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#and you can't change my mind
demigods-posts · 2 days
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it's just that carl and ellie from up are so percabeth-coded. a boy who's very quiet about his ambitions. wanting to live a simple but purposeful life. and then he meets a girl who's extremely overt about wanting to live a big life. and the boy's new life goal is helping the girl achieve her dreams if it's the last thing he does.
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xspiderxx · 1 year
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𝐅𝐑𝐈𝐄𝐍𝐃𝐒 𝐖𝐈𝐓𝐇 𝐁𝐄𝐍𝐄𝐅𝐈𝐓𝐒. 𝐌𝐈𝐆𝐔𝐄𝐋 𝐎'𝐇𝐀𝐑𝐀
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paring: fem!reader x miguel o'hara
summary: just how would be a friends with benefits relationship with miguel.
warnings: Miguel out of character maybe? nsfw, not established relationship, unprotected sex, jealousy, i'm being self indulgent.
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❊ it starts one night after having some drinks with friends. He was taking you home, when you two started to talk about how horny the alcohol makes you both
❊ which leads to you inviting him in just to have some coffee to sober up, but it's just an excuse, because you didn´t drink that much, just enough to find the courage to do what you both have been wishing for so long
“are we really doing this?” you moan while he kisses your neck, trailing kisses down your body.
“do you want me to stop?” he asks, stopping what he's doing, looking into your eyes.
“no, keep going. Keep going” you beg, spreading your legs, allowing him to kiss your clothed pussy.
❊ it was suposse to be a one time thing, but it ends being an anytime thing. Any of you calling or sending a message with something as simple as “wanna come over?” or “can I see u?
❊ the first few times were great. After hooking up you used to leave, and that was all. Until one night, it was a long day for Miguel, and he just fell asleep after one of your sessions
you are trying to recover from your climax when he starts to cum, shooting his seed inside you with a raspy groan.
“mierda” he mutters against your neck, still inside you, trying to catch his breath “you have no idea how much I needed that, cariño” he pulls out slowly, collapsing on the bed next to you “can I sleep here just for tonight? estoy realmente cansado”
“yeah” you say, not sure if he heard you before falling asleep
the morning after, you wake up with Miguel still sleeping, with his arms around your waist, pulling you as close as he can
❊ after that everything feels more intimate, crossing the “just sex" line
❊ and of course, your friends are not blind. They see the stolen glances, the holding hands under the table, all those "accidental" touches
“we're just friends” you say, rolling your eyes, taking his hand off your thigh.
And for some reason, he hates how hearing that makes him feel.
❊ I think that he would be the first one to catch feelings, so he is the first one to be jealous
“wait, are you jealous?” you smirk, placing a hand on his chest.
“what? no. why would I be jealous?” he mutters, walking away from you
❊ but at the end of the day, neither of you are willing to make the next move because you're too scared of screwing things up.
“we're just friends, right?” you whine and he almost laughs at the scenario. At how funny it's the question while he has his dick buried deep inside your cunt.
“yeah, just friends, preciosa” he hisses, rocking his hips against yours.
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blakbonnet · 2 months
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we talk about what Ed would've done if he saw Stede in the red suit but if Stede had seen Ed doing cannonball, he'd have sucked him slippy sloppy style
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desos-records · 6 months
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my favorite dumb thing that I know is that the term dog-face in the Iliad/Odyssey doesn't mean bitch. what it actually means is closer to slut
[dog-face is not an inherently sexual term, but it can be, Helen uses it that way. it just means someone who lets their base appetites control them, e.g. hunger, greed, lust, etc]
which means, in the opening pages of the Iliad, by the prompting of the goddess Athena, Achilles calls his commanding officer a slut not only to his face but in front of Everyone Else in the council of kings
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bubacorn · 3 months
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hc: Vessel is bad at receiving compliments and being told that he is loved (hug inspired by this one, @ghxstly-death put it into words perfectly. thank you, Eden!🫂)
Thinking about Vessel who can't accept compliments, not because he doesn't believe them (that too), but because he'd heard them so many times in the past related to small, unimpressive things. Not 'I'm proud of you', just 'You did good', an automatic response to any and all achievements. He did good. He didn't know what 'good' meant, but apparently, he did that. He has no idea what was good about what he did, so he continues to push himself, to not be a disappointment. If he does good, then that should be enough, right?
He tries for great, for excellent, for something more, but he always gets 'good', unrelated to the effort and time he put into something. He knows he shouldn't wish for more specific compliments, or anything else, really. He should be grateful to be regarded. Everyone around him is so busy, they can't possibly have time to listen to him talk about how in reality, he has no idea what he's doing. How things sometimes just click but he can't tell if what he did is actually worth anything or it was just pure luck. How he doubts himself at every step but learned to hide it, because he has to be good. And good means coping and dealing with things by himself and quietly, because then he will be told that he did good and who wouldn't want to be good?
Vessel who hears 'I love you' for the first time (said with actual love behind it for the very first time) in a really long time from II. He wouldn't tell the other that, but it's clear from the surprise and the hopeful longing in Vessel's eyes. His friend told him he loves him and he doesn't know what to do with that, so he hesitantly steps to him and begins to lift his arms in question. II's heart squeezes at his shyness, after all, the other has spent months alone in the manor, so it's understandable that he would have grown unaccustomed to touch. But then II has to pull Vessel against him, because the man sort of hovers his arms around his frame as if he doesn't know how to approach a hug. Like he isn't sure what is expected of him and what is too much.
Vessel is surprised when II squeezes around his torso, when he brings one arm around his shoulder and the other to his neck, trying to bring Vessel down towards him, like he wants to protect and shelter him. That's strange, but Vessel finds that his arms want to stay wrapped loosely around II a bit longer and just as he starts to pull away, II again says "I love you, Vessel", and Vessel's brain freezes. II squeezes him tighter and Vessel feels so warm and strangely loose (he's afraid he will unravel if he stays too close for too long) and small even though he towers over his friend. His friend who is now holding him and who apparently loves him.
The only thing in his mind stumbles from his tongue in the form of a quiet "Why?". He didn't do anything exceptional. He was showing II an arrangement and said he wasn't sure if it was any good, letting his fingers dance over the keys, feeling like he was stumbling through music. He felt like it captured that familiar insecurity, and he liked it and hoped II would like it, too. Even if it didn't make it into a song. Then II said he did like it, that it feels like Vessel is unsure but it gives the melody a unique flavor, and that Vessel was great for translating that feeling into music.
"'Why?' ?" II's answering question is filled with such disbelief that Vessel wants to hide. He said something inappropriate, something secret that had previously only been dwelling in his mind, in a dark corner, and now he feels exposed. Why did he even open his mouth? Not good. Definitely bad.
Vessel is slumping against II a bit, like he doesn't know how to hold himself upright anymore, like he needs support. II must feel it, because he's still holding him, and it's been minutes and Vessel tries to squirm away, to save any dignity he might still possess, and II lets him slip out of the embrace, but his arms linger like he doesn't want to let go of his friend. His friend who just blurted out the worst response to a confession of gentle affection. Vessel looks so worried when he catches II's gaze and he immediately averts his eyes and takes a few small steps back, unconsciously gravitating towards his piano for protection, a sense of safety.
"You're my friend, Vessel," II tries approaching the man with soft words, "You're kind and considerate and a damn good musician," Vessel stops backing away when the back of his legs hit the edge of his piano bench, but he's still looking at the floor, "You pour your heart into writing and playing and it's amazing to see. You're committed, but patient and you help me every time I need. Even when I'm too embarrassed to ask," II tilts his head and steps a bit closer to try and catch Vessel's gaze, "I know you don't see it and I'm sorry that you can't because it's true. I would never lie to you about this, Ves. I love you, you're my best friend," Vessel presses his lips together, so II adds, "Not just because we live in the middle of bumfuck nowhere. You're the best friend I've ever had. And I'm glad Sleep led me to you."
Vessel gives him a look that shows he tries really hard to believe him, and adds in such a low voice it's almost a whisper, "I love you, too," as if he's embarrassed to admit it. But it's not embarrassment, II realizes, it's disbelief, it's some sort of deep shame about needing someone else, of relying on anyone else but himself at all times. And it makes sense, considering Vessel's nature, but II could never put it all together, since large chunks of Vessel's past were unfamiliar to him. He could have guessed based on how the man acted, but he didn't want to assume anything. It felt disrespectful. Vessel would share if he wanted.
"And I'm really glad you found me," just a beat of silence, before he adds, in an even quieter tone, if that's possible, "And that you stayed," Vessel risks a bashful glance towards II, and sees him blink rapidly, shocked by the implication of the other's words, before he shakes himself and steps closer to Vessel. He searches his face for apprehension, but doesn't find any, so he gently puts his hands on Vessel's upper arms and sits him down on his bench. Before Vessel can react, II has his arms wrapped around him, one around his shoulder, and the other's hand cupping the back of his head and cradling it to his front.
"You're important to me, Ves. You're special and precious and I love you," II's fingers caress the man's shoulder and card through his hair, "I want you to know that I'm here for you any time, okay?" Vessel is still stunned and he's sure he's going catch on fire if he gets any warmer. II twists a lock of hair around his finger, "Okay?" Words form and die in Vessel's throat so he just nods, rapidly, almost hurriedly, and II lets out a small chuckle. "You're amazing, you know that?" he nuzzles into Vessel's hair for a moment to murmur, "And adorable," II sways with the man in his arms a little and Vessel is sure he will combust. His face is flaming against II's shirt and he tries to suppress the half grimace-half grin on his face and feels unreal. "C'mon. Tea break?" II smiles down at him and offers a hand. Vessel can stand on his own, but doesn't reject the offer. He likes the warmth of II's hand and he can always use the stability and the reminder of the other's presence. II soon replaces his hand with a mug of tea, but it's considerably colder to Vessel. The contrast is especially palpable when II brushes his knuckles against Vessel's as he's handing him his tea. The mug is warm, but II's skin is burning against his. But it's not bad. It's a good burn. It makes Vessel feel alive. Seen. Loved?
Vessel learns that he doesn't have to prove himself to other people to receive love. Love is not something that has to be earned in their home. Love is not a reward, not something that Vessel has to work for, then be disappointed that in the end, it isn't actually given to him. He tried being good in the past, being silent and keeping his head down and being a good kid, but the warmth and the unconditional love didn't come. He still tried, though, he always tried his best, but apparently that wasn't enough. Or there wasn't actually love at the end of that tunnel. It was just a play of light. But that would have been cruel and Vessel would like to think that people in his past weren't intentionally unkind to him (he won't admit the truth to himself for a while).
II often tells Vessel that he's proud of him. For speaking up. For telling him when he's having a bad day. For asking for distance when he needs it and closeness when he feels like he will drift away. For admitting to messing up, when he falls back into bad habits of self-destruction and isolation. For doing a grocery run by himself even though he goes home almost shaking and has to spend the next hours under a blanket on the couch, because it was simply too much. For crying when he talks about memories that he tried his hardest to forget but he just can't. For asking for help and letting II help him, even though it's hard. It's really hard, and Vessel apologizes for it, for being fucked-up and broken and damaged goods. For wasting II's time and being a burden, a needy, greedy thing. Wretched. Minus human.
But II tells him he loves him and that he could never be a burden. That he will always be worth it, he always has been, and that he's sorry that people in Vessel's past couldn't see it. Couldn't see him for all that he is. For the friend who pays attention to little details so he can show his friend how much he values him. For the guy who bakes his friend a complicated cake for his birthday because he off-handedly told him he can't even remember what it tasted like, even though it used to be his favorite. For the amazing composer who can capture emotions one doesn't realize one has. For the hard-working, curious kid who thought that being obedient and not questioning authority was the way to earn praise and affection. For the little boy who thought something was wrong with him, that he did or didn't do something and that is why he couldn't feel loved. For the child who cried and cried, silent and under the cover of the night, hoping that no one would hear (and secretly hoping that somebody would and they would come and save him from the gaping emptiness that made its home in his chest, way too big and scary for a boy that little). For the boy and then the man who couldn't cry anymore but thought that that is more than alright, at least he can finally keep it all inside. For the partner who allowed himself to be vulnerable with someone he trusted. For the partner who made sure his other knew he was always welcome, even though his brain sometimes tried to tell him otherwise. For the partner who grew comfortable with expressing casual affection so much that terms like 'darling' became second nature to him (and for the way he blushed when II told him that). For the man who learned to accept that it's okay to admit to not being okay, to need someone, to want to not feel alone, to feel cherished, to have his feelings validated. For the man who can tell his partner anything and does, because he knows he can speak his mind and that there will be someone who listens.
II wanted to see Vessel. Vessel let him. Even before he showed the uglier and less than perfect parts of himself, II loved him all the same. It was never about being 'good' and silent and compliant. Vessel is good. Vessel is not good. He's amazing. He's perfect. He's wonderful. He's cherished. He's incredible. He's valued. He's seen. He's listened to. He's heard. He's finally, finally loved. Has been for longer than he dared to think. Will soon be by more people than he thought possible.
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river-from-alderaan · 19 days
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odysseus: it's over circe your spells won't work on me!!
circe (epic the musical's version): okay but have you considered... i'm hot?
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bbyboytommy · 18 days
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Imagine Buck putting on a nun costume and sitting in the living room to wait on Eddie cause he thinks he’s hilarious.
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maristrange221b · 1 year
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They won't choose Luka as the new cat in The Kwamis Choice because he would be better than Chat Noir and the writers would never find a convincing way to show us that he isn't.
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dzierzbia · 6 days
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successionable · 1 year
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not tom choosing to sleep in the same bedroom they used as a cloak room for the party that mondale was earlier shown to be caged in
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windsweptinred · 4 months
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Pondering on the myth of Pygmalion and Corinthiel.
A beautiful being, crafted lovingly by the hands of an artist, brought to life by a god, to live forever in love and contentment together.
A turn about/reflection of how Morpheus built the Corinthian to be his masterpiece. And how he then ultimately rebuilt Cori 2 for his successor. A creation designed perfectly for Daniel, not himself.
We see in 'Nightmare Country' what a skilled artist the Corinthian is in his own right. How he draws the sporadic memories of his old self in a journal. Well, maybe it's from his own imaginings, maybe he glances a vision of Daniel through a dreamers eyes (I am a visionary). But he draws this apparition...White from head to toe, the colour he loves and decks himself in. With eyes the colour of life, the colour of Earth, the home of humanity which he has always been so drawn to. So open, so loving, so impossibly human, so his. Over and over and over.
And in silence, Morpheus watches, Morpheus plans, Morpheus clutches the emerald dreamstone tight and crafts one last Dream.
And when the time comes. And where once was the Corinthian's young charge, Daniel Hall. There stands his muse, his once fantasy, his Dream.
(Aka, I will die on the hill Daniel and Cori where exquisitely crafted for one another. And Morpheus was their Venus. That and the equilibrium this ship has, I love the idea of Daniel being as much a creation of The Corinthian's, as The Corinthian was of Dream(s).)
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ecoamerica · 1 month
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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scribeoffate · 11 months
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it's just something i traced with my fingers for @scottappreciation day3: romance scene
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This scene
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was basically Brainy Bi panicking his way through the whole conversation
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my-top-gun-loves · 2 years
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Maverick: I want to wake up with you every day for the rest of our lives.
Iceman: I wake up at 4:30.
Maverick:
Maverick: I want to see you at some point every day for the rest of our lives.
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blindecho6 · 11 months
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xX_GoAtEaTer_Xx is the best Hermitcraft player
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