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#babbit lore
bones-of-a-rabbit · 3 months
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the babbit masterpost
HELLO welcome to the Babbit's Blog masterpost!!! On this post you'll find some fun facts about yours allegedly (me <33), some ref's for my different 'sona's, and a couple links to my fics and whatnot! Are you ready? No?? Excellent neither am i let's do this
Meet the Babbits!: the self-inserts/personas
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the first ref is for my general/most commonly used persona, Babbit! They aren't really an anthro/furry as much as they are a humanoid with the head of a rabbit. I like to think of this one as the 'me' that's in my head- the purest form of my thoughts and feelings, but not the solid real-life me. The second ref is my self-insert persona, Rabbit, the one i picture using most often when i'm reading a fic or imagining a self-insert scenario lol. This one is like the me that people see and meet and speak to in real actual life, if that makes sense. It's the way I come across to people and all of the things I wish I could iron out of my crumpled up real-self <3 The third is a much more specific 'sona, Hazel, who started off as a FNaF:SB animatronic self-insert. She does have a backstory and lore now, which i think makes her more of an OC than a self-insert, but a lot of her is still me and a lot of what she experiences in her backstory is from my life/instills the same feelings that were taken away from things that happened to me, so I think she kinda counts enough to put a ref for her here sdkjfsdhfj (Why the different names?: makes things a little easier, and they hold meaning to me symbolically, I guess!)
Content!: Here's a short list of my various fics that will get updated as I create more! (it was, in reality, not fine.): FNaF Sun/Moon x Reader fanfic, gender neutral, for general audiences, fluff-fest, idiots to lovers "You're the new tech/repairman at the Fazbear Mega Pizzaplex, unfortunately. Your first task? To make the Daycare Attendant into two separate animatronics. It's an amazing opportunity, really, and there is nothing you love more than getting a chance to really work with such tech! The only bad part is that you don't know how to tell anyone that you just might be in over your head. (You are extremely in over your head.)" After Everything Was Fixed (but you were still broken): AU FNaF Sun/Moon x (Animatronic) Reader, gender neutral, read with caution, angst, harm to sentient robots, traumatized main character, hurt/comfort slow burn, romance slow burn "The virus was gone. Everyone was fixed. You had been put back together. It's a time for a new beginning, to do things right this time, to wash away the past and paint a better future. Their memories of the infection had- mercifully- been taken away from them. Yours had not. He doesn't understand why you try to avoid him. Even if you could tell him, you're not sure you would. You want to be his friend, but it's difficult; every time you see him, you remember the hundreds of times he killed you." A fic where you are a repairman-themed STAFFbot, taking place post-virus. In the past, Moon, infected by the virus, took delight in attacking and dismantling the reader during the night. Now, in the present, you find yourself burdened by the memories of the past while everyone around you has no recollection of the events. It gets more complicated as Sun and Moon, both now cleared of the virus, grow curious of you. This fic will follow a series of arcs, presently on arc one. For anyone curious, feel free to send an ask about the arcs in 'After Everything Was Fixed'! The Sun, the Moon, and the Blazing Comet (title subject to change): AU FNaF Sun/Moon/Eclipse x Reader, gender neutral, teen and up audiences, travel/journey, betrayal, hurt/comfort slowburn, reconciling, themes of breaking the mold, found family (TBA) Hold My Broken Hands (title subject to change): AU FNaF Sun/Moon x Reader, gender neutral, mature audiences, dark romance, dark comedy, severe bodily harm, mutilation, murder, obsessive behavior, possessive behavior, lovesick (TBA)
My AU's!: i'm going to make a Babbit-AUs-Masterpost and then put the link here i swear, i just have so many im sorry jdfhsjdfhs (like more than twenty)
Fandoms!: I enjoy, have been in, made or make content for: Pokemon Undertale FNaF Creepypasta (YEAH I KNOW LET ME LIVE OKAY) My Little Pony (I KNOW OKAY LEAVE ME ALONE) Steven Universe Star Trek Warrior Cats i'm sure theres more but i just forgot everything i have ever liked wheeeeeze
Whomst the hell?: HI I'm Rabbit! Or Bones! Or Babbit! Or Avarice/Ava, if you want to go for a more legitimate-sounding name. I'm 24 years old, prefer to use they/them pronouns, and so, so incredibly ace. I've been drawing as long as I've had the ability to hold a pen, writing since I was in grade school, and being a plague to the ones around me since the beginning of time! If you've seen my art, its probably from the absolute mountain of fluffy-wuffy love-dovey (y/n) x Sundrop/Moondrop/Eclipse doodles I've been sharing for several years now sdfjhsdj. If you've heard of my fics, it was probably the one I made just for fun that's now turned into an actual fanfiction that I enjoy writing, the silly-lovey-fluff incarnate (it was, in reality, not fine.) !
Likes n Dislikes!: I'm a sucker for sap, fluff, and lots and lots of love-dovey bullshit! I also like stories about finding oneself and monsters being befriended or loved. I like space, aliens, robots, the odd and strange, injecting humanity into things not human, monsters, creatures, animals, the fae, concepts of spirits and karma and the afterlife, and more! I dislike 'fanservice', most anime tbh LOL it's not personal I just don't enjoy it im srry, FLY BABIES i know they have an actual name but i hate that word too pls just dont i will scream, sexually aggressive/forceful content/characters, being made to feel small, dumb, or trapped,
Other!: I have a pretty high gross-out tolerance! I also have a pretty high 'wow that's messed up huh' tolerance, in that sometimes I will just say stuff that's super grim or dark or messed up and not realize it lmao. I am full of random facts and anecdotes, especially weird or gross ones! sometimes i get on tangents that can go for actual hours so pls forgive that lol
WARNINGS: THIS BLOG MAY FEATURE CONTENT BASED ON/RELATED TO THEMES OF GUILT, CHILDHOOD LOSS, GRIEF, SELF HATRED, DISCONNECTION FROM REALITY/SELF, TRAUMA, AND SEVERE DEPRESSION/ANXIETY. YES I AM GETTING HELP. YES I AM OKAY. THANK YOU FOR YOUR PATIENCE AND UNDERSTANDING.
bonus persona: crybaby
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flesh-of-a-hare · 28 days
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yeah i finally got around to watching some fnaf help wanted2 gameplay and yeah it hurt my feelies lol
anyway, bitter bones saga continues,, or this is a prequel. idk i just work here
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moth hi i heard you were bored so i was just wondering if in your monkees anthro au(?) if you had decided on anymore designs for any of the other side characters in the show (like what about mr. babbit and is mr. schneider still a human dummy)!?!? also do you have any kind of stories/lore/ideas floating around for the au(?) <- sorry i have no idea if i should be calling it an au or not 😂
Hiiiiiii :3
Oh! Absolutely. You can totally call this an AU (can't think of any better word for it lol). I'm starting to tag conceptualization around it as #animalified to keep it organized, for my own convenience if anything.
The fursonas for other characters in the show is something I regrettably think about all the time 😭
I can't remember/go over all the characters in the two seasons of the show, but standouts would be stuff like:
Mr. Babbit: White Rhino
Mr. Schneider puppet: Gorilla (I am soooo funny)
Mr. Zero: Honey Badger
Harley Vandenberg: white Persian Cat
Leslie Vandenberg: calico Domestic Cat
Madame Quagmeyer: Mute Swan
Jerry Blavat: American Foxhound Dog
This au is kind of an extension of me playing around with coming up with anthro animal equivalents for people going back to when I was a kid. I used to have super detailed ideas about what the world could be like: lore and what-not, but I've recently started doing away with complicating the world-building too much. I was finding it distracted from the real appeal for me, which was drawing people as animals! I can save heavy contextualization and evolutionary rationalization for separate, anthro-focused narratives that don't depend on real-life people or events.
The universe is based largely around our real life one, so anthro Michael, Davy, Micky, and Peter are actors for a TV show called The Monkees within that world. It is exactly like ours except everyone is an anthro. Likewise, the actors have their fictionalized equivalents (who are also anthros).
I have plans to make anthropormorphic equivalents for other bands/musicians/movies on the back-burner,which I'm hoping to get around posting and sharing sometime.
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victory-red · 3 years
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thinking about that volcano in Arizona called S P Crater because some 1880s rancher said it looked like a chamber pot, and also that mapmakers refuse to call it anything other than "S P Crater" because the "S P" stands for "Shit Pot"
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papermoonloveslucy · 3 years
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ZIEGFELD FOLLIES
April 8, 1946
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Directors: Lemuel Ayers, Roy Del Ruth. Vincente Minnelli, George Sidney,  Norman Taurog, Charles Walters. Robert Lewis Producer: Arthur Freed for Metro Goldwyn Mayer
The shooting schedule ran between April 10 and August 18, 1944, with retakes plus additional segments filmed on December 22, 1944 and then between January 25 and February 6, 1945. The film was first proposed in 1939. 
Synopsis ~ We meet a grayed, immaculately garbed Florenz Ziegfeld, Jr. in Paradise (his diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive.
PRINCIPAL CAST
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Lucille Ball ('Here's to the Ladies') is appearing in her 64th film since coming to Hollywood in 1933. 
Fred Astaire ('Here's to the Ladies' / Raffles in 'This Heart of Mine' / Tai Long in 'Limehouse Blues’ / Gentleman in 'The Babbit and the Bromide') also appeared with Lucille Ball in Roberta (1935), Top Hat (1935), and Follow the Fleet (1936). His name was mentioned twice on “I Love Lucy.”
Lucille Bremer (Princess in 'This Heart of Mine' / Moy Ling in 'Limehouse Blues') 
Fanny Brice (Norma Edelman in 'A Sweepstakes Ticket') appeared in the original stage version of many editions of The Ziegfeld Follies on Broadway.
Judy Garland (The Star in 'A Great Lady Has An Interview') also starred with Lucille Ball in Thousands Cheer (1943). 
Kathryn Grayson (Kathryn Grayson in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).
Lena Horne (Lena Horne in 'Love') also starred with Lucille Ball in Thousands Cheer (1943).
Gene Kelly (Gentleman in 'The Babbit and the Bromide') also starred with Lucille Ball in Thousands Cheer (1943),  Du Barry Was A Lady (1943), and A Guide for the Married Man (1967). He made an appearance on the Lucille Ball special “Lucy Moves to NBC” (1980).  
James Melton (Alfredo in 'La Traviata')
Victor Moore (Lawyer's Client in 'Pay the Two Dollars')
Red Skelton (J. Newton Numbskull in 'When Television Comes') also starred with Lucille Ball in Having Wonderful Time (1938), Thousands Cheer (1943),  Du Barry Was A Lady (1943), and The Fuller Brush Girl (1950).  On TV he appeared on “The Lucy-Desi Comedy Hour” in “Lucy Goes To Alaska” (1958). Ball and Skelton appeared in numerous TV specials together. 
Esther Williams (Esther Williams in 'A Water Ballet') also appeared with Lucille Ball in Easy To Wed (1946). 
William Powell (Florenz Ziegfeld Jr.) also played the same character in The Great Ziegfeld (1936). 
Edward Arnold (Lawyer in 'Pay the Two Dollars') appeared with Lucille Ball in Roman Scandals (1933) and Ellis in Freedomland (1952).
Marion Bell (Violetta in 'La Traviata')
Cyd Charisse (Ballerina in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).
Hume Cronyn (Monty in 'A Sweepstakes Ticket') was honored by The Kennedy Center in 1986, at the same ceremony as Lucille Ball. 
William Frawley (Martin in 'A Sweepstakes Ticket') played the role of Fred Mertz on “I Love Lucy” and “The Lucy-Desi Comedy Hour”. He also appeared on “The Lucy Show,” his final screen appearance. 
Robert Lewis (Chinese Gentleman in 'Limehouse Blues' / Telephone Voice in 'Number Please')
Virginia O'Brien (Virginia O'Brien in 'Here's to the Ladies') also starred with Lucille Ball in Thousands Cheer (1943),  Du Barry Was A Lady (1943), and Meet The People (1944). 
Keenan Wynn (Caller in 'Number Please') appeared with Lucille Ball in Easy To Wed (1946), Without Love (1945), and The Long, Long Trailer (1954). 
SUPPORTING CAST
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Ziegfeld Girls
Karin Booth  
Lucille Casey  
Aina Constant  
Elizabeth Dailey  
Frances Donelan  
Natalie Draper  
Karen X. Gaylord  
Aileen Haley  
Carol Haney  
Shirlee Howard  
Margaret Laurence  
Helen O'Hara  
Noreen Roth  
Elaine Shepard  
Kay Thompson  
Dorothy Tuttle  
Dorothy Van Nuys  
Eve Whitney - appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15).
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Dancers
Gloria Joy Arden
Jean Ashton  
Irene Austin  
Judi Blacque  
Bonnie Barlowe  
Norman Borine  
Hazel Brooks  
Ed Brown  
Kathleen Cartmill  
Jack Cavan  
Marilyn Christine  
Laura Corbay  
Rita Dunn  
Meredyth Durrell  
Shawn Ferguson  
Jeanne Francis  
Jean French  
Mary Jane French  
David Gray  
Bill Hawley  
Doreen Hayward  
Charlotte Hunter  
Virginia Hunter  
Patricia Jackson
Margaret Kays  
Laura Knight  
Laura Lane  
Dale Lefler  
Melvin Martin  
Diane Meredith  
Lorraine Miller  
Joyce Murray  
Janet Nevis  
Ray Nyles  
Billy O'Shay  
Jane Ray  
Dorothy Raye  
Beth Renner
Melba Snowden  
Walter Stane  
Ivon Starr  
Robert Trout  
Chorus Boys
Rod Alexander
Milton Chisholm  
Dick D'Arcy  
Dante DiPaolo  
Don Hulbert  
Herb Lurie  
Matt Mattox  
Bert May - appeared on “The Lucy Show” in “Lucy and Tennessee Ernie Ford”
Jack Purcell  
Tommy Rall  
Ricky Ricardi (!)
Alex Romero
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“LIMEHOUSE BLUES” starring Fred Astaire, Lucille Bremer, and Robert Lewis
Robert Ames (Masked Man)  
James Barron (Couple with Banners)  
Eleanor Bayley (Couple with Branches)  
Mary Jo Ellis (Couple with Banners)  
Sean Francis (Ensemble)  
James King (Rooster)  
Harriet Lee (Bar Singer) 
Eugene Loring (Costermonger)  
Charles Lunard (Masked Man)  
Patricia Lynn (Ensemble)  
Ruth Merman (Ensemble)  
Garry Owen (1st Subway Policeman)  
Ellen Ray (Couple with Parasols)  
Jack Regas (Masked Man)  
Billy Shead (Couple with Parasols)  
Ronald Stanton (Couple with Branches)  
Wanda Stevenson (Ensemble)  
Ray Teal (2nd Subway Policeman)  
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“LOVE” starring Lena Horne
Juliette Ball (Club Patron)   
Lennie Bluett (Dancer)   
Suzette Harbin (Flirt)   
Avanelle Harris (Club Patron)  
Maggie Hathaway (Dancer)  
Charles Hawkins (Club Patron)  
Marie Bryant (Woman Getting Her Man Taken)   
Cleo Herndon (Dancer)   
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“THIS HEART OF MINE” starring Fred Astaire and Lucille Bremer
Helen Boyce (Countess)   
Feodor Chaliapin Jr. (Lieutenant)
Naomi Childers (Duchess)
Charles Coleman (Majordomo)   
Sam Flint (Majordomo's Assistant)
Sidney Gordon (Masked Man)   
Count Stefenelli (Count)   
Robert Wayne (Dyseptic)   
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“PAY THE TWO DOLLARS”  starring Edward Arnold and Victor Moore
William Bailey (Subway Passenger)
Joseph Crehan (1st Judge) - played a Detective on “I Love Lucy” “The Great Train Robbery”
William B. Davidson (2nd Judge)
Eddie Dunn (3rd Subway Policeman)   
Harry Hayden (Warden)   
George Hill (2nd Subway Policeman)   
Wilbur Mack (Subway Passenger)   
Larry Steers (Magistrate)
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“NUMBER PLEASE” starring Keenan Wynn
Peter Lawford (Voice of Porky)
Grady Sutton (Texan)
Audrey Totter (Phone Operator Voice)
Kay Williams (Girl)
OTHERS
Bunin's Puppets
Elise Cavanna (Tall Woman)
Jack Deery (Man)
Rex Evans (Butler in "A Great Lady Has An Interview”)
Sam Garrett (Roping / Twirling Act)
Silver (Horse in "Here's to the Ladies') 
Arthur Walsh (Telegraph Boy in "A Sweepstakes Ticket") - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11). 
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‘FOLLIES’ TRIVIA
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Sidney Guilaroff, Lucille Ball’s hair dresser, who takes responsibility for her famous ‘golden red’ for this movie, becoming her trademark color.
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Although they appear in different segments, this is the only feature film collaboration between “I Love Lucy co-stars" Lucille Ball and William Frawley. Coincidently, Frawley's character in this film shares a striking similarity with his iconic character of Fred Mertz on “I Love Lucy.” In this film he plays a money-hungry curmudgeon of a landlord, much like the show. In the above photo, he appears with director Minnelli and co-star Brice. 
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The horse ridden by Lucille Ball is the Lone Ranger's Silver!
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Lucille Ball was actually fired by Ziegfeld from his road company production of Rio Rita in the 1930s.
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In February 1956, Lucy and Desi appeared on “MGM Parade” to promote their MGM film Forever Darling. The show also included footage of Lena Horne singing from Ziegfeld Follies. 
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Lucy also played a showgirl in pink in “Lucy Gets Into Pictures” (ILL S4;E19) aired on February 21, 1955. The scene was inspired by Ziegfeld’s legendary stage shows featuring beautiful women wearing elaborate costumes navigating long staircases. To solidify the comparison, Ricky says he is going to a meeting with Mr. Minnelli. Vincente Minnelli was one of the directors of Ziegfeld Follies. 
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Lucy Ricardo had previously cavorted around in a lampshade in the manner of a Ziegfeld girl in both the unaired pilot and “The Audition” (S1;E6).
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Ziegfeld Follies includes a sketch for Red Skelton called “When Television Comes” aka “Guzzler’s Gin” in which a (future) television spokesman gets increasingly sloshed on his product. This sketch was an obvious influence on Lucy’s Vitameatavegamin routine in “Lucy Does a TV Commercial” (ILL S1;E30) aired on May 5, 1952. 
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Ziegfeld Girl Eve Whitney appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15). She used her own name for the character.  
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The Telegraph Boy in "A Sweepstakes Ticket" Arthur Walsh - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11) as Arthur ‘King Cat’ Walsh. He teaches Lucy how to jitterbug. 
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The first Judge in the “Pay the Two Dollars” James Crehan also played the Police Detective on “I Love Lucy in “The Great Train Robbery” (ILL S5;E5) first aired on October 31, 1955.
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Porky, a voice on the telephone in “Number Please” Peter Lawford, played “Password” against Lucille Ball on September 24, 1964.  At the time, Lawford was married to President Kennedy’s sister, Patricia. On November 26, 1968, Ball was a guest on “The Tonight Show” when Peter Lawford was sitting in for Johnny Carson.
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Chorus Boy Bert May appeared as a solo dancer on “The Lucy Show” in “Lucy and Tennessee Ernie Ford” (TLS S5;E21) in February 1967. 
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In the dressing room, Lucy jokes with Fanny Brice, one of the funniest women in showbusiness.  This was the only time Ball and Brice collaborated and was Brice’s last film. 
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Ziegfeld’s follies began on Broadway, so it was appropriate that the show featured past and future Broadway musical stars:
Lucille Ball ~ Wildcat (1960)
Carol Haney ~ The Pajama Game (1954)
Tommy Rall ~ Call Me Madame (1950)
Fanny Brice ~ The Ziegfeld Follies 
Marion Bell ~ Brigadoon (1947)
Victor Moore ~ Anything Goes (1934)
There was a lot of material that was not filmed, but written and cast. Some of the original skits would have added “Lucy” performers Mickey Rooney, Ann Sothern, and Van Johnson to the cast.
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iwouldvebeendrake01 · 4 years
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WOMEN IN FILM
Agnieszka Holland - director, The Secret Garden (1993) Alice Waddington - director, Paradise Hills (2019) Amma Asante - director, Belle (2013), A United Kingdom (2016) Amy Heckerling - director, Look Who’s Talking (1989), Clueless (1995) Angela Workman - writer, The Zookeeper’s Wife (2017), Longbourn (?) Angelina Jolie - director, By the Sea (2015), First They Killed My Father (2017) Anna Boden - director, It’s Kind of a Funny Story (2010), Captain Marvel (2019) Anna Kendrick - exec. producer, Dummy (?), Love Life (?) Anne Fletcher - director, The Proposal (2009), Dumplin’ (2018) Ava DuVernay - director, Selma (2014), A Wrinkle in Time (2018) Barbara Streisand - director, Yentl (1983) Brenda Chapman - director, The Prince of Egypt (1998), Brave (2012) Brie Larson - director, Unicorn Store (2017) Bryce Dallas Howard - director, Dads (2019), The Mandalorian Ch. 4 (2019) Carey Mulligan - exec. producer, Promising Young Woman (2020) Cate Shortland - director, Lore (2012), Black Widow (2020) Cathy Yan - director, Birds of Prey (2020) Céline Sciamma - director, Portrait of a Lady on Fire (2019) Chanya Button - director, Vita & Virginia (2018) Charlize Theron - producer, Monster (2003), Atomic Blonde (2017), Bombshell (2019) Chloé Zhao - director, Eternals (2020) Claire McCarthy - director, Ophelia (2018), The Luminaries (?) Debbie Allen - director, The Fresh Prince of Bel-Air (1990), The Twilight Zone (2003) Deborah Chow - director, The Mandalorian Ch. 3, Ch. 7 (2019), Obi-Wan Series (?) Debra Granik - director, Winter’s Bone (2010) Desiree Akhavan - director, Appropriate Behavior (2014) Diablo Cody - writer, Jennifer’s Body (2009), Young Adult (2011) Dorota Kobiela - director, Loving Vincent (2017) Drew Barrymore - director, Whip It (2009) Elizabeth Banks - director, Pitch Perfect 2 (2015), Charlie’s Angels (2019) Elizabeth Olsen - exec. producer, Sorry for Your Loss (2018–) Emma Stone - exec. producer, Maniac (2018) Emma Thompson - writer, Sense and Sensibility (1995), Last Christmas (2019) Gal Gadot - producer, Wonder Woman 1984 (2020), Hedy Lamarr Mini-Series (2020–) Gillian Armstrong - director, Little Women (1994), Death Defying Acts (2007) Greta Gerwig - director, Lady Bird (2017), Little Women (2019), Barbie (?) Gurinder Chadha - director, Bride & Prejudice (2004), Blinded by the Light (2019) Jamie Babbit - director, Supergirl (2016), The Marvelous Mrs. Maisel (2018) Jane Goldman - writer, Stardust (2007), X-Men: First Class (2011), Rebecca (2020) Jennifer Lee - writer, Frozen (2013), Zootopia (2016), Frozen II (2019) Jerusha Hess - writer, Napoleon Dynamite (2004), Nacho Libre (2006), Austenland (2013) Jessica Chastain - producer, I Am Jane Doe (2017), 355 (2021) Joanna Hogg - director, Unrelated (2007), Archipelago (2010), The Souvenir (2019) Josie Rourke - director, Coriolanus (2014), Mary Queen of Scots (2018) Julia Ducournau - director, Raw (2016), Titane (2020) Julie Taymor - director, Frida (2002), Across the Universe (2007), The Glorias (2020) Karen Gillan - director, The Party’s Just Beginning (2018) Kari Skogland - director, The Falcon and the Winter Soldier (2020–) Karyn Kusama - director, Æon Flux (2005), Jennifer’s Body (2009), Destroyer (2018) Kate Mara - producer, My Days of Mercy (2017), A Teacher (2020–) Kathryn Bigelow - director, The Hurt Locker (2008), Zero Dark Thirty (2012) Katt Shea - director, Poison Ivy (1992), Nancy Drew and the Hidden Staircase (2019) Kay Cannon - writer, New Girl (2012-2013), Girlboss (2017), Cinderella (2021) Kelly Fremon Craig - director, The Edge of Seventeen (2016)  Lana & Lilly Wachowski - directors, The Matrix (1999), Cloud Atlas (2012) Laura Lau - director, Silent House (2011) Leslye Headland - writer, Terriers (2010), Bachelorette (2012), Russian Doll (2019–) Lindsey Beer - writer, Chaos Walking (2020), The Kingkiller Chronicle (?), Silver Sable (?) Lois Weber - director, A Heroine of ‘76 (1911), The Angel of Broadway (1927) Lone Scherfig - director, An Education (2009), One Day (2011), Their Finest (2016) Lorene Scafaria - director, Seeking a Friend for the End of the World (2012), Hustlers (2019) Lucia Aniello - director, Rough Night (2017), Broad City (2014-2019) Lupita Nyong’o - producer, In My Genes (2009), Americanah (2020–) Lynne Ramsay - director, We Need to Talk About Kevin (2011) Madonna - director, Filth and Wisdom (2008), W.E. (2011) Margot Robbie - exec. producer, Gotham City Sirens (?), Modern Shakespeare Project (?) Marielle Heller - director, A Beautiful Day in the Neighborhood (2019) Marjane Satrapi - director, Persepolis (2007), The Voices (2014), Radioactive (2020) Marti Noxon - writer, Fright Night (2011), To the Bone (2017), Sharp Objects (2018) Mary Harron - director, American Psycho (2000), Alias Grace (2017), Charlie Says (2018) Mary Pickford - writer, The Awakening (1909), Rags (1915), A Girl of Yesterday (1915) Michelle Williams - exec. producer, Blue Valentine (2010), Fosse/Verdon (2019) Millie Bobby Brown - producer, Enola Holmes (2020) Mimi Leder - director, Deep Impact (1998), On the Basis of Sex (2018) Nancy Meyers - director, The Parent Trap (1998), The Holiday (2006), The Intern (2015) Naomi Watts - exec. producer, Gypsy (2017), The Wolf Hour (2019) Natalie Dormer - writer, In Darkness (2018) Natalie Portman - director, A Tale of Love and Darkness (2015) Nia DaCosta - director, Little Woods (2018), Candyman (2020) Niki Caro - director, Whale Rider (2002), The Zookeeper’s Wife (2017), Mulan (2020) Noomi Rapace - producer, Stockholm (2018), Close (2019), Hearts of Stone (2020) Nora Ephron - director, Sleepless in Seattle (1993), You’ve Got Mail (1998), Julie & Julia (2009) Octavia Spencer - exec. producer, Green Book (2018), Self Made (2020–) Olivia Wilde - director, Booksmart (2019) Patty Jenkins - director, Monster (2003), Wonder Woman (2017), I Am the Night (2019) Penélope Cruz - producer, Twice Born (2012), Ma ma (2015), The Queen of Spain (2016) Penny Marshall - director, Big (1988), A League of Their Own (1992) Phoebe Waller-Bridge - writer, Fleabag (2016-2019), No Time to Die (2020) Quiara Alegría Hudes - writer, In the Heights (2020), Vivo (2021) Rachel Weisz - producer, The Shape of Things (2003), Radiator (2014), Disobedience (2017) Rashida Jones - writer, Black Mirror: Nosedive (2016), Toy Story 4 (2019) Rebecca Hall - director, Passing (2020) Reese Witherspoon - producer, Penelope (2006), Gone Girl (2014), Tinker Bell (?) Robin Wright - director, House of Cards (2014-2018), Land (?) Ruth Wilson - exec. producer, Mrs. Wilson (2018) Sally Potter - director, Orlando (1992), The Man Who Cried (2000) Salma Hayek - producer, Frida (2002), Ugly Betty (2006-2010), The Prophet (2014) Sandra Bullock - exec. producer, George Lopez (2002-2007), The Proposal (2009) Scarlett Johansson - exec. producer, The Whale (2011), Black Widow (2020) Sofia Coppola - director, Lost in Translation (2003), The Beguiled (2017) Susanna White - director, Bleak House (2005), Jane Eyre (2006), Woman Walks Ahead (2017) Susanne Bier - director, Serena (2014), The Night Manager (2016), Bird Box (2018) Tessa Thompson - exec. producer, Little Woods (2018), Sylvie’s Love (2020) Thea Sharrock - director, The Hollow Crown: Henry V (2012), Me Before You (2016) Thea von Harbou - writer, Destiny (1921), Metropolis (1927), Woman in the Moon (1929) Tina Fey - writer, Mean Girls (2004), Unbreakable Kimmy Schmidt (2015-2019) Valerie Faris - director, Battle of the Sexes (2017), Living with Yourself (2019–) Vanessa Taylor - writer, Divergent (2014), The Shape of Water (2017) Zoe Kazan - writer, Ruby Sparks (2012), Wildlife (2018) Zoe Lister-Jones - director, Band Aid (2017), Woman Up (?), The Craft (?) Zoe Saldana - producer, Rosemary’s Baby (2014), The Honor List (2018), From Scratch (2020–) Zooey Deschanel - exec. producer, New Girl (2011-2018)
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nyxetoile · 4 years
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If it’s not too much trouble, could you share some of the book recommendations you got a while ago for your daughter? Or some she’s read and enjoyed? Mine (11)is going through books at an awe-inspiring pace and we can’t find new ones fast enough for her
I’d be happy to! This is just a small selection of ones I was recommended and researched for her. I’ve bolded the ones we bought and read. There is an emphasis, later in the list, of books with characters who have anxiety, since that’s something she’s dealing with.
Watership Down - Richard Adams: A group of rabbits leave their warren after one of them has a premonition that they will be killed. On the way to finding a safe place to live the encounter dogs, cats, mean rabbits, and humans. Very strong Warrior Cats vibe.
Animal Farm - George Orwell: A group of talking farm animals take over the farm and run it themselves. As the discrepancy between the working animals and the animals in charge grows, it becomes apparent that four legged pigs aren't so different from two legged ones. (It's an allegory for the Russian revolution and the rise of communism.)
Island of the Blue Dolphins - Scott O'Dell: A native girl is left behind by her tribe during a migration. Alone on an island she learns to hunt and survive, befriending a wolf and making a really pretty dress. Based on a true story. Similar to Hatchet.
Tuck Everlasting - Natalie Babbit: A girl in the 1800s meets a boy whose family drank from the fountain of youth and must now spend eternity protecting their secrets.
The Graveyard Book - Neil Gaiman: An orphan boy is raised by a vampire and several ghosts and ghouls in a graveyard until the world of the living intrudes. Avoids the "death by Newbury" curse by having the mentor figures dead to start with.
The Blackbird Girls - Anne Blankman: Two girls in Russia deal with the aftermath of the Chernobyl disaster. 
Call of the Wild - Jack London: Trials and tribulations of a half-wild dog in the Yukon in the early 1900s.
Howl's Moving Castle - Diana Wynne Jones: Under a spell from the Witch of the Waste Sophie joins the household of the wizard Howl, hoping to find a way to break the curse. Along the way she befriends a fire demon, tames the wizard, and take on the witch herself.
The Dark is Rising - Susan Cooper: Steeped in King Arthur lore, it's a fantasy adventure surrounding a boy who discovers on his 11th birthday that he is one of six people who can fight against the Dark - and evil power threatening to take over the world.
The Witch of Blackbird Pond - Elizabeth George Speare: Set in the 1600s, Kit Tyler moves from the bright, warm Caribbean to the cold, stiff Puritan community in the Connecticut Colony. Lonely and trapped, her only friend is an old Quaker woman who lives outside of town that everyone calls a witch. When their friendship is discovered, the community turns on Kit, accusing her of witchcraft.
The Book Thief - Marcus Zusak: At the start of WWII, in Germany, a girl is sent to live with foster parents. On the way she steals a book. Told from the POV of Death, we follow Liesel through the next few years of her life, stealing books, pretending to be a Nazi, and hiding a Jewish man in the basement. Through it all, Liesel steals books, as her love of reading and words keeps her sane in a world increasingly growing mad.
Doll Bones - Holly Black: The story of three morbid kids trying to bring a haunted doll to its rightful grave in a neighboring town.
Emily Windsnap Series - Liz Kessler: A girl in England discovers she's really a mermaid and goes on adventures.
Grace Moore Series - Frog and Esther Jones: Magic is illegal. When a group of secret magic users is killed Grace must team up with an untrained, untrusting boy to try to solve the mystery. Fun characters, LGBT representation.
The Shadows Between Us - Tricia Levenseller: Alessandra has a fool prof plan to become powerful. Woo the Shadow King, kill him, rule as queen. But before she can be queen she needs to marry him and to do that she needs to keep him alive. Turns out she's not the only one who wants him dead. And maybe the only match for a Shadow King is a cunning queen.
Every Heart a Doorway - Seanan McGuire - Nancy is the latest guest at Miss. West's Home for Wayward Children, a home for all the children who have gone on fantastic adventures in other worlds, only to come home to the real world. It's a home where they can be believed, while also coming to terms with the fact they can never go back. But then children start to die- murdered - and Nancy must band together to find out who is killing them and protect their home. (Nancy is portrayed as a romantic asexual and the book is hailed as a good one for kids who are questioning their own sexuality.)
A Quiet Kind of Thunder - Sara Barnard: A girl with anxiety and selective mutism befriends and eventually falls in love with a deaf boy who accepts her for who she is and helps her find her voice.
The Rest of Us Just Live Here - Patrick Ness: A story about all the people in the magical adventure who aren't "the Chosen One." trying to live their lives and go to school and not get caught up in the zombie apocalypse or quest for the grail
Six of Crows - Leigh Bardugo: Aspiring criminal Kaz is offered the chance at the score of a lifetime - sure to make him rich, if he can get along with the other misfits he needs to pull it off.
Turtles All the Way Down - John Green: Lifelong friendship, the intimacy of an unexpected reunion, Star Wars fan fiction, and tuatara. But at its heart is Aza Holmes, a young woman navigating daily existence within the ever-tightening spiral of her own thoughts.
This is Not a Test - Courtney Summers: Six teens are trapped in a school during a zombie apocalypse.
Under Rose Tainted Skies - Louise Gornall: A teen girl named Norah struggles with extreme anxiety and OCD that keep her a prisoner of her own home, until a boy named Luke gives her a reason to step out.
Everything All At Once - Katrina Leno: When her anxiety worsens after a death in the family, Lottie receives a series of letters from her aunt - a famous author - which help her overcome her fears and find her own voice.
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chronotopes · 4 years
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Do you really think the universal impermanence of all things could be a good thing? Could you explain why💚
omg anon are you..... are you referencing an emo text post i made on valentine’s day in the year 2016?? impressed by the advanced lore of this ask 
anyway, uh, i could give it a try. going to lay aside questions of mortality because i’m 19 and don’t think a lot about mortality. if you want to know whether mortality’s a good thing, like, read tuck everlasting by natalie babbit or something idk. anyway.
1. what i meant by the universal impermanence of all things was the impermanence of every relationship bc what else do high schoolers think about. (what else do 19 year olds think about). but fifteen year old me also strongly believed in True, Eternal Love, so there’s a bit of apparent inconsistency here. what i think about this four years later is that of course it’s possible to love somebody for the rest of your life, but that doesn’t mean nothing will change.
2. the reason everything is impermanent isn’t because the universe is hostile, it’s because everyone changes. if the passage of time is the only constant we have, of course it brings us to places we regret. but fundamentally, relationships are only impermanent because the people we are are impermanent. relationships don’t have to end, but they do have to change. the way i interact with and imagine every person in my life right now is going to change in distinct, notable ways between right now and a year from now. doesn’t mean i’ll lose everyone i love but it means i will grow to find my current self unrecognizable. 
3. i have gone through life slowly, slowly learning that for me, personally to survive in this world the only two things i can know are that you can’t change the past or predict the future. this doesn’t sound like it has everything to do with impermanence but it does to me. like i know all this is coming across is corny live in the moment shit but .... i spent most of my life obsessed with past and future ‘selves’, splitting my self up into recognizable ones. which i still do to an extent (2018 self, you suck, stop flexing that you know the definition of poststructuralism and break up with your consolatory self-esteem girlfriend). 
4. so the only way i can live my life right now is by strongly internalizing “this is the only self i ever could have been in the context of everything in my life going the way it did. i don’t want to be anything but my current self right now but very soon i will be a very different self and that’s cool. that’s great, actually, because change is good. the people i love will change along with me and what happens will happen. time will go on and that means change will go on and that means some things will change for the worse but a good number of things will also change for my better. i will not fully recognize myself, my situation, or my relationships five years from now, but five years from now i will be the person i will be and i will be just as protective of that selfhood as i would be if my fourteen year old self saw me right now. 
5. so uh this is a whole lot of nothing and i don’t think i really answered that but TO BE FAIR this is the kind of situation my academic advisor once called “the table of contents of an intro to philosophy textbook”. tl;dr i was once so afraid of change that the only way i knew how to deal with it was to make change and the passage of time the only constants i trust to a semi-religious extent. i don’t know if that’ll work for you but i hope this at least did something for you
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🥀 ~ blog intro ~ 🥀
Hello. This is a little intro I wanted to put together for my blog so you can understand why it’s here and what it’s all about. I won't PM with people I don't know in real life. This account is mostly my journal and place to put my thoughts and sometimes books and movies reviews. Please be kind.
Name: Marni
Age: 18
My tag: 🥀
Star sign: ♋️
Fav Colour: Black
Country: 🇨🇦
♟ Hobbies: roller skating, reading, going for walks in the park, exploring, writing, drawing
📱Fav Apps: Tumblr, Instagram, Webtoons, Spotify
📚Fav books: Hair Side, Flesh Side (Helen Marshall), Her Body And Other Parties (Carmen Maria Machado), Cabal (Clive Barker), My Heart Is A Chainsaw (Stephen Graham Jones)
📖Fav Manga: Death Note (Tsugumi Ohba), Remina (Junji Ito), Black Butler (Yana Toboso), Tokyo Ghoul (Sui Ishida), Uzumaki (Junji Ito)
✏️Fav Comics: Venom (Tom DeFranco), Fence (C.S. Pacat), Spawn (Todd McFarlane), Immortal Hulk (Al Ewing), Doom Patrol (Grant Morrison), Sandman (Neil Gaiman), Saga (Brian K. Vaughan), Sunstone (Stjepan Šejić)
💻Fav Webcomics: Melvina's Therapy (A. Rasen), Castle Swimmer (Wendy Lian Martin), Suitor Armour (Purpah), Lore Olympus (Rachel Smythe), The Strange Tales of Oscar Zahn (Tri Vuong)
🍿Fav Movies: Exorcist (William Friedkin), But I’m A Cheerleader (Jamie Babbit), Portrait of a Lady on Fire (Céline Sciamma), The Love Witch (Anna Biller)
📺Fav TV Shows: Euphoria, The Umbrella Academy, Criminal Minds, X-Files, Doom Patrol, Hannibal, The Haunting of Hill House
🌸Fav Anime(s): Death Note, Castlevania, Boogiepop Phantom, The Flowers of Evil, Ghost Hunt, Hell Girl, Paranoia Agent
🎼Musical Artists: dodie, Grimes, Joji, The Velvet Underground, Hole, Taeko Onuki, Cocteau Twins, Siouxsie and the Banshees, Miki Matsubara, BTS, The Rose, SEVENTEEN, All Them Witches
🎧Fav Podcasts: Welcome to Nightvale, The Magus Archives, The Left Right Game
🎨Fav Artists: Renee Magritte, Vincent Van Gogh, Junji Ito
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howlingmoonrise · 6 years
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Quick ref guide for PSoH chapters
(if you’re a lazy fuck like me who doesn’t feel like paging through the volumes to find the chapters you seek and wikipedia feels a bit ambiguous or misleading)
chapter numbering might be a bit off because of the extras
VOLUME ONE
Chapter 1: The Strelizia bird one. Heartbreaking, bittersweet, you know the drill. Chapter 2: Leon’s first appearance, the Robin/Medusa chapter. Chapter 3: The man-eating rabbits/Alice chapter. Chapter 4: THE GOOD GERMAN MILITARY BODYGUARD DOGGIE CHAPTER which people always forget about!!!
VOLUME TWO
Chapter 5: D and Leon break into a house and give birth to a dragon on Christmas, featuring a SM dentist and a mafia boss. Chapter 6: Lady Luck the Kitty gets a gambling dad. Chapter 7: First mermaid chapter with the more traditional enchanting voice/eating men thing, aka the Evangeline Blue chapter. Chapter 8: Leon accidentally walks into D’s prehistoric “dream” at the museum.
VOLUME THREE
Chapter 9: The confusing chapter where there’s like.... bird sperm/human sperm and two plots going on at once that you only figure out are two different plots at the very end. Chapter 10: Maggie trades her dog for a girl. Girl becomes better liked. Maggie ends up lowkey becoming the dog, which is the girl. Dog/Girl is definitely nicer than Maggie. Chapter 11: Drugs. Cannibals. D being super gay with Chief Wong and Leon walking in on The Very Dangerous Kiss(TM). Need I say more? Chapter 12: The Teddy Bear That Survived The Nazis chapter. Meanwhile, D and Leon have a picnic.
VOLUME FOUR
Chapter 13: Leon and D investigate hermaphrodite fish to discover the murderer of Jodie who might or might not also be a fish. On a twist, the Jodie fish, who is technically not quite a fish, also misses Jodie, who is definitely not a fish. Chapter 14: Horse races and bets, featuring D groping Leon’s pecs. Chapter 15: SUPER GAY VAMPIRE CHAPTER. Vampire gay for D. D gay for Leon and tries to pull a fake relationship trope. Leon is like Keep Me Out Of Your Love Triangle Plz I Don’t Care If Gay Or Bisexual. Another vampire on the move and Leon finally gets to lock up D for a very small amount of time. Chapter 16 (Extra 1): GATTOLOTTO. MY CHILD GATTOLOTTO. D offers Leon a plant which ends up saving his life. Chapter 16 (Extra 2): Leon briefly takes care of Pon-chan. Two lady flowers then have sex with Leon going between them as their “pollinating“ bee.
VOLUME FIVE
Chapter 17: The Kirin chapter with the body switcheroo of the PRESIDENT. Chapter 18: My son Chris’ first appearance!!!! D takes care of Leon’s little brother before he gets sent to a correctional facility and through it unlocks Level 5 Friendship: The Reveal Of The Tragic Backstory. Chapter 19: Royal cat with huge-ass emerald necklace that decides the next heir to the throne goes through a rebellious phase. Chapter 20: Swan Lake ballerina going through a crisis pulls a disappearing act.
VOLUME SIX
Chapter 21: Peruvian terrorist group with a jaguar kidnap D, Leon gets Leonapped too when he tries to save him. Other people comment on how gay D and Leon are; they do nothing to disprove this. D blood shenanigans happens, along with El Dorado and stuff. Chapter 22: Christmas = bad memories to Chris, and the Terrible Family shows up to make it worse. Chris meets D and Leon’s other child from last Christmas, who just happens to be a dragon with three heads who causes an earthquake. Leon pulls through in time.  Chapter 23: Talentless child from a family of musicians gets a wise dog. Chapter 24 (Extra 3): D and Leon have a Totally Not A Date date flower-watching when D gets a package from his grandfather.
VOLUME SEVEN
Chapter 25: Time Loop-ish chapter involving a butterfly that almost kills Leon when it makes him relieve the shoot-out between him and his childhood friend in different roles. Chapter 26: Baboon heart donor is a thing. D suddenly gets an identical sister that Leon is attracted to even though it’s literally D With Boobs, and some hints at D’s relationship with his father are revealed. Chapter 27: A member of the child assassin group Scorpio Children with unresolved mommy issues takes D hostage. D disagrees. Chapter 28: Girl who works to lose weight ends up winning self-confidence too, models get into a diet where they become some sort of human-looking insect, and boxer dude that just wants to drink a cold beer. Chapter 29 (Extra 4): Chris and the pet gang are nosy about Q-chan’s true form, and go in search of the “magician” that supposedly changed him into a babbit. Chapter 29 (Extra 5): T-chan has a crush, and tries to win her over. His ultimate courtship move then lets us know that he ALSO appears to have a crush on Leon. Excellent taste! (Literally.)
VOLUME EIGHT
Chapter 30: Second mermaid chapter. Featuring family vacations, amnesiac D, body switcheroo, natural disasters, angry sailor, and Leon might or might not ask some kind of Very Gay Question we shall never know about. Chapter 31: Cutie Pie Shapeshifter Ten-chan goes with a family that can’t decide on which pet they want; enter Little Ghost Girl and a house fire. Chapter 32: Novelist Edna Hurry and the weird twins thing. Chapter 33 (Extra 5): Chris goes out on his first errand alone. D and Leon are worried parents that keep a look out for him.
VOLUME NINE
Chapter 34: Newcomer (Monica) is in love with D from her past lives. D admits he doesn’t know how to love humans. Chapter 35: Mafia dude sends little girl to get a tiger scroll that will determine the sucessor of the Chinese Mafia.  Chapter 36: More mommy issues, this time with someone named Julia and murdered pets. Chapter 37: Lover of a suspect Leon killed tries to take her revenge on Leon’s loved ones aka D and Chris. Tiny extra: Count D’s sex education class >u>
VOLUME TEN
Chapter 38: Chris is taken away by his “sisters“. FBI dude shows up seeking D. Chapter 39: Leon thinks D doesn’t care for Chris or him. FBI dude takes Leon to investigate D, only to discover that D is gone. Meanwhile, D hitchhikes and “D“ lures Leon away. Chapter 40: FBI dude pursues an injured D until the tables are turned on him. Leon has a nightmare Meet The Parents scenario with Papa D. Backstory hints all around. Chapter 41: D lore explanations, one (1) Crusty-Ass Bitch is revealed. Death, Death, Near Death, One Final Chest Grope For The Ride, 20 years of ????? and New!D.
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bones-of-a-rabbit · 1 year
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I know most ppl rlly like gremlin-Moon who’s always picking on and messing with Y/N (BuT LiKE iN aN EnDEaRiNG WaY) but I grew up with three older brothers. Anyway I personally would love to hit gremlin-Moon with a bat
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I sit by my throne, and laugh,
What was the shitty smell on my behalf,
Burn my thumb for a washed out though, have fun,
But we are not free,
Looked upon by the first one to laugh,
Guess what is my resperation, what vocation,
I know how to do what, squirrelly, resperation, Persperation,
Run to much in my mind and not on the nation,
Pardon the vacation,
I work everyday on the news station,
What is the friend in the foundation,
Loud underestimated train station,
Loops so small in the town of binge patient,
Long for the day things before the in tarnation,
Big bang in the hills, eyes of a crazy braven,
Sacrifice the bee for the trance, lacin,
Web out beyond the universal lactation,
Who am I not, yet prayin, Bless,
Never say words for the men in ah,
Crown on the crowds, found on the snout,
I stare death in the eye and laugh,
Craft of mine,
Staring into the eyes of a lost sign,
Bring back the survival of the grind,
Pine for my energy you’re all out,
Can’t produce a fountain, shout,
Three times denied, route,
Prout, Sanskrit woven in a trone,
Rubby babbit in the hand of time,
I skip ahead glitch the ryhem,
Lore in the gravel of feet,
Read this new beat,
Bass boosted in the test of heat,
I enjoy the sauna fat elite,
Couldn’t touch this hood,
So far beyond what is good,
Pull a druid, new to the stood up,
Hold up,
I’ve had enough,
List the names for him, crunch,
Lungs fill my brunch,
I don’t want the mud you throw, hunch,
Lunch from a pizza greasy as a penis punch,
Out the door is the fronts,
I can’t leave the rivers be,
Corage to hear, see,
I don’t want the pain of three,
Meet my tired ole free,
I can believe,
This is the beginning of a child, meave,
Treat my hound with respect, I free my dress,
I don’t know if this should be or crest,
I arch my tektronics in the bladed light,
Throw my heard at the rolls Royce,
Bounce out and voice,
Boys till we die, lot,
Lots and lost, Salty and faught,
Taunt,
The time I ate pork was the flaunt,
I don’t want your launch,
I have a rocket of my own,
I throw the red ghost out of my home,
I want to be free of rome,
Elope with my bride to be,
What’s her name, leave,
I don’t want to hear the voice odder than a tree,
Flitter my heart, she’s chasing clouds,
A mood of mine is to noun,
What could you pronounce, round, and round, and round.
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bones-of-a-rabbit · 3 months
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idk if i've ever talked abt Hazel's backstory on here or not but it's suuuuuper petty and dumb LMAOOOO
basically at some point the PizzaPlex started getting complaints from a few parents that their daycare didn't 'meet standards,' in that the 'child-to-caretaker-ratio' wasn't acceptable. So the solution was to bring an old concept out of storage and dress it up to look like a third daycare attendant! Enter Hazel, a project scrapped after the execs decided that having a rabbit (Bonnie) and a hare (Hazel) was one too many bunny-shaped mascots.
so they rush Hazel together into what is, functionally, a beta-phase of her project wearing a children's-caretaker costume, and management says 'good enough!' and they drop her into the daycare with almost zero training/socialization programming, and Sun and Moon are left with the worlds newest of new hires with little to no warning. Okay you three have fun byeeee!
Sun, not wanting to deal with training a clearly unfinished new hire, and not wanting to essentially share his daycare with some unqualified stranger, 'welcomes' her cheerfully and immediately 'offers' her her own special spot in the daycare: a corner far from where the kids normally congregate, with a small, seldom-used storage closet for her to use as her 'dressing room.' Hazel, not knowing any better and just happy to be here, is SO EXCITED and is ecstatic to start her new job as a fellow daycare attendant- and to be brought under the wing of Sun and Moon as their friend and equal. WRONG LMAOOOO Sun actively ignores her whenever the kids are around and subtly discourages them from playing near Hazel's corner, and Moon keeps to himself so often anyway that even if she had been a more active participant, they wouldn't have interacted much to begin with. She's left on her own, watching and waiting and, eventually, wondering if she was following Sun's instructions to 'stay right there and try not to have any problems' incorrectly.
At some point she wakes up and Realizes, this whole time she had been MISERABLE and LONELY and stuck on the outside looking in, and for what?? Because someone didn't feel like taking the extra three seconds to explain to her the 'proper' way to clean the daycare, or how to calm down a child thats overstimulated and cranky? Because she wasn't made correctly? And who had made her that way, anyway? And why? Why was she like this? Why hadn't anyone fixed her? Why was everything so wrong? And why did it feel like it was all her fault???
To cope with the abandonment, the anger, the loneliness, the sadness, the confusion, she twists it all together into an obsession with her own suffering and inflicting it on others in every way she can- mean jokes, twisted threats, uncomfortable bluntness, sowing strife and distrust into every relationship she comes in contact with, etc, etc. She's angry and hurting and longing for something meaningful- why should everyone else get to be happy?
Is that childish as hell. yea. is it stupid as fuck. yea. is she a dramatic little shit. yea lol
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bones-of-a-rabbit · 1 year
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*gives my weird shit post meme oc an edgy origin story*
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FazCo Management: Okay so some parents have safety concerns about how many kids are being watched by just two robots so now we have to bring in a third one so they’ll stfu
Management: *rushes through the creation process, basically shrugging and saying ‘good enough’ at its beta stage* *drop it off in the daycare after maybe two days of testing, not giving any of the now Three Robots any actual explanation or introduction to one another* *gives each a good star for a job well done and calls it a day*
Sun and Moon, now saddled with what is basically the newest new hire in the history of inexperienced employees, with no warning and no idea what to do with them at all:
Hazel, who has No Idea how to be a polite or reasonable person in the slightest, hitting the ground running in all the wrong directions: WOW your place is like noisy and just full of stuff, huh! Like damn y’all live like this!
Sun, taking that personally: Would you perchance like to be given exactly four cubic feet of space as far away from us as possible?
Hazel: Would I!!!!
Hazel, forty five days later, still standing in that four cubic feet space, having not talked to another living creature in fourteen days: Boy it sure is fun watching Sun and Moon have fun with all those kids from wayyyy over here!
Hazel:
Hazel:
Hazel: Somehow I understand what being a deflated balloon feels like now! That’s weird!
At some point in the future, when Hazel has realized that they have been sidelined and actively ignored for basically her whole life,
Hazel: Today I shall wake up and choose violence nuisance
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