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pastafossa · 2 months

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Late to the party, first time watching DD completely, not in bits and pieces.

Ya know, thinking about it, in TRT, you've added ANOTHER parallel to Fisk and Matt.

They both fall in love with women who enable them.

Vanessa reassures Fisk that he's doing the right thing, that he's not to blame for what happened as a kid.

Jane reassures Matt that he's doing the right thing, that he's not to blame for what happened as a kid.

They both calm the raging fury that's inside of them.

I'd love to see Venessa and Jane have a conversation, just one. Just to see their personalities bounce off of eachother. I have a feeling Jane would start to show her teeth and Venessa would start to show her second face by the end of it.

(Not fully caught up with trt)

YESSSSSSSS! And that's the thing, like - the parallels between Matt and Fisk have always been an amazing piece of writing for me in canon. They set it up so beautifully, weaving in all these layers where you see how similar they are, but also slightly different: their first drink with their father (Matt while stitching up his dad, Fisk trying to please his dad), their father's deaths, the rage, trying to 'fix' the city, etc. And so it felt right to show something similar with Matt and Jane versus Fisk and Vanessa who, spoiler alert: I also fucking love as a couple.

Both are arguably healthy (ish) relationships in their own way. Supportive, loving. Like you said, they encourage or enabling the other depending on the circumstance/where you're standing: you're doing the right thing. I believe in you even when no one else does. You can do this. You're not to blame for what happened then. They're kind to their partners. And neither of them are as innocent as Matt and Fisk initially think.

But much like Matt and Fisk, there are slight differences, showing the different ways the wheels can turn even in similar people, namely in the way Vanessa leans into that personal darkness, and Jane is, at least for now, trying to lean away from it. Because Vanessa's very comfortable, confident with strolling through that darkness, as is fitting for a villain power couple. Jane meanwhile is more like someone who's trying for the second time to cross a Decent Person wire above a darkened I Want To Murder Many People canyon but she slipped and is now hanging onto it upside down, holding onto that rope with her teeth, fingers, and toes all while Circumstance butters her fingers and Matt desperately uses his balancing pole to swat at Circumstance from the nearby wire Matt himself is barely walking labeled 'Violent Catholic Vigilante Issues'.

ANYWAY, I agree. I think Vanessa and Jane would have a lot to talk about, and the push and pull between them both would be really interesting! Because there's so much they agree on, and yet, there's just enough different that ooooh... that slow build in tension would be delicious. How long before the masks fell, and they both got a true sense of the other? Only time would tell.

#the red thread #i love parallel characters #I LOVE THEM #SO MUCH #and all the parallels in DD is one of my favorite things about the show #Vanessa and Jane have very different backgrounds sure but they also have similar feelings towards their partners and are supportive #and act with them much the same way #which i found a FASCINATING thing to weave in #it tracks all the way back to Matt and Fisk being odd mirrors of each other: paralleled but eternally opposing forces that will always war #and that includes in relationships #they both worship the ground their ladies walk on but with these little *nudges* they're both pushing them in directions closer to themselv #Fisk bringing Vanessa into darkness with him and Matt clawing and fighting for a place in the light for Jane #god i love paralleling

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aledethanlast · 6 months

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For the last time Neil is not oblivious he's just so busy playing 5d chess with everyone he meets that the concept of regular chess baffles and bores him. Matt what do you mean I should hook up with a cheerleader can't you see I'm busy waging psychological warfare on a Frenchman.

#aftg #tfc #now in his defense #Neil grew up in a household where the default dynamic between all parties was 'barely restrained loathing'#and his version of the stranger danger talk included a section on how to be said danger #so for him this is like. the correct amount of effort you're supposed to put into your relationships #that said #post series i think Wymack starts getting a lot of REALLY weird complaints on his desk

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ayspec · 4 months

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“friendships are not lesser forms of relationships than romantic ones!” yeah!

“the idea that there’s a relationship hierarchy is bs!!” precisely!!

“you don’t need romance to be a good or ‘full’ person!!!” yes, yes, yes!!!

“because instead you can have friendship!!!! because aros still love, they just love their friends!! it’s not like we’re heartless monsters!! <333”

…sigh.

#every. single. time.#“relationship anarchy!!” until that includes folks who don’t want any relationships at all #try educating yourself on what aplatonicism and lovelessness is ffs #aplatonic #aromantic #aphobia #aplphobia #✨

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ale-arro · 7 months

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been going a little bit insane about this sentence from Ace by Angela Chen for the past week

#replace this with any other type of significant relationship too #also! this book actually rules btw i really recommend it #i didnt read it when it first cane out bc i was like. well i am already pretty familiar with asexuality and not rly interested in 101 stuff #but it turns out it doesnt feel 101-y at all its a super awesome piece of queer theory and also chen has Good opinions #and not weird watered down ones that i am sometimes wary of in aspec communities (frankly especially ace ones)#i think maybe if more people approached asexuality the way chen does (including and maybe even especially ace people)#i would be more inclined to still ID as ace #but anyways!#aro #aromantic #<- tag selections that reflect how i personally engage with this quote #also #described in alt text #also also #j tag #:/#aro media

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strawberry-crocodile · 4 months

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reasons why i point at a character and go "thats a trans girl" in no particular order

- Particularly swagful women

- I latched on to this snarky unhappy little shit in my impressionable years and ive decided they're Like Me

- Samus Aran gets her own category because holy shit girl

- This "male" character's relationship with manhood is defined by pain and coercion. He finds solace in femininity wherever he can, but some part of him deep down is broken in a way he's so far failed to fix. Also has a 90% chance of having an awful relationship with his father.

- Boy with long hair

#blogodile #the 'violent relationship to manhood' includes #shinji ikari #jeritza von hrym #guts berserk #jesse pinkman #tobias animorphs #the 'little shit' includes #edward elric #jayfeather #Toad from Evolution

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inkskinned · 1 year

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she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let

and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment

and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.

and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment

and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?

to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.

and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.

you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.

#this btw is not including toxic friendships this is legit just something ive experienced MANY times now #writeblr #you ever have a friend in one of those relationships where ur like #u don't HATE their partner explicitly #but ur like. what the fuck y'all #like the weird part of being an adult is that you can't be like . CERTAIN their relationship is toxic #and also if u move too fast or push too hard u can hurt someone who is already in a scary situation so you just are like #frozen there. laughing awkwardly. saying ''haha..... yeah..... couldn't be me....''#and like u can't tell - is this banter or does he actually think like. he's better than her.#all you can do is be there for your friend and hope they wake up to it #or ... that it really IS good #and it's just odd to you #tbh btw id rather have my friends feel safe coming to me if they have a concern about my relationship #like yes it's not ur business but it also IS bc im making u hang out with them and also ur my friend #it's a weird thing to experience as an adult bc it is such a blurry line and when u spend time #around couples that aren't like ACTUALLY ur friends but instead ''extended friend circle'' ur like #.... i don't know y'all well enough and he just called you a cow. and ur okay with that . and i don't know how to respond.#so ur like :) okay. um. go to couple's counselling i think #but also you are NOT supposed to pass judgement so it's like.... this weird limbo of feeling like you SHOULD say something #but knowing you CANNOT #idk that there's a way to resolve it!!!!!!!! it's probably a different approach person to person #edited my tags bc tumblr's new system fucked em up #PS EDIT: btw i should have said:#the pronouns in this can work in any and every direction. every gender and every sexuality and every #type of relationship tbh. even non-romantic relationships where ur like ''what do u mean ur bff calls u stupid''

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katabay · 2 months

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desmond & friends modern day assassin sequences…..I miss you……..

#specifying ‘and friends’ because I hate William Miles with my whole heart and he is not included in this sentiment #anyway vaguely this is nyc so the cops are probably wasting taxpayer money by fucking around in the subway #komiks tag #assassins creed #shaun hastings #desmond miles #this is almostttttttttttt shaundes #but I didn’t continue the dialogue far enough to make it really flirty. There’s a hint of flirting happening.#someday I’ll have to actually do a longer form fan comic to land my favorite ship AND my favorite narrative elements in the same #go (the horror and dialogues on free will and what we owe each other past/present/future & also what failure means AND-)#this ties into my second favorite relationship dynamic: clay and desmond. obvious. clay might live in my head rent free a little more than #Desmond does because that end of game reveal in AC1 is a top 10 games experience to me and I think about it all the time #ANYWAY IM OFF TOPIC NOW. desmond picks up snacks at a bodega on his way back

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bogleech · 1 month

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This is a list format microfiction I posted to my patreon last year, and have now released with some slightly expanded writing and new illustrations; I won't illustrate all my list-fiction like this, but this was my attempt to conceive of "creatures" so simple and so abstract I could illustrate most of them in only seconds and it actually isn't even definite that they're "creatures" at all, really:

There are sixteen at the link, though a couple of them couldn't be illustrated at all. I tried to make their descriptions actually more puzzling than their aesthetics :)

#fiction #creepypasta #art #creature design #spec evo #or is it?#is it spec evo if it's this removed from our reality?#does it become spec evo simply because I included what may be practical survival adaptations and ecological relationships???

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ignitesthestxrs · 5 months

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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.

and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.

idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.

which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'

*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.

#tlt #the locked tomb #i don't really have an answer lmao this is more #an expression of frustration and discomfort #over the way posts about john gaius seem to have very little connection to the background muir actually gave him #like you cant describe him as an educated leftist bisexual man #without INCLUDING that he is māori #that has an impact! that has weight and importance!#that is a background to every decision he makes #from the meat wall to the nuke to his relationship with the earth #and it also has weight and importance in the decisions that muir makes in writing him #it is not a neutral decision that he's known as john gaius lmao #it's not a neutral decision that the empire is explicitly of roman/latin extraction #it's not even neutral that this is a book about necromancy #it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush #when the nz govt decided to send cops in #like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions #and with the nature of who john is in the story #informs the narrative as a whole #and i think the tiresome part of this experience is that #in general #americans are not well positioned to understand that something might be being written from outside their experience as a default #like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information #but so much of the conversation starts from a place of having to explain that forests exist to fish

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allastoredeer · 2 months

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I don’t know why but I think it would be hilarious to see how Alastor and Lucifer would react to a reporter asking about their relationship in ur fic, since they would need to keep their facade and such.

Lucifer probably teaching Alastor how to act, since he has ‘more experience’ in romance, while Alastor reminds him that he has been dumped two times and doesn’t trust a single thing. That mental image is so priceless 😆😆

Also imagine a reporter going like “everyone in hell want to know who tops in bed?”, and lucifer almost proud goes “ofc it’s me”, meanwhile Alastor ace ass is confused as hell, cause he isn’t familiar with the term, but feels offended nonetheless lmao

Meanwhile vox is crying and eating ice cream in bed

Yes, Vox is watching this and he is crying, sobbing, on the floor.

Hehehehe Lucifer is going to have his work cut out for him in the fic, though. He's got more experience than Alastor does, and knows how to at least come off as being in a typical, allosexual relationship.

Alastor is sitting there, zoning out, because hhhhhhhhhh why does this require more effort than he thought it would.

Alastor: Let's pretend to be in a relationship

Alastor when he actually has to pretend to be in a relationship:

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charlieconwayy · 7 months

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Favorite Character Meme [4/5 Relationships]: Shawn & Feeny

"You uh, you never gave up on me. Never once. I'm not gonna forget you. You're the best person I know."

#bmwedit #boy meets world #shawn hunter #george feeny #fcmeme #this was extremely hard to get through for personal reasons #i included the “fake” scene from s7 bc gmw basically confirmed all that shit was canon #most well developed best payoff relationship of the whole series #*#gifs: bmw #how many times will i change the coloring for this meme

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what-am-i-doing-in-this-fandom · 11 days

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You know this image? Yeah, it's literally them

And their kwamis are the exact opposite

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starry-bi-sky · 19 days

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Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #amnesiac danyal al ghul au #songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart #musician danny has my heart and soul #yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks #implied good mom talia al ghul #danyal is a momma's boy send tweet #dpxdc ficlet #dpxdc prompts #dp x dc au #dp x dc fanfic #danyal is sTILL five years older than damian in this au #no beta no edits we die like danny fenton #poc danny fentons #i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense #ugh im gonna have forgotten to include things and im gonna be kicking myself later #morally ambiguous danny whoo! we love to see it #since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous #phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe #not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him

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