Visual Language Things in Improbable Cause/The Die Is Cast that are driving me INSANE
the stuff they do with light and shadow in these episodes is just. someone went 'I know artists who use subtlety and they're all cowards' and they were so right for that
are you telling me... that this man is caught between light and dark in this moment and hasn't yet decided which side his soul is going to come down on in the end. hm. interesting. (especially cool that when the shadows of his face are lit up in the runabout at the end, that's when you see the damage underneath. he's partially made that choice and he's illuminated, but not by a comforting light yet, those are danger colours. odo and garak bonding on a day trip to hell; the episode)
I think this shot is ultimately my touchpoint for the visual language set up in this episode -- julian bashir standing there in 'wherever you have to go, come home to this afterwards' light as garak walks into the shadows (and towards tain). where does the light in his life come from currently? we may have a clue before us folks
(This one is literally just because his expression here makes my chest feel weird and aching. oof. I feel like this is one of the rare times he lets himself be really openly soft because he must know there's a decent chance he's not coming back)
aaaand what's the very first thing that greets him once he 'returns to the light' so to speak? :) little bit of a moral and emotional horror show in the middle there admittedly but thanks to odo he did come home and no one like. died or anything. well. many many people died but that honestly wasn't his fault or responsibility. we'll call it a victory
some really cool odo shots too in this ep. I love you constable this was so fucking extra for no reason
fun little detail: when the defiant starts shaking upon taking fire, Julian immediately puts his hand on Garak's shoulder -- the same way and on the same side as Garak did to Tain minutes before, when Odo had to fucking. knock him out to make him let go. (again: odo I love you. a direct and decisive thinker above all)
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This was supposed to just be a rough sketch, but then I started getting really invested in it.
I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)
Characters:
Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak
Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats
Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain
Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard
Owen, from Owen, written and illustrated by Kevin Henkes.
Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond
Louis, from The Trumpet of the Swan, by E. B. White
Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard
Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis
Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren
Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake
Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)
Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie
Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan
Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti
Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel
Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.
Arthur Read, from the Arthur series, written and illustrated by Marc Brown
Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill
The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss
a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner
Charlotte, from Charlotte's Web, by E. B. White
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