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#and the same can be applied to anything you engage with
lyvhie · 18 hours
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do you write for chenle? if so could i request angry sex with chenle? and plotwise/anything else can be up to you, you always make such creative works 😍
desert island | zcl
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boyfriend!chenle x fem!reader (18+ mdni)
summary: a stupid little game seems to be enough to make you speak with recklessness and throw reason out of the window in the heat of the moment. but since you were unwilling to be so easily placated, chenle was decided to talk some sense into you.
a/n: sorry for being so late, anon 😭! ofc i write for chenle, how could i not?! thank you for the kind words, i hope you like it!! 😚
cw: smut, use of 'whore' (only once), hair pulling, slighty spanking, begging, reader is DRAMATIC, chenle is kinda mean, petnames.
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honestly, you can't think of a better partner than chenle. he's always so sweet, caring, and considerate, and you could talk for days about every single thing you love about him because you really love him a lot.
the same applies to chenle, who thinks you're so perfect for him. every time he wakes up and looks at you beside him in bed, he can't help but think how lucky he is to have someone like you by his side.
arguments in your relationship were rare, but not non-existent. like any kind of relationship between two people, disagreements occasionally arose.
you generally handle them with a mature conversation about the issue once the dust has settled, addressing the problem and coming to a mutually-agreed solution. however, sometimes, you both seem to be unable to agree on a resolution to the problem at hand. that was the case now.
it was a real stupid argument. you were released from work early and figured it would be a good idea to stop by the studio to see chenle and head home with him. as it turns out, it was a surprise when you showed up without prior warning, but he was happy to see you and it made your visit all the more meaningful.
during chenle's break time, the dreamies were engaged in a light and silly conversation about "who would you take to a deserted island." it was an innocent little game to pass the time and have some fun. when it was chenle's turn to answer, he surprised you by not choosing you, but one of his staff’s. this simple and seemingly harmless choice was the root of your trivial fight.
you didn't react immediately, simply laughed it off as if it was nothing but chenle could tell that something was off the moment you both got into the car. the car ride was unusually silent on your end, and chenle began to brace himself as he realized you were upset about something. he mentally prepared himself for whatever he felt was about to come as you walked through the front door.
"so..." he began in a gentle but careful tone, sensing there was an underlying issue you weren't being open about.
"nothing," you casually responded with a shrug, walking off and towards the bedroom. "it's nothing," you repeated again, but he wasn't fooled by your tone.
following close behind you, he asked another question, "is it me? did i do something to upset you?" he raised his eyebrows at you expectantly, wanting to get to the bottom of the problem.
"no" was all the response you gave him, short and sharp just like before. as you continued into the bedroom and began to tidy up the already clean room, he leaned casually against the doorframe and observed you closely. he didn't say a word because he knew he would just have to wait until the "you know what's funny?" and there it was, your signature phrase for when you're in a bad mood, spoken in a slightly annoyed tone. he knew this would be coming.
"no," he said calmly and crossed his arms, looking directly at you and watching you make some futile attempts to find anything out of place in the already immaculate room. "please, enlighten me," his gaze intent as he awaited the inevitable moment of venting that always ensued after that phrase.
"of course you wouldn't," you replied back, feigning innocent ignorance and even rolling your eyes as you dramatically shook your head and sighed. "i didn't expect you to have kept a list of all the female entertainers you would consider taking to a desert island. so why don't you enlighten me on your priorities?”
for a moment, chenle's eyebrows were raised in a mix of confusion and slight surprise as he heard your words, genuinely believing that you were joking or being sarcastic. then came his soft laugh, as he was almost incredulous that you kept up this attitude with your arms crossed and a serious expression. "baby," he spoke gently but firm as a warning, "you can't be serious right now. it was an innocent little game that you shouldn't take so seriously.”
"oh really?” your words laced with mockery. “an innocent little game? then it shouldn't bother you to explain to me why i wasn't even on your radar. it was a stupid game but your answers just proved to me that i'm an afterthought, even in your fantasies. at least in your fantasy of the women you'd be willing to take to a godforsaken place with no hope for escape. so am i so insignificant that i didn't even make the cut for you?”
chenle pauses for a second to process the situation and your words, running his hand through his hair in an almost unconscious gesture of self-soothing. if he didn't know you better, he would've thought you were crazy, but after that incident with the stupid "worm" question, he knows that you're just dramatic.
he approaches you, cupping your face in his warm hands as he gazes at you.
"baby, please," he pleads, the affection evident in his voice as he tries to reason with you. "look at me," he says softly, using his palms to gently guide your eyes to focus on him. once your eyes meet, the intensity of his gaze deepens as his expression softens and his voice grows more gentle. "this was just an innocent game and you're blowing it out of proportion. please don't be like this. i love you and you know it. there's no other woman that compares to the love i have for you, not in a thousand lifetimes would i ever take anyone else over you. you're mine and always will be.”
even though you could sense the sincerity and love behind his words, you maintained a guarded demeanor, refusing to give in to it until you were completely satisfied with his explanation.
you know, you had a sharp tongue and an even sharper intelligence than some could imagine when you chose to use it. unfortunately, this was a time where the first worked, but the second didn't.
“well, it seems that you just have to be on a desert island to fool around with someone else, right? you just want to enjoy some fun and pleasure while away from the world,” your tone became sarcastic as you continued challenging his words and reasoning. “so who are you going to enjoy it with?”
your thoughtless words brought you to this moment. one of chenle's hands was intertwined between the strands of your hair in a tight grip, pushing your head against the softness of the mattress, forcing you to stay with you ass up. your eyes slightly red, your face puffy and wet, both from sweat and crying.
“fucking. stubborn. whore,” he spit out, each of his words was accompanied by sharp thrusts that made your bones shake and you gasp, the sound of skin against skin filling the room. “can't listen to what i say for not even a damn minute,” he slapped your ass hard, making you whine and your eyes water again.
you lost track of time during this torment. it felt like torturous hours, where he kept teasing, edging you, not even letting you touch him, your ass was already marked by his hands, you felt the sting of each spank he gave, saying that brats like you don't deserve to feel good.
chenle knows you with the palm of his hands, he knows what you like, what makes you melt and he would definitely use it against you. his slow but powerful thrusts hit all the right spots that make you see stars behind your eyelids, his hand slipping between your legs to rub your clit in equally slow circles.
“…. ase…” your tiny, teary voice echoed through his ears. “oh?” he scoffs, pulling you by your hair until you were close enough for him to whisper in your ear. “i can't hear you, say it again,” his warm tongue sliding through your neck, sending you goosebumps.
“p-please…” you raised your tone slightly. “i'm so, so sorry, chenle,” the desperation and pleading in your voice is obvious, as is the remorse that you felt for your actions. “please, please, let me cum, please, just once, please,” the need seeping through every word, begging for relief and satisfaction.
a smug grin crept up his face when he heard your desperate tone. he loved how hopeless you sounded. he loosened his grip on your hair, pulling you into a kiss as he stopped his thrusts to savor the moment. his hand moved away from your clit to held your cheek as his tongue invaded your mouth, completely taking over the kiss.
your emotional state was so volatile right now that you honestly felt like crying. chenle knew that you loved kissing him, and by constantly pushing you away, he knew it was torturing you. your attempts at kissing him were met with a painful slap to your cunt, almost as punishment for trying to force yourself on him.
this simple yet deeply cherished kiss was enough to make you melt completely. you were yearning to feel this level of affection again after he kept pushing you away from him, it was all you were craving since he pushed you down onto the bed and shoved his cock inside your pussy.
as he pulled away from your lips, leaving you desperate for more, he let out a short, breath laugh at your reaction. he found it amusing how you chased after him to continue the kiss, but he was quick to remind you who was in control here by just pulling on your hair to keep you in place, making you whine pathetically.
"well," he purred against your ear, moving his hand caressingly over your body. he made lazy circles on your soft skin, lingering on your belly, you suddenly felt him be a lot more gentle. "since you asked so nicely, should i give you what you want, baby?" he raised an eyebrow teasingly as he waited for a response from you and all you could do was nod fiercely, letting small pleas of "yes, please" roll off your tongue as you awaited his move.
chenle hummed, feigning deep thought as he observed your face. He worked hard to maintain his composure and keep from showing his mischievous, devilish smile as he saw the light of hope that your expression lit up. "okay," he said finally, "i think you seemed remorseful enough,” his words were enough to bring a jolt of excitement to your system, you felt a rush of adrenaline course through your veins and every single muscle in your body tensed up, waiting intently for him to give you what you wanted.
with a light kiss on your lips, he turned you over and positioned you so you were laying on your back. hands that had recently been mistreating you were now caressing your body delicately, as if you were the most delicate thing ever made. his kisses traced your jawline before moving to your neck and breasts, making you think that the wait had been worth it. the punishment had ended here and he made you believe that the only thing you deserved now was his gentle touch and loving kisses.
he straightened his back, the movement causing his hands to move from your sides to the back of your thighs. in one swift motion, he lifted your legs and pressed your knees against your chest, and the sharp sob that escaped your lips was all the confirmation he needed that he has you right where he wanted you.
you felt his tip teasing your clit and your entrance, your pussy glistening from how wet you already were, his hard cock sliding inside you without any difficulty, your warm, gummy walls welcoming him as he filled any remaining space in your pussy.
“you feel so good, don't you?” his eyes fluttered shut in pleasure, and a low grunt slipped past his lips as he threw his head back slightly in a gesture of complete relaxation. he would never tire of this feeling that was almost overwhelming at this point. this applied to you as well, your hands gripping the sheets tightly as you moaned softly, feeling just how deep inside of you he was.
“you feel so damn good,” he whispered in a low, husky tone as he begins to thrust into you relentlessly, his tip kissing your cervix every time his hips slammed back into you, your eyes rolling to the back of your head at the feeling.
he increased the pace, leaning closer towards you. the full weight of his body was now pressing onto you, keeping you down and pinned to the bed but there's no resistance from you as you are simply overwhelmed by his size and intensity.
he had been playing with you for such a long time that it didn't take very much effort at all to push you over the edge. your moaning and whimpering got louder, your body tense and your breathing more shallow. your voice was coming out in a pitch that was nearly unrecognizable, with a few "thank you's" and some other incoherent words escaping your lips, your pussy clenching around him—he recognized this as the ultimate sign that you were approaching your orgasm.
“are you close, baby?” he asked even though he already knew the answer. “y-ye—” you were interrupted again by another hard thrust that made you let out a soft yelp. he grunted as he felt your muscles clenching around him once more, gripping him tightly. “c-chenle,” you mewled his name, “i-i’m gonna c-cu—”
before you could finish your sentence, he was quick to pull out of you, releasing the grip on your legs, making you let out a soft whine in disbelief when he pulled out without letting you finish, and all you could do was lie there as a deep emptiness washed over your body, your walls now clenching around nothing. you look at him with wide, teary eyes and trembling lips.
chenle’s grin widens when he watched your expression, a look of disappointment on your face as you realized you didn't get to cum as he made you think. he was satisfied in the knowledge that he had denied you the satisfaction you wanted and was pleased with how desperate and frustrated you were looking at him.
"aww, is my baby about cry? " he mocked you, his voice dripping with sarcasm as he reached out to wipe away the tear-filled eyes that now betrayed you. his hand lightly traced the curve of your face, moving slowly and tauntingly, as if he was enjoying your helpless reaction far too much. “that’s what you get for acting like a spoiled little brat,” his voice filled with condescension as watched how your emotional state seemed to sink lower and lower as a result of his words.
"you thought i would just let you have it your way?” he scoffed and shook his head at your naivety. "i thought you would know better by now, baby," his voice taking on a false empathetic edge as he leaned in closer. his voice became softer, his lips pressing lovingly against yours for a quick peek. "aww, no, no, don't cry," he echoed the soothing words with another kiss, teasingly brushing away the tears with his finger. "if you beg good enough, i might give you what you want."
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ceasarslegion · 1 year
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I do wonder if all these internet poisoned folks who seek out "irredeemable and problematic fiction" to yell about are the same types who run up to pet random dogs they dont know and then scream at the owners when they get growled at or bit
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kaeyapilled · 9 months
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So with the hangout.. do you think that settles the issue of mistranslation or not of Kaeya and Diluc being brothers?
is it even possible to settle it? i feel like there must be some insane cultural difference between me as a western person and chinese people when it comes to adoptive siblings because, i honestly don't see how the biological son of the guy you consider your adoptive father isn't, by extension, your adoptive brother; how would that relationship not be familial? even when you bring in the "sworn brothers" trope as a means of queercoding, which is a concept ive had explained to me more than once – like, okay? i agree that it's true you can't properly translate/localize that, but. how else did you want them to translate it? even if the word brother was never used once in the eng translation, how do you make it so that kaeya and diluc calling the same guy "father" doesn't imply some uncomfortable things if he and diluc are romantically involved..? but then, who knows, maybe i just don't have enough knowledge about how censorship works in china, how they do queercoding over there, how they deal with adopted relationships, whatever. it's fine. different cultural upbringings, no? it's funny when it's the western side of the fandom discussing this, though. because you'll have these extremely white people arguing with you about the intricacies of chinese BL media. as if either of us knows what the hell we're talking about. anyway, none of this matters in the end because most klc shippers just... like the incest. and the day we stop arguing about mistranslations and simply accept that people either 1) see this relationship in a different light due to their cultural background or 2) are a little bit of a freak online is the day i will finally know peace as a kaeya fan
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mckinlily · 6 months
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Plot armor but it’s Bruce Wayne’s wealth.
Bruce is one of the richest men in the world. Bruce does not want to be one of the richest men in world.
He starts by implementing high starting salaries and full health care coverages for all levels at Wayne Enterprises. This in vastly improves retention and worker productivity, and WE profits soar. He increases PTO, grants generous parental and family leave, funds diversity initiatives, boosts salaries again. WE is ranked “#1 worker-friendly corporation”, and productively and profits soar again.
Ok, so clearly investing his workers isn’t the profit-destroying doomed strategy his peers claim it is. Bruce is going to keep doing it obviously (his next initiative is to ensure all part-time and contractors get the same benefits and pay as full time employees), but he is going to have to find a different way to dump his money.
But you know what else is supposed to be prohibitively expensive? Green and ethical initiatives. Yes, Bruce can do that. He creates and fund a 10 year plan to covert all Wayne facilities to renewable energy. He overhauls all factories to employ the best environmentally friendly practices and technologies. He cuts contracts with all suppliers that engage in unethical employment practices and pays for other to upgrade their equipment and facilities to meet WE’s new environmental and safety requirements. He spares no expense.
Yeah, Wayne Enterprises is so successful that they spin off an entire new business arm focused on helping other companies convert to environmentally friendly and safe practices like they did in an efficient, cost effective, successful way.
Admittedly, investing in his own company was probably never going to be the best way to get rid of his wealth. He slashes his own salary to a pittance (god knows he has more money than he could possibly know what to do with already) and keeps investing the profits back into the workers, and WE keeps responding with nearly terrifying success.
So WE is a no-go, and Bruce now has numerous angry billionaires on his back because they’ve been claiming all these measures he’s implementing are too expensive to justify for decades and they’re finding it a little hard to keep the wool over everyone’s eyes when Idiot Softheart Bruice Wayne has money spilling out his ears. BUT Bruce can invest in Gotham. That’ll go well, right?
Gotham’s infrastructure is the OSHA anti-Christ and even what little is up to code is constantly getting destroyed by Rogue attacks. Surely THAT will be a money sink.
Except the only non-corrupt employer in Gotham city is….Wayne Enterprises. Or contractors or companies or businesses that somehow, in some way or other, feed back to WE. Paying wholesale for improvement to Gotham’s infrastructure somehow increases WE’s profits.
Bruce funds a full system overhaul of Gotham hospital (it’s not his fault the best administrative system software is WE—he looked), he sets up foundations and trusts for shelters, free clinics, schools, meal plans, day care, literally anything he can think of.
Gotham continues to be a shithole. Bruce Wayne continues to be richer than god against his Batman-ingrained will.
Oh, and Bruice Wayne is no longer viewed as solely a spoiled idiot nepo baby. The public responds by investing in WE and anything else he owns, and stop doing this, please.
Bruce sets up a foundation to pay the college tuition of every Gotham citizen who applies. It’s so successful that within 10 years, donations from previous recipients more than cover incoming need, and Bruce can’t even donate to his own charity.
But by this time, Bruce has children. If he can’t get rid of his wealth, he can at least distribute it, right?
Except Dick Grayson absolutely refuses to receive any of his money, won’t touch his trust fund, and in fact has never been so successful and creative with his hacking skills as he is in dumping the money BACK on Bruce. Jason died and won’t legally resurrect to take his trust fund. Tim has his own inherited wealth, refuses to inherit more, and in fact happily joins forces with Dick to hack accounts and return whatever money he tries to give them. Cass has no concept of monetary wealth and gives him panicked, overwhelmed eyes whenever he so much as implies offering more than $100 at once. Damian is showing worrying signs of following in his precious Richard’s footsteps, and Babs barely allows him to fund tech for the Clocktower. At least Steph lets him pay for her tuition and uses his credit card to buy unholy amounts of Batburger. But that is hardly a drop in the ocean of Bruce’s wealth. And she won’t even accept a trust fund of only one million.
Jason wins for best-worst child though because he currently runs a very lucrative crime empire. And although he pours the vast, vast majority of his profits back into Crime Alley, whenever he gets a little too rich for his tastes, he dumps the money on Bruce. At this point, Bruce almost wishes he was being used for money laundering because then he’s at least not have the money.
So children—generous, kindhearted, stubborn till the day they die the little shits, children—are also out.
Bruce was funding the Justice League. But then finances were leaked, and the public had an outcry over one man holding so much sway over the world’s superheroes (nevermind Bruce is one of those superheroes—but the public can’t know that). So Bruce had to do some fancy PR trickery, concede to a policy of not receiving a majority of funds from one individual, and significantly decrease his contributions because no one could match his donations.
At his wits end, Bruce hires a team of accounts to search through every crinkle and crevice of tax law to find what loopholes or shortcuts can be avoided in order to pay his damn taxes to the MAX.
The results are horrifying. According to the strictest definition of the law, the government owes him money.
Bruce burns the report, buries any evidence as deeply as he can, and organizes a foundation to lobby for FAR higher taxation of the upper class.
All this, and Wayne Enterprises is happily chugging along, churning profit, expanding into new markets, growing in the stock market, and trying to force the credit and proportionate compensation on their increasingly horrified CEO.
Bruce Wayne is one of the richest men in the world. Bruce Wayne will never not be one of the richest men in the world.
But by GOD is he trying.
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johannestevans · 2 months
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Addressing Common Arguments Against “Consuming Harmful Content”
Challenging purity culture in online spaces and their fears of “problematic media”.
Read this piece on Medium. / / Leave a tip.
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Photo by Ethan Will via Pexels.
Constant and continuous arguments endure on social media about the dreaded and frightening spectre of problematic media — from television shows that supposedly “glorify” unhealthy relationships or “sexualise” and “excuse” abusive relationships; to erotica, adult books, and 18+ fanfiction that supposedly teach teenagers bad life lessons and impact their ethics; to anime and manga that surely must be the cause of child abuse the world over. 
I wrote an in-depth essay about the intellectual flaws in these reactionary assumptions, delving into their roots in lacking media literacy and rising anti-sex attitudes here: 
The above essay discusses at length many of the fears and anxieties that lead to this reactionary thinking, but does not challenge or explore the echo chambers that can arise in online spaces, particularly in aggressive environments such as Twitter/X, and for young or isolated individuals who are particularly vulnerable to peer pressure and fears of ostracisation if they admit to the “wrong” opinions.
Many of these arguments are used by “anti-shippers” within fandom and online spaces, the term commonly shortened as “antis” — if you’re unfamiliar with the term, these are people who define themselves as opposing one or more specific ships, fandoms, tropes, or kinks, often due to what they perceive to be their “problematic” or inherently “harmful” elements when engaged with or portrayed in various forms of media and art. Because of the virulent and highly aggressive nature of these online communities, these people — many of them young or isolated, often marginalised and disenfranchised from in-person, supportive environments — can become radicalised, and can experience great fear and anxiety at the premise of others holding different opinions or perspectives from the ones these online communities have impressed upon them should be held immutably by all.
In this piece I’m going to be addressing common arguments and assumptions seen on social media one by one — it is not really intended to convert the above, often radicalised individuals, but to provide support and guidance in understanding why their perspectives can be flawed, and how to engage with and deconstruct those arguments. 
It is also intended to provide support and structure to begin to engage with and potentially challenge or affirm your own beliefs and ideas about fiction, art, and other forms of media, and the extent of the impact it can have on you or others — this piece is me addressing these arguments with my own perspective, but I would encourage people to disagree with and critique my rebuttals!
The goal here is always more critical thought, analysis, and understanding, and that doesn’t come from automatically following another person’s line of thought or argument just because it’s well-poised or you particularly respect or like them — no matter who that person or people may be. 
--
“Depicting [a theme] in media is the same as glorifying it!”
Let’s first engage with what people might be discussing when they panic about “harmful content” and “problematic” ships or pieces of fiction.
They might worry about people reading or watching works that discuss or depict anything from violence, incest, sexual assault, age gaps, BDSM, kinky sex, child sexual abuse, trauma recovery, rape, rape recovery, drug use, bestiality, to abusive relationships or anything else, will encourage people to think positively about those acts, those traumas, and those experiences. 
You might look at the list of things I just wrote there and go, “Um, there are big differences between some of those things and the others!”
And yet the same consideration still applies. 
Just because a theme or idea is present in a work, or is depicted in it implicitly or explicitly, doesn’t mean it’s being “glorified” and portrayed as overwhelmingly positive — and even if a theme or aspect is being glorified, this does not mean we shall simply unthinkingly absorb that perspective.
Reading a story that contains something doesn’t mean I’ll automatically think that thing is good or bad, regardless of how it’s portrayed in fiction — the media and art we engage with doesn’t wholly change and adjust our own ethics and morals as soon as we’ve interacted with it. 
We might play a videogame and disagree with the way some themes are presented, have criticisms of them, whilst enjoying and appreciating others; we might read a piece of erotica and find some parts about it very hot, but find others disturbing and a little uncomfortable; we might watch a TV show and just think it’s in very poor taste, despite theoretically being up for the premise. 
Engaging with media does not turn off and on switches in our brains that make us completely “pro” or completely “anti” one premise or other. 
People are more complicated than that. 
We have complex and layered feelings about every argument and perspective there is, every experience there is, because human beings are social animals, and we experience very few things through an uncomplicated, binary lens. 
For me personally, I often seek out works that cover the same traumas and harms I’ve experienced — why? Because seeking out those themes helps me process and better understand what has happened to me, and how I’ve felt about it, how I’ve responded. 
“I don’t have a problem with people writing about certain harmful topics to show them as bad, but some people sexualise or fetishise them!”
I’m sure you’re right. 
Some people might write about rape to work out a complex trauma recovery narrative — others might write about rape in a work as kink. An author might well write with both goals in mind in the same work. 
A traumatic event doesn’t become less traumatic because it sexually aroused us or brought us physical pleasure — in fact, those feelings can add to the impact of a trauma and the inner conflict we experience in the aftermath. 
Some people undercut victims of sexual abuse by saying they “enjoyed” it, pointing out that they orgasmed or showed signs of arousal as signs they “secretly” wanted it, and these feelings can contribute heavily to shame and fear as a victim. 
Sexual arousal is a bodily response. It is not consent, and it’s not an excuse for assault or abuse. Moreover, some people might feel arousal or pleasure but not be fit to consent — for example, if someone is underage, or if someone is drugged or insensible with drink. 
These people cannot give knowledgeable consent, but abusers might still say after an assault that they “enjoyed” it. 
This is purity culture at work — anti-sex attitudes use people’s “enjoyment” of something to undercut their autonomy and right to consent, by implying they “deserve” that abuse — abuse is abuse whether it’s sexualised or not. 
But the thing is, the obverse applies. 
Just as someone’s mixed feelings or sensations of pleasure during a sexual assault does not mean they consented to the assault, or because someone’s feelings of happiness and love for their abuser does not mean they deserved the abusive treatment they experienced from them, a person writing sexually or erotically about a topic, or engaging with art and narratives about that topic, does not mean they actually want that thing to happen in real life, to real people, or to themselves. 
Fiction is not real life. 
We watch a horror film, and it doesn’t mean we want serial killers or demons to run amok, killing teenagers or possessing their victims — similarly, just because we engage with porn or erotica that sexualises certain topics doesn’t mean we’re pro- or in favour of those topics for real people. 
Rape fantasies are incredibly common, despite being highly stigmatised, and just because someone fantasises about this sort of control fantasy does not mean they actually want to abuse someone or be abused. 
“It’s harmful to depict abusive or immoral characters as sexy or desirable.”
If you have never experienced abuse, manipulation, or otherwise poor treatment from someone you thought was attractive, charming, or admirable, if you’ve never been groomed by someone with whom you were enamoured, I’m very glad. 
I’m happy for you, honestly. 
But many of us have. 
People want to believe that all abusers are evil, are ugly, are obvious from a distance, are blatant from the out. People want to believe they can “tell” someone is abusive just from a glance, and write them off — and that anyone who would or might spend time with that person is therefore “asking for it”, or “letting themselves” be abused. 
In actual fact, many abusers aren’t. 
Many abusers are beautiful and charming — some of them draw you in, slowly bring you closer and closer until it’s very difficult to untangle yourself from your need and craving for their approval. They ruin lives, ruin psyches, and they cause unspeakable damage to their victims. 
And yes, victims often feel conflicted in the aftermath of their abuse.
Many of us hero worship or greatly respect our abusers, love them very deeply, crave their good opinion, because we are carefully groomed and manipulated, over time, into relying on their praise and their attention. For victims isolated from other sources of care and support, and especially for young children and teenagers, it can be very difficult to recognise what is happening and has happened to us. 
Even after we know and understand exactly what has happened to us, and also internalised that it was wrong, we can still feel conflicted. 
We are not retroactively deserving of our abuse because we crave our abusers’ good opinion, or their love, still. This instinct does not excuse or justify the abuse we’ve experienced. Victims of abuse are still victims of abuse even if we go back to our abusers, even if we “accept” or attempt to justify our abuse to others, if we try to excuse it, if we don’t ask for help. 
Abuse is never the victim’s fault, no matter how imperfect we are as victims. 
“Writing queer characters as abusive is bad representation!”
If we exclusively write queer characters who are perfect and unimpeachable, we’re not letting ourselves write queer characters who are fully human, with all the flaws and complexities humanity comes with. 
Queer people are not less deserving of this complex representation than cishet people are — and in any case, the purpose of art and media is not exclusively to provide good representation, or to show good moral examples for others.
We create to express ourselves, to reflect the world, to critique it, laugh at it, commiserate over it, to feel our feelings, to connect and communicate with others through shared stories. 
If we only let ourselves do things that might be seen as “good rep”, we rob ourselves of the ability to express ourselves as completely as we might wish to. 
“If you write abusive queer characters, you’re just contributing to homophobia and bigotry in art and media!”
Queer people writing queer stories with queer villains is not the same as cishet people including queer people or queer-coded characters just to be villains. The power dynamic is completely different. 
Queer writers’ writing of queer villainy is often inspired by their own experiences, including of bigotry, and the harm they might do reflects harm by society, the ways harms might be felt more keenly by their victims. 
Writing queer villains as villainous because their queerness makes them (or is used as a shorthand for them being) predatory, cruel, or callous, is homophobic and is often shitty, whether people intend that or not. 
But just having queer villains, having queer characters do bad or abusive things, or just have flaws? 
That’s as much a part of queer humanity as having queer heroes and having queer characters do good and helpful things.
Why would you read about rape when you could read consensual non-consent?
[Consensual non-consent being a kink wherein partners agree to roleplay a non-consensual situation.]
Rape in fiction is a form of consensual non-consent. 
The fictional characters, who are not real and do not have real feelings, are not consenting, but the reader choosing to read is. 
In the same way that two people playing a CNC roleplay game in the bedroom might be a safe and fun way of experiencing or re-experiencing the fear and trauma of assault with an escape clause (a safeword), a reader can do the same — they can stop reading. 
If a television show, film, or videogame becomes upsetting, again, one can stop watching, stop playing. It is a person’s own responsibility to set safe boundaries for themselves and protect their own mental health. 
“Why would someone write about trauma and abuse when they could write fluff?”
Why would someone watch a horror movie when they could watch a romcom? Why would someone eat cheese when chocolate is an option?
People do not have to choose one or the other — many people like both horror films and romcoms, cheese and chocolate, and reading about both horrible shit and positive things. 
“You mentioned that people might engage with media about dark topics to work through their feelings from their own abuse. How do I know if someone’s actually been abused?”
Why do you think it’s your right to ask that? 
Why are you prioritising your personal comfort and curiosity over that person’s privacy? If your instinct is to try to license who is and isn’t allowed to engage with a piece of art or media, why? 
You are never entitled to the details of someone else’s abuse. Your validation is not important enough to potentially trade for someone’s private traumas and experiences. 
“If you write or create about certain topics as a survivor, you’re just perpetuating abuse and you are as bad as your abuser!”
Creating works of art or fiction about people who are not real experiencing fictional harm that is also not real, is not in any way equivalent to real people doing real harm to others. 
If your support of abuse survivors hinges on how palatable their reaction to their abuse is, and you believe that some abuse survivors “deserve” their abuse for depicting their abuse in art and fiction, you’re not actually supporting survivors. 
If you believe that all abuse survivors do or should act the same way, or respond the same way, to their abuses, you are mistaken. 
If you are effectively angry at someone for not looking enough like a victim, for being “impure”, and therefore the same as their abuser, that is a form of victim blaming. 
Do you hold artists who create media about non-sexual trauma or violence to a different standard than those who write about sexual trauma or violence? 
Why? What is the difference to you?
If someone writing about sexual abuse in media is equivalent to real life abuse, is a fictional murder?
“People shouldn’t write or engage with media about traumatic things, they should just go to therapy!”
Therapy is not a moral machine where bad people with bad thoughts go in and good people with good thoughts go in. 
Good therapy and counselling provides us with the tools to manage our own mental health, our own emotional and psychological needs, heal from our traumas, and so forth. 
Many therapists will actually recommend safe re-exposure to frightening or upsetting topics, and also encourage self-expression on the subject of one’s most impactful experiences, which might include creating art and media to explore and discuss their feelings. 
With that said, therapy is as flawed as any other tools for emotional catharsis and healing — therapy and mental healthcare can be very expensive or inaccessible because of one’s working schedule; some therapists and mental health professionals are abusive or bigoted; some people may not be in the right place for MH care or therapy at this time, et cetera. 
Therapy isn’t a catch-all for anything you disapprove of in someone else, and it’s also not a punishment to force someone to repent for their sins. 
“It’s okay to write a story to cope, but you shouldn’t publish it in case it upsets others!”
So long as the work has appropriate content warnings and/or is published or screened in an appropriate space, it is not inherently harmful. In fact, reading narratives and engaging with those narratives can be valuable for us. 
Engaging with media that bears similarity to our own lives, reflects our own experiences, written by other people who we know understand the complicated emotions of survivors — whilst still condemning the actions of abusers or not — can be extremely validating and offer a lot of assurance. 
This is especially useful in regards to media that shows victims having a codependent relationship with or still loving their abusers, or where their abusers are shown as sympathetic, whilst the narrative still shows the toxicity and pain caused by the relationship. 
Moreover, there can be a sense of reclamation and security in exploring stories about similar harm as we’ve experienced whilst knowing we are now in a place of safety and are free from those past experiences, or that other survivors have escaped and we can too. 
“If children read this work or watch this show or play this game, they might think that the things depicted in it are okay!”
Is the work rated G or PG? 
Is it shown on a children’s TV channel, or appear in a section that is marked for children? Is it put on a children’s website, where the primary audience is children? 
In short, is the work aimed at kids?
If no, then it’s not for kids. 
Particularly if a work is marked for adult audiences only, if it’s labelled erotica, if it’s marked M or E or NC-17, if it says it’s for adults or asks people to check a box agreeing that they’re an adult, then the work in question is most definitely not for children. 
Everything in the world doesn’t have to be child-safe just because children exist.
It is the responsibility of parents and guardians to appropriately supervise their children’s online use, and to teach children and teenagers internet safety, some of which includes setting appropriate boundaries for themselves and not seeking out content that might distress them, or to know what to do if they stumble across content that does distress them — namely, to speak with a trusted adult about their feelings and what they can do to manage them and look after themselves, and be looked after.
It’s not the responsibility of random other adults in the world not to make horror movies or watch porn or play adult videogames or anything else, just because a child could potentially learn of their existence. 
“But someone else engaging with that work might think the things depicted in it are okay!”
You’re right, they might do. 
They might also engage with the work and think things depicted in it are bad. Fiction does not exclusively exist for our moral education. 
“It makes me feel uncomfortable or unsafe that people are writing about [a topic] with a tone or in a manner that seems wrong to me!”
Yes, many of us feel uncomfortable with some topics being depicted in fiction, and might find them viscerally disgusting or triggering, consider them to be in poor taste, badly considered, or similar. 
This is normal and okay. 
It’s perfectly natural to have limits on what one can handle in fiction, or to find your ethical considerations don’t match up with the things other people make. 
But it’s our job, as responsible adults who look after our own mental health and consider our own boundaries, to avoid that content. 
You cannot control what other people think about, feel about certain topics, or how they portray them in fiction. You cannot control other people. 
You can only control your environment, your boundaries, and the works you choose to engage with. 
You can limit your time on social media, mute tags or keywords, block particular users or sites, or simply look away or leave the room / close the tab. 
“What about rampant problematic works on Ao3!?”
Works on Ao3 are not a real issue. 
They are not representation. Fanworks and original works on Ao3 are not the mainstream. They are being read exclusively by members of various internet subcultures who read fanfiction in those specific fandoms, after reading the tags. 
This doesn’t mean we can’t or shouldn’t discuss certain tropes and norms in various fandoms — we might address our own biases around race, sexuality, religion, disability, and other characteristics, and how these biases and bigotries can come across in people’s approaches to fandom, the characters and ships they concentrate on, their headcanons, et cetera. 
The same can be said of people’s original creations. 
Ao3 has a robust tagging system, and allows people to mute and block tags they might be upset or triggered by — and in the event one clicks on an explicit work, a window will come up asking people to consent explicitly to moving through to read the work. 
It is people’s own responsibility to set their own limits as to what they can handle in reading fiction — and not to obsess over what other people might or might not be reading, which we cannot control, and is also none of our business. 
“What about loli and shotacon? Isn’t that the same as child pornography?”
“Child pornography” is generally not in use as a term — many people who have been victimised find that terms like “child porn” and CP grate, because “pornography” is work made with willing, adult participants. 
Videos and images produced of children are instead referred to either as CSAM — child sexual abuse materials — or CSEM — child sexual exploitation materials. CSEM is evil because it involves the unspeakable and agonising victimisation of a real life child or children, being abused and manipulated by adults around them, and worse than that initial victimisation, the recording their abuse is another victimisation in itself.
With every share of a piece of this material, that child or children are victimised another time, made vulnerable to more people, and the creation of this material can create more market desire, meaning that other abusers will encourage further abuse and recording of these children’s victimisation, or for the recording abusers to seek out other children to abuse. 
Victims of this sort of exploitation live in terror of the pictures or videos of their worst moments being shared to those they know, of being found by their loved ones, shared to workplaces, disseminated in any community they try to live in and be happy with — it is difficult enough to recover from one’s own abuse without the spectre of it constantly hanging over one’s head. 
People’s cartoons or art of fictional children is not equivalent to CSEM, because there are no real children depicted in it. 
It’s understandable to find these works disgusting or upsetting, triggering, unsettling — but to say that underage art or fiction is the same as or counts as CSEM is patently untrue. As a victim of CSA, it is galling to be told that choices my abuser made to harm and exploit me are equivalent to an abuser choosing to draw or read a comic about a victim that doesn’t actually exist. 
Some final questions to ask yourself: 
None of the above rebuttals are intended to imply people shouldn’t critique or criticise different media or their depictions. 
As well as the initial essay I linked, I actually wrote a big guide on how to approach close reading of text, and I’m working on another about analysing television and film.
In my opinion, it’s really important to be aware of different tropes and themes that you feel are harmful in fiction and art — racist tropes, sexist ones, homophobic ones, and all the rest.
It’s worth considering how works are harmful, and what you actually want to be done about it. 
I personally have criticisms of various tropes in media — I have particular dislike, for example, for the ways in which teacher/student relationships in TV shows and films are portrayed as “forbidden love”, with issue of their positions of power being depicted as one of bureaucracy or technical rules rather than a real power imbalance — I don’t care for the “sexy schoolgirl” trope, and the “barely legal” porn genre unsettles me.
All of the above three tropes often coincide with people’s thinking of teenage girls, especially those in school uniforms, as sex objects, and portraying school uniforms themselves as sexual or deserving of this sort of sexual attention. 
Not all depictions are the same — some works subvert the sexy schoolgirl trope by having those schoolgirls be secret monsters than punish abusers, and some works exist that critique teacher/student dynamics. 
It’s also important to note audience and outreach — a work that’s put on mainstream television channels or put in movie theatres by huge studios have a very different range of impact than an indie published novella, or one person’s fanfic on Ao3. 
Note where you’re holding individual or small studio creators — especially those who are in some way marginalised and are already facing adversity in their work — to higher account than large studios, or fixating on imagined harm their work could potentially cause. 
Is a work harmful, or is it just uncomfortable? Is it harmful, or is it just personally triggering to you? 
Can the work you’re concerned about do as much harm as you’re envisaging? Is it actually reaching the individuals you are worried might be vulnerable to harm as a result of it? Does the work intend to do that harm or hold those harmful views, and are the authors or creators working to address or apologise for that harm?
Is the work discussing, critiquing, or exploring the emotional impact of the dark themes within it? Does it have warnings or disclaimers before the work begins?
If you’re worried about a work “normalising” or “glorifying” a troubling subject — does the work actually do that? What is your evidence for this, having engaged with the text? Is that thing discussed in the text, argued, explored in-depth, or merely mentioned? Do characters show inner conflict and interpersonal conflict over it? Is it actually portrayed as good or normal? Is your concern the characters’ perspectives within the text, or the authors or creators’ opinions? 
Does the work carry ideas that are bigoted or feel like it includes apologism for some shitty ideas or ideology? Is the work a piece of propaganda, or function as propaganda? Do you feel the work is being advertised or pushed to an inappropriate audience for its subject matter?
If you do consider the work to be either likely to be personally distressing or upsetting to you, or potentially harmful because of its troubling or bigoted or just shitty ideas, how do you want to respond? 
If it’s the former, you should set your own boundaries — you should use your mute and block functions, you should avoid the work, you should seek out things that will comfort you, and perhaps discuss the distressing topics with someone you trust, whether that’s a friend or partner, a loved one, or a counsellor or therapist. 
If it’s the latter, you should absolutely deconstruct the piece in question and analyse the ways in which it’s shitty or harmful, or read essays by those who’ve done that work. You can maybe warn your friends about it, or if it’s a work of political concern — if the harm is being done because the work provides financial support to a hate group or a bigoted public persona, for example, you might perform a boycott, or involve yourself in acts of protest in response to the work or its creators. 
If it’s important enough to you and your beliefs that you feel urged to do those things, perhaps you should — if all you feel urged to do is to harass or shout at people online, though, it might be better for your own mental health to take a step back and do something more positive for yourself. 
Sometimes, a piece of work or media will be shitty, and shitty people will love it, and that will kinda suck — God knows I’ll see work that’s really transphobic or homophobic or antisemitic, and it’ll upset me that people I otherwise love and respect seem to be enjoying it so much. 
I can talk to my friends and my family about it, and I’ll do that — and I can mute and block the topic, and critique it in the right circles, or write essays if I’m really inspired to, responding to the work and what I feel its impact is…
But if my instinct becomes to just snipe at people for enjoying it when they really don’t know what the problem is, or have a go at them when they’re doing so unthinkingly, that’s not really helpful to them or to myself. It’s not addressing the harm I feel is being done, and nor is it really constructive. 
I’m an adult, after all — as I’ve said a few times already, it’s our own responsibility to set our own boundaries and consider what we’re doing to safeguard ourselves, and if in setting those boundaries and personal safeguarding limits, whether they’re in line with our own ethics and morality. 
We cannot control other people and their feelings, or the works they create, but we can take care of ourselves, including breaking ourselves out of obsessive moral spirals or anxieties about other people’s thoughts — and personally, I think that’s actually a very revolutionary thing to do given that we exist in a world that constantly tries to encourage (and monetise) that sort of aimless outrage. 
544 notes · View notes
mapiforpresident · 2 months
Note
Can I request prompt no 20 with arsenal women team(platonic ), reader and Kyra mischievous as usual but suddenly gets hurt and lia and steph having to take them to doctor
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"Ow Kyra"
arsenal x reader
warnings: injury, blood, stitches
You and Kyra Cooney-Cross, two peas in a pod, were notorious troublemakers within the Arsenal Women's Football Team. You were both Australian and joined Arsenal at the same time. You were a year younger than Kyra, which you used to your advantage when Steph said she should be the more responsible one. From harmless pranks to playful banter, you two were always at the center of mischief, much to the amusement (and occasional exasperation) of your older teammates.
The dynamic between you and Kyra was one of camaraderie and playful rivalry. Both of you shared a love for the game and a mischievous spirit that often led to antics both on and off the pitch. Whether it was sneaking extra snacks from the team's stash or pulling pranks during training sessions, you were always in cahoots, causing chaos wherever you went. Some of your favorite pass times included poking Steph and nutmegging Viv.
Your antics were endearingly annoying to the older players, who often found themselves on the receiving end of your playful teasing. But despite the occasional scolding, they couldn't help but smile at the youthful exuberance and infectious energy you brought to the team.
Today, during a routine round of mischief, disaster struck. As you and Kyra engaged in a spirited game of keep-away with Caitlin's water bottle, you stumbled over your own feet and collided with a nearby equipment rack. The impact sent you sprawling to the ground, a sharp pain shooting through your head as you made contact with the unforgiving surface.
"Oi, watch it, you two!" Beth Mead, called out from where she almost ran into you while doing a drill with Leah.
But as you attempted to push yourself up from the ground, you felt a warm trickle of blood run down the side of your face, and suddenly, the world around you blurred into a haze of pain and confusion.
"Y/N, are you alright?" Kyra's voice cut through the fog, her concern evident, although she was also holding back a laugh, as she knelt beside you. After you didn't respond right away she called out, "I think y/n broke her skull."
"What," came Lia's voice as she was immediately by your side turning you over to asses the wound. "She's not broken her skull you idiot, just might need a couple stitches. How did she even manage to hit her head on that."
"I swear we weren't doing anything dangerous this time, she's just clumsy and tripped. Must have spent too much time with Less again," Kyra replied while you were grumbling and moaning in pain on the ground.
"Kyra, give me your shirt," Steph said as she appeared on your other side. Kyra knew not to argue with Steph when she gave her that glare and handed over her training top which Steph immediately applied to the wound.
"The trainers are all inside helping the girls in the gym, so I think it's best if we just take her right to the ER," Lia said as she was talking to Steph.
As Lia and Steph helped you sit up, you couldn't shake off the throbbing pain in your head. With Kyra hovering anxiously beside you, you tried to muster a smile to reassure her, but the pain made it difficult to focus on anything else.
"Sorry, guys," you muttered, feeling a pang of guilt for causing such a fuss.
"Don't worry about it, y/n," Lia said, her voice calm and reassuring. She was like your team mom and you were really grateful for her in this moment. "Accidents happen."
Steph nodded in agreement, her expression serious as she gently guided you to your feet. "Let's get you to the hospital and get that looked at, yeah?"
With Lia and Steph's support, you managed to stand, albeit unsteadily. The world still felt like it was spinning, and the pain in your head seemed to intensify with each passing moment. But you were determined not to let it show, not wanting to worry your teammates any further.
You got into the back of Lia's car with Steph sitting in the back with you continuing to hold the shirt against the wound, hoping you don't loose top much blood and pass out. Lia drove as fast as she could in the London traffic to get you to the hospital. Kyra brought a wheelchair to help you in since you were still really dizzy.
Once in a room they immediately gave you pain meds, making you a little loopy. "Will you sit me with me Lia," you whispered to the girl next to you as you were starting to get sleepy.
"Of course, and try to stay awake the doctor will be here in a minute to give you your stitches."
As the doctor arrived to administer the stitches, you tried your best to stay awake, the pain meds making you feel drowsy and disoriented. Kyra's laughter echoed in the background as she recorded the whole scene, her playful teasing providing a brief moment of levity amidst the chaos.
"I'm going to have a badass scar. The chicks are going to dig it," you mumbled sleepily, a faint smile tugging at the corners of your lips.
Lia chuckled softly, her hand resting reassuringly on your arm. "You're going to be just fine, y/n. And besides, scars are just proof that you're a tough little warrior."
As the doctor finished the stitches and the pain meds began to take effect, you felt yourself drifting off into a peaceful slumber, safe in the knowledge that you were surrounded by friends who cared for you deeply.
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dumbsoftheart · 4 months
Text
pas de deux
pairing: ballerina!reader x university!coriolanus snow
tags: 18+, mdni. dub-con, semi-public sex, oral sex (fem receiving), creampie, vaginal sex, dirty talk, power play, manipulation
summary: corio is tasked with writing an exposé on his university’s prized ballet student for the school’s newsletter.
notes: self indulging on my perfectionism being ruined for coryo’s self-pleasure!
word count: 4.9k
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coriolanus hated this assignment with the same fervour and passion he hated writing for his school’s publication. the only reason he’d even applied for the position was because he knew of the ways it would put him on the scene- articles and reviews with his name plastered over them were unavoidable to anyone who had half a brain to engage in thoughtful composition. he enjoyed writing critical pieces on political discourse or literature, anything that challenged him to peel back the layers of society and dissect it, persuade others to align with his mode of thinking, so the mere thought of his byline etched onto an article about ballet- of all things- made him want to curl up and die. he tried oh so desperately to pass on the assignment to one of his female partners, and even tried his hand at requesting his supervisor for a new assignment entirely, but he was coldly dismissed and cast away to the hallowed halls of the university's dance studio. he didn't notice how frustrated he’d actually felt until he flinched behind the sound of the studio door slamming behind him, clashing uglily with the buzzing noise of music that flooded his eardrums. it was unnecessarily loud, but he knew you could hear him enter. his jaw clenched the more you ignored his presence. 
instead, you focused on the strains of music you’d become uncomfortably accustomed to. the melodic rhythm of the cantilena you choreographed to consumed your body in a symphony of music. each note was dictated thoughtfully with the graceful movements you now begrudgingly danced for the stranger, weaving a story that transcended words, one only understood through the language of dance. as you traversed the space, your movements harmonised seamlessly with the refined tune, a testament to the years of dedication and passion you poured into this art form. you grew frustrated at the way his presence clashed discordantly against the elegance of your dancing and disrupted the harmony of the room. you watched in the corner of your eye how he marched his way to the centre of the room, lingering only a few steps behind you as you danced. you caught him clear his throat one, two, then three times. it grated against your patience, forcing you to stop dancing abruptly and march past him with the same conviction as he did to shut off the music, a huff escaping your lips at the sudden quiet as you stared expectantly at the tall boy before you. you watched his fists clench and then flex before he turned to face you, his pearly blond hair falling ever so slightly out of place from the speed at which he’d turned on his heel. 
"can i help you?" the words slipped from your lips, delivered with a flatness that barely concealed the tinge of annoyance behind it. your hand found its place resting on your hip, a subtle gesture reinforcing your composed stance, determined to maintain an air of indifference. 
“coriolanus snow. i’ve been assigned to write a review on you and your dancing for the university newsletter,” his introduction sounded pompous, as though he assumed you already knew of his identity. of course, you knew the name very well- his reputation preceded him. you couldnt deny that you too had once or twice been privy to the occasional swooning over the quite popular boy, but you found that now as he stood in front of you, tall and beautiful as he was, you felt a growing discontent for the man and his obnoxiously bright hair. yet, you clung fiercely to the facade of ignorance, a guise of disinterest veiling the curiosity that lingered beneath the surface. you held your head high, refusing to grant him the satisfaction of acknowledging his perceived importance in your realm of artistry. 
you pretended to think before a moment, before turning back to the speaker and switching the sound back on, gesturing for him to sit. you rolled your eyes at his request to turn the volume down. despite you hating everything that had to do with this review, you were aware of the potential impact this coverage had on your burgeoning career. you acquiesced, lowering the volume to appease his demand, a concession made not out of respect for the boy but rather with your future in mind. you knew the power coriolanus held with his words, as much as you hated it, and you knew you couldn't risk jeopardising your future at the sake of a little attitude. 
so, with an inward sigh and a curt nod, you allowed him to observe. you positioned yourself within the room as you waited to pick up on the rhythm of the music where you left off, quickly finding your place among the complexities of the song in a manner that seemed impossible had it not been for your tireless work and memorization of every single note and harmony of the song. 
as snow observed your movements, he jotted down comments in a small leatherbound notebook, his pen scrawling his disdain. "lacks depth," he muttered under his breath, pausing to look up pensively at your figure.
the comment caught you so off guard it took every bit of strength in you to not fall with the abruptness at which you stopped. lacks depth? what the hell would he know? you felt rage burn inside your chest, only fueled by the way he stared at you as if he had said nothing wrong. 
“what about my dance lacks depth, snow?” the question hung in the air, and you watched his adams apple bob up and down through the mirror as he swallowed, glancing briefly at his notes before looking back up at you. 
"the dance is fine, quite beautiful, i might say, but your movements lack the emotional vibrancy expected from a performance of this calibre," he responded, "there's an absence of connection, it feels superficial and fails to convey the intended depth of expression."
he spoke with a measured confidence, and you scrunched your brows at his words. you didnt expect him to know the first thing about ballet, and you still stood by that sentiment, but part of you wondered if he was speaking truthfully- a consequence of the sensitivity you harbour in relation to your artistry. dance was everything, and while ballet trained you to accustom yourself to harsh criticism, you always held those criticisms to your heart, and it pushed you to always do better than you had before. 
despite this, your shoulders never slumped, nor did you show any physical acknowledgement to his critique, only moving to turn your gaze from his cobalt eyes in the mirror to look him in them truly, strutting your way back to the speaker and restarting the song, determined to prove him wrong. 
“you restart the song when you feel i’m ‘lacking depth’, so i can know whether or not to call bullshit.” 
the two of you went at it for a while. he only gave you a few seconds at first before he continuously restarted the song, but you danced for him nonetheless. over, and over again. when you thought you’d finally caught him, he’d restart the song a few seconds later, and it took everything in you to not scream in frustration at the top of your lungs. you wanted to strangle him, in truth, especially when you caught a glance at his smirk the 12th time he’d restarted the music. 
it was nearly midnight by the time he’d given you some respite, and you made no effort to be hospitable as you collected your things and stormed out the door without a word. you pretended to ignore the scribbles on his notebook as you rushed passed him, unable to make sense of the haphazard writing. you hated him. the way he seemed to try seize control of your creative space and your studio made you go mad. additionally, you were convinced he was only trying to get under your skin, and you hated that it worked- even if you refused to show it (or more appropriately, tried not to show it, because coriolanus reveled in the fact that he did, in fact, get under your skin). 
coriolanus, on the other hand, walked out of the studio feeling quite prideful. he adored the effect he had on you: how despite his ignorance on your mastered art, he absorbed the control in the room. he adored seeing you struggle to keep up to his standards, watching your face twist with effort as you danced over and over again, all for him. watching the muscles of your shoulders and legs flex, the arches of your back and neck, the way you exposed yourself to him repeatedly- it festered a strange desire in him to tear you apart. you were so meticulous with how you danced that it made you look fragile. with every twist and turn of your body coriolanus felt his breath catch in his throat as if he were afraid if you moved slightly too much, you would shatter. only, he wanted to be the one to break you: tear away that meticulousness and precision built into you and mould it in a way that was perfectly suited for him. he wanted to dismantle that untouchable image you carried, strip you away of your elegance and create a dependence that would tether you to him alone. it made him care about your performance more than he wanted to admit. not because he cared for you, per se, and your success, but because he’d developed a carnal urge to shape you into perfection solely for his own satisfaction. knowing that onstage, your dance was now catered just for him, to his own liking? the thought made coriolanus’s pants grow tight with lust. 
the week progressed following the same routine: he would sit and watch you overwork yourself at his beck and call until your eyes filled with tears of anger and your body would give out and he’d leave you panting on the dance room floor, killing yourself until you got it just right. the boy was acutely aware of the mental struggles that accompanied ballet- the pursuit of perfection, the strive for excellence, the intensity of the competition and the pressure to excel. he knew how hardly you critiqued yourself and used it to his advantage; knowing if he played his cards right, soon enough he’d have you wrapped around his finger, begging him for that validation you needed to keep going. 
your performance was on saturday, and the way you worked yourself over the dreadful symphony of music had you lacking sleep. you couldn’t stop- even after you and coriolanus parted ways. you found yourself practising in your dorm room, counting steps on your way to class- you knew deep down that coriolanus’s article really meant nothing, as the man knew nothing about what he asked of you, and your success wasn’t at all tied to his review; but you were unable to stop. a voice nagged at you that it did matter. that somehow his influence could ruin you and everything you’d worked for. you knew how badly he was getting to you when the two of you crossed paths on your way to class. 
he took in the sight of you: your hair done perfectly, not a single hair misplaced, your pink tights and leotard, the pink cover-up skirt you adorned neatly wrapped around your waist with a perfect bow. he took in your lips, swollen and red from the anxious biting you’d fallen into the habit of doing again, the way you messily tried to cover up your dark under eyes with concealer and draw attention away from it with haphazards amount of blush. in passing, you’d simply given him a nod, but he was quick to grab you, looping his finger under your chin and forcing you to stare into those piercing cobalt eyes of his as he studied you. 
“you should wear white instead. pink washes you out,” he mumbled to you before turning away, his tall figure disappearing into one of the lecture halls behind you. had it been a few days prior, you would’ve found it in you to bite back. only now, you bit at your manicured fingernails as you dragged your fingers across the silky white pointe shoes in your favourite dancewear boutique, followed by the white leotard and tights you brought home with you that night.
 
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“i need a break,” you sighed. it was the night before your performance, and only now did coryo have the decency to step back for a moment in his unrelenting pursuit of perfecting you. he nodded, shutting off the music as he watched you saunter towards your dance bag, downing half the contents of your water bottle with short pants. he stood to meet you, making his way behind you and resting his slender fingers on your tense shoulders. 
“whats bothering you, bunny?” the pet name sent a small shiver down your spine, and coriolanus threw his head back slightly at the feeling of you shudder, gathering all his strength to contain himself. you turned to face him, and he felt his dick harden at the vulnerability in your eyes. the fire that once burned behind them was fizzling, and he could tell. your mouth was parted as you searched for the right thing to say, but the words caught in your throat. 
“is it the dance?” he pressed, his face now dangerously close to yours, and you croaked out a small yes as his hand made its way up to your hair, his thumb stroking it gently, “you know it’s perfect, darling, you and i have been making it perfect all week long, no? show me which part is bothering you.” 
your head spun as he spoke to you- his fingers stroking your hair, the way his voice was now all of a sudden so soft; contrary to the stern way he’d spoken to you all week. but what really dizzied you was the sudden validation he’d given you. the casual way he threw it at you; as if it was what was known all along, as if you were crazy to think otherwise. 
you stumbled back towards the centre of the room, slowly positioning yourself as you waited for his go-ahead, form snapping into movement as soon as the music filled your ears. you watched in the mirror as coriolanus paced behind you, his chin in his hand as he watched you and pondered. your eyes closed with focus, moving with such ease that it felt second nature to you. then, the music seized, and you froze in place as you raised your head to look up at the man now in front of you. 
“you’re too tense,” he murmured, moving to press his hands into the soft skin of your shoulders, massaging the strained muscle gently. it did nothing at getting you to relax. inside, you were fuming as you replayed the past week in your head. you’d worked yourself dry all for the approval of a man whose opinion you couldn’t care less about. you let your guard down for a sliver of a moment and he used it to get inside your head. you hated him with every fibre in your being, and his breathing down your neck only fueled the fire burning inside of you. 
“get off of me.”
“just relax.” the way he whispered it was short of anything kind, spat at you with annoyance as he tightened his grip on you.
“i said get off!” it was the loudest you’d spoken all day. it was barely a shout, but it was enough for the man to recoil from behind you. you breathed shakily, hands trembling at your side. when you turned to face him, you nearly flinched at the sight of him. his usually perfectly combed back hair was now a mess, curls fallen out of place as he ran his hand through the golden strands harshly. you both stared at each other for what seemed to be an eternity, panting heavily, waiting for the other to say or do anything to loosen the tension that filled the studio air. 
he looked down at the floor for a second, tonguing his cheek with a smile before surging forward, crashing his chapped lips into your plump, soft ones with a groan. you tried to push him away, but his grip on your face was too strong- and you couldn’t ignore the way your legs turned to jelly from the way he kissed you with an undying hunger. one hand made its way down your waist as he moved you backwards into the large studio mirror, your head thumping painfully against the glass, pain mixing with pleasure as coryo attacked your lips and dragged his hands all over your body, savouring the warmth of your skin through the fabric of your garments. 
“so good for me,” he groaned against your neck, the hot breath of his words sending shivers straight down to your core, “so perfect.. so pliable.. all for me. isnt that right, princess?” 
it was truly embarrassing, the way his words made you moan softly and rub your thighs together with want. embarrassing how compliant you’d become for him, how eager you were to please him. he took notice of the pathetic state you were in, watching with glossy and swollen lips how your legs trembled and your hips stuttered in a desperate attempt to gain friction against your growing heat. 
“look at that, so fucking precious,” he continued to watch you struggle, laughing softly to himself before snaking his hand between your thighs, cupping your cunt and slowly encouraging you to rock your hips back and forth. you whined at the contact, relief and pleasure swarming you as you ground yourself into the palm of his hand, gripping tightly onto the curls at the back of his head for leverage. lost in bliss, you barely noticed when the man made his way down to his knees, lip bitten so hard you swore you could smell the metallic scent of blood peer through your senses as he toyed his fingers across your clothed cunt. you moved to remove your small skirt, untying the meticulous bow around your waist and tossing it to the side. when your hand reached to remove your leotard, coriolanus removed his hand with a small chuckle. 
“what do you think you’re doing?” he tutted, and you whined at the sight of him below you, willing and able to keep pleasuring you but withholding that power. you scrunched your brows together with confusion, and coriolanus thought you’d never looked so beautiful: face flushed with heat, writhing above him while your hips urged for his fingers to touch you again. too lost in the pleasure that lingered, head thrashing from side to side with pleads to keep going- he wanted to ruin you. 
“good girls wait and do what they’re told. are you gonna be a good girl for me?” he chuckled at the way you shook your head aggressively, savouring your small moans as he returned his hand to where you wanted it most. a loud gasp escaped your lips when he ripped your tights viciously, the soft torn fabric now giving him better access to the skin of your thighs. he splayed his hands over them, massaging your muscles and soft tissue before pulling your leotard to the side and diving his tongue into the wetness of your folds. 
he pulled back with a moan, gasping as he peered down at the mixture of his spit and your slick connecting your cunt to his chin, and he looked up at you like you were a god, sticky and wet from the most trivial of touches. 
“you’re so wet for me, princess- such a good girl. you’re so good for me,” you couldn't get a word out before he took a long swipe with the flat of his tongue, lapping messily and so, so loudly- chasing the taste of you. he loved teasing you with his mouth. he thought about it that day, unashamed as he jerked his cock into nothingness when he caught sight of you on campus earlier that day, dressed all in white- just for him. the small gesture was enough confirmation to him that he’d won at the game you two were playing, that you let him break you into submission and you were now his to claim. the thought of taking ownership of you by reducing you to nothingness with his tongue alone had him cumming onto his stomach with a loud, broken cry. now, he had you right where he wanted- and he wasn’t going to let that pass just yet. 
he relished every sound and movement you made when he flicked his tongue up and down your lips, relished the tears that fell when he slowly circled it around your swollen clit, rejoiced in the way you gripped his curls tighter when he tongued your hole, gazing up at your already fucked out faced with pure lust and admiration when you came undone and released yourself into his mouth. he continued to lap and suck every moan and whine out of you until you cried with overstimulation. he stood up, licking his lips and stared down at you like a predator who’d hunted its prey. 
“you did so good for me, bunny,” he mewled, kissing your neck softly as you came down from your high. you had started to gain back your senses, and a wave of humiliation washed over you. the man you claimed to hate had just given you the best orgasm of your life, and suddenly you could no longer find it in you to hate him again. every fibre in your body ached when he praised you, called you good and cooed in your ear as you regained your strength. you continued to cry, no longer out of pleasure but in self-disappointment. you felt the urge to scream and lash out at him for robbing you of your senses, for reducing you to a state where the tiniest shred of approval clouded every bit your perspectives until you couldn’t figure out left from right. he continued to coo in your ear as you sobbed, but your eyes widened with fear when you heard the small sound of a zipper and looked down to see his cock in his hands, pumping slowly as he made his way into you. 
he shushed every one of your protests, his lips pressed tight against your collarbone as you tried to push away from him when his tip made contact with your hole, “be good, bunny, be good for me,” he chanted into your skin and your body broke down into more sobs as you willingly let him push into you. alarms were blaring in your head for you to stop giving into him, but your body was unrelenting and begging with want- and so all you did was cry as he thrust slowly into you, small moans of praise nonsensically falling from his lips as your cunt struggled to take all of him in. 
the way he mumbled his sweet words into your neck and the slow stretch of his cock prying you open had your brain short-circuiting, the sweet tone of his voice once again making you lose all sense of what was unfolding before you. you winced as he tried to thrust his length deeper into you. 
coriolanus didn’t like that. he took the sounds of complaint as direct disobedience. he wanted to hear nothing but your begging- he wanted you to thank him for letting you have his cock, and hear nothing but your loud moans and pathetic mewls as he fucked you. he grabbed at your bun, yanking your head back with such force that the once perfectly smoothed back hair came undone painfully, strands falling to your face and wisping at your shoulders. 
“does it hurt?” he asked, and for a moment you thought he was trying to take you with care, but when you nodded and his grip tightened on your hair, you knew you were oh so wrong, “i thought i told you to be a good, fucking. girl.” 
he thrusted into you harshly with each word and you cried out in pain, his cock stretching you out far beyond what you could handle, overstimulation making your knees buckle and tears fall from your eyes again. 
“thats it, baby. take it, be a good girl and take my cock.” 
your fingers dug into his back and coriolanus let out a loud, lewd moan, unable to peel his eyes away from the sight of his cock thrusting without preamble into the slick mess of your cunt. he threw his head back as you moaned through your cries, and thrusted even harder when you wrapped a leg around him to let him fuck you even deeper. 
he moved to rip off the top of your leotard, licking his lips hungrily as he watched your tits fall and bounce in tandem with his thrusts. he dove his head down, latching his lips onto your hardened nipple and sucking harshly, nipping and biting the soft flesh while his hand pinched and flicked at the other one. 
you were incoherent. your stop’s had turned into more’s and your sobs turned into that of pure desire. you threw your head to the side and gasped at the spectacle the two of you were making of yourselves in the middle of the dance studio. the mirror you were pressed up against had begun to fog up along the silhouette of your body pressed up against it, the cool glass dripping condensation onto your back and through your ruined clothes as coryo fucked you into oblivion. he looked right at you now, his fingers making their way to lace into yours as he pressed you even closer to him, your arms now bound against the coolness of the mirror. 
“fuck, princess, you’re so fucking tight. so tight for me, yeah? gonna make this pussy mine,” your head spun with his words and the constant pumping of his cock, unable to contain the obscene sounds you let out. you were so close, and the way you tightened around him as you chased your release almost had him cumming prematurely. 
“you gonna let me make you mine, huh bunny?”
“fuck, yes!” 
“s’at right? gonna let me claim you? such a good girl.” 
you moved your hips against his with no rhythm, simply in pursuit of the orgasm that coiled in the pit of your stomach. you kept your eyes on his, your mouth open with pants as you urged him to keep going. he hiked one hand behind the knee you had wrapped around him, the other one pulling you up so you were off the ground, letting him fuck you in a way that hit all the right spots in all the right places, and you just about lost it right there. 
he smiled, “you like that?”
“uh-huh..”
“you want me to keep going?”
“please- please dont stop, coryo, please!” 
his cries got louder, moans twisting up into a slightly higher octave, his face scrunched with pleasure as your cunt clenched around him with each of his words. 
“gonna fill you up with my cum, baby. is that what you want? for me to breed you?” he babbled, voice trembling, “gonna fuck you full of cum ‘n make you mine. no one else can have you.” his voice got weaker as his hips pivoted upwards to thrust even deeper. he was in complete in control of you; his elbows hooked beneath your knees and opening a new gateway to your soul.
“naughty fucking girl, huh? ‘s alright, good girls get to be naughty sometimes..”
“i’m gonna cum,” you whined pathetically, rambling over and over as it was the only thing you could think of. you were so close, and each word he groaned at you brought you infinitely closer. 
“you wanna cum?”
“i want- i want it so bad.”
“s’at right?”
“please, coryo- god, please! ‘m gonna be good for you. so good for you, daddy—”
your words collapsed into meaningless cries and shattered sentences— fuckyesyesyes— and cumonmycockbaby— as you worked each other towards release. you pulled him deeper to your center, tightening around him as the coil in your stomach finally burst and you saw white. you both came with a loud moan, yours no doubt shattering through the walls of the confined space, and coriolanus released his load into you with a long, droned out fuuuuuck as he slowly pumped his cum into you, mesmerised by the way it mixed and swirled with the mess of your own release. you whined at the overstimulation, body still jerking from the aftershocks of your orgasm, but coriolanus only felt himself grow harder. 
“coryo, i cant..”
he snapped up at you, gaze softening as he took in your tear stained and fucked out face. he took your face in one hand, squeezing your jaw tightly and admiring the slight cross-eyed look you had on and the dribble of spit falling from your perfect lips. he cocked his head to the side, smiling coyly. 
“oh, bunny, you don’t have a choice..” 
౨ׅৎ
@dumbsoftheart, 2023
557 notes · View notes
dustofthedailylife · 6 months
Text
How to Steal the Duke's Heart 101 (2)
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Pairing: Wriothesley x (gn!) Reader
Summary: After Wriothesley managed to get you back out of prison again you wanted to go back to living your life. However, things wouldn't go so smoothly, especially since you missed the man you had grown to love during your time in the Fortress. However, maybe fate is smiling down on you for once...
Tags: Fluff, lots of kissing, you were in prison (but innocent), swearing, french kissing (we're in France after all)
A/N: People asked for a Chapter 2 - I got an idea - here we are. Hope you enjoy and thanks for the crazy support on part 1 ;_; <3
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In the following days, you stayed in the Infirmary. Your concussion and the accompanying migraine flare-ups made it hard to do anything but lie in bed with closed eyes. 
Sigewinne, who was introduced to you as the head nurse, took care of you during the time you were at the Infirmary. And she religiously made sure that you didn’t leave the bed under any circumstance. She came by twice a day with some funny-tasting shakes which, despite their flavor, worked like a charm against your headache.
Wriothesley also stopped by at least once a day, no matter how occupied he had been around the Fortress otherwise. And every time he walked through the door with confident steps, and pulled a chair by your bedside, your heart was about to burst straight out of your chest. Even more so when he leaned closer to you to press a fleeting kiss to your lips as if it was second nature now.
Both you and him often stayed up late to chat the night away and tonight was no exception to that.
You were leaning against the headboard of the bed, and he was sitting on the opposite side of the bed with his back leaned against the footrest himself. He had brought a thermos flask filled with freshly brewed tea and two cups over to the Infirmary and you were both happily sipping away on it together. A small smile was displayed on his lips as he engaged in conversations with you – just like you had always done while dining together at the Cafeteria. There was just this unspoken feeling of comfort in the room whenever you could spend time with him and you wished it would last forever.
“How are you feeling? Getting any better?” Wriothesley inquired, tapping two fingers against his temple, symbolizing the location of the pain he was speaking about.
“Yeah. Yeah, I think it’s getting better finally. Sigewinne’s shakes and potions definitely helped–”
“You can actually drink them?” He chuckled, the corners of his eyes crinkling upwards.
“They’re definitely not good, I won’t lie. They taste like seaweed and sand. It’s like–”
“Like you ate an entire beach and every time you close your mouth it feels like you’re grinding dirt between your teeth.” He finished the sentence for you with another low chuckle that made your heart skip a beat.
“Exactly! How do you–?”
“Well, let’s just say I’ve been on the receiving end of these shakes a couple of times myself.” He smirked, took a sip of tea from the metal cup in his hands, and sighed. “But tea is infinitely better.”
“Oh, without a shadow of a doubt. I agree.”
A comfortable silence settled between you as you each quietly sipped on your tea. You eventually find your eyes wandering across his form - his broad chest and shoulders, to the sliver of skin showing below his neck. Even though he was trying to cover it up with black belts, the deep scars that evidently littered his skin couldn’t be hidden fully. The same applied to the scar right below his enchanting eyes.
Especially the scars around his neck looked like they came from a wound that would take a miracle to heal and recover from and you couldn’t help but wonder what could’ve caused it.
It was as if your body had started moving on its own when you leaned forward, tracing the long scar below his eyes with your index finger, down to the ones down his neck, stopping just short of his collarbone. 
Despite the deep scars and slightly bumpy texture, the skin felt soft and you could feel a slight shiver run down his spine as you ran his finger over them. He observed your facial expressions closely as you did and eventually put his bigger hand above yours to stop your motion and pressed your hand against his chest with a smile. Although there was hurt lingering behind his icy blue eyes.
“How did you get these scars?” You mustered up the courage to ask, your eyebrows pulled into a frown.
“Oh, that? I battled a gigantic undersea monster when I conquered the Fortress of Meropide. Guess who emerged victorious?” He smirked.
“Wait… really?” You ushered in surprise.
“No.” He replied dryly while averting his eyes.
You retracted your hand from his chest while apologizing. You felt like you had overstepped a boundary by asking.
“It’s –” He hesitated before pointing to his neck. “This one right here is the reason I’m here.”
“You don’t have to tell me if you don’t want to.” You reassured, not wanting to pry into his private life if he didn’t want to tell you. He took hold of your hand once more and gave it a reaffirming squeeze before sighing deeply.
“I… killed my parents. Well, adoptive parents. I’m an orphan.” Another long sigh escaped him as he averted his eyes to where your hands were intertwined. “To keep it short, they seemed like nice and law-abiding citizens at first. Like a picture-perfect family. But eventually, they treated us, me and my siblings, like trash, and sold us out one after another. I know for a fact some of my siblings did not survive because of what they did and one day… I just– snapped and ended things and set the remaining children free. They didn’t go down without a fight and that’s that. As for the others?” He brushed along his arms with the fingers of his right hand. “I’ve gotten into fistfights and the like down here a lot, nothing too special about those, really.”
He fell quiet, fiddling with your thumb, clearly nervous about how you’d possibly react to this revelation. Would you resent him? Push him away?
But you did neither of these things. You couldn’t even imagine how hard growing up must’ve been for him. And then being sent from one hell straight into another because you defended yourself and others from harm? Fontaine’s justice system was a lot – but after your case and especially after hearing his now, one thing was evident: It was everything but just.
“You’ve never been free. Not even for a single day of your life?” You questioned.
“I guess not. Although I can’t really complain. My position allows me more freedom than some people above ground have. My sentence ended a long time ago but I have no reason to go back up permanently now. Besides, I’m needed here.” He chuckled dryly before looking back up into your eyes which were now glistening with tears as you were on the verge of crying.
He took your face between his hands, wiping your eyes gently with the pad of his thumb before bringing it closer to his to press a sweet kiss to your lips.
But it wasn't long before you were interrupted by the door being flung open, swiftly followed by little tippy steps. Looking over Wriothesley's shoulder towards the doorway to the room you spotted a very displeased and borderline angry-looking Sigewinne.
"Your Grace." She almost hissed with one of her little arms stemmed on her hips and the other pointing to the wall clock that read 1 a.m. "My patient needs rest and this doesn't include staying up way past midnight and drinking caffeinated tea!"
He threw you a half-amused, half-apologetic look before sliding off the bed in one smooth motion. Spreading his arms out to both sides, he turned around with a sly smirk and looked at the head nurse.
"Ah, my apologies. It seems I must've forgotten the time again."
"Hmph… and also, while we're at it – you should rest more and drink less black tea as well." Sigewinne remarked matter-of-factly while looking at Wriothesley disapprovingly.
"I'm getting quite enough sleep, thank you very much for your concern."
"Your eyebags would beg to differ." 
"Touché."
Sigewinne crossed her arms with a triumphant smile painted on her lips as she watched Wriothesley walk out of the room with an apologetic shrug in your direction.
The head nurse promptly rushed to your bedside to fluff up your pillows and tuck you back into bed. She quickly checked if your bandages needed to be changed again before quickly wishing you goodnight, extinguishing the lights as well and closing the door behind her.
This was what a lot of evenings that week looked like. Staying up late with Wriothesley, chatting the night away, drinking tea with the occasional kiss thrown in.
As soon as the week had passed and Wriothesley had ripped your criminal record into shreds in front of your eyes you would’ve been able to return to your old life. But you still hadn't fully regained your strength yet. So upon doctor's orders, you stayed a little longer than you needed to. Not that you particularly minded - especially since you were allowed to stay in a guest room right below Wriothesley's office, which was infinitely more comfortable than the Infirmary. 
Just a couple of weeks ago you could've never imagined staying here longer than you absolutely needed to, but now you found yourself not quite wanting to leave anymore – at least you weren’t in a hurry to do so.
You spent most of your time lounging around in Wriothesley's office, scanning the bookshelves, reading some books, going through his tea collection with growing fascination, and generally just lazing the time away in his presence.
You grew incredibly closer during that week. You spent almost every free minute he had to spare together. Mostly on the sofa in his office with your head resting on his lap while he worked through some files with his feet resting on the coffee table. 
But as soon as the day came where you were officially escorted back out of the office he was nowhere to be found. You had been told to pack your things by the guards because you were about to be escorted out of the Fortress again soon. And while you prepared your things you looked for Wriothesley around the Fortress as well, since you didn’t want to leave before saying goodbye.
So, you stopped by the Infirmary, asked Sigewinne if she’d seen him already, asked several guards and Wolsey at the Cafeteria, but to no avail. It was as if the Primordial Sea itself had swallowed him.
And thus you were meeting at the pickup spot with the guards and were escorted out without seeing him again. You knew that, back then, his reassurance that you’d see him again had been a lie and the chances for that to happen were slim. Especially since he seldom ever left the Fortress. So you entered the elevator you had arrived in with a knot in your stomach that was the size of a boulder.
During the ride up you felt how the air that wafted into the elevator shaft became clearer and fresher again and you couldn’t help but wonder about your feelings that had developed for Wriothesley. Did they just emerge out of your circumstances? Was it just because he was the only one you really ever talked to down here? For the sake of your aching heart, you hoped that was the case and you’d forget this little crush once you returned to your old life again.
Surely that would be the case.
The elevator came to a halt and opened with the same mechanical hiss it did back when you arrived at the bottom of the ocean. You stepped outside, breathing in the fresh air as some droplets of rain collided with your skin.
At last. Freedom.
You didn’t even know where to go or what to do first so you simply ventured towards the City. You had exchanged the coupons you had for Mora again and buying some tea and fresh ingredients for your favorite dish sounded like a good start.
You first went back to your house, to drop off your things and change into something more presentable than your inmate clothes that smelled like oily grease. 
You took a warm shower and slipped on your favorite clothes before heading back out with a pep in your step. The bruise on your face was still slightly visible but that wouldn’t hinder you from enjoying your regained freedom. 
You happily walked into your favorite tea store that was close to your home, greeting the old lady behind the counter enthusiastically whom you always had friendly chats with before your time in prison. She briefly looked up in your direction before knitting her brows and returning to noting things down in her notebook without ushering a single word of greeting in return.
You became slightly unsettled because it seemed like the atmosphere in the room had changed when you entered. You had never seen her behave like this before, she had always been forthcoming, friendly, and extremely chatty. Nonetheless, you went up to the counter with a smile, greeting her once more.
“Hello, it’s great to see you again Madame Dubois. I came to buy a pack of my favorite tea again.” You cheered with a wide smile, feeling ecstatic about being able to do mundane things like grocery shopping again. You fondled with your wallet, taking out the Mora you owed, still remembering how much it cost – but just as you were about to put it on the counter you saw that the woman hadn’t moved an inch and was still scribbling away in her notebook.
“Hello? Madame?” You asked in confusion, trying to gain her attention.
No response.
“Madame?”
She slowly looked up at you again and was now clearly annoyed.
“Please leave my store. I don’t want to have my reputation tarnished by serving a criminal.”
You opened and closed your mouth a couple of times, ringing for words of protest but your mind simply blanked because of the sheer audacity of the situation. So, instead of standing up for yourself you simply walked out without another word. 
You were innocent and always had been, so why would she treat you this unfairly? And even if you had actually committed a crime, wouldn’t you have served your sentence and redeemed yourself again now?
With a tarnished mood you continued your way down the street until you came by a clothes store you used to frequent. You began browsing the clothes rack outside to get your mind off of the unpleasant encounter and even found two pieces you wanted to try on.
Throwing them over your arm you walked inside the store and right into the direction of the changing room. But just as you were about to enter it, the store owner stopped you, taking the clothes you had picked out of your hands without a word.
“Uhm, I wanted to… try these on.” You ushered in defeat, already suspecting where the conversation would venture from here. You were beginning to sense a pattern here.
“You can’t try that on.” The vendor said with determination.
“Why?”
“Pft.” She scoffed eyeing you from top to bottom, clearly not in a hurry to give you any sort of reply. “You’re not fooling me. I know that you’re going to steal something if I let you go into the changing room.”
“Madam, I’m innocent. I was never a criminal to begin with. I was falsely accused and convicted.” You protested weakly, feeling the lump in your throat grow in size.
“Mhm, yeah sure. And I’m the Hydro Archon.” She scoffed once more and pointed you towards the exit. 
With sagged shoulders and the urge to cry you found yourself outside of the store again and we're just about done with the day at this point. You half-considered just going back home again and pretending this all was just a bad dream but that would mean you'd just give up.
Was this how all former criminals were treated in Fontaine after being released? If so, it was truly no surprise that no one actually ever returned from the Fortress of Meropide if this was how they were welcomed back. Not because the Fortress wouldn't let them leave even after serving their sentence – but because they were unable to leave. Because they were brandished and irredeemable in the eyes of society.
The voice of Wriothesley from months ago now echoed in your head: “Once you get used to the Fortress you’ll find yourself unable to want to leave.”
Back then you had no idea how true that sentence would ring eventually. Not only because you missed him dearly already but also because you knew things would never return to how they had been before you had been to prison. Nothing you could say to the people on the surface would change their perception of you, because they wouldn’t believe you.
You continued to walk down the street and eventually came by your favorite cafeteria. You had often spent time here before being unrightfully incarcerated. You remembered that you had always gotten along well with the owner of it – but you had the suspicion that that would change now as well.
Unsure whether or not you should even try your luck you eventually walked towards a table and sat down. But your suspicions would remain correct – you would be politely asked to leave from here as well by the man you once got along with quite well, too.
He can’t risk the good reputation of his business and the other customers might feel unsafe sitting next to a convict.
How were you ever supposed to return to a normal life again if everyone treated you with so much disdain?
You decided to just give up for today and plopped down on the side of the pavement, next to some small rose bushes out of sight, and started crying. You needed a valve for all the anger and frustration that had accumulated over the day, and if that was it, so be it.
You wanted nothing more than to return to your old life, or heck, even go back to the Fortress of Meropide. But neither of those were possible. Society had decided you were a sinner and the Fortress was off-limits since people without a criminal record couldn’t get back in. Only former prisoners with a record could go back and decide to stay there, normal citizens, however, were not given that opportunity.
“Is everything alright?” A high-pitched voice addressed you with concern.
You looked up and looked into the face of a purple Melusine with blue hair in the famous blue Fontainian officer uniform. Her eyes were filled with worry and she was leaning over slightly so she was on eye-level with you.
“Mhm, everything’s alright.” You sniffled, wiping your eyes with the back of your hand.
She didn’t look convinced and her brows furrowed even further. She looked around and hurried off before swiftly returning with a cup of tea and some pastries from the cafeteria you were unable to get even basic decency from just ten minutes ago.
With a genuine smile on her face, she handed you the items proudly.
“Here, take this. Maybe this will make your day a little better. Remember that just like after rainfall the sun will eventually shine again, there will be brighter days after crying again, too!”
Lost for words and touched by the kindness, you accepted the gift from the friendly Melusine who was already happily hopping away again. At the end of the path, she turned around once more waving and pulling the corners of her mouth up with her hands, signaling you to smile, before returning to her job.
You didn’t know whether to continue crying because you were still feeling like you were drowning at the bottom of the sea or because the only one who had shown you an ounce of humanity today had been a being who wasn’t technically human.
Just what were you supposed to do now?
A couple of weeks passed after that day and things had gone just as bad as they had on your first day. You had found a handful of shops that would still accept you as a customer, and while they weren’t your favorite of all time, they served their purpose of letting you survive.
However, you were seemingly unable to find a stable job again. Your old job no longer wanted you as an employee and all the letters of application you had sent out, had stayed unanswered. You still had enough savings to make ends meet ends for a couple more weeks but after that, you would most likely have to start selling your belongings.
And as if that wasn’t bad enough already, the realization that contrary to what you originally wanted to believe – that you’d quickly get over what you and Wriothesley had after being free again – couldn’t be further from the truth. Reintegrating into society was made impossible to you so there was also no way to distract yourself from craving to see him just one more time. Also because he would be the only one who would show you kindness, understanding and love in a time like this.
No day passed where you didn’t find yourself daydreaming about the times you had sat together and chatted the night away, how you had met up for lunch and dinner, how attractive his smile had looked, how good his aftershave had smelled – and how perfectly intoxicating his lips had felt on yours. 
Why did he not wish you goodbye when you had to leave?
And much worse was that everything reminded you of him. The coat with the red silk lining you saw while passing the clothes store. The familiar tea smell that lingered around the tea store. The whiff of perfume out of the perfumery that smelled just like him. Everything just made you miss him more and it was beginning to become excruciating. 
And on one of those days when you sat alone at home, reminiscing about your time in the Fortress of Meropide you suddenly had an idea. In your present state – without a criminal record – you were legally unable to enter the Fortress… unless-
You jumped up from your seat, your heart practically beating out of your chest over the realization that there was one way out of your predicament.
One solution.
You needed to commit a crime.
You grabbed your jacket and rushed out of your door without a moment of hesitation. You set out for the market and were practically rushing down the street now. You were dead set on your decision. The more you thought about it the more excited you got.
Once you arrived at the plaza you spotted the booth of the jeweler and headed straight in the direction of the table with big, determined steps. You already made out an expensive ruby necklace from afar that was dangling freely from the jewelry stand. That thing must be worth thirty thousand Mora minimum. Stealing that would surely land you a prison sentence for a while – and once you had that, you were free to stay in the Fortress of Meropide for as long as you wished after. You would have the necessary criminal record to make it your forever home.
Smugly smiling to yourself you arrived at the table, eyes still transfixed on the necklace that now dangled teasingly in front of your eyes. Time felt like it was moving in slow motion at this point. You purposefully reached your hand out, clutching the gem with your entire palm. The look on the face of the jeweler was changing with every millisecond that passed. His brows lifted, his eyes became wide and his mouth formed into an o-shape, ready to scream protest over the theft of one of his most precious items on display. Yet, before any of that happened – before you could yank the necklace down from the stand and make a run for it – a bigger hand enveloped your own calmly.
You could feel a chest pressed to your back and a hand on your shoulder, still expecting your plan to work. One of the guards must’ve sensed your intent and just stopped you before you could make a run for it. But the change to a calm look and the smile on the face of the jeweler told you that the situation wasn’t quite like you believed.
“This is the one you like, darling?” A deep smooth, voice inquired from behind you.
Shock shot through your system. You knew that voice like the back of your hand. You had been craving to hear it again for weeks. You had been craving for it since the day you left the prison.
What was Wriothesley doing here?
“We’ll get that one.” He declared towards the jeweler, motioning to the ruby necklace that you still clung to. He handed a small coin pouch to the man behind the booth, who was now happily smiling, weighing the Mora in his hand with a pleasant hum.
Scarred and callused fingers wrapped around your cramped fist and carefully opened your fingers, gently taking the beautiful necklace out of your grasp. 
You were still standing on the spot, unable to move as you were frozen in shock about what just happened, while the man of your dreams put the most expensive jewelry you had ever touched around your neck. Where did he even get this much money to splurge for an item like that?
No. Where did he even come from?!
“Thank you.” He nodded towards the jeweler with a handsome smile before leading you away from the booth calmly. But you could feel how tense he really was, by how hard his digits dug into your shoulder.
He dragged you into a secluded side alley behind some crates that hid you from prying eyes and promptly pushed you against the wall. An icy gaze pinned you down and the iron grip on your shoulder became impossibly tighter.
“What in God's name do you think you’re doing?” He hissed through clenched teeth.
“Nothing.” You feigned innocence. But your voice was barely even above a whisper and you found yourself unable to look him in the eyes.
“Nothing?” He gasped in disbelief. “You were about to steal that necklace just now.”
And to undermine his point he pressed the gem into your skin, which now sat between your collarbones.
“Are you insane?! You only just gained your freedom back!”
“Freedom?!” You bit back exasperated with tears welling up in your eyes out of anger and frustration over the downward spiral your life had been in for so long now. “This ain’t freedom. This is hell. I can’t do this anymore.”
“That’s not a reason to want to go back to prison!” He hissed, pushing your shoulder against the wall even harder.
“Don’t you dare lecture me about anything?! You didn’t even have the courtesy to say goodbye to me when I left.” You hissed.
“I didn’t want to make it harder for you. It was for the best.”
“Shut the fuck up.” You swore fiercely. “You don’t know anything. You don’t know what’s best for me because fuck, this isn’t it. Everyone shuns me, I can’t find a job, I can’t even buy groceries. I don’t have any–”
Before you were able to finish your tirade you were abruptly interrupted by his lips hungrily crashing into yours. 
Immediately the million questions you wanted to ask him and the shock about the situation were forgotten.
You inhaled sharply and shut your eyes and your hands immediately reached up to grab a fistful of his hair, lightly tugging on it while deepening the kiss. A low satisfied grunt vibrated through his chest as you did, sending a shiver down your spine in return. 
He pressed himself up against you, trapping you between himself and the wall. One of his hands found his way around your waist, greedily squeezing at your flesh below his palms. Further pulling you into him as he held you impossibly closer than you already were while devouring you like he was a man starved for air and you were his oxygen. 
His other hand found comfort at the back of your head, preventing it from crashing into the brick wall he pressed you against.
Slightly parted lips danced across your lips down your jaw to your collarbones. Only interrupted by his heavy pants and roaming hands that didn’t seem to know where to touch first.
“Fuck,” he muttered breathlessly with half-lidded eyes, “You drive me insane.” 
For someone who had been blessed with a Cryo vision, you were surprised at how his touch could set you ablaze so easily. Pure flames licked at your skin where he touched you. Hot open-mouthed kisses were placed wherever he could reach. Silken lips entangled with yours as you dangled on the edge of consciousness from being overwhelmed with raw emotion.
It was as if time had stopped for both of you. Lost in the intimate moment of your shared passion, somewhere in a back alley of Fontaine.
He was so close yet you wanted him to be closer. You wanted to hold him and never let him go. You wanted him to kiss you until your lips were sore and you no longer had any air to breathe.
If the kisses you had shared in the Fortress of Meropide had been addicting already then this right now was the most dangerous drug in existence. You were intoxicated by the taste and feel of his lips for no one had ever kissed you like this before. Nor did you want anyone but him ever kissing you in the same way. 
At this point he wasn't a want, he was a need. You needed him like you needed air to breathe and water to drink. And he felt the same about you. 
He carefully parted his lips, prodding the tip of his tongue against your bottom lip, practically begging for entry. And you allowed it as if it was the most natural thing in the world. 
The butterflies in your stomach did somersaults and were about to burst out of your chest when he slung both of his strong arms around your midriff to pull you even closer once again.
A string of saliva connected your lips when he separated from you to catch some air. His eyes were still clouded with emotion as they still hungrily looked at you. His face was still so dangerously close you could feel the tingling sensation of his breath on your lips. 
His arms maintained their position around your waist and he pressed his face into the crook of your neck with a deep inhale. 
“I missed you so much.” He muttered into your shoulder with a meek tone.
You felt like all the weight of the past weeks was lifted off your shoulders at once and you were finally able to breathe again – all despite being buried between the wall and a 6’3” man who was hugging the dear life out of you right now.
“So did I.” You sniffled, only now realizing you had begun to cry because you were so overwhelmed with joy.
“Please, take me with you. Don’t leave me again.” You pleaded, desperately clasping a fist into the fur of his coat. “I don’t want to stay here anymore. Not like this. Not without you.”
He sighed deeply, moving his palms to your shoulders, gently squeezing them. He looked at the floor pondering before directing his gaze back at you again.
“Are you truly sure about that?” He inquired seriously to which you just replied with a determined nod. 
“I’ve never been more sure about anything in my life.” You answered and placed a quick peck on his lips once more. “I’d have committed a crime only so that I could be with you again.”
A low chuckle echoed through his chest and he placed a kiss at the crown of your head.
“Please don’t do that.”
You looked at him with a pout because how were you supposed to come with him when you weren’t allowed at the Fortress?
“I might have a different idea.” He announced smugly.
“And that is?”
“Work at the Fortress.”
“But… I don’t have the required qualifications for the job. I would never get accepted, let alone be even invited for an interview.” You complained, furrowing your brows.
“Well. Are you willing to learn?”
“I-I guess?” You hesitantly answer, looking up at him in confusion. “I’m not sure I follow.”
He took a step back, directed his gaze to the ground, and put his index finger to his chin, acting deep in thought.
“Well, then you’re hired.” He suddenly declared with a smug grin painted on his lips.
“What?” You huffed perplexed, causing him to snort out a laugh.
“My love,” He took your hands into his, lifting them to his lips to press a soft kiss to your knuckles. “Have you already forgotten who I am? I am the one who makes the rules down there.”
After you promptly agreed to his impromptu interview and hiring process, Wriothesley accompanied you back to your house to pack your things. He was barely able to stop himself from smiling from ear to ear. And you reciprocated that feeling. You would be getting a separate room in the Fortress that you could customize to your wishes. And the best part about it was that you technically could always return to the surface still – because, you weren’t imprisoned. You were about to start a new chapter of your life and you couldn’t be more excited.
Sure – things didn’t go like you had expected them to, but all’s well that ends well. Maybe you should stop by your old friend's house sometime to thank her for framing you for the crime you were falsely convicted of back then. After all, it netted you the Warden of the Fortress of Meropide at the end of the day.
As soon as you stood back between the high iron-clad walls that smelled like machine grease and oil you felt right at home. It was as if you had never left. But unlike the first time you arrived here, you were happy. 
You were free, you weren’t a criminal, no one would judge you here and you would be able to spend time with the man you loved. In fact, you’d even say you were happier than you probably had ever been.
Wriothesley led you to your new room, which happened to be below his office, and told you to make yourself right at home. He sat down on your bed and stayed around for a while to chat with you while you unpacked and decorated the space to your liking. Ultimately he had to excuse himself because he was called by a guard for some official business. And with a quick kiss that both of you smiled into, he was off.
You continued unpacking for only gods knew how long until your eyes eventually began to fall close on their own. When you checked the clock on the wall again you saw that it was nearly 11 p.m. already and you decided it was probably time to head to bed. 
You headed to the bathroom that was next to your room and got ready for the night, brushed your teeth, and washed your face before slipping into your favorite pajamas and settling down on your bed.
But as soon as you turned the lights off and lay down on your pillow, something hard was poking your temple. You reached below the pillow and touched something hard and round that felt incredibly cold to the touch.
What the heck?
You grabbed it and quickly pulled it out from below the pillow. The dimly lit room was immediately enveloped in a light blue light. But whatever it was that you had expected it to be it wasn’t this. The light of the orb in your hands was pulsating steadily like a heartbeat and you were quick to discern what that foreign item in your hand was. A cryo vision.
You furrowed your brows and concluded that it must be Wriothesley’s. He did sit on your bed earlier. Maybe it fell off his coat.
You shuffled out of the bed and headed back upstairs, hoping to find him in his office. 
While climbing up the stairs you could quickly make out the smell of fresh tea as well as the quiet notes of a gramophone playing classical music.
As soon as you got a view of the room you found Wriothesley sitting on his desk with closed eyes, a cup of tea held to his lips. Seeing him just enjoying himself made a smile creep up on your face as you approached him.
“Hi.” You whispered as you walked towards him on tippy-toes.
“Hi.” He set down his cup. “Did the music wake you up? I figured you must already be sleeping.”
“No, nothing like that.” You shook your head, taking the hand holding the vision out from behind your back to show it to him. “I found this under my pillow, I think you must’ve lost it earlier.” You discerned, looking at the glowing vision in your hand.
Wriothesley eyed you and then the vision curiously as he jumped up from his desk and walked up to you. 
He gently put his palm around your hand that was holding the vision, closing your fingers back around it again with a soft smile.
He lifted your chin so you looked him in the eyes before speaking again.
“It’s yours.” He declared.
“What? Stupid! I can’t keep your vision! You need it!” You began protesting but were quickly shut up when Wriothesley slipped the coat off his shoulder, revealing the blue orb that was still danging down from one shoulder.
“It’s not mine.”
Your mouth fell open and a thousand thoughts started racing in your mind. How could this be? You? A vision bearer? But you didn’t even feel anything. Wouldn’t receiving a vision be more flashy than simply finding it below your pillow?
“It seems like even the gods think you’ve finally found your place in the world.” He ushered proudly, slinging his arms around your shoulders and pressing a soft kiss to the crown of your head with a gentle smile.
“I don’t even know how to use it.” You muttered with uncertainty.
“I’ll show you.”
If the gods think you’ve managed to find your place then you’d simply have to trust their judgement. And if you honestly listened to your heart you would probably agree with them.
Whenever you looked at Wriothesley, you felt like you had finally found the place where you belonged. 
You were home.
Because home is where he is.
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Do not repost, copy, translate or edit - © dustofthedailylife || reblogs, comments, and asks about Genshin or my fics are always greatly appreciated and motivate me! Maple dividers are mine - do not copy.
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sontarangaming · 2 years
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Getting Arrested 101
In light of yesterdays ruling on the Miranda rights, now that the cops don't need to read you your rights, I figure it's as good a time as any to make a crash course post on what to do if you get arrested in the US. Know your rights and how to invoke them, because cops will try and trick you into reneging on them whenever they can. Here's my bible on engaging with police, and feel free to add on if you have other tips.
If you encounter police at all, especially if it's for a protest, engage as little as possible. Protests will sometimes have police liaisons; if they do, deflect the cops onto them. They have training for this. Otherwise, say nothing to them if they don't engage first.
If they engage first, do not escalate. Cops are trained to try and escalate situations. It wins them PR, and it makes it easier for them to justify violence against you and in turn, the other protestors. I don't care how punk you think it is, do not escalate.
When they engage, if you think you're being arrested, ask them in no uncertain terms and demand a clear answer. Say "am I being arrested," and if they evade, repeat it until the answer is no or yes. If it's no, walk away and don't engage further. If it's yes, then:
Shut the fuck up. Say absolutely nothing from this point forward until you reach the station. No matter what they say, no matter how serious or casual the conversation is, you say nothing. Zip. No exceptions. This is especially important to remember because they will try and humiliate you and make the arrest process as difficult as possible to try and make you crack, so do the simplest thing and say nothing.
If you are arrested, once you make it to the station, there's a simple three step process to remember. Exact wording isn't necessary, but try and be close. Remember, you don't want to be Lawyer Dogged. Once again, be as clear as you possibly can.
"Am I being detained?" If no, leave. If yes, then say:
"I invoke my right to have a lawyer present." Any time they try and push on that, you say:
"As I am detained, I invoke my right to remain silent until my lawyer is present."
You want it to be 100% undeniable, in as much of the record as possible, that you were being detained, and therefor you need a lawyer. Otherwise, the cops will retroactively decide you weren't actually held there, and therefor you had no rights to invoke, so get that shit down. And once again, aside from saying #3, shut the fuck up. Same principle applies as #4 on the first list: they will do whatever they can to get you talking, and once they do, they'll say "oh, they decided to not use the lawyer after all because they started talking without one." So do. Not. Budge.
Lastly, some general pieces of advice, both for before and during the arrest process:
If you're going to a protest, the sort of thing where arrests can be planned for, there will likely be an organizer with some experience. They may be able to give you specific advice for that protest with regards to things like ID, liaisons, or any specific protocol. Check with them as well.
If you're in a situation where arrests are likely or expected, especially with a protest, plan accordingly. Power off your phone and deactivate the fingerprint or facial recognition unlock options, or leave it at home entirely. Don't bring anything you wouldn't want to be arrested with. Think carefully about leaving your ID at home, though. John Doe-ing can cause extra trouble for the cops (good), but it's also risky, since it can make it harder for you to pay for bail and can make things harder for you down the line.
Police always lie. Let me repeat. Police. Always. Lie. Again, Police. Always. Lie. This should be your fucking mantra. They will tell you you'll get out easier if you cooperate. They will tell you any information they can find about your friends and family. They will threaten you and them. This is all hollow. Your friends have rights as well. All of this is posturing to get you to talk and incriminate you and your friends. Police always lie.
Every American should know this, but it's especially important for any activist, or advocate. Knowing your rights is the only defense you have against cops, so you need to game that system to keep them from gaming it back.
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withleeknow · 2 months
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wishful thinking. (05)
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chapter five: say what you mean
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summary: the instruction was plain and simple: no strings attached. but you should’ve known from the beginning that it could never apply to you and him.
pairing: minho x f!reader rating: 18+ (minors dni) genres/warnings: friends to lovers, friends with benefits au, college au; fluff, angst, smut; mentions of sex, kissing, we’re starting to dip our toes into angsty territory !!, less edited than i’d like but what’s new lol word count: 2.8k
as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡
navigation / series masterpost / taglist
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Get me a drink, I get drunk off one sip, just so I can adore you I want the entire street out of town just so I can be alone with you Now go when you’re ready My head’s getting heavy, pressed against your arm Just to adore you, I adore you
Adore - Dean Lewis
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Whenever Minho asks if you two could hang out together at your place, it usually means that you will end up in your bed.
Tonight you suppose is no different.
Even though you often cap off the night having engaged in activities that could make the Victorian lady in Hyunjin faint, it’s not all that you do. Both you and Minho never let yourselves forget that you’re friends first and foremost. Sex is the added benefit that should never take anything away from your friendship. He is still one of the people you’re most comfortable with, one of the few people whose company you enjoy.
You’re sprawled out on the couch in your small living room when Minho returns from the kitchen with a plate of freshly peeled tangerines, the same ones that he brought over earlier. You push yourself to half-sit up so he could squeeze himself between you and the armrest, before you go back to laying your head on his lap as you two resume watching a bad movie that you put on.
“I hate this so much,” you comment, your eyes glued to the TV screen.
“You picked the movie,” Minho says. “It’s not that bad. The plot is kind of decent.”
“I’m not talking about that. Jeez, if they wanted to make a movie where the main character is a graphic designer, you’d think that they would at least consult someone who knows literally anything about visual art. Look at that horrendous typography job, the text isn’t even aligned with the edges and corners. This is hurting my soul.”
Your cushions (Minho’s thighs) shake lightly as he laughs at your dramatic outburst over something as trivial as a fictional character’s poor standards of digital art. But you really aren’t kidding; the way the woman on screen is butchering the text alignment is quite literally making that very particular part of your brain want to shut down for the next five to seven business days.
“They should’ve consulted you first, is that right?” Minho asks.
“They really should have. I could’ve done wonders for them,” you say matter-of-factly. “I almost majored in graphic design, y’know.”
You have a habit of biting your tongue around others because you know that people don’t really care about the same things you do. Whenever the opportunity arises for you to share tidbits about your interests, excitement would tumble out of you only to be quashed soon after when no one wants to listen to your silly little rambles. It’s disheartening, you’re used to it.
But you never feel that way around Minho. He always lets you babble on about anything and everything, even if he might not know what the hell you’re talking about. He indulges you. He never makes you feel neglected or ignored.
“Hmm, my little genius artist.” He taps your cheek once, and when you turn your head to glance at him, he tells you to open up before he slips a slice of tangerine past your lips. “You’re right. Even I can tell that it’s horrendous.”
You hum appreciatively when the sweetness of the juicy fruit floods your tastebuds. Minho’s hand trails down your arm to rest on your stomach, just below your ribs where he fiddles with the worn fabric of your sleep shirt. If he moves his hand up, he would be grazing your bare chest underneath your shirt. You didn’t bother with a bra because, well, comfort above all else, especially within the four walls of your own home. Besides, it’s nothing that Minho hasn’t seen anyway.
He keeps on feeding you tangerines in between your complaints about bad design standards until the movie ends and the plate is cleared. The only sound in the room is the soft music on the TV as the credits start to roll.
You turn to lie on your back, staring up at Minho. “That was deeply disturbing.”
“You chose it,” he reminds you. “You went in knowing what the premise was.”
“Yeah, I have no one to blame but me. I had too much faith in humanity.”
“And you call me weird.”
“You are weird,” you say. “But I like weird.”
Minho looks down at you and for a moment, he says nothing. His fingers trace something on your stomach. A heart or an odd circle, you don’t know; you’re always bad at deciphering those. His eyelids fall a bit, softening the usual sharpness of his gaze.
Then he’s pulling you by your shoulders, guiding you to sit up and before you know it, you’re situated on his lap with one of his hands on your waist, the other on the back of your neck. Minho tugs you closer, meeting your lips in a kiss in which you waste no time returning.
He’s sweet, like the tangerines that you were sharing all evening. It tends to start like this - sort of randomly, whenever it feels right. He squeezes your side in a comforting gesture as his tongue slips into your mouth. There are times where it’s more urgent, where one of you is needy and desperately seeks the escape and release that can only be found in the other’s embrace. Other times, it’s slower, more gentle, where you can really focus on making each other feel fully satiated.
This, right now - you would pinpoint somewhere in the middle. There’s no fiery clothes-ripping urge, nor a need to lay the other person bare and knead every single knot of stress from their system. Today, there’s just languid wanting; an unhurried inclination to be close.
Him and his tangerine flavored kiss, you and your resolve built on shaky foundation.
You start rolling your hips over his, tugging on his shirt because you want to feel his skin against yours. Minho stops you though; he puts both hands on your hips and pulls his lips away from yours. You blink, dazed, confused.
“I...” he starts, trying to even out his breathing as he finds the words. “I don’t want to have sex tonight.”
Embarrassment instantly washes over you. The rejection is a little humiliating; it’s the first time you’ve ever felt like this around him. Your cheeks catch fire from the mortification, and you’re very aware that you’re still sitting in his lap, right over his crotch.
Wanting to climb off of him and just fucking bury yourself in a ditch, you start stuttering like an absolute fool, “Oh... Y-yeah, no, of course! Shit, shit, I’m sorry. Of course we don’t have t-”
Minho holds you in place, one of the hands on your hips goes to cup your cheek to make you look at him. It effectively shuts you right up.
“Sorry. I shouldn’t have phrased it like that,” he says, his thumb brushing over your cheekbone in an earnest apology. “I just want to keep kissing you. Is that okay?”
You’re at a loss for words. He’s holding your face, your waist, so delicately. He looks drunk on your presence alone even though neither of you have had a single drop of alcohol tonight, so sincere in his simple request that you feel your heart swell tenfold.
You want it too. You’re more than okay with just kissing him.
You don’t answer him verbally. Instead, you just nod and move to kiss him again, your hands tangled in his soft hair. The sweetness of the tangerines grows more and more distant as you chase his lips, but you can taste his smile. It’s infinitely more saccharine, and it only grows sweeter when he holds you close and knocks the breath out of you.
When you pull away for air, you slump against him, hiding your face in the crook of his face, shy all of a sudden. He keeps you there but continues with his onslaught of kisses - on your hair, your cheek, your neck, anywhere his lips can reach. Like he simply can’t get enough of you.
“You really like kissing,” you comment, giggling quietly as you do. “Even when we… y’know, bone.”
“Bone? You’re so romantic, babe.” You feel the rumbles of Minho’s chest as he lets out a hearty laugh, the sound of which fills the space of your modest home, embeds itself in every nook and crevice, in between every minuscule crack in your walls until the whole place feels warmer, brighter somehow. “Are you complaining?”
“No... just pointing it out.”
“Well, I like kissing you,” he says. “You’re not a terrible kisser, I guess.”
You sit up straighter and catch the teasing grin on his face before you roll your eyes. “Gee, thanks. You really know how to sweet talk a girl.”
“Says the girl who uses ‘bone’ to describe sex.”
“It’s a perfectly good euphemism for ‘sex’.”
“You might as well just say ‘boink’.”
“Literally shut up.”
“Sure.”
Then he’s pressing his mischievous smile against your mouth once more, and you can’t really wrap your mind around how it’s even possible that he keeps getting sweeter and sweeter. His sugary kisses send warmth tingling up your spine, make a fluttery sensation erupt in your stomach. You’re lightheaded, and not the kind that can be remedied by a sufficient fix of blood oxygen.
Even though you’re perfectly content with kissing, there’s a certain implication that comes with only kissing that you’re not sure what to do with. He’s literally inside of you on a weekly basis and yet, this feels much more intimate than anything you two have ever done.
Because friends don’t kiss each other the way he’s kissing you right now. Friends don’t kiss each other the way you’re kissing him back.
A chime from your phone breaks you two apart, the intrusion forcing a mildly frustrated grunt from Minho. You find the mobile device hidden between the cushions of your couch, and after you quickly scan the notification on the screen, you tell him, “It’s Hyunjin.”
“What did I say? It’s always him at the scene of the crime,” Minho mutters, speaking in the same tone that one would when their sibling interrupts a round of their favorite video game. “What does he want?”
“Just wants me to send him a photo of the sample portfolio from our class.”
“Ignore him. He can wait.”
“He’ll call me if I don’t reply.”
“He’s so annoying,” Minho grumbles but loosens his hold on you nonetheless. “Hurry back.”
“It’ll only take a minute, you big baby,” you chuckle, pressing a swift peck to his lips before you get up from the couch and head toward your bedroom with your phone in hand, searching for the binder that Hyunjin is asking about.
Once you’ve snapped the picture and sent it to your friend, you return to the living room. When Minho hears your footsteps, he holds out an arm, silently beckoning you into his embrace again. And you do. You slide into the space next to him, slotting perfectly against his side.
Your fingers absentmindedly trace along his forearm until they reach his wrist. “This is pretty,” you say, touching the thin link bracelet that he always wears, the one with a small charm hanging off the center in the simple outline of a dove.
“You like it? I’ve had it for ages.”
“Mhmm, it suits you.”
A moment passes where you both sit in silence as you fiddle with the gold jewelry, and you can feel Minho’s eyes on your face the entire time. After a while, he pries your fingers off his skin, only to swiftly take off the trinket.
“No, Min. What are you doing?”
He doesn’t answer you. You attempt (in vain) to pull your wrist back but Minho is stronger. He holds it in place as he clasps the chain around your wrist.
“Minho, you are not giving me your bracelet.”
“Relax. It’s not like it was passed down from my great-great-grandfather. It’s just a random bracelet I bought when I was 18.”
“Why would you even give me your bracelet?”
He shrugs, as though he’s merely doing something as simple as letting you borrow you a pen. “It looks good on you.”
You look down to where his hand is still on your skin, his thumb gently sliding over your pulse point as he admires how the dainty gold reflects the dim lighting in your home.
And he’s right. It does look good, but he probably doesn’t mean it in the same way that you’re thinking of right now. You think it looks good because it’s something that belongs to him that’s now wrapped snugly around your wrist, like some sort of affirmation spoken in a language that only the two of you can understand.
Minho leans over and presses his warm lips to your forehead. It takes you by surprise, the way he does it as if it’s second nature to be this affectionate with you. It’s a tipping point, then suddenly your thoughts are running rampant.
The instruction has always been plain and simple: No strings attached.
But...
The chaste kisses with no expectation of sex, being protective when you’re in the presence of other guys, even giving you his bracelet to wear just because you said it was pretty.
Why do all of these sound an awful lot like strings?
You hesitate, then you ask, “What are we doing?”
“Hmm? You wanna watch another movie?”
“No, that’s not... What are we doing?” You don’t even know what word to put more emphasis on.
Minho looks at you and loosens his fingers. What he can’t understand through your words, you think he sees it in your eyes. “Say what you mean.”
“Are we friends?”
“Of course we are.”
“Are we still friends?”
“Do you not want to be friends anymore?” He cracks a smile, but you can tell that he’s just doing it to lighten you up. “You have terrible timing. I literally just gave you a bracelet.”
“Friends don’t do that.”
“Friends don’t give each other bracelets?”
“Friends don’t kiss like that.”
Minho seems a bit taken aback, though he regains his composure in mere seconds, his voice calm as he tells you, “Friends don’t have sex either.”
“What are you saying?”
“I don’t know. What are you saying? You brought it up.”
You open your mouth, only to subsequently close it because your thoughts were never really that coherent in the first place. You look away from him to glance down at your wrist.
“You’re being confusing,” Minho says quietly, honestly.
“I just… I don’t want anything to change.”
“Did anything change for you?” he asks.
“No,” is what you tell him after a long minute, when what you really mean to say is I don’t know. You can see it as it happens, some stars fading from his eyes, some light growing more faint in his irises. Though the despondence on his face disappears so fast that you’re not sure if it was even there at all, or if it was only a figment of your imagination.
Then you throw the question back at him. “Did anything change? For you?”
Minho’s answer is the same as yours - a clear No - and yet, it makes you feel like you’ve been punctured by something sharp. You don’t know why your heart drops upon hearing him say the exact same thing that you did, but you try not to let it show on your face. Your poker face isn’t anywhere as good as his, but you hope that it’s enough.
You give him a tight-lipped smile and nod a little.
“Then nothing’s changed.” He strokes your hair, emphasizing his point with a soft smile as he reassures you, “And nothing has to change. It’s a bracelet, don’t overthink it. We’re good.”
Sometimes, the decisions you make are bad because you can foresee the outcomes, or at least, you have an idea of the consequences will be later on and yet, you still choose to go through with it anyway.
Just like how you chose to watch a movie you knew would drive you crazy with its trivial details, you choose to accept the feeling of Minho’s bracelet around your wrist. You choose to believe him when he said nothing has changed, and that nothing has to change. You choose to sweep under the rug the thoughts that you’ve been having about him lately. You choose to overlook the reason why you’ve been having those thoughts instead of facing it head-on because you’re terrified of what you’d find if you dig deeper.
You choose to let the conversation end here though it still lingers in your mind, and you choose to let him kiss you goodnight when he leaves because tonight has already been a series of bad decision after bad decision anyway.
And when you fall asleep, it’s the soothing coolness of the golden dove against your skin that lulls you to slumber, like he’s here right beside you to hold you through the night.
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permanent taglist: @onlyycb97wife @starsandrqindrops @borahae-reads @abbiestearsricochet @cutiespaghetti @anthropologykpopmultistan @moonlinos @mjnhoz @caitlyn98s @piercidh34rts  @stayceebs97 @linocz @yaorzu-blog @biribarabiribbaem @kayleefriedchicken @extrhotjne @caitxx1 @palindrome969 @todorokiskitten @azuna-sz @meanergreener @nxzz-skz @jazziwritesthings @poutypoutybin @bookyeom (italicized = can’t tag)
series taglist: @eyesforlino @armystay89 @nuronhe @becomingmina @astro-doll-the-star @hyuneyeon @jisunglyricist @yoontaethings @thisisnotjacinta @cupidcure @wyzminho
all rights reserved © withleeknow. reposting, translating and/or modifying is not permitted by any means. [posted 18.02.2024]
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crippleprophet · 7 months
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rules of engagement before we begin: do not seek the original post out to interact with it negatively or harass op in any way. if i find out about anybody doing that sort of shit i’ll block them so quick it’ll be the fastest i’ve moved all year. ok thx here we go
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[image description: three screenshots of a post with the username blacked out. the introductory & closing paragraphs are as follows, & the bullet points will be listed within the body of this post. the introduction reads:
nobody warns you this but addiction happens without you noticing and one of the first things that it attacks is your ability to care. if you find yourself using recreational drugs every day, stop and take one day a week sober. if you struggle with this or if you don't see the point of the exercise, you are likely already addicted and you need help.
nobody ever taught me the warning signs for drug addiction, only that "it costs lots of money and destroys your life!!!1" which is not helpful if you can't recognize a developing addiction in yourself. so here's some things to watch out for with recreational drug use.
the conclusion reads: yes this applies to weed. weed is a drug and you can get addicted to it like any other substance. addiction is not the same as physical dependence; it is psychological and it can happen to anyone. you are not immune to addiction. end image description.]
now! fundamentally why i will never align with this kind of perspective is that i affirm addiction as a social construct, like all so-called mental illnesses, & the psychiatric institution which invents & reifies them as a fucking sham.
answer quickly:
what substances is it possible for one to become addicted to? does this include caffeine? why or why not?
is the claim of sugar addiction legitimate or anti-fat pseudoscience? what, if anything, differentiates this from other addiction science?
what is the harm of the so-called opioid epidemic: access to a safe supply of narcotics, or the lack thereof?
can an autistic person who eats the same dinner every night, for example, be said to be “psychologically addicted” to it if they have a meltdown & subsequent ongoing distress + disinterest in food when it is discontinued?
can you be addicted to psychiatric medication? immunosuppressants? why or why not?
my point is less that these behaviors are not indicative of addiction but rather that that wouldn’t inherently make them harmful. fuck it, let’s take it point by point!
planning your day around drugs e.g "i'll give myself an extra half hour before heading out so i can get high first"
this whole post had me asking “literally what is the problem with this,” starting with this first bullet! why does someone need to leave for the grocery store at 5:30 instead of 6, or whatever? and the other recurring theme: what happens if you replace “drugs” with “pain management”? (chronic pain is not the only valid reason to get high—all reasons for drug use are equally value-neutral—but it certainly still is one.) “i’ll give myself an extra half hour before heading out for my pain management to start working” is the kind of calculation familiar to most people with chronic pain. “stop and take one day a week without pain management” is not a test of whether you “need help,” it’s torture.
now, disregarding one’s priorities or commitments to other people in favor of drugs can happen, & in many circumstances it’s harmful to the other people impacted. that’s not what was said here, & stopping that behavior does not require getting sober.
rapidly switching emotions around drugs. you love them but you hate that you love them so much. you hate the way you feel on them but you hate being sober. feeling guilty after using even when you didn't give a crap beforehand.
do you know what else i love but hate that i love, what else i hate using? my fucking bed. three years ago, my mobility scooter. this is not a logical argument, this is a bullshit argument. my feelings about something do not inherently reflect its harm to others – or to myself, even, though i firmly argue for the right to make “self-harmful” decisions regardless.
you know what people hate being on but hate worse being off? the vast fucking majority of medications.
why might a drug user start to feel guilty when they previously didn’t? being shamed by friends, family, or a fucking tumblr post; surpassing a constructed threshold of “acceptable” use they didn’t know they’d internalized; experiencing new or greater access issues; beginning to probe their morality around drugs & unpack things they were taught; experiencing consequences of criminalization; getting triggered.
caring less about spending money. if you are budgeting for drugs like they are food, you are likely prioritizing them more than is healthy.
“if you are budgeting for pain management like it’s as important as food, you are likely prioritizing it more than is healthy.” health is absolutely useless as a value for me anyway, but: the food’s no good if i’m too nauseous or too dead to eat it.
prioritizing drugs over other people’s financial needs is harmful! this wouldn’t happen if food & drugs were provided to people; some people wouldn’t need as many drugs if their needs were met otherwise; people’s needs being met shouldn’t be dependent on their parent / partner / self not using drugs; this harm is not what the bullet says.
getting high to do household chores and other unpleasant things because it would suck less and be more bearable on drugs
“things should suck. because god wills it i said so.”
feeling anxious or restless while sober, not knowing what to do with oneself, feeling lost or ungrounded.
again just. what’s the problem with that. so what if being sober sucks or is boring or stressful or demanding. so what if someone decides to deal with that sober or decides to use more because of that. who gives a shit.
thinking about doing drugs constantly even while sober. maybe it's the first thing you think of when you wake up. maybe when you're bored or otherwise have free time, drugs are one of the first things you can think of to occupy yourself with.
“thinking about getting better pain management constantly when you’re in pain”
i feel like you’re gonna tell me the only thing that can really take my pain away is jesus
again like. what is the problem with doing drugs because you’re bored. why do i need to occupy myself, what, fucking productively?
going to work or school while under the influence, especially if it happens regularly and if you're seeing your performance suffer as a result.
what’s wrong with going to school high. derailing a class discussion is a dick move, maybe, but that’s not inherent to being high. work & performance are both very broad terms – a surgeon or someone operating heavy machinery not being sober is putting others at risk of harm in a way a cashier is not.
the idea of taking a 'tolerance break' sounds good to you until it's actually break time, at which point you can come up with 20 very reasonable sounding points to explain why it wouldn't benefit you actually and you should just keep doing drugs regardless.
y’all think this is incredibly circular logic too right? “drugs are bad, so telling yourself drugs are not bad is proof that they’re bad.” took me right back to the sunday school classroom and i wish i was fucking exaggerating. it’s an argument founded upon the inherent wrongness of trusting yourself – what you want to do must be wrong because you want it. this is one of the points that’s a more solid indicator of, like, “congrats! you’re now in circumstances doctors are salivating to psychiatrize as XYZ Use Disorder,” but that doesn’t make it any less nonsense as a moral argument.
even if you succeed at quitting the drug, you keep your dealer's number on your phone "just in case"
so what. what’s wrong with giving yourself the continual autonomy to choose whether or not to do drugs. what’s wrong with quitting drugs for a while and starting using again.
you pretend to be sober when you aren't. you worry about other people noticing how much time you spend high. you make efforts to hide your drug use or minimize how much other people think you're using. you're scared of other people's judgement if they were to find out.
this one might be the most ludicrous to me, which is really saying something. “if other people being bigoted towards drug users makes you pretend to use less than you do, that’s your fault & not theirs.” cool! thanks for the quick heads up to not believe a word you say!
you have mood swings laced with self-hatred, regret, financial worries, and guilt. these mood swings are then very quickly wiped away by feelings of "but it doesn't matter, i can do what i want, and clearly i'm doing just fine while using drugs frequently". news flash, if you are rapidly switching between feeling numb-ok and hating yourself more than anything because of your drug use, you are mentally ill.
again, “the norm knows you better than you know yourself, you can’t listen to yourself, the body is wrong, wanting is wrong, pleasure is wrong, you are wrong wrong wrong.” but god, what a beautiful example of how oppression is psychiatrized: it’s not enough for the oppression to have worked, the system must then convince us that the effects of it working are our own fault. it’s not enough to just kill us with us fully aware of the knife, it’s gotta convince us we’re bleeding out for no reason. if you want any moments of pleasure during your miserable godforsaken little life you’d better put your nose back on the goddamn grindstone and repent. everything around you for your entire life has told you to hate yourself for your drug use but if the combined force of that violence works you are mentally ill, and that is the worst crime of all.
according to this post, when is it okay to use drugs, then? well, not planned into your day, and not at work or school, but not when you’re bored or have been thinking about it too much, and not if anyone who’d judge you or you don’t trust knowing you’re high or you just don’t want knowing is around, and not if you don’t want to quit, but also not if you’ve quit already. you have to hate your drug use otherwise that’s proof it’s attacked your ability to care but hating your drug use is proof you should stop. #JustSayNo
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So the reddit-tier takes that Disco Elysium 'is an apolitical game that makes fun of all sides' are obviously wrong, this game is incredibly left-leaning and a basic familiarity with the text should make that clear.
But what makes Disco Elysium leftist is the problems it discusses more than anything. The game asks questions about corporate power and labor and How We Can Finally Build Communism, and even where it presents these cynically, the very fact it's asking those questions and not others is what makes it a leftist game.
(libertarian disco elysium would have a 2-hour plotline about the moralintern's gun laws, fascist disco elysium would do the same about race, etc etc)
Anyway, it's tempting to see a game ask the questions leftists ask and go "Oh, we know the answers to those" because if you're politically engaged and on tumblr you probably have a favorite brand of leftist politics and a degree of familiarity with its proposed solutions. I've seen a few posts that try to analyze disco elysium by going "Alright, so keeping in mind that Hoxhaism is obviously correct, where did the characters go wrong?". I think those posts represents a failure of the same kind as the mindset quoted in the first paragraph: a desire to apply one's own politics to the game beyond the degree warranted by the text.
But that's the point where you have to take a step back and look at the broader message of the game, because We Don't Know How We Will Build Communism (But Must Try Anyway) is a core theme as well! No, disco elysium does not specifically endorse syndicalist anarchism, it does not specifically endorse marxist-leninism, it does not endorse Sanders-style democratic socialism, it will contain a counterargument for all of those movements. It's a leftist game asking leftist questions, but there's many movements trying to answer those questions in their own way, and elevating one above all others makes for poor analysis of the text.
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luvvyouforever · 3 months
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headcanons: marriage and domesticity with acotar characters ♡
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↳ includes rhysand, feyre, azriel, cassian, morrigan, lucien, tamlin, and amren. unfortunately, those are the only characters i know well enough to write for but more will come in the future!
↳ fluff to the max and then more fluff. children, pregnancy, marriage, family, home dynamics.
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rhysand:
-strives to have a very welcoming, comforting home. buys luxurious throw pillows from stories in velaris even though you scold him for each one he adds to his already huge collection. he just wants every surface to feel comfortable so he also buys the best mattresses and couches and will spend hours in a store picking them.
-loves to have an occasional meal cooked entirely by your family. he puts on a silly apron and dances around the kitchen, sprinkling spices willy-nilly. "accidentally" gets food on your cheek which he will happily kiss away.
-feels so proud to have his own family that loves each other unconditionally and would do anything to protect that. you and your kids are the most important thing to him and he could be a very scary person if he ever feels that you're being threatened. is much more careful in his day-to-day life because he knows that there are people who wait on him to come home.
feyre:
-if you were pregnant, feyre would be as caring as she could be. she'd wait on you hand and foot and massage anything that hurt. she'd find you the best calming and soothing lotions for your tummy. every so often, she'd lay on your tummy and tell your kid all the the great things they'll be born into.
-feyre's paintings all over the house :(( she has a little art studio which is constantly messy but you proudly hang everything she does in special little spots everywhere. she loooooves doing portraits of you and the two of you together.
-her life is already very grand so she loves nothing more than having a peaceful night indoors with you. she holds out for the weekends when you can sleep in, cuddle all day, and read together. she makes the best teas and surprises you with them on cozy sunday mornings!
azriel:
-his home is immaculate, cleaned spotless, and a little minimalist. if this isn't your style, he will gladly give you the ability to decorate the space as long as it's clean. azriel scrubbing the kitchen in bright latex gloves is not a rare sight. he just likes the comfort it brings him after the gory things he does for his job.
-he gets you the prettiest, most personalized engagement ring ever. he listens to you so closely and is so attentive that he knew exactly what you would like. he had it designed by a jeweler in velaris and it's probably engraved with something incredibly sentimental.
-he loves matching clothes in the privacy of his home! like matching silk pajama sets? yes please! listen, i've said it before and i'll say it again, azriel lives for the fancier things in life and he just wants to share that with you! he encourages you to wear the same soft and comfortable pajama pants that he is.
cassian:
-destroys the house with his kids! makes a big mess while playing with them. like pillow fights and paints and water and intense acting with toys. you continuously scold him for it and he always cleans up all nice but he can't help it! he just wants to give his kids the most fun childhood ever.
-would lose his SHIT if his kids had wings oh my god. wants to show them how to fly and take them on flights above beautiful landscapes. is probably the dad to push the kid into the water to get them used to it and this applies to flying. "it's just how illyrians learn, baby!" "he's not even a full illyrian!"
-his house is colorful and full of memories everywhere. pictures of the inner circle, of you, of the kids, anyone. keeps anything his kids make him. keeps any gift you give him. tapes notes and invitations to the fridge. he's just so sentimental like that!
morrigan:
-cried like a baby at your wedding. no matter if you walked down the aisle or if she did, she was crying instantly. rhys nudged her shoulder and cassian and azriel laughed at her afterward but you only smiled at her and helped her touch up her makeup!
-is a little hesitant to begin a family. it's more to do with her past and her family than anything else. she doesn't want to give anyone that power over her. if you are really excited about starting a family, she would certainly hear you out and if it did happen, she'd be the best mother ever.
-comes home to you with gifts every day. you keep telling her you don't need them but you gotta let her spoil you! one day it is a new ring that perfectly matches the stone in your engagement ring and that you should totally put on your right hand pointer finger because it would look best!
lucien:
-would totally thrive with a big family. like he would know everyone's interests, what they're up to, their friends, their food preferences, everything. gives them all equal attention and can wrangle them all together with expertise.
-i feel like he really loves showers and baths with you. like unless he was super stinky or unless you were gone, he would just not shower unless it was with you. he loves the intimacy and the closeness it brings!! and he loves washing your hair for you or brushing it or braiding it for you!
-one of his hobbies is mixology! i can't explain it but just imagine lucien having this home bar cart with all kinds of syrups and fancy alcohols and he cares about the dates on them and pairs the perfect wine with his meals! you can give him any three words that'll describe the drink you want and he'll mix it all up and it will taste amazing!
tamlin:
-GIRL DAD! imagine him taking her out to buy dresses for anything she needs, putting little flowers in her ear when they go on walks together, doing tea parties with her. tell me you don't see this. i dare you.
-usually gets up pretty early to go and do his high lord duties but he will come and check on you throughout the day, giving you kisses and treats and notes! he always wants to spend meals with you and will stop anything he's doing if alis tells him that you're ready to eat lunch! you've never seen a man set the table faster and pat the seat next to him.
-any room in the house that you want will be yours! if you want one of the guest bedrooms to be turned into a craft studio, done. if you want a section of the library dedicated to romance books, done! i'm serious when i say he'd give you anything you want to make sure his home is just as comfy for you as it is for him.
amren:
-values alone time just as much as she values time with you. she likes when the two of you can spend time inside doing your own thing but then can come back together at night and talk about your days! she's not ashamed to ask if she can spend the night in her bed because she's had a long day! but she's always reassuring you that it has nothing to do with you so you don't worry!
-probably isn't a very big kid enjoyer but wouldn't mind adopting someone older! or, even better, a cat! amren would spoil the hell out of a cat that you raise together. "am, i don't think she needs another sweater. she doesn't like wearing them anyway." "but this one says be paw-sitive!"
-people don't believe you when you talk about how soft and sweet amren is when you're at home! they don't think that she's capable of hugging you tight and covering you in kisses but she is! she's a private gal and you respect that entirely! but you also can't help telling mor about all of the sweet things she whispers to you as you're falling asleep.
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pokemoncenter · 1 month
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On RP Etiquette
While this post is mostly intended for the Pokemon IRL RP community, the basic rules and thrust of this post should apply just as well to all RP.
(Written with help from @wingsofachampion!)
On “Yes, And”
RP, when you get right down to it, is a form of improvisational theater. Comedy, drama, the exact genre doesn’t matter, but it’s still improv all the way down. And that means the golden rule of improv still applies.
“Yes, And” is the basic rule of improv. It means: ‘Accept what came before without just shutting it down’ (“yes”), and then build on it and continue to iterate on The Bit (“and”). Sometimes, ‘Yes, But’ works just as well. What’s important is that you build on what came before without simply shutting it all down.
“No, And” can also work well. What doesn’t work is a flat ‘no’.  Those are generally discouraged, because it shuts down the RP-  Where do you go when your contributions have simply been discarded and swept away like nothing? This isn’t to say you can’t ever refuse; keeping your boundaries is just as important in RP as it is in life. But RP is a collaborative sport, and you have to keep the other party in mind as well.
As Professor Oak says, there is a time and place for everything.
Building off the previous post in a constructive way, even if it is denying it, is what is important.
To use an example:
If Sophora says legendary Pokemon do not exist, a reply of “Really? But what about [a specific legendary]?” can be acceptable or fun. So can “Yeah, and neither do flying-types!” or something similarly ludicrous. But what is not fun, is when a reply is simply “[a picture of legendary Pokemon waving at the camera right now]”. 
Similarly, for those playing sapient Pokemon or humans-turned-Pokemon, the post could be “I hate having a tail!”, and the responses could fall into several categories. “Humans don’t have tails!” would be acceptable, or “the furry RPers are weird” would be… less so but still on the safe side of the line. “[picture of you as a human right now] STOP LYING” wouldn’t be. Because, it goes back to the same thing: How is your RP partner supposed to reply to that?
Which brings us to our next point.
On Thinking Two Replies Deep
When I reply in a post, one thing I always try to keep in mind is that I have some sort of ‘hook’ in my reply for the other person to reply to. If it’s just shutting someone down entirely, there’s no possible reply other than a ‘nuh-uh’ ‘yuh-huh’ chain that would be more at home on an elementary school playground. 
It is related to “yes, and”, but still distinct. The point of it is that when you reply, you be sure to consider how others can reply. You can think of a few ways people can reply, and then go even deeper, and try to predict entire conversational flows. This way, you’re prepared, and you have a constant supply of ‘hooks’- And that means you can keep the RP going, and not shut it down.
In my case, the most common cause of me stopping replying in an RP thread is simply that I do not have anything I feel I can reply to. I have no contributions, and so I do not contribute. If there’s no hook, I can’t reply. On the other hand, just because you have a hook, doesn’t mean the thread will go exactly how you think, and a lot of the fun in RP is seeing how things go differently from what you expected.
But it’s always best to try to think two replies deep- Never just consider your reply, but consider how others will reply to your reply. 
On Checking the Pinned Post
This one, I’m not sure needs to be said, but I will re-emphasize it anyway. If you’re going to be interacting with someone to build off them, please be sure you read their pinned post. So many times I get people who are directly contradicting everything in my pinned post and it’s difficult to deal with.
On Giving and Receiving Engagement
Many people do wonder why they aren’t getting engagement. The secret answer to that is not actually secret: People will interact with who they know. If you want engagement from others, you have to give engagement to others yourself. 
If you have a new blog, no one will really know anything or interact with it until you get out there and start interacting more. And even if you are a well-established blog, that can still dry up fast if you don’t keep it going. RP is a communal sport- You have to give in order to get. This is true for engagement, for interaction, and even for the replies I was talking about from the start- You can’t get replies if you don’t give hooks.
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whiskersz · 2 months
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Hellooo!!
Is it okay if i take a slot for Adam requests?
Headcanons of Adam and his goth partner!!:3
Thanks and byebyee
Hello and sorry for the small delay! Here's a couple headcanons, hope you enjoy ;D
Adam x Goth! Reader Headcanons
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✦ With it being mainly a music-based subculture, Adam is not a stranger to Goth; being in a band and just having a passion for music, he keeps up with everything music related that people on Earth come up with, so he’s well informed on the genre and you basically don’t need to explain anything to him about it.
✦ He thinks it’s pretty neat that you’re Goth! Other than appreciating the music that you listen to and sometimes taking out his guitar to imitate the tunes, he thinks your style is, in his words, absolutely fucking rad. It’s rare to find somebody with such a good fashion sense in Heaven, to him the way other Angels dress is all the same, so it’s a breath of fresh air to have somebody around the house whose style somehow matches his.
✦ Yes, because when he’s not in his typical robe, Adam loves dressing a bit alternative, so he thinks you two match quite well. If you surprise him by wearing one of his band shirts while you’re also wearing your Goth makeup, he’s absolutely going to lose it and kiss you right then and there. He thinks you look so good and he’s not afraid of demonstrating it.
✦ He also loves the makeup; he thinks bold makeup looks are very cool and he’s quite surprisingly skilled with it as well, as he does his makeup before shows himself. He doesn’t take his mask off on the stage, but when he and the other band members celebrate they get to see his face and the look he came up with for the night. He’ll absolutely bring you along to those celebrations and brag about how good his partner looks, and how awesome you two look together!
✦ He tries to do your Goth makeup sometimes; he’s not the best at doing this on other people though, since he’s only used to doing it on himself, plus there’s some difference in the way you two apply your makeup of course so he’ll need some guidance and mutter some curse words under his breath... but it’s a fun and cute activity!
✦ You also get the privilege of doing his makeup the way you want it to. So you can technically make him Goth as well! Afterwards he’s definitely going to stare at himself in the mirror for too long and send a lot of pictures to Lute, telling her about how fucking awesome he looks!
✦ You two often dance to either his tunes or the ones of a song that you used to listen to back on Earth, while doing things around the house or simply to have some fun. He loves admiring you do it, he thinks you truly look like a vampire.
✦ The only thing he might find a little weird is if you used to engage in more particular activities that are common within the Goth community, like collecting bones or simply hanging out at the cemetery. But even then, he can’t really judge you as he is the leader of the Exorcists; he’s willing to accept you as his partner even though he might find some things about you quite unique or even odd.
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strawberry-crocodile · 2 months
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your posts about 5e are so fucking scary. you're telling me the game that intimidates me to no end already is even More Intimidating because actually most tables don't even use the same rules and you just have to juggle the rulebook and 6 homebrew sheets per game on average?? i'm already confused by how to apply skills in a session!
thank god theres simpler ttrpgs out there i think otherwise i'd just never engage with the format at all if it all was just "read a trillion words of rules and try to remember how you're supposed to bend them" instead of "reading and applying rules you can just remember as is"
5e has basically no rules for social interaction -> the DM has to do a ton of work homebrewing it, sometimes on the spot -> players have never seen these rules -> players get the impression that this system is full of arcane secrets they'll never fully learn, but at least they're like halfway there & dms get the impression that 5e having no fucking rules is a feature and not a bug and are proud of having to homebrew like 60% of a given game night -> everyone is too scared of this massive arcane buy-in to learn something new & dms are convinced that they can just homebrew anything because they're already house ruling half the game anyway
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