#anyway i might just have to make a book of poetry or a novel adaptation or whatever whatever but what if i want to learn the script | Explore Tumblr Posts and Blogs

bsd-bibliophile · 3 years

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Survey Dates: November 15, 2020 - December 15, 2020 Number of Participants: 331

You can view and download the full results here.

Comments:

#BringBackYumeno2020

How cool you included translators in this! You ROCK.

bsd kunikida needs a vacation

Bungou Stray Dogs have been a blessing for me ever since I started watching the series last year. I had lost my drive for reading and writing as a hobby, university and disillusionment with the publishing industry killed that, but now I have been revitalized thanks to the series. Not only did it drive me to go back to writing original works, but I have started writing fanfiction again after almost ten years of hiatus from story writing. The BSD online library has been a blessing not only as a source of research for the writers for my fanfic, but also has been the only way that I have been easily been able to get a hold of some works by the authors in English, my preferred reading language. Please keep up the good work! Thank you so much for everything that you have provided for this fandom.

Buraiha,,,, just them

Do not make me choose between Dazai and Chuuya, I cannot, they are both my favs lol.

for the question about how many books by japanese authors i own, i responded with more

Hello friend! Twain’s my favourite in bsd but this is about japanese literature soooo than 10, but to clarify: they are not all from bsd authors.

hello!! just a quick thank you note!! im polish and variety here in japanese literature (either in polish or english) is very limited, but thanks to your website it's very easy to find works i want to read both by japanese or russian authors. i also like the fact that i can read abt the authors' connections and how they influenced each other in their works, and get some historical context. i want to be a translator in the future, so i'm incredibly grateful for this kind of accessibility. keep up the good work and thank you once again!!! <333 - julia sz

I will like to thank you for all the information that you have supplied us on the tumblr page. Also I will like to know if you have any information about "A New Hamlet" the adaptation Dazai made of Hamlet. You will really help me if you know anything about it.

hi, i really enjoy your blog and "no longer human" as well as "the moon over the mountain" are on my christmas list. i hope to learn more about these authors and i wish you a good day!

Hi! Just hope you have a great day!

I am currently learning Japanese and I hope one day I can read these authors works in Japanese instead of a translation

I am interested in reading literary works translated into languages other than English, but have difficulty finding ways to read them. For BSD, I also watch the recordings of stage plays. Also, BSD and the authors have sparked my interest in other Japanese literature (I really like Banana Yoshimoto's books). Lastly, thanks for the online library, it's such a huge help!

I am sad to have to answer that I’ve not read these authors. I just watched the whole anime in the last two weeks and am going to go read some of these authors now. I actually have two literature degrees from US institutions and have become increasingly aware of how awfully western they are. I love this anime and am glad it’s opened me up to these authors. I’m excited to read them.

I can't wait to see what you do with these results!!

I cannot thank you & your blog enough for helping me fall further in love with Bungou Stray Dogs. Keeping so many works in an easy-to-access place is also a total lifesaver--and you just made it all the more easier to realize my love for literature. I know I'm rambling, but thank you so much!

I have a question, is it better to read these Japanese novels in their original language (Japanese) or does it not really matter if you read the English translation? I guess it's a given that reading it in Japanese is more authentic, but I'm just wondering if it's really worth it to learn such a complex language just for the sake of authenticity. Are English translations at least 90% legit anyway?

I have read most Japanese works in English except for the poetry of Nakahara Chūya, which I read in/translated from Japanese.

I have very mixed feeling towards BSD, I prefer the side stories rather than the main plot and I only like a small choice of characters, but I appreciate the series for introducing me to many great authors that I hadn't known.

I hope you have a great day!!

I just found BSD Biblio blog recently, but still I get to know about the real life authors a lot. I can't understand japanese much, so this blog truly helps me to know more about the authors and their remarkable works. I'm greatly appreciate the efforts that had been put on this blog ^^ My deepest gratitude to the translators~♡

I just wanted to say thank you for your big interest in sharing japanese literary œuvres on the internet. Here in Spain there aren't many works translated in spanish, and those that are translated, have a poor translation, except the works of Dazai. Your page lets me enjoy many pieces of art from the great japanese writers!

I love bsd and bsd-bibliophile is a great blog

I love the blog and my favorite things are the quotes! Keep up the good work. <3

I love the universe that taught me to love books.

I love this blog and thank you sm for all the love and hard work you put into it. Thank you.

I love your blog, but I didn't know you had a library! I'm definitely checking it out, since where I live it's not easy to find the books of all the authors and I want to read at least one book of each! ❤️

I love your blog:)

I love your blog!

I love your tumblr! Thank you so much for collecting all the information about the authors!

I LOVE YOUR WEBSITE ITS AMAZING THANK YOUUUU

I love your work and dedication!

I mostly make do with the books that are available in my public library, thus the only physical copy I own is "the key" bu tanizaki (if that's the correct translation of the novel)

I play the BSD mobage; that is about as far as I am into BSD as a fandom, as I've only began a couple months ago.

I prefer print, but ebooks are good when that's what's available. I started reading the BSD manga, but stopped. I enjoy it much more just vicariously through my friends who read the manga and novels. Thanks for providing Japanese lit content all the time! I'm trying to learn Japanese, but I've a long way to go, so it's cool to learn about authors and possible English translations.

I read a lot more Japanese authors than I used to before, due to the anime Bungo Stray Dogs

I really adore what you do. Though I have not been very active in the library due to real life issues, I look forward to sitting down and looking through it!

I really appreciate BSD-Bibliophile. I've learned a lot and I know without it, I might not have gotten this into Japanese literature!

i really enjoy seeing your posts on my feed and reading quotes from various writers. thank you for your effort, i really appreciate it :)

I really like that you share quotes of these authors, they're really interesting to read! :) It also helps me to decide what I want to read next haha

I really want to read the light novels, I wish one day you can upload them! Love this page so much!!

I saw a few posts from your blog on Twitter and I'll definitely follow it from now on! What you all are doing is truly amazing and I wish you and your blog only the best! (I don't have enough free time to dive into as many books as I wish I could, so your blog is really helpful)

I think Asagiri-sensei try to promote these famous Japanese authors and I really glad he did because I actually like the poems and story by these authors and whenever I read you guys post a quote from any of their books, I feels the need to buy the book. Thank you for your hardwork!

I think your work in organizing and encouraging people to engage in Japanese literature beyond the series that introduced them to it is awesome.

I use BSD-Bibliophile so much and am very grateful to have it!

I wanted to read some of Dazai's, Kenji's and Akutagawa's works, but they are hard to find in physical stores

I wanted to thank for both the blog and the online library for granting me acess to works that are either too expensive or not available in my country <3

I'm following BSD for 4 years and I read literature of BSD authors as much as I can. I'm deeply in love with its characters, and I'm delighted every time I discover the references from the real life authors and their works. I recommend for those who want to go in-depth with BSD to read the literature, or at least learn about the real life authors. It worths the time. You'll love BSD even more, and maybe the real life authors and their works as well.

I'm new to Bungou Stray Dogs, and I plan on getting my hands on the manga soon! and also the works of the real authors the characters are based off of. :)

I'm so thankful for the site! Since I can't afford the actual book, I am able to read them thru here and if you don't mind, please add Hagiwara Sakutaro's Hownling at The Moon and Kikuchi Kan's Beyond the Pale of Vengeance. Thank you!

I'm so thankful to the amount of effort put into this blog. Thank you so much.

I've been following you for years, your blog is one of my favorites. Thanks for all you do!

I've come by this website a few times, but today is the first time I've really read anything on here. The posts provide a lot of insight. I'll definitely be coming back here to make use of the online library. Thanks for making this available!

I've read and enjoyed Dazai's works, and he's the one I choose for favourite, but it's hard - if I had to choose a second I'd go with Chuuya's poetry. I've somehow wound up reading and re-reading it both for reference in my own works, and just because I want to, when I like.

I've thoroughly enjoyed all the works I've found through this series and I highly recommend people look into Tachihara's poetry! He's my favorite poet ever and his work is highly underrated.

I'm very thankful for this blog. It's heaven-sent for a booklover and fan of Japanese literature for me. I'm sure you're constantly trying to update the library, but there are a few very rare books I've always wanted to read but I'm not sure if I'll get to. Can you add "Azamukazaru no Ki" by Kunikida Doppo? I'm not sure if there exists an English translation, but I'd be eternally grateful even if you uploaded the original Japanese (actually, I would prefer that to the translation, even though it would take a million years for me to decipher the whole of it, at my level of knowledge of the Japanese language. Japanese and English being poles apart in grammatical structure, a lot of the nuances of a Japanese piece is lost in a translation, and this being a record of Kunikida's innermost feelings, I would prefer to read the original.) I also want to read the reports Kunikida made while he was a war correspondent during the Sino-Japanese war, that made him famous as a writer and journalist, but I'm not sure if those could be available. Please include Kunikida's wonderful poetry too. I have mostly read some them in the original Japanese, or Bengali translations made by a senpai of mine, but I would love to read more. As you can probably tell, Kunikida is one of my favourite Japanese authors (although I selected Akutagawa as my favourite in the survey... I love both of their writings equally, but the survey only wanted one answer, so I chose Akutagawa.) Please include writings of other Japanese authors who are not featured in BSD as well, if that is possible (you could maybe create a different section for them?) One of my favourite Japanese authors is Komatsu Sakyou, but I've only been able to read one book of his ("Japan Sinks"). I also want to read "Virus: the Day of Resurrection", "Take Your Choice" and assorted short stories written by him, but Japanese literature is unfortunately not at all easily available where I live. Which is all the more reason I'm so thankful for your blog. I wouldn't have been able to read so many amazing books of some of my favourite authors if it hadn't been for your blog. So, thank you from the bottom of my heart. I hope you will read this and consider my requests. Have a nice day :)

it is through bsd-bibliophile's blog that i am able to go in-depth about japanese authors, so thank you so much! and just a little suggestion, though you don't have to do this if you don't have time or there's simply not any reason for you to do it, i would really love to answer a survey not only featuring japanese authors but all authors across different literatures (japanese, american, english, russian) who are featured in bsd because i think that would be fun as well. and this is really a fun survey~ thank you so much!

It was very fun to fill this list.

It's too hard to choose only one character or author

Keep doing what you do, it's amazing!

keep the great works!

Loved this!!! 💕

Nothing in particular. I just wanna thank you for having this survey. Loving BSD forever.

Since I only recently fell into the world of BSD and Japanese literature I haven't been able to read many of the works I want. I'm quite eager to read "No Longer Human" by Dazai-sensei since I really liked his style. An interesting thing is that I wasn't very fond of reading poetry until I discovered Yosano-sensei and Miyazawa-sensei, I enjoyed their work a lot. I'm very grateful to this blog, I wouldn't have been able to immerse myself this much into Japanese literature and read all this wonderful works if it wasn't for you so thank you so much! Keep up the good work!! ♡

Thank you for all of your hard work in these translations; reading Japanese literature has always been my wish. Being able to find and read their works in English is the greatest thing that's happened to me.

Thank you for all the hard work! You all curate the content so carefully and do so much for the fandom. It's one of my favorite bsd

Thank you for all the work you do~ and thank you for the library as well~

Thank you for all the work you’ve done💕✨

Thank you for all your hard work!

Thank you for continuing your work on this blog!

Thank you for everything you do!

Thank you for helping me find the translated copy of Return to Tsugaru by Osamu Dazai a while back!

Thank you for making the online library available! It's a great way to read some of these works that are not easily found elsewhere.

Thank you for providing the PDF's of these books, I don't want to buy them until I know I like them because it's hard for me to read because of my ADHD, so thank you for providing them in English!!!!

Thank you for the survey!

Thank you for this site! It really helps me to learn more about the Japanese Literature. Thank you to everyone who worked hard to translate the manga and light novels! I cannot decide which author I liked the best nor which book I liked most. It really is hard for me too choose! *sends love to everyone in this site*

thank you for this site! this really feeds my reading and BSD obsession <3

Thank you for your hard work :)

Thank you for your hard work, BSD Bibliophile! You are amazing! ;)

Thank you for your hard work!

Thank you for your work ♥

thank you so much for all that you do!!

Thank you so much for all your work on the BSD Bibliophile website!

Thank you so much for both your blog and the online library!!

Thank you so much for bringing closer the translated works and thanks for the authors who translated them

thank you so much for creating this special blog! I love it and really adore it

Thank you so much for your great work! your blog is a treasure for those who don't speak Japanese but are in love with Japanese literature (─‿‿─)♡

thank you so much for your website!!! sending love from hk!! :DD

Thank you so much for your wonderful work in making Japanese literature more accessible, so people who cannot find them in their country are also able to enjoy them <3

Thank you very much for your efforts in providing information and reading materials for everyone! I find your blog and website especially useful since I can't seem to find any physical copies here where I'm from.

Thank you!

Thank you.

Thanks for all of your hardwork!

thanks for ur hard work <3

Thankyou so much for this amazing collection of Japanese writers and BSD!

The translations from the BSD Library are amazing.

there's always more than one favorite character or author but it is hard to pick between them

This blog is has so many posts that have helped me to read these literary work and became an important part of my life. Thank you for all moderators for sharing these beautiful works.

This is an interesting survey for bsd franchise also for the people who like and read Japanese literature. As a casual franchise wanderer, I'd like to fill this for showing my country existence//slaps wwwwwwwww. Thank you for providing this survey. Salam Literasi!

This library is amazing!

This was fun!! I use the bsd-bibliophile tumblr a lot - reading the quotes helps me pick which book to read next!! Through reading the Japanese literature written by BSD characters, I’ve since found other Japanese authors I love like Sakutarō Hagiwara and Dan Kazou, too!!!! <3

To clarify some of my answers, The Japanese books I own are mostly children's books. My parents however, have some Japanese novels and short stories as they are from Japan (for example my mom has a copy of Kumo no Ito by Akutagawa). I never finished Setting Sun nor Kokoro. I got about halfway through both before I had to return it to the library. The only other jp lit I've read not including poems is like a quarter of Snow Country by Kawabata Yasunari.

would just like to thank you for always providing the resources for BSD fans! i have been introduced to some of my favourite all-time works since discovering your blog and your resources!

You have a great blog, thank you all!

You're doing amazing work. Thank you so much for all you do for this fandom and the Japanese literary sphere in general.

You’re the best!

Your blog is absolutely amazing and if i hadn't found it i wouldn't have been able to read any of the BSD authors' works, i downloaded each one that interested me in PDF from your blog, hence why i admire it so much and i am so grateful for it. It is obvious that you put a huge amount of work into this blog and i love to wake up to new quotes and fragments every day. Keep up the great work, with love, a reader from Romania!

Your blog is amazing. Keep up the great work! Much support ♥️

your blog is SO helpful for my master's thesis on japanese literature. there is basically nothing in my country about japanese authors and i cannot thank you enough for the work you have done. seriously you are saving my life !!!!!!!!!! i really hope you have a good day!!!! you are really awesome™

Your BSD Library is very helpful for me, thank you for your efforts on creating it!

Your website is great, and I really appreciate your work, it’s makes it so much easier to find Japanese literature and to find new authors.

Your work is beautiful and you have expanded my knowledge of international literature so much; thank you :)

#survey #results #2020 #japanese literature #bungo stray dogs #bungou stray dogs #bsd #bsd-bibliophile

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firstpuffin · 3 years

Text

Combining videogame mechanics with prose: The Island by Max Brooks

Given I didn’t actually know what prose meant until like a year into my writing course I reckon it won’t hurt to define it early and simply. If it’s not poetry, it’s prose. Fiction is prose, this article is prose, probably the way you think is prose, assuming you aren’t one of those people who think in images. I don’t really get that, but I do think in prose so that’s probably why. Damn, 70 words in and I’m already off topic.

In my recent quest for novelty I decided to check out Max Brooks’ (I believe he wrote World War Z) Minecraft novelisation, Brooks neither being an author I know nor Minecraft being something I thought would make a good book. And I chose to get the audiobook from Audible, in slight because it gives me more time to focus on it when I’m out and about, but mostly because it’s read by Jack Black and I was super curious to see how he did.

Black’s not a bad reader, but unless more characters turn up it will be hard to fully gauge- fuck, I’m off topic again.

Sure, I also love how they use in-game music and sound effects during the reading, but this isn’t a review so check it out yourself.

Anyway, what I wanted to talk about was how Brooks adapts the gameplay heavy video game into a novel. I’m only two chapters in so any comment on the story has to wait, but I think we share the same assumption on how the world works: it’s an adventure story set in a realistic Minecraft biome and with real-world physics.

Ha! Nope!

Right at the start Brooks’ unnamed character, let’s go with the canonical Steve for now, comments on the square sun and how strange it is. Then there’s the island made up of squares, and his own body. Yeah, our hero is shocked to find he has square (he keeps saying square instead of cube and my suppressed pedantry keeps trying to peek out) hands, sans fingers.

His shock continues as he tries to grab some grass but punches out a block of dirt which shrinks and can fit into a belt pouch he has. He punches a tree, he punches leaves out of arms reach, Steve can’t eat anything that isn’t edible because his body refuses.

He tries to pet a sheep but that’s not a mechanic so he accidentally punches it and it runs away. Steve is literally a real person thrust into the Minecraft game and restricted to its rules, and bear in mind that all of this is from a first-person point of view as well, so we get all of his internal monologue and raw emotions.

This is a really interesting creative choice, largely because it’s so difficult to pull off and the book does have to start off slow, which suits me fine, but it may also be a requirement to writing for Minecraft. The game is based entirely around these blocks, these mechanics and this world.

If you watch the Game Theory YouTube channel then you probably already know (of this book) about the hidden lore and background; whether or not MatPat is correct in his conclusions, there are suggestions and lore prompts all throughout the game, but that may not really be accessible to the average player.

Many, many people just build, and mine, and many of these people won’t have seen the Game Theory episodes, so there’s not a whole lot to write about except how the world works, and the atmosphere. I believe these might be what Brooks intends to focus on. As an author known for writing the above mentioned zombie novel, it might not be a surprise that the first hostile mob that Steve encounters is the zombie.

Crafting in the day while learning the mechanics of his new world, and surviving the mobs at night. Any good book needs a climax and I’m not honestly sure what that’s going to be, nor how I would do the same; sure there’s the Nether and The End but those might not fit the isolated island survival story that seems to be the story.

I’ve decided that Max Brooks hasn’t chosen to write a story based in the Minecraft world, but instead a story of the Minecraft world. Of course, I am only two chapters in, so don’t quote me on that.

Yet.

#first puffin #writing #video games #minecraft #the island #max brooks #jack black #video game mechanics #prose #thosetagswilldofornow

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morfinwen · 3 years

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10 Facts: Lauren, Ian, Aidan, Ash, Avery, Nate, and Elarin, please!

Here’s your 70 (!) facts:

10 Facts about Lauren

1. She gets along best with her oldest and youngest brothers. She doesn't not get along with her sisters (sometimes), but their relationship can best be described as tolerance, and her closest brother Justin enjoys provoking her.

2. At one point she wanted to learn the flute, as it promised to be easier to carry around than the guitar, or the piano. Her parents couldn't afford to buy one.

3. She tried running away from home once at age eight, and considered making another attempt at age ten. Ian talked her out of it.

4. Her entire family, including aunts, uncles, cousins, and her older siblings' spouses and children, came to her college graduation. Almost all of them made it to the party her parents threw afterward. She nearly cried.

5. Lauren is always uncomfortable around her nieces and nephews -- she has four or five of them -- but if anyone made them cry, she'd punch that person in the face.

6. Knows more about comic book characters than her comic-loving brother Justin, thanks to hearing Ian talk about them in grade school, all the time. All. The. Time.

7. Got a few part-time jobs in retail in high school. She hated it, but it meant she had enough money to buy clothes that weren't hand-me-downs or from a thrift store, so she grit her teeth and kept at it.

8. She still got fired twice for losing her temper with a customer.

9. She got started smoking because her dad is an occasional smoker. He got diagnosed with lung cancer a few years ago. It's in remission, but despite multiple attempts, he hasn't managed to quit yet.

10. Her mother's had three miscarriages, Lauren was old enough to know about two of them. It's a strange concept, having a sibling that didn't even live to be born.

10 Facts about Ian

1. He has a decided type: tall, confident blonde women of principle. He's fallen in love more than once, though he tends to get over it fairly quickly.

2. Thanks to his dad's need to travel for work, he has funky little souvenirs from 48 states. Lauren has none, though she actually traveled out of state in childhood more than once, and Ian only did once he was an adult.

3. Ian theorizes his terrible sense of navigation comes from his mother, after a fashion. She's perfectly fine with directions, she just has an abysmal grasp of time. She's forever arriving half an hour to two hours late or early to appointments, and she will either take half or twice as long doing something as she says she will.

4. He has fond memories of almost two weeks with just his dad at home, when his mom was helping her parents out after her dad had surgery. They ate out almost every night, thanks to his dad being a nightmare in the kitchen, and he never went to bed on time.

5. Her terrible sense of time aside, bedtime is sacred to his mother, and she's fanatical about her son eating his vegetables. She doesn't know about those two weeks.

6. He once tried to start a dog-walking business when he was twelve. It was a terrible idea. No dogs were lost, but it was a near thing.

7. He's the only child of his maternal grandparents' only child, so they -- particularly his grandma -- tend to dote on him. They also know nothing about any children other than their daughter, so it’s not as great a thing as it might sound.

8. He has several aunts, uncles, and cousins on his dad's side, but Ian's only met one of his uncles once. He doesn't know why, exactly, but he's picked up that his dad had a rough childhood.

9. He talked Lauren out of her second attempt at running away completely by accident: he thought it sounded really cool, but all his suggestions just made it clear to Lauren how unfun it would actually be.

10. Regularly listens to the top 40 in the car, more to keep abreast of what's popular than because he likes it, though it has introduced him to some songs/artists he enjoys. He always has to turn off the radio if Lauren's riding with him.

10 Facts about Aidan

1. A big factor in his identity crisis was that, growing up, he didn't fully recognize he wasn't human. It's obvious now, of course.

2. Tried to enlist in 1941, after Pearl Harbor. He ... doesn't know if he actually served.

3. For as long as he can remember, he's always had this sense of where his sister is. It makes him wonder if his mother is dead, or something like it, since he's never been able to sense her.

4. Aidan generally gets along with Nate pretty well. This is surprising -- or, maybe not? -- given that Aidan has a really hard time understanding the concept of death.

5. Aidan has a lot of trouble with certain concepts in general, like that other people need more than 4-5 hours sleep, he should really let people know before he disappears for a few weeks, and that rules about not touching personal property don't just apply to the things he wouldn't touch anyway.

6. Given the things he's willing to do, or has done, some people might think he has no sense of dignity. He does, he just doesn't care that much.

7. The second-least accepting of having Q in the house, mostly out of a sense of loyalty to Nate, the least accepting. It had nothing to do with Q personally.

8. Until he met Ash, he'd never met anyone who had any idea what species he was. It seems incredibly obvious in hindsight.

9. Considers himself a lapsed Episcopalian.

10. When he finally went back to his hometown, nearly fifty years after he'd left, there was almost nothing left of it. It left him with a greater sense of loss than anything had before. Which wasn't a lot -- very little makes Aidan sad for very long -- but it was notable.

10 Facts about Ash

1. Ash's mother did not know her father, grew up with three sisters, and her own mother had two sisters and no brothers. She fully intended on having a daughter. Having a son was a surprise, but one she adapted to quite well.

2. Until he helped his great-aunt with managing her finances, Ash didn't really know how money worked. As it is, he knows how to make the numbers come out right, but that's pretty much it.

3. His grandmother laid down the law in his house, and even her adult daughters were careful to follow every mandate. She was fair, but stern.

4. Appearance-wise, he takes after his father more than his mother's side of the family, though judging by his aunt Iris that's where his height comes from.

5. He's not as close to his aunt Lily as he is to his mother or aunt Daisy, but whenever he was having a bad day he'd sit in her parlor and listen to her play the piano.

6. He knows he has a few cousins on his father's side, but he's never met them. His dad never figured out how to explain to his family that he had a son with the woman that did "work" on his truck once a year, so they don't even know he exists.

7. Since he knows how to manage Lanzo, most people assume he knows him well. He doesn't. He really doesn't. Lanzo just listens to Ash more than others for some reason.

8. Ash gives the best hugs. Everyone agrees on this point.

9. It sometimes baffles him that someone as intelligent as Connie can forget to eat or sleep.

10. His aunt Iris taught him to read poetry and monologues/soliloquies from Shakespeare aloud. He doesn't do it often, but if he needs to distract himself or someone else, or in certain other rare circumstances, it's quite effective.

10 Facts about Avery

1. Despite all the negatives associated with Anders being a former Grey Warden, Avery is honestly relieved that it makes it unlikely they will ever have children.

2. Avery thinks of Merrill as a younger sister, Aveline as an older one, can't imagine a better drinking buddy than Isabela, and has a great deal of admiration for Fenris after everything he's been through. That said, every single one of them gets on her nerves sometimes, and there have been moments where she wished she had never met them.

3. There's a moment in the game where Fenris implies that Avery might feel negatively about mages, after one murdered her mother. I actually spun around in the game to see if i could yell talk to him after that -- no such luck. Fenris was sent home immediately afterward, and didn't hear from Avery for two weeks. He came very close to never hearing from her again.

4. She relives memories in her dreams, sometimes pleasant ones, sometimes not. It makes mornings difficult, either way.

5. She's not much of a reader, but even if she was she'd never touch Varric's novels about her. She knows they're dramatized, but the idea still makes her uneasy.

6. Isabela never came back after stealing the Qunari relic. Avery never would have handed her over to the arishok -- she respects them as intelligent beings, but no further -- but given everything that happened after that theft, she's not sure she could have forgiven Isabela for it.

7. Her Chantry attendance is not very good, and gets worse over time. She believes in the Maker and Andraste and all that, but not with any passion.

8. She knows nothing about healing, her bedside manner is lacking (unless all you want is witty comments), and she's nowhere near methodical enough to handle medicines and supplies, but she helps out Anders' clinic in whatever way she can.

9. Cats are obnoxious, aloof, oversized rats that make her nose run and her eyes water, but if things in Kirkwall had been slightly more settled at any point, she would have let Anders have as many as he wanted. That's how much she loves him.

10. Growing up, her younger brother Carver got on her nerves, constantly. Apart from the guilt she feels over his death, her biggest regret is that they were never able to forge a better relationship as adults.

10 Facts about Nate

1. His dad died when he was seven. He has no particular memories of the man.

2. Has contemplated probably more than a dozen careers, mostly as a kid -- action movie star, paleontologist, professional skateboarder, astronaut, etc. Didn't settle on audio engineering until his sophomore year of college.

3. Loves both of his younger siblings, but he always got along better with his sister (María) than his brother (Víctor). She's very much the sweet, friendly type, whereas his brother is much more competitive and rebellious.

4. Low-key resents both his father and stepfather for never really being there for him, his stepfather moreso, since he at least had a choice about the distance he kept.

5. His stepfather is a mage, which is why Nate's a ghost now. It takes extensive contact with the occult for a human to remain as a ghost after death.

6. He loves his mama, but she was always anxious, particularly about raising her children in a big city, and a bit smothering. That's part of the reason he moved away for college.

7. He's never been religious, and during college all his friends were calling themselves atheists so he did too. While he's angry with any god that would let him die so young, if an all-powerful deity spontaneously generated that bus specifically to run him down, that would be preferable to learning there's nothing after death, and that his afterlife means as little as his actual life.

8. Knows a bunch of random trivia from watching Jeopardy with his siblings -- there were always reruns when it was too early to go to bed but too late to be outside.

9. He's always made friends easily, made more evident by his ability to build relationships with everyone in the house even in the midst of post-death depression.

10. He and his friends were extras in a movie once, as it was filming at their school. If it's ever on TV, he makes sure to watch the scene where they're skateboarding in the background.

10 Facts about Elarin

1. Like her parents, grandparents, great-grandparents, and likely even earlier ancestors, she was born in space, on the freighter her parents worked on: her father was a mechanic, her mother worked in security.

2. She had a lot of siblings, older and younger, but she was the only one to be taken by the Jedi.

3. While she never liked being lied to, it wasn't until she learned how much the Jedi had lied to her about who she was that she developed such a hatred for it.

4. People closer than acquaintances can call her Arin. Her childhood nickname was Ella, but only Bastila, Meaghan, and Carth can call her that.

5. She's always viewed orders by authority as "suggestions". It's caused a few problems.

6. Elarin has a very charismatic presence, drawing a lot of attention and winning people over very quickly. She uses it occasionally, but she's never understood why she has it.

7. She's made the attempt more than once, but she's never managed to fully understand why her previous self fell to the dark side. She isn't sure if that's a good or bad thing.

8. While she's brilliant at war strategy, tactics is one of the few things she's neither excellent or terrible at, and during the wars she had to rely on her advisors to help her with them.

9. She can't remember anything about Malak from before, so all she really knows of him is his Darth Malak self. She still feels guilty about her part in that.

10. Because canon is dumb (and not even canon anymore), Elarin did leave after the events of KotOR 1 to investigate things from her past, but she returned not long after the events of KotOR 2. As far as official records are concerned, however, the former Darth Revan never returned from beyond the Outer Rim, fate unknown.

Thanks for asking!

#ask #answer #OCs #lauren winston #ian grayson #aidan michaels #ash jackson #nate vasquez #avery hawke (dragon age 2)#elarin (knights of the old republic)#valiantarcher

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buzzdixonwriter · 4 years

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My Five Most Influential

Someone asked: Who are the most influential writers in your life?

Good question.

The broad answer is that one gets influenced many different ways by many different sources. I enjoy poetry and song lyrics because they find ways of conveying the strongest emotional content in the most concise manner, music brings a sense of dramatic rhythm and fulfillment, the visual arts suggest ways of subtly adding many insights to a single strong idea, etc., etc., and of course, etc. (and that is also an example of a creative influence in my work).

But…to boil it down to those whom I most consciously made an effort to emulate, we find ourselves facing five creators that primed the pump.

This is not to say others whom I began following after them didn’t wield a lot of influence (thanx, Ernie, Bert, Jack, Bob, and Hank!) but these are the foundation of everything I’ve done in my career.

(And to those who notice a lack of diversity, I know, I know…but to be honest I have to acknowledge the truth, and the truth is for whatever reason, by chance or by choice, by fate or by fortune, these five dominated my sensibilities. I trust that I’ve grown and expanded my horizons since then, but they’re the hand I got dealt.)

. . .

Carl Barks

I loved ducks as a kid and my grandmother and aunt would always bring me a passel of duck-related comics when they came to visit.

There were some Daffy Duck comics mixed in there but while I know I looked at and enjoyed them, none of them stick in my mind like the Donald Duck and Uncle Scrooge stories of Carl Barks.

Typically my grandmother would read these comics to me and I’d imprint the dialog and captions in my brain, replaying them as I looked at the pictures over and over again.

Barks never wrote down to his audience, and his stories covered a vast array of genres, everything from straight domestic comedy to oddball adventures to screwy crime stories.

Donald and his nephews encountered dinosaurs more than once (another big favorite of mine), and Uncle Scrooge setting out to explore the asteroid belt in order to find a new home for his fabulous money bin was another tale I loved literally to pieces, but A Christmas For Shacktown remains my all time favorite graphic novel.

I’ll concede there are better graphic novels, but none of them warm my heart the way that Christmas story does.

Barks showed it’s possible to combine heart (not to be confused with sentimentality or =yuch!= schmaltz), vivid characters, and strong, intricate narrative. His plots where typically filled with unexpected twists and turns but his characters were always deeply involved in them, not just along for the ride.

He’s one of the greatest storytellers in the 20th century, and his work remains timeless enough to last for several centuries to come.

. . .

Ray Bradbury

The first Ray Bradbury story I remember encountering was “Switch On The Night” in its 1955 edition, read to my kindergarten class towards the end of the school year.

This would place the event sometime in the spring of 1959.

“Switch On The Night” captivated me because it was the first story I’d ever heard that showed what could be seen in the dark that couldn’t be seen in the day.

Even as a child, it made me realize the night wasn’t scary, but contained wonders and insights we miss in the harsh glare of day.

I don’t recall if the kindergarten teacher told us the name of the author, and if she did it didn’t stick, but boy howdy, the story sure did! Did it open the doors of the night for me, or was I already inclined to be a night person and it simply confirmed that as a valid identity?

I dunno, but I’m typing this right now at 12:24am.

And the thoughts Bradbury planted in little Buzzy boy’s brain stayed and grew and flowered, as you can read in my poem, “The Magic Hours Of The Night”.

The next time I encountered Ray Bradbury’s writing was in grammar school, certainly no later than junior high. I was already interested in science fiction by that point, and had read “The Pedestrian” in one of my school English books (we weren’t taught the story in class; the teacher skipped over it for whatever reason but I read it anyway then re-read it and read it again and again).

Anthony Boucher’s ubiquitous 2-volume A Treasury Of Great Science Fiction was in my grammar school library and in it was Bradbury’s “Pillar Of Fire” (which I would later learn was one of his alternate Martian Chronicles and a crossover with Fahrenheit 451) and in that story he offered up a veritable laundry list of outré and outlandish fiction to be tracked down and read, authors to dig up and devour.

Oh, man, I was hooked.

So of course I began looking for all the stories and writers Bradbury listed in his short story but I also began looking for Bradbury’s own work and before you could say, “Mom, can I get a subscription to the Science Fiction Book Club?” I’d read The Golden Apples Of The Sun and A Medicine For Melancholy and R is For Rocket never once dreaming that at some point in the future the roadmap Ray plopped down in my lap would eventually lead to us being co-workers (separate projects, but the same studio at the same time) and friends.

There is a beautiful yet deceptive simplicity to Ray’s work, and even though he wrote his own book on writing (The Zen Of Writing) that has lots of good insights and professional tricks & tips, he himself wasn’t able to explain how he did it.

I don’t think I’ve ever seen a good Ray Bradbury parody.

I’ve seen parodies that clearly are intended to evoke Ray Bradbury, but only in the same way a clumsy older relative might evoke Michael Jackson with a spasmodic movement one vaguely recognizes as a failed attempt at a moonwalk.

But, lordie, don’t think we didn’t try to emulate him, and while none of us fanboys ever came close, I think a lot of us did learn that less is more, that the right word carries more impact than a dozen paragraphs, and that there’s magic in even the most ordinary of things.

And of course I discovered the film and TV adaptations of his work, and in discovering them I also discovered that there are some things that just can��t be translated from one media to another, and that the light, effortless appeal of Ray’s work on the page (paper or pixel) can at best be recaptured with a good audio book reader but even the best dramatic adaptions -- even those by Ray himself -- are cold dead iron butterflies compared to the light and lively creatures flying about.

So eventually I stopped trying to write like him, and instead picked up the valuable lessons of mood and emotion making an impact on a story even if the plot didn’t make much logical sense.

Decades later I would become a fan of opera, and would learn the philosophy of all opera lovers: Opera doesn’t have to make logical sense, it just has to make emotional sense.

Ray Bradbury, opera meister.

. . .

H.P. Lovecraft

As noted above, Bradbury’s “Pillar Of Fire” tipped me to numerous other writers, first and foremost of which turned out to be Howard Phillips Lovecraft.

Okay, before we get any further into this, let’s acknowledge the woolly mammoth in the room: H.P. Lovecraft was a colossal asshat racist.

He was a lot of other terrible things, too, but racist is far and ahead of the rest of the pack.

It’s a disillusioning thing to find people one admired as a youngster or a teen later prove to have not just quirks and eccentricities and personal flaws, but genuinely destructive, harmful, and offensive characters.

I’ve posted on that before, too.

How I wish it were possible to retroactively scale back that hurtfulness, to make them more empathetic, less egregiously offensive (in the military sense of the word), but that ain’t so.

We have to acknowledge evil when we see it, and we have to call it out, and we have to shun it.

Which is hard when one of its practitioners provides a major influence in our creative lives.

Here’s what I liked about Lovecraft as a kid: He was the complete opposite of Ray Bradbury.

Bradbury’s instinctive genius was in finding the right word, the simple word that conveyed great impact on the story, drawing the reader into the most fantastic situations by making them seem more familiar on a visceral level.

Lovecraft achieved the exact opposite effect by finding the most arcane, bedizened, baroque, florid, grandiloquent, overwrought, rococo verbiage possible and slapping the reader repeatedly in the face with it.

If Bradbury made the unreal real, Lovecraft made the weird even more weirder.

And let’s give this devil his due: The Strange Case Of Charles Dexter Ward and The Dunwich Horror are two masterpieces of horror and serve as the bridge between Edgar Allen Poe and Stephen King, not to mention his creation of Cthulhu and other ancient entities existing beyond the ken of human knowledge…

…oh, wait, that’s where the story simultaneously gets messy yet provides a convenient escape hatch for fans.

While Lovecraft created Cthulhu, he did not create the Cthulhu Mythos.

That was primarily the invention August Derleth, a writer / editor / agent and H.P. Lovecraft’s #1 fanboy.

Lovecraft had some loosely related ideas in his stories and several themes he revisited repeatedly (in addition to racism).

He also had a circle of fellow writers -- including such heavy hitters as Robert “Psycho” Bloch and Robert E. “Conan” Howard -- who picked up on his ideas and, as way of a tribute, incorporated them in some of their stories.

Derleth took all this and Lovecraft’s unfinished manuscripts and short ideas he jotted down and turned it into a whole post-mortem industry, linking all of Lovecraft and other writers’ tales.

And he did a damn fine job of it, too.

So much so that the Cthulhu Mythos has taken on a life of its own, and pretty much anybody can play in that cosmic sandbox now (including Big Steve King and a ton of Japanese anime) and so Lovecraft’s works have an enormous influence on pop culture…

,,,but Howard hizzowndamsef can be -- and is -- cancelled.

Derleth and various biographers downplayed Lovecraft’s virulent racism for decades, and I don’t think Ray Bradbury was ever aware of the scope and tenor of Lovecraft’s bigotry when he name checked him in “Pillar Of Fire” and other stories.

In a similar vein Bradbury didn’t know -- because thanks again to overly protective literary executors, nobody knew -- just how big a racist asshat Walt Whitman was, either. It is one thing to call shenanigans on a Bill Cosby or a Harvey Weinstein or a Donald Trump because their egregious behaviors were noted long before they were held accountable, but quite another to do so on a creator who died while hiding their most awful behavior from thousands if not millions of fans who felt inspired and uplifted by their work.

It’s one thing to call out a contemporary bigot and not support them by not buying their work, it’s quite another when their bigotry has been shielded from view and fair minded, decent people have used their work to draw inspiration into their own creativity.

Of course, I had no way of knowing all this when I was in junior high and seriously began tracking down Lovecraft’s work.

He possessed a flair of the horrific and unearthly that to this day is hard to match (but easier to parody). He was a tremendous influence on my early writing (truth be told, I zigzagged between Bradbury’s stark simplicity and Lovecraft’s overarching verbosity, giving my early oeuvre a rather schizophrenic style) and the ideas he sparked still reverberate to this day.

If only he hadn’t been such a giant %#@&ing asshat racist …

. . .

Harlan Ellison

In a way, I’m glad neither Harlan nor his widow Susan are alive to read this.

I cherished Harlan as a friend and greatly admired his qualities as a writer.

But damn, by his own admission he should have been thrown in prison for aggravated assault on numerous occasions (he was courts martialed three times while in the Army).

We’re not talking about arguments that spiraled out of control until a few wild punches were thrown, we’re talking about Harlan by his own admission stalking and ambushing people, knocking them unconscious or causing grievous bodily harm.

We’re talking about sexual abuse and humiliation.

We’re talking about incidents he admitted to which if true put people in life threatening situations.

And yet ironically, in a certain sense Harlan (a bona fide Army Ranger, BTW) was like the U.S. Marine Corps: You’d never have a greater friend or a worse enemy.

I became dimly aware of Harlan in the late 1960s as I started diving deeper into literary sci-fi, transitioning from monster kid fandom to digests and paperbacks. Harlan first caught my attention with his macho prose (years later a similar style also drew me to Charles Bukowski) in stories like “Along the Scenic Route” (a.k.a. “Dogfight on 101”) in which Los Angelinos engaged in Mad Max motor mayhem but soon it became apparent the macho posturing was just a patina, that the heart and soul of much of the work reflected great sensitivity and often profound melancholy (ditto Bukowski).

Harlan was a fighter, and again by his own admission, he acknowledged in his later years that he was not a fighter because his cause was just, but rather sought out just causes because he knew he would be fighting regardless of his position, yet possessed a strong enough moral compass to point himself in the direction of a worthy enemy…

…most of the time.

He hurt and offended a large number of innocent and some not-so-innocent-but-certainly-not-evil people.

He also helped and encouraged a large number of others, people who had no idea who he was, people who had no way of adequately reciprocating his kindness and generosity.

He defended a lot of defenseless people.

He also mistakenly defended a lot of terrible people.

If someone tells me Harlan was a monster, I’ll agree: Monstre sacré.

What made his writing sacred was that no matter how outlandish the situation, Harlan dredged up from the depths emotions so strong as to be frightening in their depiction.

Skilled enough not to lose sight of humanity, outlandish enough to conjure up ideas and emotions most people would shy away from, Harlan hit adolescent Buzzy boy like an incendiary grenade.

Unlike my first three literary influences, Harlan was and remained active in the fannish circles where I was circulating at the time. He regularly wrote letters and columns for various fanzines, including a few I subscribed to.

In a literary sense he stood, naked and unashamed, in full view of the world, and that willingness to go beyond mundane sensibilities is what made his work so compelling.

He certainly fired me up as an adolescent writer, and proved an amalgam of Bradbury and Lovecraft that got my creative juices flowing in a coherent direction.

I don’t think I ever consciously tried to imitate him in my writing, but I sure learned from him, both in how to charge a story with emotion and how to fight for what’s right regardless of the blow back.

I loved him as a friend.

But, damn, Harlan…you could act so ugly...

. . .

H. Allen Smith

Who?

Most of you have never heard of H. Allen Smith, and that’s a damn shame.

I’d never heard of him either until I stumbled across a coverless remaindered copy of Poor H. Allen Smith’s Almanac in a Dollar General Store bin in Tennessee in the late 1960s (it was a memorable shopping expedition: I also purchased Thomas Heggen’s Mister Roberts and Let’s Kill Uncle by Rohan O'Grady [pen name of June Margaret O'Grady Skinner]).

Reading Smith’s editorial comments (in addition to his own essays and fiction he edited numerous humor anthologies) I realized I’d found a kindred soul.

Smith had a very conversational tone as a writer; his prose seemed off the cuff and unstructured, but he slyly used that style to hide the very peculiar (and often perverse) path he led readers down.

He sounded / read like a garrulous guy at the bar, one with a huge number of charming, witty (and delightfully inebriated) friends in addition to his own bottomless well of tall tales, pointed observations, and rude jokes.

Of all the writers mentioned above, that style is the one I most consciously tried to emulate, and one I seem to have been able to find my own voice in (several people have told me I write the same way I talk, a rarity among writers).

Smith was hilarious whether wearing an editor’s visor or a freelancer’s fool’s cap. If you know who H. L. Mencken was, think of Smith as a benign, better tempered version of that infamous curmudgeon (and if you don’t know, hie thee hence to Google and find out).

Compared to my other four influences, Smith didn’t need to add the fantastic to his fiction: The real world was weird and wacky and whimsical enough.

A newspaper man turned best selling author, Smith became among the most popular humorists of the 1940s-50s-60s…

…and then he died and everybody forgot him.

Part of the reason they forgot is that he wrote about things that no longer seem relevant (TV cowboys of the early television era, f’r instance, in Mr. Zip) or are today looked upon askance (and with justifiable reason; the ethnic humor in many of his anthologies may not have been intended as mean spirited, but it sure doesn’t read as a celebration of other cultures, viz his succinct account of an argument following a traffic accident between two native Honolulu cabbies rendered in pidgin: “Wassamatta you?” “’Wassmatta me’?!?!? Wassamatta you ‘Wassamatta me’? You wassamatta!”).

I’m sure I picked up a great many faults from Smith, but Smith also had the virtue of being willing and able to learn and to make an effort to be a better person today than he was yesterday, and better still tomorrow.

I’ve certainly tried applying that to my life.

Smith’s style was also invoked -- consciously or not -- by other writers and editors, notably Richard E. Geis, the editor of the legendary sci-fi semi-prozone, Science Fiction Review (among other titles). Smith died before I could meet him, but while I never met Dick Geis face to face we were pen pals for over 40 years.

Geis certainly sharpened specific aspects of my writing style, but the real underlying structure came from H. Allen Smith.

Smith’s work is hard to find today (in no small part because whenever I encounter one in the wild I snap it up) but I urge you to give him a try.

Just brace yourself for things we might consider incorrect today.

. . .

So there’s my top five.

With the exception of Carl Barks and Ray Bradbury, none of them are without serious flaw or blemish (though Smith seems like a decent enough sort despite his fondness for X-rated and ethnic humor).

In my defense as an impressionable child / teen, I was not aware of these flaws and blemishes when I first encountered their writing (primarily because in many cases efforts were made to hide or downplay those aspects).

The positive things I gleaned from them are not negated by the negative personal information that came out later.

I can, for the most part re the more problematic of them, appreciate their work while not endorsing their behavior.

Ellison can only be described in extremes, but his fire and passion -- when directed in a positive direction -- served as a torch to light new paths (his two original anthologies, Dangerous Visions and Again, Dangerous Visions, pretty much blew the doors off old school sci-fi and belatedly dragged the genre kicking and screaming into the 20th century).

Lovecraft I can effectively ignore while finding entertainment value in the Cthulhu Mythos.

But I must acknowledge this isn’t the same for everyone.

For example, as innocuous as I find H. Allen Smith, if a woman or a member of a minority group said, “I found this in particular to be offensive” I’d probably have to say, yeah, you’re right.

But I can still admire the way he did it, even if I can no longer fully support what he did.

. . .

By the time I reached high school, I’d acquired enough savvy to regard to literary finds a bit more dispassionately, appreciating what they did without trying to literally absorb it into my own writing.

I discovered for myself the Beat generation of writers and poets, the underground cartoonists of the late 60s and 70s, Ken Kesey, Joseph Heller, Philip K. Dick, Ursula K. LeGuin, and a host of others, some already alluded to.

Some, such as the Beats and Bukowski, I could enjoy for their warts and all honest self-reflection.

Yes, they were terrible people, but they knew they were terrible people, and they also knew there had to be something better, and while they may never have found the nirvana they sought, they at least sent back accurate reports of where they were in their journeys of exploration.

By my late teens, I’d become aware enough of human foibles and weaknesses -- every human’s foibles and weaknesses, including my own -- to be very, very cautious in regarding an individual as admirable.

While I will never accept creativity as an excuse for bad behavior, if a creator is honest enough and self-introspective enough to recognize and acknowledge their own failings, it goes a long way towards my being willing to enjoy their work without feeling I’m endorsing them as individuals.

It’s not my place to pass judgment or exoneration on others bad behavior.

It is my place to see that I don’t emulate others’ bad behavior.

Every creator is connected to their art, even if it’s by-the-numbers for-hire hack work.

Every creator puts something of themselves into the final product.

And every member of the audience must decide for themselves if that renders the final product too toxic to be enjoyed.

#how this writer's mind works #writing #Carl Barks #Ray Bradbury #HP Lovecraft #Harlan Ellison #H Allen Smith #influences

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its-all-ineffable · 4 years

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Shadowhunters 1x01, ‘Review’(insulting it while raving about how good the books and movie are)

So, you know....where do I start?

Lets start with Clary. First annoyance - she’s supposed to be fifteen, turning sixteen! But Netflix and Freeform were like, “Oh no, we can’t have teenagers making out, we must age everyone up! Sixteen year olds cannot be involved in making out!” I just...ugh! Why would you do that? The top that ‘Dot’ gives her as well, like, I wouldn’t give any 18 year old that top! I know they go out clubbing, but I would not give Clary that top. Plus, it’s not here style! She wears t-shirts, jeans, combat trousers, and sneakers. She does not do see through tops! Or heels, which she ALWAYS seems to wear in the series! Also, her hair is orange, not ginger. ORANGE. Wrong colour guys!

Right, Pandemonium. It’s an all ages club in the book. ALL AGES. That means that 15 year old Clary and 16 year old Simon can get in there, along with 16 year old Jace and Isabelle and 17 year old Alec. In the first chapter, it says “It was a long wait to get into the all-ages club”. C’mon guys! Also, that confrontation with the demon! In the book, it’s very different, with Isabelle seducing a boy with blue hair into a storeroom where Alec, Jace and Izzy interrogate him. Clary follows. The film follows this narrative better, with Isabelle seducing a male-presenting demon to here, and it being killed. Also, Isabelle’s costume in the film is more like the one described in the book, and much nicer.

The whole bit where Clary comes home to her mother after the Club scene is completely wrong! Her and Simon go to Eric’s poetry reading (this is flipped in the film, they go to the poetry reading then Pandemonium), then she ends up confronting Jace outside Java Jones (which does happen in the film), and getting a phone call from her mother to not come home. She does so, and finds the place destroyed, which is when a demon attacks her. She uses the sensor she steals from Jace to kill it, and he comes to ‘rescue’ her. She never gets a chance to tell Jocelyn about what happened at the club. Also, Pandemonium is not Magnus’ club. Magnus doesn’t even appear until they go to his party to confront him about the block on Clary’s memory! I know they have to change certain things, but I hate the way they screwed this up!

Luke as well - I love Isiah Mustafa’s portrayal of him, and I think he’s a very good actor, but his character is so different it’s almost unrecognisable. He’s a kind bookseller, who encourages Jocelyn to tell Clary the truth, and gets angry with her when she doesn’t.

‘Dot’ is completely wrong too. Madame Dorethea is the Fray’s elderly neighbour, who lives in the downstairs apartment in the old Brownstone house they live in that’s converted. She is a physic and abrasive towards all, barely appearing for most of the novel. She does have a portal in her apartment, but we only discover this near the end of the book. She is NOT a warlock, but the adoptive daughter of one.

Isabelle - OH MY GOD, ISABELLE. I love Emeraude and her acting, but Isabelle is NOT NICE. She dislikes Clary a lot in the first book, and Clary dislikes her. They have conflicting personalities, and Isabelle is unhappy with the fact that she is not the centre of attention of all the boys (bar Alec). She is not kind to Clary at all at first, and actively discourages the idea that Jace is her brother. She says “Jace? My brother? No. Whatever gave you that idea?”. This is a drastic change in the series, where Isabelle refers to Jace as her brother a lot. Also, the clothes she leaves Clary when she wakes up from the demon attack are a red shirt and black trousers. Not a tight leather dress! Also - “ ‘You might want to clean up a little. You smell.’ Clary glared at her. ‘Thanks a lot.’” - they don’t like each other.

Also, because Luke is not a cop in the book, it takes longer for Clary to overhear him saying he doesn’t care - it’s when she and Jace return to her apartment to pick up spare clothes, have tea and a tarot card reading with Madame Dorethea and find Simon hiding in Luke’s bushes. That’s where Simon comes back into it. Not finding Clary in an abandoned church. So the order throws me completely. At least in the film they kind of tried to keep major events major, and in some semblance of the order they’re in in the book.

The Institute is all wrong - Hodge, Jace, Alec and Isablle live there, and Max, Maryse and Robert do when they’re not away in Idris, but there are not loads of other people around. And the tech? What? Who decided that the Shadowhunters are basically super spies? Why? Just why?

Maureen, Simon’s bandmate, is, in the books, a friend of a cousin of Simon’s bandmate Eric, who goes to all their gigs and has a big crush on him. And she’s 14!! I understand they wanted to change things, but what the fuck? And she’s not even mentioned in the City Of Bones novel! She comes into it in the 4th book, and only as a side character! I’m not saying that I don’t like Maureen as a character in the series, because I do, but it confused the hell out of me when I first watched the show, and it creeps me out because every time I hear the character’s name, I remember that she’s a 14 year old girl in the book.

And I can’t even talk about Jace. He needs a post of his own. I think Dominic Sherwood is a great actor, and I liked him in other things, like Vampire Academy, but I just....you know what, I’ll make a post for Jace. I can’t cope with that rabbit hole right now.

At least we have Matthew Daddario, perfectly capturing Alec’s salty, bitter attitude. He is annoyed that Jace has already taken so many risks for Clary, thinks she’s an unimportant mundane who’s more trouble than she’s worth. Truthfully, when I first watched this show, Alec was the only reason I decided to keep watching. His character was the most true to the original version of himself, and while I love the movie (and most of the actors in it), the Alec never went over well. Alec is abrasive and unkind at first, but he’s not a complete dick, and he’s not someone who would try and physically strangle Clary like he does in the movie. So, kudos to Matthew Daddario for being the only one allowed to play his character as he was written, and doing it well.

And Alberto did a great job at portraying Simon as a kind, nerdy friend who’s hopelessly in love with Clary. I’m just a sucker for Robert Sheehan, which is why I prefer movie Simon just a tinsy tiny bit more. But both Simon’s are excellent, and portray the essence of the character super well!

Before people get triggered over all this though - I like this show. I respect the actors. I’m also aware that it’s and adaptation, and that adaptations, no matter how faithful they are, change the source material to fit themselves. I get that. The film did it. The difference is, the film did most of it well. The show...doesn’t. It tries, but it just feels clunky in a lot of places and I hate it. It gets better as it goes into later series - I think the writers get better, and the actors clearly feel more comfortable in their characters, but it still does a lot of things that irritate me and I wanted to point them out. But the actors try their best, and god bless Alberto Rosende and Matthew Daddario for being the gems they are.

I always say that if we could have the film, and replace the Alec and the Magnus from it with the ones for the show, that it would be my idea of a perfect adaptation. And it would, in my mind. But people have different opinions, and I respect that. I also like a lot of the characters from the show, like Isabelle and Luke, I just feel conflicted because they are SO different from their original iterations, and I like the characters Cassandra Clare presented me with in the books.

Please don’t be insulted by this, these are my opinions, I just wanted to share them. Yours are probably different. Feel free to share them with me. And Jace...I can’t even with the show’s Jace. I just...jesus.

Anyway, thanks for listening to my rant/review. Hope you...enjoyed it? I don’t know.

#shadowhunters #the mortal instruments #shadowhunters 1x01 #review/rant

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ralph-n-fiennes · 5 years

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RALPH FIENNES LOOSENS UP - GQ MAGAZINE

Well, loose for Ralph Fiennes, anyway. The actor and director lives a life of high culture like practically no one else alive. Lately, he's been making us laugh, too.

Ralph Fiennes seems both parodically English and consummately European, the way classical music isn't bound by borders, either. In addition to all measure of British, he has played, to my count: Austrian, Irish, French, German, Hungarian, Russian, and unspecified Balkan—as well as American (both WASP and serial-killer varieties), and Snake. He appears to carry with him, among many other charms, a cache of words, phrases, and proper pronunciations of non-English languages, like a deep pocketful of pre-Eurozone coins. It is very fun to listen to him talk in movies—and in person in London, as I did, for a few hours in late January.

I say all this to help explain why Fiennes registers to many interested in his life and career as one of our ultimate cosmopolitans. He is, just to list some of his culture bona fides, one of the living actors most associated with Shakespeare. He has said that he and his six siblings grew up listening to vinyl recordings of poetry recitations. He has often acted in films based on the acclaimed novels of major-prize-winning authors. He has said the talent he would most like to have is playing the violin. He has said that when he travels for a film, he always does so with the complete Beethoven piano sonatas, a “talisman” and “safety net for when one is feeling a bit bruised or battered.” He has described the greatest love of his life as “having a transforming encounter with a Work of Art, either as a listener, viewer, reader, spectator, or participant.” He is fluent in painting styles and the names of museum directors and the great theaters of both the East and the West. He is fluent in ballet now, too, since he's just directed a movie about the Soviet dancer Rudolf Nureyev. He enjoys hopping on the Eurostar to Paris from his home in London. He enjoys short flights to European capitals. He enjoys picking up his rental car in Umbria so that he may drive—the only time he drives—to his “tiny farmhouse” in the Italian countryside, where he goes “to read.” He has said his idea of perfect happiness is “swimming naked in the sea.” He has said that when and where he was happiest in his life was “swimming in Voidokilia Bay in the southern Peloponnese.” While we were together, he sounded most like Ralph Fiennes when he said European-sounding nouns, like “Peugeot” and “Tchaikovsky” and “salade niçoise.” He pronounced the little tail thing on the c, and, as a Fiennes character might direct him to, he pronounced it trippingly.

This cosmopolitanism seems to have sort of become the point about Ralph Fiennes in recent years. Wes Anderson may have been the first to recognize a new use for this caricature: that in the post-heartthrob Fiennes, a filmmaker could mine middle-life pathos, as well as levity and humor; that if a character were to possess an arch knowingness about the fact that he was being played by Ralph Fiennes, it might be really, really fun to watch.

Actually, maybe credit belongs to Martin McDonagh and In Bruges. The joke there was that Fiennes—the very high culture of his cells—could play the antithesis of so many counts and kings: an irritable East End gangster with a Shakespearean facility with fucking fuck fucks. Maybe that was the pivot?

Or, scratch that, too—perhaps it started earlier, with his first nose-less “Avada Kedavra!” in a Harry Potter movie. Maybe that was when we felt the options expand.

Regardless, there's been a slow shift, iterative at first, and then all at once wholly present, in a new series of roles for Fiennes over the past decade or so. There would always be the bedrock of English/European-set drama (Schindler's List, The English Patient, The Constant Gardener, The End of the Affair, Sunshine, just to name some acclaimed heavies), but there was space now for a fresh kind of on-screen presence. You get the Oscar-nominated talent and the self-awareness, too.

Take Luca Guadagnino's A Bigger Splash, for example, where Fiennes plays a motor-mouthing cocktail of taste and devil-may-care that could be reduced to something like: Ralph Fiennes type—but with all of the shirt buttons unbuttoned. Ralph Fiennes type—but with a Jagger falsetto and breezy linen. There's a scene in which Fiennes's Harry Hawkes leads his compatriots to a no-tourists dinner spot on a secluded hillside on an Italian island, doling out por favores and grazies as he gracefully inserts himself into the hospitable hands of the locals. I remember thinking in the theater, or on the plane, or wherever: This. This is what you get when you strip off the uniform of haughty propriety, but still have all the knowingness—all the language and command and wisdom amassed from a lifetime of moving fluidly across European borders. The result is very funny and very cool.

When we met in January, Fiennes had just finished a 76-show run of Antony and Cleopatra at the National Theatre in London. He'd spent the previous day—his one and only day off between the play and a new film shoot—reading books and responding to e-mails. (He'd been journaling when I first approached our table.) Fiennes still had his beard from the play, but it would be gone by that evening. He made reference to “what little hair I have left” on top, a style that changes often. The fixtures of his face were plenty there, though. The prominent nose and brow. The sticky-outy canines. The sensitive pale eyes, ticklish to the light—ever-present in the heroes and the villains alike, the same pair on Count Almásy as on Voldemort. The eyes were so familiar. As was the voice. His voice sounded exactly like Ralph Fiennes.

Sometimes actors make choices to pivot their careers. Other times those choices—those theories about their work, the sort of I've just laid out above—are more arbitrary, connecting unrelated opportunities in an effort to make sense of them, the way we trace weird animals out of the stars. Fiennes has said that, at times in his career, he felt people presuming that he only did a certain kind of dramatic role. I asked him if the run of films including In Bruges and The Grand Budapest Hotel and A Bigger Splash felt like a pivot.

“It did feel like that,” he said. “I cannot tell you how thrilled I was when Wes asked me to be in the film. And when Martin McDonagh approached me to be a kind of London gang boss. Which is not my obvious casting bracket.… And then Luca came to me with that great part, and it felt exciting to me, that ‘Oh, great, I'm not being seen as, I don't know, English intellectual or sort of cool, crisp bad guy.…’ The thing that people were responding to was the comedic, or the humorous, that was clearly in Wes's script, and Martin's, and in A Bigger Splash, and also the wonderful scene I was asked to do in the Coen brothers' film [Hail, Caesar!].” (Would that i' t'were so simple...)

I told him I'd been wondering how active he was in the pursuit of that pivot, since it's difficult to know how much an actor's hands are on the wheel.

“I think it's a very valid question. And I think sometimes actors are absolutely going: I want to do this and this.And other times it comes to you. All the stuff I've loved doing most has come to me. Sent to me.”

In the case of A Bigger Splash, Luca Guadagnino, who'd made it “an aim” of his to work with Fiennes ever since seeing Schindler's List and Quiz Show, told me he knew the actor for Harry “had to be somebody who could carry a complete buffoonish, clownish character combined with melancholy—and there was no doubt Ralph was the right person for that.” At the time, Fiennes had done The Grand Budapest Hotel, Guadagnino continued, and a trailer had just come out: “And I saw him briefly in a pink tie, being suave and swarthy in that little clip, and it was, ‘See, he's perfect.’ He's not only a master of shades of brooding-ness and melancholy, but he can also bring a levity and a capacity of likability that is really unique.” That well-worn heavy, and the new light. Perfect.

Fiennes is a voracious reader, and many of the films he's best known for have been adapted from the works of renowned authors. Michael Ondaatje. Graham Greene. Peter Carey. Shakespeare and Dickens. Even with the more genre-y, it's the best of the genre: Ian Fleming, John le Carré. I asked him if there was any intentionality to those clusters, to working with material from notable novelists.

“I know, I've been asked that before,” he said, seeming to consider it fresh. “But I think I'm responding to the film. And I've been happy to do things that are not based on a book, like In Bruges or The Grand Budapest Hotel.”

I asked if “his people” know what he's going to go for at this stage.

“I believe they know what I respond to,” he said. “But I'm actually not a good reader of film scripts. I'd rather read… I mean, I think I try the patience of the people who represent me.” He laughed knowingly. “If there's a book to read, and they're both sitting there…I'll go to the book, I'll read the script later.… If a certain amount of pressure is put on me, I'll go, Sorry, sorry, I'm doing it.”

I asked Tony Revolori, who played Fiennes's teenage co-lead in The Grand Budapest Hotel, if he remembered what Fiennes was reading on set. “A book of Shakespeare's sonnets,” naturally. Revolori said that Fiennes taught him “the proper way” to read those sonnets and then presented him with a “beautifully designed book” of those poems at the end of the shoot. On set, there were discussions of diction with director Wes Anderson. Tongue twisters were introduced. She stood upon the balustraded balcony inimicably mimicking him hiccuping while amicably welcoming him in. “Tongue-twister battles” ensued. (I would be disingenuous if I described any of this as being shocking.)

From a distance, it is hard to see Fiennes's life as anything but full and packed wall-to-wall with high culture. I asked if he, as a Known Culture Person with a love of things like theater and opera and classical music and art, worried there was something “slipping” in culture?

“I think, 'cause the National is fresh, I can talk about that with a bit more—I can know my thoughts more about the National more than…”

“Than all of culture, like I'm asking you?” I said.

He laughed. “It may be nostalgia, it may be how I'm choosing to remember, but you felt that within the National Theatre—and certainly at Stratford it is the case—they have to function as the company. I think it's probably impossible to do that now because of the way the entertainment business works, and the way actors need to be a part of—the pay is not high—so you have to make money on television or doing voice-overs. But maybe I have a romantic sense of the company.”

Fiennes's first big break came in 1988, in Stratford, with the Royal Shakespeare Company, the company of companies. “I wanted to be an actor because I was excited by Shakespeare. It was thrilling and moving. I don't know, I had a quite naive infatuation with Shakespeare. I thought, What a wonderful thing to be in the Royal Shakespeare Company, or the National—and I didn't really think about films, because that seemed like another world.”

Shakespeare led to his first films, which led to a meeting with Spielberg and a role as an Austrian Nazi. In 1993, he was nominated for his first Oscar and embarked on the 25-year movie career that's followed. “If he picks the right roles and doesn't forget the theater,” Spielberg said of Fiennes at the time, unwittingly providing a useful blueprint, “I think he can eventually be Alec Guinness or Laurence Olivier.”

Fiennes didn't forget the theater, and he returns to Shakespeare frequently. The plays were his first love. And despite all forces pushing younger actors toward other kinds of work, he finds that that same infatuation endures with a new generation. “Even just walking back from our last-night Saturday, across the bridge to a party we were having [to celebrate the end of the production], one of the younger female members of the cast, a tiny part, but a lovely presence…she was saying, ‘I just wanted to do Shakespeare. I just love it. I just…’ And she expressed what I had felt. I was so touched, actually, because she said it with such ‘I just love Shakespeare.’ ”

“I know the film asks questions; I don't know that it answers them. I don't know that a film should answer. I like films that provoke me to think.”

Walking back across the bridge. I love that. Every actor, unknown and galactically famous, leveled out, in it together, the intimacy with one another, and with the city where they performed each night. It was fun to get a glimpse of Fiennes in London. It'd almost be a shame to encounter him anywhere else. We walked around Covent Garden for a bit, and he pointed out the grand theaters of the West End. That's where Eliza Doolittle sells flowers in the beginning of Pygmalion. That was Dickens's office. Fantastic. He delineated the precise border of the City of London, pointing at “that church-y thing over there,” a critical marker. We ended up facing the National Theatre—across the very bridge he'd mentioned—and it was sort of like being Ouija-ed by a drunk back to his favorite bar. The theater felt like home position, like all wanderings might wind up back there. Fiennes has lived and worked mostly in London all his career. I asked him if he ever thinks about elsewhere.

“I love London. I think London is a great city. I think it's got fantastic things. I don't know, I guess I've thought about elsewhere but haven't done it, because if it's working, why fix it?” he said. “I'm at a funny time, and I keep wanting to make a shift in the way I, where I live or how I live. I live in London, I've lived in London all my adult life, I live in the East End Shoreditch area, before it became über-hip, I bought a place in 2000. I've got a very lovely place in New York, which I love going to. But most of the work I get tends to be based out of here. And the theater work… I keep going back, because I miss it, I miss that thing.”

Fiennes has the rest of the year “chalked up” already. Five new films: a Kingsman prequel, a new Bond (“I'm waiting to get a Bond script; I'm hoping for a sexy location”), and three-ish other interesting-sounding dramas. Plus the release of The White Crow—Fiennes's third film as director—about a young Rudolf Nureyev, the famed Soviet dancer, and his defection from the USSR to France in 1961.

The White Crow features several scenes that capture those “transforming encounters with a Work of Art” Fiennes has described as the loves of his life. In one flashback, a young Nureyev—born on a trans-Siberian train to poor parents—is taken by his mother to the theater. We don't see what's transpiring onstage, only what's transpiring across his face. We see it happen again when Nureyev, older now and in training in Leningrad, stands before the Rembrandts at the Hermitage Museum. And then, once again, when he wakes up early one morning, to make sure he's the first person at the Louvre, so he can have Géricault's The Raft of the Medusa all to himself.

Again and again and again—“transforming encounters with a Work of Art.”

I read Fiennes's words back to him.

He laughed in recognition. “Yeah, okay. I'd forgotten that.”

I asked him about those scenes in the film.

“Those scenes,” he said, “the one in the Louvre and the one in the Hermitage, with the Rembrandt, those were the scenes that really moved me. Because the engagement with the Rembrandt… I thought The Prodigal Son, looking at it, when we shot that, I was so emotional, I wasn't crying, but on the inside… Those were holy days for me.”

I told Fiennes I knew he'd answered this question after directing his first two films, but I wondered if the answer had evolved during his third: Among the directors he'd worked with, had he cobbled together bits from one or another to help inform him, or was he standing on his own now?

“I don't know that I'm consciously taking from the films I've been in, in terms of visuals, in terms of cinematography,” he said. “But I certainly, in terms of ways of working…I'm often interested in Spielberg, whose energy, vocal… He's not a quiet sort of monosyllabic, quiet-voiced director. He's just direct. ‘Just go here.’ ‘Just put this lens on.’ ‘Come sit down.’ ‘Do it quickly.’ Very clever. Totally positive. And you can feel it. I remember the set, people loved it, because there was a sense of momentum. I think generally actors and crew love it when they feel this forward momentum and, along with it, good work.”

“Deliberate intention,” I said.

“Deliberate intention,” he said. “Wavering, wavering on the set is…” He chuckled darkly. “Too much wavering is worrying. And, like, Anthony Minghella [during The English Patient] was brilliant with actors. A gentle provocation towards looking for something other… It was in my lack of experience that I thought he was wanting me to ‘hit it,’ to ‘nail it.’ But I think actually, quite rightly, he's looking for ‘What else is there that I can get that this actor can own so that they're not contriving something to satisfy me?’ ”

“The pleasure is that I see a French film and meditate on what it, being an Englishman, what it says to me...it offers up new provocations, and also confirms common identity of being a human being.”

After lunch, we walked a short distance to the Royal Opera House, where Nureyev had danced and where a large black-and-white portrait of him hangs in the wings, hovering above the dancers as they step onto the stage. The Royal Opera House is also where Fiennes took ballet lessons of his own—eight or nine, he says—with a dancer in the Royal Ballet named Bennet Gartside, in preparation to play the legendary Soviet ballet teacher Alexander Pushkin. Once, and only once, in my presence, Fiennes did that incredibly weird thing where an actor transforms his head and face and body into another human being in a flash, a total magic trick, while showing me the way Pushkin did something or other.

The White Crow centers on the 1961 trip to Paris by the Kirov—the famed Leningrad ballet company. Nureyev is played by the Russian dancer Oleg Ivenko, who leaps and spins throughout as tightly as the threads of a screw. The film builds to a masterfully suspenseful climax at Le Bourget Airport in Paris, where Nureyev has to choose between defecting to the West or being sent back to the Soviet Union to face some unknown—but likely terrible—fate.

“It's not an easy decision as he sits there in the room. We've seen the love of the mother, we've seen the support of Pushkin, and we've seen those friends—it's not just the oppressive evil empire, it wasn't stifling,” Fiennes said. “When we shot Leningrad, the Soviet scenes, I wanted it quite classically framed, and ever so slightly, we bring the color up. We don't want to confirm the cliché of the gray Soviet world. And when I tried to look at color stills of the Soviet era, they're quite hard to find, but when you find them—bang!—I mean everyone, the women, the red, red being the political color, but red is everywhere. But it pops! And we see so many black-and-whites, it's so weird what this very basic visual thing does. Yeah, I just…it's complicated.… I know the film asks questions; I don't know that it answers them. I don't know that a film should answer. I like films that provoke me to think.”

When I met Fiennes in London in late January, politics was on the surface. Theresa May's Brexit plan had just been rejected by Parliament. And Fiennes had recently given a little-seen speech at the European Film Awards, in which he had spoken about film's role in Europe, and Europe's present relationship to Britain. The speech was economically rendered, but urgent and unequivocal in its diagnosis of political crisis in Europe and the U.K., and of film's role as a remedy:

In anticipation of this occasion…I couldn't help but reflect on what it is to consider oneself European. Is it an instinct? A feeling of belonging? Can I be English and European? Emphatically: Yes. That is my feeling in my gut.

There is arguably a crisis in Europe, and our feeling of family, of connection, of shared history, shared wounds, this feeling is being threatened by a discourse of division. A tribal and reactionary vocabulary is among us. It is depressing and distressing to witness the debate in my own country about who we are in relation to Europe. In England now, there is only the noise of division.

But film, filmmaking, the expression within a film, can be a window for us to see another human being, another human experience, and we can celebrate our differences of language, culture, custom, and our common humanity at the same time. But the act of seeing, seeing another, seeing through the lens, carries in it, I believe, the vital act of bearing witness. Perhaps if we truly bear witness, there can be a true connection, and a better understanding.… Our films can be songs, crossing borders and languages with melodies and harmonies in the form of light and sound and narrative patterns.

We discussed the speech, and his intentions with it. I asked him how much some of the ideas in The White Crow—the way ballet could move across borders, like the films he describes—were on his mind when he delivered the speech.

“I just had an instinct, that I wanted to say how much, how important I felt the community of filmmakers are, and given what this was, I would really be meaning European filmmakers, at the time when my own country is divided about what it means to be linked to Europe,” he said. “Not that countries have to make films that express [exclusively] their culture.… The pleasure is that I see a French film and meditate on what it, being an Englishman, what it says to me…it offers up new provocations, and also confirms common identity of being a human being. And I do feel, I suppose it links what I hope is identifiable in the film: [that he is] being moved and therefore changed by exposure to a work of art. It's a dialogue.”

There are the works of art in The White Crow, I said, and also the cities themselves. Before Nureyev sees the performances or the paintings, he's walking about first Leningrad and then Paris, experiencing that new feeling of somewhere else, letting it in. Fiennes doesn't shy away from his comparable feelings for Russia. The feelings you discover when a place becomes for you the people who live there and not just the political systems that dominate headlines.

“I've formed over the years a handful of friendships in Russia, a handful who are very important to me, and I love going there. And I'm aware of the… I mean the authoritarian nature of their regime that's in control of mostly all the press, and the creep of censorship and control, is very disturbing. But when I'm there, I sort of: There's life going on. I see amazing theater plays, and I have friendships with people.… What interested me was the common humanity underneath the ideological, political fisticuffs.”

I said that hearing about his friends in Russia reminded me of the same dynamic in the United States, the dissonance between the noise of American politics and the lives of most Americans, how most people have nothing to do with the political headlines, how most people are trying to do their best, to generally be kind to their neighbors.

“That's it. Exactly. Exactly. I'm sure that, you know… I mean, nothing that I read about Republican politics makes me think I would ever be sympathetic…but I'm sure that I could go to a Republican community in America and be welcomed, and looked after, and treated with extraordinary generosity and decency and kindness, and those people might go support a Republican candidate the next day.”

That continued exchange between human beings, whether ultimately fruitless or not, seems critical to Fiennes. And art continues to be one of the pre-eminent currencies of at least the exchange of culture.

“Ballet, not being connected to any spoken language, is an extraordinary communicator.… And as an audience member, whether it's a film, or a ballet, or a play, it feels so important to me that we have the privilege of being exposed to these things.... This is the one area, cultural interaction…where we can talk to each other. So when that's impacted, it seems serious.”

We discussed performers and companies struggling to get visas.

“I'm not saying that they're not coming anymore, but it is a challenge that you have to get a visa to go to Russia. And it's funny, isn't it, that I think the cultural interchange, interaction, exhibitions, theater, ballet, coming, that is where we can be like—”

Fiennes threaded his fingers together, hopefully, like hands in prayer.

Daniel Riley is GQ's features editor.

A version of this story originally appeared in the April 2019 issue with the title "Ralph Fiennes Loosens Up."

PRODUCTION CREDITS: Photographs by Scandebergs Styled by Jon Tietz Grooming by Ciona Johnson-King Set design by Zach Apo-Tsang at Magnet Agency Produced by Samira Anderson/Mai Productions

Huge thanks to the amazing @tessa-quayle for helping me out with this impossible-to-open article

#ralph fiennes #interview

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cbk1000 · 5 years

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So You Want To Read Literature In a Foreign Language

I’ve had a few language asks here and there and thought I would do a write-up specifically on reading in a second language, as that is A. My specialty and B. Most language courses are going to focus on speaking and listening comprehension. Which certainly isn’t a bad thing, but the vocabulary necessary to carry on a competent conversation in a second tongue is much smaller than what you’ll need to read even popular fiction, let alone books of more serious literary aspirations. I’ve arranged this list in order of approximate difficulty, but of course it will always depend upon the exact book/article/comic you’re reading and whether or not its vocabulary coincides with your own.

I’ll put this under a cut, as it will be quite long.

A few tips, however, before I get on with the list: the more you read, the faster you’ll improve, as with anything. If you have the time and drive to read an hour or more a day in your target language, you’ll be knocking out books in no time. In my first year of Russian I was reading for 2+ hours a day, and by the end of that year I was reading fluently with no help from English translations (as I used in my earlier months) and I could pick up just about any genre I liked. My Russian vocabulary, of course, was still not as advanced as my English, but I was able to read fairly complex literature and to understand the majority of the text.

If a piece is too hard, put it down. I can’t emphasize this enough. Trying to read something massively beyond your reading level is frustrating and will only put you off. There were books I had to set aside in my first year and even beyond just because, stylistically speaking, they were over my head. I could follow the main story, but I was missing enough details/subtleties in the author’s style that I knew I needed to set it aside and try again later when I could fully appreciate it. There is absolutely no shame in this; get a few more books under your belt, and try again in a few months. I have now gone back and read several books I had to set aside; you’ll get there eventually. Some pieces are very difficult; I didn’t attempt Solzhenitsyn’s ‘Red Wheel’ series (which was the series that prompted me to learn Russian in the first place, since later volumes hadn’t been translated) until I had been reading prolifically for over two years. My dude is dense, and also wants to go over every minutiae of the fucking Duma’s every meeting with you. It was also around this time that I started reading poetry; it was just too difficult for me prior to that.

Most of all: have fun! Reading not only improves your vocabulary, it expands your understanding of a culture tremendously, and allows you an access to it that you can’t get through translation. Think of all the history you can read!! The primary sources!!

Anyway, away with this rambling introduction, and onward to the actual useful part of this post.

Adapted Classics: I found a series of these in Russian very early on in my studies, and you’d do well to see whether or not you can find something similar in your target language, especially if you’re a beginner. These are essentially long-winded summaries of well-known classics with simplified grammar, so that you can expand your vocabulary without breaking your head over more complex sentence structure that you can’t yet comprehend. I read a simplified version of ‘Anna Karenina’, ‘Jane Eyre’, one of the Sherlock stories, ‘The Adventures of Tom Sawyer’, and ‘20,000 Leagues Under the Sea’ this way. They were extremely useful in growing my vocabulary while not overwhelming me with long, meandering sentences that would utterly lose me in the beginning of my studies (Tolstoy, I love you, but this is aimed directly at you. I REMEMBER THE CITIZENS FLEEING MOSCOW. 200+ WORDS BEFORE YOU THOUGHT TO PUT IN A FUCKING PERIOD).

Comics: Comics are great. I read some Star Wars graphic novels in Russian, a few manga, part of ‘The Walking Dead’ series, and also some Archie comics, which I used to read all the time as a kid. Not only do you have pictures to help with context, but you don’t usually have challenging descriptive passages to contend with. It turns out that Russians pirate just about everything, so I was able to find lots of sites with huge selections of comics available to read free online. Do a bit of googling and see if you can find something similar in your own target language.

Fanfiction: If you’ve followed this blog long enough, then you know that actually I got my start reading gay Captain American porn in Russian, and it was brilliant, thank you very much, and I bet you I was just about the only beginner Russian student on this planet who could barely introduce themselves but definitely could have had gay phone sex. Fanfiction is not generally written in a highly literary style, so it’s easier to follow. Moreover, you’re dealing with characters, tropes, and plotlines you’re already familiar with, and that familiarity helps enormously. While English is of course the most widely-used language on AO3, you have many language options to choose from, and in a large fandom like Marvel or Harry Potter, you’re bound to find something in your target language. You might check as well to see if any massively popular fics in a fandom you follow have been translated into your target language; I’ve noticed that quite a lot with Russian.

News Articles: News articles are generally written in a simplified language designed to be accessible by the average reader, who’s actually not very good at reading at all. I’m sure this varies somewhat by country and language, but here in the States most clock in at something like a 7th or 8th grade reading level, as that, depressingly, appears to be the average reading level of the majority of the reading public. They’re short and will introduce some new words into your vocabulary in an easily digestible way. Also: most big magazine publications such as Cosmopolitan and People have several different versions of their websites. The Russian version, for instance, is cosmo.ru instead of cosmo.com. The French edition is cosmopolitan.fr. Figure out what designation your target language uses in place of .com and you’re in business (unless you accidentally get a porn site). Do I like Cosmopolitan magazine? Not particularly. Did it teach me new sex terms in Russian? Absolutely. And that’s what we’re all looking for, right?

Dual Language: At around 4-5 months into my studies, I started reading dual language texts. I did this first with short stories, and later with full novels. This is not for everyone as it requires you to constantly switch back and forth between your native and target language, and especially if you’re farther on in your studies, this might muddle you more than help you. I found at about 8 months or so I had to take off the training wheels, as my vocabulary and grasp of grammar was good enough that looking over at the English text was actually confusing me, because I had gone from laboriously, awkwardly translating everything in my head to just reading it naturally. But in the beginning, it was a much faster way to check vocabulary, and it also helped me to sort out grammar by comparing it to my native language. All languages are trying to accomplish the same thing, which is to communicate; they just do it in different ways. But you can find a common ground even between languages that are vastly different, as English and Russian are. You can find some dual language texts, or you can do what I did, which is to put the English translation on an e-reader, and get hold of a hard copy of the Russian. I would always read the Russian first, and only if I was confused/missing a lot of words would I look over at the English text. Make sure you compare a couple of translations and pick the one that is most literally faithful, even if it’s not a great translation in and of itself. I used some English translations that I actually didn’t care for as a translation, but they were very literal and therefore very helpful in sussing the original text.

Books You’ve Already Read In Your Native Language: It doesn’t have to be a book you have practically memorised (though that will certainly help). Anything you’ve read at least once in your life will do. You’d be surprised how much will come back to you, and how much context will help you figure out any unfamiliar words. I picked up the Russian translation of Ken Follett’s giant-ass ‘Winter of the World’ about a year into my studies. His style is neither particularly difficult nor...impressive, but as it’s the second in a trilogy that follows three generations of multiple families from WWI all the way into the Cold War, it has a lot of military and political terminology that you don’t encounter in everyday speech. It’s also over 1,000 pages, so it’s rather daunting in a second language regardless. I had read it once before in English, probably some five years before I read the translation, and going into it I really didn’t remember that much. However, while reading, I found that certain plotlines would start coming back to me, and helped a lot in piecing together unfamiliar terminology, in addition to the words I already knew. Don’t focus overly much on every single word and trying to remember what it is in your native language; trust me, you will absorb a lot from context. Just let go and let it wash over you.

Translations: Translations are almost always going to be easier than a book originally written in your target language, if the texts are of comparable difficulty. For instance: ‘Les Miserables’ is easier for me in Russian than Solzhenitsyn’s ‘The Gulag Archipelago’. Both are massive, rambling texts with long asides on history and politics, and in English I’d say they’re pretty equally difficult reads. Certainly neither is what I would classify as light reading. So why is ‘Les Miserables’ easier? Because in a translation I’m not dealing with uniquely Russian slang and turns of phrase. Yes, some of it has to be Russified in order for the target audience to better comprehend it in their native tongue, but generally speaking it doesn’t feel Russian, if that makes sense. I can tell pretty much as soon as I pick up a book if it’s a translation. Now, French isn’t my native language, but I’ve used it as an example because I’ve read quite a bit of French literature in Russian translation, and fairly difficult authors/texts at that: Hugo, Stendahl, Zola, etc. etc. None of these authors are light beach reads, but they’re also not difficult for me to follow in Russian. And anything translated from English is even more accessible; most texts translated from English into Russian I can follow very nearly as well as I can read the original English. When you’re dealing with a heavy-hitter that’s writing in your target language, they can get up to all kinds of shenanigans and word play; a translation, generally speaking, is not going to be nearly so experimental.

Dumas: Why does Dumas get his own section? Because you should read him, dammit. HISTORY. SWASHBUCKLING. REVENGE. Dumas is fucking fun. He also has a huge oeuvre to choose from. Additionally, while he does have a lot of plotlines to follow (and this is the difficulty of Dumas when reading him in a second language) and you definitely need to get your historical vocabulary up to snuff, he is not an overly philosophical author. His novels are fun, action-oriented, and someone’s always eavesdropping on a Secret Political Conversation of the Utmost Importance. I’ve read quite a lot of Dumas in Russian (actually more than I’ve read in English) and they are easy, entertaining reads. You might get a little lost in the politics of the era, but unless you’re already familiar with them, you’d probably be a little lost in your native language as well. Don’t worry; people will start dramatically challenging one another to duels again very soon. Also: READ ‘THE COUNT OF MONTE CRISTO’ SERIOUSLY FOR FUCK’S SAKE DO IT.

#language #reading #books

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dzthorne · 5 years

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Book Interview Tag

Thank you @kindofwriter for tagging me in this interesting scenario. A little late but I wished to complete this anyways. Without further ado:

You know we all sit there thinking about being in a book interview, so I thought I’d make a tag meme! Pick a WIP and tag some friends!

1. What prompted you to write your novel/story/script/podcast/poetry collection?

My writing actually began in my senior year of high school. The guidance counselor took note of how I would subconsciously lose things just to rewrite them for the sheer desire of wanting to write. He suggested I try creative writing which I had never attempted or considered an option though I worked at a bookstore myself. A few days later I was glancing at the back of a book and took note of two words that sang to me from the description, “psychotic angel”. From these words my story was born.

I created many worlds from that point forward, but now that I have decided to actually attempt to publish a novel for the first time, I came back to the story that started it all, to see not only how much my ability has grown, but as a tribute to that counselor who pushed me in the right direction, and as a reminder that we all start somewhere.

2. Who has been the biggest influence on this piece of work?

The biggest influence upon my current work in progress falls upon two people actually. My wife who has effortlessly promoted me and survived me wanting to talk about ideas I have brainstormed and nothing else whilst out on a date night; as well as an old friend and fellow writer I have known for many decades, they helped me find my voice and understand what I wanted to say when I was first starting out.

3. Was your main character inspired by anyone you know? Do you think they appreciate the likeness?

I honestly have two main characters who are connected by more than blood. They are both based upon real life people I knew. The male character was inspired by a mix of people and the best traits of each mixed with a few of the worst traits. The female was actually based upon that fellow writer I mentioned previously. She is aware, and is overly critical as she doesn’t want to look bad in my novel. Haha she has nothing to worry about.

4. Why do you think people need to read your book?

This question is always hard for me to answer, because I do not write with the intention of making people read it. I read to allow me to survive in a world overly fraught with the darkness harbored within everyone. I read to explore things not possible in our mundane, boring world. Books have made things possible in my world that allowed me to grow into who I am, and made life bearable in ways it would never have been otherwise.

A better question, is what do I hope to get out of writing. In that case my answer is simple. I wish to give that same help, have that same impact on just one single person, no matter who that person may be. If I can make one individual’s life a tiny bit easier, than I will count myself accomplished. That is all that matters to me.

5. Whom are you most excited for to read your book?

Honestly my wife and my kids, as well as my best friend who once a month sends me the video of Stewie from family guy asking Brian about that book he will never finish to remind me that he is indeed still waiting. haha.

6. Which is your favorite scene that didn’t make it into the final draft?

A scene I had to cut with a heavy heart happened to be where a sibling of the main POV was looking into some rumors that he didn’t believe. It was his intro scene and I was quite fond of this scene. However a friend talked me into watching a popular show (which wasn’t bad but I never finished it) and I came across a scene on there that also was a sibling looking into things for different reasons though. However the similarities between the show’s version and mine were similar enough that I wasn’t comfortable keeping it and had to scratch the scene.

7. Do you have any more stories planned that are set in the same universe?

I do have one more story in mind, within the third universe. Not a continuation per se, but an after the fact storyline that takes place after the events of the original story. It follows the events of how life in the human world changed when the three realms were separated.

8. What would you say is the main theme of your book?

My main theme? I would have to say it has strong elements of those who just wish to find themselves and their place in a world that is constantly changing for better or worse, with strong elements of balance in all things. Balance is a recurring theme in all of my stories in some shape. If you don’t know what I mean, I guess you now have reason to read my work.

9. Do you have any plans for a movie adaptation of your work? What would you have to change? What would absolutely have to stay the same?

I see everything in my mind as a video reel, and I have been referred to by many as a method writer, getting into character mentally as I write. So when I write, its the equivalent of watching a movie and hurriedly trying to write down every detail of the scene as it plays with no ability to pause or rewind.

How does this pertain to the question? My work is already written as if it were a movie thanks to how my mind works, though you cannot always tell from reading it, making an adaptation to the big screen easier than it might be for others. Would I go that route? I never decided. But it wouldn’t be out of the question.

10. What’s one quote that you wrote that just stuck with you?

This would actually be a quote from a secondary character that affects the thinking and growth of the main POV later on:

“There are few things in this world stronger than a promise kept. How do we know those kept promises benefit us?”

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I did not tag anyone but feel free to use the questions if you are interested. Until next time.

youtube

#writing #a little about me #view into my world

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waterfallwritings · 5 years

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11/11/11 Tag Game x2

Rules: answer 11 questions, tag 11 people, give them 11 new questions!

I was tagged to do this game by two different people! So here we go

@maple-writes questions were:

1- Do you like to have a snack or a drink while you write?

Not usually!

2- What kind of genres do you think that you’ll never ever write (for whatever reason)?

I’d never write a book that was just a romance novel. Could never ever do it, do not want, I could never get through that. And although I absolutely adored mystery novels as a kid I’d don’t think I’d ever write one-- my standards for them are too high, I don’t think I could do the red herring and leaving clues but having the reader think it was someone it wasn’t. I don’t think I could pull it off.

3- When did you first start writing?

Technically, elementary school. But it was mostly creative writing for and in class at that point.

4- Why did you first start writing?

I had always loved books as a kid, I was naturally decent at writing as a young kid because of it, and I loved being able to weave my own stories and watch it slowly come alive on the page. I also loved the satisfaction and feeling of accomplishment.

5- When you work on the computer, do you like loud keyboards or quiet ones?

It doesn’t matter to me. My keyboards usually make a bit of noise tho.

6- Do you have any writing friends in real life?

Ha. Yeah. Hey, hey @quilloftheclouds hey, why don’t we do this again and mention again that we’re friends IRL? You can never mention it too many times, right?

But anyway in all seriousness, Quill is a great friend of mine and we can and do spend literal hours just talking about out WIPs to each other. I also have another writer friend back in my hometown who was a big help with Scarlet Silence, and a long-distance writer friend. Writer friends IRL are, honestly, a necessity. I’d never have written/finished anything without them.

7- What kinds of things do you like to do when you’re not writing?

Spend hours with my friends just hanging out, talking, listening to music, watching netflix together, or occasionally going out. I also did pick up drawing and really need to get back into that.

8- Do you ever draw on your own experiences in your writing?

Hell. Yes. Anytime a character is questioning their sexuality or gender, its almost directly me there. In SS I even had a character go on a very, very similar first date to one I went on and based the location off of a real one in my hometown. For example.

9- Who (if anyone) do you share your writing with?

My writer friends :)

10- What are your favorite themes to put in your writing?

Love (of all different kinds), courage and heroism, beating the odds, does ‘grey morals’ count?

11- Would you ever want a movie or tv series adaptation of your wip? How do you picture it?

That’d be fun, maybe.

And @bigmoodword asked:

1. using one sentence summaries, can you tell me about your wips?

A bunch of sea lovers with very different lives and secrets to keep end up stranded on an island and forced to work together.

And

A reluctant-at-first teenage lesbian gets literally pulled into a magical universe, told shes the Chosen One who needs to defeat the seemingly impossible to defeat big bad, and goes off on an adventure with a ragtag group of other kids.

2. what inspired them?

Literally nothing except a desire to write. Waiting for inspiration = never writing with me. I just came up with a few character ideas out of basically thin air and then started planning and writing the type of book I wanted to read. In both cases.

3. which of your ocs do you most identify with?

OOOooooooo.... thats a tough one. I might have to go with Melody from Scarlet Silence. Just, the figuring out she’s gay, having a twin brother, liking blonde girls, being shy and timid at first but growing to become more confident, and overcoming a lot of obstacles? Yeah. There’s quite a bit of me in her.

4. if you’ve ever cried while reading, which book cued the waterworks?

Hasn’t happened! I’ve gotten super emotional and sad, but no actual tears

5. how do you conduct research for your wips and what’s the most interesting thing you’ve discovered in said research?

I write fantasy and do barely any research for my work. Right now I’m just learning that a lot of things we take for granted didn’t exist in the 1700s. Google all the way

6. thus far, which scene has been the most difficult to write?

ohh. Well. Theres a very dramatic, heart-wrenching scene near the end of Scarlet Silence where somebody dies and I had to rewrite it a couple times to get it right. Also, it made me sad to work on. In ASH... I mean honestly the one I’m working on/should be working on right now is seeming to be the most difficult. Introducing this character and how to go about it is proving to be harder than originally thought.

7. which of your ocs do you like the least?

Wow. How dare you. I love all of my children. Do I have to answer this? ........ uuuugggggghhhhhhHHHHHHHH ... maybe Miles. Love him and all he’s just the most one-dimensional which is a little boring (working on it) and I write his accent in which is, on the rare occasion, not what I want to be doing for a few whole pages.

8. which pov and tense do you prefer to write in?

I prefer third person past tense. Trying to stretch myself and write ASH in first person

9. do you write poetry?

Uh. No? I mean. I have like, maybe three times in my life or something like that. Slam poetry > every other poetry

10. who is your writing role model?

I don’t think I have one?

11. if you could give your younger writer self some advice, what would it be?

Oof. It would have to be... keep going. Keep writing, write what you enjoy, you don’t have to share it. And keep reading. Keep reading while you still have time and are able to get into it properly. Never let anyone tell you you read too much, and ‘nerd’ really isn’t the insult you think it is :)

Thanks for tagging me guys! Great questions!!

Tags and my questions under the cut!!

I’m tagging @livvywrites @livingthedragonlife @kriss-the-writing-nerd @abalonetea @yetmorestories @marlettwrites @pens-swords-stuff @adenhamcreations @bookenders @surroundedbypearls @alterrawrites

1. How do you come up with ideas for your WIPs?

2. How do you get past gaps in the plot?

3. What motivates you to keep writing?

4. Do you do any other kind of creative writing?

5. Do you have any other creative hobbies besides writing?

6. What do you do when you’re stuck on a scene and don’t know how to get it out / write it?

7. How do you decide how to end your WIP?

8. When in the process of writing do you decide how its going to end? Or do you kind of just wait til you get there?

9. Why did you decide to join writeblr?

10. What’s your favourite food?

11. If you had to kill off a character in your WIP, who would it be and why?

#11/11/11 tag #tag game #tag meme #SS #ASH #about fall #about me

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buildarocketboys · 5 years

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Books read in 2018

It's been a pretty good year for reading for me, and I actually kept a list of all the books I read, so I thought I'd make a list and write a mini review about each one. I've read 22 (and a half) books this year in full - this doesn't include any that I just started, or have read bits of.

1. When The Moon Was Ours by Anna-Marie McLemore

Magical realism + gay and trans characters! Pretty great although I wouldn't necessarily read it again. Mostly read in lunchtimes at work.

2-4. LOTR trilogy by J R R Tolkien (started somewhere between 17 and 29 March) (first book finished 4 April) (finished 30 May)

Dates on this one as I spent most of the first half of the year reading the Lord of the Rings. The Fellowship of the Ring was almost certainly my favourite, got a bit bored towards end of Two Towers/start of Return of the King, and the long descriptions and battles (and long descriptions OF battles) are something I generally prefer to do without. But they're really good books with a lot of cool (and gay!) stuff in them, and though the films don't include everything from them, they're pretty damn good adaptations. (I only wish the films had kept Beregond).

5. The Inescapable Logic of My Life by Benjamin Alire Sáenz

By the author of Aristotle and Dante, I actually can't remember much of this book, I remember it being pretty good though. It may have made me cry?

6. Cloudbusting by Malorie Blackman (REREAD)

Easily the shortest book here, this book used to make me cry. It's a simple story told through different types of poetry, but it's so beautifully done. Didn't make me cry this time sadly, but still good. Read it sitting by the river taking a break from working on a job application.

7. Nation by Terry Pratchett (REREAD)

I reread this pretty much every year (I found myself a few weeks back wanting to reread it again) and it's brilliant every time, enough said. Think this is the only Pratchett novel I've read this year, which is a shame. Thoroughly recommend it though, even though it's not part of Discworld.

8. And The Mountains Echoed by Khaled Hosseini

Bought this from a stall in Bristol, at the time it was the only one of his I hadn't read. It was one of those novels I just ploughed through, really quickly. Really good, really sad (and a gay character where you least expected it).

9. Wicked by Gregory Maguire

Borrowed this from my girlfriend after having seen the musical in May. The book is...really weird, but really good. A lot more of an obvious dystopia than the musical is, right from the get go pretty much and Elphaba is an icon - grumpy, traumatised, irritable, angry, hopeful, guilty, revolutionary. I love her. Oh, and her and Glinda are still really gay.

10. Harry and the Wrinklies by Alan Temperley (REREAD)

Now we come to the books I reread in August when I had some time off work. Harry gets orphaned and is sent to live with his elderly relatives and their elderly friends (hence the title). Little does he know, they're all ex-cons and pretty much modern day Robin Hoods. Also, badass. Still a great book, even if it's technically for kids. I need to reread the sequels sometime.

11. Maximum Ride by James Patterson (REREAD)

Edgy as fuck but I still kind of love it. Ngl the younger kids and Iggy are a lot more fun than Max and Fang though.

12. The Time Traveler's Wife by Audrey Niffenegger (REREAD)

This one I reread every couple of years or so. One of my favourites, the way the non-chronological (by design and necessity) plots works so well, in both building and retaining suspense, the prose is beautiful (if a little pretentious at times), the characters are...mostly kind of dicks, but in a real, multifaceted kind of way. I kind of love all the references to various books/authors/bands, even if it is kind of pretentious. I discovered Rilke through this book. Jeder Engel ist schrecklich.

13. Simon vs The Homo Sapiens Agenda by Becky Albertalli

Read this a little while after seeing the film. Obviously they changed a fair amount, but I love them both. Really easy to read in about a day.

14. Leah on the Offbeat by Becky Albertalli

Read this on the same weekend as Simon. Loved it a LOT. I relate to both Leah and Abby a whole lot and it just felt so real to the experience of being a (bi) teenage girl. Wish there'd been a bit more to the ending maybe? But maybe that's just me being greedy. Still trying to persuade @judasisgayriot to read it. This might well be my book of the year.

15. Vox by Christina Dalcher

After I finished Leah on the Offbeat I was looking for something else to read. Picked this up in Waterstones because it sounded like an interesting concept for a dystopia (women are only allowed to say 100 words a day - if they say more, they get electrocuted by a bracelet attached to their wrist). The main character is white, straight and middle class, so that's definitely the majority of the experience we get to see, but there is some examination of being gay and/or a poc in this dystopian culture. Overall an interesting examination on how language can be used as a weapon, and to control people. A Handmaid's Tale with a difference and (spoiler!) a happy ending.

16. The Upside of Unrequited by Becky Albertalli

I didn't get/read this one at the same time as Leah and Simon because I was put off by how het it sounded, lol. The main character is straight (afaik) but it's still a pretty great book and she's pretty relatable.

17. My Mum Tracy Beaker by Jacqueline Wilson

Tracy Beaker all grown up! As told through the eyes of her (much quieter and less troublesome) daughter. Pretty great and interesting to see Tracy all grown up but still very much Tracy. Lots of drama and Justine Littlewood ruining everything as usual. Complete with an implausible happy ending (but it's great anyway, and tbh we all need those sometimes). Also, Cam is a #confirmed lesbian.

18. The Book Thief by Markus Zusak (REREAD)

I'm not sure how many times I've reread The Book Thief now, but it must have been at least ten. I reread it at least every year but often it's been more than that. Still amazing, obviously, but I dunno, I didn't feel as into it this time? I didn't cry (for the first time ever!) while reading it, although that might have been because I read it at work. Mostly I was reading it to prepare for Zusak's new book, which I got for Christmas.

19. Holes by Louis Sachar (REREAD)

First time I've reread this since high school, and it's still brilliant. 'Nuff said.

20. The Bi-ble: An Anthology of Personal Narratives and Essays about Bisexuality edited by Lauren Nickodemus and Ellen Desmond

Bought this from Gay's The Word when I was in London back in May, only got round to reading it in December. Some really good stuff in here, I related hard to a lot of it (and not so much to other parts). Recommended reading for anyone who's bi or wants to understand more about bisexuality.

21. Call of the Wild by Guy Grieve

I picked this up on a whim from my pile of unread books because I wanted something to read before I got new books for Christmas. (Unfortunately, despite my best efforts, I only finished it on Boxing Day). Really interesting, I'm so fascinated by life in very cold, harsh, unforgiving places (only partly because of the wolves) and this was a really interesting true story of how a guy (called Guy) from Scotland manages to build his own cabin and live out in the wild of the Alaskan Interior through the Winter.

22. Combat Magicks by Steve Cole

A Doctor Who novel (the first of three I got for Christmas!) and the last book I read in its entirety in 2018. At the site of a battle between the Romans and the Huns (which is why I chose it first, sounded really cool), so-called "witches" manipulate everything both sides do. Surprise! They're aliens. The Doctor calls Yaz her bestie a lot and it's adorable. Ryan gets a girlfriend who stans the Doctor (she's basically part of Roman Torchwood and she's awesome). Graham has a bath with a witch (well, nearly).

Currently reading:

Eat Up! by Ruby Tandoh

I'm about half way through this, so it doesn't quite count as a book I read in 2018, but I thought I should include it. Anti-diet culture, embracing food for what it is, everything it is, while examining the different things (gender, race, class) that affect our relationship with food.

#books #bookblr #Read in 2018 #long post

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spectralhearts-blog · 5 years

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Spotted at Grand Central, bags in hand, RACHEL WEISZ. No, that’s a mistake. It’s KIT SNICKET, they are a CANON CHARACTER and come from A SERIES OF UNFORTUNATE EVENTS. They are THIRTY-ONE and I’ve heard they are DISCERNING, as well BRASH. They happen to hold THEIR memories. Don’t believe me? See for yourself.

welcome to new york! what is your character’s name?

kit katherine snicket ; firefighting volunteer, occasional fortune-teller and taxi driver. consumer of tea as bitter as wormwood. pretending to not have her true memories.

where / when have they been pulled from in their fandom?

the last thing kit can remember before she suddenly found herself waking in this new vexing and fallacious dwelling was medusoid mycelium crawling down her throat on an otherwise ideal island, fingers numb and falling limp as the baudelaires cradled newborn beatrice and promised that kit snicket’s daughter, though orphan she may be, would not grow up alone

— or, when i’m not just trying to stretch writin’ muscles that have gotten too used to academia, kit’s story has picked up rather unusually after her death in THE END (both episode and novel). she had died of a vile fungus, comma deadly, shortly after giving birth to her daughter whose custody she had entrusted to the baudelaire orphans. she remembers recently losing her brothers, one to death and another to his misery and exile, and her parents much less so. she remembers giving one of her last goodbyes to a wicked man whose one kind deed she can’t forgive the rest of his treachery for, but to whom she still owed a life and more. her last repayment could only be a short stanza from a long and complicated poem. she remembers her heart breaking twice, the first composed of so many crumbling increments of a once-noble organization and the second for a man first among brothers and second among an underground librarians (both literal and figurative). but most of all, she remembers beatrice baudelaire ii, the last in a long line of failings she needs to make up for.

do they have a job, and if so - what is it?

kit works at a kitschy alternative tea shop, where her position alternates depending on whether she keeps making the tea more bitter than the customer requests. on those days she gets shunted into the back, or into occasional tarot readings since the owners discovered she has some theatricality and training with it. it becomes difficult to not put on a vaguely european accent or remark upon the virtues of deciding one’s own fate whenever that’s requested, however.

what with the curse and all, how has your character’s life changed?

there were definitely some adjustments necessary - not only had kit just suddenly woken up from her definite reality of being dead (though she cannot honestly say this has been her first flirtation), but this new york was unlike one she had ever experienced. not only were technologies congruent and the entire city utterly devoid of code, but her reliable expectations of municipal aristocracies have been completely pulled out from under her. her initial attempts to contact those who might remain of her once-noble organization were quickly stoppered when she could not locate a reliable telegraph anywhere, and olive jars at local grocers lay infuriatingly unspecific.

so safe to say, kit quickly found herself a regular fish out of water, her only relevant skills those she had picked up from her own varied interests and inordinately ordinary assignments. the moment she realized something was amiss in the city, spontaneous appearances, fuzzed memories and personalities scattered in the people who passed through the tea shop, was the exact moment she felt warm comfort settling in her spine at the case of a spectacular scheme to be investigated.

kit spends most of her time at her work or freely wandering the streets of new york, occasionally under a cloak of night. in this city whose volunteer firefighters align most with the literal definition, she is trying to be the most noble member of a more distinguished volunteer fire department she can be, hitting the pavement and chatting with nearly all she comes across until she can uncover the mystery behind new york city.

is there any other information about your character that members might find helpful?

yea! so, first off before any deeper introduction to kit’s canon-wise character as it stands below — kit has maintained all her memories, and always has, but apart from the first few days in the city during which she had been running around chicken-without-a-head-style, she has adapted a disguise in which she pretends to be an ordinary kit snicket, just another new yorker. as a V.F.D. member, after all, she is equipped with the training necessary to slide into an alternate identity when a sussing out of friends and foes is needed. if she undoubtedly trusts someone, she will let them in — otherwise, she does her best to keep up her facade.

anyway! i’m going to be pulling from both book and tv canon for kit - } a noble member on the firefighting side of the schism in the V.F.D., or Volunteer Fire Department. kit is one of the snicket siblings, twin sister to jacques and one of the last surviving snickets along with her younger brother lemony. kit was shrewd and a very practical child, though as likely as either of her siblings to throw herself into trouble for a good cause. she attended Prufrock Prepatory School twice, once as a student and later as an English teacher, during which she required V.F.D. readings of all her students — a requirement that ended when the vice principal quickly fired her (continuing, however, for the two students she grabbed on the way out for their V.F.D. recruitment)

as a member of the V.F.D. herself, kit was engaged in multiple missions involving the dousing of fires both figurative and literal. she was once arrested trying to break into a museum in order to steal an artifact back to its rightful place, and once helped construct a submarine. she also masterfully constructed a chilled salad recipe that included mangoes and black beans among other items. most notable, however, was a certain mission that included poison darts, a sugar bowl, and the assassination of members of a family that might have been as noble as her now-splitting organization. whether or not kit feels any guilt for the death(s?) of olaf’s parent(s?)... well, she regrets any vile act, and this one’s particular role in the deepening schism, but this is another secret she’ll keep close to her heart.

kit didn’t have much time for relationships as she globe-trotted for the V.F.D., but at some point she did love a certain melodramatic count and shared with him an ill-kept secret of adoration for sad poetry. in the later years of the schism, her path fell in with the eldest denouement, and she and dewey began preparing for a life together.

kit loves secrets and secrecy ; it’s integral to V.F.D., and she is nothing if not a loyal Volunteer. she loves them to her own detriment - keeping them, seeking them, and squirreling them away. toward the end of the series’ events, she was starting to have to admit to herself the some of V.F.D.’s secrecy was the very thing poisoning it from the inside... but, old habits die hard, and in this city so far away from the V.F.D. it’s easy to slip back into her secret-hunting ways.

kit cares for children, but doesn’t particularly know how to interact with them. she thinks of them like miniature adults, rather than having considerations in mind for the trials of their own age group. being pregnant with beatrice was no wake-up-call, but it made her more aware of how ill-equipped she was going to be as a mother to an infant. with dewey at her side, that seemed easier -- but without him, and with medusoid mycelium crawling up her throat, she knew her baby would be better off with the baudelaires than she’d ever be with her. with a second chance at life, she does keep catching herself distraught without her daughter -- but has also decided it better not to look for her, when she believes her safe with the baudelaires.

ASOUE S3 SPOILERS; i loved almost all of the expansion netflix brought to the series, but definitely mourn some of the moral ambiguity kit lost in the transfer over. kit is caring and daring, but she is also incredibly stubborn to her own sense of being one of the smartest minds in the room and ruthless to the point of being willing to do anything to accomplish Greater Good (kudos to netflix tho for correctly pulling over that impulsive streak, nice 👌 👌 dragon-flying off a cliff while 8mos pregnant, definitely kit). i’m still not quite sure how much i want to incorporate netflix’s interpretation of the opera into kit ; she definitely had a much larger role in the death of olaf’s parents. anyway for now i’m probably going to loosely go with she being the admirer who slipped beatrice the poison dart, and may have been on-mission to distract olaf from the theft of the sugar bowl at the time, and eventually i’ll get around to expanding on that

#>> ꜰɪʟᴇ:// snicket‚ k. └ ᴛʜᴇ ᴍɪɴᴅ ʜᴀꜱ ᴀ ᴛʜᴏᴜꜱᴀɴᴅ ᴇʏᴇꜱ ┐#dear:intro #/ when that last question just becomes a wordvomit so i myself do not have an excuse for forgetting anything

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gingerly-writing · 6 years

Text

Questions Tag Games

explanation: I’m super late to these, I suspect not many people will want their dashes spammed with my random answers, and I’m not tagging people, so I’ve amalgamated all of these into one post.

tagged by @concealeddarkness13! haven’t spoken to you in a while, hope you’re doing great

1. Would you rather write a more classical hero or an anti-hero as a protagonist? I’d rather write a hero for the protagonist, but an anti-hero as a general character

2. Who is your favorite character you have written and why? Ever? That’s cruel. Out of people that y’all would know, Urial does seem to generate the most emotional reactions

3. How many WIPs do you have? 3 proper ones, currently: Iron Flower, Space Royalty and Piracy Pays

4. Who is your least favorite character you have written and why? To write? Klarion from Young Jutsice fanfic. Motherfucker would not follow the assigned plot. Hate-wise? Possibly Coincidence or Accord, neother of whom you guys have met yet. Those two are a pair of nasty criminals/villains, and they are a little too good at punishing anyone who gets in their way

5. What is your favorite aspect of writing? Finishing!

6. If you had only one sentence (per WIP) to get someone to read your books, what would the sentences be? They wouldn’t because I suck at loglinesss...humourously though?

IF: an entire continent is saved from the ravages of war by the ancient art of sexting via treaty negotiations Space Royalty: ‘she stabbed me? god-fucking-dammit I am so in love with her’ Piracy Pay: you get to chug your drink every time I kill a character

7. If your protagonists fought to the death, which one would win? Protags? Depends if morals were removed, and whether it was on-on-one. Koronis, if not -he’s an emperor with black magic and an entire galaxy-wide army. If it was on-on-one with minimised morals, Ace would stand a damn good chance. Boy is smarter than he gives himself credit for, and very adaptable. Galaxy is also pretty viable. Girl can swing a superpowered punch like she means it, and she hasn’t survived this long on luck alone.

8. Which protagonist(s) would survive the zombie apocalypse? Koronis would. Ace would die trying to save someone else. Solaris would...provided Monarch was dragging him around, and even then they might go down together in a dramatic last stand. Galaxy would be in charge of a small, benevolent queendom. Cleo would, those plant skills would make her handy to any new civilisation. Fact would go down staving off the hoardes so everyone else could run. Rosalie would think she was the weak link of her group, but they would probably keep her alive; L’aura would kick zombie ass.

9. Which is your favorite story you have written or are working on? Space Royalty is damn fun to write -the benefits of extravagant, overdramatic space operas I suppose. Piracy Pays has had a good reception, so I’m pretty proud of that. Hopefully I can keep the momentum going until the end! It is a huge pain o write though

10. Which of your characters is your favorite villain and why? Raph is my evil supervillin crimelord Big Bad and I adore him utterly

11. When do you find is the best time of day for writing? Evening! 8pm-1am

*******************************************************************************************

tagged by the lovely @a-sundeen! this is so old I bet you don’t even remember tagging me, oopsie

1. When you’re describing a new character, what feature do you usually note first? Build, usually, as in their height/weight ratio, muscles/skinniness or lack of, how they carry themself etc. The reason for this is that I often start with the macro ‘impression’ of the character before zooming in on a few specifics. I try to use an interesting description or comparison here as well.

2. Do any of your characters play an instrument or really enjoy music in general? If so, what instrument (or what genre, if it’s the latter)? I am the least musical person on planet earth, so making my characters musical often doesn’t occur to me. Koronis can sing and play the space-piano (forced childhood lessons), and Jade can play the violin, but neither of them are passionate about it. Kolya/Cynosure (the popstar/supervillain) is very very musical, but I skip around a lot of the specifics because I’m a big cheater. He mostly makes anti-establishment and anti-hero music, but he’s one of those artists who strays all over different genres.

3. Which musical artist usually gets you the most pumped to write? Les Friction does good dramatic music and they’re not so well known, so I like to tell people about them when I can

4. Do you prefer writing fight scenes over other types? (This is a weirdly worded question I’m sorry, rip) It’s worded fine, sunshine! And no, I don’t like writing fight scenes because I don’t like the logistics of them. There are too many limbs to keep track of, and then I feel like I’m neglecting their surroundings and potentially useful items in favour of mentally tracking who’s where and what their arms and legs are doing. I cover up for my fight scene weaknesses with too much dialogue, and I’m fully aware of that fact.

5. Is there a city or country you’d really like to write in or about? Write in is probably just where I’d like to travel, so Russia, India and South America (I know that’s general but it’s the only continent except Antarctica that I haven’t been to) are my top choices. Write about…I’d like to sink myself deep into east coast USA to really nail the feeling of Galaxy’s city and her character, and then be able to confidently write about it. I do have a study year abroad coming up in 2020, so here’s hoping…

6. Do you prefer to be warm or cold while you write? Warm! I love blankets and my big fluffy dressing gown, and on top of that all my friends always complain about how hot my house is

7. Do any of your characters have hobbies you’d like to try out someday? Fiction wise, glo-ball from Space Royalty sounds like a very entertaining game, especially when I’m kept safe behind a pod. sodding netball injuries Jade paints and draws, and I’d love to get better at art. Likewise, Rosalie sews, making and decorating her own clothes, and I’d love to be able to do that. Idk, does being a supervillain count as a hobby? I’d love to rob a bank…not even necessarily for the money, just the #aesthetic

8. What is your favorite type of character to write? Villains! And morally grey people. And characters where the POV character has no idea what they’re really thinking, who they really are, what they actually want etc. And, on the flip side, balls of positive sunshine, because they make me feel better about the world

9. Halloween is here! Which character has a costume made for them by their mom? Ahahahahaha can you tell how late I am to this.

10. Halloween is here (again)! Which character thinks the holiday is childish but dresses up anyway? I AM SO LATE. Rosalie thinks the holiday is childish but dresses up in the most elaborate homemade princess outfit ever and entertains all the kids she can find. What, it is a children’s holiday, surely she should be making them happy on their special day…

******************************************************************************************* tagged by @blackfeatherantics who is now @mbovettwrites I think? I hope?

1. How long have you been working on your WIP(s) for? Iron Flower is the oldest current one, and I started it on Christmas Day 2016

2. What song would you assign as your protagonist’s theme tune? I’ll just pick one, and Koronis’ is Young and Menace by FOB. No real lyrical reason, it just reminds me of him

3. Do you have any favourite spots (gardens, parks, cafes, etc.) where you like to write? The sofa in my living room next to my family

4. Poetry or Prose? Prose!

5. Where do you draw inspiration for your writing from? Everywhere! Other people’s writing and prompts and published novels and TV and movies and random stray thoughts and daydreaming and chatting to other writers and-

6. Is there any popular book that you wish you had written and why? The Lies of Locke Lamora because I’d take out the first 100-ish page of solid worldbuilding and backstory that seemed almost completely irrelevant to the rest of the plot?And the domino-effect of all the plot elements knocking each other into action at the end was so clever, it annoyws me that the beginning means I don’t like reccing it to people

7. What’s your planning process when you start working on a new WIP? I daydream about it for at least a few weeks to make sure the idea has staying power. Then I come up with character names, quirks, descriptions etc. finally, I lay out the plot chapter-by-chapter from the beginning to the end so I have a guiding rope throughout the whole process and I’m less likely to get stuck. Of course, that’s when I plan on letting a WIP bloom into being. Some, like Space Royalty and Piracy Pays, start off as short drabble ideas and then refuse to leave, which means I have no concrete plan for them...

8. Do you work best in mornings, afternoons, or at night? Evening!

9. Would you prefer to self-publish or work with an agent and publishing company and why? Agent and publishing company, because I value the help they can provide more than the ability to retain complete creative control over my book (since I’m crap at titles and designing book covers anyway)

10. How do your emotions/moods affect your writing? Not a lot tbh. If I’m very very tired I can’t write anything good, but I’m not sure that counts as an emotion.

11. What’s your favourite line of your WIP/one of your poems? I’ve written both of my current favourite lines for prompts, which were: ‘Time hollows all victories’ and ‘The hero doesn’t die in this one’. I’ve had other favourites in WIPs over time, but I can’t think of them right now

******************************************************************************************* tagged by the ever wonderful @time-to-write-and-suffer

1) How are you so awesome? Genetics.

2) What’s your favorite thing about your writing? The dialogue! Or the romances, which I mostly like because of the fun/cute dialogue.

3) Who’s your favorite character that you’ve written and why are they your fave? This is so mean. At the moment, Raph, because I can’t stop thinking about him and he’s so incredibly dangerous, yet on the low down (like the Mariana Trench level of low down) he has all these cute little quirks that only one or two people know about

4) One of your characters has been placed in the world/plot of a book you love. What happens? Rosalie becomes a Grisha in Leigh Bardugo’s world. She finds a sense of self-worth and gets to enjoy the little luxuries that come with the position.

5) One of your characters has been placed in the world/plot of a book you hate. What happens? X takes the place of Celeana Sardothien. He murders everyone in his path, tells the crown of Terrasen to get fucked because there’s no way he can run a whole government with any level of competance, probably murders Rowan with extreme prejudice, opens the Wyrd gates just to search the universe for Raph and bring him through so he can construct a decent government for Terrasen, would probably sleep with Dorian, would make it his new life goal to highfive Manon.

6) Your characters must fight each other to the death until only one stands victorious. Who wins? Raph. Koronis could conceivably stand a chance against him, but Raph would decimate pretty much anyone else. I think Raph would be able to stay above the fighting for longer, whereas Koronis would jump in just a touch earlier, which would be his downfall.

7) If you could steal a cover and a title from other books to use for your own WIP/s, which ones would you steal? Cover-wise I’d steal the minimalist Red Queen aesthetic, because that sleek shit is the bomb. Title-wise? That’s harder. The Lies of Locke Lamora has some sick alliteration, but I think I’d rather steal the style of it rather than the exact title

8) If you switched places with one of your characters, what would happen to you and to them? I would die, pretty much everywhere. If Rosalie swapped with me, she would slowly come out of her shell and become a fashion designer -not an A-lister, she wouldn’t like how vicious and ruthlessly businesslike you have to be, but maybe making her own high-end clothes in a small shop in London

9) What makes your style unique compared to other writers? Thanks for the existential crisis, Eff.

10) Describe your antagonist’s song number if they were a Disney villain. No Good Deed from Wicked, for Darklight

******************************************************************************************* tagged by the lovely @itstheenglishkid

1. Have you ever realized how similar an oc is to you and felt the need to change them so they aren’t so similar? I mean, Jade from Iron Flower almost shares a name with me, and she’s ginger, which did concern me for a while, but hopefully she’s nothing like me personality wise (or else I’d have to do some serious self-reflection)

2. Do any of your ocs like candles? I bet Rosalie loves pretty candles, especially patterned or strongly scented ones! Anything luxurious that she can’t afford, really

3. Do you normally write settings that are (or are based on) places you know intimately (ie your home town)? Oh god no. I like sweeping Chinese-inspired castles or creaking pirate ships or far flung space universities and man-made planets. I’m really not a contemporary writer though, so I guess this isn’t much of a surprise?

4. What is a book that feels similar to your own wip? Ahahaha, which WIP? Piracy Pays has similar vibes to @boothewriter‘s pirates and probably also @noodlewrites’ pirates (I’m guessing? I haven’t read any excerpts from you I’m sorry). Space Royalty is just weird. Iron Flower is probably similar to a lot of generic fantasy YA, like Red Queen and whatnot.

5. Do you have a dream cast for your ocs? I don’t really faceclaim? Or know much about a wide array of actors, so no, not really.

6. Are you good at story titles? Do they come easily to you? I am abysmal at story titles, holy shit. I mean, you can see the evidence scattered around this post. Piracy Pays and Space Royalty are just placeholder names, but I’m not convinced I’ll come up with anything good to replace them. Iron Flower is alright in that its relevant to the story and fits into the series title (The Flowers of War) but…idk, its not setting the stars alight or anything.

7. Do you ever change oc names once you’ve started a wip? Not often, though I am considering changing Ace’s name because I don’t think ‘Seb’ suits him. Only question, what to??

8. Which people have you let read your work? I mean, all of y’all have the opportunity to read Piracy Pays. No one has read Iron Flower, and I’m stretching myself by letting @rrrawrf-writes @lux-deorum@haphazardlyparked read Space Royalty in its raw first draft stage.

9. What usually catches your attention about a book first? Style? Characters? Plot? I’m quite an easy reader to catch and hold tbh. What makes me love a book is a clever plot. For me, a very strong plot can carry weak-ish characters, but I can never read super deep characters with no plot.

10. Do you have a favourite author? Probs Rick Riordan, or Julia Golding.

******************************************************************************************* tagged by the wonderful @typeaadventures

1. How many works in progress do you have? Properly, three. Iron Flower, which is written (143k) but needs editing, Piracy Pays which y’all are reading, and Space Royalty which crossed 30k about a week ago

2. Do you/would you write fanfiction I used to! I stopped in Y12/13 because I didn’t have enough time to do fic and original writing, and I haven’t really had the time to pick it back up.

3. Do you prefer paper books or ebooks? Either, I’m not fussed. Though if it has a really pretty cover, I’ll be hankering after a paper copy

4. When did you start writing? 14-ish on Young justice fanfic

5. Do you have someone you trust that you share your work with? Not all of my work, but yeah, I have a lovely server and also some irl friends that get the junk landed on them

6. Where is your favourite place to write? At home chilling with my family while we all do stuff

7. Favourite book as a child? Dragonfly by Julia Golding

8. Writing for fun or publication? Hopefully publication, but I know I need to improve a lot first, honing my skills etc.

9. Have you taken writing classes? Not a lick

10. What inspired you to write? Gotta get those stories out of my head and onto the page, man. Gotta get that sweet sweet representation out there too.

thanks everyone! xx

#tag game #about the author #long post

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purplefictionmom · 7 years

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I'd normally be like "ALL THE QUESTIONS" but I'm really interested in 7 and 15 (but like if you wanted to do them all then hell yeah pls do)

You know what, Imma answer them all, cause I love you darling~

All answers under the cut, cause I’m sure I'll get long winded, as usual haha

1) is there a story you’re holding off on writing for some reason?I mean, there was a story that I had been sitting on for...10 years, I think? I just didn’t know how I wanted to tell the story. It started as a mockumentary type of thing, then when that didn’t fit the narrative style I wanted to tell, I moved to a classic modern fantasy style, but that didn’t pan out either.

Then, the game called “What Remains of Edith Finch” came out and it hit me so hard that I nearly passed out: that is the perfect narrative style for the book idea I’ve been sitting on!!

Incidentally, if you haven’t played/watched someone play it, “What remains of Edith Finch” is an excellent game and Jacksepticeye does a wonderful let’s play of it :D

2) what work of yours, if any, are you the most embarrassed about existing?Not as much anymore, but I used to hate bringing up “...And the Things That Followed.” Just for a short what-for: ATTTF is a Left4Dead/2 fanfiction, reader-insert that started as a sort of experiment: I perused lunaescence and picked a fandom that I was familiar with, but that didn’t have a lot of fanfiction to choose from. I mostly wanted to see if smaller fandoms stay active, even with very little content to choose from. And boy, did I get my answer.

The biggest reason that I ended up embarrassed over it was because I hadn’t intended it to be a romance fic (I mean...the two main characters are the reader and a Hunter, and what with necrophilia being really gross and all...), but I had readers out and out demand for it, to the point of going on strike from reading my fanfic. This was years ago, mind you, so I caved like a wet noodle and now hate that particular fanfic, to the point where I don’t even want to write the two sequels that I already had planned and half-written.

So, it started out as embarrassment, now its more I wish I could just delete it and forget it exists, but I’m one of those authors who has a really hard time deleting anything, even things I hate haha.

3) what order do you write in? front of book to back? chronological? favorite scenes first? something else?For the very first, ultimate scene I picture in each fic/story/novel, it could really end up anywhere in the final version.

After that first initial scene I see, I try to start as far back as I think I can get away with and move forward from there, so I guess the short answer is I write from beginning to end, no matter how it ends up being at the end, haha.

4) favorite character you’ve writtenI guess this is supposed to not include characters I don’t own, but that’s no fun so here you go:

OC: A supernatural Hunter named Silva and another hunter (who I have an rp blog for) named Theodora ‘Timmie’ Wilson

Non-OC: Writing Yusuke from YYH and Asgore from UT

5) character you were most surprised to end up writingI’m not quite sure what this question means, so I’ll just take a stab and guess it’s talking about how a character can end up differently on paper than how you first envisioned them in your head.

And that award goes to Silva. I expected her to be a hard, cold killer, but she had so much inner turmoil and hidden thoughts that she was definitely the hardest character to write until I actually started to understand her.

Which took an ungodly amount of time, tbh haha.

6) something you would go back and change in your writing that it’s too late/complicated to change nowProbably how often I use the double-hyphen. Its meant to be an alternative to using commas (which, I use to many as it is anyway haha), but now they litter my writing like popcorn on the floor at a midnight release, haha.

7) when asked, are you embarrassed or enthusiastic to tell people that you write?Honestly? A little of both.

I’m someone who sees fanfiction (and any fanwork at all, tbh) as legitimate art forms, but there are so many who not only don’t agree, but they belittle and question those who participate in fandoms.

There are days I have all my shit together and I’m ready to defend my fanfiction to the death, along with all my original content; I have my sources, I have examples, so on and so forth, but other days...

Well, let’s just say there are days I don’t even volunteer that information to people willingly haha.

8) favorite genre to writeOther than fanfiction, I love horror, fantasy, and scifi the best, though there are plenty of times it feels like I’m hardly writing for any of those genres at all, haha.

9) what, if anything, do you do for inspiration?Fanfiction, most of the time, but I also listen to songs on the radio, discuss ideas with friends/family (my step-dad was the only person when I was growing up who nurtured my love for telling stories and many of my ideas for novels came from talking with him over the years), or I also like to free-write.

At least, I think its called free-writing haha. I basically just put my pen on paper and just talk to the page with my pen. Sometimes, its just a rant, but more often then not, I’ll find a story or character hidden there.

10) write in silence or with background noise? with people or alone?All of the above, haha. In the perfect atmosphere, music is playing in the background, and I’m completely alone with no distractions, but since that’s not reality, I’ve sort of forced myself to adapt to what I can.

My computer (where I do 90% of my writing) is in the living room of my house, so my hubby is usually around, and if he’s playing overwatch, then its usually a few voices playing in the background.

If it gets to be too distracting, I just put headphones in, but I also write in notebooks and I take those everywhere, so for that, I just write when/what I can as I go along.

11) what aspect of your writing do you think has most improved since you started writing?Definitely dialogue, but also my prose. Honestly, all of it, haha. I look back at stuff I wrote years ago and I wonder how anybody thought I was any good, haha.

12) your weaknesses as an authorIf I had to pick one, its probably that I tend to either over-explain, or under-explain. There is no in-between, haha. My first drafts are often a mess of me focusing in on the details of one room and then not describing a setting for two chapters or more.

13) your strengths as an authorProbably my ability to logically follow order of events, even though I don’t plot, like, at all. This also makes it easy to see where I can divert from what’s expected and explore different avenues.

14) do you make playlists for your current wips?Not really? I tend to either put my whole library on shuffle, or I have a dedicated writing playlist that’s full of background music from video games and other things like that.

15) why did you start writing?It started as an outlet.

When I was about 10, my dad came home from work one day while my mom was still at work and while I watched, packed all his stuff into his car, called my mother and told her that if she didn’t get off work soon I’d be home alone, and then left.

I was in a complete and total depression from around then until well into my late teens (I have a little depression now, and a slew of other problems, but now for diff reasons). On top of my dad leaving, my mother, step-father and I all moved to a completely new state, where I started to bomb academically and had literally no friends until almost a year later.

It started out as angsty pre-teen poetry (a lot of which actually still pretty good, even as I go back to read it), then it spilled into fanfiction and fandoms, and around the age of 13--once my step-dad found my love of writing and wanted to pull me away from fanfiction--I finally started writing original ideas out.

16) are there any characters who haunt you?Silva, and a few others. Not so much because their stories are left untold, but moreso because of the way they helped shape me as a writer and the things I was interested in writing about.

The debate about whether or not a writer should write about a certain subject usually stems from readers, but I tend to lean toward the argument from a writer’s point of view: there are subjects that I broached as a teenager that I needed to explore in order to be who I am today, as a person and as a writer. Not to say I have something horrible in my writer’s past that I wouldn’t be able to share, but more that it might be questionable about the age that I delved into those topics. (and no, I don’t mean just smut, though that is included in what I’m talking about)

17) if you could give your fledgling author self any advice, what would it be?Stop wasting your time trying to please family members with what you write. Most of them are going to ignore the whole of your writing and focus in on the one swear word you threw in for characterization anyway.

Write what makes you happy; whether or not its publishable isn’t the point. You’re just starting out and you need to write; to get better, to learn the ropes, so just go WRITE!

18) were there any works you read that affected you so much that it influenced your writing style? what were they?Oh geez...at the beginning, everything I read affected my writing style. Fanfiction, published novels, everything.

Probably my biggest influencers would be “The Green Mile” by Stephen King, “The Hobbit” by JRR Tolkien, “This Present Darkness” By Frank Peretti.

And while these are hugely different authors with different writing styles, they more influenced me in my way of thinking. Of expanding my imagination of what could be if I just had the courage to write it.

19) when it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.?I either have a notebook filled with notes about characters/information, or I use a website called Hiveword(dot)com. It’s a novel tracking website that also advertises its program (which you have to pay for), but the website itself is free and you can store all the information about your book, characters, timeline, etc.

20) do you write in long sit-down sessions or in little spurts?Both, but I get more done with longer sessions. I know that seems like a no-brainer, but its more because of how I prep myself for my writing time:

I have to have a glass of water or cup of coffee, I have to have my music playing (which, with spotify could take a few minutes to load), I have to re-read the last page or so of what was previously written so I can get back into the feel of it, then I can actually sit down and write.

the little spurts end up being in my notebooks and they’re a mess, honestly, haha.

21) what do you think when you read over your older work?I used to cringe and close it immediately, but I’ve been trying to analyze and see the biggest differences in my writings from a then and now standpoint. Sometimes its really hard, if its particularly bad or whatev, but its been a real confidence booster when I can see where I was and where I am now.

22) are there any subjects that make you uncomfortable to write?Not uncomfortable, per se, but I tend to try and think of things from a reader’s perspective at the same time I write, so there are times when I get a little too involved in what’s happening on the page, haha.

HIAPOTS was a terror to write at some points because of this.

23) any obscure life experiences that you feel have helped your writing?All of it, if I’m being honest, but obscure things specifically? Hmm...

I mean, probably the fact that I give all my pets personalities and conversations between each other? I do it without thinking, but there are times where I’ll find myself using lines or situations from this weird little thing in my actual writings, haha.

24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story?OMG SO MUCH. Like, idk about ‘expert’, but I have so much useless trivia in my head because of being an author. Talk with me for an hour and see if I don’t throw ‘fun facts’ into the mix of our conversations haha.

25) copy/paste a few sentences or a short paragraph that you’re particularly proud ofOh ugh...umm...let me to look...

From a currently unpublished reader/sans fic I’m writing:You understand, don’t you, Sans?

Sure, Sans understood. Sans always understood. He was the one who didn’t make waves, or overturn boats--you could always count on Sans to be the reassuring nod when you felt lost or the understanding ex who’s perfectly okay with just letting things die, even though the ending came as the greatest punchline ever written in history:

He hadn’t even seen it coming.

(I love delving into characters’ heads, and i love it more when i can do it well enough to feel comfortable with letting other people read it, haha)

From Part 6 of my Garrus/Reader serial fic:“They were my cases,” Garrus admitted, his eyes finally leaving Castis’s in favor of looking at the floor, “And I can’t watch it happen again.”

If Castis didn’t have such a steely reign on his composure now, Garrus might have been clued into his father’s line of thought. As it was, Castis was being forced to realize that he had been wrong in his assessments of his son.The older turian had always thought Garrus shirked the rules and regulations as a form of rebellion, since Castis stepped in and forced him to quit training for the spectres--as if to prove he didn’t care about what his father cared about. Now, Castis realized the reason Garrus pushed them aside so easily was because he did care, maybe too much.

(Honestly, the whole argument between Castis and Garrus in this part of the fic is something I’m proud of)

#wowee look at me go #elainapoststhings

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sureuncertainty · 7 years

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Sure Uncertainty: A Reference Post

So it has come to my attention that I don’t have a good reference post for my book, Sure Uncertainty, for those who don’t know what it is or what it’s about, and figured it was high time to fix that! Especially since I’ve gotten quite a few new followers lately. So here’s a bit more about my book/play, aka my big project and the main reason I created this blog in the first place. Warning this is long.

Sure Uncertainty is a modern day retelling of the Shakespeare play, The Comedy of Errors. Plot-wise, it’s essentially the parent trap on steroids. Two sets of identical twins (with the same names!) separated at birth end up in the same high school and due to misunderstandings and mistaken identity, a heck of a lot of confusion ensues. The plot is somewhat convoluted, and while a lot of it I lifted directly from the Shakespeare play, I created my own versions of the characters (did a lot of genderbending and such) and adjusted the plot accordingly to fit it into a high school setting. A lot of it was inspired by She’s the Man, a retelling of Twelfth Night in much the same manner.

I am also currently in the process of adapting my book back into a play (I know, a play based on a book based on a play) to hopefully direct for my senior project as a theatre major. I’m trying to get as much feedback as possible right now, so message me if you want to read it, and I might send you the link!

As for the characters... If you want to draw them, aside from gaining my undying love, gratitude, and infinite levels of happiness, check out this reference post here for physical descriptions and color reference drawings.

The Twins

Antony Abidelli (Antipholus of Syracuse): Transfer student from Syracuse, kind of a nerd. Loves music and spending lots of time alone. Introverted af. Very confused half the time, very rarely understands anything that’s going on. Just wants to be left alone most of the time. Loves his sister more than anything and would literally die for her in a heartbeat. Awkward af, shy af, terrible at flirting

Antony Durham (Previously Antony Duke, but I changed their name... Antipholus of Ephesus): One of the most popular guys in school, confident, charming (sorta), a total jock. On the football and basketball teams. Thinks he’s a lot greater than he is. Embarrassed of his family. Here’s a picture of him:

Roma Abidelli: AKA Roma A. (Dromio of Syracuse, genderbent) Rebellious, or tries to be. Sarcastic af, clumsy. Was held back a grade, so she’s old for her year. She and Antony A are super close because they felt like they only really had each other since their dad is really distant. Likes rock music, tries to be punk rock, and would do anything to be cool and popular, even though she pretends she doesn’t care. Also aro/ace and very much not interested in relationships. she and Antony D get close after the events of my book, so here’s a picture of them together:

Roma Durham (Dromio of Ephesus): Twin sister of Roma A. Goes to Ephesus, and wants to be close with her brother, but he pushes her aside a lot. Struggles with social anxiety. Very quiet and studious, takes her studies and grades Very Seriously. Gets lowkey teased a lot but no one would ever try too hard to mess with her bc they’re afraid of her brother. Kind of a teacher’s pet, terrified of many things, including heights, spiders, small spaces, airplanes, and getting in trouble of any kind. Doesn’t deserve any of the hell I put her through. Here’s an angsty picture of her:

Other Important Characters

Gene and Emma are the twins parents, also separated in the plane crash (which is my story’s version of the shipwreck from the play) who get reunited at the end of the story. The only thing they love more than each other is their children. Gene is a very go-with-the-flow kinda guy, quiet, nerdy, also writes poetry, Emma is his entire world, he spirals into depression after the plane crash, and thus was never really around for his kids. He’s also like... literally the sweetest, purest guy you’ll ever meet. Had a very rough childhood though, and was bullied a lot in his youth so Emma is immensely protective of him. As for Emma, she’s no-nonsense, the librarian of Ephesus high school, very strict and an enforcer of the rules all the time. Kind of uptight, fiercely loyal, will actually murder anyone who lays a hand on her family. Her way of dealing with grief is just getting really really angry at everything. Has a hard time keeping her cool sometimes, and can be irrational and blunt a lot of the time. Unable to physically fight but she will destroy you with her words. Literally just don’t mess with her (or Gene, which by extension is her). Have I mentioned they’re in love???? Anyway, here’s them:

And then there’s the love interests. Addie and Lucy Johnston (Adriana and Luciana) are sisters, and the love interests of the two Antonys, D, and A respectively. Antony D is Addie’s boyfriend. Addie’s on the cheerleading team, she’s popular, pretty, and very very dramatic. Yells a lot, can get unhinged pretty easily. Takes everything to the extreme. Lucy’s quiet and introverted, but not shy, loves to read and takes school v seriously. Has a secret badass side that rarely comes out. Both of them are super protective of each other. Lucy ends up falling for Antony A, thinking he’s Antony D, and that’s kind of one of the central conflicts of the book. They’re both like literal goddesses, like I’m in love with both of them and they’re my own ocs. Lucy’s nerdy but she never gets teased. She’s had lots of guys try and ask her out but always turns them down bc she’s looking for the right one. Here’s a pic of her and Antony A being adorable together, and then a pic of Addie below that.

Minor Characters

Angel Brooke who you see me talk about a heck of a lot, is def one of my faves (so much so I wrote a spin-off novel about her, but that’s a story for another time). Goth, lesbian, sells handmade jewelry at unreasonable prices. Artsy and creative, and very very good at getting her way. Clever. Quiet, doesn’t talk a lot, keeps people at a distance, kind of cold. Had a traumatic childhood. Apathetic towards basically everyone. She’s tiny but she will destroy you. After the story, she and Roma A become best friends, and she ends up with a HUGE not-so-secret crush on her... Oh and she’s based on Angelo from the play. Here she is:

Leigh is Angel’s ex, one of those people that’s super cheerful and nice on the outside, but is pretty manipulative and not a very good person. Bisexual, never stops making puns about it (or puns at all). She’s also on the cheerleading team, and is pretty good too. The type of person to say, ‘move, I’m gay’. Here’s a pic of her:

Randy: Roma D’s boyfriend, super shy and awkward guy that Roma A detests (which makes things difficult for him). Marie is Roma D’s other best friend, an artsy girl who’s very cheerful and optimistic.

As for adults, there’s Principal Duke, the principal of the school. Has a not-so-secret crush on Emma the librarian, who continually rebuffs his lame attempts at flirting. Doesn’t know that she lost her husband, he thinks she’s just single. He’s way too jovial all the time, has a habit of repeating himself. Kind of an idiot. Gail is his office secretary, does all the real work around the school, knows a lot more than she lets on, and is probably the most likely of all my ocs to take over the world.

SO TO SUM UP:

Emma and Gene are the parents of the four twins. Antony and Roma Durham are with Emma, Antony and Roma Abidelli are with Gene. (they all meet at the end). Addie is Antony D’s girlfriend, Lucy is Antony A’s love interest. Hopefully the family dynamic makes sense. If you read or know the play it’ll probably make more sense....

So there ya go, that’s basically it!!! Sorry this post ended up so long but I figured it’d be good to have a reference all in one place. Not gonna put it under the cut bc I do want people to read it. Please please please feel free to send me lots of asks or talk to me about my characters or this project and I will literally love you forever (or better yet, DRAW my children!!!) If you like my book/ocs or whatever, please reblog so I can get more exposure. Hopefully you’ll see my book on a shelf someday and if not, you’ll see a performance of the play adaption I’m working on. And if you read all this, I literally love you already. If anything doesn’t make sense or you’re confused, send in an ask or message me and I can try and update the post for ya! THANK YOUUU!

#aemelia rambles #sure uncertainty #long post #sure uncertainty reference #reference #aaaaah this got way longer than i intended but i'm glad to have it in one place #if you're interested in my stuff pls reblog!#writing ref

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