#at this point I can read the manga and see where the anime came from and that’s what I want to do with it | Explore Tumblr Posts and Blogs

seulszn · 2 months

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Listen I love TLOU and the fandom very much but a lot of people (not calling anybody out) need a reality check and need to grow up. I wanna say my two cents on things that bother me in this fandom.

1. Boycotting for Palestine

I have seen multiple times on multiple occasions where people would sit on their phone and complain about why writers are “flooding the tags with this boycotting bullshit” and honestly all I have to say is your super childish you can’t take a hour or a week out of your day to raise awareness on a important topic that is affecting millions of people? Your so horny so down bad for pixelated characters that you don’t care about the innocent children, women and men that are dying in Palestine? The boycotting isn’t gonna stop just because you want your needs filled, the boycotting isn’t going to stop because you think it needs to, it’s not gonna stop until Palestine is free. And if you wanna read things that bad then read nobody is stoping you but a take into ignition that if a writer is spreading awareness then don’t be ignorant and say stupid shit

2. Less Sex and more angst or other genres.

Listen I love Abby and Ellie just like everyone else and I read a lot of smut about them but does that all y’all see when y’all look at them? As sex objects? Like I’m not saying that you should stop writing smut for those characters but write other things to that don’t involve smut, like angst I see a lot of people under that tag say how they wish writers would as write other things that isn’t just smut and majority of the time when they say that they get hated for it. It lowkey gets boring reading fanfics where the whole plot is smut, smut, smut. And again I’m not saying to stop writing smut but please for the love of whatever you believe in write other genres.

3. Black inclusivity

As a black writer and a black person TLOU tag isn’t inclusive enough. I know you must be thinking “Why are we speaking about this again?” Because I’m honestly so tired of how uninclusive the fandom is like I said before Ellie dates WOC if you don’t know what WOC is it’s Women Of Color all of Ellie’s girlfriends where WOC now I’m not saying you can’t write for Ellie as a white person and I’m not saying that never did all I am saying is once again all of Ellie’s girlfriend where POC

Riley was a Black African American who Dated Ellie

Cat the girl who wasn’t mentioned alot but is in the game is Asian American who also dated Ellie

Dina is a Jewish (Mexican, Middle Eastern ) American who dated Ellie

Also yes we know when the reader is white coded so don’t try a put that you don’t mention when race mentioned cause you do and we can tell when you do “She’s Petite and cute with her long blonde hair” or whatever you bitches be saying we know when you guys aren’t inclusive the whole point of fanfiction writing is to be inclusive is to make sure that readers can see themself in your xreader so if your putting all these “white things and then labeling your story as “the readers race is not mentioned” or that OC stuff that y’all do then just label the story as a white reader or a OC reader

4. Futa, trans and masc

Now here I’m gonna discuss two or three things starting off with Futa and Trans. Now I don’t know when “Futa” or “Trans” Ellie and Abby came from but a lot of you readers need to understand and learn the difference between the two because they are both very different things.

Futanari: is the Japanese word for hermaphroditism, which is also used in a broader sense for androgyny. Beyond Japan, the term has come to be used to describe a commonly pornographic genre of eroge, manga, and anime, which includes characters that show primary sexual characteristics from both females and males. In today's language, it refers almost exclusively to characters who have an overall feminine body, but have both female and male primary genitalia (although a scrotum is not always present, while breasts, a penis, and a vulva are). The term is also often abbreviated as futa(s), which is also used as a generalized term for the works themselves.

Transgender (often shortened to trans) is someone whose gender identity differs from that typically associated with the sex they were assigned at birth. Some transgender people who desire medical assistance to transition from one sex to another identify as transsexual. Transgender is also an umbrella term; in addition to including people whose gender identity is the opposite of their assigned sex (trans men and trans women), it may also include people who are non-binary or genderqueer. Other definitions of transgender also include people who belong to a third gender, or else conceptualize transgender people as a third gender. The term may also include cross-dressers or drag kings and drag queens in some contexts. The term transgender does not have a universally accepted definition, including among researchers.

Mind you I am not transgender I am nonbinary but I see a lot of transgender people speak up about how offensive it is to write a character as Transgender but it’s not really transgender but a Futanari remember a Futa is a character who is assigned a gender at birth but just has extra sexual parts like a penis.

Now another thing that bothers me is how y’all Masculinize Masc Lesbians as if they still aren’t women themselves like every time I read a fanfic with Ellie or Abby or even Vi and Sevika from Arcane you guys like to ignore they fact that they are also women themselves like it’s not gonna kill you to give those characters feminine compliments there shouldn’t be a reason why your calling these women “handsome” or other Masculine compliments and also a lot of Masculine women where makeup it’s not just a feminine woman thing. Masc Lesbians are women they aren’t men so stop treating them as if they are men and ignoring the fact that they are women

5. the Innocent childish reader gotta stop.

They title says enough I don’t think I need to say too much but a lot of y’all get innocent and corruption mixed up but a corruption kink is When you find the idea of "corrupting" someone, mostly in a sexual way, like taking virginities or introducing people to stuff like bdsm etc. It's the idea of having someone "pure" do "bad" things under your influence. And innocent is not corrupted or tainted with evil or unpleasant emotion; sinless; pure. not guilty of a particular crime; blameless. (From the dictionary)

Y’all need to understand yes not everyone knows what sex is but everyone knows what a vagina is what a penis is, what a orgasm is and what sex is but they may not knows what happens when you have sex so making the reader what y’all call innocent isn’t innocent it’s honestly to me perverted cause the only one who would say something like “my cunny feels weird 🥺” or that “what is sex 🥺” is a child. Children don’t know what sex is children don’t know what pleasure or orgasms is and when y’all say “the reader is a Bimbo” is also funny cause Bimbos know what sex is as well yes they may be stupid but they aren’t slow so before you make a innocent reader please think “am I making my reader act like a child or am I gonna make her really innocent like how regular grown ass adults act?” so don't get not knowing and "innocent" mixed up

6. The stories where they have sex inside a church also gotta stop

Now I’m not a Christian but these stories are honestly really bad and are Blasphemy a lot of people have come out and said that they don’t like the fact that people are writing stories about church in a sexual way like their shouldn’t be any reason why your characters are fucking inside a church, that’s like stomping on someone’s dead grave. You guys do shit like this and then wonder why Christian’s don’t like us. Religion isn’t something to be sexualized it’s not something to be playing with either this idc how much you hate Christianity you can be a Atheist, or Catholic or Jewish but please for the love of whatever you believe in don’t sexualize people’s religion.

That’s all I can think of at the moment if I think of more I’ll of course make a part two to this but don’t take anything I said here to heart it’s just my blunt honest opinion on things in this fandom and if I get hate for this 🤷🏾‍♀️

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colleendoran · 1 year

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Misunderstanding

I received a note from someone who was upset I “failed to cite Scott McCloud’s Understanding Comics” in my research for my work on Neil Gaiman's Chivalry and the essays I wrote about it.

I really appreciate that people want to make sure credit goes where it's due, and I have a lot of respect for Scott McCloud's accomplishment with his wonderful book.

I haven't read it myself in some years, and didn't cite it in my articles because I didn't reference it. I don't even know where my copy is so I don't know what McCloud referenced, either.

The information in my articles re: illuminated manuscripts and the Bayeux Tapestry, as well as other theories about the development of sequential art from prehistory, not only predate McCloud's work (and in fact, predate McCloud's birth,) but they are so common and so well known in comics circles that asking me to cite them seems as weird to me as asking me to cite the information that George Washington was the first President of the United States.

A part of me wonders if someone is trying to play, "Let's you and him fight."

No.

But I’m happy to bring to your attention some reading material.

Stephen Becker in his 1959 work Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons, and Animated Cartoons was among the first to discuss the Bayeux Tapestry as comic art. I read that book sometime in the 1980’s. I think a lot of people assume the Bayeux tapestry as comic art was McCloud’s idea, but we don’t all walk around with a reference library in our heads, so there you go. I can’t find my copy of Becker’s work to quote, but I did find an article by Arthur Asa Berger with a mention of the Bayeux Tapestry as comic art in the summer 1978 issue of The Wilson Quarterly.

My first exposure to the idea of comics as descendant of fine art was Maurice Horn’s 1976 The World Encyclopedia of Comics which was my first read re: comics history. I still have my tattered 1976 edition.

While Horn scorned the idea that tapestries and manuscripts could be comic art (see, it was a matter of discussion way back then, so much so that authors were writing snarky asides to one another about it,) he believed the origin of sequential art was in the Renaissance sketches of Leonardo da Vinci - which I think everyone now agrees is kind of a bonkers idea.

I think Horn was just intent on elevating the comic art form by hooking up with da Vinci.

You go, boi.

Comics as descendant of art on scrolls is a very common theory, the easiest to trace being in Manga! Manga! The World of Japanese Comics by Fred Schodt published in 1983 when I was still a teenager. I can't find my copy to show examples, but this text is still in print and you can go read it for yourself.

I was introduced to manga by cartoonist Leslie Sternbergh and bought Schodt’s book at Books Kinokuniya on (I think) a trip to New York around the time of first publication of Schodt’s work. And years later took a trip to Japan with Fred Schodt and a group of cartoonists including Jeff Smith and Jules Fieffer, Nicole Hollander, and Denys Cowan as the guests of Tezuka Productions.

Here we all are.

So, I’m familiar with manga, see.

As for comics as descendant of cave paintings, hieroglyphics and ancient art in general, Will Eisner’s 1985 Comics and Sequential Art not only made all of those points, but made those points with comic art examples. Like these.

And this.

And more than a few words on this:

I find it amusing that someone is questioning why I didn’t cite McCloud when what you should probably be questioning is why more people don’t cite Eisner who produced his book eight years before McCloud published his and who is well known to have influenced McCloud.

Whatever. My book's autographed.

I also danced with Eisner. Eat your heart out.

Understanding Comics is a terrific work with huge advantages over every book (that I know of) about comics that came before: it taught comics entirely in the language of comics.

But the discussion in it about the origins of comics and my work especially re: illuminated manuscripts/tapestries, did not originate with McCloud. I research illuminated manuscripts because it’s my hobby and it informs my art.

I encourage everyone to read Understanding Comics because it is an outstanding work.

But it’s not the book that introduced me to the concepts of the development of comic art. It’s not even the point of origin of those concepts. So, there is no reason to cite it.

Also, shocking as it may seem, I occasionally come up with ideas on my own. While I'm younger than McCloud, I've actually been a comics pro longer than he has. So I've had plenty of opportunity to, you know, read things and toss things around, and decide for myself.

When I first read Chivalry and first begged Neil Gaiman to let me adapt it, my head full of the work of Alberto Sangorski and his art for Tennyson’s Le Morte D’Arthur, Understanding Comics hadn’t been published yet.

It's been a good twelve years since I last read McCloud's work, and I don't think I've spoken to him five times in the last three decades. But I'm pretty sure he never mentioned Sangorski.

I hope that clears everything up, and maybe introduces some of you to some works you might not be aware of.

Have a great day.

#understanding comics #comics history #neil gaiman #scott mccloud #chivalry #jules fieffer #tezuka productions #manga #will eisner

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alister312 · 1 month

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Recently, some official South Park merch was released in claw machines across Japan! Since one of the designated machine locations was relatively near where I live, I made a weekend trip of it and thought it would be fun to share a bit of it with y’all 🥰 This will mostly focus on the info about the plushies but also touch a bit on the place I went to to get them. Read on if you’re interested!

Thanks to a tip from my good pal @allymumu, I learned about two different South Park claw machine merch drops happening in March. First were these plastic cases:

As well as these plushie keychains:

None of the machines carrying the plastic cases were anywhere near me, however one machine with the plushie keychains was! So I decided to head over to AruAru City (a 6 floor mall devoted entirely to anime/manga/games that houses the Kitakyushu Manga Museum) in Kokura to try my hand at winning these guys.

Once there, the claw machine was actually incredibly difficult to locate. I searched around for a while along with my friend who joined me on this trip. Eventually, we had to ask an employee where the machine was.

As you can see, it definitely needed to be pointed out!

Claw machines in Japan aren’t usually stuffed with prizes so when we got to it, there were only 3 of the 4 plushies available to win at a time, with employees restocking whenever the machine ran out.

This was actually perfectly fine for me because I hadn’t been planning on trying to win Towelie. Sorry to all the Towelie stans out there but I don’t care that much for him 😅 Crane games are just as much about luck as they are skill so I didn’t want to waste any more money than necessary. Plus, the claw machine was small and close to the ground, so it was kind of uncomfortable crouching down and playing at it for an extended period of time.

Surprisingly, getting Kenny and Stan was relatively easy! Probably 5-6 tries each.

Which, at ¥100 (~$0.66 USD) a try, is a reasonable amount to spend.

Butters, however… well, he lived up to his name and kept slipping out of the claw every time I got a grip on him. I’d prefer not to specify exactly how much I spent trying to get him but let’s just say it was a lot 😭 My friend was able to win him for herself though so I do have a picture of all the boys!

They’re very soft and well made, perfectly palm sized 🥰 The elastic feels a little short sometimes if you plan on looping the entire plush through it to attach it to something (I did this with my belt loop to carry them around with me) but with some squishing they get through just fine.

Since going on a trip just to win some plushies seems a bit crazy, my friend and I visited some other cool places in Kokura the next day! Of course, the plushies came with us. ケニーちゃんはかわいいプリンセスだから, I of course brought him to Kokura Castle.

Then basically right down the street is the TOTO Museum, a museum dedicated to the company TOTO. However, since TOTO specializes in toilets, this place is more colloquially known as the Toilet Museum. Considering Stan’s last season trauma surrounding Japanese toilets, I thought it would help give him closure or something to learn their history.

All in all, a very fun and rewarding trip! I really hope there’s more claw machine merch drops relatively soon. If there are and I can go, I promise to share the info with y’all just like this! Hope you enjoyed 💕

#south park #sp merch #south park merch #sp fandom #sp #sp kenny #sp stan #sp butters #サウスパーク #japanese mercari is full of people reselling these keychain plushies and the plastic cases if anyone’s curious #i took a lot more fun pictures also but I guess I’ve hit my image limit on this post #kenny mccormick #stan marsh #butters stotch

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catpriciousmarjara · 9 months

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Katekyo Hitman Reborn!: Namimori Location

(Documenting my research process so I won't forget and get confused why I did something in a fic during a later read through. Nothing serious really.)

Where exactly is Namimori in canon?

As I was writing a khr fic, I realized I needed the exact location of Namimori for one sentence. A sentence that wasn't even important in the long run. Rather than abandon that single sentence I decided to try and locate where the town of Namimori would be in Japan. Because apparently I like pain.

There is virtually no information on the actual location of Namimori anywhere. So I had went on a research binge. And I found something that gave me a starting point.

In 2009, there was a special KHR episode that was aired during the Jump Super Anime Tour titled, Vongola Style School Trip, Arrives!

Saying that I found it is not that accurate. Its more that I went looking for an episode like this specifically. This isn't the first time I tried to locate fictional locations on a map for the sake of the plot. And I've realized that episodes centered around trips provide amazing clues, especially where the trip starts, where it ends, the scenery outside etc.

Thats what I hoped for here as well. And the hunch paid off! Between timestamps 3:07-3:10, there's a map. Not very detailed mind you. Just enough to show the direction where they came from. But that's better than nothing.

So they're going to Nagoya city, which is in the Aichi Prefecture. Its in the Chūbu region. It also looks like they're coming from the Kanto region, possibly from the direction of Tokyo.

So that means we can leave out the Kansai, Chugoku, Shikoku, and Kyushu regions in the south. There's no way Namimori is in Hokkaido, or Okinawa, so those two prefectures are out as well. The most likely locations for the town to be in is in the Kanto, and Chubu regions.

Comparing the physical map of Japan with the short glimpse we get, I'm reasonably sure they passed by Mt. Fuji as well.

See that little protrusion under Fuji-san? I'm pretty sure thats what we see in the map shown in the episode. So yeah they passed Mount Fuji.

Another thing, see that arch like thing before the protrusion? Thats Kanagawa prefecture, and we can see in the very beginning of the video, around the 0.03-0.04 timestamps, that they don't start anywhere there.

See? They pass by it completely and started somewhere well before Kanagawa. So Kanagawa is out.

Lets go back to Fuji-san again.

The mountain lies between the Yamanashi and Shizuoka prefecture borders.

That gives us three possible routes:

Chiba-> Tokyo-> Yamanashi-> Shizuoka-> Aichi [Nagoya City}

Tokyo-> Yamanashi-> Shizuoka-> Aichi [Nagoya City}

Yamanashi -> Shizuoka -> Aichi [Nagoya City]

Why did I decide on Tokyo as the starting point in Kanto despite there being other prefectures in the region?

In KHR's seventh volume, Hot Summer Arrives!, we get chapter 57, Swimming at the Sea. Its a beach chapter.

The beach is described as being close by and the fact that Ryohei's boxing club senpai, Kuroda Eiji and his buddies Kisanuki Yukio and Ookura Takuya, apparently work there as lifeguards, supports this. (You know...cos they're in middle school and all and jobs at that age tend to be close by...for civilians at least.)

Which means that prefectures like Saitama, Tochigi, and Gunma, which are all landlocked as you can see on the map below, are automatically disqualified as locations for Namimori.

By that same logic, Yamanashi is also disqualified.

Ibaraki is not counted because despite the abrupt beginning and ending of the map scene in the episode, we can guess that the starting point of the trip wasn't quite that far back. By the curve of the arrow I mean. {Yeah I know this is a reach but I'm pretty sure I'm right.}

That just leaves Tokyo and Chiba.

The argument in favour of Chiba is a meta one. Tokyo is an iconic location when it comes to manga and anime. Most anime set in Tokyo shows several shenanigans centered around Tokyo's various landmarks. Even works not set in Tokyo sometimes have Tokyo episodes and Tokyo adventures. Like Haikyuu for example.

Considering how much shenaniganry and crackishness KHR has, it would be very strange if it was set in Tokyo and yet didn't have any Tokyo misadventures in it. Reborn would just go ahead and name Tokyo Tower Vongola Tower or something just like he named Nagoya Castle Vongola Castle. So Namimori might not be in Tokyo, but in Chiba instead...which is still part of the Greater Tokyo Area now that I think about it, so still Tokyo in a way?

I couldn't find a way to clearly articulate an argument in favour of Tokyo when a friend send me this link.

I was walking on a path well-tread! @ladydraculena had already slashed through the figurative jungles for me!

I went looking for the two locations marked in the map in their post but it seems like Namimori Steamed Buns has since closed down. Hibari Nursery School on the other hand is going strong.

With this information the argument in favour of Tokyo grew much stronger.

Thus canonically the town of Namimori is most likely located in Tokyo and if not in Tokyo proper, definitely in the Greater Tokyo Area.

(Please note that I left the Tohoku region out of this. The region is very distinct and neither anime nor the manga has shown a singular sign of being set in Tohoku. By that I mean that if a work is set in Tohoku, it would be impossible to hide its Tohoku, or mistake it as somewhere else.)

Edit: @rooigseix pointed out that since most of KHR's usual shenanigans strictly happens in Namimori, the usual Tokyo adventure trope meta might not be applicable in this case. Namimori might be far away from Tokyo centre like the Ota or Edogawa districts, which are close to the sea as well.

Edit: @lightning-will-bovino pointed out Kokuyo land and there is in fact a theme park called Noah Forest Amusement Park or Mori-no-Yeunchi near the Hibari Nursery School!

It seems very likely that Amano-sensei was inspired by the area. It might not be where Namimori is actually located but the existence of these establishments in close quarters lends further credence to the theory of Namimori being in the Tokyo area.

In conlusion, the most likely location of Namimori would be in Tokyo prefecture but close to the Chiba border. Not landlocked as well.

Thus, Edogawa ward is the most suitable location.

And after all of that, I decided that Tokyo wasn't a good fit for my fic's Namimori and by my magical writer powers shifted it to Mie Prefecture instead. ╥﹏╥

#Katekyo Hitman Reborn!#KHR #Khr meta #Namimori #Namimori location theory #Hibari Nursery cracked me up tbh #But a bit sad about the Namimori Steamed Buns #Hope they just relocated #Vongola

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lightlycareless · 4 days

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uuu just imagine reading manga with naoya in bed while being cuddled up together <3<3

Hello!!!

Ok so this is sweet—kind of domestic amirite? oof. I love me some domestic Naoya when he's nothing but a loving husband. akgfhaksjghkjaghjkashgjas and a nerd too ahahah awww anyways...

warnings: very tiny mentions of smut. implications really. fluff outside of that.

happy reading!!

Imagine it being a cold snowy day where Naoya doesn’t have to go out on missions, tend to clan responsibilities, or anything else.

A day where he can simply spend his time in nothing but his favorite, deserving things, such as catching up with his favorite series, enjoying a well-deserved break from all those countless missions, and of course, spend time with you—his needy wife who didn’t hold back from letting him know how much she missed him.

“What would you like to do today?” is how the days would begin, with you peppering endless kisses across his face while the two snuggled underneath the sheets.

“Hmmm, I feel like spending the whole day in bed.” He sighs, kissing the top of your head. “The new chapter of the manga I told you about came out yesterday, and I want to read it.”

“I’ll make breakfast, then.” You smile, ready to push yourself up from the futon and rush to the kitchen—though Naoya had something else in mind too.

“What’s the hurry, my love?” he murmurs, pulling you back to him. “Going away from me so soon? I just came back…”

“N—No, of course not… I could never!” you blush. “I just… just wanted to make the best of today, you know? Please you.”

“You know, there’s one thing that will immediately please me.” He breathes against your ear, you shudder.

“…I still have to get your bath ready.”

“Can’t see why we can’t do both.”

You press your lips together, heated by his words.

“Ok, but we can’t get too distracted—I still want you to enjoy your day! You rarely get to rest as of lately….” You pout, he laughs before leaning to give you a kiss.

“With you by my side, there’s no way I cannot.”

After that is done, followed by a relaxing bath and a delicious meal prepared by you—Naoya insists in only being fed by you, not the staff; you happily oblige—you’re quick to take your place by his side on the futon, wrapping one of his arms around your waist and rest your head against his chest while his free hand holds up one of his favorite magazines, the one that publishes his favorite anime of the moment.

“I read they had to reprint this issue solely because of one mistake. Nothing too big, but apparently big enough to have the whole publisher pull out the magazine…”

“Gee, that must’ve been quite the task—And to allow it too! Is the author that big or something?”

“Kind of, he’s the best seller at the moment.”

“No wonder, if he’s not happy, that means no business for them.” You sigh. “I wonder if the change is even noticeable.”

“I don’t know, but that’s what I’ll figure out now—they usually point it out anyways.” Naoya squeezes you against him, kissing the top of your head.

“Well, that’s sounds like a wonderful plan!” You grin. “And if you get hungry, or want something to snack on, just let me know and I’ll bring it to you.”

Naoya blushes.

“I love you.”

It’s your turn to blush.

“I love you too.”

The rest of the evening would go on that way, with Naoya reading his manga, eyes intently fixed on the panels while murmuring to himself whenever particularly interesting scene occurs, if not scoffing when a character does something stupid—just as he did in real life; both gestures that you found incredibly cute, how relaxed he is when doing things he loves.

And though he was very focused on that, he was still attentive enough to your presence and gestures, hands and lips looking for yours whenever you reached out to him or vice versa, as well as allowing you to feed him, careful enough to not distract him that much.

Because you just couldn’t snap him out of trance, you know? He looked so adorable!!

Although it would turn a bit… too much soon enough.

“I don’t—I don’t want anything else, Y/N—” he protests when you try to shove another piece of popcorn into his mouth, going as far as moving away, but you simply stuck to him.

“Come on, you have to eat!”

“Not to this point!” Naoya gasps, stomach full to the point of exploding! Of so it feels. “I don’t—I don’t want anything else!”

“Tough luck, Naoya—If you didn’t want me to spoil you, you shouldn’t have stayed home!” you giggle, and Naoya just relents, because he can’t do anything else when he’s putty to both your adorable charm and insistence, his beloved wife.

A side of Naoya that fortunately, is just for your eyes to see.

I just realized that Naoya was the kind of guy to say: "I want a wife that is submissive, that is only attentive to me and knows her place and yadda yadda yadda" until you came along and he was like "ok I like that but... I also want kisses...."

Idk I just keep thinking he's very desperate for affection hahaha call it ooc I DO NOT CARE I AM IN LOVE WITH HIM. 😶😶

Anyways, I hope you enjoyed this small thing 🥺❤️ him getting all flustered because you're always so caring to him is AGH healing!!! We could literally change him...

Now, thank you so much for sending in this ask ❤️❤️❤️ take care and hope to see you soon!!!

#ask #naoya zenin #naoya zen'in #naoya x reader #naoya zenin x reader #naoya zenin x you #jjk naoya #naoya zen'in x reader #jjk x reader #jjk fluff #jjk x you #prompt series: jujutsu kaisen

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tainbocuailnge · 2 months

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I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

#anyway i love cuchulainn

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caffeiiine · 4 months

Note

I read the tags on your Kunikida post… go ahead and explain, my liege

JUST SAW THIS SOMEHOW ABYWAYS TYYY

OKAY so probably going into detail about how kunikida can be considered passively suicidal since i have the most coherent thoughts on that aand warnings for stuff of that nature under the cut :D + length

[also small disclaimer, i have been procrastinating reading dazais entrance exam and so far have only seen the anime adaptation which apparently left a ton of stuff out so feel free to correct me on inaccurate details and/or missed examples or just downright incorrect information]

[note: idk if passive is the correct term bc i was thinking about it and hes not exactly like oh i hope this kills me yk, so whatever that term is lmk <3]

This stuff also sorta ties in with his ideals and their potential self destructive-ness. they tend to cause him to either negligently often risk his life with there being an apparent “other way”, or just outright risk his life with barely a second thought for his ideals.

so kunikida has very strong morals and that’s the core of his character. the main ideals referenced in the show being his infamous “ideal woman”, “how to make dazai ideal”, and the ideal that basically tells him to save people. [i forgot what that one is referred to as]. If we’re talking timeline wise i think one of the first examples of his ideals causing him to negligently risk his life would be in Dazais Entrance Exam, or The Azure Messenger arc if you’re an anime watcher.

First example off the top of my head in dazais entrance exam would be when him and Dazai first see the hostages, specifically the ones in the room

after the gas came down dazai has to actually wrestle kunikida away from the room because otherwise hes gonna die. kunikida repeatedly shouts about how “people shouldn’t die like this”. This might be a bit of a tangent but later on in the episode he remarks how he “may as well ahev set the bomb off himself” when Dazai asks about Rokuzou’s dad, implying he blames himself for Rokuzou’s dad’s death. This is of itself isn’t enough for me to say “oh yeah he’s passively suicidal” so moving on to the main manga where there are several other instances of his tendencies to throw himself directly in harms way.

[there may be examples before this i just skipped to chapter 40] and starting off strong we have the thing with Aya. This could be written up to circumstance but he had the opportunity to avoid death himself so im counting it. he’s basically hugging death. that’s all i have to say for this.

of course he ends up surviving it because of deus ex machina yosano. After the fact, Aya asks him what he would’ve done if Yosano wasn’t there. To which he replies basically he would’ve done the same thing he just did except died and basically would have been fine with the outcome as long as she didn’t die in front of him. [he would’ve been dead as well and not had to deal with the guilt] i should point out as well, he does this because of his ideals. he specifically cites his ideals around these parts usually. The not letting anybody die before his eyes is one of ideals and the most common one he uses.

[im pulling that from the fact he had no backup plans or anything to actually stop the bomb aside from Yosano, since his words could imply he would’ve tried to save Aya. and the guy with the bombs was using the fact Kunikida holds his ideals very close to him, taht he wouldn’t have allowed Aya to die if he could’ve prevented it.]

aaand i think our last example and best example for tonight

context for the scene: they’re in the getaway helicopter and tecchou is trying to take it down via his sword and Kunikida decides to take matters into his own hands and take down Tecchou. First off, HE DID NOT HAVE TO, CHUUYA IS RIGHT. THERE. HE LITERALLY SHOT TECCHOU WITH GRAVITY BULLETS EARLIER.

HE DID NOT HAVE TO RISK HIMSELF BUT HE DID. also additional context, in this arc and the previous arcs, he’s been faced with situation after situation where his ideals have failed him and he’s been unable to exercise them and save the people he thinks he should.

point being, he feels like complete shit! he probably is thinking like if he should do anything then, it should be he makes sure he gets his friends out of there. regardless of whether he’s dead or alive because he jumps out of the plane and full body tackles tecchou while being in direct contact with fucking chuuya.

chuuya “has to stay out of the fights and arcs half the time because he’s too good at his job” nakahara.

chuuya “just shot tecchou and did a decent job at keeping him back a few pages before” nakahara. you see my point.

oh and then he just attempts to blow the both of them up.

he does not care for his life at all here. not one bit. also he did not need to blow the both of them up. he could’ve made a fucking stun gun or anything else that wouldn’t KILL the BOTH of them??

my whole point is he does not care for his life here and it’s gets worse the more you progress through the manga.

anyways anyways ending off, kunikida repeatedly puts his life in danger either for his ideals or neglectfully and/or without need. this has been a ramble. this man is not okay.

also kinda funny is he’s partners with dazai of all people, actively suicidal princess bungou himself. i really enjoy their differences and how similarly different they are.

^ not actually related to anything but i almost started laughing so hard with my family in the room at this piece, junichiro looks so concerned

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bitchy-w1tchy · 5 months

Text

Anfuu analysis

Anime onlys: I would highly recommend not reading any further because I will be discussing a lot of shit that happens way past episode 10 in the anime.

This is long, sorry

Lemme say first off that I really have not seen a relationship like Andy and Fuuko's before (granted my only other shonen series I have been into were Fairy Tail and AOT). From what I have seen in other shonen, which I normally can't get into because they're pretty cookie cutter imo, romance doesn't happen right off the bat.

Undead Unluck would not be a thing if Fuuko and Andy didn't have a relationship. I'm a damn sucker for romance and the second I saw the dynamic between them in the first episode, I knew I was in for a helluva ride.

So in the beginning, it is obvious that Andy is using her. He has admitted to it multiple times, there's no hiding it. My guy wanted to die and saw someone who could potentially give him a proper death and he wasn't going to let that opportunity slip through his fingers.

Up until the end of Spoil, Andy saving Fuuko, protecting her, teasing her, that was all for his personal gain. He didn't take into account that she had been touch deprived for ten years, living vicariously through her shojo manga. Andy called her a pushover many times but I don't think she was. She loved the fact that she could touch someone without them dying. In a short amount of time, she got to live out a ton of different scenarios that only her shojo mango could provide her and I think she was in love with the idea that she could finally start living a little.

Going back to the Spoil arc, after Fuuko saves Andy from Victhor, that's when the dynamic starts to change a little bit. Fuuko saved Andy. She got him back. And Andy FOR SURE saw that. She wasn't some brat to him anymore. Does he love her at this point? No. But he definitely respects her and wants to continue to protect her. He doesn't JUST see her as a personal asset anymore.

And we are that in the Unrepair arc, when Fuuko gets hit by Rip's scalpel, Andy loses it and has to collect himself before returning to the fight, not only that is that Fuuko had to reassure him that she was fine.

Fuuko is not a damsel in distress and Andy sees that, allowing her to fight alongside him (even if she is just piggybacking). Andy recognizes that he can be stronger with her Unluck and it makes me so damn happy that she isn't cast on the sidelines during fights (thank you tozuka)

ANYWAYS

Autumn arc is where we start cooking, fr. Fuuko admits she loves Andy. Is she in love with him? No. But she is starting to fall. She spent 10 years with him in that damned book. And Andy definitely loved her too. They helped each other grow. And when they came out of that book they were stronger than ever.

Before Fuuko goes with Under, it was blatantly obvious that Andy did not want her to go. At this point, he does not like being away from her at all. But there is a huge amount of trust there so he lets her go.

But man's was STRESSIN the whole time she was gone, not sleeping or nothing until her heard from her. Not only that is Fuuko admits that she is in love with Andy, realizing it now that she has been away from him for only a couple days. Not only that is Unchaste doesn't work on her because she truly loves someone unconditionally.

Now, before I go into the rest of Spring and into Ragnarok, I'm gonna say that Andy does not know how to deal with his feelings. His inner dialogue and the way he speaks to Fuuko are not matching up at all. Before he admits he loves her, (God damn it I wish she heard him), he's looking back on their time together, how they both grew, how he treated her at first, etc.

At the end of Spring, he admits to himself that he can't die because he can't accept Fuuko's feelings properly. And why can't he? Because he's AFRAID.

But when he speaks to Fuuko he plays it off as, "now it's my turn to fall in love with you", kinda jokes around about it.

This is where I get controversial. By the time Spring ends, does Andy love Fuuko? Without a doubt, yes. Is he IN love with her? No.

Like I said, he is scared to accept her feelings. I do believe that if he could get past the barrier of his own feelings and accept her love then I truly believe he would fall head over heels with her in an instant. His feelings are what's holding him back.

So why is he so afraid? Because I think that if he admits he is in love with Fuuko and accepts Fuuko's feelings, then he won't want to die like he has wanted for 2 centuries. And if he DOES die, then he leaves behind a heartbroken Fuuko.

I mean, come on, Fuuko gets shanked and Andy absolutely loses his shit. That's love.

I PISSED that Andy and Fuuko never got their proper talk before the Loop happened. But I'm hoping that when Andy decides to get his ass off the fucking sun (kidding), then we have a real talk between them because I'll tell you I am so sick of licking these anfuu crumbs off the fucking floor. (Bring my boy home)

(now I do think, at some point during the Ragnarok arc, he doesn't want to die anymore. His astral projection is that of an old man. He just wants to grow old.)

#andy x fuuko #anfuu #this took so long and the original got fucking deleted because tumblr sucks #undead unluck #uu spoilers #undead unluck manga #izumo fuuko #undead andy #unluck fuuko #they make me happy

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damagedintellect · 11 months

Text

Dazai Osamu x reader

💌 Reading into the palms of isekai bullshit:

Chapter 1 💌

Summary: You were no stranger to isekai bullshit. It’s not like you had a problem with it. The genre took over the anime scene for years now but you try to stay away from thinking about how you would handle the situation. The last time you thought about inserting yourself into your favorite show you wrote a 100k word xReader fic for your favorite characters and you didn’t want to spend all your time consumed by the brainrot again. Never again, you promised yourself that was the last time you’d let the devil on your shoulder win. You clicked on chapter 1 to start the adventure over again but when you opened your eyes and saw Dazai O-FUCKING-samu getting choked by Kunikida you honestly hoped it was a dream.

Notes: Another isekai so I can play around with BSD like dolls.

💌 Word count: 3,312 💌 You Are Here | Next Chapter =>

"Nooooooo!” you screamed, throwing your phone down. Today was the day the new Bungo Stray Dogs chapter was supposed to be posted. It was but you weren’t happy about it. You finished reading it in record speed since they left both of your favorite characters in a pretty heavy cliffhanger only to shift the perspective to someone else. It wasn’t a bad chapter, you just didn’t like the idea that you’d now have to wait another month. You sighed falling back on to your bed. The waiting was nothing new but your brain wanted more. More adventures, more side stories, heck at this point you might as well reread the damn thing. You’ve been scrolling through tumblr reading as many plot analysis and character breakdowns to the point where you feel like you know everyone like the back of your hand. Everyone feels so real to you like you’ve known them all your life, almost like in another life you were all friends or maybe you were a part of the agency. You laughed to yourself as you picked your phone back up. The rain outside would be nice ambient noise to start the manga over once again.

You were no stranger to isekai bullshit. It’s not like you had a problem with it. The genre took over the anime scene for years now but you try to stay away from thinking about how you would handle the situation. The last time you thought about inserting yourself into your favorite show you wrote a 100k word xReader fic for your favorite characters and you didn’t want to spend all your time consumed by the brainrot again. Never again, you promised yourself that was the last time you’d let the devil on your shoulder win. The soft pitter patter of the rain brought you back from your thoughts as you clicked on chapter 1 to start the adventure over again.

—

“Dazai I swear if this was one of your planed double suicides I’m going to kill you!” a voice rang out. You could still feel the cold sensations of floating in water. What were you doing a moment ago and why did those voices sound familiar to you? The last thing you remember was starting over your beloved manga from chapter 1. You didn’t leave the house and none of your friends had keys to get in. Why were there people in your bedroom and why do you feel cold and wet?

“I assure you if it was, me and this lovely lady would already be dead but unfortunately Atsushi here ruined that miracle for me.”

You choked, it finally hit you. You did, in fact, recognize those voices “D-Dazai?” When your vision came too you were in Atsushi’s lap as Kunikida was shaking his partner. This couldn’t be real. No this had to be a dream. Dammit you could see it now, once you woke up you were going to write another Stray Dogs isekai. You internally groaned. What have you done?

“Ah so sleeping beauty’s awake!” Dazai tapped the blonde’s wrist to get his attention. “Kunikida as a gentleman you should ask her if she’s alright and stop strangling me.”

Reluctantly the blonde did as he was told and let go, gracefully kneeling in front of you “Are you alright my colleague said you were floating in the river?” his eyes were full of concern. It made a warm feeling bloom throughout your body. Honestly you could get used to this. Wait, did he just say you were floating in the river?

You looked dazed, glancing around to see the familiar riverbank that Atsushi starts at during the very beginning of Bungo Stray Dogs. You looked at your hands. You were still wearing the same clothes you had before you remember falling asleep, admittedly they were much soggier than you remember but you had no memory of how you ended up in the river. Just from the small scene in front of you this was how episode 1 started. If you played along maybe you’d eventually wake up. You’ve had lucid dreams before, it wasn’t too far fetched but the ache in your heart didn’t want you to wake up. Finally you looked up at Kunikida who was patiently waiting for your answer but before you could respond your stomach growled. How embarrassing, now it really was like how the episode played out.

Dazai keeled over laughing “I guess introductions can wait till we get something to eat, how about that?” He offered you a hand over his partner's shoulder to help you up. You snapped out of your haze staring at it a moment before you grabbed his hand and said “I think that’s for the best.”

What have you gotten yourself into?

At dinner Atsushi spent no time at all stuffing his face as Kunikida and Dazai bantered back and forth. Dialogue you remembered from when you watched the show originally. You forgot how furious Kunikida was over the whole ordeal and you felt bad knowing what Atsushi was going to say next. He really needed a hug and you know what you can finally do that with your circumstances but maybe not right now.

“I came to Yokohama straight from the orphanage. I’ve had nothing to eat and nowhere to sleep since. I thought I’d starve to death.”

“You came from an orphanage?” Dazai questioned. He was sitting across from you casually and despite being hungry you noticed that he didn’t order anything to eat. You had ordered one out of solidarity. You’ve always wanted to try tea on rice but never bothered trying to find a place that makes it in your area. Atsushi was already on his twelfth bowl or so as he continued the conversation.

“I was yes but they kicked me out.”

“Sounds like a real philanthropic organization.” Dazai turned his attention from Atsushi to you “How about you? Remember anything now?” He rested his head on the back of his hands. You wanted to hold them.

You nodded looking down at your hands. That’s when you got an idea. “I think my name is (Y/N), (Y/N) (L/N). Still trying to work out how I got in the river but,” you paused raising your hands to your face slightly. Your mom had read tons of books about palm reading. Maybe this could be your chance to use what little knowledge you remember to your advantage. “I don’t know this might sound silly but do you mind if I see your hands?”

Dazai tilted his head to the side before he offered you his palms “What brought this on?” You pretended to inspect the lines ghosting over them with your fingers tracing some of them lightly. “When I looked at my hands I had this voice in my head that told me that I could read palms. Mine were kind of fuzzy so I wanted to see if I could read someone else’s” You pretend to see flashbacks, blinking and tensing up for added effect. He played along, chuckling to himself “Well what do you see?”

You forced a careful expression on your face slowly sparing him a glance “A lot you’d rather I not say out loud.” You move to hold his hands in yours giving him a loving squeeze and smile “Odasaku would be proud of you though.” The look he gave you was sharp, his lips in a tight line hearing the name. Before either of you could really finish the exchange Kunikida piped up.

“Dazai we’re not a couple of do good-ers going around helping hard luck cases. We’ve got a job to do.” Kunikida nudged the other with his book. He clearly didn't believe in your charade. You could fix that “Actually I have a feeling I might be able to help with your case if you let me see your hands too.” He gave you a wary look as you made grabby hands at him “Please I swear I’ll explain once I see everyone’s hands.” Dazai gave him a cautious expression but Kunikida gave in. Probably to get it over with so he could go back to work. This time you didn’t try to trace patterns on his palm like you did to Dazai. “Wow, I’ve never seen someone so traumatized by the color blue before.” as he made a choked noise, you turned to Atsushi. “Okay your turn.”

“Do I have too?”

“Yes, otherwise I’ll be missing a piece of the puzzle and Kunikida and Dazai might think I'm a threat." Atsushi slowly presented them to you. "You see, they're with the Armed Detective Agency and currently they're looking for a white tiger. You know the one that's been "chasing" you." You said "chasing" in air quotes letting go of his hands to do the gesture making sure to give a nod to Dazai about the tiger thing.

In Atsushi’s panic he knocked over his chair and a couple of bowls as he tried to crawl away. You watched the scene play out as Kunikida pinned him to the floor and the interrogation started. You sat patiently as Atsushi was then asked if he was free to be bait. Dazai hadn't taken his eyes off of you letting Kunikida handle Atsushi. Maybe you did go too heavy handed into this.

“Forget it no way!”

You tried to ignore Dazai's gaze and laughed at Atsushi’s outburst trying to lighten the mood. “I don’t know Atsushi. If it’s after you I feel like this is the perfect opportunity to get it off your back for good. What if I tagged along? Strength in numbers right?” He stood up and defended himself “That doesn’t make it better! I’m not doing this okay. I know what you’re thinking, you’re planning to use me as bait-”

“There’s a reward you know.”

From there Atsushi’s fate was sealed and you all made your way over to the warehouse. You waited around for hours, everyone keeping to themselves. You spent the time trying to plan out how you'd explain yourself to Dazai. You could still feel his cautious gaze on you despite him reading his book. You’ve always wanted his attention but not like this. You especially didn't want to be on his shit list. As soon as Atsushi opened his mouth you sighed in relief.

Finally, it's showtime.

It’s not like you’d actually be of any help, you just needed to make sure you didn’t die or get in the way. “Guess that’s my cue to leave, I’ll go find Kunikida and the others.” Dazai only smirked and continued to monologue to Atsushi who would not remember the speech later. You casually strode out of the warehouse seeing the others already surrounding the building, hearing the ruckus inside. You didn’t speak, only waved them in as you made your way back to Dazai seeing that the dust had already settled and Atsushi was already on the ground. After everyone else got to take a jab at him the brunette finally spoke.

“I’ve already made my decision. We’re going to make them one of us.” Dazai’s stare made you freeze up. It makes sense to you, keep your friends close but your enemies closer. Not that you were his enemy but you've already proven you don't have an ability. Your little trick worked on him so you weren't gifted and that probably was the worse part. He doesn't know what your intentions are nor what the extent of your talents were and he couldn’t nullify you even if he tried. He was probably evaluating your level of threat to him, the agency or both.

His eyes were staring into your soul. It was so alluring but you couldn't help the fear that was settling in knowing what he was capable of. Well part of it was fear and part of it was intrigue. Why did he have to also be so damn attractive. Your face felt hot but you couldn't look away. You dug your grave now you'd have to lay in it. The whole way back to the dormitory he was guiding you from the small of your back. In any other circumstance the presence of his hand on such a place would have you swooning because that is peak protective boyfriend behavior but instead it was almost threatening like he was trying to make sure you couldn’t run away. However another part of your brain, the demented part, was screaming louder than any of the other voices in your head because it finally hit you that holy shit they were here. This all felt so real and you were playing with fire.

You made sure to keep up with what was happening, keeping your emotions in check enough to make sure your face or your body language didn’t give anything away. You and Atsushi were given some spare clothes and a cell phone. They only had one room available right now since the other one was being used as storage. They would have it cleared in a day or two. Atsushi tried to give the available one to you but Dazai stepped in and assured him that he'd personally see to it that you were taken care of. Kunikida was actually surprised that Dazai was willing to put in some level of work settling the accommodations. Little does he know what the brunette had in mind. It sent shivers down your spine for all the wrong reasons. When everything was settled Dazai opened the door to his apartment gesturing for you to go inside.

Once you stepped in you took off the shoes the agency just gave you. You had almost forgotten that when you woke up at the river, just like Atsushi, you didn't have any shoes on. No one questioned your strange attire either but you guess after everything they’ve seen it wasn’t the weirdest thing they’ve experienced in their lifetimes. Standing at the doorway to the small room you were waiting for Dazai to direct you where to set your new things down. His futon was still spread out on the floor and the table near its side still had the slight mess of empty bottles and cans. Once you heard the sound of the door’s lock you swallowed hard unintentionally snapping you back to the gravity of the situation. You were alone in a room with ex demon prodigy, Osamu Dazai.

"You can put that over in the corner." His voice rang in your ear. He was looming over you. He didn't even make a sound crossing the room; he just appeared behind you in a second. You did as you were told, trying to calm down your increasing heart rate. You knelt down to set it on the floor but as you stood back up you staggered back against the wall with Dazai towering over you again.

"You want to tell me who you really are?" He smiled carefree as if he wasn't using his height to corner you. You took a breath relaxing against the wall. His hands were behind his back yet you felt trapped. "I don't work for anyone if that's what you're getting at. I didn't lie about who I was earlier but I didn't need you to show me your hands. Technically I already saw it when you offered to help me up, that is, your past with the port mafia. I genuinely didn't know that was something I could do. That's why I asked to see your palms a second time, it didn’t sit right with me. That's why I asked for you to willingly give me your hands. I'm sorry I brought up oda but it was either him or the hot redhead you call hat rack." You gave him a knowing look that you made the right choice of who to name drop.

He grimaced when you called Chuuya hot. It seemed mentioning him caused him to lose all hostility in his demeanor. Interesting. He must believe you then. "So what do you know?" Dazai seemed to relax enough to sit on the futon. You followed after him since the tension dispersed. "Well since this bit," you moved to grab his hand to point out the part of his palm "is covered in bandages. I only know generally how you met Mori to the present day. I don’t know everything, just little blips here and there that were significant. I didn't look at Kunikida for that long but the Azure king popped up and I knew Atsushi was the tiger all along. Although it wasn't my place to get involved the way I did. Again I apologize." You caressed his hand with your thumb. He was watching you like a hawk. You were looking down thinking if there was anything else you should mention. Hopefully this was enough.

He hummed taking it in for a second before he pulled your arm while pushing your shoulder back, pinning you underneath him. "Are you scared of me? Knowing what I've done." He smirked playfully but his eyes were serious. If he wanted to play games you knew how to combat him. Or at least you think this would be an adequate counter to whatever he was doing now. You smiled "Quite the opposite. I trust you with every fiber of my being." Your words caused his eyes to dilate and his body to tense before he situated himself to further hover over your shorter frame. "Really now, even like this?" His expression dripped with lust as he dipped to whisper in your ear "I could have my way with you if I wanted." An empty threat clearly.

"You definitely could but you won't." You said it so matter of factly he shifted to look at you again. You used your freehand to caress his cheek giving him a soft smile "You have my unconditional trust. The position we're in changes nothing, ya womanizer." The source material never went into detail about Dazai’s past relationships. Only that he’s made women cry and that Chuuya knew of every single last one of them but he’s done his fair share of over the top flirting throughout the series. You just had to steel your nerves and out bluff the conman.

"Does it now?" He hummed giving you a mischievous grin as his hand delicately released its grip on yours sliding down to your wrist. His fingers pressing into your skin trying to find your pulse. Your eyes widened as you realized what he was doing. Your demeanor broke as you squirm underneath him. It was too late, you could see the pleased expression grace his features "Someone should be a little more honest with themselves." He leaned in making your noses touch. You could feel his hot breath on your lips before he pulled away. "Buuuuut you're right, I won't." He abruptly broke the trance you were in sitting up releasing his hold on you making you feel breathless. Your heart was still racing. Curse this attractive waste of bandages.

"You can take the room! I'll be off to-" He started off cheerily but you reached out to grab his arm. "Nope. As gentlemanly as you are, you can't fool me. Don't flatter yourself. Yes, I find you attractive but I'm not that desperate. Just stay, we’re both adults." You pretended to gasp covering your mouth "Or are you running away because you're all hot and bothered?" You gave him a smirk waiting to see how he’d react. Two could play at this game. He frowned slightly at your challenge. You knew his signature move was running away from every uncomfortable moment he’s caused but if he backed down from your challenge now you'd win and Dazai doesn’t like to lose. So you shared the futon and you slept with Osamu Dazai.

#the BSD isekai au no one asked for #dazai osamu x reader #dazai x reader #bsd x reader #bsd imagines #my bsd brainrot is showing

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risuola · 4 months

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This one is a little review, a recap if you will, because I think it's important to sometimes just sit and appreciate your own achievements. It's that time of the year when something's ending and something's beginning. I think the best way to start a new year is to look back a little, so... let's do it!

Inspiration for this post came from this post by @vagabond-umlaut - it's a self-appreciation post. I really love the idea of sharing the favorite pieces I wrote with you and I indulge everyone interested to do a little recap of your work yourself so see how far you've come! 🩷

Let's begin with a little summary, shall we?

▷ I joined tumblr around 10 years ago, but it's that year, 2023, when I posted my first work in here. Before I was just a reader. Can you believe it? Ten years I didn't post a single thing in here!

▷ I published my first fic on 31st april. It was short and filthy, can you guess what is it? You cryin', with our beloved Satoru Gojo. Fun fact is, that up until that day it's still my most liked piece. So many of you loved it, so many saved and interacted. It was a blast to know that my writing is enjoyed. Without your love towards it, I'm not sure if I would be posting still. It really encouraged me to share more.

▷ Since my first post, I published 49 pieces. I created 2 series (Politically Loveless, starring Tobirama Senju & Deadly Attraction, starring Sukuna Ryomen) and wrote for two anime series (JJK + Naruto)

▷ Just in these few months I hosted two events - the filthy Kinktober and the sweet Kissmas

▷ That year I mostly explored the angsty territory, I wrote some smut and fluffs as well. I wrote short and long, sweet and sad. I learned so much while writing, I'm not a native english speaker and through creating the pieces, I taught myself so many new language bits.

Now, let's get to my favorites!

🩵 You cryin'? — starring Satoru Gojo (smut)

This one will forever hold a special place in my heart. It was short and straight to the point, purely inspired by the amazing JJK dub and the iconic line that melted the entire me. It's smut, nothing else, little to no plot, and yet I just love it.

🩵 Lost cause — starring Satoru Gojo & Suguru Geto (heavy angst)

It was a request by one of you, my readers. An exploration of an alternative universe where Suguru doesn't go the death path and instead, the way is chosen by their close friend. It follows the manga plot and I touched the topic of dea*h in here. An emotional rollercoaster that I really loved writing and you all seemed to like it too. A second part to it might come someday.

🩵 Catoru — starring Satoru Gojo & Suguru Geto (fluff)

Pure fluff. Testing of waters, if you will. It gently introduced you all to the universe that I'm creating in my head for a long time. I'm really weak for SatoSugu, what can I say?

🩵 Say my name — starring Satoru Gojo (smut)

This one... damn, I wrote it and still I read it myself few times. I just like this piece so much, I like how it flows, I love the way plot goes over the doubt and fear, leading into the outburst of lust and desire. This piece opened the first event I ever hosted, a kinktober 2023 and I don't think I'll ever get over this Gojo.

🩵 Strangers — starring Suguru Geto (angst)

Inspired by the song I was really into at the time. I like the flow of it and the heavy atmosphere of something precious burning out in front of the reader's eyes.

🩵 Face massage — starring Sukuna Ryomen (fluff)

I love fluffy Sukuna. I really do. It's one of my favorite things to write and I have a characterisation of him in my head that I really love to show you all. You seem to like it! I have a request in my ask-box to create a part two to this one and it's in wips for so long now. I might need to finish it.

🩵 Not yet — starring Sukuna Ryomen (smut)

This one! I explored the mafia boss Sukuna through this piece, yet again inspired by the amazing line he said. Mada... mada mada~ the menace! And you guys loved it so, so much. So much, in fact, that it turned out into a series >> Deadly attraction and I'll be forever grateful because it shows that you really enjoy my babbling.

🩵 I don't need a mistletoe to kiss you — starring Sukuna Ryomen (suggestive fluff)

A fluffy Sukuna yet again. What can I say? I love putting him in awkward situations. Kissmas entry.

🩵 Breathe through your nose — starring Choso Kamo (smut)

The introduction of Choso into my blog. My emo boy, my depressed pookie... This was a part of kinktober 2023 as well.

🩵 Thank you, mom — starring Megumi Fushiguro (fluff)

It's self-indulgent, really. I just love the thought of giving this boy parents.

🩵 Wine stains — starring Nanami Kento (angst + smut)

It's angsty, just how I like it. And it revolves around Nanami. That's enough for me to love this piece.

That's it!

These are my favorite works from this year and I'm looking forward to see if I make it till the end of the next one!

Now, a little fun fact! There is a little fight between two of my fics that I find funny, considering what a happened in the jjk manga this year.

You cryin' vs Not yet. Satoru vs. Sukuna. Ever since I began posting, Satoru's little fic was my most liked, most reblogged, most loved piece and now, Sukuna is that close from beating the numbers! I watch it with my breath hitching, the emotions are real!

Some of my favorite people in here:

▷ During these few months of my writing, I got few mutuals. I really, really love their creations and turned out, they like mine too, so I'm especially thankful to @chuluoyi, @ponderingmoonlight, @staryukis & @poe-daydreams

▷ Through tumblr I also discovered so many talented people! @gojos-thot-patrol - an amazing writer of smutty materials, perfect usage of musical knowledge in writing, @tender-rosiey - an absolute queen of fluffs, @osaemu - such a great humor and an amazing writing style (the serial killer Gojo? oof), @awearywritersworld - the Men are so quick to blame the gods series with Sukuna... damn, I've read it three times already - here we have an amazing usage of literature!, mentioned before @chuluoyi - the Married on purpose fic lives in my head rent free

▷ and artists! @3-aem (the most gorgeous Satoru that ever existed), @wacuoms (the beauty and the aesthetics of it is just otherworldly), @lightningstrikes-art (the jjk cubs!) @ipostmysimpingstuffanonymously (the SatoSho arts that make me feel things), @innaillus (the ceo of making me cry and not from my eyes), @polariae (also... screaming), @diosaurr (Geto in this artstyle is my beloved babygirl), @to00fu (just love it. SatoSugu arts, the female versions... awww) and @blackwhitefeatherart (damn, the art style... chef's kiss)

And lastly... to anyone who supported my fics, who read it and left a heart, reblogged or commented - thank you so, so, so much. To anyone who sent me a message through ask box, to anyone who left any kind of mark behind themselves on my blog. More than 2000 people joined me in here, thank you to every single one of you. I'm forever grateful and I really hope you will enjoy the time with me for the future 🖤🥰

xo's — Risu

#risupost #risurecs #sorry to everyone mentioned for the random notification! <3 #2023 recap #jjk x you #jujutsu kaisen x you #gojo x you #sukuna x you #geto x you #nanami x you

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dazais-guardian-angel · 7 months

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Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

#bungou stray dogs #meta #bsd season 5 #bsd s5 spoilers #alternatively titled 'when you copium so hard out of stewing in your denial anger and grief that it becomes reality'#is it still copium if there's strong evidence for it? idk #i DON'T know what i'll do if the stuff in this finale ends up being canon :))) make no mistake about that #but until the very moment the schrödinger's cat box is opened and i am forced to acknowledge it with my own two eyes in chapter 111/110.5 #i am choosing to stay calm and rational and look at things with a sound mind... and acknowledge all the signs that are there #of which there are so many #Asagiri is a troll. he has always been a troll and this is more evident than ever lately #and he would know that everyone who watched the finale would take it at face value #never expecting it to go completely differently in the manga #and he's so much smarter than what was in that finale. he would never write those things. i would stake my life on it.#i don't care how many flaws BSD does have that i do acknowledge; he is a good writer in so many ways and he is so much better than /that/#i could fill an entire BOOK (ha ha) with all of the reasons why this finale does not work. seriously it is a never-ending can of worms #of ooc characterizations and plot holes and abandoned threads and straight up CONTRADICTIONS with what has been stated before in the arc #with fukuchi's motivations and presentation; with things that were happening in meursault; just.... so much illogical shit in general #THE MACHINE HEALED THEIR WOUNDS??? ARE YOU FOR REAL????#*sigh* but i said i wasn't gonna rant alskdjgfkdls #tbh though the only REAL thing i need to know that the finale was anime only was what the youtuber i watch pointed out:#that Bram magically regenerated all his clothes. because if it were Asagiri Bram would be naked from the shoulders down fjdkslsaskd #...anyway. This theory is real and true. I am manifesting it into existence 🙏🙏🙏#Asagiri my man...... you have never let me down yet in all the years I've known your series. Please don't let me down now.#I'm trusting in you more than ever right now...... and your ability to blow all our minds in the best possible way #(guys i'm really really really scared deep down; please hold me hahaha ahahahahaaaa- *cries*)#this would the coolest thing in the history of ever though if it happened though. I am SO EXCITED FOR THE POSSIBILITY!!!!!#ASAGIRI YOU SICK AND TWISTED MF; HOW DARE YOU MAKE ME BEG FOR MY FAVES TO SUFFER JUST SO THAT THIS BAD WRITING DOESN'T BECOME REALITY!!!!!!#he knows exactly what he's doing *SCREAMS* :))))))))

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aoki553 · 2 months

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GRGRGRGRG FINALLY AN OPPORTUNITY TO INFODUMP ABT HIM!!! tysm @makifishcake and prepare for a long ramble abt best boy ever (to me) and why saijun is real... let's start with an introduction to a canon crossover character only The Loser (me) cares about! this is gonna get messy in writing near the end cuz its like 3 am for me rn.

Kouno Jun is one of the two protagonists of Asou-sensei's older work, Our Hero Studies and is one of Haganeno Ken's students at Holy Lance Academy (a private school that either exists the same town as Saiki or some neighboring one)

The only translated OHS chapters so far show us who Jun and Haganeno are as characters. Kouno Jun's a generic tsukkomi high school student with normal teenage boy interests and crushes... he's baby and a total boyfail.

Jun likes video games (Kaisou Monogatari, an in-universe franchise), ramen, melon soda and Yayumi - the class rep. Pretty normal dude that's just being constantly bothered by his classmates and the teacher he hates...

...and then there's Haganeno Ken - THE delusional cosplayer hero wannabe teacher with huge interest in roleplaying and RPG video games, who immediately takes a liking to Jun, mainly for his name (his name means shield, while Haganeno's mean sword. you see where i'm going?)

most of the ohs panels will be machine translated cuz i have no strength or motivation to continue my actual translation work ngnhnh one day maybe... 😔

He may look like a generic high school shonen manga protagonist, but it's actually really charming to me how adorable he can be despite the boring presentation lolol HIS CRUSH ON YAYUMI IS SO CUTE UGHNHNH

And yeah of course he shows up in Saiki bc WHY WOULDNT HE???

Asou-sensei put him there twice. In the Christmas chapter where he's walking with a girl (MOST LIKELY YAYUMI), sees Kusuo sitting alone and being like "haha that's so sad to be lonely on christmas lmao"... EXCEPT ITS HILARIOUS CUZ HE DOES THE SAME THING IN HIS OWN MANGA'S CHRISTMAS CHAPTER.

and in the Hero Studies crossover chapter, right at the end as an unused character. (wouldn't make sense to have two tsukkomis there tbh so i get it lolol)

Same thing happens in the anime except Jun in the Christmas episode wasn't animated like he's an actual pre-existing character, except just a background character so he looks different but has the same jacket with his initials so its definitely him.

so here's all his screentime:

his terrible sense of style was referenced by Takeru at one point as well. yes, Jun dresses terrible and he has outfits much worse than this. hes a loser and i love him

okay but what's with the saijun thing? orz

basically its a silly ship me and my lovely sweetest gf (@lu-kario ) came up with and it kinda stuck around. "omg haha what if the two protagonists from different manga dated" but yeah it became an actual thing with thought out scenarios between us.

Me saying it'd be like satousai but Kusuo finds someone "normal" with actual personality would be not giving this ship enough justice. I can't tell much rn cuz I forget 90% of the stuff i make up unless i write it down BUT all i'll say is that

I like to imagine Jun and Kusuo having a calm and nice relationship, lots of quality time spent playing video games or going out to get some ramen together. Kusuo gets to have someone more usual by his side and Jun isn't likely to be bothered by Ken when Kusuo is around (:3).

and yeah, they do get another scene together in volume zero! how lovely! the christmas episode is also one of the reasons i find the ship cool but even despite the sillies having canon scenes and illustrations together i like it simply for fun.

canon crossover ships are cool and epic

my final words: go read ohs its fully in japanese online and 5 chapters are in english so far.

seriously go read it the fandom doesn't exist its really lonely.

and if you care abt our hero studies u can motivate me in the ask box, gimme a kick on the butt so i go and translate this work again after like a year or more of hiatus

#alex rambles #our hero studies #saiki kusuo no ψ nan #saiki kusuo no psi nan #saiki k #saiki kusuo #kouno jun #jun kouno #saijun #kusuo saiki #haganeno ken #ken haganeno #kurusu yayumi #yayumi kurusu

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neonscandal · 7 months

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Manga With Me: Obscure Head Canons (and Hypotheses) You’d Probably Develop When Reading the JJK Light Novels, Pt 1

For an anime with literally no filler episodes 🥹... the first light novel provides a brief insight into the days before (and behind the scenes of) the trauma. As someone who thrives on the misery of being a JJK fan, would the experience be complete without them? The answer doesn't matter because everything you need is below the jump! I saved my biggest theory for last so hop to the end for it.

⚠️ Spoiler Warning for Jujutsu Kaisen Summer of Ashes, Autumn of Dust and season 2 of the anime (manga spoilers are vague at best).

Head Canon: Gojo is the Riddler Purely For His Own Entertainment ✨

As someone who can process things the way a Six Eyes holder probably can, there’s no way he allows Yuji and Megumi to get the drop on him during their surveillance of sensei on his day off. But he takes them around (at a distance) doing silly things like record stores and maid cafes because I think it prompts them to enjoy things they wouldn’t. Especially Megumi. It’s kind of sweet, both their inherent curiosity about him but also lonely the way that he explores his whims so far removed from everyone else. It really highlights that “Who is Gojo Satoru?” question when you realize even Megumi’s interest was lowkey piqued at the possibly knowing a bit more about Gojo.

In the second story, Gojo speaks in straight up nonsense (think Mad Hatter) and it is no wonder when he's working alongside the most straight laced sorcerer there is, Nanami Kento. To a degree, I wonder if it’s genuine chaos spilling from his head or if he knows, after years of pushing Nanami’s buttons, how to precisely drive him up a wall. I question whether it's for his own entertainment or to his own alienation. Maybe Geto really was the only one who could follow the winding thread of Gojo’s thoughts.

Head Canon: Gojo Secretly Worries About Nanami

I think with Haibara’s death and the knowledge he would have made light work of whatever caused it, Gojo makes it a point to join Nanami on missions.. just in case. After all, Nanami and Shoko are all he has left from before. He’s lost many people and, as the strongest, I don’t think that fear is something he’d admit aloud, but its reality is demonstrably what pushes him forward physically and philosophically. In the story where they go on a mission together... it almost seems like an unspoken and uncomfortable understanding between them, the elephant in the room neither want to point out. People around Gojo never wanting to acknowledge how his strength eclipses theirs is rather common which we see with Nanami in this story and even Ijichi later. So while he may make light of this chasm, he still pops in as an unsolicited protector. With grace, he allows Nanami to assume he's just being a nuisance but I really think he takes an ounce of prevention where possible when it comes to the people he cares for. After all, imagine the turmoil if he ever came to realize his absence could make or break another person's survival again.

Head Canon: The Elders Have Always Known, If It Came Down to it, Gojo Would Always Choose Geto

There’s a reason they kept the idea of reanimating the dead a secret specifically from Gojo. In fact, they should probably consider themselves lucky that he was so vehemently disgusted with the curse user capable of such puppetry. I wonder if he experienced hope before allowing the reality of the sham magic to break his heart all over again because, in their secrecy, it seems like they know the lengths he’d go to protect and choose Geto. Geto was allowed to walk the earth for 10 years after his execution was ordered. Maybe they were right to keep it close to the chest. Gojo still saved his body, after all. To what end when he knew a body can run the risk of becoming a curse?

Head Canon: Gojo Saved Ijichi's Life but Condemned Him to Something Worse

Okay so this is kind of a manga spoiler (though I believe the flash back is during the Premature Death/Hidden Inventory arc) but, as a student, Gojo straight up told Ijichi he was weak and should find something else to do so he doesn't get himself killed. So he does. He becomes a steadfast and detail oriented manager which is a critical fixture in jujutsu society but damn, doesn't it just put Ijichi in an ivory tower of suffering? Years pass as he sends first his juniors, then fresh sets of kids into dangerous battle after dangerous battle. Some survive, some don't and all serve as a reminder of his powerlessness. He can cross every "t" and dot every "i" and it still doesn't prevent what happened to Yuji at the Juvenile center from happening. What does that do to one's soul?

Head Canon: Gojo Still Thinks "We Are the Strongest"

As seen with the Premature Death/Hidden Inventory arc, we know that Gojo saw an exponential growth in response to the losses suffered. It seemingly drove a wedge between he and Geto as Geto struggled to grapple with his powerlessness. With his defection, we see where Gojo changes his posturing from "we are the strongest" to "I am the strongest" but in the back of his mind (Alexa, play "Always Forever" by Cults 🫠), we know he still holds a soft spot for his first and last warm spring of youth. At the end of JJK 0, he refers to Geto in the present tense, as his "best friend, [his] one and only." Even after everything, I truly think Gojo leaves space for Geto beside him. This is furthered in the light novel during a story which is placed post Junpei and upon Yuji's return to life at Jujutsu High. Yuji, while still playing dead, helped a kid who had a grade 3 curse that seemed to be resurrecting and, after exorcising it multiple times felt he needed Gojo's assistance. When Gojo refused, he resigned himself to ask Nanamin for help wherein Gojo employed a Teachable Moment (TM).

He approached Itadori, who was hanging his head. "In this world, tragedies too often end in misery, even when it's possible to help. But the problem isn't lack of strength or getting there too late." As Gojo passed Itadori, he patted him on the head without making eye contact. "The main reason it happens is that people forget they have the strength to help."

This was enough to restore Yuji's confidence in his own competence but also sounds informed by what happened between Geto and Gojo in a sense. I interpret Gojo's assertion to center Geto to be the assumed lack of strength (which was most pertinent to how he was advising Yuji) and himself with the poor timing. Ultimately, to Gojo it doesn't matter because he never thought Geto was weak. The insecurity was a product of a situation he failed to reason himself out of, at the time, and it bred resentment within him alone. I don't think Gojo blamed Geto for anything that happened with Riko nor could he blame himself. It simply spurned him to figure out ways to limit his vulnerability in the future. In the face of that loss, Gojo still said they were the strongest and maybe in that moment with Yuji, he was employing a lesson he wished he could have been in a place to tell Geto to quell his festering guilt and grief. You can be strong and still fallible.

Hypothesis: Mimiko and Nanako (and Anyone Else...) Going After Managers is Not a Coincidence

As we saw with JJK 0, Geto's twins were rather merciless in going after the suits who make everything covert about jujutsu society possible. Based on what we knew at the time, the managers provide cover for sorcerers on missions (with curtains, getting them transportation to, providing cover stories) and plug them in with resources as needed. But we begin to realize that managers serve additional purposes. In season 1, we see that they are sometimes part of the investigative force when it comes to getting information around developing situations. With the Shibuya arc and the arc that follows, we see that they are also integral means of liaison and communication between sorcerers and to other points of contact within the community, including windows.

So. Windows are people who can see curses but aren't sorcerers which begs the question, what are managers? As we learn and can infer with Ijichi, who was a former sorcerer in training, managers are people who can see curses and may even be able to manipulate cursed energy. They aren't full blown sorcerers but they aren't completely helpless either. So why go after them?

As we see in the story centered around Ijichi's "boring day" at the office. Managers are sorcerers' only connection to the "human" world. They are what keeps them tethered to their mission in protecting others while similarly upholding the etiquette and traditions around how the rest of the world works. They maintain a very delicate balance of things alongside the supernatural. Without them, you'd have the unchecked ego of teenage Gojo basically just doing as he pleases without curtains or respect to the possible implications of a civilian seeing him work out in the open. To suit Geto's needs during JJK 0, why should sorcerers operate under some guise of hiding their strength for the sake of those who are weak? As to what happens during the Shibuya arc.. imagine the fear, the anxiety. Imagine the chaos! Imagine the curses it would yield.

Hypothesis: Yuji is Still the Main Character, We Just Haven't Seen the Curse that He'd Manifest When Broken Saying it louder for the people in the back

Certain corners of the fandom have largely cast Yuji aside. With the release of JJK 0 and appearance of Yuta, many wonder why Yuta isn't carrying the series. Afterall, his inherent overpowered-ness and ability to copy any technique for sure casts him as the next gen Gojo, right? In the literary sense, we've seen the rise and fall of his story. We haven't seen the last of him by any stretch of the imagination but he is, as we discovered, also jujutsu society royalty. A distant cousin of Gojo's, actually.

Of the main cast of first and second years, Yuji and Nobara are subsequently the only characters who do not have apparent ties to jujutsu society. Nobara, plucked from the countryside, is tested by Gojo upon her initial introduction to the series to make sure she's crazy enough to cut it. Yuji's origin is still a ways from truly coming to light but his inherent strength and the simple ability to house Sukuna and maintain his identity has, in many ways, been indicated to be an anomaly. Subsequently, as the viewer or reader, we know there's more to the story which has yet to come. I won't go into it here given my desire to not spoil the larger manga story but I think laced within the light novels is enough evidence to talk about Yuji and what his power and subsequent threat level is.

Yuji, for all intents and purposes, is an outsider. From what we can tell, he has experienced loss. Most apparently with his grandfather but we also assume he is a victim to the MC syndrome that leaves him orphaned and prime for a journey rife with struggle. He's fifteen with the pure heart of a child despite any previous hardships and just so happens to be armed with the mission to help people.

Yuji approaches the introduction to this new society with the wonderment of a kid finding out superheroes exist. But this naivete, this untempered light, actually has the capability of being something so fearsome when we learn how curses manifest through negative emotions.

In the anime, we see this as Sukuna scratches at Yuji's mental when they realize the possible origin of Tsumiki's curse may have begun killing it's victims when Yuji ate the finger. Mahito employs a similar means of manifesting ill will in Junpei that ultimately also becomes a burdensome guilt that Yuji bears. Countless times in the Shibuya arc, Yuji is forced to witness catastrophic losses of his mentors and friends while he can only stand idly by. The survivor's guilt is compounded by the shame of his own inability to help which only gets worse.

Since Yuji is relatively noble and sincere in nature, he considers these losses personal failures. He takes ownership of any sins against others that Sukuna commits when he is not in control over his body and, subsequently, his spirit takes a beating time and time again. He sought to do good in the world but his ledger becomes increasingly bloody through no means of his own and it weighs on our sunshine character.

It's easy to lend a hand to a child who has fallen, but it's a teacher's job to show a child how to stand up unassisted. It isn't always easy. - Gojo Satoru

The first light novel closes the gap between how Yuji went from training in a basement away from anyone who'd want him dead a second time to being under Nanami's care. While wrapping up Nanami's case, Gojo is uncharacteristically somber in requesting Nanami's assistance. He explains that Yuji requires Nanami's influence as someone who knows human suffering. The losses shared between them are unspoken and are not acknowledged within this exchange but, from what we know, hang as a burden between them. Still, both Nanami and Gojo have continued on as sorcerers somehow, from the grief of their youth into their late twenties. But Gojo gives voice to the concern that, because of Yuji's bravery and altruism, that the reality of what's expected of a sorcerer will one day break his heart if someone with emotional intelligence isn't able to help temper it. They seem to both understand the precariousness of youth and have both been shown to insist in protecting it where possible. This exchange and their mutual understanding is how we have Yuji under the care of Nanamin. It's also where we get the heart rending reminder that "Being a child is by no means a crime," and "You've escaped death many times. But that doesn't mean you've become an adult."

In the last story of the book, as Yuji is reunited with the other first years, he is contemplating a situation he encountered that still lacked resolution. He'd exorcised the exact same demon several times but to no avail. He hopes to enlist Gojo's help but Gojo encourages him to think about the problem more because not everything can be solved by fighting and exorcising when the source of curses is from human emotion. As Yuji races off to resolve the issue that's been weighing on him, Gojo reflects on his responsibility to preparing Yuji for the ups and downs that are sure to befall him.

Itadori's sincerity was a more significant attribute than his being Sukuna's vessel. As a result, trauma had the potential to become a curse more fearsome than anything else, a nasty curse preventable only by confronting one's own heart. Instead of cradling that heart, Gojo could teach it to be prepared. That's what it meant to raise students.

While the story resolves without consequence, we see that Yuji's reflection on the situation is as endearing as one would imagine though still a bit warped. He is galvanized to be stronger, dedicated to providing the help the people need whatever it may be, and to not give those he cares about reason to worry which seems in line with what Gojo was hoping for. But being offset by his consideration for how others feel like Nobara and Fushiguro when he died, it almost feels like he's creating an even larger burden of expectations for himself. This gives rise to Gojo's very real concerns about how far someone can fall into despair, especially someone who is such a beacon of positivity.

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