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#and then potentially be in the same kind of work situation as here where i feel alienated from everyone and am shitty at my job
cozycottagetarot · 2 days
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Why Did They Come Into Your Life?
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How To Pick A Group:
Typically I recommend going with the image that you find you keep coming back to after giving each of the piles a once over.
Notes:
This reading will probably work best for anyone who you:
Feel a strong bond with and are curious about its significance.
Are seeking clarity on the role of a certain person might be playing in your life journey.
Potentially: Have encountered someone who left a lasting impression.
This reading is for entertainment purposes only. ✨
Content Warning: One of the piles did take on a bit of a heavier tone (not the person's presence, but your background) I've added a content warning explaining a little more at the beginning of it!
LINKS: Dividers | Reading Masterlist | Patreon | Paid Readings- Open
GIVEAWAY: Personal Reading Giveaway (June 2024) — Open ✨ (Ends June 7th)
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PILE 1
Cards: Seven of Spring, The Lovers, Ten of Summer, The Moon, Eight of Winter
This person could be...
This feels like you might be thinking of an ex (you’re on good terms with) and may still be a part of your life, a one-sided crush (as in you genuinely don't know if they feel the same), a friend… someone who has you captivated. This person did not break your heart or hurt you intentionally if that's an aspect of the relationship. Someone from in the last two years. If it’s someone current then… they’re very supportive of you— actively supportive. It doesn't feel like someone you’re currently in a relationship with but you think highly of them. If none of these fit then I’d say choose another pile.
I feel like this person came into your life to help you become the radiant version of yourself. They entered your life to help you find yourself, believe in yourself, and stand up for yourself. They came to bring you clarity and show you where your happiness lies. While this reading isn’t necessarily romantic, I'd still get the vibe it is/was even if I removed The Lovers. It feels like they have you under some sort of spell or have left a lasting impression on you. Music could be an important aspect here too... either they brought the music back into your life; maybe music is something you share, or they inspired you to pursue it in some format. This could be someone you thought you'd have a forever connection with (in some cases there's still hope for that), or if you know them now, there’s potential for a lifelong bond. You used to hold yourself back and hide from the world, but with this person's presence, you're now stepping out into it with full force.
They came to show you not to fear the unknown, but also to help you gain direction. The seven of spring (wands) would typically be followed by the eight of wands in the traditional tarot deck, which can signify sudden changes and actions. In this deck, the fairy on the card is in an action pose 🦸, symbolizing boldness and assertiveness. What I get from this is you’re gaining confidence and in turn everything is seemingly going to start happening at once. This person could also prevent you from standing in your own way (eight of winter).
In general, they offer you a lot of emotional support, which I feel you may really need at the moment. They make you feel loved and valued—this is someone you want in your life forever, and it feels like they will be, though this is a general reading. I think they also came to show you how to have a good time. This person might be a fling or short-lived but intense friendship, but even then, it’s the kind of experience where you'll reminisce about what you two had fondly and find yourself giggling about in old age.
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PILE 2
This person could be...
Oh my gosh, I’m getting so many different things from this pile but overall I think you’ll like it.
This could be someone you knew as a kid or someone who makes you feel like a kid again. They are warm and loving. I’m getting a Cinderella situation or vibe here. Definitely some kind of monumental change or transformation is occurring or has occurred. The person you’re inquiring about could be someone you’re manifesting, and this reading has a heavily romantic tone. If that’s not what you’re looking for, consider a different pile. They could be with you or support you through a very dark time. There’s an emphasis on emotional connection, so if you don’t feel that bond and know it’s reciprocated in some formt, this might not be the group for you either.
This is someone you’ve been waiting for, or it feels like “your soul” has been waiting for. It’s hard to describe, but this person feels like a heart's wish. Whatever your long-term hopes for the future are, this person plays a role in them. For example, if you want a partner with a significant commitment, kids, and a fancy house (sorry, not the most imaginative at this moment), then this person is going to play a significant role in that.
With the card Release (traditionally Death), I feel like this person has come in when a cycle is over or very Very close to closing out, even if it doesn’t feel that way. I emphasize this because the fairy in the card is in a beautiful setting with shimmering lights above them and their eyes closed. I feel like that is you- you can’t see the transformation taking place… yet. There’s also the nine of summer (cups) following the card, where the images remind me of a coronation coupled with a fairy godmother’s transformation. So I feel like this person symbolises or marks that transition even if you don’t see it yet…. For some of you, I feel like this is still to come. I’m not fully sure how to describe what I’m picking up.
The future is being written out in small steps—steps so small you can’t tell. That’s not meant to scare you! I feel like you might be anxious about that at times. But you’re stepping into a new chapter with lovely rewards. It won’t be all sunshine and rainbows, but when you look back, you’ll remember the good times and how you overcame the bad rather than simply dwell on the bad.
I feel like good things are coming to you with this person. Messages like this can feel short, but there’s not much more to say other than congratulations. This person is loving, nurturing, chivalrous, and has a protective energy. I feel like you’ve lucked out.
I keep wanting to say I’m giving you a hug, but I see you’re already taken care of. ♥️
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PILE 3
Cards: Four of Summer, Seven of Summer and King of Summer, Queen of Autumn, Life Experience
CW: I don't read about certain topics but will mention them if they come through strongly. This group briefly mentions substance use (in a sentence). There's also brief language 🙄. It's also a tough-love group...
In this group I talk about the person romantically but it can absolutely be any other kind of relationship. I did my best to include both. But if you pick this pile then you gotta stick with me because there are so many different messages in it— ready?
This reminds me of a tarot reading I watched on YouTube that mentioned being addicted to someone who has something physically or materially going for them but wasn’t emotionally available. Meanwhile, getting bored of the sweet, emotionally available, non-chaotic type of [person] that [you] need to balance you out… yeah... that’s the same vibe I’m picking up here. I was curious to see what cards would follow when the four of summer, seven of summer and king of summer came out, and as soon as I saw life experience (the tower) I immediately thought yup that's the vibe!
So there are two scenarios I’m picking up on here. This person is either the loving, emotionally available partner you need and deserve OR this person has f*ck boy (idk what the neutral term is) energy and can potentially lead you down a bad path. I kind of feel like this person whichever persona they are, they're here to push you to make a decision. In the imagery on the four of summer, there’s this child kind of like looking up pleading to an older person who is looking off into the distance. I feel like your inner child or some part of you might be begging you not to make dumb decisions. Sitting with the cards more, this person feels like they are more the 'king of cups' type mentioned above. But on your end, it's like the universe could be shining a big old spotlight on them with multiple arrows saying this person is good for you and you'd be like 'yeahhh but I want something different 🤪'. My love— don’t. It reminds me of the song Chaos Mode by DEZI. I feel like this person came into your life because you’re meant to elevate yourself and live to a certain standard (again wording, sorry) instead of repeating things that are going to leave you unstable.
I also feel like this person or type of person you go for can potentially lead you down a pathway of poor mental health and substance use and while I don’t read about substances/substance abuse if that resonates with you, please take the steps you need to get help/break out of that pattern.
You might also be overly picky. Especially if you’re into manifesting and adjacent practices. So if someone fits the bill of what you want but let’s say they don’t look like it by one detail— this person could be everything you’ve wished for personality-wise and everything you need. So it becomes a case of 'are you gonna let the good thing go because one detail is off or are you going to consider if it should legitimately be a dealbreaker'? And what I mean by little things is they look how you want minus a specific piercing or hair cut 🤨, that’s essentially what I get. Long story short, this person came in to make you make up your damn mind.
This person might not be forever either, but they may be the start. I think they’re also here to help you regain your focus on what’s important to you. I know I’ve been tearing into you this whole time (all out of love 🥰) but with the queen of autumn I feel like you have such a lovely personality and demeanour but someone or a certain set of people or event/s have distorted how you see yourself.
Overall, don’t be afraid to change and go after something better. I feel like you’ve been through something significant at some point and the person you’re inquiring about is acting as a guide to bring you to something better.
I’m sending you love, pile three 💕
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PILE 4
Cards: Ego, Ten of Autumn, The High Priestess, Awakening, Nine of Autumn, Four of Autumn, Princess of Winter
This person kind of feels like they came into your life because they’re a messenger of some kind. They’re here to help aid, guide or set you on the right path to the long-term destination you seek. You’re not seeing yourself clearly right now or you’re not seeing something clearly.
They make you pause and question: Are you really in alignment? Your priorities may be off, but this person helps you get back into the right place to enjoy where you are now and what’s to come. This feels like someone who works in a profession helping others or has a safe energy to them, but at the same time, you feel wary about them. There’s an older energy to this person, or they may have been through something you’re going through and are trying to help. To summarize, they have a mentor energy.
This person has entered your life to help you trust your intuition and clear the lens through which you view life. I feel like your energy is slightly jaded, but at the same time, you may mirror each other, so it’s hard to tell which of you is rough around the edges. They might be slightly impersonal but wise. They help you do the work so you can enjoy the results. They may assist with how you view yourself and help you become more open and receptive to others.
I don’t know why, but I got an image of Scrooge—that’s what comes to mind. This person helps you go within, get clarity on one thing or another, revive you, and gain a new perspective.
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dante-mightdie · 2 months
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Your au's for Ghost have me absolutely feral, specially now that I found the viking content. I'm a sucker for big cold man with a sweet angel for a wife 🥺
There's just so much angst potential, imagine the wife was this doe eyes lady that dreamt of love and read all the sweet fairy tales just to end up married to a brute that thing romance is dumb. Then she tries to make their relationship work in a more traditional sense but the attempts fail 🥺🥺🥺
It could be very angsty or a beauty and the beast type of situation where he tries his best for wifey.
beauty and the beast yes please and thank you or alternatively: lady and the tramp
c/w: fluff, mentions of smut, i’m bad at writing romance leave me alone i’m heartless
he’s always known you as his wife. from the second price dropped you in his lap like a stray kitten, mumbles of clan alliances and blah blah blah. you didn’t really have an opinion nor say about the whole situation. but you didn’t seem displeased with the arrangement your father made with price
it never really clicked in his brain that before you were his wife, you were once a little girl with a head full of dreams. hopes of growing up and finding a good man. one who will whisper sweet nothings in your ear at night, building a home and family with you, treat you like the darling thing that you are
and now here you are, the other half of this viscous soldier. a man who has never known a gentle touch in his life. his romantic experiences consist of going to the brothel and picking the first woman he sees to relieve the stress of battle. he never planned on taking a wife nor starting a family
you never complained. not once. even when he shut down your attempts at affection. you took it on the chin and moved on. perhaps you understood that you could definitely have it worse. simon is by no means a good man. but he certainly isn’t a cruel one either
he’s never laid a disrespectful hand on you. never allowed anyone to treat you as anything other than his wife. the same can’t be said for a lot of women put into these kinds of arrangements
he started to figure you out in bed one night. after being intimate together, he was sat up in bed, candlelight illuminating his sweaty chest as he pants to catch his breath. a flask of ale in his hand as he gulps it down
your form is splayed out in his lap, your legs tangled with those thick tree trunks he calls thighs. the covers are bunched up around you, barely concealing your naked bodies to anyone who might decide to intrude
it never makes him jump when he feels your nails dig into his back and claw down the muscle when he fucks you. or when your teeth bite down on his shoulder to cover your moans when he hikes up your skirt in the dark alley behind a tavern. but when your fingers gentle dance over the scars and tattoos littering his sweaty skin, he feels the hairs on the nape of his neck stand up
goosebumps prickle up and down his body when your lips graze over the large scar slashed across his burly chest, tongue flicking out ever so slightly to taste the sweat resting there,
"what're you doin'?" he grunts out, taking another sip of the ale. your eyes flick up to him, almost surprised that he's actually talking to you. you shrug your shoulders lightly, cheeks heating up slightly from his blunt acknowledgement of your affections
“appreciating what was gifted to me by the gods. your body is a blessing, husband…” you whisper so quietly he almost didn’t hear it. but he did
you considered him a gift. a blessing, even. from the gods themselves. simon almost wanted to laugh. another part wanted to tell you to stop, stop with these childish fantasies. but it soon made sense why you never gave up your attempts of coaxing approval from a man so afraid to love
somewhere, deep down inside of you. that little girl is pleading with you, begging you to make her dreams of finding true love come to life. telling you that you’re the only one who can do it. without you, she has no hope
perhaps it can’t hurt to indulge you. just this once.
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loriache · 2 months
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"I've been waiting for ages for somebody to unmask them."
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This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
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His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
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The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
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But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
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So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
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Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
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The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
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Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
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That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
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The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
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And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
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Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
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I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
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Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
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and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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gaystardykeco · 11 months
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the problem with vacation is that now in three days i have to go back to working and being alone the rest of the time and idk if i can handle it
#cw suicide#genuinely i dont think i can handle that anymore like the idea of going back to that makes me want to die so bad#like its so lonely and work is so bad#what am i supposed to do when work makes me want to kill myself#and i have nothing to look forward to outside of work bc i lost all my friends and cant make more without inevitably hurting and losing the#and the only shot i have at a new job would mean i have to move to a more expensive city that i dont want to live in on short notice#and take major pay cut to the point where idk if id actually be able to afford to live there#and then potentially be in the same kind of work situation as here where i feel alienated from everyone and am shitty at my job#like im just always going to feel like this bc im bad at what i do so no job is going to be better#and im never going to be able to maintain friendships bc i cant fix the things that are wrong without support from friends#but i cant ask for support from friends bc that just leads to me emotionally draining them till they leave#and im so fucking tired i just feel like some ppl arent meant to survive and im one of them#like im just not built to exist or to be a real person ultimately me dying is the best thing for everyone at this point#sorry to be suicidal on here i try not to but lately its just all so constant and overwhelming#i just have nothing to look forward to as soon as this trip is over#like i had one more thing which was a friend visiting next week but we havent really been speaking so i assume thats off#and i just. idk im fucking tired and empty and lonely and nothing helps and i cant deal with being the only person that can fix me anymore#ive tried for so many years to fix me and apparently im the only one that can and i just keep failing so i clearly dont deserve to live
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DPXDC prompt. Dead on main. Someone who knows you better than you know yourself.
Perhaps Fentons are not able to recognize their child, despite the fact that they hunt him day after day. But for childhood friends, who saw each other in absolutely ridiculous situations that parents are never allowed to know about, just one sneeze and a bored sigh is enough to realize that this weirdo fighting next to him is the same guy with whom you tasted soap and then stood looking at each other from different corners and giggling.
And so, the dialogue after the battle with the creatures of Infinite Realms, to which Constantine had to invite a potential ally not yet approved by the League:
Phantom: Well, mom always said you were bad news...But a crime lord, seriously? What happened to your plans to become a literature teacher? Red Hood: Hey! For Gotham, this is a very high-paying in-demand job. And I don't want to hear anything from Casper. At least I have my own business. What kind of part-time job do you have? Are you selling sheets to your buddies from this green goo? Phantom: This is ectoplasm. And they're not my friends, and anyway… Constantine: King Phantom, do you know Red Hood? Phantom: Do I know him? Ha! This street rat was Splinter of my beginnings until my family moved out of Gotham.
Red Hood: Wait, wait a minute. Phah...Holy shit. I thought I was the best example of what it means to be a disappointment to a family, but you beat me here. Oh, man, only you...The ghost king who is the son of the ghost hunters? Seriously? Hahah! I thought your rebellious phase ended the moment you told your father that you wanted to be an astronaut and not inherit the family business.
Danny*groans and covers his face with his hands*: My life is over.
Red Hood: Literally~ No, of course I always knew that your parents' disregard for safety in the laboratory would someday kill someone, but I didn't really expect this? Like, wow… Phantom: What makes you think it was an incident in the lab? I mean, there are so many possibilities around. It's ridiculous and…hah Red Hood: Dude, look me straight in the face and tell me I'm wrong if you dare. Phantom:…Fuck you, stupid bookworm. Red Hood: Stubborn nerd. Phantom: Red bucket! Red Hood: Pale toadstool! Nightwing: Um, can you guys please stop fighting? Red Hood: What are you talking about? This is how we always communicate. Phantom: Yeah! Well, in our defense, my sister always thought we both could use a therapist. Oh, man, he made me lose my train of thought. Where were we, J? Red Hood: Since when are you able to think? And I complimented your new hair and skin color. Phantom: Right, right… But, hey, not all of my parents' hypotheses really have a right to exist, and you know it! Hm, did I mention that you're built like a fridge and how does this leather jacket suit you? Red Hood: I believe not. And who's talking about your parents' work? You were an airhead when you were alive too to be honest. And as I see it, not much has changed. Why the hell are you still starting a fight with puns? Stop telling your opponent your position. This is terribly stupid! Phantom: Oh, please, these ghosts are definitely not a threat to me. What's wrong with having a little fun? The fact that you don't have weapons to handle something stronger than a blob ghost is your problem not mine, loser. But let's get back to our greetings. Red Hood: Sure. Then listen here…
~~~~~
Nightwing: Jay, why didn't you say right away that you knew Phantom? We've wasted so much time wondering if it's worth summoning him, and you just stood there and said nothing. Red Hood: Pfff…Because I didn't know that until today. He used to be human. And we haven't seen each other for a long time. So how was I to know that he would take such a ridiculous pseudonym? Nightwing: Then why the hell didn't you feel worried about teasing this creature? Red Hood: Why should I? It's just Danny.
~~~~
Tucker: Oh man, 84 murders, attempts to kill Joker and to much fights with Batman and Black Mask and… Danny: Yeah, yeah. It's all very interesting, but it's not what I asked you to find. Get to the point, Tucker. What I will wear to our dinner tonight depends on this. Tucker: Seriously? As far as I'm concerned, whether he's single or not is less important than all this shit. Aren't you afraid to show up at his house? Danny: I'm invited. And for that matter, I'm Amity Park's former public enemy number one. Which one of us should be worried, hah? So he's not dating anyone, right? Don't try to distract me. Tucker: Dude! Danny: Ugh, in my experience, when he acts like he's lost his mind, he usually has good reasons for it. And if not, given some of the events of my alternative future, I have no right to judge him, so…
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theladybrownstarot · 22 days
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Pick-A-Card : What kind of changes do you need to make in-order to live the life you want ?
✧ Here's my masterlist for more !
✧ Make sure you like/follow/Comment/reblogg for more pacs like these !
Pile 1. Pile 2. Pile 3.
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✧ Pile 1 .
Namaste pile 1 ! Let's get with your reading :-
𐙚 You need to love yourself more to bring out your feminine side to make change the way you see your life or we say perception . There's a need to let yourself come in a flow and go in a flow without being more of that rigid minded person . You need to remove mental limitations .
𐙚 You need emotional balance , I sense . An emotional balance that can be only created by making your own boundaries and principles for yourself with all the spheres in your life accordingly . Try to let yourself to feel the present or to feel yourself in present .
𐙚 You people really need to think less , feel more. You need to socialise and change your environment, so you can facilitate yourself with more opportunities that can help you bring yourself out truly , Stop thinking alot about everything .
𐙚 Stop fearing from negative experiences and start to move forward to things by taking lessons from the past and using it practically when things come again like that , remember life is about learning and nurturing .
𐙚 stop yourself from getting attached to materialistic view or goals because if you let yourself get attached to it you will loose the sight for living life and will fall into the prey of jealousy , envy and anger .
𐙚❀˖° Prominent zodiac signs and planets from the reading: Pisces, cancer ,scorpio , saggitaurus , jupiter , moon in gemini .
✧ Pile 2.
Namaste pile 2 ! Let's get with your reading :-
𐙚 same as pile 1 : You need to love yourself more to bring out your feminine side to make change the way you see your life or we say perception . There's a need to let yourself come in a flow and go in a flow without being more of that rigid minded person . You need to remove mental limitations .
𐙚 you have this very intuition inside you that you need to use , you have this clash of thoughts inside your mind when it comes to decision making regarding anything which leads you to confusion , to avoid this start listening to your feelings - if you feel like to study when you don't then go because what is you find something helpful .
𐙚 You have great potential to become psychics also that start understanding your dreams more - I hear bull and deer . You need to connect with your deepest self so you can heal , I sense that you need to follow what you always wanted but couldn't . Stop being defensive in general.
𐙚 Start to become more logical , practical and cautious where required. you have great potential but you haven't got the complete access because of certain things. Start to manifest I heard .
𐙚 Start loving your body and worship, some of you might fall into this trap of falling society and people , don't do it because you are different and you need to believe your light and shine .
𐙚❀˖° Prominent zodiac signs and placement:
Pisces, cancer ,scorpio, moon , libra , aquarius, 1st house and 5th house .
✧ Pile 3.
Namaste pile 3 ! Let's get with your reading :-
𐙚 You people need to understand the value of keeping your mind calm whenever faced with any tough situation rather than that of fighting deal it with in a calm way , in any situation just making yourself win shows ego and attachment to win by wrong defence.
𐙚 You need to believe yourself , also that remember we got all what we needed but how we use those differs which make things different . Use your wild side to make things work for you and flex your emotional muscles now more .
𐙚 Do you focus balancing yourself or do you focus more on balancing your external factors ? ask yourself . Time is precious, if you will keep thinking about other things which are of no importance then for you it will become difficult to maintain yourself .
𐙚 you need to be more patient with things , wait before you speak and think after this proceed . Be open and receptive to information. Gather facts so that you can make a decision that is in line with your integrity.
𐙚 Start to worship your deities more , start to take spiritual knowledge and apply them practically in in your life . Apply or get some tricks or methods to renovate certain things about yourself especially your impatience and feeling to fight always .
𐙚❀˖° Prominent zodiac and placements : libra , sun, leo , cancer, 1st house and 3rd house.
──⭒─⭑─⭒────⭒─⭑─⭒──
©️ @theladybrownstarot 2023 all rights reserved. Any stealing Or copying of work will be a punishable offence.
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dreamauri · 1 month
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♪ — 𝗪𝗜𝗥𝗘𝗗 𝗜𝗡? - part two max verstappen x reader (fluff) “. . . when he wants to be normal, he can count on you, stranger.”
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“Come on, you can’t say he has so much potential!” Max miserably tried to hold in his laughs as you continued your rant about how much better Max would look if he put a little more effort or thought in how he dressed. 
“I’m honestly starting to think he’s allergic to wearing anything . . . not Red Bull related. Like even in his streams! In his home!” 
Sitting in front of his laptop with a makeshift setup in the hotel room in Japan, Max found himself unwinding from the earlier media day when he gladly accepted to join you for a game of Fifa. It wasn’t until someone brought up Lewis’ outfit from this morning did you start your little ted talk. 
“La, please concentrate on the game, we’re losing!” he couldn’t stop laughing either so your team was toast either way. 
“No, because I bet he's wearing his Red Bull shirt right now wherever he is.”
The reason why Max was no longer able to hold it together was because he was indeed in a Red Bull shirt. He might actually take you up on being allergic to anything not associated with Red Bull.
“I’ll gladly design a few outfits for him, I swear!” 
“La-” Max put his face in his hands, shoulders shaking from laughter as his screen showed the opposing team scoring a goal. The dutch would usually feel frustrated if he were to be losing a Fifa game in any other situation, but not this one with you.
He's ready to lose and lose again, even give up his title as one of the world's top twenty Fifa players if he gets to spend time with you like this, laughing and joking; forgetting the world around, so it's just you and him.
Just two people . . . being people.
★ ☆ ━━━━━━━━━━━━━━━━━━━━
“Since I have no one to show, you're stuck with me.” 
It’s kind of been a routine now, having a private call after a game or upon finding spare time. You two have gotten close. You even considered “amilian” to be a close friend, per say. A close friend who you regularly vent to about work or just randomly ask riddles or dad jokes to bother.
You enjoyed his company. He was a fun person to be around. He made you feel . . . yellow in a type of way too. You never felt left out or unheard. He always had time for you, it's like you were maybe gravitating to being more than close friends . . . it's not like you can do anything about it though.
Surely people make close friends online all the time. 
You stay up on your couch, scrolling through the settings of your laptop to show and rant despite having to get up in the morning. Max crossed his legs on his chair folding his arms and watching the screen as you messed around on your shared screen.
“La, it’s late.” He’s been trying to tell you for the past 10 minutes. It’s 6:30 in Japan, 7 hours ahead of the time in Paris, where you were. 
Not that he’s keeping track of the time where you were, it’s just that you shared the same time zone as Monaco, and he only had the GMT+2 clock displayed on his home screen because he needed to keep track of his cats . . .  not too make sure you got enough sleep or anything of that sort.
“It's only 11:30,” you shushed, pulling up pinterest. Max hung his head, trying to hold in his smile. “I could put together a whole outfit that would suit him right here and now,”
“La,” Max giggled watching you actually start to search and put things together. “I’ll make a deal with you, if you go to sleep, I'll try to get Max Verstappen in baggy jeans,” 
“WHAT?!” the blond flinched at the loud noise, looking around his hotel room to make sure no one heard anything -- despite him being alone. 
“You know I work in F1 right?” Max followed up, trying to hold in his smile at your silence. “La, you forgot?!” 
“I’m sorry!” you pleaded, holding your hands in a begging motion despite him not seeing anything.
Max put his hand on his chest and pretended to be offended when he was smiling really wide to the point his cheeks hurt. “My best friend doesn't know what I do for a living,” he gushed in fake hurt. 
Your mind blanked at the title. Best friend? 
“You do know what my job is, right, La?”
“. . .” You looked away embarrassed, you’ve known the guy for how long and don’t even know what his profession is. 
Max couldn’t stop his giggles. “Go to bed, La. I’ll get Max in baggy jeans for you.”
★ ☆ ━━━━━━━━━━━━━━━━━━━━
“Hey um, million?” 
“I thought I told you to go to bed?” Max chuckled, crouched in front of his suitcase, digging through it in hopes to find a pair of baggy jeans or a white shirt that he probably doesn't own. 
“I am in bed technically . . .” The blond looked over to his laptop on his desk, the call still going. “You work in F1,” Max felt his heart jump in anxiety for a second, there's no way you figured him out. 
“Yeah?”
 “Well um . . . my boss chose me to go see how things were going with McLaren at the Monaco gp,” 
The dutch perked up at your announcement. “Really? That's great!” 
“Y-Yeah, it is,” you stuttered, agreeing. you crossed your arms, looking at the email congratulating you on your phone screen. “I mean, I'm glad, this is an experience of a lifetime. I get to drag along a few interns with me as well.” Max frowned, your tone did not match with the news you were announcing.
“What's wrong?” He got up, sitting on the desk chair, looking at your profile picture, the concern was clear in voice, as if you could feel him sitting beside you on your bed and gently rubbing your back to comfort you. 
“Well, I don't have anyone to go with - the interns don't count . . . and I don't know anyone in Monaco or the attendees-- except you technically . . . I haven’t been on my own for that long before,” you sighed.
Max furrowed his eyebrows, trying to decipher what you were asking of him.
“Is it-” you cut yourself of with a sigh. “Can I hang out with you sometime? During the weekend?” Max stayed silent, feeling his heart pounding to the point he was scared the organ would explode out of his chest. 
“I mean,” Max cleared his throat to hide the crack in his voice that arose from the anxiety he was drowning in. “I’m not traveling with the team every weekend, so I'm not sure if I'm going to be in Monaco . . . I’ll have to ask my boss.” he replied quietly and slowly, trying to comfort you still. “There’s still a few weeks before Monaco, so . . . I don’t know for sure.” He whispered, scratching the back of his head.
He was digging himself a grave. Asking Horner if he’s going to be in Monaco when he is the driver and already lives in Monaco? It’s too late now to be honest about who he is, he dug this hole himself and now he’s stuck in it.
It’s not like he can be like ‘oh, yeah of course you can hang out with me. Oh, I’m Max Verstappen by the way, the guy who’s driving the best car and winning all the races, so I can get you VIP tickets and a hot lap too if you want.’
“I’ll try my best to be there,” the blond whispered. You could almost feel him brushing your hair comfortingly. “We can get ice cream or go sightseeing. I know this really good cafe you’ll like . . .” Max will just have to keep digging his hole.
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proof reading credits to the lovely and amazing @classiclitfreak <3
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I was here previosuly with a question about decisions with the character/plot etc. I have a better way of asking: When writing a character-driven plot, how do you come up with the character's life + the story that makes them take that journey? Like, if a character has trauma; how do you decide the story that puts them in a healing journey? How do you come up with who that character is, and the story that helps them overcome that trauma? For example. Thanks!
Figuring Out a Character-Driven Story
If you're starting with nothing more than a trauma you want your character to heal from, you'll have to sit down and do a big brainstorming session. Here are the things to think about...
1 - Internal Conflict - The trauma is only the first step. You also need to consider how this trauma influenced their life and who they became. What mistaken belief do they hold about themselves, the world, or others that affects their behavior?
2 - Type of Character Arc - Once you know their internal conflict, you can think about how you want them to grow or change. Some character arcs are negative, meaning that the character changes for the worse. Some character arcs are static, meaning that the character themselves don't change, but they change something about their situation or the world around them. Most character arcs are positive, meaning that the character grows and changes for the better. So, decide which one you want to do. The kind of story you want to tell will play a role in which you go with. If you want your story to have a happy or hopeful ending, you'll probably go with a positive change arc or a static arc. If you want your story to have a sad or dark ending, you would probably go with a negative change arc.
3 - Plotting the Character Arc - Once you decide on the type of arc you want to do, you can start to think about what kinds of things need to happen in order to facilitate the change you want to foment in your character or their situation/world. For example, if you're doing a positive growth arc, you would need to look at their mistaken belief and figure out what kinds of experiences they would need to have in order to change their mind and help them to realize what they believe isn't true. Make a list of potential events, situations, or experiences that could bring them or their situation/world through that change.
4 - Figuring Out the Character and World - Now that you have an idea of the types of events, situations, and experiences your character needs to have in order to change or change their situation/world, you can start to think about the setting where these things would make the most sense. Part of this, too, will be thinking about the types of stories you love to read, watch, play, and write, and see if any of those settings would work for this story. Again, this is all about brainstorming possibilities... plugging what you have into the possibilities to see what works and see what inspires you. Same with the character... once you have the setting, you can think more about who this person might be who has this internal conflict and lives in this world.
5 - Put It All Together - Now you have to take all that brainstorming and start to put it into a plot. Is there a framework you can use to link all of these events and experiences together in a way that makes sense? Would it help to have an external conflict, too? (Many stories these days are both character and plot-driven...) Who or what is the antagonist that creates obstacles your character must overcome? What are those obstacles? How will they overcome them? You can have a look at my Plot & Story Structure for more help with this part.
Happy writing!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here
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i4oba · 2 months
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nct dream’s ideal types / MARK version! ✿..
[aka who i think would suit the members :D]
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i feel like, since mark is pretty laid back most of the time, someone a little more.. adventurous? would suit him a lot, just to get him out of the comfort zone
i’m not talking literally, you don’t have to be indiana jones or something, just someone who’s open to try many many new things ? constantly seeking some type of rush from everything New (if that makes sense)
i can totally envision him with someone who’s like… it may sound weird, but doesn’t view themself as “pretty” or “attractive” yk… i’m not talking about the usual lack of confidence tho
it’s just that they never really prioritize their looks and all. i mean, of course they would CARE but wouldn’t think it’s that important
i also think that someone, who’s always deemed as “weird” and “unusual” would TOTALLY be something mark would go for
not only because of the doses of something extraordinary but because he’s interested. you can pique his interest if you say something so outta pocket that would normally cause a few harsh replies
i feel like mark is the type that doesn’t want to be limited, who knows he has limitless potential, not just talent wise but overall, as in… he knows he’s got greater purposes on this world
hence why i said a partner who’s curious enough to bring that out of him—sometimes he can get caught up on work and stuff so he needs Relax time, but not like the laying down and not doing anything kind
the type where you go round and round, finding the deeper meaning of things, such as talking about philosophical questions etcetera
that’s why i partly feel like he would be into someone who’s really really smart. he would love the constant feeling of fascination whenever his partner would say some random, niche fact on a topic he’s never heard of
he’s the type of guy, in my eyes, who loves to absorb knowledge and always tries to do so, which makes place for a partner who’s able to kind of stimulate him in that way?
if you know what i mean LMFAO
i feel like opening up fully for mark, would take a bit longer…? and he would absolutely stay in this “bro zone” kind of situation as well, so someone chill has to be the one he finds
he’s all about keeping it lowkey and if you’re impatient… well, your loss
and it’s not because he’s ashamed of you or something, it’s just that it’s more comfortable for him? in a way? feelings can be a little bit scary sometimes so you gotta leave him to handle it himself
so the keyword here is Patience
you cannot rush things!!!!!!!
especially since i genuinely believe that he… wouldn’t necessary look for love, you know
i can totally envision him just befriending someone and then comes all the cliché, him falling in love blah blah
he’s SO friends to lovers in my eyes, what can i say… falling for the bros is NOT on the list LMFAO and then here we go
but you know, it’s easier like that, and he works sooo hard, he never really focuses on finding a partner, not dating that actively because he’s busy
(i can totally see him panicking when he first realizes that he’s in love with one of his closest friends… he would be Shocked AHAH)
so yeah, developing feelings for him would definitely not take that much of time?? in my opinion?? it’s just him accepting it kinda, you know
being chill and pretty cool is something he would definitely find attractive, especially because, i think??? he doesn’t care about looks that much
he’s the type of guy who’s all about what’s on the inside :) so he needs someone who’s got the same mindset????
that’s a big thing for him anyways.. he wants to feel secure? like he’s not alone!
don’t leave him alone!!!!!!! he’s a cutie patootie, he needs love!!!!!!! even if he doesn’t show it!!!!!!!! he Does need it!!!!!
have so much love for him, be easy going and open minded and honestly, you’ve goz mark lee on his knees :,)
FEEL FREE TO DISAGREE THOUGH!!! this is only my perception of him! :)
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& for some visual representation — STYLEBOARDS! :) <3
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izvmimi · 1 year
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daddy's home (2) - izuku x reader
cw: MINORS DNI, noncon/dubcon, horror themes, you and izuku have a child, parental dynamics, manipulation, villain!deku, yandere!deku, violence, fem!reader summary: izuku tries to make amends with his family after his absence. (~3.4k words) a/n: reposted. part 1 here.
As you continue to hear his footsteps approach, the dreadful sound amplified by genuine fear of your partner, you think wistfully of the past. 
Clearly, it hadn’t always been like this. Izuku, at his core, was someone sweet - bashful, kind, protective… not whatever monster was marching through your home this very second, causing your mind to race as you thought frantically of ways to protect your daughter. That was your first priority.
But he wouldn’t hurt his daughter, right? That’s where he would draw the line, no matter how altered his thoughts concerning allies versus enemies had become over time. And even if now you had drawn a clear line in the sand, you’d like to think that he wouldn’t hurt you - he hadn’t ever threatened to hurt you, now had he? He’d only given you warnings, reminding you that turning against him wouldn’t be in your best interest. After all, according to him, he’s the only one who really cares for your well-being. That’s why he married you, right?
“I... I think all of this is excessive,” you mumble to Mei as she demonstrates the security upgrades to your home. Iida shakes his head almost furiously, and seems to double and triple-check his wife’s work and potential blind spots, peering at new cameras shoved in the corners where the ceilings meet and laser tripwires invisible to the naked eye. There’s a panic device in the hallway between the kitchen and one of the living rooms hidden behind a wedding picture where both of your smiles are radiant enough to be blinding. The fact that it’s come to this makes your stomach turn. 
“In all honesty, there’s a good chance it might not be enough,” Mei admits, and the fact that for once she realistically communicates her own engineering limitations underlines how grave the situation is. If even she is admitting that she’s not infallible, that means your situation is bad.
What is he, God? You think bitterly, but resign yourself to saying nothing. You are not too distraught to accept kindness from your friends.
Bakugou, for example, now texts you every morning, a simple two words.
You good?
While you understand and appreciate where he’s coming from, every time you see those words, you can feel yourself losing your patience. If you could have your husband back, you’d be great. Fantastic even! You’d always texted back the same thing, in different variations - 
Yeah, thanks for checking!
He never responded after that. It wasn’t that he didn’t care; it’s that he still did not want to entertain the idea that his friend had gone off the deep end for too long. 
It’s hard for everyone, not just your family, you have to remember.
You can hear Izuku’s steps almost right outside your door, the pace almost synchronous with the pounding in your heart. There’s no use in hiding anymore. Steeling your resolve, you hold your slumbering daughter close for a moment, and kiss her forehead.
“Mommy loves you,” you whisper. She doesn’t stir, and you wonder what it is to be a child again, safe and naive and uncorrupted by circumstance.
And then you tumble out of the room to face him.
He stands at the end of the hall facing you; you stand, fists balled tightly by your sides and your expression unnecessarily fierce - it’s thought that fear and anger often are mistaken for each other, and Izuku seems to think so today as well.
He tilts his head slightly, and his voice is slightly raspy, deeper than usual, as he calls out to you. There’s a strained quality to it, as though his voice has been unused for a while, even though the two of you did technically just speak, or maybe he’s forgotten how to speak to you softly, how to speak to anyone with kindness.
But he tries.
“Are you mad at me, love?”
There’s a little bit of electricity in the air that you can feel in the strands of your hair that you know emanates from him. Energy that he hasn’t kept inside now that he has no reason to show any restraint. His eyes aren’t glowing however; if anything, they’re devoid of any light, dull like a lifeless forest in the dead of night. You wonder if, haggard as he appears now even if he is always and forever handsome, has come out of the wilderness. Where does he stay when he’s not here? Where is he physically when mentally he is lost?
You can’t get words out of your throat no matter how hard you try to answer him. He breathes from his nose, a sigh, and in the blink of an eye, he’s crossed the distance between you two, and has you pressed up against the wall. Caged in, his hands pressed on either side to make it clear that you have no escape, your faces are millimeters apart. This is not the man you love who values your space and your autonomy and the idea of you, above all, freely offering yourself to him. 
This is not your Izuku.
Nevertheless, not-Izuku kisses you roughly and bites your lip sharply as his mouth disconnects from yours. It’s painful and bruising and you think you taste blood, but the salt on your tongue probably comes from the tears that fall from your eyes as you tremble. 
When you look at him through a moisture-blurred view, for a moment it seems as though his eyes shine too. 
Maybe, maybe for a moment. You blink, and they’re dull again.
“Izuku, please don’t hurt her,” is the first thing that falls from your lips. 
His facial expression turns wicked for a moment and then he laughs and it is not his laugh. It’s something tinny and sick and wrong coming from him. He kisses you again, bites even harder this time, enough that you wince, and this time you are sure your lip is bleeding. 
“Hurt? Why would I hurt my princess? How could you even ask something so silly?”
Izuku presses his forehead against yours, and his cool breath runs over your wet cheeks. His hands grip your wrists and raise them up above your head, pressing the back of your hands to the wall.
“Why would I hurt her or you when you’re so vulnerable and need to be cared for?” The way he stresses that adjective - vulnerable - turns your stomach and your whole body tenses, which he notices, tightening his grip on your wrists. 
“See, love, that’s why I had to come back. I said I would come back, didn’t I? To think I’d leave the two of you alone in such a twisted, unsafe world… what kind of man would I be if I behaved like this?”
You swallow hard, unable to look at him as you search for other points to focus on. He notices.
“Don’t you dare look away from me,” he hisses. Your eyes snap obediently away from everywhere else in the room and focus on him. There’s nothing behind his eyes. You want to scream into the endless void you stare into. What happened to him? What happened to your Deku?
“W-what do you want?”
Izuku’s eyebrows furrow, and for a moment, he looks genuinely confused, like a kid faced with a particularly difficult arithmetic problem. You stun him enough with your words that he lets go of your wrists for a moment and steps back, rubbing his chin.
It wasn’t meant to be said harshly - maybe it was your grief that hardened your voice, but he seems to retreat to somewhere deep in his chest, before shaking his head.
He smiles again, that unnatural grin that doesn’t reach his eyes. 
“I thought I was coming home. Do I need permission to see my family?” he asks in a honeyed voice. 
He leans in further, pressing a scarred, calloused hand to your cheek and stroking gently. Once upon a time, you would have leaned into his palm and kissed it, maybe even pulled him closer by the collar of his shirt so that you could kiss him. 
But all you can do is freeze, and let it pass. 
And he gets impatient. His fingers now pinch instead of caressing; it would be cute, and it was once cute, when he pulled your cheeks like this to steal a kiss, but now the downturn of his lips show that he is trying very hard not to accept the truth that you are rejecting him, or at least the ‘him’ that you see before you now.
His voice flattens.
“You really thought you’d keep me out with those silly trinkets?” he growls. The other shoe has dropped.
“Who made them?” he asks. “Who did you ask to help you keep me out of my own home?”
Izuku’s hands move quickly, now cupping your chin in his hands and pulling you to him roughly as he stands, so that you’re nearly lifted up off your feet. It’s an action that’s lacking any tenderness as though he’ll yank your head clearly off your shoulders. 
“Honey? That’s a direct question, not rhetorical,” he repeats.
You don’t utter a single word, and by now he’s beyond frustrated. He lets go of your face and you lose your balance ever so slightly, but before you fall he grabs your wrist again. You pull away reflexively and a flash of anger rises in him, and he pulls even harder, enough that you can feel the tingle of his Quirk intensify. 
“Clearly, we seem to be having trouble with intimacy, so I guess we’ll have to address that first before I ask you to communicate basic information with me.” The edge to his voice is palpable but the pain of the pressure he’s putting on your arm is almost worse and you try so hard not to cry out at the sensation of him nearly crushing your bones, knowing very well that this is the least of his rough handling of you for now but then - 
“Daddy?”
Your heart stops. Izuku lets go immediately, and you turn around with a gasp to see your little girl, a flurry of nightclothes and curly green hair, leap into his arms without the slightest bit of hesitation.
No, no, no, how… of all the times to wake up! You ignore the dead feeling in your arm to run into him and shove him as he holds your daughter and twirls her around, but he barely feels you, and you practically bounce off of him like rubber on glue. 
She barely even notices you fall flat on your ass. Rather, she lets her father give her the affection she’s been missing for months, and you can only watch in abject horror as Izuku throws her up and down in the air a couple times, then asks her if she’s been good.
“Daddy, where’d you go?” She finally asks, once she’s stopped giggling. Her cheeks are rosy and excited and her eyes are bright enough to fill his darkened ones - you clutch your bruised arm and can only watch. 
Izuku glances at you then blows a raspberry in his daughter’s neck which has her giggling again.
“Mommy gave me a timeout!” he says cheerfully, holding her close. She nuzzles herself into the security of his chest, and holds tightly.
“Time out?” she murmurs. She clutches at his shirt possessively, and Izuku gives you a look. Your stare becomes hardened - it’s a plea but it’s also a threat that he better not try a single funny thing with her because then fear will give way to desperation and he will have to be prepared to kill you instantly and-
He laughs - it’s less tinny than before, but still it sucks warmth out of the room, unbeknownst to your daughter. “Yeah when you’re bad you get time out!” he reminds her, poking her belly. She laughs again and presses her hands on his cheeks squishing them.
“You can’t be bad!” she exclaims.
Izuku glances at you again, his chuckle drier and his eyes more narrow as he adjusts his baby girl in his arms.
“Well, your mommy seems to think so,” he replies, quieter this time. Somehow, she picks up the serious turn to his voice.
Your baby girl looks at you too, disheveled on the ground and breathing a bit heavier than usual, looking wrong, like a feral creature, the sudden reversal of positions being apparent in such a short time. 
She looks into your soul for a moment and furrows her eyebrows. She is thinking - assessing the situation. Her father who she hasn’t seen in quite a while is holding her tightly, her mother sits in a heap and does nothing. It is always too dark in this house these days. She can’t see clearly, not this, not anything.
“That’s not right, Mommy,” she says, finally. 
Your heart pounds. You want to charge at him,  knowing full well all you will do is traumatize your daughter at best and get yourself killed at worst. You swallow your saliva as your throat is hot and dry.
Izuku grins at you, then pats her hair gently. He sets her down and kneels to her eye level. 
“Can you be a good girl for me, sweetie?” he asks.
She nods enthusiastically, clutching fistfuls of her dress to contain her excitement at having her dad home. The longer you watch her beam the more you feel like you want to puke up your insides. What do you do? What do you do?
“Go to your room and I’ll tuck you in in a little bit, okay?”
She nods and runs off immediately, back to the center of the home where you’re not sure how much of the structure still stands appropriately, but Izuku wouldn’t send her where it’s not safe - that’s his little girl after all - and the two of you watch as her small figure disappears.
The moment she’s out of sight, you finally spit up the vitriol that’s been bubbling inside you since that horrible display.
“Fuck you.”
You’re shaking, you are so upset. The thought that he can just barge in here, and put you in an awful situation, making you look like a bad person no matter what you do. 
Izuku’s dusky eyes narrow, and in seconds he’s dragging you to your feet and pulling you into the nearest bedroom.
“Gladly.”
It doesn’t matter how hard you kick and scream and protest. Eventually, Izuku gets tired, and throws you over his shoulder, clapping a hand over your mouth. You bite his palm and he barely reacts and instead of biting harder, you break out into muffled sobs. You don’t want to hurt him, it occurs to you. You don’t have the resolve to truly take purchase into his flesh and tear away like a beast.
He throws you onto the bed and locks the door as you bury your face into the bedsheets, continuing to muffle your tears. You’re not crying because you hate him, it’s because you love him still and the situation is so awful and confusing that it’s clear that there’s no way out. You scream and terrify your daughter, and Izuku will make you the problem. If she, by some magic, understands what’s going on, is it worth it for her to develop that same darkness behind your Izuku’s eyes right now?
Izuku snorts derisively as he watches you come undone in your own mind, as the reality sets in that there is truly no way out of this situation. You sob, and you sob and you sob, and he lets you, watching you with neutrality that is so atypical of him. You’re not the first person he’s seen cry, and even if you are the most important person to him, he’s had enough of your tears. Any tears, in fact. 
He sits at the edge of the bed until your sniffles die out, then finally runs out of patience.
“Stop it.”
You rise slowly to watch him stare at you, his own eyes red-rimmed. It’s the most emotion you’ve seen out of him since today, but you can’t understand what he’s feeling. You can barely understand your own right now. 
You sniffle and he sneers.
“Stop it right now,” he repeats, harshly this time. His lips crash into yours again and he pushes you so that you lay on your back. He tears at your clothes and your defenses, and soon you are kissing back, miserable and pathetic a creature as you are.
He whispers something about loving you and never letting you go, and you don’t have the strength to whisper back but you know it’s true. Your body misses him, misses the heat of his skin against yours and the scrape of his tongue across your nipples. It misses his fingers that tease you apart and make you fall apart, the sensation of being full of love for him and physically stretched and strained to accommodate him. It misses his teeth marking you, palms sliding across every surface.
“It h-hurts, Izuku,” you moan, sucking at his shoulder to distract from the corrupted pleasure. He groans into you as he continues to dig, deeper still when your nails dig into his back, deeper still when your legs tighten around his waist. “It h-hurts,” you murmur into his neck.
“You’ll endure for me, won’t you baby?” 
He doesn’t stop; maybe he slows, but he doesn’t stop.
The truth is you will. It’s not the only thing you’ll endure for him, you think as your head swims in desire.
“You feel better than I remember,”  he groans into your ear. “Perfectly tight, like you’ve been waiting for me this entire time to reclaim you, haven’t you?”
You sigh deeply and your back arches as you climax. It’s the only answer he needs.
“You’re mine forever, no matter what, aren’t you?” he says.
Till death do we part, you think, and you crash into full, reckless indulgence. Your husband lets out a cry; his hips stutter to a stop and he pumps you full, over and over again, and before you can catch your breath, he begins again. Faster this time.
“I love you. I will love you to pieces,” he whispers into your ear, and for the first time that day, looks at you with his own eyes, the look you remember. Your eyes well up. You’ve missed him terribly.
Your arms wrap around his neck.
“I love you, too.”
There’s catching up to do.
Bakugou has not heard from you all morning, and while he tries not to think about it, he can’t help but think about it. 
It’s only been a couple hours - he sent the message somewhere around 8 am, knowing that you’re usually up by this time. However, it’s almost 11 am and you should at least be up to take your daughter to school and yet you’ve neglected to respond. 
Not even a read receipt.
Oi, just let me know you’ve seen this message, okay? He texts finally, before shoving his phone back into his pocket. There’s quite a few other things he needs to be worrying about today, including tracking members of the second iteration of the League of Villains and figuring out what exactly happened to his friend. You are fine. You have to be, he thinks. 
His phone buzzes.
Instead of a message, it’s a video according to the banner. Bakugou hesitates, and there’s a tiny bit of dread as he opens it.
And his eyes widen in horror. 
You are wrapped up in white sheets, body facing away from the camera, but he can tell from the transparency that you’re most likely wearing nothing else. By the steady rise and fall of your chest, he can tell you’re still alive, albeit fast asleep. The camera shakes ever so slightly. 
From the audio, which he turns up he can hear a voice, Izuku’s voice.
“She’s just fine, don’t worry about us.” 
The video ends and Bakugou can feel his blood run cold as his mind begins to race. Before he can play the video again to look for clues, there’s a text message that pops up.
If you text my wife again, I’ll dash your brains on the concrete.
Have a lovely day.
844 notes · View notes
yuurei20 · 7 months
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(This was originally an ask received through Twitter)
"Hello! Can you please elaborate on the time loop theory in book 2 that you mentioned in the tweet where you talked about your favourite theories?"
I am wary about discussing this theory as there are many others who have put much more thought into it than I have, but I can certainly try with what I was able to find :>
(The information in this thread was combined from here, here, here, and here)
The basic theory is that everything we know is repeating in a loop in an attempt to either stop something from happening or to make something happen.
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The game’s tagline of “I will show you a true happy ending” (EN: “Let us show you the real happily-ever-after”) could be insinuating that there have already been less than happy endings, and we may have already seen one: while some theorize that the events of the prologue are showing us what is going to happen in the future, others say that it is both that and something that has already happened.
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The theory goes that the battle with the chimera (who may or may not be an overblotted Grim) was lost and everyone (or just the prefect) is sent back to try again, thus the opening lines of the game narrated in Crowley’s voice.
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(Note: I would have translated this as “I—they—you—only have a little time left. Whatever you do, don’t let go”, but the situation is so vague that anything is possible.)
(Here is a short comic insinuating that this time loop is Crowley’s unique magic (warning: blood, death, a Yuu design))
This theory seems to be largely inspired by Mickey’s comment that he has seen the same dream three times but he also says “your voice gets clearer and clearer every time.”
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Since Mickey also shows up in Books 2 and 3 but we were not able to speak with him, it is possible that this is not actually hinting at two earlier loops, just earlier events within the same timeline. This does not dismiss the time loop theory and might mean that this is Mickey’s first time interacting with the loop, but there have been far more than just two or three timelines.
(This account pretends that Book 7 does not exist yet, so that is about as specific as I can get.)
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The theory gets kind of wild with references to STYX’s simulation system, supposed inconsistencies with Ace and Epel, Crowley’s potential connection to STYX, etc, but one thing that everyone seems to agree on is: Leona knows.
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Leona is extremely powerful and extremely private.
He has had a number of contracts with Azul who is also a powerful mage, and according to Idia he seems like “the kind of guy who always knows he’s dreaming.”
Yana has confirmed that Idia has a part in Book 7 and, with both him and Leona halfway out of their coffins in promotional art, people are wondering if Leona will be stepping up as well.
We know that Riddle’s current personality is a 180 degree change from original plans and that this change was made pretty far into development, after everything had already been approved.
There are also rumors that Leona’s Book 2 was the original Book 6, looking at older promotional information (Book 2 was originally listed between Ignihyde and Diasomnia on the official website).
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It is possible that—much like Riddle’s situation—Yana came up with a better idea than what had originally been decided, and it required shoehorning Leona’s drama into an earlier Book in order to make it work.
This would mean that Book 7 used to have significant space for Leona (there is a pattern of the previous Overblotter having a role in the next Book).
That space may have been rewritten for Idia, but it is also possible that Idia’s role was added separately and a role for Leona remains to some extent, which is why they went out of their way to say that Leona knows when he is in a dream.
Theories vary from “Leona is 100% aware of what is going on, broke free from the loop and he is the only one getting older as he tries to save the world” to “Leona knows something isn’t right but not exactly what.”
The proof that people usually point to is his comment where he is unsurprised by Grim “always” eating black stones (which he shouldn’t know anything about), but the phrasing is so vague that he could just be making the connection between the stones and a potential blot-risk.
Another scene that is often referenced in the “Leona knows” conversation is an interaction with Jamil where he accurately predicts Jamil’s attack on Kalim despite how rarely they interact before Book 6.
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There are also the three white chess pieces on the chessboard in Leona’s bedroom that seem to correspond to the only three characters in the game with light cosmic magic: a white rook for Rook, a white knight for Silver and a white pawn for Kalim, whom Leona literally refers to as a pawn piece in chess during Tamashima-Mina (these three chess pieces are also displayed prominently in Leona's first Birthday groovy).
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Leona also seems suspicious of Crowley, suspects what really happened in Book 5 and is able to literally sniff out magic, which we have seen no other character capable of doing.
Leona is very perceptive in general: he is suspicious of Lilia in Spectral Soiree, calls him an old man when no other character outside of Diasomnia knows his true age, is the first to figure out that Malleus is pretending to be possessed and is able to tell when someone becomes injured and is trying to hide it in both Book 6 and an event.
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This is not proof that Leona knows what is happening, but it may be an argument for why it is likely that he knows more than he is willing to let on.
Some versions of the time loop theory say that the same prefect is being sent back over and over again to try and save everyone (which ties into the game’s opening), while other versions say that this is the prefect’s first time being summoned into a loop that has been going on for a long time without them, in an effort by someone (Crowley?) to change the ending of the story.
While not technically part of the game, the Twst novelization supports the first pattern while the manga series supports the second, with new prefects showing up after the previous prefect presumably fails.
Knowing Yana it is possible that the game is actually a third, entirely different pattern with the novel and manga exploring alternatives that were considered for the game but not used.
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ladyriot · 4 months
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Once upon a time, I used to believe that the reason I read Rizzoli and Isles' Dean arc as queer was the way he came up in the fight that Maura and Jane have in the first episode of season 3, wherein Maura directs specific vitriol at Jane's "boyfriend" in her anger at feeling betrayed when Jane shoots Paddy. I've realized recently that it all starts much earlier. As in... the literal first episode. And it's actually, subconsciously, been one of the major reasons I ever interpreted Jane and Maura as potentially queer for each other.
In Jane and Maura's first scene on screen together, Dean makes an appearance that reveals a tension between the two women and plays off of their earlier intimacy.
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First, Maura and Jane display their close, intimate relationship as they survey the crime scene. Both Maura's immediate defence of Jane as she chastizes Korsak for not warning her it was a Hoyt-like crime, and Maura setting Jane's broken nose present them as intimate.
This is placed almost immediately next to their meeting Dean for the first time, reinforcing him as a stranger, even an interloper onto that scene of intimacy. Maura indicates her interest in Dean non-verbally (which reads as intimate too), and further, she reads the potential for Jane's territorial behaviour to emerge and both gives a little warning and phsyically steps between them.
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Because of Maura's displays of intimacy and knowledge of Jane, Jane's response of outright aggression becomes more meaningful. Her posture shift does not only indicate a desire to threaten Dean's intrusion onto her crime scene but also Dean's intrusion into her intimate connection with Maura. Jane slants herself as if she's offended she's not an option.
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Um... what is that thing about how you point your feet at the person you're most engaged with in a social situation? There has to be some meaning about where you point your pelvis...
Anyway, later scenes show us what Jane looks like when she's inviting romantic attention from men, and that involves her making herself smaller, making herself look less sure and aggressive, and leaning into traditional femininity. It's quite the opposite of what she's doing here, which I read as laying a claim... on the crime scene but also on Maura.
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This is fascinating because, at first, I'd mistakenly believed it was Maura's queer jealousy that cropped up first, but this reading actually presents the opposite scenario.
This kind of framing comes up again, in this same episode, when Jane flees her apartment to stay at Maura's for the night. In Maura's guest room, Jane spies to see who Maura's nighttime visitor is, and then they have that exchange on the bed. The question of Maura's potential attraction to Jane comes up in the same brief span as the question of whether or not Maura has ever had a crush on the same guy as her best friend, intermixing these two potential attractions in such an interesting way.
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It's almost like Jane is giving mixed signals here. She's asking Maura if she's attracted to her only in joking terms... because for some reason she doesn't feel like she can ask it seriously. But as their conversation turns towards Dean, and their supposedly shared attraction to him, I'm instantly reminded of the concept of some of Eve Sedgwick's work on homosociality and erotic triangles and how those theories have impacted my own understandings of love triangles in media. I'm going to way oversimplify it here, but essentially when two people of the same gender are vying for the attention of the same different gendered love interest, I'm more interested in the bonds presented between the two of the same gender — whether it's rivalry, intimacy, potential sexual attraction (especially when it's wrapped up in taboos, social norm violations, and repression), or some complex mix of the three. And just, wow, this connection between Jane and Maura is ripe for that kind of reading. It becomes really easy to read Jane's "pursuit" of Dean as a way of attaining conventionality through a connection that also engages her potentially unconventional attraction to Maura (and a resistance to admit that) by being with someone Maura finds attractive. Jane isn't really showing attraction to Dean, but she is very much going for the closest conventional relationship she can that partly expresses her repressed, "taboo" attraction. (I wonder now if this contributed to my reading Jane specifically as a lesbian, rather than bisexual, through most of the series, but that's a bit besides the point).
Doesn't this just make it so interesting how Maura had physically insinuated herself between Jane and Dean?
It's also significant for me that when Jane does pretty herself up with lipstick to go see Dean, she rebuffs him and is consistently iffy about him despite the so-called attraction she admits to Maura. It's also very much giving that repressed queer experience of having a crush on a girl and being so jealous of her relationship, but not being able to conceive of yourself as queer, so mistaking that for a crush on her boyfriend. You know?!
Later on in the show, when Jane is with Dean, there is still so much to this dynamic. Maura calls Jane on a date with Dean and she immediately runs to meet her, choosing her, prioritizing her. It's what makes it so sick-inducing when, after Maura reveals that she doesn't know if she wants Jane to catch Paddy, Jane goes on to tell Dean the FBI agent with a hard-on for catching criminals at all costs about his presence in Boston in a specifically romantic scene. You know, which then causes a chaotic scene that requires Jane to shoot Paddy after feeling up his daughter to set her up on a sting... There was so much wrong with that, I'm honestly surprised there was a moment in Maura's tirade for her queer jealousy to slip in, but it does.
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Hell if they're not in big fat queer love with each other, whether they admit it or not.
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theerurishipper · 8 months
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We're in unfortunate implication nation, baby
The Season 5 finale, with the help of episodes like Chat Blanc and Ephemeral, establishes that Adrien's emotions are to be seen as inconveniences or even seen as potentially dangerous in such a way that they need to be controlled by another person. This validates Gabriel's abuse of Adrien by suggesting that he was right all along to control Adrien, lest he goes out of control by being emotional and destroys the world or something along those lines.
By all logic, the Paris special doesn't portray a true morality swap situation, just a story about the same people with the same capacity for good who have gone down the wrong path, but can be brought back to the light. Everyone who is good in our world is good in theirs, and vice versa, as evidenced by the fact that the terrorist children are going to be redeemed but Chloe is still somehow still evil. Gabriel is among those who are considered good.
The above point is further driven in by the fact that Gabriel is akumatized (I forgot the word used in the special and I'm too lazy to look it up) into Guardian Angel in the special, a phrase commonly associated with caring and protective caretakers of any kind even though his son has become a magical terrorist despite his wonderful parenting, somehow.
Gabriel is akumatized into Guardian Angel by Marinette, and considering the revelations from the Season 5 finale, this works as foreshadowing for her siding with Gabriel and essentially continuing his work of controlling his son. Gabriel is named Guardian Angel by her, and in the narrative, this implies that she validates him as a parent, metaphorically now and literally later.
Considering the lack of morality swapping, her actions in the finale and the fact that Marinette is the writers' mouthpiece, this is the writers' way of informing us of the wonderful parenting abilities of Gabriel Agreste, reinforcing the idea that Mr. Monarch is not evil, just misunderstood.
In fact, the Paris Special has Claw Noir be a murderous villain who is willing to Cataclysm his opponents in a universe where Gabriel is a good father, leading to the conclusion that Gabriel's lack of abuse and control of his son has led him down this dark path. The implication being that he needs to be abused or else he'll become a villain.
And this is supported by the fact that Gabriel akumatizes Chat Noir into an angelic version of himself, complete with the angel wings and white costume and all, showing us that Adrien on his own is prone to becoming a volatile monster and needs Gabriel to keep him line and turn him into the angel he is today.
I hate it here.
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perfectsunlight · 3 days
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𝐮𝐬𝐞𝐝 𝐭𝐨 𝐛𝐞 𝐲𝐨𝐮𝐧𝐠 [𝟏𝟑]
𝗻𝗶𝗻𝗴𝗻𝗶𝗻𝗴 𝘅 𝗿𝗲𝗮𝗱𝗲𝗿
𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: NONEEEEE WE CHEERED.
𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁: 2.3k
𝗽𝗮𝗿𝘁 𝗼𝗳 𝘁𝗵𝗲 𝘀𝗲𝗿𝗶𝗲𝘀: 𝗴𝗿𝗼𝘂𝗽𝗶𝗲 𝗹𝗼𝘃𝗲
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sm entertainment officially announced ningning’s hiatus one month after her arrival at the rehab center.
they said she was taking time for herself in order to focus on her health and wellbeing. most people had no idea where she had gone. 
dispatch had no sightings of her for weeks. they did not even know when she was at the hospital either, to which everyone was thankful for. the company was shocked to know that the chinese idol was willing to get sent to rehab. 
however, despite the initial shock, they offered to pay for all the expenses and also said she could take all the time she needed in order to get better. 
the truth is bulletproof, there's no fooling you
i don't dress the same
yizhuo needed to be away from the city. she needed to be somewhere where she could find who she truly was. geoje was where the company decided to send her. it was a 4 hour drive from seoul, making it just far enough for her to get away, but also close enough for people to come visit. the city was right off the coast of busan, situated on an island connected to the mainland via bridges.
she would hate to admit it, but part of her never wanted to leave geoje. it was beautiful, and she felt like she could be herself within the sanctuary of the rehab center. it was a bit difficult at first, opening up to complete strangers about her issues, but she was willing to try her best.
that was all anyone expected of her here — to just try her best.
she had never had that environment. it felt nice to have such a change. it felt right. 
me and who you say i was yesterday
have gone our separate ways
most of the people who arrived at the center were older than she was, meaning they had no idea who she was. there was an older woman who worked as an instructor for an art class that the facility offered, and whenever ning would go in and draw, she would sing.
she had told yizhuo that she should become a singer when she gets out because her voice was outstanding. all the chinese girl could do was smile and laugh a little.
it was ironic for her. she used to love being known by everyone as “ningning from aespa”, but here she loved being unknown. when she arrived, she said she was an international student studying korean language at yonsei. 
it was a believable cover story, and no one questioned it. the anonymity was a relief. she could walk around without the weight of her idol identity. 
there were no fans to impress, no expectations to meet, no cameras capturing her every move. 
she could just be yizhuo, a young woman finding her way back to herself. 
left my living fast somewhere in the past
'cause that's for chasing cars
days at the center had a gentle rhythm. mornings began with a communal breakfast, where she’d chat with the other residents, exchanging stories of their pasts and dreams for the future. after breakfast, there were various therapy sessions. she found solace in group therapy, where she realized she wasn’t alone in her struggles. the stories she heard, though different from her own, were a reminder that everyone had their battles. in the afternoons, she often joined the art class. 
the instructor, mrs. lee was her name, was a kind-hearted woman in her sixties, with a voice that was both soothing and encouraging. she felt more of a mother to yizhuo than her own had. her words of praise and encouragement made ning feel seen, not as an idol, but as a person with potential beyond her public persona. 
it was different to have someone so maternal, but she thoroughly felt better. whenever it felt difficult to open up, she would talk to mrs. lee. she had a way of listening that made yizhuo feel understood, without judgment or pity. the idol realized all she ever needed was someone who wouldn’t pity her.
turns out open bars lead to broken hearts
and going way too far
the two became closer when the older woman found her crying after her first few sessions of therapy with the facility’s psychiatrist. mrs. lee never asked any questions, and simply just embraced the younger girl in a tight hug until yizhuo’s tears stopped. from that day forward, ning went to mrs. lee for everything.
“you're stronger than you think,” mrs. lee would often say, her aged eyes filled with kindness. “you’ve done well. only you can be the best version of yourself, for yourself.” these words resonated deeply with the young idol. she began to see her journey not as a series of failures, but as a testament to her resilience.
she was ning yizhuo, a girl who did the best she could. and that was all she could ever want to be.
take one, pour it out
it's not worth crying 'bout the things you can't erase
on days when she felt particularly overwhelmed, yizhuo would take long walks along the coast. the sound of the waves crashing against the rocks was therapeutic. ning had never been a fan of beaches (mostly because of the sand), but upon arriving in geoje, she fell in love with them.
at first, she would just walk to the steps that led down to the sand but not descend. she’d only lean against the railing and watch the water from above, not wanting to touch the sand. the rhythmic ebb and flow of the tides calmed her, the vastness of the ocean making her own problems seem smaller, more manageable. 
like tattoos and regrets
words i never meant and ones that got away
but as days turned into weeks, she found herself longing to be closer to the water. one morning, she took a deep breath and made her way down the steps. she hesitated at the bottom, toes just inches away from the sand. 
with a determined sigh, she stepped onto the beach, feeling the grainy texture beneath her feet. the initial discomfort faded as she walked along the shore, the cool water lapping at her ankles. it became a ritual for her—each day, she’d venture a little further, letting the sand and sea become her sanctuary. 
she began to see the beach not just as a place, but as a metaphor for her own journey—constantly changing, yet always moving forward.
left my living fast somewhere in the past
and took another road
the young woman found herself collecting different things from each trip to the shore. on some days it was a small rock, and others it was other things.
she often collected seashells to save them for you. they were like little pieces of happiness for her, just like you were.
sometimes, she’d even sit on a large rock by the water’s edge, watching the waves crash and retreat. one of the gifts you had given her before she left was a digital camera. without missing an evening, ning took photos of every sunset. 
it reminded her of you, after all. it was only fair of her to show you.
the beach was quiet. ningning hated the quiet before. now, she loved it.
quiet meant she could breathe. she had control of her thoughts and emotions. she no longer let her mind bully her.
turns out crowded rooms empty out as soon
there's somewhere else to go, oh
visitors were allowed to come once a week, meaning most of the time, her members all came to visit her together. of course, she didn’t have a visitor every week, but sm made sure to keep these visits out of the public’s prying eyes when you or her members did come and visit. 
karina usually brought her new stationary, minjeong brought snacks, and aeri would bring her new sd cards for her camera or clothes for the seasonal changes. although ning was away from everyone she knew, she never truly felt lonely.
she had made peace with her isolation. however, the only person she constantly missed was you. 
she’d never thought of ever writing a letter, but she was over the moon when she saw you had written her one a few weeks after she was sent to the facility. mrs. lee teased yizhuo by saying she’d never seen her really smile until she saw her reading the letter. ningning missed you more than she could understand. 
it wasn’t a bad feeling of longing either, but rather a feeling of curiosity for what you were doing at the moment. before she had left seoul, you had mentioned to yizhuo that you had broken up with aeri the night she was hospitalized. 
ningning didn’t need to ask any questions about it, she knew why it happened. you cared about ning. more than anyone else, or anything else. 
and she cared about you, too. more than anyone else, or anything.
i know i used to be crazy
messed up, but, god, was it fun
after being in rehab for 6 months, ningning was finally comfortable enough to return to seoul. 
on her last day there, mrs. lee had brought her a gift. it was a beautifully wrapped box with a note attached to it. the note read, “for the journey ahead. with love, mrs. lee.” ning carefully unwrapped the box, revealing a set of watercolor paints in a case with her initials on it.
mrs. lee smiled warmly. “i thought you might want to continue expressing yourself through art. remember, these are tools for your journey, just as much as your voice is.” tears welled up in yizhuo’s eyes as she hugged the older woman tightly. 
mrs. lee must have known who she really was. the idol decided not to question it.
“thank you for everything,” she whispered. “i’ll never forget what you’ve done for me.” mrs. lee simply patted her back gently. “go out there and show the world who you have always been. and never forget, you’re always welcome back here if you need to escape.”
i know i used to be wild
that's 'cause i used to be young
the facility threw the young idol a send off ceremony the day before she was leaving. there were games and delicious food, and even karaoke. naturally, yizhuo stole the show with her voice. mrs. lee had been taking photos and videos for the chinese girl on the camera you got her. even though rehab was tough, ning didn’t ever want to forget her time here. 
“i’ve learned a lot here. thank you all for helping me remember who i truly am.” yizhuo said with a warm smile as she bowed, concluding her parting speech.
the applause that followed was heartfelt, and ningning felt a sense of closure and gratitude. the friends she had made and the experiences she had shared in geoje were now a part of her story, a chapter she would cherish forever. 
as the evening wound down, yizhuo mingled with the staff and residents, sharing hugs and promises to keep in touch. later that night, she found herself back at the beach for one last walk. the moonlight danced on the waves, creating a serene scene. she took out the camera and captured a few final shots, wanting to hold on to this moment forever.
with a deep breath, she whispered a goodbye to the ocean, feeling a sense of peace wash over her. she was ready to move forward, but she would always carry a piece of this place with her. 
those wasted nights are not wasted
i remember every one
sm entertainment had expressed their excitement in regards to yizhuo feeling well enough to return to seoul. she was a bit nervous for facing the public and their questions to where she had been, but one thing the idol had learned was boundaries.
she didn’t have to tell the world where she had been. only the people who needed to know, knew.
ningning didn’t bring her phone with her to the facility. it was something the facility had requested before her initial arrival. it was quite the laugh when the chinese girl showed up with a mp3 player. however, the idol was thankful she downloaded as many songs as she could have because the upcoming 4 hour drive would be a bit more boring without it.
a car pulled up to the curb, and for a moment ning was confused. she couldn’t see who was inside because of the tinted windows, but when the passenger side window was lowered, she couldn’t help but smile.
i know i used to be crazy
that's 'cause i used to be young
you smiled and ning swore she was about to throw up from excitement. she practically bolted inside with her backpack and duffle, almost hitting her head on the roof when she got inside.
“hey, stranger,” you greeted her warmly, your eyes twinkling with joy. “ready to go home?” the chinese girl nodded, feeling a rush of emotions. she had missed you, she had missed seoul, she had missed her members.
 “more than ready.”
you tell me time has done changed me
that's fine, i've had a good run
“you didn’t forget anything, right?” you teased as you set the car into drive. the idol laughed at your remark before pretending to feign thought. “hm,” she hummed as she tapped her finger against her chin. “just this.”
ningning leaned over the center console and gave you a quick kiss on the cheek.
your cheeks flushed with a warm pink, and you couldn’t help but smile and roll your eyes playfully. “definitely not something to forget,” you replied, feeling a happy flutter in your chest. with one hand on the steering wheel, you took the other and intertwined your hand in the idol’s.
“let’s go home.”
i know i used to be crazy
that's 'cause i used to be young
𝑻𝑯𝑬 𝑬𝑵𝑫.
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a/n: WE CHEERED ! thank you for all of the support for this series, i love u all <3
𝗧𝗔𝗚𝗟𝗜𝗦𝗧: @jiihu @silantryoo @rosiehrs @craftymasterlistcomicsprune @skisk1 @jisooftme @babycubchae @yunjinhart @pandamiswifey @jenoteamo @lcv3lies  @pagedpick7 @bexisbomb @lcv3lies @lauxymy4 @justalittledissociation @captivq @jeindall777
CLOSED.
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howtofightwrite · 1 year
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I'm always a little bit (more than a bit tbh) skeptical when I see it in movies or read in books, that an archer uses their bow as a melee weapon when the enemy gets too close. I feel like using a bow like a club would not go down well with the bow.
On the other hand, a crossbow? Could you use a crossbow as a close-quarter combat weapon in a pinch? Like, whacking someone over the head and then trying to get distance between you and the enemies again.
Also I'd appreciate your 2 cents about the trope of "stabbing someone with arrows".
You really don't want to do any of those things.
So, the bow as a melee weapon runs into the issue that the limbs themselves really aren't designed to sustain blunt impacts, and even if they're made of something sturdy, there is a real potential for damage. Similarly, you don't want to damage the string. If either of these things are damaged, the weapon is basically trashed. This also applies for blocking melee attacks with a bow. In situations like that you're almost guaranteeing that the weapon will be critically damaged. Now, that could be an intentional decision, “sacrifice the bow instead of dying,” but it's rarely presented in that context, and the weapon frequently emerges unscathed (or with minor, cosmetic, damage) from these events.
Crossbows have the same problems as bows, with the additional consideration of their trigger mechanism, their winding system (if they have one), their optics (again, if they have any beyond sighting down the bolt.) Damaging any of these things will start to impair the weapon's ability to function. It doesn't mean that clubbing someone over the head with the stock would automatically break the crossbow, but there are a lot of mechanically sensitive components that could react poorly to blunt force impacts, so, it's best to avoid that entirely, and just not use it as a melee weapon.
Everything I just said about the crossbow also applies to just about any firearm more advanced than a 14th century hand cannon. Firearms do have the advantage in that they're expected to experience some kinetic kick, so it's not as simple as, “well you can't do this, or gun will break,” but as a general rule, you shouldn't do it. Clubbing someone over the head with your M4a1 shouldn't mess up your zero, it shouldn't damage your trigger mechanism, it shouldn't affect the firing pin, but you still shouldn't do it, because there is a genuine risk of breaking something. There are a lot of moving parts in modern firearms, and if any of those are out of place, it's not going to work right.
Ranged weapons are intended to be used at range, they're not supposed to be used as improvised clubs, and while most modern examples should be able to survive some abuse, it's still a bad idea.
Stabbing with an arrow is something I have mixed feelings on. From a realism perspective, it's not. Arrows (and bolts) are designed to be aerodynamic, you want low drag on the shaft, and that means that you're not going to get the kind of grip you would with a knife. The shaft should be smooth, and as a result, able to move through the air with ease, but that also makes it harder to manually shove it into someone.
At the same time, most arrow stabbings in fiction are examples object conservation. It's a kind of Chekhov's Gun, where the item is being completely repurposed in the moment, and that's a bit of creativity that I'm rather fond of, even when it's not completely realistic. This even extends to situations where someone's been shot with an arrow, pulls it out, and then stabs someone with it. It's biologically impossible in most cases, but it can be a well done moment that effectively plays with the objects that have already been established in the fight.
It's a little off topic here, but getting shot with an arrow (or bolt) is very different from being shot by a bullet. In the case of bullets, they tear through your musculature and (usually) exit the body. The problem is that you now have new holes, through which your blood is now seeking to escape. Being hit by an arrow will pin your muscles together in their current configuration. Think of it like running a toothpick through a stack of thinly sliced meat, the exact position of those slices is now fixed in relation to one another. The problem is, your muscled don't move together. They're multiple layers of meat moving over one another, and when you skewer that, you cannot change the relative position of those muscles. Meaning, getting shot with an arrow will lock up portions of your body, preventing motion. This is why I said that pulling an arrow out and then stabbing someone is sometimes biologically impossible. It is biologically impossible to continue fighting after taking a couple arrows, because you'll be unable to sufficiently move your limbs.
So, the short answer would be, “can you?” Yes. “Should you?” No. There's a non-trivial chance you'll damage the weapon. It's not likely, but you really wouldn't want to take that chance.
-Starke
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sunlightmurdock · 29 days
Text
this is your psa to just be a kind person and respect other people tysm
okay so after being subposted about a lot, I just wanted to clear some things up on my end because this was not random and I literally refuse to be made the villain here.
About a month ago, I was sent an anon about some similarities between my fic Blow by Blow and another creator’s series of drabbles. I messaged this creator calmly and we had a really nice conversation where we both agreed that lines get blurred sometimes and it’s easy to forget if you were potentially inspired by another fic you had read a while ago.
So, they had read Blow by Blow and still followed me at this point. But, they acknowledged the similarities and apologised. I was more than happy to continue with my life bc who cares.
Then, I received another anon about the same creator but about similarities between another of their series of drabbles and my fic Trouble in Paradise. I took a look for myself, and it was astounding. Upset, I blocked them. After a really upsetting day yesterday, I published that anon. I have since taken it down because exposing their name didn’t feel like the right thing to do at that point…
But, after they made a series of subposts last night claiming to have never heard of me or read any of my works, I’ve had enough to be honest. I have screenshots of this person in the likes of that fic. Even if they haven’t read the whole thing, they posted two chapters to their drabble Masterlist that were strikingly similar to chapter 1 of Trouble in Paradise, which they have liked and read. One of those chapters has since been deleted (I can only imagine why).
I reached out to them this morning explaining the situation and giving them an opportunity to talk to me, but they decided to block me instead, so here are:
similarities from the not stolen fic from a creator who has never heard of me or this work, theirs highlighted in purple while the original work (mine) is highlighted in pink. If you’ve read trouble in paradise, you may also spot some more underlying similarities. sorry in advance for the long post 🙄
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so the premise of their drabble plays out exactly like the second half of Trouble in Paradise 0.1. reader is wearing the exact same thing. male mc is a stranger to the island, who on his first day has found someone exciting, happy and much younger. description of the bedroom is also looking eerily similar… they are both bartenders, who after a shift drive the male mc back to their place.
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So in this realm, we can see that the dialogue is not only the exact same but once again, the reader is wearing the exact same thing and performing the same actions.
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and here we have their Drabble ending the exact same way my chapter does, with the dialogue being nearly word for word the same.
I am not claiming to own the silly girl on an island trope, but after specifically speaking to this creator before about another one of my fics which had wayyyy too many similarities of theirs to be a coincidence, and them apologising, I thought we were beyond this. This creator then claimed to have never heard of me or my work.
I have screenshots of them in the likes of this fic, I know that they read at least the beginning, which is where the similarities start and end as far as I’m aware. Up until I blocked them, they had followed me for 11 months. This is the second time I have had an issue with them, after handling the first privately.
It’s really upsetting 1. not only to have had the premise of my stories rewritten by someone else but 2. for them to pretend that they have never heard of me when we have had conversations, and when I have screenshots of them interacting with my fics.
@devinedoll not really cool
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