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#and perhaps here at some point
redrageoused · 2 months
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neils the typa guy to skate past andrew and eat shit tryin to look cool
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nevertheless-moving · 3 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell)
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yellowjacketsource · 2 months
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Jackie & Shauna (Yellowjackets, S01E10) "End of Beginning" by Djo
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hazelnutnebula · 9 months
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and what if they were in the residence. like evil.. ☠️🩸
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decamarks · 11 months
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i cannot be trusted on my own for even a single afternoon. lest i model my favorite scp for NO reason
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scooprtroopr · 3 months
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9 and 28 with steve if you ever get around to it, love you bestie 🫶
Parker, thank you for being so patient with me well I worked out how I wanted this one to go. I hope you like 🖤💕🖤💕
9. Falling in and out of sleep holding each other and admiring the other while they sleep.
28. “Oh my god, your such a cuddle bug.”
It had been a long day and between hauling boxes up to your new apartment and attempting to begin unpacking you and Steve were beyond tired. Even with boxes strewn across your would be bedroom and only a mattress to lie on, the bedframe would be delivered tomorrow, you couldn’t help the swell in your chest as you looked around. Sure the walls may be bare and things you had a lot of work to do in the coming days but you and Steve finally had a home together. Thinking about this you couldn’t help the smile the crept its way onto your face as you lay in bed. Steve’s strong arms were wrapped around your waist, an empty pizza box lay at your feet, a reminder of the celebratory dinner you had shared before the exhaustion of a fully day hit you both. 
You tried nudging the empty box with your foot in an attempt to gently move it from the bed. At your movement Steve’s arms tightened around your waist a tired, “where are you going?” leaving his lips. 
“Nowhere love, just trying to get the pizza box off the bed, didn’t mean to wake you,” you begin to roll over in Steve’s arm so you can face him, but again your movement only leads to his grip tightening, pulling you closer into him. Finally finishing rotating in his arms you can’t help but giggle, “oh my god, you’re such a cuddle bug!”
At this Steve peeks out at you with one eye, a lazy smile on his all too perfect face before he sticks his tongue out at you. “ ‘m sorry I love you so much, you can go if my cuddles are keeping you from defeating the evil pizza box” Even as exhausted as he sounds, his voice is laced with the sound of a smile. HIs one open eye closes as you snuggle in closer to him, a content sigh leaving both of you. 
It’s not long before Steve falls back asleep, and your breathing syncs with his. Up close you can’t help but look at all his delicate features. The way his eyes are gently closed, lashes fluttering every once in a while, making you wonder what he could be dreaming about. You follow the curve of his nose with your eyes, count the freckles on his face and neck, reaching out you stroke the soft skin of his cheeks. Eventually you're drawn to his lips. Lips so soft and pillowy, slightly parted as his even breaths leave his body. Lips that curve in the sweetest way when he laughs or tells you he loves you. Lips that have been the source of more pleasure than you ever thought possible. Lips that you have kissed countless times. Your mind begins to wander to all the places you and Steve have shared kisses, and to all the kisses you’ll share in this new home you get to build together. It’s with these thoughts of soft lips on yours that eventually your own eyes flutter closed, falling asleep still tangled in Steve’s arms.
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z0m-bunny · 2 months
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he got introduced to the wonderful world of monster high isn’t that neat
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rinzi · 5 months
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It's been bothering me for a few days now, so:
I saw someone's list of reasons aftg is badly written, and most of them were entirely unrelated to the writing. It was largely a list of morality complaints and matters of taste with very few actual notes on the writing itself.
Something can be amoral and well written. Something can be highly moral and poorly written. These two traits have no correlation to each other whatsoever.
I fully understand if the quality of moral expression in a work makes someone unable to enjoy reading it, but that is not the same thing as bad writing.
I'm not going to pretend the series is perfect, but there is a reason it has captured so many hearts. That reason is in the writing right there alongside the issues. You'd think with someone as complex and wonderful and deeply flawed as Andrew being the most popular character, this fandom in particular would know to appreciate something for its flaws as much as its strengths
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thelaurenshippen · 1 year
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we need more names for men in stories. as a tumblr user in certain fandoms the steve/stede, ed/eddie, buck/bucky of it all is really getting to be too much, you're always one typo away from being in a completely different universe
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whitmore · 3 months
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hm. i think acting like the current discourse is a first reaction to one misstep is a little reductive and misinformed, and i think there have clearly been underlying issues for a while now, dating back to the french joining and being ignored at every turn or the eggs going missing arc or purgatory or whatever view-changing event you want to begin your analysis from. it’s reasonable for fans to be frustrated about it, especially if it’s dismantling a section of the media they enjoyed the most; and as much as you can say sit back and let the admins work their magic, i think over the course of the past few months and mistakes a lot of viewers have lost faith solely bc there have been a lot of missteps and on top of that missteps without reconciliation, and there is a fear and very real possibility that it will not get resolved. and that’s ok too! people are also allowed to blog about that though like this is the blog site
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ride-a-dromedary · 2 months
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Wyll's relationship with alcohol/Halsin's relationship with alcohol...
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diogenes moment
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bones-of-a-rabbit · 1 year
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me, drafting the first chapter of readerbot fic: this story is about returning to safety and normalcy after long periods of repeated physical and physiological trauma and how strange and disorienting and even frightening that can be. but also its about three robots being all stupid and in love lol
me, drafting the first chapter of pawn au fic: this story is about the descent to paranoia, self doubt, and perpetual fear from a starting point of a life that couldn't be doing any better and the effects that has on a person who's eyes were blinded and their ears covered from the truth that the world bleeds eternally and constantly and they have always been standing knee deep in the gore. but also its abt three robots being all stupid and in love with a big dummy lol
me, drafting the first chapter of afton au fic: this story is about unresolved/unhealed trauma and the festering hate and loathing it brings leading to a steady descent in character and morals until you no longer recognize yourself when you look in the mirror, but being so far gone that you no longer care and, in fact, it makes you happy. but also its abt three bloodthirsty fuckos being stupid and in love lol
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paimonial-rage · 9 months
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hi! i'm the anon who requested for tighnari and "would they fix you". i like your answer, and it made me wonder... would tighnari let us fix him?
[Character Analysis Ask Meme]
Will Tighnari let you fix him?
Though many would argue with his way of going about things, let it be said that Tighnari is nothing if not purposeful. Even when he yells at the idiotic tourists gallivanting around foolishly in the Avidya Forest, indulging in his temper is not due to a loss of control. No, it is always a calculated decision. Sad to say, some people need a brutal shock to get things through their thick skulls, and if that's what it takes to save lives, so be it. Why mention this first? This is because all of Tighnari's actions are made with thought. To insinuate he needs to fix something about himself ignores the reasons why he chose to go that route in the first place.
So would Tighnari let you fix him? Not without a lot of grumbling on his part. If he cares about you enough, he will attempt to make the changes. But please expect much sarcasm muttered under his breath as he "fixes" his mistakes.
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its-wabby-stuff · 8 months
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Am I the only one who thinks Donnie would actually WANT to attach to the technodrome again?
My dad convinced me of this after our watch of the movie together, my resident Donatello and technology expert, so here goes.
Obviously, I don’t think Donnie enjoyed being RIPPED from the technodrome, and the connection process isn’t the cleanest thing, but those are the only two downsides really.
Think of what you gain. Complete control of a massive spaceship with all its crazy technology. Control at a thought, not the press of a button or flip of the wrist, a thought. All you have to do is think something and the ship will MAKE IT HAPPEN!! Do you have any idea how impressive that technology is? How incredible that feeling would be? This is the PINNACLE of technology, a once in a lifetime experience that Donnie may spend his entire life trying to recreate. I’m sure Donnie would love to do it again.
It’s like- everything he’s ever wanted.
Ripping him out might’ve been the only way to get him out.
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mariocki · 1 year
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A very brief turn by Frazer Hines, as stable hand Jem, in Peter Diamond's pilot for a proposed adventure series Lochinvar (1968). There was little interest in the pilot or any subsequent series, and ultimately the sole filmed episode was never transmitted - it survived in the hands of director/producer Diamond until his family donated the film stock to Kaleidoscope a few years ago.
#fave spotting#frazer hines#lochinvar#tv pilot#jamie mccrimmon#doctor who#classic doctor who#1968#peter diamond#an unusually small role for Frazer; he may not have been lead material‚ but he's barely onscreen 30 seconds here and was a well known tv#presence thanks to stints on Emergency Ward 10 and of course DW (which he was still starring in). possibly he did this as a favour to#Diamond; a ubiquitous stunt arranger and fight choreographer‚ this was Diamond's attempt at breaking out into production and direction but#he would have known Frazer from various jobs he'd done on DW (including Frazer's intro story The Highlanders‚ where Diamond had been fight#arranger as well as having a credited acting role as a sailor). this was shot around July '68 so presumably between Frazer's work on The#Mind Robber and The Invasion; apologies for the slightly weird stretcg effect on the pics but that's true of the materials themselves#strangely Lochinvar is not in 4:3 aspect‚ despite being quite definitely a tv pilot‚ but in a strangely unnatural widescreen as if the#masters were altered at some point in post production (perhaps for a potential cinema release as a support feature?). i can only conjecture#tho. unsurprisingly there's almost no info out there about this obscure tv film that sat in a rusty can for 50 years unseen.#also my immediate thought on reading about it was that the shooting dates Very Nearly coincide with The Mind Robber shooting#(nearly but not quite) and i excitedly wondered if maybe Frazer's infamous bout of chickenpox that saw him replaced for ep2 of that serial#had secretly been a little mischievous excuse to go away and have some fun playing with horses in Buckinghamshire... alas no#Diamond would reunite with Frazer (and Lochinvar co star Noel Coleman) for the following years The War Games where he'd again#be pulling double duty as fight arranger and (uncredited) actor. later in life he would end up doing a little more directing work for tv#but afaik the Peter Diamond Productions company that made this film never worked again
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