#as opposed to just an isolated thing

[azureblooet]

I cant talk rn gurl I’m cataloging minerals i saw in Minecraft dungeons.

#azure’s bullshit #minecraft #mineblr #geology #yall think im joking but i have visual aids and everything #minecraft dungeons #minecraft lore #mc lore #mc dungeons #look bestie the echoing void dlc is the only real look we have at the end and im sprinting with it #like in normal mc the end is bad cause mojang is focusing on other stuff rn #also endermen being the ancients is dumb #why would a sapient species just stop using tools bruh- #like then why does the elytra fit us? #my guess is that they just got murdered by some void monsters or something #idk if the heart of ender is like… an actual thing that could happen #as opposed to just an isolated thing #like if there’s others is my point #dont even get me started on what the watchlings and co are

[lord-squiggletits]

Salty Ask List: 1, 5, 14, 22 ?

1.What OTPs in your fandom(s) do you just not get?

Dr/atc/het 100000%... I just don't understand what their chemistry is supposed to be together. It's partially ruined for me by Drift in MTMTE being an absolute mess of a character who got most of his planned plotlines cut or changed, and partially ruined by the fact Drift spends most of MTMTE straight up absent from the story, and then he and Ratchet meet up in Empire of Stone and come back during Dying of the Light and are just...together romantically now? I don't understand how they have any chemistry at all much less romantic lskdjflkds

I know a big one people talk about is "Ratchet saved Drift's life and then told him he believed in him" but... the way their meeting was written didn't come off as particularly romantic to me? Ratchet saved Drift the same way he's saved countless other addicts in the Dead End and then his parting words to Drift were to tell him to go to the Functionists so they could get him a job. Very "pull yourself up by the bootstraps" kind of advice that clearly didn't work since Drift stayed impoverished, his friend got killed by police brutality, he went into the underworld to be a hitman, etc etc. Like yeah in theory it's very romantic for an OTP's first meeting to be one of them saving the other's life and treating the impoverished person kindly for possibly the first time in their life. It's just that that moment in canon doesn't have romantic vibes to me at all, it's just a doctor-patient encounter in which Ratchet is nice to Drift like he's nice to everyone, except it's also kind of condescending/ignorant bc Ratchet basically tells Drift "oh just get a job and get clean and you'll be fine" as if it's that easy to stop being a homeless/jobless drug addict?? If an ER doctor did that shit to me I'd be more likely to see him as an asshole than to admire or like him at all sdklfjsd.

Then Drift was a Decepticon for millions of years, then he joined the Autobots on Earth and like... he and Ratchet sure existed on the same team together dlkfjldsjlkds there were zero interactions of worth b/t them in phase 1, their ship dynamic came entirely from JRO's writing and even then I feel like it's an informed romance more than an organic and believable one.

5. Has fandom ever ruined a pairing for you?

I actually used to like O/Pli/ta when I first came here, but as I stayed longer it became evident that the overwhelming majority of the fan content of it reeks of "we are very sorry for having a heterosexual ship, let us compensate for it by making the woman a Girlboss Xtreme and the man a weak simp so that you can be sure the woman isn't being Oppressed and Stereotyped by being in a heterosexual romantic relationship" which is one of my most detested types of fan content, so now I have the ship tag blocked sldkfjlsdkdskl. Literally it's just the same "the woman is a TOTALLY COMPETENT AND COOL ACTION HERO and her man is a TOTAL SIMP FOR HER" that's interchangeable with most het ships in other fandoms, where there's no actual personality or chemistry for them and instead it's just the same Fandom Approved Heterosexual Relationship Dynamic.

That and a significant amount of content I see for it is just like blatantly ripped off from Me/go/p dslkfjsdfsjl or like, taking the main MOP dynamic and just swapping OP and Elita's places so now Elita is the cool action hero who's rival to Megatron and OP just Exists as an emotional support husband I guess. Or like Elita is made into a daring action hero while Optimus is reduced to a meek little wallflower who's no one of any real importance and just follows in her wake. It reeks of insecurity and unoriginality, as if the fanbase is cripplingly aware that Elita was made to be the Token Girlfriend and instead of just making her a better character and making the romance she's a part of more equal and compelling for both characters, they have to violently overcompensate by having Elita steal OP's role and everything interesting about him. 😂Like I'm begging people to just be normal about hetero ships. You can ship a man and a woman together without having to diminish the man and girlbossify the woman to prove you're a Real Feminist.

14. Unpopular opinion about your fandom?

Continuity soup is boring and for the most parts creates purely fanon plots/ideas/characterizations that have tenuous relationships to actual canon. It's nice that people have the creativity to make their own AUs, but I also want to read about the actual continuity in question and not someone's mishmash of it.

Like UGH when I read a fic tagged IDW1 I want to see cop Orion not archivist or dockworker Orion. When I read a fic tagged IDW1 I want to read about the Senate led by Proteus and the reigns of Nova/Nominus/Sentinel/Zeta, not about the Council from TFP. When I read a fic tagged IDW1 MegOP I want Orion being a simp for Megatron after reading his stuff/meeting him one (1) time sdkflsdkf not yet another iteration of the tired "one day an archivist and a gladiator became great friends! then they broke up."

It's not hate for other continuities, I'm just tired of the fact that continuity soup is so prevalent that even when I'm specifically filtering for content of the one continuity I want to read about, the fics I find keep having random shit from other continuities interjected into it. I think each continuity has really interesting takes on lore that have potential to be wholly unique for each one, so it's really frustrating when the average fic I can find is just a random mishmash of continuity elements, or more often than not just an IDW knockoff taking place in a separate continuity. Like guys, I'm an IDW stan myself, but wouldn't it be cool if we got more fics that explored ideas that only happen in G1, or only happen in Animated, or Aligned, etc?

Doesn't help that when I AM looking specifically for IDW stuff, most of the content I look at (MOP) does continuity soup for the sake of replacing IDW OP with some sort of aligned/g1 lite OP which makes me salty as hell

22. Popular character you hate?

Drift for sure sdklfsdlk. I mean when I first read about him in the comics (the Drift miniseries) I was like, he's fine I guess he's an action hero whatever. But then literally the more of the comics I read the more his personality and story were just incredibly corny, stereotypical, or boring as hell no matter what writer was controlling him. And he got bounced around between writers a lot, and then even the "main author" people know Drift from (JRO) kept changing his plans for what Drift was supposed to be (and cutting plots related to him) so any hints towards a storyline went nowhere. And then Drift spent basically all of MTMTE gone elsewhere on some exile-adventure, and then during LL he just kind of. Is there, existing.

So like, honestly Drift is a victim of getting bounced back and forth and having his writing changed so often he doesn't reach his full potential, which isn't really "his fault" as a character. It just so happens that I also think the bits of his character that exist are either boring or overhyped or in one case (portrayal of his religion/religious worldbuilding in general) outright offensive. He's basically written like some hippie stereotype with vaguely Asian/Japanese flavoring (the extent of which is basically his name + fighting style) and then he barely like... does anything in the plot? I think he's supposed to be like, ~mysterious and shifty~ but then all of the plotlines that involved him being a secret traitor got cut, so Drift basically just became Weirdly Suspicious For No Reason and his genuine personality/motivations felt indistinguishable from what he was faking and what plots got cut from him. Absolute mess of a character that got almost no payoff for any of the things planned for him, and all that's left is some kooky hippie personality of "hee hoo I believe in auras and mystical vibes and magical colors, also I'm dating an atheist who's openly dismissive of most of my religious beliefs (that I do or don't actually believe in depending on what part of the story I'm in) and this somehow doesn't get in the way of our personal/romantic chemistry

But then the fanbase are basically making him some kind of Gary Stue, obsessed with making headcanons like "Deadlock wrote/edited Megatron's speeches for him too!" and "Drift defected from the Decepticons to try and make a point to Megatron!" and generally trying to make him the Decepticons' Specialest Boy Ever and it's just. Ugh I get that he was under-written in canon, but every bit of fanon I've encountered doesn't make him interesting either. They just kind of make Drift the center of the world where he's actually the coolest, most talented and interesting person ever where other characters owe their accomplishments partially to his influence and I'm just. I don't get it, I don't understand the appeal of fanon and I don't even understand the appeal of canon either. I think part of it is for representation reasons (e.g. Asian, lower class, former drug addict) and it's nice that people can pull something meaningful out of the mess that is canon. It's just for me, canon Drift is so mediocre I don't get why anyone would even WANT him as representation sdlkfjsdlkf. I guess fixing what the writers failed to explore the potential of is an understandable motivation though.

#squiggle answers #long post #as far as asian coded tf characters go cyc and WB have mountains more character and meaningful plot imo #plus their depictions of religiousness are way less offensive and actually play more importantly into their characters #like idk am i the only one who thinks most of JRO's worldbuilding re: religion is an absolute joke #it's a combination of multiple antagonists who are religious zealots (not offensive on its own though) #plus very shallowly explored religious beliefs that mainly come up for plot reasons #plus a lot of the religious beliefs that DO come up are like incredibly unimaginative and boring and stereotypical #plus the plot basically being a deconstruction of the entire religion like. sike all of the ppl you worshipped and myths you believed in #were lies. they're all assholes and also cyberutopia doesn't exist #it's just one of those things where in isolation/in theory none of these religion related things are offensive in and of themselves #but when they're all stacked together it comes off as a kind of Reddit Atheist view of religion #where the more religious a character is the more likely they are to be evil or literally insane/mentally ill #and what religion IS represented is portrayed as nothing more than like. paint colors and a few holidays #as if religion is nothing more than an aesthetic as opposed to a whole philosophy/way of life w a lot of htought behind it

[consolecadet]

Thinking about how my fine motor skills/manual dexterity are fairly good (relatively fast touch typist, ok at many types of art, envied by peers for my onion-dicing abilities) but my gross motor skills & proprioception are less good and feel significantly degraded by joint problems with EDS (historically bad at sports, often knock things over especially when using a cane, was horrible at throwing/catching objects until Something Changed in 2019). World's least graceful artist

#the throwing and catching things issue may have had more to do with how people treated me as a kid #the primary shift was becoming less afraid of 1) failure and 2) things hitting me in the face #turns out if you keep your eyes open and track the object's trajectory you are much more likely to catch it #as opposed to closing your eyes and instinctively shielding your body #[shrug emoji] #I am pretty good at PT though... #it might be specifically time pressure and trying to coordinate many movements at once that's the problem #if you want me to isolate one specific non-hand muscle for an exercise I can definitely do that #which is why I uh. have judged people for needing straws to drink after top surgery #just move your forearm without engaging your pecs! duh. #ANYWAY. distracted at work about this. gotta go #boring text posts #medical

[booasaur]

The Capture - 2x02

#thecaptureedit #the capture #rachel carey #khadija khan #ed polczynski #holliday grainger #indira varma #sam hoare #the capture 2x02 #khadija x rachel #femslash related stuff #but subtext #man so if you remember last season I was lukewarm on it at the start but then got really into it #and this season has been way better like AMAZING so far #they keep setting up typical tropes and then subverting them #they're not afraid to just progress and do big things and bring in people as opposed to keeping things isolated until the last minute #like most thrillers #unfortunately while when this ep first aired I was a bit hmm? at this scene between them and then again later #the next eps have killed off any hopes of them going There #I guess indira varma just has chemistry with all women and you can't do anything about it #probably wouldn't have given rachel a different love interest every season anyway #though speaking of which while I get the role shaun served last season in having to be mysterious enough we might think he'd done it #isaac and khadija replacing him are SOOOO much more interesting and fun

[scarletiswailing347]

thought of some really cool backstory for killer!zam for the dbl au but i Cannot tell if it clashes with the canon lore or not cause i havent looked into it enough yet

#mine.txt #c zam #au dbl #f ls #basiaclly survivor!zam got banished to the void after 6 months cause he just kept on dying #and it eventually made his mind just shut down and start dissociating #which the entity didnt like cause that meant he wasnt feeling things anymore #and eventually he turned into a haunt cause i assume survivors that got voided turn into haunts eventually??? idk it doesnt really say #and the void in the blight's lore cinematic doesnt really look like the one in the event #while the one in the observer's cinematic doesnt really point to much #and during halloween or whenever it canonically takes place during a rift opening event spoke managed to release him #which made him remember everything that happened to him in the trials and yanked him out of his dissociated state #which stirred some Extremely Strong and Extremely Homicidal feelings #which made the void go hmmm maybe i still have some use for this guy after all and brought him back from the void #but since hes a haunt he needs a lot of auric cells to reconstruct #which isnt a problem for the entity but its still way more than the average killer needs #idk what the logic of the visceral cankers and pustula flowers are since i cant really find anything other than they bloom during halloween #so i headcanon they appear in areas with a larger concentration of auric cells #and normally auric cells are too spread out to spawn them #hence why they only really show up in halloween since more consciential energy is built up in the entity since emotions are running high #(i mean all kinds of emotions not just despair cause just despair would be the void) #and since zam is essentially a walking talking auric concentration hes got them blooming all over him #i also headcanon the realms run on amok time so both survivor!zam and killer!zam are just running around at the same time #theyve got an isolated timeloop thing going on where survivor!zam keeps dying and turning into killer!zam #while killer!zam keeps running on heightened emotions until the toll of killing himself over and over again gets to him and he gets voided #at least until mapicc has had enough and decides to teach zam to be better at surviving #as opposed to leo and clowns method where they just kinda try (and fail) to shield him #so survivor!zam is more visibly traumatized now but can at least hold off his own #killer!zam meanwhile doesnt get fatigued from killing himself over and over again and doesnt get voided #the entity allows this cause it inflicts significant emotions in the survivors lol

[apollo-cackling]

peace and love on planet earth folks can be shockingly mean and unempathetic if the words 'AI' or 'NFT' are attached.

like not that those things aren't materially harmful but the hate I see for them on here doesn't feel like it's bc of how those things are materially harmful and are just bc folks want an acceptable target to bully

#and with individual people who have done material harm too like yes that harm deserves opposing #but a lot of the talk around it feels less about that material harm and just bc folks wanted someone to unperson and hate #my rambles #almost each and every time I've seen this happen I get this feeling like #for example sure you hate terfs but do you care about trans people #idk #rh #this was prompted by that onion headline going around like 'guy who's bad at being a person talking about how ai will be revolutionary' #or whatever #like it's all understanding the reasons for isolation and loneliness and everyone lives at a different pace and queer/isolated/abused folks #often are 'behind' their peers developmentally #and discussing how ideas of being a person is ableist and queerphobic #...until the the word AI is attached and then it's just fuck that time to high school bully these fuckers #and I hate it how folks will tack on 'straight white guy' to figleaf their punching bag it's gross #again not that these things aren't materially bad but the way folks are talking about them is.. yikes #the cognitive dissonance in making a bunch of positivity posts but then turning around and mocking #'guy who's bad at being a person' just bc 'AI' is attached so they're okay to bully #feel like I could turn half the anti AI folks into eugenics advocates if I just sprinkled the word 'AI' here and there #hell the amount of fascist/eugenicist rhetoric I've seen used by people pontificating about nfts/ai/tiktok #feels like folks want to mock people for being pathetic but know that's not socially acceptable so they attach ai/straight white guy/nft/etc #on there so they can feel righteous doing it #brain poison

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

#gamedev #conceptart #advice #careeradvice #hiring

[bugsofpetalroot]

// gonna go ahead and turn asks back on for now lmao. it’ll be a second before they get answered because I want to introduce one more character but feel free to peek at the ask hints for the two newbies //

#ooc #dl #as of now i'm either going to get things done super fast or itll take even longer bc mydad just came down w covid #and ill be taking a test in a day or so to see if i have it. in the meantime im isolating in my room #so if i dont get sick. progress. if i do then idk #my main goal is to get to a rest before the semester starts. in which case id ideally like to figure out an update schedule #as opposed to the ''whenever i have energy'' vibe ive had

[heartpascal]

is it freedom?

▹— spiderverse (future) found family x platonic!reader

▹— summary: after losing everything, you struggle to accept the one thing you needed all along.

▹— a/n: ok i have been enabled by exactly two (2!) people. (thank you both) SO dare i start a spiderverse series??? IF YALL WANT MORE OF THIS… I WILL DO IT. this is really just a set up thing idk but i feel like arachnid has potential for further parts and ACTUAL found family!! also haven’t tagged people on my general taglist bc idk if you guys want to be tagged in ALL works or just all pedro works :(

▹— warnings: slight across the spiderverse spoilers, not really found family yet, injuries, blood, treating own injuries, stitches, fighting (canon-typical violence yall), dead parents (mentioned a LOT), a whole lot of angst (it’s a spider-person so what do we expect), reader has a whole lot of bad thoughts, loneliness, isolation

masterlist PART TWO

∘₊✧───── ───── ───── ─────✧₊∘

Had you known what this, this thing, would lead to, you would have never started it. Not that you had done so purposely, at least to begin with, more so happening as an event of pure chance. You were in the right place at the right time, and since then, you had been addicted.

But if you could go back, look at yourself just a year younger than you are now, tell that kid what would come if you went through with saving a life for the first time, you wondered. It was a question that scratched deep in your brain, sending you off balance the more you thought about it; would you have still done it? Would you have saved that person’s life, knowing it would lead to your own falling apart?

You would like to think yes. In fact, you know that back then, when your eyes were bright at the prospect of helping people, when you still marvelled at the world like it was good, you would have been certain that it would be worth it. Why should that person die, just to save you? It’s a harrowing realisation. A conclusion that makes your fingers tremble, your voice shake. Now, you’re not sure you would do it. You don’t think you could bear to face that decision knowing what you know of the world around you now.

It’s something cruel, really, that the spider that bit you gave you these powers, and nothing to go back and fix your mistakes. Your perceived victories. Your losses.

But the worst has already happened, and the only one left to die is you, so you carry on. You don the suit every day, you sew up your own injuries on the top floor of the abandoned offices that you’ve claimed as your own. Each day, you wake when you choose, you sleep when you want to, and you work yourself down to your very bones with nobody to object.

The hollow feeling in your gut is a pain you have no choice to ignore, to smother with assurances that this is freedom. What else could it be? You do whatever you so please, you spend your time swinging through the streets of New York rather than doing schoolwork at home, you eat all the junk you could ever have wanted.

It’s freedom. It has to be.

You tell yourself that you don’t miss the home part of having to do schoolwork, promise your heart that you don’t miss home-cooked meals as opposed to greasy food that leaves you unsatisfied. You swear that you like having nobody to tell you what to do. There’s no other choice, after all.

And each day, when you spend a little bit longer out on the streets, getting yourself into needless fights that the police could certainly handle, you tell yourself it’s because you’re protecting the city. You convince yourself that it’s not because of having an unending rage to satiate, or a permanent feeling of breathlessness when you leave police to handle anything, as if you could relive the moment your father, the captain, was left to handle something he couldn’t.

So, you’re almost relieved by the appearance of something… strange. Something dangerous. This is what you live for — this is your job.

You crouch against the wall, fingers splayed and suit itching where you had crudely sewn it back together across your ribs at an almost too-close call. You hold your breath, you watch. The lenses over your eyes shield your sensitive sight from the harshest colours of this new opponent, who looks almost… unreal. Too different to be a part of reality. He yells out, seemingly glitching? A distorted scream of what is apparently pain, accompanied by flashes of colour that are unfamiliar to you.

“Well, that doesn’t look good.” You comment, eyebrows raised beneath your mask, and the strange looking guy snaps his head towards you, long hair slapping across the goggles over his eyes. He bares his teeth at you, something almost resembling a grin marring his face.

“Spider-man!” He yells triumphantly, cackling as he wipes the hair away from his face, tendrils unfurling from behind his back and lifting him into the air.

“Not quite!” You call back, dodging below the metallic arm that shoots towards where your head was, crumbling through the wall. You try to think back to the jokes you used to tell to rile up whoever you were facing, but find your mind is blank. Instead, all you can think of is questions. “Where the hell did you come from, anyway?”

The man follows you as you spring from wall to wall, heading towards the center of the building where it tunnels up for about forty floors, balconies overlooking the fountain below. “A new spider, eh? Well I’ll take you down just as easily as I have the other!” He tells you, though you’re immediately suspicious of his statement. You’re the only Spider-related hero around, and even if you weren’t, you doubt this guy could squash a worm, let alone you.

“Sure thing, man.” You say, sighing, already exhausted by the repetitiveness that comes with every fight. Your opponents always say they’ll beat you, kill you, squish you, take you down, and yet you always get back up at the end of the fight, and they always remain defeated. When you started doing this, you never would have thought you’d get so tired from winning all the time.

And yet here you are, slipping further and further up the building with the octopus-looking guy chasing after you, metal arms crumbling walls and bannisters on his way up. He falters once more, another one of those glitch-like movements sending him down a few floors, but he’s quick to recover. Of course, it wouldn’t be that easy.

You crouch down on one balcony, somewhere around the thirty mark floor-wise, peering down at the guy as he shakes lingering pain from his body. He charges upwards, aiming to reach you quickly with an almost predatory smirk on his face. Before he can even get close to you, however, you’re back on the move, setting a trap for him that he doesn’t even seem to notice.

It’s only when a group of late workers emerge on what you’re pretty sure is the twenty-first floor that you become more anxious about this fight. You don’t like when civilians are involved.

There’s about a dozen of them crowding the balcony, looking up to where you’re facing off with octopus-man above, some having begun to descend the stairs to the next floor before catching on to your presence. You try not to draw attention to them, but their pointing and whispering sets the Spidey-sense off, ringing loudly between your ears, almost deafening in its intensity. Maybe you underestimated this guy. The flash of a camera sends the last hope of him not noticing down the drain, and he grins at you as he switches targets, climbing down towards them with some semblance of caution.

You’re much faster than he is, dropping down and using a web to catch yourself rather than having to climb. It’s hard to stop yourself from yelling at them, cursing them out for being so damn foolish — who in their right mind would stick around a very dangerous fight to take pictures?

Instead, you choose to yell, “Get out! Go, go, go.” And usher them down the stairs, but it’s not difficult to realise that this guy is going to get to them before they manage to descend to the bottom. You shouldn’t be surprised, really. Nothing is ever as simple as it could be, not for you.

The split second decision to drop down and form a net-like web low enough to catch the workers worked out for you in the end, as you swung back up and pushed the workers off of the balcony and stairway just as the octopus man was reaching them. He cursed at you, refocusing his efforts on you as you vaguely noted the workers clambering down after their screaming had stopped. Honestly — did people really have so little faith in you? Had you ever sent anybody to their death before?

“You are just as pesky of an insect as Spider-man!” He growled out, teeth gritted, and came after you with renewed force. He kind of reminded you of that doctor you faced not long after getting your powers, but this guy looked completely different. The doctor you faced — aptly named Doc Ock — had turned himself into some form of a mutant, he had reinforced tentacles which sprouted from his back. Was this guy some kind of copy cat? Maybe he was just delusional.

“I don’t know who Spider-man is, man!” You shout to him as you ascend the building again, trying to figure out the best way to take this guy down. His tentacles seem electronic, so surely you could disable whatever machinery resides on his back?

“That’d be me.” A voice came from above you, two floors ahead of your position. Your head snapped towards it, seeing a man in a blue and red suit, framed by a burst of orange behind him. He didn’t linger up there long, instead moving to leap down to the guy who had turned his attention to the new guy. The closer you looked at this new guy, the more similarities you saw to yourself — his webs looked remarkably similar to your own, the pattern that went across his suit matched your own, even the wide white lenses that shielded your eyes on your mask. Who the hell was this guy?

The octopus man grinned widely, shaking greasy hair from his face. “Ah, finally! The real Spider-man. Got yourself a new protégé, I see.” He drawled, dodging this new guy’s hit straight off of the bat. You tried not to get annoyed at being referred to as a protégé, considering as far as you were aware, you were the only Spider-person around. Where was this guy when you were holding a bridge full of civilians together? Where was he when you took down villain after villain, never once failing to get the guy? No — you were the real Spider-man, if anyone.

“I don’t know who you are, man, but I’m handling this just fine.” You call to the guy, swinging down to rejoin the fight, webbing the villain’s metal tentacles to the wall behind him, before dropping down to kick him towards the wall.

“Oh, so you know how to send this guy back to his own dimension?” Spider-man asks you, eyebrows raised beneath his mask, and as if on cue, the guy glitches once more, ripping his arms away from the wall and just about catching himself on a balcony below before he could fall into your net.

You gape at the new guy, glancing back up to where the burst of orange remains opened, and is that a portal? Is this Spider-man from another dimension? Is that why you’ve never heard of him before? God, if your mother was alive, she’d kill to find out about this. Inter-dimensional travel was something she had spent her life researching. If you didn’t remain so bitter toward her even after her death, you might’ve been sad she wasn’t alive to see this.

But you were bitter, and it made the experience all the worse.

Because you’re pretty sure that that bitterness takes the place of grief within you. It’s hard to understand why you crave to feel that pain, that grief, as opposed to the aching resentment that floods you with the thought of her. It’s such a sharp contrast to thinking of your father, your kind father, the man who threw himself into a battle he couldn’t have hoped to survive, just on the off chance he could save somebody. You hope you take after him.

“Wait— you’re from another dimension?” You question anyway, eyes flickering between the battle and the looming portal above. In fact, you’re so distracted by finding out about that tidbit of information that you miss octopus man aim a tentacle for you, and it snatches you around the ankle. “Oh, you gotta be kidding me—!”

The man waves you around like some kind of rag doll, and you try not to be too bitter about being caught off guard. You should probably learn that getting caught up in your little pity party always ends up badly, always distracts you from that renowned Spidey-sense. You formulate a plan in your mind when the drip of blood around your ankle draws your attention back to the battle at hand.

You web the wall opposite and hold on tight, pausing the movements and letting the dizziness that had come over you fade away. The man growls out in annoyance, and gets closer to cut the webs with another tentacle, which is exactly what you planned for. The tension from the webs launches you towards him when you let go, and in his surprise, the metal tentacle releases you. You wrap around him, and start webbing up the machinery embedded in his back as Spider-man distracts most of the tentacles, keeping them from pulling you off.

His tentacles start faltering, clearly not obeying his movements, and you wrap them up where they emerge from his back, continuing along until the movement is so limited that he has to use them all to clutch onto the nearest balcony.

You crawl up the tentacles in the very same spidery manner that you’re known for, and crouch, watching the octopus man struggle as Spider-man observes from the balcony opposite. “You wanna finish this one off, Spider-man?” You ask, unable to hide any bitterness from your tone at his mostly unhelpful actions throughout the battle.

“Hey, not bad!” He praises, and it annoys you. You’re good at what you do — for the most part. You manage without help constantly, and that’s the way you prefer it. “You’d make a good addition to the Spider Society!”

Now, you don’t know what the Spider Society is. But honestly? You don’t care. You don’t need help, and you prefer working alone, and you certainly don’t like feeling patronised.

“Whatever, man. Just send him back to whatever dimension he came from.” You tell the guy, and drop down as you hear sirens outside, landing on your injured ankle and just about stopping yourself from cursing. Through all the adrenaline and fighting, you’d forgotten about the way the metal had ripped into your skin, drawn blood. It’s just be another place you’d have to sew up your suit with itchy, uneven stitching. “Officers,” You greet as they open the doors, guns drawn, radios murmuring. “All taken care of. Civilians okay?”

“Shaken up, but fine.” The leading police officer says, immediately relaxing and holstering his weapon. You wish it reassured you that the police trusted you now, but it didn’t. Nonetheless, the other officers follow suit. “Thank you, Arachnid.”

The name your world has bestowed upon you has yet to grow on you, but you nod your head regardless, and salute them as you make your way out, swinging across the city, trying to put the existence of the multiverse and inter-dimensional travel out of your mind. Surprisingly, it’s pretty easy when you have a busted ankle to fix up.

∘₊✧───── ───── ───── ─────✧₊∘

You’re halfway through stitching up your suit, having already sewn your skin back together with as much skill as you possessed in the matter — which was, not much. But the bleeding has stopped, and your stupidly slow healing will take care of it within a few days. You know that the itchy stitches on your suit will just irritate the injury, and though you wouldn’t lose anything if your identity was revealed, it doesn’t feel right to go out into the city with any part of you on show.

No, you wear the suit for a reason. You keep every part of yourself covered because nobody can know it’s you underneath the suit. Not because you had anything to lose, no, you had already lost everything. It was because then you could never make a mistake, you would have to be absolutely perfect, flawless, to make up for the fact that it was you underneath the layer.

So, you settle with a sewn suit that will itch and make the stitches on your ankle sting.

However, when there’s a burst of orange across the room, you have no choice but to forgo the suit, to simply drop the needle and thread and hover your fingers over your web shooters. You wait, nervously, for some other villain to appear. You’re not sure if Spider-man appearing would be better or worse.

But when a foot steps through the portal, it’s nobody familiar. In fact, it’s a suit you have never seen before, made up of dark blues and bright reds, sharp edges and long claws. It’s… unnerving, and considering the silence coming from the person wearing it, you’re not entirely certain of what they’re here for.

A moment later and another person steps through, a woman, with bright yellow lenses across her eyes that filter her irises into an amber. She steps forward, standing beside the person who had stepped through first, and if she hadn’t showed up, you would’ve been tempted to attack. With that being said, you remain on edge, but there’s something… comforting about her presence. Like her presence softens the man’s jagged edges.

She says your name, and then adds, “Arachnid.”

You furrow your brows and curse as you glance back at the suit so crudely laid out on the floor. Still, it doesn’t explain how she knows your name. Was it an inter-dimensional thing?

“Spider-man told us about your work in capturing Doc Ock earlier.” She tells you, as if that explains their presence. You did what you were supposed to do, which was take out the bad guys. “We’re here to offer you a place in the Spider Society.”

You can’t help but wonder if this is some kind of good cop, bad cop thing. She presents an offer which doesn’t sound too bad, and then her sharp-edged companion presents all the drawbacks and the catches. They don’t seem like the type to take no for an answer, either way. You still don’t even know what this Spider Society was! Was it some kind of multi-dimensional cult?

“I already told Spider-man that I wasn’t interested in joining whatever cult you’ve got going on.” You practically hiss, though you didn’t exactly tell him in such blatant words. You were more dismissive earlier, so you’d have to be clear now.

“It’s not a cult,” The man speaks, voice harsh and sharp much like the blades that branch from his forearms. “We work to protect the multiverse from anomalies that threaten to destroy it.”

The woman glances at him in a way that you translate as being vaguely annoyed, like he wasn’t approaching you in the way she had wanted him to. “He means to say that it’s a big job, and we need all the help we can get.” She says, softer, but only in comparison to the man’s harshness. “Listen, kid, you’re good at what you do. We need that kind of talent.”

“You’ll have to find it somewhere else.” You say firmly, because why would you want to leave your universe? This was a lot to think about when you had only learned of the multiverse existing mere hours ago. Regardless, you weren’t about to abandon your city just to go across the multiverse to help other heroes who couldn’t keep a leash on their own villains.

The two of them shared a look, a mere glance, before the woman heaved a sigh. “Look,” She sighed, heavily, like whatever she was about to say was something she didn’t want to be voicing. “Before you make your choice, you should know, your Green Goblin is currently terrorising another universe.”

You couldn’t work out if this was some kind of recruitment tactic, or something. That just wasn’t possible. You had put Gwen Stacy in the highest security prison after all antidotes to her goblin-tech failed. She was stuck in there — permanently. There was no way she had gotten out, let alone gotten out to another universe.

…Right?

It’s hard not to think of the memories at the mention of her—Green Goblin, not Gwen Stacy. Never Gwen Stacy. You wonder if this is where your fear comes from, the terrifying fact that you are remembered only for your mistakes. Because before she was the Green Goblin, she was Gwen. She was everything to you. She was the sun you orbited, the stars that charted your path. And it hurts, it hurts that you can only remember the blood and the dust and the destruction when you think of her.

People aren’t born as monsters, are they?

Like the spider that bit you, that invertebrate that so many fear, it was born the way it was. It was born with those fang-lined maws, with those eight legs and dozens of eyes. It was made into the monster it became, artificially crafted to deliver a venom that changed you forever. But it wasn’t born that way.

Surely, Gwen wasn’t either. She was kind. You remember that about her. You can remember her soft hands that used to hold your own, the loud laughter that always ended in a snort when she laughed at her own jokes, the gentle eyes that stared into your very soul. But those eyes are the very same ones that let her see through your mask, let her see exactly where to hit you to make it hurt. Was that what she was born as? Or is that what she was made into? A killer. A monster.

“Show me.” You say, because what else could you possibly respond? If what they’re saying is true, if the Green Goblin is loose once more, then people will die.

You can’t let her get fresh blood on her hands. Not when somewhere, deep inside your chest, so far down it’s almost unreachable, you have hope for her. You have an innate desire to look for the best in her, even when the Gwen you knew was the first life that the Green Goblin took.

∘₊✧───── ───── ───── ─────✧₊∘

If there’s one thing you’ve taken from being Arachnid, it’s to expect the unexpected. And you go through the orange portal after Jessica Drew and Miguel O’Hara with that exact mindset about you, staring at where an orange watch-like device is wrapped around your wrist.

It’s in your nature to be suspicious, and these people weren’t an exception to that.

In fact, their presence only heightened that behaviour. After all, what were you to expect from two Spider people, who supposedly came to you for your help?

You weren’t blind, you saw the aged lines of their faces the moment you got close enough to see them clearly, away from the dim lighting of the building. They were adults, adults who had clearly been doing this type of thing a lot longer than you had. You, who was barely bordering on adult, who had fought enough battles already to last a lifetime — so why would they need you?

It didn’t feel right.

And when this Miguel person summoned Lyla the moment you walked through the portal, it felt all the more wrong. She was a hologram of some kind, much higher tech than the kind of thing you saw on your earth. But then again, you had never really been in high tech labs back in your earth. Still, it unsettled you. “Lyla, get me the location of Green Goblin, Earth 5011.” He commanded, and they argued in hushed voices for a moment, before a wider hologram appeared, stamped at Earth 3899.

“How did she get to another universe?” You ask, then, because it doesn’t make sense, and you’re shaking underneath the thin material of your suit. You’re hyper aware of each drag of stitching against the wound on your leg, each patch of fabric you had sewn on in hopes of the suit lasting you just a little longer, because you didn’t have the resource to produce a new one.

“It’s an anomaly.” Jessica Drew tells you, her tone softer than you’d heard it, as if she was attempting to reassure you in some way.

It didn’t help. But how could it? The last time you had faced Gwen Stacy—Green Goblin— you had lost so much. It had been the beginning of the end of everything good in your life. The explosion she had caused at your mother’s laboratory was the very same one that killed her, the very same explosion that sent you and your dad miles apart all while living in the same home. And still, you found a way to hope that there was something to salvage within Gwen.

But not only had you lost your mother, and not long after — your father, you had also lost your closest friend. The one person you had confided in, who knew you from your surface to the deepest level, and she had used that against you the moment the Goblin had taken over.

It had taken everything in you to beat her, back then.

And that was on home turf! How did these people expect you to do that a second time, in a completely unfamiliar place?

“Specifics aren’t important right now. Jessica, you take Arachnid. Lyla, send another one of the teams.” Miguel instructed, dismissing your questions right off the bat. It was frustrating. They were leaving you completely in the dark, and sending you to fight the worst enemy you had ever faced, and they were sending you alongside others like you from different universes. It was like asking you to bare your soul in front of them, to reveal your secrets, your deepest regrets, everything that you wanted to stay buried.

You knew Green Goblin. You knew that’s exactly what she would do. She would undermine you, she would lay your life out in front of you like tiles on a scrabble board. In the end, none of it amounted to much.

Jessica Drew made her way out, glancing at you and nodding for you to follow along. Your moment of hesitation had drawn Miguel’s attention, and he called out to you after a moment of hesitation. “We’ve all faced one like it, kid. It’s easier with others.” He told you, though he held a pained expression on his face all the while. Instead of admitting to the way he had hit the nail right on the head, you simply nodded and followed after Spider-woman.

It was a whirlwind from there.

Meeting up with others. Travelling the length of the so-called Lobby to wherever it was that Jessica was taking you. When you finally arrived, she offered an empty glass box with a mannequin inside, bare. She gestured towards it like it should’ve been self explanatory, but soon realised she’d have to spell it out for you.

You shouldn’t have been so upset by the offer of a new suit.

But you were.

This suit was your life. You had nothing outside of it, not anymore. You couldn’t just throw it away, as if it meant nothing, as if every rip and patch and wonky stitch didn’t mean anything. These were proof that what you were doing was real, that it was worth something. Each stitch proved you had value. You weren’t about to throw all of that away, especially for whatever overly technical suit these people would provide.

You had everything you needed.

And so Jessica led you to the next destination: Earth 3899.

The moment you stepped through the portal, it was like you were hit with a wave of familiarity. And not in a positive, slightly nostalgic way, no— this was chaos. This was the state your world had been in when Green Goblin ran riot, unchecked. She had torn apart buildings, blown up parks, she had set New York City aflame. And she was doing exactly the same here.

It was more contained here than it had been on your earth, and you had to assume that was thanks to the Spider-man already on site, coordinating police, ambulance and fire responses to douse the fires as quickly as she set them. If only the police in your city had trusted you so much, back then.

“Where is she?” You ask, the moment you get close enough to speak to the resident Spider-man of the universe. He looks at you as if you’re familiar, but doesn’t comment, instead just pointing a finger toward a skyscraper just a short way ahead. You’re gone the moment he tells you where to go.

She had the uncanny ability to stay quiet. It had freaked you own back on your own earth, but it was even more terrifying here, where things were ever so slightly different.

“Arachnid.” Gwen’s voice called, and for a moment, you could forget. You could forget every horrible thing the Goblin had done, and you could remember your friend, your Gwen, who had called out to Arachnid more than once without knowing it was you behind the mask. Whether it was for a story or to provide information on your most recent opponent, the voice calling your alias was familiar. But then there was that crackle of laughter, an unnatural gurgle in the way it left her throat, and you turned to see the green-tinged pallor of her skin. “I was so hoping you’d show up.”

You didn’t know how much her appearance would effect you, until you were stuck to the side of the building, staring at what had once been your best friend. You’re so choked up that you can’t even formulate a response, because you want that to be Gwen so badly, but you know it isn’t. The more you look at her, the more Goblin you see, the more you know that the Gwen you love is never coming back.

“Nothing to say?” She asks, and then says your real name, the name she used to say down the crackle of a phone line, or across the school hallway, and she smiles. “I thought you’d be happy to see me.”

“You should’ve stayed in prison, Gwen.” You say, your voice unsteady as you say her name aloud for the first time in what must be forever. She seems to relish in the tremble of your voice, and you have to curse yourself for being so stupid, for already showing the vulnerability she was so easily able to pick out.

The Green Goblin tutted at you, stood atop her glider, but the smile you saw didn’t belong to Gwen. “You’re pathetically predictable, you know. You’re like a moth to the flame.” She tells you, and you fear that she’s right, that you’re the same person you were back when you fought her, back when she almost won. She sighs, like something heavy is weighing upon her, but it turns wistful in the blink of an eye. “I’m just glad your dad isn’t here to see this. He’d be so disappointed.”

“Arachnid, focus.” Jessica’s voice interrupts, before you can spiral down that rabbit hole. How did Gwen even know about your father? She was in prison long before he died. It didn’t make sense.

“Maybe,” You say, that familiar tremble around your words. “He did always hope for the best for you.”

She bares her teeth at your words, the only visible reaction before her mask is slipping over the bottom of her face, stretching out up to pointed ears, all metallic and tinted a murky green. Then, she’s attacking.

It’s muscle memory, mostly, you think.

If you don’t think too hard about it, it could be like playing a game with a longtime friend from your childhood. You know the moves to make, you know how she’ll respond. It’s a constant push and pull, a balance which leaves only destruction behind, the path of the Green Goblin’s wrath tangible in each battle scene the two of you leave behind. You can’t beat her like this.

It’s her glitching that gives you a slight upper hand — and you send her careening off of her glider to the ground below.

Your heart squeezes suddenly in your chest as you watch her fall, her eyes wide in what could almost be perceived as fear. If you didn’t intervene, would she die? Would you have put an end to her story, once and for all, when you secretly hope there’s a cure out there for her? You can’t bear the thought of finding out, of watching her die, and so you foolishly dive after her.

A web to her midsection allows you to grip her before she hits the ground, and you set her down with a far more gentle hand than you would ever admit.

She says your name, then, a whispered version of it that sounds like Gwen. You think you can see her in those wide blue eyes, in that stare, and you approach with some caution. “Gwen,” You say, more of a question, “You with me?”

“I’m with you,” She answers, as you reach her side, as you resist the urge to pull off your mask. You’re so preoccupied staring at her expression that you don’t see the blade until it’s too late, your Spidey-sense failing you as you wallowed in your search for someone who was gone. “You sweet, predictable bug.” She spits then, twisting the blade she had sunk deep into your side, and you writhe, trying to move away from her.

“Arachnid!” Jessica Drew calls out, drawing the Green Goblin’s attention, allowing you to pull away from her slackened grasp. You leave the blade where it is, knowing your only slightly enhanced healing wouldn’t make up for the onslaught of blood that would pour from the wound. “I think that’s enough, Green Goblin.” Jessica says, riding a motorbike that you swore she didn’t have earlier. Nonetheless, she uses it to put even more space between you and your villain.

“You need a hand, kid?” A new voice asks, and a gloved hand reaches out for you where you had knelt against the tarmac. You look up, seeing a new Spider-man, but this one has his mask up, showing off his aged face and the bags underneath his eyes. You wave him off, staggering up to your feet, and clench your jaw as you stare at Green Goblin, watch as she pulls bombs from her waistband, barely the size of a chocolate bar, but capable of causing irreparable damage. “Get back to HQ, Arachnid, we can handle this.” Spider-man tells you, in what you suspect to be a fatherly voice, but you ignore him.

Time flies, slips out of your grasp, and you don’t know how long you and the others spend fighting Green Goblin, but she proves to be just as difficult of a foe for them to face as she was for you. Each time the three of you manage to get the drop on her, she slips away before she could be caught. It’s frustrating, and you can even see the way irritation thickens in the air, tangible.

Spider-man, or Peter, as Jessica had called him, is with you, focusing on trying to take Green Goblin down, whilst Jessica Drew is focused on damage control, blowing up Gwen’s bombs before they could hit their intended targets. You’re pretty sure the resident Spider-man is around here, too, pulling any lingering citizens out of harms way before Green Goblin could end them. You’d admit, it works better than you had done alone back on your own earth.

But it doesn’t work well enough, and more than one building is damaged almost beyond repair, and in the dust and rubble, Peter was distracted by the few citizens poking their heads out of the gaping hole in the side of their apartments. He didn’t see Green Goblin coming until it was too late, until she had thrown two of her bombs, one towards him, and one towards the already wrecked building.

Your throat dries up as you try to figure out what to do, who to go for, but in the end, you don’t have to choose.

Beams of glowing orange webs shoot into the bombs where they arc towards their victims, blowing them up and leaving both Peter and the civilians in the apartments without a scratch on any of them. Well, nothing that wasn’t already there before. You see him then, running alongside Jessica Drew, none other than Miguel O’Hara — who clearly didn’t think that the three of you were capable of handling Green Goblin.

“We’ve gotta end this.” Peter tells the three of you, glaring over at Green Goblin after coming so close to one of her bombs.

“You distract, I’ll go in.” You say, the only plan that makes sense. The only plan that’ll work. You wouldn’t be much use as a distraction, not with the blood still pooling around the blade hanging from your side, but you could beat her. You knew you could.

Peter nodded, and he, Jessica and Miguel went in one after another, landing hits on Green Goblin before she could even think to withdraw another bomb, or land a hit of her own, whilst you made your way behind her, swinging as high as you dared to go in your state. She was getting angry, you could tell, a distinct flush rushing up the back of her neck, a tell that Green Goblin shared with Gwen.

It was only when she was starting to turn the tide that you jumped down from your spot against the side of a building, looking for your opening.

She sent Jessica Drew tumbling off of her motorbike, which was your chance.

Green Goblin heard you only a moment before you were on her, not giving her a chance to make a countermove. Instead, you were curling your arms around her, as tight as you could, holding her hands away from her waistband. You gripped the blade in your side and yanked it out, holding it to her chest, breathing heavily through the pain as you bared your teeth at her, her face beside your own.

“Don’t make me kill you.” You say, and try not to hear the pleading in your own voice, the distinctive tone of a beg. You may have the upper hand on her, but as always, she had the power. “Don’t.” You repeat, because you can feel it in your bones that you would do it. If it was the choice between her or the hundreds that she would kill on this world, it would be those hundreds. There was no doubt about it, no questions to be asked.

You may have resented your mother, but she wasn’t the only one who died because of the Green Goblin. You wouldn’t let that happen again.

Perhaps she heard the plea in your voice, the giveaway that you weren’t bluffing, because she went still in your arms, still enough for the other Spiders to approach with some caution, eyes on her hands where you held them away from any weapons, using your forearm connected to the hand holding the blade to her chest to keep her left hand from grasping anything.

“I won’t be asking again.” You tell her, which is as much of a threat as you can muster. Or, more so, a promise.

As Miguel pushed you back with a firm hand, throwing a machine at Gwen’s feet, you think she understands. If the two of you are ever in that position again, there will be no hesitation about it. You will kill her.

“Good work, kid.” Peter says as Miguel and Jessica get to work with getting your Green Goblin through a portal to the HQ. He glanced down at where your hand is now pressing into your side, blood pouring steadily. In your other hand, you still hold the blade that had pierced your own skin, that would have killed Gwen Stacy had she not surrendered. He winces as if it’s him who got hurt, and guides you through the portal after the others. “C’mon, we’ll get you checked out. You not got enhanced healing?” He asks, though you suspect he doesn’t expect you to answer, and you’re glad.

∘₊✧───── ───── ───── ─────✧₊∘

“I can do this myself, you know.” You sigh, wincing as a Spider-man — who apparently is also a doctor and works in the Spider Society’s infirmary — stitches up the wound on your midsection. It’s uncomfortable, though less painful that when you do it yourself. Still, it’s uncomfortable to accept help from these strangers.

“Ooh, shouldn’t say that to him.” Peter B. Parker laughs, one of the many Peter Parkers of the Society, but the same one who had fought Green Goblin with you. “He’ll lecture you on proper healthcare for days if you give him the opportunity!”

The Spider-doctor glares at Peter, or you assume he does, from the slight squint of the lenses of his mask. He kisses his teeth under the mask, tutting, muttering about “Spiders and their complete disregard for their health. Lucky you haven’t died ten times over from infections.” But he doesn’t say anything that requires a response from you, and he soon finished up the stitches. He goes to offer to fix up the injury on your ankle, but you’re up on your feet before he can even get the words out.

“Now, I gotta get back home to the wife, but Miguel wants to see you. He’ll take you home,” Peter tells you as he walks out of the infirmary by your side, but he stops you in the hallway with a hand on your shoulder, surprisingly gentle. “If that’s what you want.”

Your eyebrows furrowed before you could stop them, and the confusion over his words must’ve been written all over your face.

“Why wouldn’t I want that?” You ask, defensively.

Peter opens his mouth, but nothing escapes. Instead, it’s his expression that tells you everything he’s thinking. The crease between his brows screams pitying, or sympathetic. He’s talking about the way you live back on your earth, about the life you lead, Arachnid by day, and by night. With no room for you, no room for your secret identity. He’s thinking of the way you’ll be returning to a world with nobody awaiting you, with not a soul to look out for you, to stitch you up after a battle. Nobody but yourself, anyway.

You pull away from him, brows furrowing further, into an almost angered expression, and you don’t watch the way his hand falls away from your shoulder back to his side. He sighs when you turn away, scoffing as you make your way through the hallways of the Lobby towards where you think Miguel will be.

It’s overwhelming, all of these people. They all believe that they know you, that they know your circumstances, your story, but the truth is that they don’t. Nobody does, and that’s the way you prefer it. You don’t need a Society of Spiders surrounding you, breathing down your neck, telling you they’re sorry, or not trusting you to handle yourself in your own fights, because you can handle yourself. You’ve spent the last year of your life trying to prove that, trying to prove that you can do good things, that you’re worthy of the title Arachnid. You certainly shouldn’t need to prove that to a whole Society of people like you, most of which had been doing the job a lot longer.

You’re capable and you’re content.

You don’t need a life as your secret identity to be content, in fact, it’s better without one. You don’t have to tell so many lies, don’t have to worry about hurting the people you love, because there are none of them left. There’s nobody to hurt, and there’s nobody to lie to. Why would you want to change that?

The hallway ahead looks familiar, and you follow it until you enter a room where Miguel stands, looking at orange tinted screens on a platform halfway up the room. You enter with the absolute certainty that you want to return to your own earth, and you’re not going to let anybody stop you.

“I’m ready.” You tell him, expectantly.

He scoffs, saying nothing, still staring at the screens in front of him. For whatever reason, the reaction makes you angry — inexplicably so. You’re slinging up to the platform before you can have a second thought about it, and you’re pushing his shoulder so he’ll face you, so he’ll acknowledge you.

He stares at you, unimpressed.

“Send me back to my earth.” You press, brows furrowed beneath your mask, but you’re sure he can see the anger in the way your shoulders tense up.

“Sure,” Miguel said blankly, staring at you as if you’d suddenly change your mind or something. “But you know, there’s a lot more like her.” He added on when you said nothing, waiting for him to send you back to your world so you could give him back the stupid watch still wrapped around your wrist.

You stared at him like he was speaking a foreign language. “There are no more like her.” You respond, feeling that hot press on your chest. You don’t want to talk about Gwen Stacy anymore than you’re sure he’d like to talk about whatever he had gone through in his life. Hell, you don’t even want to think about her, but you know that nobody else you would ever have to face would hurt you in the way that she did. In the way that having to see her as an enemy, rather than your friend, had hurt. So, yeah, there was nobody like her, not for you.

Miguel seems ready to let you go for a moment, but then he’s shaking his head at you. “You have a place here. You can be with people like you. You don’t have to do this alone, anymore.” He says, and you think that is ironic, because you don’t see anybody else in here. To you, it seems like he is doing exactly that; doing the job alone. You can practically see the weight of the world on his shoulders.

“I prefer being alone.” You tell him, and it has to be true. It has to be.

His jaw sets, acceptance, you think, and he nods. He glances past you, to where a portal was open on the floor below. Considering that you hadn’t seen him set up the portal, you’d wager that his AI Lyla must’ve listened in and done it for him. You pull the watch off of your wrist, relishing in the way your very atoms seem to sag with the weight of being in another dimension.

“Thanks.” You say, and drop down, landing on your sore ankle but not murmuring a word about the pain. You walk back to your world with your head held high, despite your tattered suit and multitude of wounds that would take days to stop hurting.

Miguel stares after you as the portal closes, eyebrows furrowed. He barely acknowledges Jessica Drew’s arrival in the room, already having known she had been lingering in the hallway, listening in. “Well, that went well.” She comments, glancing between where the portal had been and where Miguel stands, brooding. She knows how much pressure he puts on himself, and she knows that he cares about each and every Spider-person in the multiverse. It doesn’t take a Spider-sense to see the way in which you struggle. It’s a familiar struggle, sure, but there were so many Spiders across the multiverse who had a shoulder to lean on in their hardest times. Who did you have? There was no Aunt May for Arachnid, or Gwen Stacy, or Harry Osborne, or, well, anybody.

Jessica thinks that if anybody were to know exactly how that felt, it would be Miguel.

#heartpascal writes #across the spiderverse spoilers #atsv spoilers #spiderman atsv spoilers #miguel o’hara x reader #miguel o’hara x you #miguel o’hara x platonic reader #jessica drew x platonic reader #peter b parker x platonic reader #peter b parker x reader #spiderverse x reader #spiderverse x platonic reader #spiderverse x you #spiderverse imagines #spiderverse one shot #spiderverse imagine #spiderverse angst #miguel o’hara angst #struggling idk how to tag with a new fandom shhh

[elliebarker]

yessss cc fic plz there’s not nearly enough

fuɔk me. ( c. clark )

category: caitlin clark x girlfriend!reader (angst, fluff)

summary: after seeing you talking to another after one of her games, caitlin goes into an obsessive spiral of jealousy, unknowingly sending you down your own rabbit hole.

warnings: way sadder than i intended 

word count: 1.2k

author’s note: i tried capital letters, y’all fw it?

_________________________________________

“I mean, it was electric, truly.”

Caitlin’s voice echoed into the microphone of a random media reporter who was interviewing her. She tried her best to stay focused on the questions whilst the camera clicked and pump-up music blared. Iowa had just won a home game and she knew you were in the crowd. She regained consciousness with the present and began answering the interview questions with basic textbook answers about ‘the Iowa culture’ and how great her shots felt, whilst scouring the stadium for you. You interlocked eyes and waved to her. She waved back and politely wrapped things up with the media girl (hehe) and headed your way. 

In the minutes she had spent with her eyes off of you, an umich girl from the opposing team had walked up to you. She was, in Caitlin’s eyes, getting a little too friendly. Smirking, and smiling too wide. Caitlin backed away, choosing to head to her teammates instead and pose in photos with fans. See… people love me she thought. And we literally bet them and that fucking umich girl had the nerv-

“Caitlin!” you ran, hugging her from behind. “You do so good, omg!” 

“Thanks, babe.” She slipped away from you, cold and isolated. Caitlin spent the night with the girls on her team, which wasn’t irregular for away games, but you were looking forward to getting to spend time with her when she was actually in town. You were slumped in your apartment, staring at yourself in the mirror, picking a pulling at your skin, hair, and hair. Meanwhile, Caitlin was glued to her phone in the corner of the room her teammates were in. Staring at that umich girl’s stats and Instagram. Caitlin knew she was a good player, she knew she was a good girlfriend, she knew you. She knew you wouldn’t do her wrong but she couldn’t stop thinking about it. About finding someone different. She knew she wasn’t there for you all the time, on account of her schedule with basketball that seemed never-ending. She felt like a bad girlfriend. You deserved the world, more than she could ever give you.

Sounds of shoes squeaking and balls dribbling filled her ears as Caitlin entered Iowa’s gym. After nights of stressing, overthinking, and flashes of your interaction with the umich girl appearing in her head, Caitlin was ready to clear her head with some practice. She stretched, dripped the ball a bit, and began shooting. First shot, miss. She went and grabbed the ball. Second shot, miss. Everyone has bad days. The third shot, she could barely focus, overwhelmed with this stinging feeling of inferiority as she missed that basket. “Fuɔk me,” she muttered under her breath. She suddenly turned around when she felt a hand on her shoulder. Kate was standing, now facing her. “Hey Caitlin, can we talk?” 

“Yeah of course, what’s up?”

“I’ve noticed you’ve been kind of off…down, you okay?”

“Um yeah,” she tried to hold her guard up, “yeah, I’m fine.” She smiled, “Need to lock in.” Kate laughed, agreed, and went on with her practice.

Later that day you, being friendly with the Iowa team, reached out to Kate. You texted her, 

You: hi kate!

i haven’t seen caitlin in a bit and just wanted to check in and make sure she’s doing okay

Kate: Hey! Thanks for reaching out, she has been acting a little weird. 

I was going to ask you but I guess you don’t know what’s up either.

You: no, i don’t know

has she talked about me?

at all?

Kate: No, not really. Is everything okay?

You: (…)

You stared at your phone for a solid five minutes attempting to keep your emotions under control.

You: yep! everything's good

just been a hot minute since ive seen her

but thats prob just cause shes so busy lol

Kate: Fair. But if anything does you can always talk to me.’

You: awww thanks kate! that's so sweet.

Days passed and you finally got a day to spend with Caitlin. You had invited her over to your apartment. You had excitedly and worriedly done up your hair and makeup, cleaned and refreshed every inch of your apartment: fresh sheets and fresh flowers, and made sure to wear an outfit you knew she liked. You felt it in your bones that your behavior was suspicious and 100% fueled by insecurity but you told yourself that you were doing this to make Caitlin feel comfortable, let her relax from working so hard. Totally not convincing her to want to stay with you. 

You and Caitlin were in your bed watching a tv-show and you could sense something was off. “Hey baby, can I get you anything?” you ask, trying to make yourself useful. 

“Um, yeah sure,” she replied, “water works.” You scoot yourself off the bed and head to the kitchen. Caitlin watches as you walk away, thinking about how you’re perfect in every way. She pulls out her phone, and her most recent search on instagram, umich bitch, is controlling her thoughts again. 

You come back with a glass of water for Caitlin and see she’s engulfed in her phone. Goddamnit you’ve bored her.

“I’m sorry,” you muster out. The stress of the possible end of your relationship that you conquered up in your head makes you almost fold into tears.

Caitlin sprung up, “Sorry, babe, sorry about what?” she went to hold you. You slithered yourself out of her arms,

“You’re probably sick of me, I need to stop holding onto you.” 

“What?” Caitlin asked, “Okay, first of all, I would never be sick of you. You are the most gorgeous, fearless, kindest, perfect girl I’ve ever seen. I would be crazy to ever let you go. But I know you deserve, you need better than me.” your tears turned to happy ones as you exclaimed,

“Caitlin what? You are the best girlfriend in the whole wide world.” You grabbed her face in your hands as hers found their natural place around your hips.

“I love you,” she whispered before moving her face close to yours and kissing you passionately. Your arms wrapped themselves around her neck as you leaned into the kiss. You slightly pulled away, whispering back, 

“I love you too.” Caitlin then pulled open her phone, to delete the umich player from her search history, but not without catching your nosy eye. “Wait. This was about her?” 

“What?” Caitlin said, trying to sound clueless.

“I spoke to her for five seconds? Wait…you were jealous?” you inquired. 

“No- I- who-” she stuttered, trying to deny it. “Also, I don’t get jealous.”

“You goofball,” you said, pulling her into a deeper kiss, to which Caitlin picked you up and plopped you back onto your bed, pulling you into her chest, and kissing your forehead.

“I don’t get jealous” she re-enstated.

“Mhmmmmm…” you replied, nodding your head, in a non-believeing tone. “Got it. Not jealous.”

“I’m being serious,” she said. You, too lazy to lift your head, nodded and closed your eyes falling into a deep sleep, to which Caitlin would follow you.

#caitlin clark x reader #caitlin clark #iowa wbb #iowa hawkeyes #wbb #ncaa wbb #wbb x reader #caitlin x reader #wbb fanfic #caitlin clark fic

[johannestevans]

Addressing Common Arguments Against “Consuming Harmful Content”

Challenging purity culture in online spaces and their fears of “problematic media”.

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Photo by Ethan Will via Pexels.

Constant and continuous arguments endure on social media about the dreaded and frightening spectre of problematic media — from television shows that supposedly “glorify” unhealthy relationships or “sexualise” and “excuse” abusive relationships; to erotica, adult books, and 18+ fanfiction that supposedly teach teenagers bad life lessons and impact their ethics; to anime and manga that surely must be the cause of child abuse the world over. 

I wrote an in-depth essay about the intellectual flaws in these reactionary assumptions, delving into their roots in lacking media literacy and rising anti-sex attitudes here: 

The above essay discusses at length many of the fears and anxieties that lead to this reactionary thinking, but does not challenge or explore the echo chambers that can arise in online spaces, particularly in aggressive environments such as Twitter/X, and for young or isolated individuals who are particularly vulnerable to peer pressure and fears of ostracisation if they admit to the “wrong” opinions.

Many of these arguments are used by “anti-shippers” within fandom and online spaces, the term commonly shortened as “antis” — if you’re unfamiliar with the term, these are people who define themselves as opposing one or more specific ships, fandoms, tropes, or kinks, often due to what they perceive to be their “problematic” or inherently “harmful” elements when engaged with or portrayed in various forms of media and art. Because of the virulent and highly aggressive nature of these online communities, these people — many of them young or isolated, often marginalised and disenfranchised from in-person, supportive environments — can become radicalised, and can experience great fear and anxiety at the premise of others holding different opinions or perspectives from the ones these online communities have impressed upon them should be held immutably by all.

In this piece I’m going to be addressing common arguments and assumptions seen on social media one by one — it is not really intended to convert the above, often radicalised individuals, but to provide support and guidance in understanding why their perspectives can be flawed, and how to engage with and deconstruct those arguments. 

It is also intended to provide support and structure to begin to engage with and potentially challenge or affirm your own beliefs and ideas about fiction, art, and other forms of media, and the extent of the impact it can have on you or others — this piece is me addressing these arguments with my own perspective, but I would encourage people to disagree with and critique my rebuttals!

The goal here is always more critical thought, analysis, and understanding, and that doesn’t come from automatically following another person’s line of thought or argument just because it’s well-poised or you particularly respect or like them — no matter who that person or people may be. 

--

“Depicting [a theme] in media is the same as glorifying it!”

Let’s first engage with what people might be discussing when they panic about “harmful content” and “problematic” ships or pieces of fiction.

They might worry about people reading or watching works that discuss or depict anything from violence, incest, sexual assault, age gaps, BDSM, kinky sex, child sexual abuse, trauma recovery, rape, rape recovery, drug use, bestiality, to abusive relationships or anything else, will encourage people to think positively about those acts, those traumas, and those experiences. 

You might look at the list of things I just wrote there and go, “Um, there are big differences between some of those things and the others!”

And yet the same consideration still applies. 

Just because a theme or idea is present in a work, or is depicted in it implicitly or explicitly, doesn’t mean it’s being “glorified” and portrayed as overwhelmingly positive — and even if a theme or aspect is being glorified, this does not mean we shall simply unthinkingly absorb that perspective.

Reading a story that contains something doesn’t mean I’ll automatically think that thing is good or bad, regardless of how it’s portrayed in fiction — the media and art we engage with doesn’t wholly change and adjust our own ethics and morals as soon as we’ve interacted with it. 

We might play a videogame and disagree with the way some themes are presented, have criticisms of them, whilst enjoying and appreciating others; we might read a piece of erotica and find some parts about it very hot, but find others disturbing and a little uncomfortable; we might watch a TV show and just think it’s in very poor taste, despite theoretically being up for the premise. 

Engaging with media does not turn off and on switches in our brains that make us completely “pro” or completely “anti” one premise or other. 

People are more complicated than that. 

We have complex and layered feelings about every argument and perspective there is, every experience there is, because human beings are social animals, and we experience very few things through an uncomplicated, binary lens. 

For me personally, I often seek out works that cover the same traumas and harms I’ve experienced — why? Because seeking out those themes helps me process and better understand what has happened to me, and how I’ve felt about it, how I’ve responded. 

“I don’t have a problem with people writing about certain harmful topics to show them as bad, but some people sexualise or fetishise them!”

I’m sure you’re right. 

Some people might write about rape to work out a complex trauma recovery narrative —���others might write about rape in a work as kink. An author might well write with both goals in mind in the same work. 

A traumatic event doesn’t become less traumatic because it sexually aroused us or brought us physical pleasure — in fact, those feelings can add to the impact of a trauma and the inner conflict we experience in the aftermath. 

Some people undercut victims of sexual abuse by saying they “enjoyed” it, pointing out that they orgasmed or showed signs of arousal as signs they “secretly” wanted it, and these feelings can contribute heavily to shame and fear as a victim. 

Sexual arousal is a bodily response. It is not consent, and it’s not an excuse for assault or abuse. Moreover, some people might feel arousal or pleasure but not be fit to consent — for example, if someone is underage, or if someone is drugged or insensible with drink. 

These people cannot give knowledgeable consent, but abusers might still say after an assault that they “enjoyed” it. 

This is purity culture at work — anti-sex attitudes use people’s “enjoyment” of something to undercut their autonomy and right to consent, by implying they “deserve” that abuse — abuse is abuse whether it’s sexualised or not. 

But the thing is, the obverse applies. 

Just as someone’s mixed feelings or sensations of pleasure during a sexual assault does not mean they consented to the assault, or because someone’s feelings of happiness and love for their abuser does not mean they deserved the abusive treatment they experienced from them, a person writing sexually or erotically about a topic, or engaging with art and narratives about that topic, does not mean they actually want that thing to happen in real life, to real people, or to themselves. 

Fiction is not real life. 

We watch a horror film, and it doesn’t mean we want serial killers or demons to run amok, killing teenagers or possessing their victims — similarly, just because we engage with porn or erotica that sexualises certain topics doesn’t mean we’re pro- or in favour of those topics for real people. 

Rape fantasies are incredibly common, despite being highly stigmatised, and just because someone fantasises about this sort of control fantasy does not mean they actually want to abuse someone or be abused. 

“It’s harmful to depict abusive or immoral characters as sexy or desirable.”

If you have never experienced abuse, manipulation, or otherwise poor treatment from someone you thought was attractive, charming, or admirable, if you’ve never been groomed by someone with whom you were enamoured, I’m very glad. 

I’m happy for you, honestly. 

But many of us have. 

People want to believe that all abusers are evil, are ugly, are obvious from a distance, are blatant from the out. People want to believe they can “tell” someone is abusive just from a glance, and write them off — and that anyone who would or might spend time with that person is therefore “asking for it”, or “letting themselves” be abused. 

In actual fact, many abusers aren’t. 

Many abusers are beautiful and charming — some of them draw you in, slowly bring you closer and closer until it’s very difficult to untangle yourself from your need and craving for their approval. They ruin lives, ruin psyches, and they cause unspeakable damage to their victims. 

And yes, victims often feel conflicted in the aftermath of their abuse.

Many of us hero worship or greatly respect our abusers, love them very deeply, crave their good opinion, because we are carefully groomed and manipulated, over time, into relying on their praise and their attention. For victims isolated from other sources of care and support, and especially for young children and teenagers, it can be very difficult to recognise what is happening and has happened to us. 

Even after we know and understand exactly what has happened to us, and also internalised that it was wrong, we can still feel conflicted. 

We are not retroactively deserving of our abuse because we crave our abusers’ good opinion, or their love, still. This instinct does not excuse or justify the abuse we’ve experienced. Victims of abuse are still victims of abuse even if we go back to our abusers, even if we “accept” or attempt to justify our abuse to others, if we try to excuse it, if we don’t ask for help. 

Abuse is never the victim’s fault, no matter how imperfect we are as victims. 

“Writing queer characters as abusive is bad representation!”

If we exclusively write queer characters who are perfect and unimpeachable, we’re not letting ourselves write queer characters who are fully human, with all the flaws and complexities humanity comes with. 

Queer people are not less deserving of this complex representation than cishet people are — and in any case, the purpose of art and media is not exclusively to provide good representation, or to show good moral examples for others.

We create to express ourselves, to reflect the world, to critique it, laugh at it, commiserate over it, to feel our feelings, to connect and communicate with others through shared stories. 

If we only let ourselves do things that might be seen as “good rep”, we rob ourselves of the ability to express ourselves as completely as we might wish to. 

“If you write abusive queer characters, you’re just contributing to homophobia and bigotry in art and media!”

Queer people writing queer stories with queer villains is not the same as cishet people including queer people or queer-coded characters just to be villains. The power dynamic is completely different. 

Queer writers’ writing of queer villainy is often inspired by their own experiences, including of bigotry, and the harm they might do reflects harm by society, the ways harms might be felt more keenly by their victims. 

Writing queer villains as villainous because their queerness makes them (or is used as a shorthand for them being) predatory, cruel, or callous, is homophobic and is often shitty, whether people intend that or not. 

But just having queer villains, having queer characters do bad or abusive things, or just have flaws? 

That’s as much a part of queer humanity as having queer heroes and having queer characters do good and helpful things.

Why would you read about rape when you could read consensual non-consent?

[Consensual non-consent being a kink wherein partners agree to roleplay a non-consensual situation.]

Rape in fiction is a form of consensual non-consent. 

The fictional characters, who are not real and do not have real feelings, are not consenting, but the reader choosing to read is. 

In the same way that two people playing a CNC roleplay game in the bedroom might be a safe and fun way of experiencing or re-experiencing the fear and trauma of assault with an escape clause (a safeword), a reader can do the same — they can stop reading. 

If a television show, film, or videogame becomes upsetting, again, one can stop watching, stop playing. It is a person’s own responsibility to set safe boundaries for themselves and protect their own mental health. 

“Why would someone write about trauma and abuse when they could write fluff?”

Why would someone watch a horror movie when they could watch a romcom? Why would someone eat cheese when chocolate is an option?

People do not have to choose one or the other — many people like both horror films and romcoms, cheese and chocolate, and reading about both horrible shit and positive things. 

“You mentioned that people might engage with media about dark topics to work through their feelings from their own abuse. How do I know if someone’s actually been abused?”

Why do you think it’s your right to ask that? 

Why are you prioritising your personal comfort and curiosity over that person’s privacy? If your instinct is to try to license who is and isn’t allowed to engage with a piece of art or media, why? 

You are never entitled to the details of someone else’s abuse. Your validation is not important enough to potentially trade for someone’s private traumas and experiences. 

“If you write or create about certain topics as a survivor, you’re just perpetuating abuse and you are as bad as your abuser!”

Creating works of art or fiction about people who are not real experiencing fictional harm that is also not real, is not in any way equivalent to real people doing real harm to others. 

If your support of abuse survivors hinges on how palatable their reaction to their abuse is, and you believe that some abuse survivors “deserve” their abuse for depicting their abuse in art and fiction, you’re not actually supporting survivors. 

If you believe that all abuse survivors do or should act the same way, or respond the same way, to their abuses, you are mistaken. 

If you are effectively angry at someone for not looking enough like a victim, for being “impure”, and therefore the same as their abuser, that is a form of victim blaming. 

Do you hold artists who create media about non-sexual trauma or violence to a different standard than those who write about sexual trauma or violence? 

Why? What is the difference to you?

If someone writing about sexual abuse in media is equivalent to real life abuse, is a fictional murder?

“People shouldn’t write or engage with media about traumatic things, they should just go to therapy!”

Therapy is not a moral machine where bad people with bad thoughts go in and good people with good thoughts go in. 

Good therapy and counselling provides us with the tools to manage our own mental health, our own emotional and psychological needs, heal from our traumas, and so forth. 

Many therapists will actually recommend safe re-exposure to frightening or upsetting topics, and also encourage self-expression on the subject of one’s most impactful experiences, which might include creating art and media to explore and discuss their feelings. 

With that said, therapy is as flawed as any other tools for emotional catharsis and healing — therapy and mental healthcare can be very expensive or inaccessible because of one’s working schedule; some therapists and mental health professionals are abusive or bigoted; some people may not be in the right place for MH care or therapy at this time, et cetera. 

Therapy isn’t a catch-all for anything you disapprove of in someone else, and it’s also not a punishment to force someone to repent for their sins. 

“It’s okay to write a story to cope, but you shouldn’t publish it in case it upsets others!”

So long as the work has appropriate content warnings and/or is published or screened in an appropriate space, it is not inherently harmful. In fact, reading narratives and engaging with those narratives can be valuable for us. 

Engaging with media that bears similarity to our own lives, reflects our own experiences, written by other people who we know understand the complicated emotions of survivors — whilst still condemning the actions of abusers or not — can be extremely validating and offer a lot of assurance. 

This is especially useful in regards to media that shows victims having a codependent relationship with or still loving their abusers, or where their abusers are shown as sympathetic, whilst the narrative still shows the toxicity and pain caused by the relationship. 

Moreover, there can be a sense of reclamation and security in exploring stories about similar harm as we’ve experienced whilst knowing we are now in a place of safety and are free from those past experiences, or that other survivors have escaped and we can too. 

“If children read this work or watch this show or play this game, they might think that the things depicted in it are okay!”

Is the work rated G or PG? 

Is it shown on a children’s TV channel, or appear in a section that is marked for children? Is it put on a children’s website, where the primary audience is children? 

In short, is the work aimed at kids?

If no, then it’s not for kids. 

Particularly if a work is marked for adult audiences only, if it’s labelled erotica, if it’s marked M or E or NC-17, if it says it’s for adults or asks people to check a box agreeing that they’re an adult, then the work in question is most definitely not for children. 

Everything in the world doesn’t have to be child-safe just because children exist.

It is the responsibility of parents and guardians to appropriately supervise their children’s online use, and to teach children and teenagers internet safety, some of which includes setting appropriate boundaries for themselves and not seeking out content that might distress them, or to know what to do if they stumble across content that does distress them — namely, to speak with a trusted adult about their feelings and what they can do to manage them and look after themselves, and be looked after.

It’s not the responsibility of random other adults in the world not to make horror movies or watch porn or play adult videogames or anything else, just because a child could potentially learn of their existence. 

“But someone else engaging with that work might think the things depicted in it are okay!”

You’re right, they might do. 

They might also engage with the work and think things depicted in it are bad. Fiction does not exclusively exist for our moral education. 

“It makes me feel uncomfortable or unsafe that people are writing about [a topic] with a tone or in a manner that seems wrong to me!”

Yes, many of us feel uncomfortable with some topics being depicted in fiction, and might find them viscerally disgusting or triggering, consider them to be in poor taste, badly considered, or similar. 

This is normal and okay. 

It’s perfectly natural to have limits on what one can handle in fiction, or to find your ethical considerations don’t match up with the things other people make. 

But it’s our job, as responsible adults who look after our own mental health and consider our own boundaries, to avoid that content. 

You cannot control what other people think about, feel about certain topics, or how they portray them in fiction. You cannot control other people. 

You can only control your environment, your boundaries, and the works you choose to engage with. 

You can limit your time on social media, mute tags or keywords, block particular users or sites, or simply look away or leave the room / close the tab. 

“What about rampant problematic works on Ao3!?”

Works on Ao3 are not a real issue. 

They are not representation. Fanworks and original works on Ao3 are not the mainstream. They are being read exclusively by members of various internet subcultures who read fanfiction in those specific fandoms, after reading the tags. 

This doesn’t mean we can’t or shouldn’t discuss certain tropes and norms in various fandoms — we might address our own biases around race, sexuality, religion, disability, and other characteristics, and how these biases and bigotries can come across in people’s approaches to fandom, the characters and ships they concentrate on, their headcanons, et cetera. 

The same can be said of people’s original creations. 

Ao3 has a robust tagging system, and allows people to mute and block tags they might be upset or triggered by — and in the event one clicks on an explicit work, a window will come up asking people to consent explicitly to moving through to read the work. 

It is people’s own responsibility to set their own limits as to what they can handle in reading fiction — and not to obsess over what other people might or might not be reading, which we cannot control, and is also none of our business. 

“What about loli and shotacon? Isn’t that the same as child pornography?”

“Child pornography” is generally not in use as a term — many people who have been victimised find that terms like “child porn” and CP grate, because “pornography” is work made with willing, adult participants. 

Videos and images produced of children are instead referred to either as CSAM — child sexual abuse materials — or CSEM — child sexual exploitation materials. CSEM is evil because it involves the unspeakable and agonising victimisation of a real life child or children, being abused and manipulated by adults around them, and worse than that initial victimisation, the recording their abuse is another victimisation in itself.

With every share of a piece of this material, that child or children are victimised another time, made vulnerable to more people, and the creation of this material can create more market desire, meaning that other abusers will encourage further abuse and recording of these children’s victimisation, or for the recording abusers to seek out other children to abuse. 

Victims of this sort of exploitation live in terror of the pictures or videos of their worst moments being shared to those they know, of being found by their loved ones, shared to workplaces, disseminated in any community they try to live in and be happy with — it is difficult enough to recover from one’s own abuse without the spectre of it constantly hanging over one’s head. 

People’s cartoons or art of fictional children is not equivalent to CSEM, because there are no real children depicted in it. 

It’s understandable to find these works disgusting or upsetting, triggering, unsettling — but to say that underage art or fiction is the same as or counts as CSEM is patently untrue. As a victim of CSA, it is galling to be told that choices my abuser made to harm and exploit me are equivalent to an abuser choosing to draw or read a comic about a victim that doesn’t actually exist. 

Some final questions to ask yourself: 

None of the above rebuttals are intended to imply people shouldn’t critique or criticise different media or their depictions. 

As well as the initial essay I linked, I actually wrote a big guide on how to approach close reading of text, and I’m working on another about analysing television and film.

In my opinion, it’s really important to be aware of different tropes and themes that you feel are harmful in fiction and art — racist tropes, sexist ones, homophobic ones, and all the rest.

It’s worth considering how works are harmful, and what you actually want to be done about it. 

I personally have criticisms of various tropes in media — I have particular dislike, for example, for the ways in which teacher/student relationships in TV shows and films are portrayed as “forbidden love”, with issue of their positions of power being depicted as one of bureaucracy or technical rules rather than a real power imbalance — I don’t care for the “sexy schoolgirl” trope, and the “barely legal” porn genre unsettles me.

All of the above three tropes often coincide with people’s thinking of teenage girls, especially those in school uniforms, as sex objects, and portraying school uniforms themselves as sexual or deserving of this sort of sexual attention. 

Not all depictions are the same — some works subvert the sexy schoolgirl trope by having those schoolgirls be secret monsters than punish abusers, and some works exist that critique teacher/student dynamics. 

It’s also important to note audience and outreach — a work that’s put on mainstream television channels or put in movie theatres by huge studios have a very different range of impact than an indie published novella, or one person’s fanfic on Ao3. 

Note where you’re holding individual or small studio creators — especially those who are in some way marginalised and are already facing adversity in their work — to higher account than large studios, or fixating on imagined harm their work could potentially cause. 

Is a work harmful, or is it just uncomfortable? Is it harmful, or is it just personally triggering to you? 

Can the work you’re concerned about do as much harm as you’re envisaging? Is it actually reaching the individuals you are worried might be vulnerable to harm as a result of it? Does the work intend to do that harm or hold those harmful views, and are the authors or creators working to address or apologise for that harm?

Is the work discussing, critiquing, or exploring the emotional impact of the dark themes within it? Does it have warnings or disclaimers before the work begins?

If you’re worried about a work “normalising” or “glorifying” a troubling subject — does the work actually do that? What is your evidence for this, having engaged with the text? Is that thing discussed in the text, argued, explored in-depth, or merely mentioned? Do characters show inner conflict and interpersonal conflict over it? Is it actually portrayed as good or normal? Is your concern the characters’ perspectives within the text, or the authors or creators’ opinions? 

Does the work carry ideas that are bigoted or feel like it includes apologism for some shitty ideas or ideology? Is the work a piece of propaganda, or function as propaganda? Do you feel the work is being advertised or pushed to an inappropriate audience for its subject matter?

If you do consider the work to be either likely to be personally distressing or upsetting to you, or potentially harmful because of its troubling or bigoted or just shitty ideas, how do you want to respond? 

If it’s the former, you should set your own boundaries — you should use your mute and block functions, you should avoid the work, you should seek out things that will comfort you, and perhaps discuss the distressing topics with someone you trust, whether that’s a friend or partner, a loved one, or a counsellor or therapist. 

If it’s the latter, you should absolutely deconstruct the piece in question and analyse the ways in which it’s shitty or harmful, or read essays by those who’ve done that work. You can maybe warn your friends about it, or if it’s a work of political concern — if the harm is being done because the work provides financial support to a hate group or a bigoted public persona, for example, you might perform a boycott, or involve yourself in acts of protest in response to the work or its creators. 

If it’s important enough to you and your beliefs that you feel urged to do those things, perhaps you should — if all you feel urged to do is to harass or shout at people online, though, it might be better for your own mental health to take a step back and do something more positive for yourself. 

Sometimes, a piece of work or media will be shitty, and shitty people will love it, and that will kinda suck — God knows I’ll see work that’s really transphobic or homophobic or antisemitic, and it’ll upset me that people I otherwise love and respect seem to be enjoying it so much. 

I can talk to my friends and my family about it, and I’ll do that — and I can mute and block the topic, and critique it in the right circles, or write essays if I’m really inspired to, responding to the work and what I feel its impact is…

But if my instinct becomes to just snipe at people for enjoying it when they really don’t know what the problem is, or have a go at them when they’re doing so unthinkingly, that’s not really helpful to them or to myself. It’s not addressing the harm I feel is being done, and nor is it really constructive. 

I’m an adult, after all — as I’ve said a few times already, it’s our own responsibility to set our own boundaries and consider what we’re doing to safeguard ourselves, and if in setting those boundaries and personal safeguarding limits, whether they’re in line with our own ethics and morality. 

We cannot control other people and their feelings, or the works they create, but we can take care of ourselves, including breaking ourselves out of obsessive moral spirals or anxieties about other people’s thoughts — and personally, I think that’s actually a very revolutionary thing to do given that we exist in a world that constantly tries to encourage (and monetise) that sort of aimless outrage. 

#musings #proship #antiship #purity culture #purity wank

[hunnylagoon]

Right Where You Left Me

Pt 4: The Sweetest Thing to Ever Scare You (Finale)

Ellie Williams x reader

I remember when I first saw you. I remember looking into your warm almond eyes and feeling butterflies in my stomach. But soon, when I looked into your eyes, I no longer felt the same warmth that I once knew. It felt as though you had killed all of the butterflies inside my stomach but yet, I still loved you.

Premise: You and Ellie are childhood best friends until you drift apart. Funny thing about soulmates is they tend to find their way back to each other. You and Ellie try to end the tireless war between you.

Warnings: Angst / drinking / violence / not really religious mentions in this one

Part one here!

Part two here!

Part three over here!

Guys I thought I posted this two days ago but I actually just saved it to drafts. Sorry for being an idiot lmao

I think that I have unlearned how to love.

That’s not even a word but there is no other way to tell you that I have turned myself cold.

Without partying to distract me and religion to fill in gaps of emptiness, I isolate myself and begin to write once again. I'm almost certain that my body has been telling me to write, that I need to pour myself into art as opposed to a girl I was friends with a million years ago.

I figure that I need to create rather than destroy but it might take me a while to do so.

The morning after I abandoned my faith on the church floor, I had woken up and expected Ellie to be gone, however, she was wide awake and playing subway surfers on her phone. Her hair is messy and her eyes are half-lidded. 

She turns to look at me when she feels the shuffling of the bedsheets; despite her doing nothing more than smile at me it is like an understanding passed between us, war is over.

Almost.

It's like I've forgotten how to be soft, I can't manage to get the words out that I need to, and the thought of it alone makes me cringe. "Breakfast?" I ask, unsure of what else to say.

Ellie passes on it and I awkwardly excuse myself, saying that I got called in to take a brunch shift at work. Of course, this is not true. What I do is get into my car and drive and drive until I get mad at myself for burning gas. 

The war between Ellie and I had ended but it didn't register in my head, I almost fell in love with it. Without the constant arguing and passive aggressiveness, there was nothing to put a wall between us and I wasn't ready to be vulnerable again. 

So I begin to feed Ellie the ugliest parts of me; I show her everything I'm sure she will hate but she doesn't, she's patient and shows me the kindness I have been looking everywhere for. Still, I am cold to her, I don't know what else to do. 

I try to push her away all over again but this time, she doesn't let me. Ellie comes into my room when I'm studying to sit on my bed so that she can be in proximity to me. Sometimes she'll ask me if I want to go for a walk or a late-night gas station run, all of the things we used to do.

When I'm angry at her, she lets it happen, she won't escalate the fight all she does is apologize and does what she can to fix it. Everything feels like it's in order again, Joel even starts to send me little text messages to check in on me and sends me Facebook memes that make him think of me.

As of now, we are setting up for Dina's twenty-first birthday. The living room, typically a space for casual gatherings and movie nights, had undergone a transformation. Vibrant streamers adorned the walls, and an array of balloons in assorted hues scattered themselves along the floor "Are balloons too childish?" Abby asks as she walks out of her bedroom.

"They better not be after I just spent half an hour doing all of these," Cat answers, giving her a scornful glare.

"They look great, Cat," I smile and give her a thumbs-up from where I am in the kitchen dumping bags of chips into bowls. "Should I make a veggie platter?"

Cat furrows her eyebrows "If you can finish it by yourself, sure."

"Cat, we aren't children, adults eat vegetables," Abby takes a seat on the couch behind Cat, investigating the hard work she's put into making the living room look nice for just one night "Isn't it weird that Dina is organizing her own surprise party?"

I shrug, placing a wooden cutting board down on the kitchen counter "I don't blame her, I don't think we've always been one hundred percent reliable, me specifically."

"But it's not a surprise if she knows about it."

"So?" Cat asks.

"So why are we calling it a surprise party if it isn't a surprise?"

"Why not?"

"Well, why can't we just call it a party?"

"I don't think it matters," I cut in, I begin to peel carrots and slice them up into quarters. Ellie comes out of her bedroom, she took a nap after completing her physics presentation, her hair in a messy bun, and she's in her typical pyjama uniform of sweats and a hoodie. "Hey, Ellie," I smile at her.

She rubs some sleep away from her green eyes "Hey," Ellie walks over to the kitchen island where I slice and chop vegetables and sits right in front of me. Even half asleep she looks like a statue of marble carved by a skilled hand.

Abby raises an eyebrow, asking 'When did you guys become friends?' without saying it and then it hits me like the plane in Lost. Ellie still hasn't told anyone about our history, our sixteen years of friendship is invisible to the eyes of those who think they know us well.

I'm broken from my thoughts when Abby speaks up "When are you picking up the cake?"

My heart drops "I'm not?"

Cat and Abby cast one another side glances while Ellie snatches a cucumber off my cutting board "Dina was handing out duties and you said you would take care of the cake."

I freeze, unsure of what to say "Nuh-uh." I shake my head like a child denying blame for breaking her mother's favourite dish.

"Yuh-huh," Cat shoots back. "How could you forget that?"

My mind fumbles for an excuse and somehow I land on "I forgot because I went temporarily insane from Lyme disease," What am I saying? "I got Lyme disease because I go camping in secret," I don't camp "And I never told you guys that I go camping because I'm deeply ashamed of it."

Now everyone looks perpetually confused, Ellie included "What are you talking about?" Abby asks, her eyebrows furrowed.

"Okay-well," I place my knife flat on the counter by the wooden cutting board, ignoring the odd spiel I just went on "I'm going to drive to-

"You dropped your car off for a suspension repair yesterday," Abby reminds me.

"Ellie is going to drive me to get a cake," I correct myself "I will be back to finish making my veggie plate." I quickly rinse my hands before grabbing Ellie's keys from the little jewelry dish on the island and yank the sleeve of her hoodie to pull her along.

Ellie doesn't say anything, she slips into some Crocs and we walk outside to her car. "Where are we headed?"

"Uh, hang on," In Ellie's passenger seat, I go on Google Maps to look up the closest bakeries that are still open at this hour, there are two, one a couple of streets away and the other one is across town and closing in twenty minutes. "Infectious Confections," I wrinkle my nose "That's a weird fucking name."

While Ellie tries to make conversation in the car I only speak when giving her directions to the bakery. She knows something is up and I can tell by the way she keeps glancing at me. I just can't manage to get it out of my head that she's still keeping me a secret. 

She pulls up to the bakery and I get out before she even turns her car off, she pulls the keys out of the ignition and trails behind me through the doors.

The bakery itself was rustic and clean, there were two display cases and tills one of the displays held danishes, croissants, cookies, scones and whatever those little swirly flakey things are called. The other display had a big chalk menu above it that read 'Cakery' Though what was in the display case was very sparse.  

"Hi," I walk up to the till, putting on the friendly smile and customer service voice that I usually only use at work. "This is pretty short notice but I was wondering if you had any cakes left or if I could get one made for today?"

The guy behind the counter is a scrawny teenager who looks like he has had a long enough day of dealing with annoying customers "We close in half an hour, there's not enough time to bake and decorate a cake." He explains it like he's said this to a million people, he's bored of the same phrases that his manager has scripted out for him.

"Any shot that someone didn't pick up their cake?" I ask, fingers crossed in the hope that he says yes.

"Let me talk to my manager," His voice drags on, and he turns around and disappears through a commercial kitchen door. I wait patiently, hands balled together in front of me as I rock back and forth on my heels. A minute or two later he comes back holding a bright blue cake with pink detailing of bows and mustaches, there's text on it that reads 'It's a...' gender reveal cake. "This is all we have left, they cancelled last minute.

I look back at Ellie to get her opinion, her eyebrows are furrowed slightly "Maybe we good just get some of those cupcakes and smush them together and smear the icing so it looks like a cake."

I wave her off "I'll buy it," I say this only because it is 5:41 and with each passing minute I am growing desperate, also I don't want Jesse to be disappointed that I fumbled the cake and ruined his girlfriend's birthday.

Angsty teenager puts the bright blue monstrosity into a cake box and charges me an absurd total for it, I bitterly tap my card on the machine. 

As I walk back out to Ellie's car I take a brief moment to look at the sky, it's the same hue as cotton candy and looks as if it had been projected from a watercolour painting, even after I get back into the car and Ellie begins to blast her old dad rock songs, I can't tear my eyes away from it.

After five minutes of silence from my end, Ellie finally asks the question that's been burning into the forefront of her brain "Why are you being weird?"

"Why haven't you told anyone that we met before we moved in together?"

Her dark eyebrows furrow "You haven't told anyone either-

"Yes, I have."

"Who?"

"Yara, Stacy, Kayla, Mitch, Nigel, Carmen, literally everyone from my work," I admit "I just haven't told people who know you personally so it can't make its way back to you because you clearly don't want people to know."

She falls silent, searching her mind for the right words. She clutches the steering wheel tight and looks dead ahead at the car's bumper-to-bumper ahead of us. "I just know how to slip it into conversation."

"I don't think it's that hard, you can just say that we were friends, you don't need to give an intricate play-by-play of everything that happened."

"Why is it important that people know if we're cool again?"

I turn my head to slowly look at her "You are the one who always said 'If we don't have honesty, we have nothing at all'," I point out.

Silence strings between us again, I almost want to throw up.

'We're cool again' Nope, not anymore, we are so very far from cool. Instead of Ellie casting me little glances as she had on the ride there, she ignores my presence almost completely while I glare daggers at her. Was she embarrassed by me? When we went to lunch together why did she lie to Dina about where she was? When she slept in my bed why did Cat ask me if I knew why Ellie came home at eight AM with nothing, not even a key? Did she crawl through my bedroom window to walk around to the front door and pretend she was just getting home?

AND WHY DIDN'T I CALL HER OUT?

She was keeping me a secret and that realization hurt worse than any injury I had ever suffered. She hasn't even told her dead who practically raised me that we lived together. 

God, we weren't even anything and she was keeping me under wraps like I was some disgraceful secret that she would get shamed for holding. The very second she approached our house, I got out of her car, she hadn't even stopped it completely but cake in hand, I hopped out of her car door and didn't look back.

I think I've had my fair share of partying.

After that month-long bender I had where I went to clubs every night and replaced food with vodka, I never wanted to even look at another solo cup full of liquor. Instead of drinking, smoking, or doing karaoke, I hide from Ellie.

I hide from her in conversations and sometimes sneak into my bedroom just to get a bit of breathing room from all of the strangers in my house. Wherever Ellie was, I was not. If she was outside, I was inside, if she was in the living room, I was in the kitchen enjoying my veggie platter. 

Have you ever been the only sober person around in a group of people? If the answer is no, have you ever babysat a houseful of toddlers? Because it's just about the same thing.

When I'm not hiding from the girl who wriggled her way back into my good graces just to trip herself off the podium, I'm cleaning up, protecting our furniture, holding back hair as girls I've never met sob into the toilet, and stopping the drunk from doing stupid things. 

"Hey, buddy," I take my can of hairspray that this frat-adjacent man is holding behind an ignited lighter "I don't think you would look good as a burn victim," His friends moan in disappointment as I do so, they were very excited to see a makeshift flamethrower; I wasn't in the mood to have my house burn down, or have a guy with peach fuzz waste my thirty dollar hair spray. 

Thirty dollars?

Note to self for later: Make smarter spending choices (And smarter relationship choices!).

I felt a tap on my shoulder only to turn around and see Dina, she wasn't drunk, just tipsy "Smile!" She holds up a camera to her eye and clicks the shudder button before I even have a chance to react the flash goes off. A large Polaroid begins to print out, Dina snatches it and shakes it until you can see my silhouette, my eyes are wide, my hair flying behind me from the quick turn of my head and I'm holding a can of hairspray angled to look like I'm going to spray the camera with it "Cute!" She smiles, tucking it into her pocket for later "Wait, I want a group picture of the roommates."

Dina takes my hand and pulls me to one of the couches where Ellie and Abby sit with some guy, she shoes him to get up and drags Cat over to replace him, she stands me in between Ellie and Abby and lightly pushes me down to sit wedged between the two.

"Jesse, please do not do me dirty with this picture," She hands the pink Polaroid camera to her boyfriend and quickly ushers herself to the far left of the couch where she bends over to kiss Cat on the cheek for the picture. Ellie and I are stiff and awkward when the flash goes off. 

After the picture is taken, Ellue turns to face me just the slightest "Hey, I think we should talk-

"I think it's time for cake!" I push myself off the couch and usher myself to the kitchen. 

I pull the cake out of the fridge, looking at what I had done to salvage it; Below the part that said 'It's a...' I wrote '21 year old!' in chocolate pre-made Betty Crocker icing that I had in the fridge for months, it didn't look the best, but it could've been worse.

Dina, of course, cackles when she sees it. To her, it is the funniest thing she's seen all night. I stick the candles in and light it with the light I confiscated from peach fuzz frat boy and push the cake towards Dina after tucking the light back into my pocket, she is illuminated in the glow of iPhone flash all filming her.

"Make a wish!"

Age Sixteen- Grade 11

I think back to how embarrassing it felt to be thoughtful.

How fragile I felt when I would share my feelings and how frail I seem when I do it now. Ellie was always tougher than I was, in rugby, in fights, just in general. That's why I figured she would be taking it better than me when I cut contact, once again I have been proven wrong.

"Conner, can we please just leave?" I pleaded with my then-boyfriend. The night had started fine but after a couple of drinks Ellie and I were becoming increasingly hostile to one another, it wasn't my intention to speak to her but the universe forced my hand when we were shoved into a circle of our friends and made to converse around the bonfire at the beach.

The salty breeze carried the sounds of laughter and the gentle crashing of waves, the scent of roasted marshmallows wafted through the air.

 "What, you need your boyfriend's permission or something?" Ellie held a can of berry blast Smirnoff, staring into my soul from the other side of the fire, the sparks glitter through the night like fireflies. Her words don't feel too bad but they don't feel too good either.

I cast her a glare before I looked back to my boyfriend "Please?" 

He is getting perpetually annoyed with me he shrugs away from my grasp, "Fuck off, we just got here," He mutters, Conner must think I couldn't hear it. He had already downed three Bud lights and a couple of shots of cheap vodka, now he is nursing another beer in hand. 

"Excuse me?" I say, narrowing my eyes. Everyone around the fire pauses their conversation to tune into mine. "Come on," I stand up and try to pull him along so we can have a conversation away from the prying eyes of our friends.

I can't pull the mass of the 6'2 quarterback along with me but he obliges and follows me where I yank him. As I drag him along the rest of the group giggle and makes jokes along the lines of 'Trouble in paradise' but Ellie is the only one who doesn't jump back into mindless conversation, her unnerving eyes are still on me while I chew my boyfriend out by the shoreline. 

"Why do I have to leave just because you're feeling a little bummed out?" 

I'm almost floored at out someone can lack so much empathy "Because you're my boyfriend?" I can feel myself tensing up.

"Why does that mean you can't get up and leave on your own?" He defends "You begged me to come here and now I just wanna down a couple of beers and hang out with my friends."

"You've already drank like twenty!" I retort.

"It's a fucking party!" Conner says, raising his voice "It's a party and it's summer and you're seriously trying to tell me not to have fun?"

"Fuck!" I shout in frustration "Why don't you ever call me? Why can't you ever let me in?" The argument is quickly escalating "Why didn't you tell me that you kissed Tamar and why haven't you told me that you love me?"

"Because I don't."

My words fail me. I knew he didn't, I knew that he hardly even liked me. My dad had thought so highly of him, she said he was the type of guy to rescue a baby from a burning building but as I look at him now, I figure that he eats babies.

I almost open my mouth to say something different, almost, but I don't. The rest of my life might have turned out differently if I didn't, I might've been able to salvage the rotting corpse of my relationship with Ellie but I didn't. "Fine," I say, voice calm and quiet "Let's stay."

Before that night I had never really gotten drunk but the second I got back to the bonfire, I was digging through the cooler and shotgunning canned Smirnoff. "Woah," Riley laughs "Someone's finally being a bad influence."

I got myself so shit-faced that when everyone else got up to dance to the music blaring through the Bluetooth speaker, I sat by myself at the shoreline, looking bitterly out towards to ocean while the tides crash at my feet and get sucked back into the ocean. For a moment I think about jumping in and letting my lax body get washed away and sink beneath the surface until I wash up as a water-bloated corpse that some nine-year-old will find when they're beach combing.

My mouth tastes like peroxide and blood, my lungs burn with a red-hot pain. The wind is becoming increasingly harsh and I ignore the hair that is tangled into my golden hoop earrings.

"Wow, you look awful," I don't need to turn around to know who it is.

"Can you just fuck off?" I say "I don't give a shit about you, just leave me alone."

She always had to antagonize me, Ellie went out of her way to stray from the group and bother me. It had something to do with the alcohol in her system. Despite her alleged hatred for me, she takes a seat next to me regardless.

"Fuck, you're so sensitive," She scoffs "I don't know why you're dating him, I'm not even sure why you'd want to fuck him unless you're too lazy to jerk off-

My hands think before my head and I deck Ellie right in the side of her face, getting a solid hit to her cheekbone. My hand flies over my mouth "I'm sorry, I-

Ellie doesn't waste any time in lunging back at me, she pushes me down by my shoulders until my back is in the shallow of the water that moments ago just splashed at my feet and takes a swing. The impact of her punch almost knocks me sober.

I take a sharp inhale, grabbing her elbows and pulling her down to where she was the one on her back and I was the one straddling her. I land one last blow to her nose, I hear a crunch and the panic immediately sends me scrambling to my feet. My eyes go wide at the blood dripping down, her face I turn to run but Ellie is faster, she grabs me by my hair and yanks me down further into the water with her. 

"Fucking cunt!" I cry, though my scream is drowned out by the overwhelmingly loud tides crashing on the shore "Get the fuck off me!" 

Ellie is better at fighting than I am, I had never been on this side of her before, usually, I had been the one to drag her away from fights but now I am the one who is going to stumble home numb from the devastating pain.

Frankly, I'm fucking scared.

She continues to drag me by my hair until I'm knee-deep in the water with her, she almost throws her entire weight into me, dunking me beneath the surface where her bony hands snake around my neck. My eyes have gone blurry with the salt water, they sting and burn. I can't see anything, all I can do is uselessly thrash beneath her. My hands push against her face, trying to pry her off my body. 

Eventually, I manage to claw her face with my fingernails, I dig deep enough that it breaks skin and she recoils just enough for me to knee her in the stomach and let me get out from under her. Just as I try to slip away she reaches for my hair again, but instead of tugging on my hair, she rips out my gold hoop earring. I screech out in agony, hand reaching for where the metal sliced through the lobe of my ear, I shudder in pain; my cries are now jagged and harsh.

This is the exact moment Ellie begins to regret what she's done. "Fuck, I'm so sorry, I didn't mean to." Her tone softens and she tries to approach me but I back away from her like a frightened dog.

"Get away from me!" Despite the pain surging in my body, I find the strength in me to hit her again, she staggers back tripping into the water. I hit her so hard that I feel a crack in my knuckle and I yelp out in the immediate shock of pain. 

I wasn't sure when the others had noticed this was happening probably because my vision had gone blurry from salt water and adrenaline but before Ellie could hit me again, she was being restrained by Riley and Kennedy while some guy who I had probably had two conversations with dragged my back to shore.

I keel over on my hands and knees and begin to start retching onto the sand. Laila rubs a gentle hand on my back, my hair sticking wet on my forehead. A seagull, disturbed by the commotion, took flight, its wings cutting through the charged air. 

Next to the pile of vomit I just heaved, blood drips down from my ear, pooling and then soaking into the sand. My neck swells from what is still the raw sensation of Ellie closing her hands around it. 

I look up at Ellie, there is blood that has dripped its way into her mouth, clinging to her white teeth. She has what almost looks like a cat scratch running down her cheek, blood begins to prick and spill from the lacerations.

She stares back at me and we don't say a word but we understand each other clearly, I never want to see you again.

"Let's go," Ellie grabs my arm as Dina begins to slice the cake "We're gonna fix this right now."

"Ellie, there are so many people here," I say in a hushed tone so people can't hear me.

"I don't mean here," She looks at me, face expressionless "Just get in my car."

"Excuse me?" I say, tone accusing "Did you just order me to get in your car?"

"Fuck," She sighs, dropping my wrist to rub her hands down her face "Please can you get in my car so we can work this through."

"There's nothing to work through," I retort "You're embarrassed by me or you still secretly hate me and that's fine, I meant what I said on winter break about the lease, the second it's up, I'm getting the fuck out of here."

"What? No, don't- just," She takes a breath, reevaluating what to say "I have a point to make but I can't make it unless you get in my car."

We stare at each other for a moment, I narrow my eyes and she is still unmoving. Every scenario runs through my head of what could be waiting for me in that car.

"Fine."

I sit silently in her passenger seat, my knees are pulled into my chest and I rest my chin on them. Ellie doesn't say anything either as she drives. I watch each traffic light pass me, every street name to try and make sense of where we are going.

I almost feel like I'm going to suffocate beneath the silence of everything going left unsaid.

When I spot the boardwalk up ahead, I know exactly where she's taking me "Ellie, why are we at the beach?" I give her a side glance "Do I need to take out my earrings?"

Heat rises to her cheeks when I say this, "Not yet," She jokes, getting out of her car and grabbing a tote bag from the back seat, and I follow in tow.

We walk past the boardwalk and onto the sandy beach, I'm already not feeling whatever she's doing; there is sand filling up my Converse and a slight wind chill, I'm really wishing I had a hoodie right now. "Can you tell me what we're doing yet?" I'm hugging myself in an attempt to stay warm "If we're still walking on the beach why couldn't we have just walked on the boardwalk instead? It literally has walk in the name." I'm already going off on one of my tangents.

She still walking ahead of me but she briefly turns around to face me "Can you just stop asking questions for a minute?"

"Okay, whatever," I mutter, trailing behind her still. I can hardly see in the night, the only light to guide us is the moon and the warm ceiling lamps from restaurants along the boardwalk. I can vaguely see Ellie's silhouette, she's outlined by the gentle glow radiating off the moon, I try my best not to stumble over things poking out of the sand that have been lost to sight by darkness. 

"Okay," Ellie stops, "Here we are."

"Where are we?" I ask "I can't see shit, I don't know where here is."

Ellie digs around in her pocket for her phone and turns on a flashlight and it reveals a small iron firepit that was cemented into a slab of concrete in the sand. She hands me her phone so I can keep the flash on her and she can see what she's doing. 

She pulls out some pages ripped out from her notebook "Can you hand me your lighter?"

My eyebrows furrowed, and I felt around in my pocket wondering if I even had one. I did, it had slipped my mind that I still had the bic lighter that I confiscated from Peach Fuzz. I hand the lighter to her and watch as she tucks the pages beneath logs that were in the firepit before we arrive, they are somewhat charred but still viable.

She flicks the lighter to ignite it and the paper catches immediately. The initial flicker grew into a tentative blaze, licking at the edges of the kindling. The crackling sound echoed through the night. 

Once she is sure the fire can survive without her feeding it, she steps away. "Alright, let's have it out."

"Like sex?" I scrunch up my nose.

"Oh my god, no, like let's talk this through." She pinches her nose bridge, taking a breath in before exhaling and putting her hand back down "We're gonna recreate the night of the bonfire how it should've been," Ellie reached back into her bag and pulled out two white claws "I snagged these from Dina's party, sorry this was kind of last minute."

I can't help the smile that grows on my face, I take one of the white claws and crack it open "I don't know how authentic this is gonna be if there isn't any canned Smirnoff."

I think back to exactly how that night played out and I take a seat on the sand, facing the crashing dark ocean. I sip my white claw, as expected Ellie takes a seat next to me, just what happened on the actual night.

"Wow," She says "You look really pretty and I'm an idiot for ever saying you looked awful," Ellie looks gorgeous illuminated by the orange light of the fire, and the breeze causes her flyaway hairs to drift in the wind. "I'm an asshole for pretending that I didn't know you, I was scared I would get hurt again and take it to heart like I did last time. I promise the second we get home that I'll come clean."

I don't know if I can deal with this sugary philosophy. She's being so sweet that it's rotting my teeth.

"Ellie," I say gathering my thoughts, it was so hard being honest with my feelings, it felt like I would get hospitalized if I showed any emotion. "I was so in love with you in high school that it killed me, and I was terrified that my parents would throw me out well, they did- but that's why I pushed you away and there isn't a day that goes by where I don't regret it." 

The surprise on her face morphs into a soft smile "What about now?" she asks "Do you still love me?"

I shrug, it's honest "I dunno, but I think there's room to try."

She looks from me to the ocean and the way the moonlight glitters off the surface "What happened next?" Ellie toys with the tab of her drink "Did you hit me?"

"Yeah," I say softly, following her gaze out to the waters "But if we're doing the night how it should've been, I'd rather just kiss you."

Ellie turns her head back to look at me. She shoves her white claw into the sand then takes my face into one of her hands and kisses me like it's her job, so tender and carefully like she's afraid I will break beneath pressure.

How weak have I become? My heart is so full of her that I can hardly call it my own.

A/N: Be grateful for this ending because I was very tempted to give you guys an unhappy one. Sorry that I forgot to post this lol, I’m sad this series is over but excited to show you all my next one which may be the angst-iest yet 👀

Thanks for reading!

Tag list: @elliesaturnsoftdrink @elliesaesp @melanie-watermelon @yalaysbee @laundrybag29 @readbydayana @skylerwhitwyo @lmaoo-spiderman @joliettes @kittnii @taylorgracies @sameenatruther @mikellie @belles-hell @fullmachinegirl @eveshyper @whosmica

#ellie williams #ellie williams fluff #ellie williams x you #the last of us #the last of us ellie #tlou #ellie the last of us #ellie williams x female reader #ellie williams x reader #abby anderson #ellie williams au #ellie x y/n #ellie x fem reader #ellie x reader #joel and ellie #ellie tlou #ellie x you #ellie williams x reader angst #ellie williams angst #angst #ellie williams x reader fluff #fluff #ellie fluff #dina tlou #dina woodward #ellie williams fanfic #jesse tlou

[kaciidubs]

hey kacii boo 💞 i have a request if that’s okay?

hear me out ☝️

a/b/o OT8 skz x omega reader and reader finds out she is pregnant? the boys start noticing her acting different and she accidentally leaves a pregnancy test on the counter, causing the boys to see. When she gets home, the boys sit her down and talk to her about it ending in group cuddles from the boys 🫶🏻

I'm in love with this, truly! ❣ Word Count: 1.9k [I did not mean to type that much] ❣ Warnings: A/B/O Poly! SKZ x Omega! Reader, pregnancy, angst if you squint, mention of birth control, fluff, comfort ❣ Additional Tags: Mentions of Chris being an alpha, Felix, Jisung and Hyunjin being omegas as the only specific pack roles, no clear mated pairings within the pack but it's sort of Chris x Reader centered toward the end

It would begin with the most intuitive of the pack members noticing your extremely slight deviation from your usual routines - Felix.

He was a fellow omega, like Jisung and Hyunjin, but he was the most aware of everyone's trends and habits; which meant it was immediately apparent to him that something was wrong when you start doing small things like wearing pajama pants around the house as opposed to your favorite, work out pajama shorts.

Eventually, the small things he noticed began to grow into big things that the rest of his pack mates would catch onto, such as the way you turned away your favorite snacks when Changbin offered them, or the way you couldn't seem to stand the smell of Seungmin's shampoo though you spent countless nights washing his hair with the same product before. There was even one night where you snapped at Jeongin when he tried cuddling up to you when you least expected it, then immediately started crying because you felt bad.

Since that night you'd resorted to staying in the "guest room", which was simply a spare room for anyone who needed their own space for some time - which was highly disliked by each of your pack mates, but they wouldn't take away your decision.

One day, when you were out running a few errands, Minho was the brave soul who would venture into your temporary room to do a bathroom sweep to clean and take out any trash. What he didn't expect, however, was the waft of an overly sweet scent overwhelming his senses the second he opened the door - nor was he expecting to stumble across a plastic pregnancy test on the counter.

When you walked through the front door, reusable bags in hand, you were met with eight pairs of eyes staring at you, freezing you in place as you stared back with worried confusion.

"Um... Hi?"

The mix of scents usually eased you, but with the thick layer of anticipation and worry threaded throughout, you weren't sure what to expect.

"Kitten, can you come sit with us for a minute?" Minho offered softly as Changbin was the first to stand, walking over to take the bags from your hands and bring them to the kitchen for the time being.

Left with no other choice, you walked into the living room and sat in the empty space between Felix and Hyunjin; Jisung sliding onto the floor to rest against your leg while Jeongin and Seungmin settled against the opposite, before Changbin filled the space behind Hyunjin while Minho remained next to Felix.

Easing into the comfortable, impromptu cuddle puddle, you figured the impending discussion was going to be simple until Chris stood before the group - directly in front of you.

"Love... You know you can tell us anything, right?"

You bristled at his cautious tone, though the feeling of Hyunjin's hand grazing against your own eased your guard. "I know I can - what's this about?"

"You've been acting different lately, and at first we just thought it was because of a period, or a new symptom of your heat coming up, but then you started avoiding food and smells, and isolating yourself from us." Chris tried his best to keep his tone level, to keep the authority that swelled within him at a tolerable value, but his unwavering gaze showed all of his emotions. "Then Minho found this-" reaching into his back pocket, he pulled out the same device that had thrown you into a panicked fit, so much so that you had to leave the house for a sudden errand run, "-and it all started to make sense. Why didn't you tell us you were pregnant, love?"

A pang of shame shot through your heart like an arrow, and judging by the disheartened whines from the boys immediately around you, they already felt the shift within you.

"We aren't upset, Jagi," Jisung pouted up at you as he nudged your thigh with his nose, round eyes filled with love.

Hyunjin nodded against your shoulder, bringing your hand up to press a soft kiss to the back, "We're just worried about you, muse."

A shivering breath rattled through you as you blinked back hot tears, looking up at the eldest, the head alpha among your unlikely pack.

"C-Chris, I- I don't-" You sniffled, cursing the tremble in your voice, "I wasn't trying to keep it a secret, I swear - I knew something was different but I didn't want to assume anything until I took the test last night and-" Biting back a sob, you felt a soft touch against your cheek - Minho's hand wiping away a stray tear. "I just... I didn't know how to say it so I went out to clear my head and figure out the words to say to you - to everyone because I- I'm not sure who got me pregnant! I didn't even skip my birth control, for fucks sake!"

This wasn't planned - despite a few discussions here and there about the potential idea of introducing pups in the future, none of you had done the true mating bond to solidify who would be the one to directly grow the pack with you, and the stress of it all had pushed you to isolation without you even realizing until you'd moved yourself to the guest room.

"Bunny, please take a breath for us." Changbin pleaded, leaning over so you could have a clear view of his comforting gaze, "You know none of us would be any type of hurt over who's pup you're carrying, not when it's the miracle of you being the one bearing them. It doesn't matter who did it, we'll figure that out when the time comes, all that matters is you being healthy and cared for - no more isolating."

"Bin's right," Chris piped up once more, drawing all attention to him with ease, "all we want to do is make sure you're okay - no matter how sudden this is, I don't think any of us weren't aware of something like this potentially happening. None of this is anyone's fault, none of ours and none of yours, you hear me?"

Nodding softly, you smiled at the subtle sensation of Seungmin squeezing your calf in a hug of sorts while Jeongin nuzzled against your thigh.

Minho cleared his throat softly, leaning forward to take your free hand within his, "I... I didn't mean to intrude on your privacy, Kitten - I would never look through your things without you knowing, and I'm sorry for not going to you first."

You squeezed his hand, looking at him with warm, glimmering eyes, "It's okay, Min, I know you meant well - I'm not mad at you at all. Honestly, it would've only been a matter of time until someone clocked it was pregnancy, anyways."

"You do have a new smell, Pup." Seungmin muttered from the floor, Jeongin nodding alongside him.

"Felix thought you were falling out of the pack - Chan had to talk him off the ledge," Jisung laughed, earning a few chuckles from Changbin and Hyunjin at the recollection of the memory.

The blond whined, lips pursed into a pout, "I was worried we did something wrong! I'm sorry I'm the only one who thinks of these things!"

Cooing, you nudged the side of your head against his, "It's okay, Lixie, there's no way I'd ever think of leaving any of you, you guys are my home."

He hummed softly, and you could feel the cuddle puddle slowly begin to set in but there was one final thing missing before you could truly feel at ease with the situation.

Untangling yourself from the tangle of bodies and arms, you made your way toward the eldest who was watching the scene with warm eyes and a soft smile - something he'd taken a liking to doing when he thought he wasn't being watched.

Without a moment to spare, you wrapped your arms around his middle, melting into the familiar mahogany and coconut scent as his arms wrapped around you in kind, securing you in a natural protective hold.

"I'm sorry for worrying you, Channie." You murmured into his chest before leaning back to look at him, "And I'm sorry for not saying anything when I first felt off, I genuinely didn't think it could've been this."

"You don't have to apologize, baby, you were only doing what you felt was right at the time." Pausing for a moment, he studied your face slowly, "I know this whole conversation was a lot to throw at you so soon, but I just want to make sure... Are you okay with this? Do you want to have a baby right now?"

You nodded before he could even fully finish his second question, "I'm sure - I know I was scared on how to say it, but I never felt scared about not being able to take care of this baby, not when I have the world's most amazing pack to raise it in."

It was the truth, there wasn't a single doubt within you that made you believe that having a pup would be difficult in the pack - it was a possibility, a thought that had been floated around enough to start considering the full mating process, and now was the time to turn that thought into a processing reality.

A deep rumble vibrated through Chris's chest and he ducked his head in an attempt to hide away from the blush that had already consumed his ears, the sound making you melt against his body and draw the attention of the seven boys watching from their seats.

"Someone's happy to be a dad," Hyunjin teased with a grin, earning a scoff from Minho.

"Who says it's him?"

"I'm just saying it cause of his reaction! Technically we're all dads until she gets a scent tie, so why can't I place my bet now?"

Jisung groaned, "Placing bets on a baby is so inhumane... I bet it's Changbin's."

"What?! Why is my name in this now? What if it's Jeongin's?"

The youngest made a sound that could only be best described as confused shock as his head shot up to look at the man, "Listen, I'd be honored, but I can say for a fact it wasn't me! I'm too young to be a father!"

"That's not what you were saying when-"

Chris cleared his throat with a pointed look, "Okay, how about we not have this debate and go cuddle and think about dinner, yeah?"

With that, the mini crowd dispersed in a jumble of comments, heading down the hall toward his room since - in an ironic retrospect - that's where the biggest bed was put.

As the living room grew quieter, he looked at you with warm eyes, "I have a feeling it's mine."

You laughed in shock, hitting his chest lightly, "What happened to 'let's not have this debate', Mr. Bang?"

"It's not a debate! It's just a... speculation, a theory, if you will." He murmured softly, leaning down to press his lips to yours in a quick kiss. "Now come on, the last time that combination went into my room, they turned my bed into a wrestling ring and I just found a replacement for my lamp online."

Letting him lead you down the hall, a soft smile settled onto your lips as your free hand came to subconsciously rest over your stomach - the pride of the new life growing within you and the one changing before your eyes filling you with a new sense of optimism and anticipation.

[unedited]

#✧. ┊ kacii answers #✧. ┊ lovely ihrtlix #stray kids x reader #ot8 x reader #Poly! SKZ x reader #Werewolf! AU #Werewolf! SKZ AU #bang chan x reader #lee minho x reader #seo changbin x reader #hwang hyunjin x reader #han jisung x reader #lee felix x reader #kim seungmin x reader #yang jeongin x reader

[sakurayumekun]

PRO-ANA GUIDE HANDBOOK 

An anorexic mind

First of all, let's work on the psychology first. Be sure to fuck up your relationship with food from the start. You want to make yourself as neurotic as possible about food, eating, kitchens, cutlery, refrigerators, restaurants, and hey, why not stretch this out even further and start hating the actual source of foods, in other words the actual animals and plants. I myself am utterly opposed to factories. Any kind of factory. Even pillow factories, hell they're all the same. But you! Spread those bad thoughts! Hate that chicken!!! Unless of course, you're going for the sympathetic, oh the poor animals, vegan slant. That's a good one too. Firstly, reaffirm your mission. Immortalise it. Buy a fat, blank notebook, this will become your own personal anorexic sanctuary of sorts. Write down WHY you want to lose weight. Be sure to include things like how you will feel when you're 10lbs lighter, the glorious clothes you will fit into, an occasion that you would like to be thinner for like your sixteenth birthday, etc. Give yourself a final goal, and break it up into several, smaller, goalpoints. For example, if you weigh 140lbs and would like to eventually be 90lbs, list points along the way which signify a victory for you. For example, 130lbs, and then 115lbs, then 110lbs, then 100lbs, and so on. Re-read this again and again for inspiration. You will be using this notebook later to create tackytown anorexia-inspired collages and other paraphernalia.

Visualisation. Following the same strain as NLP, or Neuro Linguistic Programming, we must use the principles of association to retrain your consciousness, and sub-consciousness, to turn food into one of the greater evils of the world. (Read: the greatest evil!!) Start by associating food with disgusting things. For your first ever fast, it may be helpful to draw pictures of juicy red apples, somehow morphing into giant dead rotting pigs. Plaster these all around your house, preferably on the food itself. Never underestimate the power of images. Put pictures of fat girls on your fridge, or better yet, pictures of yourself; you're pretty fat. Conversely, stick pictures of rakish models everywhere you can see them, for inspiration, and a bit of productive self-loathing. Also, practise writing things like "I'm fat" over and over. You want to drill this into your brain. "I will be thin" is a good one, as well as other "I will" affirmations. These are positive statements and very conducive to big time weight loss. Now create a list of suitable punishments either for thinking of food, or for caving in and eating food itself. A good one to try is to keep a rubber band on your hand and flick your skin whenever you think of eating. Eventually you will have a swollen hand, and a shrunken body; you will have ceased thinking of food so much. Other punishments include ridiculous amounts of exercise, purging, self-mutilation, isolation, basic denial of necessary comforts such as blankets on a cold night, or shelter when it is raining... Or simply menial, disgusting tasks such as cleaning the bathroom. Remember, you need discipline. Invent pain and hassles for yourself. Trick yourself into believing your life sucks. Be mean to people so that they instigate fights, just to make you constantly on edge, or nervous, so you cant eat. After all, you'll be light-headed and dizzy, and irritable from not eating, so you have an excuse. I used to love when dad got mad at me because it meant I was so upset I could not eat. Become an angst ridden teenager. You'll be making yourself nauseous from worry and self hatred in no time. Find another anorexic to consort with. Whether this be in real life, or on the internet. You can swap tips and indulge in your little sordid anorexia world together, force each other to exercise, pat each other on the back when you reach goals, etc. You want to completely surround yourself with all thoughts of anorexia. Find pro-anorexia websites, or create your own. Sign up for one of the dozens of pro-anorexic mailing lists at Yahoo! and you'll be bombarded daily with like minded individuals. Now, immerse yourself further in anorexia propaganda, read anorexia or otherwise 'thin' inspired literature, listen to anorexic music, watch as many triggering films as you can get your delicate little mitts on, look up to very thin hollywood stars and supermodels. Also, visit as many of the aforementioned pro-anorexia sites as you can to get a bunch of quotes and mantras to write in your anorexia notebook, and repeat inside your head daily. I have compiled a list of such sources of thinspiration.

Thinspiration

Triggering music

This is essential. You must familiarise yourself with the very teenage and angstyartists and be sure to play the music over and over to thoroughly depress yourself. Ones to keep in mind are:

Fiona Apple - "Paper Bag" ... Hunger hurts but starving works...

Silverchair - "Ana's Song (Open Fire)" ... And I need you now somehow, and I need you now somehow ... On my knees for you... In my head the flesh seems thicker...

 Juliana Hatfield - "Feed Me"... Oh baby if only you knew, I'm down to 102...

Tori Amos - "Jackie's Strength" ... You're only popular with anorexia, so I turn myself inside out, in hopes someone will see...

Anorexic mantras

 You must collect as many of these as possible. Write them in your anorexia notebook, memorise them, let them comfort you. Some examples are:

"An imperfect body reflects an imperfect person." 

 "You will be tempted quite frequently, and you will have to choose whether you will enjoy yourself hugely in the 20 minutes or so that you will be consuming the excess calories, or whether you will dislike youself cordially for 2 or 3 days for your lack of willpower." 

 "I'm not starving myself...I'm perfecting my emptiness." 

 "I can get thinner. I can cut it all off. I can wear low slung Levi's and crop tops and long straight dresses like willowy models, and I gasp with the breathlessness of being airborne. I can fly and be free. Jesus! I never realised how easy it was!" 

 "Nothing tastes as good as thin feels." 

 "The greasy fry, it cannot lie, its truth is written on your thigh," 

 Devour literature, not food

Words and text are very very triggering when it comes to not eating. For one thing, it gives you a world to inhabit, your very own private, magnificent anorexia world which nobody else around you can touch, and you shall have characters to understand you. You will be so riveted that you will not need to eat. Books to check out include:

The best little girl in the world by Steven Levenkron

Wasted by Marya Hornbacher

The fountainhead by Ayn Rand - not about anorexia per se, but Dominique

Francon is the fucking epitome of ethereal, insubstantial, bony grace.

 I am an artichoke by Lucy Frank

Starving for attention by Cherry Boone O'Neill

 Hunger scream by Ivy Ruckman

 Diary of an eating disorder by Chelsea Smith and Beverly Runyon

My sister's Bones by Cathi Hanauer

Stick figure by Lori Gottlieb

Eve's apple by Jonathan Rosen

Thinspiring films and TV shows

These might be about anorexia itself, or it might simply be glamorous and include very thin beautiful people. Movies and television programmes I know others find thinspiring are:

Girl, Interrupted

For The Love Of Nancy

 Ally McBeal

Role models

 You need somebody to idolise. You must research him or her to the bones and become as close to her as possible. Become obsessed. Some suitable examples include those in the following list, who are either very skinny, or have, or have had anorexia:

Kate Moss - 90's waif

 Angelina Jolie - skinny sexy actress, e.g. Girl, Interrupted and Gia

Christina Ricci - actress, had anorexia

Calista Flockhart - Ally McBeal

Lara Flynn Boyle - glamorous and snobby, never eats

Tracey Gold - actress who suffered from anorexia

Karen Carpenter - musician and classic anorexic

Portia de Rossi - actress on Ally McBeal who went through a stage of dangerous dieting

Geri Halliwell - formerly Ginger Spice, engaged in a 'thin war' with:

 Victoria Beckham - formerly Posh Spice

Courtney Cox - actress on Friends, bony and gaunt

Twiggy - iconoclastic model

Mary Kate - had anorexia... perfection

Jodie Kidd - impossibly thin model

Nicole Richie - Thin thin thin

 Audrey Hepburn - quintessential class, very petite

This should be enough to sufficiently fuck up and cloud your perceptions. Above all, convince yourself you are above others, a hero, owing to your spectacular powers of restraint. Feel elitist. Feel as though you are somehow super-human for resisting the urge to eat. Feel better than the other mere mortals who dig in to their cereal and their donuts. Believe in the power of starving as though it were a religion.

Extreme dieting

Now we can move on to the actual act of excessive dieting itself. First off we should establish clear limits. Make up rules you cannot deviate from. Only eat yellow foods on Monday, and brown foods on Tuesday. Or only eat every other day. Or only eat at night. Or only eat on days with the letter "u" in them. Or become a vegan. Or a fruitarian. Or follow your own version of a well known diet, such as the ever popular low carb diets, e.g., the Zone Diet, Atkin's Diet. Use your imagination. I knew a model who swore her secret was living on sushi, candy, oranges, cigarettes, and water. Another tip to try is to only allow yourself one food a day. You will get sick of the taste and therefore eat less due to boredom.

 Now, compile a list of safe foods. Here is a fairly comprehensive list:

Low Cal Jelly (or Jello, for you Americans)

Celery - it is composed highly of water, it is crunchy, which is said to cause you to eat less, owing to the amount you have to chew it, it is considered acatabolic food

Carrots are also another safe vegetable (although most vegetables can be on your safe list, these are merely the safest of the safe)

Salsa and mustard - dieting staples. You can dip vegetables in them, they are fat free and low cal, and salsa brings cravings to an abrupt halt.

Spicy foodsare also thought to fire up your metabolism

 Vinegar - thought to thoroughly reduce your appetite. It is suggested you drink a tablespoon or two before each meal.

Lemons dipped in a sugar substitute such as Splenda or Nutrasweet. (note: In some anorexia circles, even fruit is no good, besides oranges, which are a 50cal food)

Broth (only 5 calories per cube!!)

Egg white - much needed protein

Pickles

Lettuce - an absolute 'nothing' food

Cucumbers - very very low cal

Soup

Safe foods are merely foods that are safe to eat if you are craving foods outside your set meals. They are extremely low cal, or no cal. As for your actual daily intake of food, most wannabe anorexics tend to stick within the 500 - 1000 calorie range depending on how much exercise they do. Never be shy when it comes to considering taking certain drugs to reduce or diminish appetite. Some antidepressant medication such as Wellbutrin have this effect, as well as Topamax, which is originally an anti-convulsive but has been and can be prescribed for things such as ADD and bipolar disorder. Steal your little brother's ADD medication. Dexedrine is gold when it comes to killing appetite. Just ignore the paranoia and nervousness that comes with it. Think about diet pills and supplements such as Metabolife and Ephedra.

Day to day

Now we move on to the ever important area of ritual and habits, tips & tricks, to get down to a science.

Graze constantly throughout the day so that your metabolism never gets the chance to rest and become sluggish. Eating 100 calories five times a day is better than eating one meal consisting of 500 calories.

Fool your metabolism by constantly changing the number of calories you consume daily. This will prevent your body going into starvation mode, meaning that lesser amounts of calories will make you gain weight. For instance, eat 500 calories on Monday, 100 on Tuesday, 800 on Wednesday, no calories on Thursday, and 400 calories on Friday.

Get a full night's sleep, at least eight hours. Although staying up late does make you burn more calories, don't become sleep-deprived or your metabolism will become sleepy. Your appetite will even increase by 15%.

Record everything you eat in your anorexia notebook. This serves to motivate you, as well as to be aware of all the extra calories you may not be aware you are consuming. It may also let you identify emotional or environmental triggers, such as boredom or sadness.

Take vitamin pills frequently so your body doesn't crave nutrients, causing binges.

Diet coke and other diet sodas cause that bubbly, full feeling in your stomach, for about 1 calorie per glass.

Brush your teeth and tongue all the time. The feeling in your mouth will ease cravings and additionally, food will taste yukky with toothpaste, so whats the point of eating it?

Drink water like a fish. Drink a glass of water, or a diet soda, every hour on the hour. Drink water every time you have the urge to snack. Ice water is better because your body will burn more calories to heat it up. Drink water with meals to prevent overeating. Bear in mind that often we mistake thirst for hunger.

Caffeine will speed up your metabolism. Have two or three servings a day, in the form of black sugarless coffee, or caffeine pills, or guarana. If stacked with ephedra and aspirin, a synergistic effect will occur that imitates the effects of speed or other amphetamines. Do be aware that this practice can be rather dangerous.

Exercise. Not only will you burn off the calories you consume when you do eat, but it will increase your metabolism for some time afterwards. As well, the consequential muscle mass will increase the calories you burn at rest. It also suppresses appetite. Try running, or buy yourself a skipping rope.

Stand up and move about constantly. Compulsively fidget. It does add up to an estimated extra 500 calories burned a day. Twitch your leg while studying, for example. Also, sit up straight - you'll burn more calories.

Have a very busy and active schedule. It will burn more calories than sitting in your room thinking about not eating, and make sure you don't have enough time to binge.

Find a something other than food to satisfy your oral fixation. Choices include things like smoking, chewing gum, water, iced tea, sugarless mints, and diet coke.

Put a small coin in a jar every time you resist a craving, or exercise when majorly exhausted, etc. This will motivate you, build up confidence in your starving abilities, and keep track of your successes. As well as give you extra cash to splurge on some fantastical treat when you reach your first major weight loss goal.

The type of music you listen to while you eat affects how much and how quickly you consume. The faster the music, the more you eat. Try to listen to nice slow music when you eat.

Eat sweets and the foods you crave early on in the day. This will give you more time to burn them off and it will eliminate cravings later.

Eat while in the front of the mirror naked. You will be completely repulsed, and repelled from the food. This is a good thing.

Feel your hunger..don't try to suppress it. If you're hungry that means you're losing weight; you WANT to be hungry. If you're not then you're not doing it right. In time you will get a wonderful high off of being hungry and thoroughly enjoy the sensation. Hunger is not your enemy! The sooner this is understood, the sooner you will reach your goals.

Did you know that there are 2 pounds of dead skin on you right now!!?! Thats right! 2 POUNDS! ...if you're underweight or in starvation mode your body does not "shed" its skin the way it should. It holds on to it. Use an exfoliator for your face, and a loofah brush or scrub for your body. Make a stack of magazines that weighs the amount you want to lose. As you lose, take off the appropriate amount of magazines. Seeing the weight like that may help you realise what a difference it will make when it is all off. When you're feeling weak Here are some things which will help when your willpower is very feeble, to ward off the urge to eat, or worse, binge!

Pinch your thigh and see how you don't need food, because you should be eating your own flesh all away from the inside first, before you are deserving of actual legitimate sustenance.

Go to the library. You can research dieting or whatever, or you can read the classics, or some of the aforementioned listerature. Or you can do homework, or write letters, but the beauty of it is, since no food or drink is allowed, you'll have no choice but to abstain from a meal.

Buy some baby teething gel and rub it on your tongue, to numb your tastebuds.

If you're even considering eating, just hold your breath and count to 100. Chances are that you'll convince youself not to eat whatever it is you're craving in that time.

The scent of coffee has been proven to lessen ones appetite.

Chew the food but don't swallow it. Spit it in the bin.

If you're feeling dangerous, plan out the next few hours so that you're occupied for every single minute. Write a list of things to do for every 15 minutes. eg. exercise, surf the internet, email your friends, clean a room, read a book.

If you're feeling brave enough to face the kitchen, go there and throw out any potential binge foods. If you must, pour bleach/disinfectant/dishwashing detergent on the food, and then throw it away! (Anorexics are known for retrieving food from bins, or stealing food from strange places).

Pinch your ear! Apply pressure to the front of the ear, one at a time. The front of the ear is apparently a pressure point, in the area that controls hunger.

Let perfume replace chocolate. Every time you have a craving, or pass a bakery, sniff some Chanel no. 5. Apply it to a tissue and carry it with you.

Smell has a powerful effect on appetite.

Clean something. Cleaning something dirty can make you lose your appetite. The toilet, the litter box, under the kitchen sink, scrubbing out the garbage bin, anything grimy or smelly. The mess, along with the smell of the cleaner, can put you off food for a while.

Become a teenage artist. Write anorexic poetry, tragic little verses about bones and stomachs and evil evil capsicums. Anorexics are ever so creative.

Collect pictures of skinny girls. Stick them all in your notebook. Draw pictures of painful bony girls with tear stained faces and their head in their hands (their spines sticking out). This will take up most of your time.

Hiding it

 Anorexia is supposed to be a private and tortured place, dontcha know. Deny it at all costs. Pretend you have not noticed the pounds dropping off you. Don't be suspicious. Here are some relevant tips:

Spend time making yourself look healthy.

Drink lots of water and apply a fake tan.

Wear makeup so that you have some colour, and keep your hair looking nice and shiny, take vitamins.

Smile. 

Whenever you do decide to eat, do it in the company of others.

That way they can't say they never see you touch food.

On your way out, heat up a slice of pizza or prepare a snack to 'eat on the run'.

Of course, you will dispose of the food at your first convenience.

Leave a dirty plate lying around every so often for your parents to yell at you about.

Drink out of opaque cups, and spit your food into it whilst preteding to drink. They'll never know.

Eat really slowly because if everybody else is on their third slice of pizza, they'll assume you are too, even if you're still finishing your first.

Sign out of Hotmail and clear the history before you get off of the Internet. This will eliminate autofill being ever so helpful while your mum is researching aardvarks, and coming up with www.anorexicsanonymous.com for her. In short, don't leave traces lying around for others to find.

I trust that this guide to becoming a better anorexic will serve you well on your quest to being emaciated and ahem, gorgeous.

Remember, think thin, and try not to faint too often or die.

#an@rexi@

[is-the-snake-video-cute]

I know you're a snake blog, but I saw you mentioned sugar gliders as being unethical to keep - is that because of their social needs, or is there something else about keeping them in captivity that's unethical? (Just curious - I googled the question but the most immediately relevant result is from an ARA org that opposes keeping animals in captivity ever, for philosophical reasons.)

No worries, I can still help with this question!

The main issues with sugar gliders are that it's nearly impossible to meet their social and dietary needs in a private home. In the wild, they live in large social groups, so unless you plan on getting like fifteen of them, they're not going to get the social structure they need to be healthy and happy. They're nocturnal, so it's difficult for a human keeper to provide that companionship. Their diet is also complex, costly, and notoriously commercial diets marketed for them will often kill them if that's all they get. In the wild, they largely eat eucalyptus gum and nectar. That's difficult to provide.

There are other things - they need large, open enclosures that you just can't buy, they're very fragile and can easily get hurt, and they're messy - but the bottom line is they're just bad pets. They tend to suffer in captivity from isolation, poor diets, and inadequate housing, and that's even without considering how buying one often supports the illegal pet trade.

Definitely animals that belong in the wild and in accredited zoos.

#not a rating #not snakes

[cozage]

Hi Coza! Congrats on the milestone! You so deserve it! Can I please have a Law x female Strawhat reader who reunited after they spent the two years together, how do they explain to the rest of the Strawhats that they ended up starting to date during that time (they are still dating now) and how do the strawhats react to the news? Thank you and congrats again!

A/N: I could’ve spent another 12 pages writing about this UGH great prompt friend. (also going to tag @nico-the-witch since they sent me a very similar request FOREVER ago <3)

Characters: female reader x Law Total word count: 1.1k

The Hats or the Hearts

You were dodgy when your crewmates asked you about your two year gap. You were certain that Luffy would feel betrayed by your decision to travel with other pirates, even if it hadn’t been your intention at first. 

You and Law had fallen in love. There was no other way to put it. Your two years had been spent training, but also learning about yourself, and in the softest hours of the night, learning about him. You hadn’t planned to fall in love, especially with another captain. But that was the way your heart chose.

And yet, at the end of the two years, you returned to Sabaody. You couldn’t abandon your family, and Law had respected that. He had business to attend to, anyway. A personal mission he needed to take care of. So you left the crew behind, just the two of you had headed off to Sabaody, and then he left you there to wait for Luffy. 

You should’ve ended things. Both of you knew how impossible it would be for two members of opposing crews to be together. But neither of you could bring yourself to end such a good thing, so you promised to call when you could, and that was that. 

And yet, you still weren’t sure how to break it to Luffy and the others. How do you admit that you spent your two years falling in love while everyone else was isolated on an island, solely focused on their training?

“Luffy, there’s something I need to talk to you about,” you finally said, once the two of you were alone. “It’s about our two year gap. I was-”

“Look!” Luffy shouted, pointing out to sea. “A volcano is erupting! Let’s go there!”

“Listen, Luffy-” you tried again. 

“Wait a minute, Luffy!” Nami shouted over you. 

“Let’s go!” Luffy shouted. He didn’t seem interested in having a heart to heart, though you couldn’t blame him with a fiery sea laid out right in front of him. 

A little while later, you were on the island of Punk Hazard, traveling with Zoro, Luffy, Robin, and Usopp. Your confession and explanation would have to come later. 

Only a few hours, as fate would have it. 

“Oh! It’s you!” Luffy called from atop the beast you rode. “Do you remember me?!”

“He’s the guy we met at the Human Shop in Sabaody,” Zoro murmured. 

You scrambled up to get a better look. A spotted hat and a black cape. But that was impossible, why was he here? He had personal business to take care of. Punk Hazard wasn’t anything important to him. 

“Luffy,” your voice filled with urgency. “There’s something you should know.”

“He’s Trafalgar Law,” Robin reported. “He’s now…”

“Torao!” Luffy shouted. “He helped me get away from the battlefield and treated my wounds.”

“Luffy,” you said again, your eyes still locked on Law. “I need to-”

But he took off running toward Law without listening to your words, and the two captains spoke for several minutes. Your heart sank watching them, watching Law’s eyes flick occasionally to you. This was the last way you wanted your captain to find out about all of this. 

But when Luffy returned, he didn’t say anything about his conversation with Law. You kept waiting for him to bring it up, but you all were being chased by the Navy. Perhaps he knew it was a conversation for later. There were more important tasks to be done. 

Your group raced around the lab and found the rest of your crew, along with some very large children. Ones who appeared to be giants. 

You didn’t rest until everyone was safe in a snowcave, and that’s when you began to notice your crewmates personalities were a little…off. 

“Law switched your minds, didn’t he?” You held back a laugh. Of course he did. He knew the Strawhats wouldn’t be able to leave without being put back into the correct bodies. And you would finally be able to see him again.

“How’d you know?” Nami asked.

“Of course he did!” the random head shouted. “That warlord is the one who cut me up, too!”

“Warlord?!” Luffy shouted, emerging from the snowball he was in. “When did Torao become a warlord?!”

“Within the past two years,” Robin said.

“About ten months ago, if I remember correctly.” Everyone gave you strange looks, and you let out a deep sigh. “Luffy, I really need to talk to you.”

Luffy’s brow furled. He didn’t like the sound of your voice. “What is it?”

You looked around the circle. Better to just tell everyone now and get it over with. “During our two year training time, I sailed with Law and the Heart Pirates.”

There was a long pause. Everyone was looking at their captain, waiting for his response. 

“Torao? Are you sure? He didn’t mention it when I talked to him earlier.”

Law not mentioning or asking about you was odd, but you had to assume he was only doing it out of respect. 

“I’m sorry I didn’t tell you earlier, Luffy. I was just scared of what you would say. I was afraid you would kick me out of your crew.”

“Why would I kick you out?” Luffy scratched his head in confusion. “Do you want to leave?”

“No!” you cried out. “No, I want to stay with you and everyone. I just…wasn’t sure how you’d take it.”

“Can’t say I blame you for sailing with him,” Nami said. “He’s an interesting character.”

“And quite skilled,” Robin offered up.

But Zoro eyed you warily, trying to figure out your true allegiance. You couldn’t blame him. 

“Luffy, I swear I want to see you become King of the Pirates,” you said, your words genuine. “I think you deserve it more than anyone.”

“Yeah!” Luffy shouted. “But I really don’t know why you were scared to tell me about sailing with Torao. We all did cool things during our time away. Brook toured, Robin joined the Revolutionary Army, and you sailed the sea. It’s not that big of a deal.”

“Except that she served under another captain,” Zoro said, still locked onto you. “Another captain who is coincidentally a warlord who helps the government. And he’s coincidentally on this island with us now.”

“I had no idea he was going to be here, I swear!”

“See Zoro?” Luffy shrugged, clearly not caring about the idea Zoro was alluding to. “She says she didn’t know. She’s still a part of our crew. That’s what matters.”

And you were loyal to the Strawhats. But you were also loyal to the Heart Pirates. You just prayed you’d never have to make a decision between one or the other.

#one piece #one piece imagine #one piece scenario #one piece x reader #one piece x you #trafalgar law #trafalgar d water law #law x reader #trafalgar law x reader #trafalgar law x y/n #law x y/n #law x you #cozage #✧˚law✧˚