“All I ever did was ask questions.” —Crowley, An Angel who did not so much Fall as Saunter Vaguely Downwards
The original 1617 print (below) reminded me of Crowley.
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Stuttgarter Psalter, first half of the 9th Century
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So I’m a Belgian field archaeologist and art historian who was the only one from my year to actually do archaeology and to not like modern art. This is what my -peers- would say compared to •me• the weird one out of all seven of us.
- “oh my god we have to visit the exhibition on Delvaux!”
• “what the bag maker?”
- “do you know that there were still mammoths around when the Egyptian piramides were build?”
• “I only really care for the mammoths tbh”
- know Latin. Know basic Greek and Roman myths. Also handy for art
• the fuck you tryna say that Odin is Jupiter? Also this dope ass Old High German magic spell that cures horse legs
- afraid to get dirty.
• Shit forgot to wash my hands. Nearly finished the sandwich anyway. Might as well keep going
- think Norse mythology is only cool in marvel movies
• Völsunga vs Tolkien: dragon, ring, dwarves, pile o’gold. I see no difference
- “why do you enjoy classical art so much? It’s so many portraits and landscapes?”
• *tries not to get infuriated trying to enjoy the depth, angle, light and photo realism of a 33 cm tall goldfinch while they shove a picture of white paint smeared open on a 3 meters tall canvas in my face*
Why did I even make this post?
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"I assure you good sir, I have made 276 paintings of naked young women because I have a fascination for Greek and Roman mythology. There is nothing sexual about this." - Average Victorian painter.
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Art historians at a museum be like
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Obviously, this thought having occurred, I was left with only one choice—to find out whether any sitters were joined by a pug in their portrait. In the end, I found three portraits painted with pugs, although two of the three may depict the same pug (Raton), as they share a sitter (George Augustus Selwyn) and were painted about six years apart.
Portrait of George Augustus Selwyn and his pug Raton by Sir Joshua Reynolds (1776).
Frederick Howard, 5th Earl of Carlisle and George Augustus Selwyn by Sir Joshua Reynolds (ca. 1770).
Mrs. John Weyland and Her Son John by Sir Joshua Reynolds (1776).
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Pietro Longhi: I know what a lion looks like and his little, dancing animal friends in tiny dresses!
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this is the best thing i’ve painted in my entire life
(also ive got prints of it heehoo)
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