dogs giving me a nervous twitch.
I hate the pair of them so no. No sympathy for prince douche bag
Gil makes me cry so simply
Stab the pirate jay. Please. For all of us
Psycho bitch
I want. It. Dead. Brutally. Dead
And more music. If this weren’t Disney they coulda melted them yo pukes of goo and pour it down Harry’s throat.
Oh god
So she can’t count either. Just like her brother
Definitely cha cha slide.
Deep sigh
So much ham.
Here’s a funny idea. How about instead of a bloody pantomime. ACTUALLY FUCKING FIGHT YOU FECKERS
Synchronised armour dancing. That’s new
Oh for fuck sake
Ha ha. Save it for the sob story bitch
What’s next a kick line
Thank god I was wrong.
Hook should be suffocated under the armour right now. Put us out of our misery
Care bear alert
I had to have a flu jab today. And it weren’t as painful as every single nanosecond hooks on screen
Love the platonic affection (I hate the very concept of malvie. What did you expect?)
Mother alert
Don’t eat wild fruit honey
So cute. But so dumb
Oh. Phineas and Ferb reference
Awww babies.
Don’t you dare tell me Mal doesn’t care.
THEY FOUND DOUG
Uma’s so done with care bear bs
More singing. Yay(!)
Please. Remind me again exactly why this is a DCOM. Cause it honestly does not feel like it what with the backstory pirate whores entire existence and the choreography
How has evie not broken a leg in this number.
Believe me Mal and Uma. I feel your frustration they go together like peanut butter and chocolate spread. (Perfectly if you didn’t know)
Where is she going?
She knows how R&J ended right? Double suicide. Why the romanticism huh?
HE IS NOT A RAG DOLL! Though props to Zachary for not corpsing
How can you hate Doug. He’s adorable. Best straight couple ever
There’s ma boy. Rip Harry’s throyatvout plwae.
Ben’s always been hot. But this is definitely working for me.
Awww. Carlos helping his papa
Wet Ben. Yum
Awww. Janelos cuteness.
Love the beard. So good. 🤤🤤🤤🤤
Someone murder the man whore before I do.
He makes me wanna throw up. And I’m not physically capable of doing that
@rpsocsandcanonohmy. I get where you’re coming from. But I also get where Ben is coming from. Sunbeam did get him abducted. And man slut tried to feed him to sharks. So I do understand both points. Doesn’t mean you’re wrong though
JUST. EXPLAIN. HIS MIND IS BEAST ADDLED
Shoulda let Ben slash hooks throat jay. You’re slipping buddy
Mal’s eating crow
Hopefully he chad suffocates. Then she’s have done one thing that wasn’t completely worthlessly reprehensible
🎶feelings🎶
And it had to ruin it
Te-am work. As plankton says
Proud sister
Boys are back. (With dude and the mutt in tow)
YAAAAAAAAAY
I hate happy harry. But I do like happy Uma. Eh. Double edged sword
BAL THIRST. FINALLY
Shoulda gone with Janelos. Jarlos is from big time rush
Oh they’re so cute
Poor Doug.
DOUG AND GIL FRIENDSHIP.
So. Update. Might be like Mal. (Definitely loving Ben’s facial hair)
Yawning over chad. So pathetic
Her seat from him douchey mcuseless
Poor Janey
Cats outta the bag
Once again. I kinda understand all points. Yeah Mal shouldn’t have lied. But Uma didn’t really give her and choice. And Evie just kinda assumed. And no one really lets her explain anything.
Hooks still pathetic. Even hurt emotionally I still wanna punch his roger rabbit looking face (Sorry Roger)
Oh dear
Mal. Don’t apologise. You did what you felt you needed to do. And no gives you a chance to explain. Ever.
Yes. You needed to do what you could.
Excellent acting all around as usual
Evie. Look. I love you. Your favourite number seven. But WHY IS IT YOUR SISTERS JOB. WHY DOES EVERYONE MAKE IT MALS PROBLEM
Ha! Evie said it. She said family.
Oh fuck. Taken for granite
More singing.
Monster/story/invincible
I do want to stab Harry in the mouth with the hook
More flashback. Yay(.). Couldn’t they fill out the runtime
Flashbacks. TO THE START OF THE SO G THE FLASHBACK IS FROM. OH FOR FUCK SAKES
More dragon.
Audrey’s performance might make me a vegetarian
How is it not crushed by the claws?
Fire should be green
Yay. Auds dead. Please say yes?
The twins say literally one thing
From magical incantation to vaguely irritating verbal tick. Well alright then
Evie. Why do you sound so sad. It’s a good thing Audrey’s dying. The ultimate price and all that. You should be glad. It’s a good thing
Mal: he’s my father. Ben: shocked face. Me: makes a sound like a boiling kettle
Bye bye facial hair
Die slut
More eating crow
The in laws meet
Exactly hades. Exactly. Knee beast in the dick
God Ben’s so hot.
Bite Adam’s throat out please hades
Should’ve let Audrey waste away. And sent granny to Tartarus to meet her
OH SPARE ME YOUR BLEEDING HEART ROUTINE! I still hate you in a fundamental level
OH FINALLY YOU GERIATRIC BITCH
Nice little family moment
What the fuck is Evie’s dress?
Queen Mal has a very nice ring to it.
Sure you can. You owe them noting. You owe nobody anything
Jay has a pull back braid in his hair. Yay!
“Audrey would be gone”. You say it as though that’s a bad thing
“Insert woody woodpecker laugh”. Fuck you Adam
Compromise. Bring the vks over. And plop Adam Audrey chad anleah on the isle. Sink it into the ocean
Why didn’t Verna bring the barrier down. Oh yeah. Cause then she’d be useful
More singing
At least this takes place in daylight
I still hate harry
Push Harry in the drink please. IM LITERALLY BEGGING YOU
God I love Ben and Doug
Why the Charleston?
I still hate tremaine
Well. Jane. In ZM. You met Mal. She’s Carlos’s mother in this au
Giljay. It’s cute
So Harry makes me ill right upbto the end. Now he’s related to purple and blue
🎶a bitch is in the dog house🎶. And deservedly so
🤮🤮🤮🤮
Sweet little king
Oh boy
Whore has a turkey neck
This is the end. Good movie. With some unneeded bits. I’m gonna change a lot in ZM part three. And both dedications broke me.
19 notes · View notes
raeynbowboi · 5 years
Text
Top 10 Disney Villains
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10. King Candy Wreck-It Ralph (2012)
Although he’s newer to the villain roster, King Candy was a well-written villain who served as a perfect blend of humorous and genuinely threatening. He also tied very nicely into the themes of the film, which makes him stand out in my memory as a good villain, because I take more than just personality and actions into account when judging characters, but also role in the narrative, and how they support the themes and ideas of the story. King Candy is the perfect villain for a story like this, which is why I consider him good enough to be on this list, even if as a villain himself, he might not be the most memorable among the Disney canon.
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9. Gaston Beauty and the Beast (1991)
Perhaps the Disney villain we’re most likely to meet in real life, Gaston is the perfect example of toxic masculinity on full display. He’s a great anthithesis to the Beast, though I never saw him all that handsome, which sort of detracts just a little bit from the story. But in a story about how looks don’t matter, but actions do, he’s a great foil to the love interest. He’s a selfish hateful man who is handed everything he wants, and when he doesn’t get his way, he strongarms people until they meet his demands. Yet, despite his personality, he retains a legion of followers who are more-so admirers than actual friends. He never once considers anyone to be his equal or of sufficient worth unless it was helpful in his own endeavors. And anyone who has ever had a friend who basically used them and then ditched them at the soonest convenience can probably recognize that kind of so-called “friend” in Gaston. He’s a great villain to dissect as an analysis of our current culture, but I don’t want to write a five page essay on Gaston for a top 10 list. 
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8. Yzma Emperor’s New Groove (2000)
Inarguably Disney’s best comedic villain (not counting her henchman Kronk), Yzma is a brilliantly funny character whose exaggurated appearance and over-the-top personality blend well with the fast-paced slapstick comedy that fills the movie. Yet, despite being a funny villainess, she avoids a major pitfall of many comedic villains by also being legitimately threatening and dangerous to our heroes. That, combined with the excellent writing in the movie makes Yzma so memorable and likable.
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7. Mother Gothel Tangled (2010)
Although her actual villainous actions in the movie are surprsingly few and far between, I genuinely love Mother Gothel as a villainess. Her motivations are well-established, and she’s the sole reason the story has any plot at all. Comparisons have been made to the living conditions of both Quasimodo and Rapunzel, and I would genuinely agree that Mother Gothel is akin to a diet version of Frollo without all the genocide and religious superiority. She has to be more discreet and pretend to be kind in order to keep her little flower content to remain obedient locked away from the outside world. It makes total sense the way she treats Rapunzel, and her entire character, personality, and role all fit together to enhance the narrative of the story.
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6. Long John Silver Treasure Planet (2002)
Arguably one of the most human villains from Disney, Silver is a beautiful complexity as he juggles the duality of being a father-figure to the impressionable young Jim, while also betraying Jim’s trust. Since Jim’s father left when he was a child, Jim closes himself off from people and seems adrift in the world. Silver, who has no need to trick the boy for his mutiny to succeed, still takes the time to take Jim under his wing, nurture the boy’s abilities, and form a bond. Heck, with how relatively apathetic Jim was, he could have manipulated Jim into hating being on the ship, and thus have him be happy when the mutiny sets him free. But instead, he chose to teach the boy and boost his confidence. In the end, Silver is a compelling Anti-Villain where it’s hard to really define him as a good or wicked person. That is honestly more interesting than just being a straight deceitful villain.
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5. Bill Sykes Oliver & Company (1988)
Perhaps the most surprising choice on my list, Sykes was a villain from Oliver & Company, a retelling of Oliver Twist with stray dogs and a kitten. However, despite Disney’s family friendly brand, Sykes is a surprisingly menacing character. A loan shark and a cut-throat business man, he spends most of the movie threatening to kill Fagin which is far darker than Disney tends to get. While many Disney villains want to kill people, those desires were driven by personal grievances with that person or people. With Sykes, it’s cold, ruthless business. He doesn’t care about Fagin’s life. All he cares about is getting his money, and Fagin’s life just happens to be the collateral. It’s the purest form of cold-blooded murder, and that’s not a common thing among Disney villains.
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4. Ursula The Little Mermaid (1989)
There’s a good reason Ursula is one of the flagship villains of this franchise. She has a strong personality, is a great antagonist, and directly plays off the protagonist’s weaknesses to win. Second only to Scar, and possibly Jafar, Ursula is the classic hand-drawn animated Disney villain to get closest to winning. The fact that she’s based on a drag queen is kind of perfect, since the fairytale was written by Hans Christian Andersen to express his love for Edvard Collin discreetly. He intended to give it to Edvard as a wedding gift, but Edvard and his wife purposefully “forgot” to tell him when the wedding was out of fear that he’d make a scene or announce his love for Edvard in front of everyone. Thus, the mermaid’s taboo love of someone she shouldn’t who comes from an entirely different way of living is a direct parallel to Hans’ feelings for the young Gentleman, and the mermaid being unable to speak and suffering greatly to be near her love is a clear metaphor for Hans’ own feelings of torture. So the inclusion of a drag queen in a movie adaptation of a covert metaphorical gay romantic tragedy is just deliciously fitting. 
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3. The Horned King The Black Cauldron (1984)
Sykes got a place on this list for being genuinely intimidating, but this villain is living nightmare fuel. One of the best things a genuinely threatening villain can do is successfully scare you, and this villain scared the living daylights out of me as a child. In fact, he was the only Disney villain to truly and completely scare me as a child. The rest of the villains were pretty much just bad characters, but the Horned King was far more terrifying than anything else I’d seen as a kid. Though his movie bombed and the story itself was a bit lacking, the Horned King was a genuinely horrifying presence, and to this day, I can’t think Disney Villains without this guy clawing his way into my mind. Maybe as a villain himself, he’s a bit flat, but he’s a horrific undead murderous monster trying to snuff out all life. He doesn’t need to be that complex for what he is, and that works with the type of villain that he was created to be.
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2. Claude Frollo The Hunchback of Notre-Dame (1996)
If Sykes made it to number 5 for the cold-blooded attempt at murder on one person, Frollo strolls into 2nd place for his cold-blooded successful mass racial/ethnic genocide of multiple people over a long reign of tyranny. Although we don’t see his treats on-screen, he very verbally implies that he has been executing people one by one for at least twenty years as he crushes ants. We even see him barricade a family with children inside of their house and then proceed to burn it down. This man is not messing around, and I love it. When it coems to dark, twisted, and messed up villains, Frollo takes the cake. He is hands down one of the greatest and most horrible villains out there. And the fact that he does this all in the name of God is a hauntingly dark reminder of the true cruelty of the medieval Christian church. Frollo was written in the original book to be a deliberate critique of the Catholic church, and I for one am grateful that Disney decided to be faithful to Frollo’s horrible nature when adapting to film. 
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1. Maleficent Sleeping Beauty (1959)
Finally, we reach the leader of the Disney Villains. How could I not put her at the top of this list? She literally fights with all the powers of Hell. But what I like most about her is what you can piece together from the narrative. Out of all the fairies, only Fauna thinks that Maleficent could be reasoned with, and she feels sad at the idea that Maleficent may not even grasp the concept of happiness, or what it feels like to be loved. This opens Maleficent up to being a product of abuse, abandonment, and bitterness. Her hatred for the world and her actions of spite and envy come into a new light with the idea that it’s kindled from neglect and exclusion from others. It offers the question of what would happen if someone did try to just talk to her, and offers a possibly sympathetic reading of her character. But, the true crux of what Maleficent stands for is that she’s evil, and she takes great pleasure in her evil ways. She cursed a baby because she wasn’t invited to a party. When it comes to pure, unfiltered evil, Maleficent has that in spades. So, Maleficent is a perfect character no matter which type you prefer as a villain: the tormented outcast lashing out, or the heartless monster lighting the world on fire for fun. No matter what kind of villain you prefer, there’s a way of reading her narrative to satisfy you.
326 notes · View notes
theaterkid821 · 5 years
Text
Gather ‘round peeps. It’s story time. (Spoilers for changes so don’t read if you’re seeing it soon in the future)
Pre-show
So the first thing I feel like I need to say is that if you are a purist for what they call BMC 1.0, you may not like this. There were a lot of changes to lyrics and lines. It was the same show we all love, but it was different. I loved most of the changes but I can see why some people wouldn’t. 
In Will Roland’s bio, he says “actor/singer/human.” That’s not important to the show, but it was important to me that you know that. 
Also something for my fellow plus size people, the seats are not the most accommodating. Hopefully that isn’t a deterrent, but it is something you should probably know. 
They have a thing called squiptheline.com where you can preorder your merch and pick them up. I got poster, sticker pack, and lip balm (they are mountain dew and mountain dew red)
And then it begins...
They had the SQUIP do the intro and it was beautifully hysterical. 
They lit up the dot on the “i” (which was a little pill) on the curtain-thing 
The shelves behind Jeremy’s bed were full of nerd shit and it was beautiful. 
Jeremy has glasses. Nerd level even higher
Jeremy’s dad comes on with unwashed bowls of cereal, old pizza boxes, and cartoons on. Really adds to his depressed aesthetic. 
When he’s leaving, you see the mailbox full of mail.
He comes back on as the bus driver so quickly.... how?
During the dance bit, he runs into everyone and shouts “girls!” and then shouts “boys!”
Instead of “so Jenna Roland... I mean slutty” dialogue, they change it to “What are you staring at.... I’ve never even noticed him.”
Signup comes from up above. It’s awesome. 
Christine comes on to catch her Eos chapstick (as someone who uses Eos chapstick, I can tell you this is 100% accurate) and then dramatic application
After second verse, before Michael’s entrance, they have Chloe talk dodge a question about her and Jake’s breakup and then Jenna says she saw him with someone. To which Chloe responded, “tell me everything” and then exited. 
George Salazar is amazing and I love him. 
Even from the beginning, with Michael you weren’t sure on the LGBTQ+ spectrum he was, but he DEFINITELY wasn’t straight. 
(Headcannon #1 they used; Michael’s has 2 moms); when seeing the infamous “boyf” “riends,” he took out his phone to take a selfie and said “my mothers would be thrilled!”
Play thing came down from the sky again and Christine lay on the floor for a little bit so you could see her face underneath until it covered her
She did the chorus line dance!
The awkwardness of the scene before I Love Play Rehearsal. 10/10. 
The popular kids knocked Christine and Jeremy off the chairs (my poor babies!)
Slightly after Jake impressing Christine: “Why are you guys doing the play anyways” “Brooke’s doing it because of Chloe, Chloe’s doing it because of me, and Rich is doing it because he’s my boy” “and why are you doing it” “well i’m doing it because of you”
Bathroom scene even had the florescent lights come down.
Rich flushes Jeremy’s head down the urinal (poor child I wanted to hug him)
They whispered “so its like... drugs?” “it’s better than drugs Jeremy”
ITS FROM JAPAAAAAAAAAAAAAAAAAAAAAN. ‘Nough said
The projection behind the backup was TERRIFYING. They projected people all in white behind them doing the movements.
The rolled the bed on stage for 2 Player Game
Screaming “The cafetorium!” and then having the quieter music as they sit and play the game, emotionless was beautiful. 
“You’re like this bottle of Crystal Pepsi that expired in 1996″ “Is that safe for human consumption?” “Gets better with age”
They had a projection of the game in the background at the end.
They had fog in the shoebox as well as a blue light
“to activate take with mountain dew... not sure why.... and this is important, to deactivate-we’re sold out!”
And then never ended that thought...
“how do you feel?” “like...” singing to add to the dramatic moment and then... “a chump.”
“this guy is hooking me up with a case of ecto-something (i forget). It’s the ghostbusters drink they discontinued in the 90s!” “What does it taste like?” *whispered* “Ghosts!”
(Headcannon #2 they used; Jeremy being a furry); “my default mode you can also set me for... sexy anime female in cat suit with tail.”
They added an intro to Be More Chill
They cut out “i’m a super computer Jeremy, I’m made of math”
The SQUIP was sitting on the clothing rack for the clothing store part
Chloe broke a hanger after hearing he went with Madeline
For Do You Want a Ride, it started with Brooke began by slowly dragging the straw in and out of her soda can ;)
For the Reprise of Be More Chill, they had both the old lady in the track suit, and a lady in the scooter
her license plate said “bingo queen”
SQUIP comes back on in this weird jacket
New song here! Synched Up!
The SQUIP fixes his vision and he doesn’t need the glasses
It’s hard to describe the song, but it’s about friends being “synched” and how everyone is hiding something underneath.
You hear Michael a couple times, but you don’t see him
Talking about Mr. Reyes “his dreams are dead. That’s why he eats so many hot pockets” (hot pockets is sing-song)
When Jeremy says he was doing performance art, Christine has her own idea for a performance art piece. You don’t hear anything about the idea until then end when she’s squatting and shouts “and then I give birth to the bowling ball!”
You don’t hear it because the SQUIP is talking to Jeremy saying she’s unusual because she doesn’t seem to care what anyone else thinks. 
During play rehearsal: “bring me patient zero!” “cough!” (she says cough). Then Brooke says her line in stressed iambic pentameter.
They had little hearts for Guy I’d Kinda Be Into
The SQUIP was all ready to point to Jeremy at the end and then was like “wtf” when she said Jake
They had bleachers for the football field for the scene before and during Upgrade
“She wants to make out with you” “Ive never made out with anyone in my life”
End of Brooke’s solo in the beginning, they changed. “So kiiiiiiiiiiiiss meeeeeeee.” *giant pause and then repeated melody* “like noooooooooooooooow” 
They added dialogue after Jake and Christine which lead to this layering thing of them all singing “I’m tired of being the person that everyone thinks that I am”
Loser Geek Whatever is so much more emotional than even when i saw it off broadway.
The SQUIP came back out in a very elaborate dress/jacket thing. It was cool
They played a jazzy version of the Pants Song during intermission
Christine dressed as a sexy princess 
They added more harmonies to Halloween
Chloe was wasted for Do You Wanna Hang
The SQUIP fell onto the bed after going into factory setting
They took out the 
Michael In the Bathroom... if you have a chance to see George Salazar perform this live, I highly recommend
Christine and Jeremy communicating through sounds is beautiful and just... a mood. 
There was a sparkly red bra behind them
Rich takes a pumpkin and sets the house on fire. 
For Smartphone hour, the changed the first verse of the chorus to “Rich set a fire and he burned down Jake’s house” which helps me immensely (fun fact, someone once thought I was crazy because my friend once texted me “did Rich set his own house on fire, or Jake’s house?” and they saw it and thought my friends were arsonists. I mean, I am somewhat insane, but... not for that reason)
Michael and the dad’s female characters came down from the ceiling.
Michael had shark slippers, Rich had unicorn slippers, and Jeremy’s dad was in a onesie that said “naughty”
I have said this before and I will say this again, it takes real courage to be on stage in front of a few hundred people and sing whilst in your boxers
Michael was wearing weed socks and was smoking of course
Jeremy’s dad thought he was burning incense lol
Christine: “Everyone is hurting and I don’t know how to help. So I guess I’ll just do theatre.” got such a laugh
They basically rewrote all the lyrics for Pitiful Children
Robotic kick-line
Christine knows what a SQUIP is because someone in her theatre camp took one and is now in a mental hospital... coincidence?
The SQUIP comes down from the sky and his chest lights up
Michael breaks through the paper scenery for “MICHAEL MAKES AN ENTRANCE!”
Everyone in zombie costumes for the fight scene makes the parallels to the game so much better
Rich has the lisp!
(Headcannon #3 they use; Rich and Michael); “anti-social headphones kid... is he single?” *sees him* “oh hiiiiii.” “Hi Rich,” *very awkwardly* “Bye Rich!” If you don’t want it, you don’t have to see it. But if you do ship it... oh my god.
He puts on his glasses again!
(Headcannon #4 they use; calling the group the squad); they rewrote the verse for Chloe, Jake, Brooke, and Jenna. they say to Jeremy “we’re your squad” not exactly the SQUIP squad, but still
When asked what her SQUIP looked like, Christine said RBG
For the date, Jeremy suggests the performance art she said she wanted to do.
At the end, there’s a projection of the SQUIP in the background
I’m tagging people who liked the previous post or commented so... Tag list: @molly-wonder-queer @72748-blog @simranthefangirl
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Hawkes Harbor Review
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"Surely, Louisa, you are not suggesting I take Jamie to Disneyland."
After a bestselling author's work is rejected, in a move of irony & karma, Dark Shadows finds ITSELF the subject of plagiarism. And now, brought to you by the letter 'H', here is my review of Hawkes Harbor by S.E. Hinton.
  As the legends go, the novel 'Hawkes Harbor' was originally intended to be an entry in publishers HarperCollins' Dark Shadows series. What changes were made to the storyline & characters afterwards are hard to pinpoint, but for all pretense and purposes, I chose to read this book while mentally changing each character or location to its DS counterpart:
Jamie Sommers..........Willie Loomis Kellen Quinn............Jason McGuire Grenville Hawkes...Barnabas Collins Dr. Louisa Kahne...Dr. Julia Hoffman Sophia Marie........................Josette Katie Roddendem........Maggie Evans Richard..................................Roger Lydia.................................Elizabeth Ricky.....................................David Barbara...............................Carolyn Hawkes Harbor.................Collinsport Hawkes Hall......................Old House Terrace View....................Wyndcliffe
  This comes in handy mostly because, with the exception of the 3 male leads, not many details are given regarding the other individuals mentioned in passing or who enter the storyline from time to time.
  The plot itself more or less follows Willie's storyline early on the show, with some added details & flashback accounts to his time spent with Kellen/Jason, along with a few other changes. For starters, Jamie gets more tail in a chapter of this book than Willie could ever hope to get throughout his entire run on the show. He gets it on with a rich bitch who scratches his back up; with Katie/Maggie, IMMEDIATELY after Grenville/Barnabas kidnaps her; with two girls on a cruise ship, at the same time. Hell, even the book's equivalent of Nurse Jackson climbs into bed with him to give him a pity handjob.
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Whereas onscreen, I think Willie only got as far as copping a feel while holding Maggie hostage.
  And as I mentioned before, there are rather large sections of the book devoted to Jamie/Willie's backstory, which had previously been unexplored in the show's official canon. The story begins by showing Jamie/Willie, an out of wedlock child with a dying mother, being placed in an orphanage at the age of 7. There, his mother's heirloom crucifix necklace is taken away from him, hinting at his future fascination with shiny trinkets. In his adulthood, he enlists in the Navy & later befriends Kellen/Jason after defeating two Hawaiian men in a brawl.
  For the years to follow, Kellen & Jamie primarly travel together on the high seas, makin' cons, makin' scams & fightin' round the world. During the course of their adventures: Jamie is accused of rape by a rich heiress who seduced him; Kellen tells a story where the punchline involves a frozen sausage; and the two are robbed by pirates while a shark attacks Jamie as he dives for a ruby.
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After their resources are dried out, the duo end up back in the states in the town of Hawkes Harbor, Delaware/Collinsport, Maine. Which, of course, is where these characters were introduced on Dark Shadows. But since this isn't suppose to be a Dark Shadows novel, some of the details have been mixed around. For starters, instead of Kellen being Lydia/Elizabeth's husband's two-timing friend, HE is her husband. They were married overseas while Lydia/Elizabeth was working as a nurse for the war. After the marriage went sour, Kellen took a buyout to produce a death certificate, vanish & allow her to go back to her family as a widow.
  Posing as the brother of Lydia's late husband, Kellen moves into the grand family mansion & collects clothes & money while Jamie stays at a boarding house nearby. There, he befriends one of the workers: Katie Roddendem/Maggie Evans, as well as her little sister Trisha(/Amy, perhaps?) & their mother, Mrs Pivens (who seems to be playing the role of Mrs Johnson, as evidenced by this line: "Well, my landlady, Mrs Pivens, she liked me. Don't ask me why-'cept she had a son around my age, he turned out bad. I guess she wanted to believe guys like us were good, deep down somewhere.") Ricky Hawkins/David also forms a bond with Jamie & later tells him of buried pirate treasures located in the caves of a nearby island, said to be haunted.
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  With just that information to go on, Jamie foolishly goes a treasure huntin' & unchains a coffin revealing vampire Grenville Hawkes/Barnabas Collins. Grenville, who's sounds more like a chain of motels than a scary vampire, puts Jamie under his power & to work on restoring Hawkes Hall/Old House. Now, it is worth mentioning that some changes were made to Grenville, from the Barnabas we all know & love/hate. Most notably, Jamie describes him as being around the age of 50, with no trying to pretend that the middle aged vampire was 25 when confined in a coffin. In addition, Grenville has had *gasp* MULTIPLE wives! One of which produced an offspring named William, which is perhaps a nod to the our protagonist's original name. Guess William also dodged a bullet in that he wasn't named Bramwell.
  Some time after Gren's first wife passes on, he marries a young woman by the name of Sophia Marie/Josette. Soon afterwards, Grenville finds himself turned into one of the living dead. Sophia/Josette is all too anxious to join him in being eternally damned, but unfortunately for her, Bizarro-Barnabas will have none of that & decides chokes a bitch instead. Fast forward a few centuries and Grenville spots Katie/Maggie & makes up his mind that he wants Sophia/Josette to be a bloodsucking creature of the night after all! But here's where it gets WEIRD.
  Instead of slowly brainwashing Katie into believing she IS Sophia, he plans to have Sophia's spirit, who just happens to be hanging around Hawkes Hall for no good reason, inhabit her body. I guess just like in 'Ghost', when Patrick Swayze jumps into Whoopi Goldberg or something. So, Gren attacks Katie & leaves her alone in the Hawkes Hall long enough for Jamie to find her, allowing THIS exchange to take place:
"Jamie," she said suddenly. "Make love to me." "W-w-what?" he stammered, drawing back from her, searching her eyes. "Make love to me. Now."
  Yep, you've only got mere moments to escape, but why not do the nasty instead? I mean, it's not like an angry jealous killer vampire could walk in at any second or anything! Actually you know what? If I didn't believe it was impossible, I think Willie Loomis himself wrote this book. That's right, after hearing about his parallel time self being a famous writer, he thought to himself 'Well, why can't I do that?' And then he proceeded to write a thinly disguised biography of his life, giving everyone a different name & changing the events to the way he thought they SHOULD have happened!
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Oh & here's another kicker, Katie/Maggie claims to be a virgin. Ha! Yeah, I know Joe is always shown sleeping on the couch in the show, but I've figured that was because Sam had a short fuse & a shotgun handy amidst his paintbrushes, just in case someone dared to lay a finger on his daughter. Trust me, if Maggie's a virgin, then Carolyn's in the freakin' convent. So Katie is saying that she wants her first roll in the hay to be with pretty boy Jamie instead of Count Hawkins. Actually I wonder if Grenville is even capable of performing such an act. Usually vampires in popular culture are as dead below the waist as the rest of their bodies, & Barnabas never seemed to be any exception. Sure he was interested in anything under 30 with a vagina who walked within his line of vision. But as a vampire, he never showed an interest in sinking anything except his fangs into a young lady.
  But, getting back to our story. Jamie & Katie are engaging in some fluffy coitus. They kiss, they cry, they climax together. Cherubs come down from the heavens & sing. Then Grenny shows up & doesn't seem to show any reaction to the fact that some hard core nookie just took place in that very room. But no matter to that, because Grenville has to deliver some corny dialogue to his sweetie:
  "Come, my heart, " the low voice beseeched the air. "Come and join me."
  "All right!" (All right! Let's get this party started!) Jamie shouted as he struggled back up. "You go ahead and do this, kill Katie, I can't stop you. I seen people kill before-for money, God, or country, and you with your 'necessity for existence.' I even did it myself once. But don't you call it love! This isn't love!"
  After that speech, I half expected Jamie to break out into song, but instead Sophia Marie talks through Katie, forming a ghostly glow over her body. The lovers embrace, kiss, cry, the cherubs come back for an encore & Sophia Marie/Josette basically tells Grenville that although she loves him, they can't really be together like this. A ghost & a vampire together? Might make for a decent mid season replacement sitcom, but doesn't lend itself to being very practical for real life.
  So with Katie now useless, Grenville tells Jamie to get rid of her. Maybe he just meant to dump her in the trashcan out back for pickup, but Jamie takes Katie & runs for the hills. And who should see them on their way, but a Sheriff Patterson/Joe Haskell hybrid known as Mitch Morgan. To make matters worse, Katie is Mitch's main squeeze & she's been missing for awhile. Mighty Mitch takes aim & Jamie gets 3 bullets in his back, as opposed to Super-Willie who recieved FIVE & recovered in record time!
  From there, Jamie is taken to a criminal insane ward & later transferred to Terrace View/Wyndcliffe under the request of Grenville & Dr. Louisa Kahne/Dr. Julia Hoffman. This is where the majority of the story takes place in the forms of flashbacks & remembrances while a physician named Dr. McDevitt conducts therapy sessions with Jamie. Which is an affective tool for storytelling, but I wouldn't really buy as being able to take place. Think about it. Would Julia really allow anyone to ask Willie questions, taking the risk that he might reveal something? Frankly, I've always imagined Willie as being kept heavily medicated & isolated in his room while at Wyndcliffe.
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Oh, & while it's not even brought up until much later in the novel, you should know that, much like on the show, Kellen/Jason became worm food some time before Jamie got shot. Worse yet, instead of Grenville merely using Barnabas's trusted M.O. of strangling someone to death, here Grenville drinks all the blood from Kellen's body. And then orders Jamie to stake his friend to prevent him from rising as a vampire. Adding yet another thing to give Jamie nightmares at night.
  After several months of being at Terrace View/Wyndcliffe, in following the storyline of Dark Shadows, Jamie/Willie is released into the care of Grenville & Dr. Louisa Kahne/Dr. Julia Hoffman, against the wishes of Dr. McDevitt. Grenville is magically now 99.9% vampire free but it's still alluded to that he needs shovels for misdeeds, which are never fully explained in detail. Meanwhile, Jamie has become the Boo Radley of Hawkes Harbor, with small children throwing rocks at him. And on top of that, from his ordeal & time spent in the institution, he's become greatly addicted to prescription drugs.
  Following Jamie accidentally ODing on his pills, Louisa/Julia finally gets it through her thick wig that Jamie just may have problems & observes he's likely suffering from Stockholm syndrome. Although since this takes place in 1968 & that term will not be conceived until 1973, I guess Louisa took some trips to the future that we didn't know about. She suggests that Grenville should take him someplace to relax while he is gradually reduced from his meds, to which he reacts with this line:
  "Surely, Louisa, you are not suggesting I take Jamie to Disneyland."
  Oh man, I'd pay good money to see Barnabas & Willie in Disneyland! Can you imagine it? Within the first 24 hours, Willie will have beaten up Goofy & been banned for life from Mr. Toad's Wild Ride while Barnabas has already made plans to kidnap Snow White & turn her into his new Josette!
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But unfortunately for us, Louisa/Julia has other plans in mind.
  "Richard was saying..." she began. His look warned her he had little interest in what his cousin had to say, but she went on. "The Collins shipping industry needed to look into passenger cruises. They are the wave of the future-You know Roger and his puns."
(That above line is NOT a typo, by the way. For two sentences they let the names 'Collins' & 'Roger' slip through without changing them!)
  "No," Grenville said. "No."   "Of course he offered to go. But you could investigate for yourself. And it's not unusual for a man of your position and background to travel with a valet."
  So, Grenville & Jamie are off to the high seas in a high class cruise ship. Jamie manages to come down off his drug dependency while he spends his vacation having nonstop threesome with 2 babes who hang on him like bark on a tree. Grenville also finds time to cheat on Louisa/Julia score with an older lady by the name of Leslie while on board. This leads to another quotable line:
  "So Grenville," Jamie said conversationally, "yours give good head?"
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Greetings from Commodore Cruise Line! Wish you were here. Love, Jamie.
  Yep, Jamie/Willie & Grenville/Barnabas discussing oral sex. An area most fan fiction writers wouldn't even dare venture towards. But all good things must come to an end, including the boy's pleasure cruise & they return to Hawkes Harbor with Jamie greatly improved & more confident in himself. In time, he becomes a productive member of society, working odd jobs & donating his services to schools & charities.
  The book then flashes forward 10 years where Jamie has become Harvey Lacey & lives a content comfortable life with his former captor. That Christmas, Grenville 'Last of the Big Time Spenders' Hawkins gives him a quilt. Jamie gets to enjoy it for exactly one night before a deer crashes into the car while he's driving Grenville home. He dies moments later & meets Kellen/Jason in heaven. Kellen claims that Jamie's act of lighting a candle & saying a prayer, allowed him into a much less fiery accommodation in the afterlife, but personally I think he just had some dirt on God & blackmailed his way through the pearly gates. The two sail off into the sunset of the great beyond. The End.
  So that's the book. It has its pros & its cons, but it actually might have been much better if released as originally written, with the characters' names, places & events as we know them still intact. If you are familiar with Dark Shadows, it's impossible not to associate the book with it & become annoyed with some of the changes. While if you're NOT acquainted with the show, you're very likely to read the novel not being completely clear of the characters' personalities or motivations. It's really a no win situation.
  In general, I like the way Jamie is written. But I think he's made out to be too much of a Gary Stu in some parts of the book. For one thing, Jamie is written as being primarily well liked by anyone he comes across, whereas this is certainly not the case for Willie. Early on, he insults & gets into fights with nearly anyone he meets. Jamie acts as an older brother towards Ricky & Trisha while Willie is mostly seen just throwing David's ass out of the Old House. The character of Katie is deeply fond of Jamie, going as far to name one of her sons after him. Regarding Maggie & Willie, early on she deeply despises him as he continually comes on to her, even when she makes it perfectly clear that she is not interested. After he is shot & she comes to believe in his innocence, her feeling towards him becomes one of friendship. But it's still more of a commiserative manner rather than romantic as Willie would like to believe. Often her interactions with him come off as if she's dealing with a child or slow minded adult.
  And in turn, I think many of the secondary characters seem to have been made less likable, perhaps to make Jamie even more of the hero. The Hawkeses are described in brief as simply a family of rich snobs. Richard/Roger has to be taken to detox clinics, Barbara/Carolyn gets involved in one scandle after another. Granted the Collins themselves were far from perfect, but never near the level of arrogant highbrows as they are presented here as the Hawkeses.
  Dr. Louisa Kahne is also written as a very flawed individual. In addition to being extremely controlling towards Jamie, it is mentioned by Dr. McDevitt that Louisa barely has any medical training or knowedge & yet goes around acting as a doctor. And while I'm not gonna defend Julia's treatment of Willie which ranges from small acts of kindness to being a complete bitch, I think it's unfair to quickly write her up as an unqualified quack. Her Doctor Feelgood reputation of passing out sedatives like Halloween candy precedes her, but Julia has been shown treating vampirism & creating an artifical person, & seems able to handle whatever injury or emergency is thrown at her on a daily basis.
But while we're on the subject of the Queen of Barbiturates, I do want to discuss a subject which I thought the book did well in covering. Which is in dealing with Jamie's health & mental state. On Dark Shadows, after Willie is shot enough times to kill a person two times over & regains consciousness from his coma, he is shown as being in a great amount of pain. And furthermore, he appears to have undergone a complete mental breakdown. Showing signs of amnesia (whether genuine or as a protective defense), he seems to have regressed to his state after being attacked by Barnabas, begging for it not to be dark & for no one to hurt him.
  When we next see Willie a few months later at Wyncliffe, he claims to be physically strong as ever, but is still showing occasional signs of delusions, bad decisions, as well as sparks of his old mean demeanor that was repressed after being bitten. Miraculously, following his release, his mental state actually seems to improve over time, even while he is seen getting thrown into one dangerous situation after another. This I've always found hard to believe, especially considering Willie's parental caregivers rarely give him a thought of concern at all.
Willie: (After being forced to dig up a corpse & bring it back to the Old House) "You know, every time I touched it I felt sick. When I came back here I couldn't even go to sleep. I put it down here & I went to my room & I just lay there, Barnabas!" Barnabas: "Well, next time Julia will give you a sedative."
  Yeah, I don't find it hard to picture Willie becoming dependent on painkillers & tranquilizers with his environment or the health problems that would come from 5 bullets in the back. But by this point, Willie mainly served as a background character, carrying out duties for Barnabas & Julia, with limited insight into his own personal life, or lack thereof. After all, what reason did the writers have to give his character a story arc of his own, when the viewers seemed content with watching Barnabas repeatedly pine on a lost love or mope over his vampire state?
  But that's where its the viewer's job to watch, observe, read between the lines & ponder the untapped stories, feelings & adventures for characters who remain a mystery. And for that, despite some of the book's shortcomings, S.E. Hinton has done a respectable job in trying to make the reader better understand the character of Willie Loomis. Or Jamie Sommers, as she chooses to call him. Or if nothing else, I'm at least thankful that the author wanted to give Willie his moment in the spotlight.
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