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#annabeth wants this- well
melly-clinica · 3 months
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THEYRE SENDING HIM ON A QUEST HES 12 AND THEYRE SENDING HIM ON A QUEST
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lilislegacy · 2 months
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look. either you agree with me or you don’t - either way it doesn’t matter - but i truly think that at some point - after time, a lot of heavy conversations, some yelling, and crying, and a whole lot of honesty and apologies from her parents - annabeth and her family would work things out and become semi-close. which means eventually percy would be on good terms with them too.
that said, you cannot convince me otherwise that at some point, probably soon after moving to new rome, percy gets into a screaming match with mr. and mrs. chase about how they treated annabeth. and he absolutely blows out the pipes of every house within a mile radius.
not because annabeth needs him to fight her battles. not because percy thinks he has to fight annabeth’s battles. but because he can’t even begin to grasp how someone could treat a child - their own child - like they treated annabeth. the man who was raised by sally jackson cannot even begin to fathom how they blamed their child for the danger that followed her, and then gaslit her when she went to them for help. he can’t even begin to understand how they put her brothers before her, because now that he has his own little sister, his mom has never been more clear about how much she loves him.
he’s gonna lose his shit.
(“what kind of father doesn’t do everything in his power to protect this child?” “it doesn’t matter that you didn’t sign up for it. it’s your fucking job.” “what kind of monster encourages her husband to turn his back on his 5 year old daughter?” “yeah you didn’t choose to have a child, but she didn’t choose to be born!” “what? did you hear that demigods don’t have long lifespans and were just waiting for her funeral so you could get on with your lives?” “what kind of parents make it clear to their daughter that their new babies are the priority? that she’s a danger to them? that they are more important?” “would you fall into hell to save her?… if your immediate answer isn’t yes, then making you a father was the dumbest thing athena ever did.” “she was a scared little kid. you were supposed to protect her.”)
the minute they try to defend themselves, the chases are getting soaked. and part of that is from peeing their pants with fear becasue we all know how terrifying percy is when he’s angry. and nothing makes him angrier than someone who’s hurt the girl, the woman, who is his entire world.
you cannot convince me otherwise. don’t even try.
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"how are you?" well did you know that in sea of monsters percy keeps a picture of annabeth on him at all times when she's away for the school year and that she emailed him these pictures from her trip to california with her dad and this kid probably looked through the pictures so much and one day he chose to pick his favorite and download it and (ask sally how to) print it and cut it out and stuck this little picture of annabeth chase in his probably busted up school binder so that sometimes he could take it out and look at it and remember that she exists and is his friend and-
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mediumgayitalian · 7 days
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———
Hand tight around the handle of his sword. Shadows pulled close, close, closer; cloak, hood, shroud. Still as a stone, hardly moving, barely breathing, waiting, waiting, tensing.
The whispers outside his cabin door grow louder.
He shot awake half an hour ago. A shift, under the cracked-open window, rustling, turning. Fabric, maybe, or fur brushing across the polished stone of the wall. Not a hellhound — he’d feel the bent shadows of its presence — nor any other creature from the Underworld, but clearly something dark, foreboding. Some heavy, stifling presence. And many of them, too, or perhaps one thing that is growing. It shouldn’t be possible within camp borders, but he can — feel it. A sense of ambush, of impending attack.
Every few minutes there’s a shake at his door handle. A wiggling of the Stygian iron metal, a whisper of sound as it’s jiggled, fruitlessly, a hiss as something draws away. The sound of quiet, throaty murmurs, muffled through the obsidian door. Escalating. Louder, louder; angrier, frantic.
Something is waiting for him.
It’s some comfort that it can’t get in. The handle was his design — not that most monsters would try to use it, but the burn as it touched their flesh, the threat of the Pit, would certainly would deter them. The obsidian doorway he insisted upon, regardless of skeletal complaints, was for practicality as much as pageantry. He has spent enough time in the well-run Land of the Dead to take notes from his father, paranoid he may be.
The noises, though, still grow stronger. Whatever is waiting for him has not been deterred by his fortifications, nor frightened by his aura of death. The handle jiggles again, and this time, the intruder is smarter — the lock turns, clicking as it is overcome, handle turning to follow it slowly, slowly. Nico holds his breath, gliding along the shadow, hovering in the doorway.
The door swings silently open. A clumsy lump of something steps hesitantly forward, huge and cumbersome; bulbous. At the front of it is a single long, glowing talon. The intruder pauses, contemplating, in the flood of low light, the cabin’s twisting shadows, turning slowly, carefully around. Nico glides along the floor, guessing at its blindspot, holding close to himself, waiting, waiting.
One.
The creature pauses.
Two.
The talon twitches to the left, following the creak of the settling bed springs.
Three.
Nico surges forward, bringing down his sword. It clangs against the talon, reverberating outwards, echoing the screams of the monster and tear of fabric —
“Nico! Nico! It’s us! Cool it! Watch the sword! Watch the sword!”
A burst of fire shoots upward, enveloping the cabin in a burst of white light. Nico hisses, nearly dropping his sword in his hassle to clamp his hand on top of his eyes, hunching protectively forward.
“Leo! Fucksake, you tryna blind us?!”
“Sorry! Sorry! He freaked me out, I flamed too hard!”
“Just fuckin’ — scream, next time! Jesus! I’ve gone blind!”
“What the fuck,” hisses Nico, blinking the spots out of his eyes, “are you idiots doing?”
In front of him stands not a monster but five infuriatingly familiar faces, each holding — for some reason — a mattress. Percy’s sword is still held loosely in front of him, and Jason’s jacket has been singed. Piper and Annabeth blink spots out of their eyes. Leo stands, in the charred ruins of his mattress, wringing his hands.
He glances up at the ceiling. Nico follows his gaze, noting where the black rock has been re-vulcanized into glass from the heat of the flames. He looks back down.
“From the bottom of my heart,” Leo says, solemnly, “my bad.”
Nico sinks to the floor with his head in his hands.
His friends, for some reason, take this as a cue. The heavy door is pushed back closed, cutting off the last of the low light from the Greek fire torches outside and the whistling of light wind. Someone feels around for a light switch, and, upon finding none, shrugs and pokes Leo until his nose catches fire, guiding him around until all the lamps and fairy lights have been located and turned on. Someone else — Annabeth, he guesses — begins instructing mattress placement, directing a crew to dig through his closet for linens. A comment about how spacious it is now that he’s not in it pops into his mind and he shoved it back down. He will not make light of the situation. He won’t.
“What the fuck,” he reiterates, louder this time.
Nobody answers. A faucet starts running in his background, and he hears the flip of a drachma.
“If nobody answers me in the next ten seconds I’m going to reanimate Andre the Giant and have him bodily throw y’all out. He will not be gentle. He will —”
“Y’all count,” they all say at once. Percy, gleefully from the bathroom’s running faucet, calls, “I’ll keep track! Remember if it goes over twelve I win!”
Nico snaps his mouth shut, ears burning.
Why has he remained at camp, again? He trained with Achilles and Patroclus. He learned how to read with Literal Shakespeare. Alan Turing taught him math. Not successfully, or anything, but still. He has no bearing here. He could be anywhere he wants to be, and for some reason he is putting up with unrepentant disrespect.
Nico four months ago would smite them. Nico five months ago would turn them to shadows for their insolence. Nico a few weeks ago, even, would have at least sulked off into the forest to cool of for several days.
Here he stands, Nico of tonight.
Unmoving in the centre of his sieged cabin.
No Andre the Giant raised.
No terrors inflicted.
Hardly even a threat.
What the shit.
“What love does to a young lad, eh?” Piper says, patting him condescendingly on the head. He aims a kick for her knees, which she unfortunately dodges, cackling and scampering away. He surges after her.
“I am several decades older than you, you little snot, what are you even talking about —”
“Older and uglier, you wrinkly ass bitch —”
“Guess who’s gonna be ugly when I remove the flesh from her body —”
“Ha! Catch me first, shrimp arms —”
“It’s working! I got it!” Walking very carefully, not unlike a toddler holding a too-full open cup for the first time, Percy steps out of the bathroom, faucet finally off. In his cupped hands is a quickly spinning vortex of sink water, letting off a fine mist. A prism taped to the side of his forehead refracts a rainbow into it. “Say hi, Hazel!”
“Hi,” says Hazel, waving from her surprisingly solid connection. She meets Nico’s eyes, grinning. He matches it immediately, dropping Piper out of the headlock he had her in.
“Hey,” he says, ignoring Piper’s dark muttering and promises for revenge. “You look eager.”
“I am eager. I heard we’re having a sleepover and talking about boys!”
“…You heard what.”
Percy shucks off his shoes, stepping gingerly over Jason and plopping right in the middle of the mattress pile, legs crossed. Nico realises for the first time that he is wearing pattered Superman pajamas, which is frustratingly endearing. He shifts the water vortex so that Hazel’s projection faces him.
“I’m so pumped,” he says earnestly. “I’ve never done this before. I’m so intrigued. Do we talk shit? Is that how it’s done? Is there swooning? I have a plan if there’s swooning.”
“We’ll get there, Seaweed Brain.” Annabeth brushes a hand through Percy’s hair as she walks by — somehow dignified, which is impressive, Nico has never seen anyone wobble over a mattress elegantly before — and presses a kiss to his forehead. He leans into it. “Ease into it.”
“Yeah,” Hazel snickers. She sticks her tongue out at Nico’s glare. “Don’t spook him.”
Nico throws his hands up. “Don’t spook me, she says. Heaven forbid anyone tell me what’s going on.”
“Well, you’re trying to court that boy, right? The cute one with the motormouth?”
Crazy how two sentences can reach down your throat, grip onto your beating heart, squeeze out your soul, drag it from your body, still pulsing, and leave it to actively shrivel on the floor next to your withered, fetal-positioned body to the audience of your cackling friends. Genuinely wild.
There’s a woman who wanders around the poplar fields of his father’s kingdom and has for tens of thousands of years — longer than even his father. Legend says she is the first user of language as it is understood in modernity. Nico may have to beat her up the next time he sees her. Or, well, try, ‘cause she’s jacked, but her crime cannot go unpunished. How dare she introduce the curse of language upon the human race.
“Which one of you,” he croaks, voice cracking more than Jason’s old man joints when he sneezes, “you — fuckers, told my sister about — about.”
If he says his name he’ll die. Like Voldemort except not stupid.
When he looks up, all five of them hold their hands proudly in the air.
“It was more of a conference call,” Jason explains. “And it was less ‘us telling’ and more us calling to say hey, Hazel, Nico keeps shutting down every time this particular person smiles at him, and then Hazel went oh, is it the medic boy he keeps rambling about when he calls me, and we went yeah, totally, can you elaborate on the rambling —”
“Cool.” Nico scrambles to his feet, brushing off his sweatpants, tucking his sword under his arm. “I’m going to go drown myself, if y’all will excuse me.”
He barely makes it one quarter step away from the stupid fucking mattress pile.
“Initiate part two of the plan!” Annabeth hollers.
“Y’all count!” Percy yells.
Without waiting to be chased, Nico sprints for the door. Immediately a fireball is launched at the handle before he can reach, melting it. He veers for the window, but a gust of air slams it shut, and a shining dagger pins the lock in place. In his final desperate dive for the nearest shadow, Piper sprints over — curse her long legs — and tackles him to the ground, rolling them both towards the nearest light source.
“Every single one of you —”
“Ow! Teeth away! Teeth away! Don’t make me muzzle you!”
“—except you, Hazel, never you —”
“Jason! He’s fuckin’ — his nails are clawed into the doorframe, help me!”
“—will be facing me in judgement day! And I shall not be lenient!”
“Quit trying to bite me or I’ll beat you up again!”
“No! Suffer!”
Conveniently, a spot on the uncomfortable floor has been left free of mattresses and pillows and beddings so that Nico and Piper can claw the shit out of each other properly. He lands a good hit on his collarbone, but she jams her heel into his ribs when he foolishly leaves his left side open. He manages to pin her arms to her sides with his legs, but she mirrors the move and squeezes her thighs around his neck.
“Do you usually just let them kill each other?”
“Oh, yeah, don’t worry about it. They didn’t get to spar yesterday so they’re a bit pent up, they’ll be fine soon.”
“…Must be a Greek thing.”
“Don’t you guys have Violence Fridays?”
“Uh, not quite.”
“We have war games,” Jason explains, “but there are generally repercussions for aiming for one’s jugular.”
Annabeth frowns. “Well, that seems flawed. How do you children ever learn to defend themselves?”
“If I recall correctly, by surviving to adulthood.”
“Touché.”
Knowing the scolding he’s about to get is going to be fierce, Nico rolls them both towards his (thankfully untouched) bed, sinking them into the shadows under it and popping up on top of Jason’s reclining body. As he planned, the combined chaos of Jason’s screech and Piper’s nausea gives him just enough leeway to kick himself free and scramble away behind Annabeth. Not that she’ll usually protect him, but he has a feeling that she has an itinerary and is therefore invested in keeping them on task.
“Okay,” she says, holding Piper back by the forehead — success. “Piper, put the nails away. Nico, quit making faces at her or I’m gonna let her claw you. Go sit on opposite ends of the mattress pile.”
“You’re not the boss of me,” they both say, immediately cowering and Annabeth’s glare and scampering to do as asked.
“Thank you. Alright, everybody grab a blanket and gather around. Nico, is there a — thermostat in here, or something?” She tightens the skull-patterned blanket (that she stole from his closet like the thief that she is) around her shoulders. “It’s freezing.”
Nico sniffs haughtily. “I prefer to have my external environment the internal temperature of my soul.”
He smiles smugly to himself at the chorus of boos that echo around him. That was a good one. He feels no shame.
“You should,” Percy tells him seriously.
“Stick your finger in a socket.”
Annabeth tosses an overflowing binder into the centre of the mattress pile before they can really start to go at it.
“Be quiet and behold,” she says grandly, “the plan.”
Nico stares at it dubiously. “The plan.”
“Yes, the plan.”
“Say plan one more time and I’m chewing the floor.”
“You’re such an odd person.”
“Having your fucked up ghost mentor put you in a labyrinth to be hunted for sport by his monster friends for ‘training’ will do that to you.”
Will once told him that he reverts to making people uncomfortable via depressing personal anecdotes when he is nervous. Startlingly perceptive for someone who, in the same breath, asked Nico if he could bring his siblings to the picnic Nico had planned in the strawberry fields for them, alone, at sunset.
“Just — open the binder, oh my gods.”
Huffing, Nico does.
It’s less intimidating than it looks. The heavily doodled title page reads OPERATION: WOOING WILL, which is embarrassing, but the rest of it is as cleanly professional. Several sub chapters including plans A-L, gathered information, outside input, sources, and hand-drawn diagrams are neatly organized and typed out. It’s even in dyslexia-friendly font. Truly a work of art. Too bad Nico is considering incinerating it.
“It’s not even gonna work,” he mumbles, pointedly avoiding the six pairs of eyes watching him. Well, five, Leo walked in the cabin and immediately got distracted by something else. He’s been poking at a pile of bronze for the past forty minutes at least. “He’s — unplannable.”
“Nothing’s unplannable.”
“He is. He doesn’t — think about things. In the same way.” Nico traces his fingers over a page titled Dropping Hints — How Begging Someone To Go Out With You Has Changed In Seventy Years. “You and me’ll see someone go out of their way to make life easier on somebody and know they’re — crushing, or whatever. But Will goes out of his way for everybody, all the time. It’s not odd for him.”
“Can’t you just tell him? Outright?” Hazel asks. “I mean, he told you, didn’t he?”
“That’s different.”
It isn’t, really. Nico could tell him. He could walk up to breakfast tomorrow and just blurt it out. Same words, even. I think you’re gorgeous.
He wants to. He wants Will to know, wants his bright eyes to go wide and his nose to go red and his voice to go quiet as he says, really? And Nico wants to feel the goosebumps that cover his arms when he rubs his thumb over the inside of his wrist and says, yes. Wants to watch him shiver as he says, you make me feel safe, you know. Watch his golden eyelashes flutter as he adds, wanted. Safe and wanted.
“It has to feel right.”
———
next
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ofswordsandpens · 4 months
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I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...
#our experiences are very different lmao#pjo show crit#sure the show isn't completely out yet#but id argue that the characters (namely the trio) seem way more developed and well-rounded in the book by this point in time (episode 4)#and look im not saying every change the show has made is bad#but by and far there has yet to be a change to characterization that feels like an IMPROVEMENT from the source material lmao#the closest contender I'd say is show Percy does seem a tad angrier than book Percy#but again I wouldn't call that an improvement... its just different and I think that /change/ works because it feels like the same essence#but even that has had some issues because I feel like the show has inadvertently cut down some of Percy's canon book empathy here and there#I think the show has nailed Annabeth's pride and intelligence and her warped worship of her mother#... but they've also made her hyper competent to the point that she's not making half of the mistakes she did in the book#which ISNT good because book annabeth is smart but she isn't infallible#its a big point that she has the theoretical intelligence but none of the real world experience/application#she gets tricked by medusa and goes to visit the Arch just cause she loves architecture and that's okay!! she's twelve and a nerd!#I also dont like that they've cut/toned down her little crush on Luke#actually they've not even showcased the familial bond between annabeth and Luke either in the show so like lmao#and then grover#by now grover's fear of failure and repeating this past mistakes and wanting a license has already been acknowledged in the books at least#in the show?? not so much#and his canon book suspicions and wariness of medusa... were given to annabeth#like medusa in the book was Grover's moment to shine cause his instincts were right!#and in the book fight he even very intentionally attacked medusa#but his highlights there were cut completely in the show#and finally sally#...idk who that is in the show but that's NOT my sally jackson#percy jackson#mine
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silenab · 4 months
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im guessing they changed it so that frederick would be easier to forgive but me personally im stuck on annabeth KNOWING that he asked athena to take her back
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shuutingstar · 1 month
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I really REALLY want someone to animate Epic: The Musical with PJO. Like I love Epic’s music and PJO’s just fun yk?
My idea if anyone ever does ever decided to make a crossover/au is that I think it’d be cool if the gods (Poseidon, Athena, etc) were replaced with their kids (Percy, Annabeth, etc) and Odysseus could be Rachel or something. I’m not too sure about that one but she’s a clear-sighted mortal so I don’t see how she can’t be. Not sure who Penelope would be though, I guess whoever you ship Rachel with?
I also think it’d be funny if Circe was Reyna just because of her backstory. It’s funny okay??
I’m just gonna give an example so you kinda get what I’m sayin.
In the song “Wouldn’t You Like” Hermes can be replaced with one or both of the Stoll brothers. Let’s say Rachel needs a way to get her men back from Reyna (Circe) and doesn’t know what to do; Connor or Travis (or both of them) gives her a way to do that.
Wouldn’t that be fun?? Like it’s just the Odyssey but PJO so I’m not sure if that would be the most interesting thing in the world but I’d love to see someone do something with Epic and PJO.
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happyk44 · 8 months
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actually annabeth joining luke's army as a double agent for chb but percy doesn't know this so he just thinks alright and grabs grover and hooks it over there bc annabeth does what she wants and he knows there's no convincing her otherwise bc she's a stubborn ass and also ares fucking sucks so as far as percy's concerned the gods can suck it based on that alone
grover is just ??? bc he does NOT want to be over here and percy's just like "look, we can't convince annabeth to not be part of monster army, so the only option is to be part of it ourselves" and annabeth walks in on them trying to join (or rather percy trying to join for both of them and grover looking on the verge of tears) and she's just ??? bc what the fuck percy why are you two here
whole time percy is going on a rant about ares and how he sucks and how he's pretty sure the god has abused clarisse ("maybe we should get clarisse to sign up with us") because no one believes that he wants to join luke's army and they just thinkk he wants to spy on them so he's trying to show that he thinks gods (well at least one god) is a total ass and can get obliterated and percy will be happy to do that bc he did it once before, he can totally do it again! and if they get clarisse she can deliver the final blow as an FU
someone asks why grover's there and percy is like "um. he's my best friend? he has to come with me? what, you think I'm gonna fucking fight my best friend? are you stupid?"
meanwhile grover is having the worst panic attack of his life. like why is this how he discovers percy has no morals. couldn't it be something smaller like putting french fries in a strawberry milkshake?
and annabeth is resisting the urge to start screaming and now she's gotta vouch for percy and her vouch for percy is basically "if it came to saving me and grover or a bus full of people about to plunge into the atlantic, percy would save us, no hesitation" and everyone's like "jesus christ, the hell is wrong with this kid" because like maybe they're on the side of a cannibalistic titan but they're not fucking evil
ofc once they're let into the group, annabeth drags them both to the side and wrings percy a new one for fucking up her double agent plans and they're both whisper-arguing bc it's not his fault he didn't know she didn't really shack up with the enemy, but like fuck off percy, you didn't have to follow me here! why the hell would you choose to come here, were you going to try and kidnap me and bring me back to camp by force??
and percy is just like "yes that is 100% what i was going to do, i was definitely not joining with the intent to be by your side and blow up olympus because i'd rather destroy the world than fight my friend" and grover turns to annabeth and is just "he's fucking lying" "yeah i know"
anyway grover is released as a double agent for the monster army (but actually for CHB) bc the idea is that he can help them get more demigods to their side as a searcher being sent out to grab kids and he's mentally banging his head bc NOW he has to figure out how to get unclaimed demigods safely to camp without making it look like he took them there on purpose and if it looks like he defected back to CHB, they'll probably kill annabeth and maim or imprison percy and good gods, percy i hate you so much rn
percy? idk. it's past summer so he just goes home and luke is like "bro you can't just fucking leave" "um no offense luke but if you try to stop me from going home to my mom who i love more than life itself i will legit eat you" and then he goes home
come december, grover is calling percy up like "hey i found these fucking powerful ass kids, plz help me get them to camp without making it look like i got them there on purpose" and so they gotta loop annabeth in who's just mentally banging her head and cursing percy out over this whole thing as she strategizes a way to get the army there but have them fuck up so badly it would look super suspicious if grover just shoved them over
so first she yells at percy then she makes grover call thalia up so she can help him and it'll be okay 'cause she's in the same area as him so it won't look suspicious, it'll just seem like camp sent her in with him, like they do sometimes when there's dangerous monsters that a satyr might not be able to handle by themselves.
and then she makes percy go with them as support for grover's "nefarious" deeds since thalia's there. and it's a whole fucking thing, and mentally she's just like "oh thank fuck" when artemis and the hunters show up.
they retreat back to wherever the monster army was at this time (not the boat, but like idk. atlas' post? were they all chilling there or was it just luke and some ppl being assholes and everyone else was still on the boat, i can't remember) and curse their loss of two powerful and clueless demigods, only for percy to call annabeth up a couple hours later like "hey, remember those kids from a couple hours ago with the manticore and the hunters and everything"
"percy it was two hours ago, ofc i remember it, my memory isn't as shit as yours" "right right, you're elephant" "oh my- why are you calling me!!" "oh yeah. uh. well. they're kinda in my house" "what??" "yeah they're sitting right across from me. my mom's giving them some hot chocolate."
"how the hell?"
"i have no clue. they also have no clue. they just, uh, didn't feel safe at camp, bc grover was being weird about trying to save them. which, um, yeah, makes sense. and they don't like thalia because her spear scares them 'cause they don't like lightning. and also the girl said the hunters keep trying to convince her to join them which is freaking her out, so they didn't want to stay at camp. and then suddenly they were in my house."
"..."
"what do i do?"
this time annabeth bangs her head physically on the closest wall. and somewhere in the fine forests of new york, grover is banging his head on the nearest tree, both of them unified in their feelings of "for fucks sake percy i hate you so much rn"
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annabeth defender of wrongs and rights till the day i die but why are pjo fans on twitter obsessed with saying percy and annabeth shouldn’t be together and using calypso and rachel as a reference for why? heaven forbid the 13-15 year old with severe abandonment issues pushes her bff she has crush on into the arms of literally anyone else more than once and he’s rightfully confused and hurt and makes other female friends for 3 seconds why are yall so mad 😭
also it literally would have been so fucking boring if percy and annabeth just -were-. we needed the jealousy and tension are you guys boring or what.
and if i speak on how we need to keep luke pretending he’s romantically interested in annabeth bc it’s important to her view/development on love and relationships and luke’s gross desperation to get anyone his side-🫣
i think maybe everyone doesn’t read enough. i would die a slow painful death if books were so black and white. pls never become published authors. ❤️
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thaliasthunder · 1 year
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no bc the way nico must've been deeply crushed by percy that he never cursed him tho he had all the reasons in the world to do it? if percy had to deal w nico's curse w the arai monsters in tartarus he would've straight up died there
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posallys · 4 months
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How do you feel about the implications from Medusa that Poseidon uh- kinda raped Sally? I'm personally staring in disbelief.
i 100% did not get that vibe at all? i rewatched the scene and i'm looking at the transcript and:
Athena was everything to me. I worshipped her, I prayed to her, I made offerings...she never answered. Not even an omen to suggest she appreciated my love. I wasn't like you, sweetheart. I was you. I would have worshipped her that way for a lifetime....in silence. But then one day, another god came, and he broke that silence. Your father. The Sea God told me that he loved me; I felt as though he saw me in a way I had never felt seen before. But then Athena declared that I had embarrassed her and I needed to be punished. Not him. Me. ... The gods want you to believe that, that they are infallible. But they only want what all bullies want. They want us to blame ourselves for their own shortcomings.
that's medusa's story monologue and the only thing there that implies the rape story is the "...i needed to be punished. not him. me" but nothing else she says implies that...and considering they went with a different iteration of the myth her, i don't think that's what she was implying in any way (and especially because it's disney). she was more so saying that athena should have punished poseidon if she was mad at anyone, because he esentially took the attention that medusa was willingly giving to athena, and that's why athena was mad. in this case, athena's shortcoming was not accepting the love medusa gave her willingly, and then getting angry and punishing medusa when she placed it somewhere else.
You're mother and I, we're like sisters in a way. Targeted by the same monster. So I find myself feeling protective of you. A monster? My mom never talked about my dad that way.
Even here, any implication of that you could gather is in the "targeted by the same monster" which. i don't think is what we're supposed to gather, especially with the line percy says. because he's right. if that's what happened, then sally wouldn't have talked about poseidon the way she did; she wouldn't have been crying in the car at montauk; she wouldn't be wearing the matching pearl necklace. i think, in this iteration, what medusa meant by monster is a god. her whole thing here is trying to convince the trio that the gods are the real monsters because they don't care about what happens to anyone other than themselves
and then there's this line
And you, you could have shown your father what it means to stand up for someone you love.
she's saying that poseidon should've stood up for her because he said he loved her...but he didn't, and let her take the punishment---which, yeah, it's completely shitty that poseidon would've just let that happen to medusa, but it doesn't lend itself to thinking that he raped sally in the context of the show. like at all.
the whole medusa interaction is her trying to teach the gods a lesson---that they shouldn't be above everyone just because they're gods, that the trio just sees monsters where they should maybe see people with a story, people that their parents made that way, people they shouldn't hate just because they're told to, because if they do then they're no better than their parents. i think the show is really playing into the whole "the gods are shitty" thing that luke has going on (which i kind of really enjoy im ngl....im SO interested to see it if we get to tlo) and not making them out to be these perfect beings, because they're not. they're corrupt and shitty, but unfortunately they're better than the alternative. and medusa is simply pointing out that just because someone is a monster doesn't mean they're a monster, and just because someone is a god doesn't mean they're good (@ sally in ep 1).
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phoenix--flying · 5 months
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what is that Ethabaster group home au you mentioned
This was quite literally sprouted from one line of dialogue in Black Friday by Starkid, I'm not even joking 💀
"You say you killed your family. I hope I killed mine." as something Alabaster says to Ethan. But, the context?
Alabasters family (His father, step mom and their two kids) were killed in a freak house fire and he was the only one who survived. What authorities don't know? Alabaster started the fire. His father wasn't good to him and he wanted to start a fire to hopefully get him landed in the hospital so he could get out of the house/run away, it was not his intention to kill anyone. Regardless, he wound up in a group home since he had no family to go to (He did, technically, but none of them could be reached)
A couple years after that, Ethans dad died in a car accident which Ethan blames himself for, he'd been asking a lot of questions and thought it distracted his dad from seeing another car coming towards them. If you wanna go the Nakamura/Tanaka fam route (me personally i always do) then both his and Drews dads were killed, Drew is placed in the care of one Naomi Solace while Ethan is sent to the same group home as Alabaster.
Despite authorities ruling the fire at the Torrington estate an accident, the other boys in the home took note of Al's apathetic attitude towards the accident and decided to start a rumor that he set the fire which, of course, is true but they don't know that. So, Al doesn't get along with most people in the home aside from one other resident, Chris Rodriguez, and two of the workers, Luke Castellan and Lee Fletcher.
He's caused many a problem before and has been threatened with a placement move but Luke always manages to get it fixed, he had also planned to start a new job at a different home around the time Alabaster showed up but ended up changing his mind. Luke is the only one who knows that Al set the fire.
Alabaster has his own room because of the issues with the others, but when Ethan shows up Luke assigns him to Al's room. At first, Al just ignores him; he's seen enough people come and go in the two years he'd been there he's learned to not make friends. But after a month or so he starts to open up a little, talk to Ethan a bit more. Then Luke starts assigning them to the same activities and stuff like that, basically trying to push them together in a way because he thinks they'll get along and that having a friend would be good for Al.
Ethan also completely ignores the rumors, despite several kids telling him that nobody wants to adopt Alabaster because he's a murderer, etc etc. Alabaster doesn't want to be adopted, he's trying to find his bio mom (He was under the impression that his step mom was his bio mom but found out very soon after the fire that she wasn't) And Hecate is under the impression that Alabaster is with one of his aunts, rather then a group home, hence her lack of contact.
Lee and Luke met each other during a brief stint in a different group home which is what pushed them to work for one when they were older :) They are the homes big brothers fr what can I say.
Eventually though, Alabaster ends up telling Ethan the truth about the fire before promptly running away because he thought Ethan would hate him, and because Ethan is his first actual friend he did NOT want to deal with that. Also an underlying fear that Ethan would call the police. Luke ends up finding him and convincing him to come back.
To be completely honest I don't think there's been much past that, so that's it for now LOL
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"the way they killed medusa was stupid" "using the hat to kill medusa was dumb" that's because this show isn't written for action and blood and gore its written for STORYTELLERS ofc the "fight with medusa" wasn't epic and bloody that would defeat the whole point INSTEAD it was symbolic and set up narrative arcs. it was annabeth passing on the invisibility her mother cursed her with to a woman who was cursed never to be seen. it was paralleling the original perseus myth where he uses the helm of darkness alongside his shield and shoes from athena and hermes. it was setting up the conflict between percy and annabeth about giving up the hat and making annabeth suffer an emotional loss to go on with the quest versus imposing the consequences of medusa's story and tragedy on the gods themselves.
imagine watching a scene where annabeth increasingly gets defensive and 12-year-old lashing out with "but my mother is always just" "that isn't how the story goes" and "you're a LIAR" imagine watching the air go out of the room as "i'm a survivor" "i was you" "i would have been content to worship her for a lifetime... in silence" medusa breaks her calm demeanor at having her story erased once more imagine watching annabeth appear out of nowhere and make medusa disappear with the powers that athena granted her so that a son of poseidon can murder her and your main thought being "awwwww but i wanted it to be more epicccccc i wanted blood and gore and decapitationnnnnn" imagine missing the whole point of the entire percy jackson series that bad
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does anyone ever think about how Annabeth had to see another one of her close friends that she trusted with her life possibly die without knowing whether they would come back or is it just me
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ofswordsandpens · 4 months
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I don't think them changing Annabeth's crush is a problem because familial love is an equivalent replacement. It was mainly just fuel for Percy's jealousy. It would be funny if Percy was just in his head the entire time that she has a crush on Luke and the whole time she's just "I love my brother so much!!!!"
I don't think the change is a problem, but I simply don't see the necessity for the change? They had familial love in the book as well alongside her crush, and her having a crush in the book was very sweet and humorous to me. What was problematic was Luke returning her crush in the end. I would happily enjoy them taking out his weird reciprocation that he had in his final hour.
Regardless, no its not the end of the world for her Annabeth's character if they take away her crush.. its definitely just a loss for me lol. Her freaking out every time Luke interacted with her was funny. Percy teasing her about it was funny. Percy's jealousy was funny. And since her crush was pretty prevalent in the first couple books and now that the show has decided to either write it out, or tone it down, or whatever, they are losing out on a lot of those funny moments.
One thing that does make a difference, however, is her crush on Luke in tlt is often part of the times where Percy sees her as something other than perfectly composed and calculating. And it would be one thing if the show still showed the other "silly" or "childish" (so to speak) parts of Annabeth even without her having a crush... but they haven't really, and its one of my more sincere criticisms that show Annabeth has come off as way more stoic than she is in the book by now (which is not on Leah at all). Yes Annabeth is wise and hyper competent, but she's also very emotional and gets flustered and is kid that does kid things! Like the scene with the her in the store with the candy in episode 3? I need to see way more of that sort of thing, especially if they're cutting out a lot of book instances that showcases her more childish side.
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stillcarmine · 6 months
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AU where Leo finds the Lotus Casino when he runs away and meets Bianca and Nico, oooh, or Percy, Annabeth and Grover! Or Alecto in disguise and getting tangled up with Underworld drama.
Grover probably wouldn’t notice there was another powerful demigod with how dazed the hotel had him but if he had, would he have jeopardized the quest to save him? He did for Annabeth and Luke in the past but the stakes are higher now. Maybe he’d plan to come back for Leo seeing as how he was mostly fine at the hotel, or called for some of the local satyrs to get him.
Grover finds so many important demigods, maybe he’d felt a duty to help this one in particular and decide to do it himself but when he goes back, Leo’s gone.
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