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#and then having will in every one of their scenes all of S4 for the audience hates them too LMFAOOOOO
fuckingguide · 2 years
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They ain’t even looking at you, baby, they looking at me | Guillermo de la Cruz + Looking At Me by Sabrina Carpenter
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emblazons · 1 year
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Finn saying the kids (the Party) grew out of D&D now they got older (suggesting that older ppl cannot or do not play D&D) when he is literally sitting with The Duffers, the two older/adult people who are hardcore D&D lovers and play the game when they're adult people..... will never stop being funny.
LMAOOOO that whole interaction was something else
Finn literally tries to save it by saying "it was more arcade than DnD" n S2 (which Matt concedes to) only for Matt to double down on the "its okay for adults to play DnD" point—and have Millie then say "from experience, right Matt?" trying to sass him?
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I'm like 99.9% sure that was the moment he decided to death-by-1000-cuts even mlvn's cute moments....and seal byler with a "lets just play dnd for the rest of our lives." Like...this smile ldjhflkdjdslk they really caught Matt choosing violence in 4K
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berlinbabylon · 2 years
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i’m two thirds through s4 (finished ep 8 tonight, didn’t have time to watch when it was airing live) and... it’s kinda not very good :( there are some things that i love (abraham and his whole storyline, litten who i already loved in s3, some scenes here and there) but overall i’m not feeling it. i have a lot more thoughts but i’m just wondering what the consensus in the fandom is?
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raulsparza · 1 year
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Gerri specifically said Roman wasn't his dad because she knew it would hurt him because she had told him that he was like Logan as a way to build him up earlier
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mazojo · 1 year
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Guys I finished the supernatural aliens not aliens demogorgons dnd something something show !
#so many thots so many head empty i am quite literally dealing !!!#as you can see characters are ranked in a scale of whether they are Will Byers or not and as most of the cast is not will Byers they can't#be as cool important relevant funny and interesting as S tier rip#ALL JOKES ASIDE I AM CRYING SCREAMING AND THROWING UP ALL AT ONCE S4 FINALE HELLO???#(also no one get offended okay this is me being funny dont take me seriously)#but yes objectively Joyce is the best character in the show but Will makes me emo because he needs a hug and therapy and aha pls someone#help him and by someone I mean Mike Wheeler helLO STOP BEING DUMB REACT DO SOMETHING#every time mike says does or literally appears on my screen is constant go girl give us nothing it irks my blood#I still love them all but goD did they decide to make Mike annoying !#plot wise s1 is the best imo but emotionally devastating wise s4 because none of them made me cry except the last one in the lumax scene#loved s3 aesthetic tho and s2 Noah's acting is amazing#ship wise only canon ships I care about is Joyce and hopper & Lucas and max#(hopefully robin next season please ??? girlfriend???)#non canon obviously Will x mike soulmates and it hurts haha but also love me my max x el and steddie was also nice#I thought I would care about Eddie more and while I dont hate him or anything he was just kinda there and I wish he had more moments to shin#because that final scene with dustin was devastating#anyways sorry I needed to rant I have feelings#stranger things
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bylertruther · 2 years
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mike and will are both sensitive and emotional characters it's just that one showcases this in an "acceptable" way and the other does not :/
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therainscene · 1 year
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It’s blink-and-you’ll-miss-it, but the Alan Turing poster really tells us so much about Will that I consider it to be a significant piece of foreshadowing for S5.
First, let’s dissuade ourselves of the notion that Will chose Turing for his hero project for nerd reasons -- Will’s preferred flavour of nerdery is escapist fantasy, not computer science. He doesn’t know what an IP address is and the first thing he thinks of when he hears modem noises is a movie he likes.
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No, he chose Turing because he admires him for being a gay man who accomplished so much in his short life.
On one hand, that’s pretty heart-warming -- the fact he’s willing to identify with other gay men and look up to them as role models shows us he’s making good progress in accepting his identity. On the other hand, it’s heart-breaking, because Turing’s story is not a happy one -- he was caught having a sexual relationship with a man and forced to choose between jail or chemical castration. He chose castration.
I remind you: Will identifies with this guy.
Will is growing up under the twin specters of AIDS and homophobia and likely assumes he’s destined to die young too. He’s been abused and bullied so much, I imagine he’s heard and internalized it all: that he deserves to die, that he’s disgusting, that he’ll never be fulfilled in life.
So when puberty begins crawling its way inside him and implants those shameful desires that make gay men so worthy of abuse... he chooses castration.
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For all the sad pining he does in S4, we never really see Will express desire for Mike -- he never checks him out or shows signs of nervousness when they touch. He behaves with perfect platonic decorum at all times...
...unless we consider That One Scene With The Hose.
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Sexual interpretations of this scene are controversial, and I can understand why; we’re so used to seeing Will as this innocent, immature little boy that it's shocking to catch him fantasizing so lustfully, even though these sorts of thoughts are pretty normal for a 15 year-old. But I think that’s the point. We’re supposed to feel uncomfortable about this, because Will feels uncomfortable about it too.
He’s done well in accepting his identity, but he’s an absolute repressed mess when it comes to accepting his sexuality.
So, that’s what the Turing poster tells us about Will. Here’s where the foreshadowing comes in: Will is not the only queer-coded character to have been metaphorically castrated.
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Henry’s experience bears striking similarities to Turing’s: he too was caught engaging in a natural but forbidden behaviour and forced by his government to undergo a medical procedure to suppress that behaviour.
His villain speech to El in 4x07, which is ostensibly about his powers, also reads very strongly as a scathing criticism of heteronormativity, and it’s covered in rainbow motifs.
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The metaphor here is obvious: Henry’s powers are a manifestation of his homosexuality.
Which implies that Will’s homosexuality can also manifest as powers. They’re repressed because he’s repressed.
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It’s not a coincidence that the sexual tension was through the fucking roof in the infamous sauna scene. Every time Will’s supernatural ability to sense the Mind Flayer triggers in S3, Mike is also nearby.
What’s interesting about Mike is that his queer acceptance issues mirror Will’s: Mike has a healthy relationship with his sexuality (he casually checks guys out and plasters his bedroom walls with posters of buff dudes) but he just can’t bring himself to accept what this implies about his identity.
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Always with the symmetry, these two. They complement each other perfectly; one’s hang-up is the other’s strength. They have a lot to teach each other about being queer.
And as repressed as they are, I think they want to learn from each other -- Will lets himself get flustered when Mike flirts with him in his bedroom, and Mike hangs on to every word of wisdom Will shares with him in their heart-to-hearts.
Internalized homophobia is a powerful force, but their bond is so strong that it empowers them to fight back.
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Henry’s powers symbolize his anger at being mistreated and his desire to take that anger out on the world... but Will’s powers symbolize self-acceptance and love.
So he isn’t just going to defeat Vecna with his powers, and he isn’t just going to get the boy: these two things are one and the same.
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thewalkingthread · 7 months
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"He's Mine" - R.G.
pairing: rick grimes x f!reader
summary: s4 ep16. Joe's group finds you in the woods. reader is the one targeted instead of Carl
warnings: cursing, angst, mentions of sexual assault, blood, gore
a/n: this scene is my Roman Empire
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You were tired, exhausted from the day's journey. It's been three days since the attack at the prison. Three days since you've seen most of your family. You were lucky enough to have found Rick and Carl after everything went down, even luckier when Michonne came knocking on the front door of the house you were hiding out in.
It was nighttime now, you sat in the front seat of a rundown truck while Carl laid down in the backseat. It was unlikely that you'd get much sleep being so vulnerable in the open right now but Rick and Michonne insisted that you get some rest.
Your eyes stayed on the pair as they sat on a log off the side of the road. Every so often Rick would look into the truck, his eyes locking on yours before he returned back to his conversation with Michonne.
Things with Rick has always been a bit confusing for the both of you. It was clear from the moment you met that there was something there between you. Of course, nothing ever came out of it. He was married and desperately trying to fix the brokenness in his family.
Now that Lori has passed, it's been even weirder. Neither one of you wanted to make the first move and burst the safety bubble you were in, in terms of friendship. Nonetheless, you both knew you cared for one another deeply.
Your eyes dart to the woods when you see movement. Your heart drops as you see a few men creeping in the trees, eyes directly on Rick and Michonne. You knew what was about to happen. You weighed your options. You could scream and warn them, but you had no idea how many of them there were, nor do you know their intentions.
You guys are incredibly unarmed, nothing good would come out of this.
"Carl." You mumble quietly, trying not to make it obvious that you weren't alone in the truck. You have no idea how many of them are our there, no idea how many people were looking at you right now.
Carl stirred and grumbled slightly at your call, you shush him immediately.
"Carl, I need you to very slowly and quietly lay down on the floor of the truck. Keep the blanket over you completely." You mumble. "There are people surrounding us. I need you to hide until me or your dad tell you to come out. Do you understand me?" Your heart raced as you saw the men creep out from the treeline.
Carl quietly did what you said. "Y/N? What's happening?" He was scared. Carl tries his best to keep up with his dad and be a man, but he's still just a boy. It's a scary world now.
"Everything will be okay. Stay hidden, no matter what you hear, okay? Promise me." Your breathe hitched.
"I promise."
That was the last thing he said before one of the men shoved his gun against Rick's temple. You jumped in your seat as another man smacked on the window next to you. You tried your best to avoid glancing back at Carl.
The man grinned at you through the mirror, the creepiest grin you've ever seen. You couldn't hear what the other men were saying to Rick, but eventually a few more men came into view.
The creep tapped on the window, licking his lips as he stared.
Daryl strolled up to the group, it looked like they knew each other?
"Joe!" Daryl yelled, giving a name to the mystery man. You could tell he was trying to talk down the man that held a gun to Rick's head. It looked like whatever Daryl was saying was working, the man still held his gun against Rick but it looked like he was thinking about what Daryl was saying. All hope and relief you felt when your eyes met his vanished when two men grabbed Daryl, punching and kicking him.
Your heart drops as the other man throws Michonne to the ground. The door of the truck swings open and you pray that Carl is brave enough to be silent.
The man grabs you roughly, pulling you out of the truck before patting you down and throwing your pocket knife a few feet away. You fought to wiggle out of his grip but he pushed you against the ground faster than you could blink.
"Shhh.." He says into your ear. "We're gonna have some fun, sweets."
"Leave her be!" You could hear Rick yell over all the commotion. The grunts of Daryl filled your ears as he got punched and kicked only a few feet away from you.
The man on top of you was chuckling as you tried to fight him off, clawing at him and squirming to get out from underneath him.
"Listen, it was me. It was just me." Rick grumbles to Joe.
"See, now that's right. That's not some damn lie." Joe chuckles. "Look, we can settle this. We're reasonable men."
"Get off of me you sick bastard!" You shout, spitting at the man. His hands found it's way to your chest and you screamed as he touched you.
"First, we're going to beat Daryl to death. Then the girl. Then when Dan finishes having his fun with that one over there, we'll all have a turn." The smugness in his voice was deafening.
"Then I'm going to shoot you and then we'll be square." Laughter leaves Joe's body.
"Let her go." Rick says again, as your being turned onto your stomach.
You wanted to cry as Dan pressed your face into the dirt. The pain was forgotten as the sound of his belt buckle clanking rang through your ears.
"This is going to be a whole lot worse for you if you don't stop fighting." Dan grunts into your ear, pressing against your butt. Sobs begin to leave your mouth as reality of what was about to happen sets in.
There was no hope.
The man tugs at your jeans, trying to pull them down.
A gun fires. Everyone seems to pause for a moment. Dan stops for a moment and you take the opportunity to look up, praying that none of you were hit by the bullet.
You see Rick take a swing at Joe before Joe hits him right back, knocking him to the ground. Dan immediately goes back to what he was doing, trying to rip your clothes off of you. You reach for you pocket knife that was just out of reach.
Your cries filled at air when Dan pins you down once again.
"What the hell are you gonna do now, sport?"
Then a squelching sound fills the air before a body thuds to the ground. This time everyone freezes in surprise. You look back at Rick to see him completely covered in blood from his nose to his chest. He spits out blood and skin and your eyes fall onto Joe's limp body on the ground, blood gushing out of his throat.
Fuck.
Michonne doesn't waste a beat as she grabs a gun and shoots the guy holding her before taking out the ones that held Daryl.
Dan is on his feet in seconds once he realizes he's the only one left. He pulls you up, pressing against you as he holds a knife to your throat.
"I'll kill her. I'll- I'll kill her!" He shouts as Michonne points the gun at him.
"Let her go!" She demands.
Rick pulls a knife out of Joe, standing up and balancing himself. His eyes lock onto Dan, it was almost like he had tunnel vision. He pants.
"He's mine."
Rick takes a few strides towards you and you feel Dan's grip on you loosen as he's consumed with fear. He pushes you forward, staring to beg Rick for mercy.
Daryl catches you from hitting the ground as you watch Rick stab Dan over and over again. Michonne stands by you, trying to block your view of the slaughter.
"Carl." You whisper, realizing that he was still tucked inside the truck. "C-carl." You wiggle out of Daryl's grip, running to the truck and swinging the back door open.
You could see Carl's figure shaking underneath the blanket. "Carl." You say again. "Come on out, it's okay." You whisper. Slowly he peaks his head out, once his eyes meet yours, his body instantly relaxes and he's pushing himself off the ground and throwing himself into your arms.
You, Carl and Michonne stayed in the truck for the rest of the night while Daryl and Rick stayed outside. Nobody talked. Rick looked to be in his head.
Carl laid on across the back seat, his head resting on my lap. You tried to lull him to sleep but it was clear that nobody would be getting a blink of sleep after what just played out.
When the sun started to rise you asked Michonne to take your place, not wanting Carl to be alone. Daryl had gone out to scout the area.
You poured some water onto a clothe and sat down in front of Rick, settled between his legs but leaving enough space to make it appropriate.
His eyes flickered to yours as you wiped the blood off his face.
“Should’ve saved the water.” His voice was hoarse. You shook your head, trying your best to clean him.
“He shouldn’t see you like this.” You say calmly, wiping his hands clean once his face and neck were clean. Rick watched you intently.
“Are you okay?” His voice softens as he asks. You clear your throat, flashbacks of last night playing through your head. Ricks clean hand reaches up and his thumb rubs your cheek softly.
You were able to catch sight of your face in the car mirrors. Red scuff marks littered your face where you were pressed into the ground.
“I’m okay, it’s not that bad.” You shrug. Rick stared into your eyes, his hands still holding your face.
“Are you okay?” He asks again, really holding your gaze. Your chest tightens and you know you won’t be able to fight the tears.
Rick let’s go of your face but pulls your body into his immediately. You let the tears fall as he held you. “I’m so sorry.” He whispered in your ear. “I will never let anything happen to you. Ever.” He kept apologizing, his voice cracking every so often.
“You’re safe.” He says. “You’re safe with me.”
And you knew that he was telling the truth.
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carigm · 2 months
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About Dyersfilm’s “leak”
For all of you who don’t know, dyersfilm is an insufferable individual who used to go by the name of swiftlynatalia. She is racist, homophobic, transphobic, and even made fun of her supposed favorite actress’ eating disorder. However, people on Twitter (especially mlvns) entertain her because she had reliable sources during the filming of S4, and after during post production. She had some true leaks, many being the same that Reddit got right, while others only she had. She was also wrong about quite a few things, but generally she was reliable.
It is worth noting though that she is extremely biased against byler (many of the leaks she got wrong for S4 were pertaining their storyline) and absolutely hates the ship.
This time around, she was getting some leaks during the first couple of months of filming to her curious cat, but she herself claimed that these were not reliable leaks whatsoever and that she was pissed because this time she doesn’t have access to the real sources she had for S4. She has complained about this repeatedly for these past few months. The leaks she has gotten tho, many she has mocked and made fun of because they don’t align with what she wants from the show. She also made a “disclaimer” when the show started filming again that she would not be posting leaks about Byler because she hates us all, and yet every single one of those most likely fake leaks she got she posted, and many of them talked about Byler. She would post them and mock them for “clearly being untrue”. She has barely gotten a single Mlvn positive leak this whole time, and when she’s gotten at least something that alludes to them having scenes together she immediately ran to post it and alert all her friends, even tho she herself knows all of these are most likely fake.
For weeks now, her curious cat has been dry af because I guess nda’s are stronger this time, or no one wants to leak shit to her (she’s rude as hell). she posted the following ask 10 days ago. Someone asked her if she knew about any Mike and El scenes and she said no. Keep this in mind for what’s coming next…
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Then suddenly yesterday, she alluded to a Jonathan spoiler she’s supposedly pissed about, but refused to post it like she’s done for everything else. People quickly thought it might involve Byler because she said she wasn’t going to post “leaks” about it, even though she had already lol. So they asked her and she said that “yes, it has to do with Byler.”
Then shortly after this someone asked about Mlvn again, this was just today. Again, note how she proceeds to say she knows nothing about Mlvn 😭
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Bylers on Twitter noticed her answers about Mlvn and her comment about a supposed byler leak involving Jonathan and started speculating. She ofc noticed this, and not even after an hour of her saying she knows nothing about Mlvn she goes on to say this.
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….
She knows nothing but somehow she knows Mlvn is stable? The bipolar disorder of these answers could rival my own bipolar.
Mind you, we all know that she would’ve jumped up at the first opportunity to post any leak that implied Will was pining and miserable, her and her friends would’ve had a field day over it. And yet, she only clarifies this after…
Not to mention how utterly ridiculous this all is. They’ve filmed stuff up until episode 4 (from what we know), why the hell would Will be pining and hung up over Mike if Mlvn is endgame? That makes absolutely no fucking sense. They would have him immediately fully patch things up with Mike and move on, not be hung up on someone he can’t have in the middle of an apocalypse. Especially not after the Duffers said he’s getting a happy ending. Will getting a happy ending but still being in love with Mike halfway through the last season with Mlvn being endgame is absolute lunacy.
Especially when you consider the fact that narratively, in a sense, Will has already moved on. He doesn’t expect anything from Mike, he doesn’t think Mike can like him back. He saw Mike confess his love in front of El, he helped that confession happen. Will literally has no problem with Mlvn anymore pls 😭 He saved them!!
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This is the most ridiculous shit I’ve ever read.
Will is somehow upset at Mike not feeling the same way…when Will already believes Mike doesn’t feel the same and doesn’t ever expect any reciprocation 😭
Either she’s wildly twisting this supposed leak out of context to fit her own perceived narrative of what should happen, or she’s straight up lying about this.
And we know she’s lying about Mlvn so…you people decide what you think of this buffoonery lol.
Wait for Reddit leaks y’all. This woman could get a legit leak saying Byler is endgame and dig her own grave before posting it.
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eskawrites · 11 months
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so i’m rewatching bits and pieces of s4 for fic reasons and it’s hitting me all over again how and why nancy reacts to robin the way she does before and during the library scene. like! nancy has spent every season having to justify why she thinks what she does or, more often than not, fight with someone to try to pursue her theories. barb is missing and no one is listening to her. barb’s death was unfair but steve thinks they should just keep living their lives normally. she knows there’s a story with mrs driscoll but everyone, jonathan included, is telling her to drop it.
so of course in s4 when she has this idea in the back of her mind, her first instinct is to pursue it alone. even though the others are right there, and they know what’s going on. she still thinks no one will believe her, and she’d rather just do it herself than have someone try to tell her no.
and when robin comes with her nancy thinks that she was right, that robin is just another person who is going to doubt her theories and fight her about whether this is worth their time. except, robin does believe her, she’s just trying to get the information she needs to keep up with nancy. and once they finally get on the same wavelength, everything clicks. robin not only supports nancy’s theory, she takes it and runs with it, and suddenly they have the foundation they need to figure out everything.
and what gets me even more is that, from that moment on, nancy keeps robin at her side. she’s keeping an eye out for her, standing near her in the group, letting her ride shotgun. even when she doesn’t fully trust robin at pennhurst, she still chooses her. and robin proves her wrong again, so nancy keeps choosing her and keeps trusting her.
idk man i just love how strong their dynamic is, and how clear it is that this is good for both of them. for robin to have someone other than steve see her and accept her and care so deeply for her after being the odd one out at the end of s3. and for nancy to have someone finally in her corner, supporting her and believing in her without trying to get with her. they fit so well and their arc in s4 is such a treat, i love it so much
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love-byers · 2 years
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it’s been a year, mike. (MAJOR BYLER REVELATION INCOMING---MUST READ)
mike and will constantly saying "a year" or "all year" when talking about the time since the move when it's only been six months keeps me up at night
i saw people talking about how they say a year when it was only 6 months because they’re idiots in love and are being dramatic. as cute as that is, i didn’t really buy it until RIGHT NOW. i just saw it as a cute headcanon, but now i see that the writers could be enabling you to make this realization by use of subtext.
allow me to explain
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^ these are the three times they say it
at first i thought the writers may have just used year because that’s less confusing for the audience because 1 year time jumps have been used before in stranger things and are super popular in books/movies/tv shows. BUT, it clicked for me that that doesn’t make sense. the timeline in stranger things has always been acknowledged. throughout s1 we hear the amount of time will has been missing several times (as far as i remember). in s2, mike counted the days el had been gone. he called her every night for 353 days. when el and hopper argue in s2, el uses specific numbers to tell us how long she’s really been with him. in s3 hopper specifically says ‘6 long months’ when talking about how long he’s been dealing with mike (lol). that's the same amount of time between s3 & s4, yet mike and will don't say 6 months, they say year. there’s a date at the start of every season. and in s4, el says this in her letter to mike. 
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185 days = 6 months (almost on the dot)
the writers have specifically told us how long it’s been since they moved, down to the amount of days. and it’s 6 months, not a year. this makes it very hard for me to write off mike and will saying ‘year’ as just the writers slipping up. also in el’s letter, she says this:
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this is INSANE. 
mike and will are saying the wrong amount of time. the writers aren’t stupid, they know how much time has passed since season 3. THEY WROTE IT. i’m a writer as well, and i know how much time is passing between what im writing because I CREATED IT. IT CAME FROM MY BRAIN. and like i said, the stranger things writers have proven to be very keen on dates and time. all of this happening in the same season is not a slip up, its on purpose. stranger things 4 had a 30 million dollar budget PER EPISODE. do the math--that’s 270 MILLION DOLLARS. and yes, i know they supposedly forgot will’s birthday, but that’s different. his birthday is a date that was mentioned one time and served no purpose aside from creating emotional tension in that one scene. none of their birthdays are important to the plot, hell, will’s is the only one mentioned in the show and it wasn’t even on his birthday. one date that was mentioned one time and never brought up again is NOT the same as continuous attention given to timelines/time jumps over the course of all four seasons. and some fans theorize that they’re lying about forgetting his birthday anyway. either way, its not the same.  
so....the writers want us to know that emotions can make time speed up or slow down....and that el’s week has felt very fast because of her emotions....and then show us mike and will SPECIFICALLY deviating from the timeline established in the SECOND LINE OF EPISODE ONE “yeah, but you knew she was having problems for months and didn’t tell me.” “its been six months, mike.”, or “it’s been months, mike.” or not even including that line at all, or “the past couple months have been weird” would’ve worked and stayed in check with the timeline we’ve already established. but when writing those scenes, they chose to say year. which is flat out wrong and way off from the actual time they’ve been apart. 
and what did el say makes time speed up or slow down? emotions? oh, okay got it 
the first two times mike and will say it’s been a year are in the same scene: the rink o mania fight. emotions are high. they’re in a pretty serious fight. its not about something dumb, it’s about their ten year friendship and how they’ve grown apart. their friendship is VERY important to both of them. (remember when mike said asking will to be his friend is the best thing he’s ever done?) the third time it’s said is when mike is opening up to will in episode 4. it’s a very emotional scene. mike is being honest and vulnerable with his feelings. in this conversation he apologizes and admits that will didn’t deserve how mike had been treating him, which mike never does to anyone else. he admits his relationship with will is different and home isn’t the same without him, and that he feels like he lost will and wants to be best friends again. 
and the obvious: emotions making time speed up or slow down doesn’t just apply to in the heat of the moment occasions. (in theory) mike and will are in love. the six months they’ve been separated felt like a year to them because of their emotions, just like el said in the letter. and mind you, will is canonically in love with mike, yet they’re both acting the same way about this. it’s not just will. it makes sense for six months to feel like a year to will because of his emotions, because he is in love with mike, right? well, mike feels the exact same way. this isnt even about the characters as people. narratively speaking, mike and will both doing this doesn’t make sense if it’s unrequited. one way writers show how characters aren’t on the same page about something, a relationship for instance, is whether they’re on the same emotional page about different plot points. something major and emotional happens to all the characters---now we watch how they react to it. and i don’t mean small disagreements & such, characters are allowed to feel differently about things. i mainly mean when whatever happened is painful and important to one or more of the characters. for example, steve and nancy. steve and nancy didn’t feel the same about barb, barb’s parents, and everything that happened in general. steve wanted to keep on like nothing happened while nancy was literally eaten up with grief, guilt, and trauma. jonathan was the one who was on the same page as her and made her feel better about carrying that baggage around all the time. they understood each other. and who was nancy in love with? jonathan. narratively, that makes perfect sense and even further sways the audience into understanding they’re in love.
so...what? the emotions that made mike and will’s six months apart feel like a year to them is....friendship? not a fucking chance. mike and el are a couple, and according to mileven fans, they’re the main couple of the show who are in love and are going to be an endgame couple. why save this incredibly romantic coded trope for will and mike, the best platonic bros? idk, you tell me. and the fact that the line about emotions came from someone in the love triangle?? and it was said to someone else in the love triangle?? not a coincidence.
edit: someone reblogged and pointed out how el said 185 in her letter to mike that we SEE him reading. there is no reason for him not to know how long it's been. so either he isn't paying attention to a damn thing el says in her letters or he is just extremely in love with will
another edit: i keep seeing reblogs of people saying they're probably referring to the time since mike and el started dating, which i used to think too. but the context when mike and will say a year makes it hard for me to believe.
"but you knew she was having trouble for like a year and you didn't tell me"
here mike is specifically talking about el's bullying problem which has only been going on since the byers have been gone and she enrolled in school. what he's talking about is something very strictly related to the time since they moved, and it's been six months, not a year.
"you called maybe a couple times. it's been a year, mike. meanwhile el has like a book of letters from you."
will is again, very specifically talking about something that strictly happened between the time since the byers left and the start of s4. he's saying how crazy it is that it's been a whole year and mike has barely called. but it hasn't been a year, it's only been six months.
"the last year has been weird, you know? and you know, max and lucas and dustin, they're great, they're great, it's just..it's hawkins it's not the same without you. and i feel like maybe i was worrying too much about el...i don't know maybe i feel like i lost you or something."
this one i will cut some slack, i think he could be talking about literally the last year, as in since the beginning of 1985. but immediately after he starts saying how home hasn't been the same without will (and separates his relationship with will as being different than his relationship with max dustin and lucas and even el), something specific to the time since they byers have been gone, six months, not a year:
in conclusion: mike and will referring to their time apart as a year when it’s only been six months is not a mishap on the writer’s part. they go out of their way to make sure you know exactly how much time has passed, down to the number of days, and they put this much attention on time in every season. and in the same season mike and will do this, there is a line in the SECOND LINE OF THE OPENING SCENE OF THE SEASON about emotions making time go by faster or slower.
byler is going to be a s5 surprise, but its not coming out of nowhere. there’s piles of subtext in every single season---enough that when you look back, it all makes sense. small details like this aren’t outlandish because this is without a doubt the length writers will go to keep something hidden, and in byler’s case and many other tv show plots case, to keep something a surprise. and for christ’s sake, WATCH THE SHOW! the amount of attention to even the TINIEST details in stranger things is insane. they put so much thought into everything---not just ships, and not just byler. idk how many times the writers are going to have to say details matter and that there are no coincidences until people believe them. 
anyways, byler is endgame. thanks for reading :) 
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mylittleredgirl · 2 months
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@pomegranate ok you asked for it!!
so i have only seen up thru s4, but as a fandom immigrant coming from star trek, i am obsessed with the time distortion possibilities and keep rotating "how each character deals with being The Only One Who Knows They're In A Time Loop" in my head.
klinger so far is THE most interesting candidate to be an hour deep into a violent cut of "groundhog day." he's desperate to escape. he tries everything and nothing works. doesn't he even try to blow himself up with a grenade one time, with no real fear for the consequences of playing with live ammo??
more specifically, he tries the same thing over and over again despite being told every single time that it just Will Not Work. for like a season and a half, every time he enters the scene they have to tell the audience why there's a dude in a dress, and so he has the same conversation every time. what about this outfit? what if this is the one???? he gains an incredible proficiency with sewing, and what time-loop comedy is complete without a skill-building montage?
also -- how many different assignments does one guy have?? he's in the kitchen or on patrol or carrying bodies around or doing skilled tech support and in rare moments he's even at the table as a nurse??
everyone in camp is unhappy (except perhaps margaret early on), and hawkeye waxes existential about endless war, but klinger is the only one truly shaking the bars at all times saying THIS IS NUTS!! HOW DO YOU NOT SEE IT?? LET ME OUT and actually trying to leave the camp. and always failing. the big moves don't work, so what if it's in the little details?
and henry has to be part of this theory, because it's the most tragic point. he's the one klinger asks to escape with him. (a joke, sure, but we're taking this all seriously for a second.) so what if klinger knows, he's seen it, but he can't stop it? he has tried!! henry can't get out alive either, he's trapped in the loop too, but he can't see it. (& klinger seems to change himself in a post-Henry world, if not right away. as i kept watching season 4, he shows up more and more often in fatigues without objecting to it. once again, until it starts over, he failed.)
and finally, from the post that inspired those tags:
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you don't whip this up in a day. he made it for this occasion. he knew it was coming. carry this picture in your pocket. maybe this is the one.
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variousqueerthings · 6 months
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on aroace queerplatonic doctordonna
@foxfables just answering you here, since it's easier for me than on the replies, cos wooord count:
1. a fair amount of espeeecially aroace fans of the show have talked a lot about how we read the doctor as aroace and a lot of the pain that comes with Companions is their often moving on specifically for alloromantic and allosexual reasons (whether or not they were looking for that from the doctor, lots of examples in classic!who of companions having not-at-all that kind of dynamic with the doctor, and leaving for a romantic relationship) and how that especially comes to the fore with ten's doctor -- and we relate to that pain
2. the doctor's and donna's relationship was specifically deliberately created to be a platonic relationship, going so far as to spell it out in their first adventure together in s4 and then making fun of the idea that they could ever be read as alloromantic in any way
3. "despite" this explicit non-romantic and non-sexual framing, their story was one of deep abiding love and partnership, with the doctor occupying a similar -- if not even moreso -- position in the noble family as they had done with the tylers or the ponds, where they were deeply embedded not just in donna on her own when she was out travelling, but in her family affairs. that's the "queer" of the platonic part -- they're not just good friends who meet up sometimes but have other relationships that are higher up the hierarchy for being romantic, they build their life around each other (clarifying queerplatonic partnerships can and do also exist when one or more people within them have romantic relationships, but the point is the hierarchy -- which we see when shaun arrives too)
4. and it all culminated in a massive heartbreak for the both of them, where they couldn't be together anymore, despite both of them desperately wanting that -- donna didn't leave the doctor, the doctor didn't leave her to a life that was "better" suited to her (which the doctor sometimes has made decisions about against their companion's wishes). it was a tragic queerplatonic story, and one in which the doctor ended up dying/regenerating alone after making sure that everyone else was fine (notably, this "fine" included romantic relationships in almost every scene of that montage -- sarah-jane is an outlier)
5. this story then, was asking the question over and over: why this face? why does the universe/the tardis always bring me back to you? what is this mysterious force that's making us fated to meet this way? and for awhile neither the doctor nor donna can answer that -- the doctor constantly talks about bringing donna home to her family, her life, because the doctor is used to eventually having to go off alone, and by now donna is married and has a kid. how could there possibly be space for the doctor in that? and of course donna wouldn't be able to travel again. it's as incompatible as it always was
6. and then the story answers that question by going: donna is the doctor's family. this face came back to be with donna again. they're not romantic, but they are partners, donna's daughter, donna's husband, donna's mother, donna's grandfather, are all the doctor's family too
7. the doctor didn't need to promise a romantic/sexual relationship that they couldn't actually offer, didn't have to become someone else, didn't have to twist into a shape they couldn't, they just had to let themself stop running long enough to understand that this is the love they deserve to have
that's the power of the doctordonna in the end. this is what this doctor ends up living for, not grand battles and great destinies. just loving your best friend and being loved in return. that is the final thesis of this entire era of doctor who, and it's very aroace queerplatonic in theme
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bugsbenefit · 6 months
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hellfire in s5, and how it's Really not looking good for the members
the hellfire club is, in my opinion, one of the most obvious set ups for s5 and i never see enough people acknowledge how blatant the show actually is with it. because it's a directly addressed ongoing issue that slowly worsens over time and directly threatens three main characters (Dustin, Lucas, and Mike), at Least
there's a clear structured progression of the threat getting worse, with a major part of the s4 Hawkins plot being only Jason and his team chasing Eddie down, and by the last episodes of the show the rest of the town sides with them and joins the objective. however, we never get any consequence of the town agreeing with Jason, aside form the kids parents getting reaction shots looking insanely worried. the only thing even resembling partisan participation is a dogwalker (the same man that agreed with Jason first and then caused every other member in the town hall to also agree) informing Jason and co about there being someone in the Creel house. a single character ratting someone out is not pay off for a scene that rallies the entire town with anger and fear. especially because he was the First one to agree with Jason, arguably the next reaction, in parallel to the town house scene, will have everyone else also involve themselves
and everything Jason actually said in the town hall looks INFINITELY worse by the end of the season because he not only died the same day (how odd that must look), the town was also hit by a severe earthquake. (and hell-gates open in town but we don't know how people will react to that yet, or if it will even be immediately obvious to them)
like. it's a Terrible look. and with Eddie being dead now, the main target that represented the hellfire club in s4 and got the primary share of blame is now officially un-prosecutable
s4 also goes out of it's way to associate Lucas, Dustin and Mike explicitly with the hunt on Hellfire, ages before the whole town gets involved
Lucas is put on edge by the basketball's team hostility towards his friends constantly and has to actively lie his way out of the line of fire multiple times. the basketball team is also looking for Dustin to question him about Eddie's whereabouts, even going to his house where a confrontation only doesn't happen because he's not home. and they even manage to go out of their way to drag Mike into it despite him being out of town, when Jason starts a conversation with Nancy specifically to threaten her and then asks about Mike right after
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which leads to the other thing; not only are all the kids already on Jason's radar, he's also getting more and more direct with the fact that he doesn't just want to have a nice chat with them (culminating in actually physically attacking Lucas by the last episode)
and if them setting all of the kid members of hellfire up for a bad time wasn't obvious enough, it's also fascinating to see the posters of hellfire we get over the season also show a clear shift in focus
when we see the hellfire club year book photo for the first time the focus is on Eddie. he's who Jason sees as the main culprit and when we get a close up of the burning poster we see Eddie
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but when we see the hellfire club photo again 4 episodes later the focus isn't on Eddie anymore. not in dialogue and not visually
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the shot is from the Wheeler's pov (Karen's specifically), and the only part of the picture that's in focus is the far right corner, with Mike and Lucas. (makes sense that's her son that's currently being implicated in satanic murders). Eddie never gets unblurred, he's not who the audience is supposed to look at in this shot. verbally Jason is also explicitly blaming the whole club now. it's not just Eddie who's "crazy" and killed Chrissy, it's the whole club who's responsible (it's also very notable that he's handing out yearbook photos of the whole club, not just Eddie. a really distinct prop choice. everyone in town now not only thinks hellfire is directly responsible for multiple ritualistic murders, they also know Exactly who's in the club)
and looking back at the season in hindsight, there's actually more than enough instances that would make the members of Hellfire look kind of guilty, or shady at best, even if someone were to do some research. there's multiple instances of hellfire members lying to the basketball team about hellfire member's whereabouts which definitely doesn't make them look more innocent in the team's eyes. not only do Eddie's band members try to brush them off, Nancy pretends to not even know about Hellfire when Jason asks about Mike, and Lucas goes out of his way to keep Dustin and Eddie's locations from them by deliberately lying and sending them to wrong locations
and that's on top of the entire montage of Dustin and Mike trying to find a substitute player for a single game on the same day a student with no previous affiliation to Eddie Munson dies at his trailer? that looks Horrible in hindsight. especially with them asking pretty much every other student, from almost every club, while both prominently wearing hellfire shirts. if anyone actually remembers them and thinks about the events post Chrissy's death they could definitely make some assumptions
it's just bad looks all around. and that's not even mentioning how they have the potential to look even worse in s5. if it got out Lucas was with Max when she somehow died and broke all her bones? would look horrible. or Dustin now associating with Eddie's dad? and we don't even know how he'll fulfill Eddie's wish to "look after the little sheep"
and even Mike, who didn't even have the chance to attract suspicion post e1 due to being out of town has a whole thing going on with his image paralleling Eddie, with being the other DM and having his s4 style be directly in reference to Eddie's looks
while there's building hostility towards the hellfire members, and the focus (both visually and vocally) switches more to the members Other than Eddie, by the end of the season there just hasn't been a chance for the townsfolk to respond to Jason's speech yet. they all agreed with him, but everything immediately went to shit the same night. however, even the last few minutes of the show, that always have the most direct foreshadowing for the next season, include a shot focusing on the rise of religion and the fearmongering that started with Jason's speech
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which serves as a great reminder that the entire town hall just agreed with Hellfire being a satanist cult they need to stop
s4 ends with the hellfire set up being one of the most explicitly obvious plot threads that are about to be a problem for multiple main characters in s5. like the few other obvious established about-to-be struggles: the gates opening, Vecna still being alive, Max being "gone"; we've gotten a full set up there but no payoff yet
and then there's obviously the question of what the people would even DO in s5? they all agreed that Hellfire needed to be stopped, so... what now?
on one hand there's the interesting concept of the town refusing to help the protagonists but they could also be acting as a hostile force against them
say anyone tried to warn the town about the upside down or it's creatures, the chances of people listening to them talk about actual "demons" and reacting in any positive way is probably near 0. even if you saw a Demogorgon nibble on your neighbour an hour ealier, would you really listen to someone you think intentionally opened the Hellgate that let the creatures through in the first place?
but then there's of course the active antagonistic angle they could also take. Jason was calling for Hellfire to be actively opposed and stopped, not passively. and the show Does go out of it's way to show the overcrowded weapons store in multiple shots post Jason-speech
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we're supposed to know these people are armed going forward. whether they're buying them to go hunting, or wanting to go shoot Eddie Munson, the weapons are there now... also ignore the 7 separate hellfire wanted posters in the opening shot of the store alone 💀(it's actually 9, i didn't circle the two that are cut off in the bottom corner. that whole board is just plastered with that one photo)
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(the implication of what the guns are for couldn't be more obvious if they tried. again, also the scene where Jason tries to intimidate Nancy and directly asks about where Mike is. also the scene where Erica and co try to hide from the basketball team members in the store. the scene features, guns, hellfire posters everywhere, and characters specifically asking about the whereabouts of a member while other people are actively hiding)
and the weapons could play out in a positive way in s5 too, say the lady from next door gets hands on involved and takes shots at the Demobats in her front yard
but the reactionary, scared, and angry town that blames a specific small group of people for everything that's happening could also lead to MCs having to actively worry about getting shot by someone they've seen at the supermarket for 10+ years on top of the supernatural threat
TLDR: re Hellfire, none of these members will have a good time in s5
Edit (because i forgot to include these images and am silly)
Hellfire even makes it on the local news by the end of the season
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and in line with the focus shifting from Eddie to the other hellfire members, the news anchor then goes to say that Eddie Munson is presumed dead after the earthquake but that that isn't enough for the town. the news even mentions the conspiracy theory that the hellfire murders CAUSED the earthquake. so anyone who hasn't heard Jason's speech, now they're getting it from a "reputable" source too. call that high quality journalism, let's throw the local highschoolers under the bus
we're supposed to remember the fear of the "satanic cult killing children" that Jason spread to the town. it's still there. and it's not just in the local town hall anymore, its being broadcast on live television. so just in case you didn't catch wind of who caused a "gate to hell" to open in your suburban neighbourhood the first time, the news anchor thankfully tells you who everybody Says is responsible, it's the 14-18 year old satanist serial killers duh
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thefirstlioveyou · 3 months
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What will Mike and Will's S5 Fight Be About?
Shawn Levy basically confirme/implied another angsty Byler fight for S5.
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But, what will it be about? Some think it'll be about the painting, but personally, I don't think so at all. I believe the fight will be about Mike's internalized homophobia; Mike will be afraid to romantically be with Will and it hurts Will.
First off, I don't think Mike would be mad for him hiding his feelings or lying about the painting. The sole purpose of the painting lie is to open a gate way to Mike knowing how Will feels about him. It's a set up. Why would he be mad that it was Will who thought those amazing things about him? He's in love with Will.
Now, let's see the common traits that all Byler fights have:
miscommunication, but they both want the same thing
is about their relationship
mike projecting
happens pretty early on, episodes 3-4
triggered by a shift in their relationship/mike doing something
they are alone
It's pretty predictable that S5 will focus on Mike's feelings for Will and be in Will's position this time. He's gonna be a yearning, gay mess! However, it doesn't make sense to copy every little thing as that wouldn't bring anything new to the table. It would quite frankly feel lazy and boring.
I actually believe they will be honest about how they feel episodes 3-4 (after Mike discovers the truth about the painting, what would be the shift in their relationship), and it will be a very angsty scene rather than a happily-ever-after moment (for now). Here's how I picture it: Will wants a relationship with Mike, Mike wants one too, but he's reluctant to because of the shame and bit of denial still lingering.
As understanding as one can be in this situation, it's also hurtful to hear on the receiving end. I can imagine it makes Will very upset. After so long of waiting for Mike, waiting to see if his feelings could be reciprocated, he finally gets it but doesn't get to keep it because of the shame Mike feels. Will does indeed feel like a mistake for his sexuality but, as he also states, Mike makes him feel otherwise. So, if he heard the same person that makes him feel better for who he is, say he's wrong for being the same thing he is.... that would HURT Will terribly. In Will's eyes, he will truthfully believe Mike doesn't want him, even if in Mike's POV, he wants nothing more than Will. This is where the miscommunication comes in play.
This is a real thing that happens in many Queer relationships even to today, when one is ready and the other is not yet. There is no bad guy (unless cheating, abuse, etc is involved of course) in these type of situations. You can sympathize with both sides... Which makes this a perfect fight to watch as the audience; it wouldn't make you hate either of the characters.
Some people say Mike’s accepted his sexuality by the end of S4, but I feel like if he did, it wouldn’t really be a good set up for him to be Vecna’d in S5. His struggle with who he is and his relationship with El is crucial to S5. If we keep Mike struggling with his sexuality and his trauma regarding El, this gives a purpose for him to be Vecna'd, which is the perfect way to explain a lot of his character the past seasons. Similar to how Max escaped Vecna the first time, Mike would do something similar (with the help of others, of course). He will have to accept the mistakes he's made, accept past events that were out of his control and accept who he is, or let himself die. Rather than focus so much on saving others or being needed to others, he must save himself now, for himself. He has to finally believe he is the heart. Finally confronting and accepting what he can't change will bring his character and his relationships to a full circle. It would explain his dynamic with El and Will the whole series. He will finally have the self-confidence he lost.
As much as people want Byler to have an established relationship in S5, I don't think that's likely. With a fight already implied to happen again (most likely early on), it wouldn't make much sense? They're a slow burn on top of that... The season is building up to them being together, it's not them already together (at least I don't think so).
The writers can obviously find a different route, but I feel like this would work and fit well. It would save Mike's character perfectly and it connects with the Mike being vecna'd, or at least in danger, theories; It gives it more purpose.
I just can't really imagine what else the fight would be about. It has to be about their relationship and it has to be about it changing in some way. Mike's weird behavior still needs to be explained... so I would think the fight has to be connected to the reason for that behavior. The fight would then be about his internalized homophobia. And if it is, it has to be explicitly about it, not just subtext like S3 fight.
Rather than “It’s not my fault you don’t like girls” and insulting Will, Mike straight up will have to be like, “I’m scared, what if this is wrong? I don’t know how to do this.” “This isn’t right.” This time Mike will be direct how he feels about HIMSELF, but Will would still be hurt because this is the same guy that made him feel better for being Gay…
If this is how the fight plays out, lord hold me because I won’t survive it😭😭😭
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the-traveling-poet · 7 months
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Hi , I just hope you accept my request " Eren x reader" s4 the table scene , he said how much he hated Mikasa and turned to y/n and hurt her by words , what if he asked to talk her alone to hurt her more and she said she regret her feelings for him , and he got softened
Regret
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Amidst the chaos surrounding both Paradis and Marley, Y/N finds herself stuck between a rock and a hard place.
While staying close to her childhood friends Mikasa and Armin, Y/N is forced to come face to face with the man she’d grown to love for the first time in months. His departure had hit her the hardest of them all, but still she kept her chin held high.
Will she be able to rid herself of her feelings for Yaeger before it’s too late for her? Or will she succumb to her grief…
══════════════════════
Pairing: Eren x reader
Warnings: Angst. Pure angst. Literally just pain. Language. Spoilers for S4 if you haven’t read/watched it yet.
Angst, depression, betrayal, S4
Taglist: @21aurora
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A/N: Ofc anon! This one seriously hurt to write T-T
I’m sorry this took me forever to publish!
As always if this isn’t to your expectations I’ll re-write it how you want!
Enjoy~🤎
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What had just been a moment of relative relaxation, quickly turned to one of panic.
One minute, you’d watched as Jean and Connie bickered over a bottle of wine in one of the MP’s cabinets, while Commander Hange spoke quietly with the Braus family before aiding Jean in cleaning off a ‘poisoned’ a young Marlian boy, Falco.
But the moment Niccolo lunged for the young Marlian girl, Gabi, shit hit the ceiling. The Braus’s adopted daughter lunged for the girl, screaming and crying out obscenities. You watched on helplessly as Niccolo took a swipe at Gabi, having only just learned of the girl’s murder back in Marley.
Sasha…poor Sasha. The memory of her death still haunted you every night you slept. To see her murderer, a young girl, standing before you uncharged and free of imprisonment…It hurt. But she was a child, you knew. A poor, brainwashed child.
Before you could even attempt to take action and aid the situation, the door behind you creaked open. Looking over your shoulder, you spotted Floch and his ‘followers’; a mix of MPs and what was left of the Scouting Regime soldiers.
By the time Hange and Jean returned to the dining room, you and Onyankopon were already being held at gunpoint.
“What’s wrong?” Hange asked in haste when she heard a muffled yelp from Onyankopon, but froze at the scene before them.
“Commander Hange,” Floch greeted coolly, ignoring your persistent glare. “I’m glad you’re here.”
Floch lowered the gun aimed at your head, and turned to Hange. “I imagine you know where Zeke’s at…We’ll have you take us there.”
You were only a second away from opening your mouth to retort his absurd statement, when Armin’s startled yelp from the adjacent room made your blood run cold.
“Ere-“
Eren…
Without giving it a second though, you raced to the side of the room towards the doors, paying no mind to the soldiers who held guns to your back. You had to go. You had to see him…
“Let her,” Floch’s airy tone caught you off guard, making you pause with your hand on the door handle.
“He’s expecting her presence too, you know.”
The guards lowered their guns from your back, and you took this moment to race through the double doors.
Behind you, you faintly registered a sinister chuckle coming from Floch, but you ignored him in your haste.
You slammed the door behind you quickly, and took a look around the nearly vacant room. And there he stood; just before you at the head of a round table in the very center of the room.
Armin and Mikasa sat with their hands placed palm down on the table cloth, eyes wide and shoulders stiff. Gabi was with them, tense and shaking in utter fear. You visually checked them over for any sign of injury, and when you found none and relaxed. But only slightly. You took your eyes off of your comrades, only for your eyes to suddenly met his.
Eren gave you no sign of emotion as he looked into your eyes from across the room. If anything, he looked bothered. His hair was slightly disheveled, and his clothes worn. But the look of indifference on his face only made his overall appearance look more menacing.
“Y/N, you’re here. Please, take a seat.” He spoke in a low tone while pulling out the chair he stood behind with gestured for you to take it. Taking a shaky breath, you decided to follow his ‘request’ and strode forward to accepted the seat.
“Eren-“ you began, but he cut you off.
“Hands on the table, and don’t remove them.” He shoved your chair into place, and swept his gaze across the four of you.
Despite his glare, you thought he looked…Weary. Sad, perhaps.
After a long pause, he broke the silence suffocating the room.
“As I said; I wanted to talk, with you guys.”
You remained silent and still in your seat, your fists clenching at the table cloth when you noticed the gash formed across his palm.
A warning to you all.
“Conflict isn’t necessary to solve Eldia’s problems.”
Behind you, a grandfather clock ticked against the wall for every silent second that passed his statement, setting you on edge.
“Eren, we’re the ones who wanted to talk.” Armin spoke up, his gaze sharp and focused. “What made you attack Marley all on your own? Did Zeke and Yelena really talk you into joining them?”
The question had been nagging at you for some time as well, but for now you remained silent.
“I am free,” Eren stated solemnly. “The things I do and choices I make are all decided by my own free will.”
“No…No, you are being manipulated!” Mikasa suddenly grit out, leaning over the table and standing up. “You wouldn’t have involved the lives of children and innocents, even if they were enemies!”
Eren kept silent, merely listening to her outburst. But before he could respond to Mikasa’s allegations, you found it within yourself to finally speak up as well.
“Eren, I know you care about us. More than anyone!”
You stood up from the table, removing your hands from the table to place them onto Eren’s broad shoulders.
“Don’t you?! The reason you saved Mikasa…Armin…Me…You love u-“
“I said to keep your hands on the table, now do it,” Eren cut you off with a harsh glare, switching gazes between you and Mikasa. Mikasa slumped back down into her chair in defeat, clutching at her scarf. But you remained standing, tightening your grip on his shoulders.
“Eren please, why won’t you stop this?!” You cried out.
“I said, sit.” Eren spat back through clenched teeth, forcibly removing your hands from his shoulders.
A pang of hurt shot through your heart, making your chest feel heavy. Furrowing you’re brow, you reluctantly sat and placed your hands back onto the table.
Once you were all sat and silent, Eren continued.
“I spoke with Zeke in Liberio; brother to brother. Zeke knows more about titans than even Marley as a whole.”
He paused, turning his attention to Armin.
“Armin, aren’t you still visiting Annie? Do you think that’s if your own free will?”
Armin froze, his eyes blown wide.
“If memories are what shape people, a part of you is Bertholdt now. Within you is an enemy with feelings for another enemy. Armin, Bertholdt has gotten into your head.”
Armin sat in shocked silence, staring blankly back at Eren. You took this moment to make a decision.
For better or for worse, you had to try…
“Then what does throat make me, Eren?”
Eren turned to look at you, raising a brow. He seemed to not have expected you to speak up again so soon, if at all. But curiosity got the better of him, and he gave you room to speak. So you continued.
“You dare accuse Armin for being lost to memories of another, for falling for another that. is the enemy. So what does that make me, huh? Am I now an enemy, too?” You spoke quickly, feeling a need to get it all out.
After all these years…
“What are you talking about, Y/N?” He drawled out. “You have no part in this conversation. You are Eldian and not a shifter. You know what I’m saying doesn’t apply to you.”
“Oh, but doesn’t it? Don’t my feelings for you count for anything? You cant call Armin an enemy without accusing me as well!” You cried out, taking a stand once more.
Eren’s eyes widened; it seemed he wasn’t expecting this. “Y/N…I-“
Mikasa cut him off this time with a hell, not minding his sudden glare on her for interrupting.
“Eren, what could you possibly be sayin-“
“The Ackermans, too.” Eren scoffed, now standing as well beside you. “The Ackermans were intentionally designed to protect Eldia’s king. Back then, when faced with life and death you heeded my order; Fight.”
“No…Protecting you was not a mistake…” Mikasa whispered, fear in her shaky eyes.
“It was because of you I became strong, Eren!”
“No, Mikasa. Your family was made to forget who they are and love only to protect. You are slaves.” Eren scowled, his eyes narrowed dangerously. Their conflict gave you a headache, but you knew better than to speak up just yet.
“Eren, enough!” Armin suddenly called out, taking a stand with the rest of you.
“Do you know what I hate more than anyone?Any of you?” Eren continued on, ignoring his friend. “Those who are not free. They’re just like livestock.”
“Eren!” you yelled, filled with a sudden rage. Rage fueled by grief.
This wasn’t the boy you’d grown up with. Fought beside. Come to love so deeply…
Eren snapped his gaze to you, his glare deepening. “Just seeing you has always pissed me off so much, Y/N. And now I finally understand why; I can’t stand the sight of a slave who obeys orders without question.”
His cold statement made you gasp and stumble back a step. Hurt flooded through you, but you fought off your tears for now.
“You don’t mean that…”
“Ever since we were little…I’ve hated you.”
Everything around you became white noise as you stared on in horrified silence, your mouth agape with all the words you wished to say. And yet nothing came of it.
Faintly you registered Armin leaping across the table towards Eren, fists raised and teeth clenched. Words were exchanged, but you heard none of them. Like Gabi, you remained frozen in your spot.
Mikasa lunged forward to stop Armin, only to freeze in fear as she recognized what Ered had said about the Ackermans might just be true. Armin was pinned to the table by Eren’s strong grip, shouting over his shoulder to the man above him.
The moment Eren threw Armin across the room, you finally snapped and regained your ability to speak.
“Eren!” you screamed.
Immediately Eren held still, his back to you but his head turned to silently acknowledge your voice.
“Stop this! What have you done?” You shouted. Your voice shook as well as your hands with every word you uttered, but you knew you had to keep going. Or else you’d never get another chance.
Deep down, you knew this is how it had to be.
“You belittle Mikasa…manhandle Armin…hate me…And for what? What is it you truly want from us?”
Eren turned to face you, his emotions hidden behind his cold facade. But he let you speak. Let you say the things you both knew, deep down, you had both longed to say for years.
“You can hate me all you want. You can hate all of us, all you want. But don’t you dare for a moment accuse us of anything but loyalty. We love you, Eren. I love you. You know that, I know you do!” You cried out in earnest, tears finally escaping your eyes no matter how hard you fought them.
“I’ve always loved you. I’ve tried, time and time again, to show you this. And for everything I’ve ever done…How could you?”
With that final whisper, you turned your back to him and crossed your arms around your sides. Looking for any form of comfort.
“Y/N…You know I-“ Eren started to speak, his tone much softer now. Though you couldn’t see it, he was fighting tears himself. But he refused to let anyone notice how he wiped them away.
“No. Just, fucking don’t.” You stated softly. “Figure out this mess with the war. Do what you must. But please…Please understand us…”
Just then, a couple MP’s burst through the door, demanding to know what the noise was about.
“I’m fine,” Eren reassured them, his voice hollow. “Go back to Floch. I’ll join up soon.”
Once they hesitantly left, you finally turned in your heel and gave Eren one last pleading look.
“Figure this out, Eren. Figure this out for us.”
With that you turned to leave the room. To leave your companions and to leave your love. But just before you twisted the door handle to rejoin Commander Hange and the others, you looked over your shoulder and made direct eye contact with Eren.
“And just know…Despite everything that happened in the past… Despite what happened here in this room…Just know I still love you. I’m scared that I always will.”
With that you left, not seeing the way Eren’s emotions finally pushed through his facade and showed on his face. The way he reached out his hand to stop you leaving, despite the physical distance between the two of you.
You never would know, just as he would never forget the way what was left of his heart shattered in his chest that day.
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